@mytechtoday/augment-extensions 1.6.0 → 1.6.2

package/augment-extensions/writing-standards/screenplay/cinematic-styles/narrative-theory/joseph-campbell/module.json

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+{
+  "name": "cinematic-styles-narrative-theory-joseph-campbell",
+  "version": "1.0.0",
+  "displayName": "Joseph Campbell Style Guide",
+  "description": "Screenplay style guide for Joseph Campbell",
+  "type": "writing-standards",
+  "category": "screenplay/cinematic-styles/narrative-theory",
+  "tags": [
+    "screenplay",
+    "cinematic-style",
+    "narrative-theory",
+    "framework",
+    "joseph-campbell"
+  ],
+  "dependencies": {
+    "required": [],
+    "optional": [
+      "writing-standards/screenplay"
+    ]
+  },
+  "augment": {
+    "characterCount": 5000,
+    "priority": "medium",
+    "category": "cinematic-styles",
+    "appliesTo": {
+      "filePatterns": [
+        "**/*.fountain",
+        "**/*.screenplay",
+        "**/screenplay/**/*.md",
+        "**/screenplays/**/*"
+      ],
+      "languages": [
+        "fountain",
+        "markdown"
+      ]
+    }
+  },
+  "installation": {
+    "required": false,
+    "steps": [
+      "Link module: augx link writing-standards/screenplay/cinematic-styles/narrative-theory/joseph-campbell",
+      "Configure active style in .augment/screenplay-config.json"
+    ]
+  },
+  "contents": {
+    "rules": [
+      "joseph-campbell.md"
+    ]
+  }
+}

package/augment-extensions/writing-standards/screenplay/cinematic-styles/narrative-theory/joseph-campbell/rules/joseph-campbell.md

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+# Joseph Campbell's Heroic Journey (Monomyth) Style Guide  
+
+## Table of Contents
+- [Table of Contents](#table-of-contents)
+- [Introduction – The Monomyth as the Deep Structure of All Great Stories](#introduction-the-monomyth-as-the-deep-structure-of-all-great-stories)
+- [Overall Tone and Thematic DNA – Mythic Elevation, Psychological Initiation, Symbolic Alchemy, Cyclical Renewal, and Universal Human Truth](#overall-tone-and-thematic-dna-mythic-elevation-psychological-initiation-symbolic-alchemy-cyclical-renewal-and-universal-human-truth)
+- [Narrative Architecture – 17-Stage Monomyth Cycle (Campbell) + Modern 12-Stage Adaptation (Vogler)](#narrative-architecture-17-stage-monomyth-cycle-campbell-modern-12-stage-adaptation-vogler)
+- [Character Construction – Archetypal Figures with Psychological & Symbolic Depth](#character-construction-archetypal-figures-with-psychological-symbolic-depth)
+- [Dialogue Mechanics – Mythic, Resonant, Archetypal, Emotional](#dialogue-mechanics-mythic-resonant-archetypal-emotional)
+- [Visual Language & Symbolic Grammar – Mythic Motifs & Archetypal Imagery](#visual-language-symbolic-grammar-mythic-motifs-archetypal-imagery)
+- [Practical Screenwriting Advice – Applying the Monomyth](#practical-screenwriting-advice-applying-the-monomyth)
+- [Quick Reference – Monomyth Checklist (Expanded)](#quick-reference-monomyth-checklist-expanded)
+
+## Introduction – The Monomyth as the Deep Structure of All Great Stories
+Joseph Campbell (1904–1987), the comparative mythologist, lecturer, and author, distilled thousands of years of global storytelling into a single, elegant pattern he called the "monomyth" or "hero's journey" in his landmark 1949 book *The Hero with a Thousand Faces*. Drawing from Jungian archetypes, world mythology (Greek, Norse, Hindu, Native American, African, Aboriginal, Mesopotamian, Celtic, Arthurian, Biblical, Buddhist, Taoist, shamanic traditions), fairy tales, and rites of passage, Campbell demonstrated that virtually every enduring hero tale follows the same psychological and symbolic structure: a hero leaves the ordinary world, enters a realm of supernatural wonder, faces trials that test body, mind, and spirit, dies to the old self, is reborn with new wisdom, and returns to transform the world they left behind.
+
+This is not a rigid template but a flexible map of human transformation. George Lucas openly modeled the original *Star Wars* trilogy on Campbell’s framework (with direct consultation via Campbell’s PBS series *The Power of Myth*). The pattern appears in *The Lord of the Rings*, *Harry Potter*, *The Matrix*, *The Lion King*, *The Wizard of Oz*, *The Karate Kid*, *Iron Man*, *Moana*, *Black Panther*, *Dune* (Paul Atreides arc), *The Silence of the Lambs* (Clarice Starling), *The Shawshank Redemption*, Pixar’s *Finding Nemo*, *Up*, *Inside Out*, and countless video games (*The Legend of Zelda*, *The Last of Us*, *God of War*). The Hero’s Journey is not genre-specific; it adapts to fantasy, science fiction, coming-of-age, war stories, crime dramas, biographies, sports narratives, love stories, and even corporate leadership journeys.
+
+Unlike Kubrick’s existential detachment, Coppola’s operatic tragedy, Scorsese’s Catholic guilt, Spielberg’s redemptive humanism, Lucas’s serialized spectacle, Villeneuve’s atmospheric dread, Nolan’s temporal puzzles, Anderson’s symmetrical whimsy, Lynch’s surreal subconscious, the Coens’ mordant irony, or Tarantino’s pop-culture dialogue, Campbell’s monomyth is psychologically universal, symbolically rich, spiritually oriented, emotionally transformative, and archetypally optimistic—it affirms that every individual carries the potential for heroic growth, no matter how ordinary or broken they begin.
+
+This ultra-expanded guide dissects the full 17-stage monomyth (as outlined by Campbell), with modern 12-stage adaptations (Vogler), real-world and mythic examples from every continent and era, scene-by-scene breakdowns from major films, structural rules with genre adaptation guidelines, symbolic grammar, character archetypes with psychological depth, dialogue mechanics with archetypal resonance, conflict philosophy with trial principles, motif integration guidelines, visual & auditory principles for screen & prose, ethical storytelling considerations, cross-media application rules (film, novels, games, comics), and practical writing habits drawn from Campbell-influenced creators (Lucas, Vogler, Rowling, Pixar, Nolan, Villeneuve, etc.).
+
+## Overall Tone and Thematic DNA – Mythic Elevation, Psychological Initiation, Symbolic Alchemy, Cyclical Renewal, and Universal Human Truth
+- **Transformative Optimism Grounded in Real Struggle and Symbolic Death/Rebirth**  
+  The Hero’s Journey tone is one of mythic elevation and psychological realism: it begins in relatable discontent or limitation, moves through perilous wonder and soul-crushing trial, reaches ecstatic revelation or tragic crisis, and resolves in hard-won renewal that benefits both hero and community.  
+  - *The Odyssey* (Homer, ~8th century BCE): Odysseus begins in war-weary longing for home → endures twenty years of supernatural trials (Cyclops, Sirens, Scylla & Charybdis, Calypso) → symbolically dies and is reborn through disguise and trials on Ithaca → returns to restore order. Tone: epic adventure laced with tragic loss and triumphant homecoming.  
+  - *Star Wars: A New Hope* (1977): Luke begins in farm-boy discontent → receives call (Leia’s message) → refuses then accepts (aunt/uncle killed) → faces trials (Death Star rescue) → achieves revelation (destroys Death Star with Force trust) → returns as hero. Tone: childlike wonder meets real loss and earned triumph.  
+  - *The Lord of the Rings* (Tolkien): Frodo begins in idyllic Shire → called to destroy Ring → refuses comfort → endures soul-destroying trials (Shelob, Mordor) → symbolically dies under Ring’s weight → is saved by Sam → returns to heal Shire. Tone: pastoral innocence → epic tragedy → quiet, bittersweet renewal.  
+  - *The Matrix* (1999): Neo begins in existential discontent → called by Morpheus → refuses then accepts red pill → endures training and death → resurrects with full realization → returns to free others. Tone: philosophical unease → cyberpunk action → transcendent hope.  
+  - *Moana* (Disney, 2016): Moana begins in island-bound frustration → called by ocean → refuses parental safety → endures trials (Te Kā, Maui) → symbolically dies confronting heart of Te Fiti → restores life to ocean. Tone: vibrant wonder → mythic peril → ecological redemption.  
+  → **Core Principle**: Journey tone must evolve from ordinary limitation → adventurous wonder → soul-crushing ordeal → revelatory insight → hard-won renewal. Optimism is earned through real suffering; never cheapen transformation with easy wins.
+
+- **Thematic Pillars – A Comprehensive Mythic-Psychological-Symbolic Framework**  
+  1. Separation / Departure: Leaving the known world—guideline: Hero must be discontent or called away (Bilbo’s boredom, Simba’s exile).  
+  2. Initiation / Descent: Entering the unknown, facing death/rebirth—example: Jonah in whale, Christ in tomb, Neo’s “death.”  
+  3. Return / Integration: Bringing elixir back to heal society—guideline: Hero must return transformed (Frodo returns with wisdom, though scarred).  
+  4. Threshold Guardians & Shapeshifters: Tests of commitment—rule: Use to reveal hero’s fears and growth.  
+  5. Shadow Confrontation: Meeting the dark self—example: Luke vs. Vader, Harry vs. Voldemort.  
+  6. Atonement with the Father: Reconciling with authority/power—guideline: Often literal (Luke & Vader) or symbolic.  
+  7. Apotheosis: Hero becomes god-like through insight—example: Neo as The One, Simba as true king.  
+  8. Ultimate Boon / Elixir: Gift that renews world—rule: Can be wisdom, object, or self-realization.  
+  9. Refusal of the Return: Hero hesitates to leave bliss—guideline: Creates tension before final integration.  
+  10. Magic Flight / Rescue from Without: Escape with boon—example: Odysseus aided by Athena.  
+  11. Crossing the Return Threshold: Re-entering ordinary world—rule: Hero must integrate wisdom into everyday life.  
+  12. Master of Two Worlds / Freedom to Live: Hero lives in balance—guideline: Ends in harmony or new cycle.  
+  → **Integration Rule**: Adapt the 17 stages freely—modern stories often condense to 8–12 beats. Use symbols (sword, ring, elixir, dragon, mentor, threshold) to unify narrative across acts.
+
+- **Tone Spectrum and Modulation Guidelines**  
+  Ordinary-world limitation / restlessness → adventurous wonder / call → perilous dread / trials → tragic crisis / symbolic death → ecstatic revelation / rebirth → triumphant return / renewal. Humor lightens early stages; tragedy peaks in ordeal; hope resolves.  
+  - Modulation Rule: Shift tones through symbolic events, mentor wisdom, shadow confrontations, and elixir return—use music, visual motifs, and character relationships to guide emotional arc.
+
+## Narrative Architecture – 17-Stage Monomyth Cycle (Campbell) + Modern 12-Stage Adaptation (Vogler)
+- **Departure (Stages 1–5)**  
+  1. Ordinary World: Establish hero’s normal life and flaw.  
+     - Luke on Tatooine; Harry in cupboard under stairs.  
+  2. Call to Adventure: Catalyst disrupts status quo.  
+     - Leia’s hologram; Dumbledore’s letter.  
+  3. Refusal of the Call: Hero hesitates (fear, doubt).  
+     - Luke: “I can’t get involved.”  
+  4. Meeting the Mentor: Wise guide provides aid.  
+     - Obi-Wan gives lightsaber; Gandalf pushes Frodo.  
+  5. Crossing the First Threshold: Irreversible commitment.  
+     - Leaving Tatooine; entering Mordor.  
+  → **Rule**: Make refusal relatable—show real fear before commitment.
+
+- **Initiation (Stages 6–11)**  
+  6. Tests, Allies, Enemies: Build team, face challenges.  
+     - Han, Leia, Chewie; Ron & Hermione.  
+  7. Approach to the Inmost Cave: Prepare for supreme ordeal.  
+     - Death Star trench; Mount Doom.  
+  8. Ordeal: Symbolic death & rebirth.  
+     - Luke trusts Force; Frodo & Sam at Cracks of Doom.  
+  9. Reward (Seizing the Sword): Gains boon.  
+     - Death Star plans; Ring destroyed (partial).  
+  10. The Road Back: Return journey begins.  
+     - Escape from Death Star; flight from Mordor.  
+  11. Resurrection: Final test of transformation.  
+     - Luke’s final trench run; Aragorn’s coronation battle.  
+  → **Rule**: Ordeal must be ego-death moment; resurrection proves change.
+
+- **Return (Stages 12–17)**  
+  12. Return with the Elixir: Hero brings gift home.  
+     - Hope for Rebellion; renewed Shire.  
+  13. Refusal of the Return (optional): Hesitation to reintegrate.  
+     - Frodo’s reluctance to stay in Shire.  
+  14. Magic Flight / Rescue from Without: Escape with boon.  
+     - Eagles rescue Frodo & Sam.  
+  15. Crossing the Return Threshold: Re-entering ordinary world.  
+     - Luke’s medal ceremony; Simba’s Pride Rock return.  
+  16. Master of Two Worlds: Balances ordinary & special.  
+     - Luke as Jedi and farm boy; Harry as wizard and orphan.  
+  17. Freedom to Live: Lives without fear of death.  
+     - Hero at peace with destiny.  
+  → **Rule**: Return must show transformation—hero renews ordinary world.
+
+## Character Construction – Archetypal Figures with Psychological & Symbolic Depth
+- **The Hero**  
+  Ordinary individual with latent greatness.  
+  - Luke: Orphan farmer with Force potential.  
+  - Frodo: Reluctant ring-bearer.  
+  → **Guideline**: Hero begins flawed (fear, doubt, comfort); ends transformed.
+
+- **Mentor**  
+  Wise guide providing knowledge, tools, motivation.  
+  - Obi-Wan/Yoda; Gandalf; Dumbledore.  
+  → **Rule**: Mentor often dies/sacrifices to force independence.
+
+- **Threshold Guardian**  
+  Tests commitment.  
+  - Jabba’s palace guards; Whomping Willow.  
+  → **Guideline**: Overcome through wit, courage, or ally.
+
+- **Herald**  
+  Issues call to adventure.  
+  - R2-D2’s message; Harry’s Hogwarts letter.  
+  → **Rule**: Herald disrupts status quo dramatically.
+
+- **Shapeshifter**  
+  Ambiguous ally/enemy.  
+  - Han Solo (cynic to hero); Severus Snape.  
+  → **Guideline**: Creates doubt and growth.
+
+- **Shadow**  
+  Hero’s dark mirror.  
+  - Darth Vader (Luke’s father); Voldemort.  
+  → **Rule**: Confrontation is self-confrontation.
+
+- **Trickster**  
+  Comic relief, rule-breaker.  
+  - Han Solo; Fred & George Weasley.  
+  → **Guideline**: Lightens tension, reveals truth.
+
+## Dialogue Mechanics – Mythic, Resonant, Archetypal, Emotional
+- **Iconic, Quotable, Archetypal Lines**  
+  Dialogue is direct, mythic, emotionally clear.  
+  - “May the Force be with you.”  
+  - “Do or do not. There is no try.”  
+  - “All we have to decide is what to do with the time that is given us.”  
+  → **Guideline**: Craft lines for legacy and emotional resonance.
+
+- **Mentor Wisdom & Hero Declarations**  
+  Mentor speaks in proverbs; hero speaks from heart.  
+  - Yoda’s inverted syntax; Luke’s “I’ll never join you!”  
+  → **Rule**: Use dialogue to reveal transformation.
+
+## Visual Language & Symbolic Grammar – Mythic Motifs & Archetypal Imagery
+- **Core Symbols**  
+  - Sword (power, destiny)  
+  - Elixir (boon, wisdom)  
+  - Dragon/shadow (fear, repressed self)  
+  - Threshold (door, gate, portal)  
+  - Mentor gift (lightsaber, wand, ring)  
+  → **Guideline**: Use recurring symbols across acts.
+
+## Practical Screenwriting Advice – Applying the Monomyth
+- Read Campbell & Vogler deeply.  
+- Map story against 12/17 stages first.  
+- Adapt flexibly—modern stories often condense.  
+- Internalize journey psychologically.  
+- Use symbols consistently.  
+- Balance external adventure with internal growth.  
+- Guideline: Write character arc first, plot second.
+
+## Quick Reference – Monomyth Checklist (Expanded)
+- [ ] Ordinary World with clear discontent  
+- [ ] Call to Adventure (external catalyst)  
+- [ ] Refusal of the Call (fear/doubt)  
+- [ ] Meeting the Mentor (gift/tool)  
+- [ ] Crossing the Threshold (irreversible)  
+- [ ] Tests, Allies, Enemies (team-building)  
+- [ ] Approach to Inmost Cave (preparation)  
+- [ ] Ordeal (death/rebirth)  
+- [ ] Reward (boon/elixir)  
+- [ ] Road Back (return journey)  
+- [ ] Resurrection (final test)  
+- [ ] Return with Elixir (renewal)  
+
+Write with Campbell’s mythic vision: craft stories that mirror the soul’s journey—where every hero’s adventure is every human’s initiation into greater wholeness.

package/augment-extensions/writing-standards/screenplay/cinematic-styles/narrative-theory/module.json

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+{
+  "name": "cinematic-styles-narrative-theory",
+  "version": "1.0.0",
+  "displayName": "Cinematic Styles - Narrative Theory",
+  "description": "Foundational narrative theory and storytelling frameworks",
+  "type": "writing-standards",
+  "category": "screenplay/cinematic-styles",
+  "tags": [
+    "screenplay",
+    "narrative-theory",
+    "hero-journey",
+    "mythology",
+    "structure"
+  ],
+  "augment": {
+    "characterCount": 18000,
+    "priority": "high",
+    "subModules": [
+      {
+        "id": "joseph-campbell",
+        "name": "Joseph Campbell",
+        "description": "Joseph Campbell style guide",
+        "path": "joseph-campbell/"
+      }
+    ]
+  }
+}

package/augment-extensions/writing-standards/screenplay/cinematic-styles/producers/bruckheimer-and-simpson/module.json

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+{
+  "name": "cinematic-styles-producers-bruckheimer-and-simpson",
+  "version": "1.0.0",
+  "displayName": "Bruckheimer And Simpson Style Guide",
+  "description": "Screenplay style guide for Bruckheimer And Simpson",
+  "type": "writing-standards",
+  "category": "screenplay/cinematic-styles/producers",
+  "tags": [
+    "screenplay",
+    "cinematic-style",
+    "producer",
+    "production",
+    "bruckheimer-and-simpson"
+  ],
+  "dependencies": {
+    "required": [],
+    "optional": [
+      "writing-standards/screenplay"
+    ]
+  },
+  "augment": {
+    "characterCount": 5000,
+    "priority": "medium",
+    "category": "cinematic-styles",
+    "appliesTo": {
+      "filePatterns": [
+        "**/*.fountain",
+        "**/*.screenplay",
+        "**/screenplay/**/*.md",
+        "**/screenplays/**/*"
+      ],
+      "languages": [
+        "fountain",
+        "markdown"
+      ]
+    }
+  },
+  "installation": {
+    "required": false,
+    "steps": [
+      "Link module: augx link writing-standards/screenplay/cinematic-styles/producers/bruckheimer-and-simpson",
+      "Configure active style in .augment/screenplay-config.json"
+    ]
+  },
+  "contents": {
+    "rules": [
+      "bruckheimer-and-simpson.md"
+    ]
+  }
+}