@museumwnf/explore-data 1.0.1 → 1.0.2

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-{"003d08dc-6215-5320-a8d3-88161baeb779":{"title":"EXPLORE il Barocco","description":""},"01a72572-7c98-58e6-a882-419c02a02266":{"title":"Naro","description":""},"01a7fa99-c5d0-5d91-9ed4-e4777a00cdf8":{"title":"Sicilia","description":""},"03c282d2-2529-53b9-8191-1923525a897d":{"title":"Mili San Pietro","description":""},"09172371-9546-5403-ac47-30dc619130e1":{"title":"Villa Comunale e Ville di inizio ‘900","description":"","extra":{"duration":"un’ora"}},"09a80d2d-7b45-5f82-bc7a-2cd35940101c":{"title":"Salemi","description":""},"0f81c3b9-80c2-5ff5-83a7-87b8562d66e6":{"title":"Casa, cucina e coro: vita quotidiana e liturgica","description":"The Mudejar style was not only used for religious architecture as might be supposed from the many buildings of this type that are preserved in Spain. The same simple materials, bricks, cob-walls, wood and plaster, all of which were materials used in the construction of churches and convents, were also used in the construction of different kinds of civil and military architecture too. The development of this utilitarian architecture was greatly influenced by several considerations: the need to economise on materials and to be able to obtain the necessary supplies from those available locally; to avoid costly transportation and expensive specialised workers, such as stonemasons.  \n  \nThis same humble vocation explains how Mudejar art and architecture was used also to satisfy the needs of the lower economic strata of the population and left its mark on objects of everyday use in the late Medieval and early Renaissance periods.  \n  \nDaily life in the house was very similar to that in the convents or palaces and fortunately the history of these day-to-day tasks can be followed perfectly thanks to the many objects that have been preserved.","extra":{"duration":"Mezza giornata","et_title":"IAM;es;I;en;1","introd_type":"ET-short#-"}},"143e9672-3bc4-55a0-9093-7b1787a8d765":{"title":"Altavilla Milicia","description":""},"15d8f143-900b-5db2-993f-effc1c740066":{"title":"Le chiese-fortezza della frontiera con la Castiglia","description":"The valley of the River Jalón – the largest tributary of the River Ebro on the right bank – is the most important Mudejar area in Aragon. These lands of the ancient community of Calatayud had large Mudejar and Morisco populations before they were expelled in the 17th century.  \n  \nThe objective of the route is to present Mudejar as a valley culture, developing one main theme and two complementary ones. The main motive of the itinerary is approached from the start, in the Church of the Virgin in Tobed, and forms the backbone of the whole. It consists of examining in depth a unique architectural typology, which is a genuine creation of Mudejar art in Aragon: the fortified church.  \n  \nThe other two motives to consider during this itinerary are equally interesting, although complementary. One of them emphasises the authority of the Muslim masters of works. This is the case of Yuçaf Adolmalih, or of the famous master of works of Benedict XIII, the Muslim Mahoma Rami. The second is to underline the harmony between the Oriental and Occidental artistic languages in the churches in this area, between the Mudejar interiors and the splendid altarpieces of Gothic art.","extra":{"duration":"Una giornata","et_title":"IAM;es;V;en;1","introd_type":"ET-short#-"}},"1a03c051-4560-5817-8bd7-9d5511c58e19":{"title":"Valmontone","description":""},"1fe7b005-0804-51de-9ff3-f38214ab42b1":{"title":"Castelli Romani","description":""},"2116aa4f-1d72-55bc-91c3-024d3de686bf":{"title":"Medicina","description":""},"25508345-c342-5e46-8fee-afd41e6b9dfd":{"title":"EXPLORE il Patrimonio Islamico del Mediterraneo","description":""},"26846198-61a1-5b1d-ad44-1c83a106c373":{"title":"Grottaferrata","description":""},"291efb8d-da4b-5c9b-98fb-85346d5f7f23":{"title":"Conseguenze della nascita delle cattedrali gotiche. Le opere in laterizio","description":"The beginning of the great Gothic cathedrals in Castilla and León – Burgos (1222), León (1255) or Palencia (1321) – and of the great monastic foundations – Las Huelgas in Burgos (around 1180), coincides historically with the conversion of unfinished Romanesque buildings into brick architecture.  \n  \nThe enormous amount of tithes and taxes needed to build one of these colossal works and the vested interests of all the guilds of master craftsmen involved in their construction – stonemasons, carpenters, plasterers, stucco artists or painters – in ensuring that the work lasted as long as possible, is without any doubt at all the reason that so much rural religious architecture remains unfinished and was left very badly off in so far as materials, transport and workmen were concerned.  \n  \nAway from the Camino de Santiago (The Way of St James) and apart from the great monastic centres, it is difficult to find completed Romanesque buildings. In general terms, the Romanesque buildings in this region conserve their sanctuaries and the front parts of their first bays, vaulted in the early years of the 13th century and left in an unfinished state, waiting for a chance to complete them. In this way brick architecture was popularised in Castilla, which helped to satisfy the demand for workmen for these rural buildings in a simple and economical way.","extra":{"duration":"Una giornata","et_title":"IAM;es;VIII;en;1","introd_type":"ET-short#-"}},"2bccad7b-c15a-51ff-b490-40fef5f9b524":{"title":"Erice","description":""},"31e5d2b4-692b-5e7b-9fc4-9d10025c2f3e":{"title":"Racalmuto","description":""},"333bd404-e9e3-54a8-8aa2-bb30cfc82c46":{"title":"Ariccia","description":"L'antica *Aricia* fu insigne città preromana e città di riferimento della Lega Latina, per la presenza sul suo territorio del Santuario di Diana, uno dei tre principali luoghi di culto della confederazione dei popoli latini. Le ambizioni egemoniche degli Etruschi verso il Lazio meridionale vennero stroncate alla fine del VI secolo a.C. con la celebre battaglia di *Aricia*.  \nPresente nella battaglia del lago Regillo, *Aricia* partecipò nel 493 a.C. alla stipulazione del *Foedus Cassianum*. A seguito della sistemazione della Via Appia a partire dal 312 a.C., l'abitato si spostò dall'alto dell'acropoli (attuale Centro Storico) verso la valle che si popolò di *tabernae*, magazzini, templi, edifici pubblici e mercati organizzati in un vero e proprio Foro di cui l'arco, detto “Basto del Diavolo”, costituisce testimonianza di uno degli ingressi. Numerosi aricini furono insigniti di importanti cariche pubbliche in Roma e originaria di Aricia fu anche la famiglia materna di Augusto.  \n  \nTravolta dal processo di decadenza dell'impero romano, Aricia sopravvisse all'assalto dei Vandali, ma al volgere del V secolo dovette soccombere ai saccheggi e agli attacchi delle orde barbariche dilaganti nella campagna romana, prima, e alle incursioni saracene dopo. Lentamente la popolazione locale arretrò verso l'acropoli e le zone più a monte.  \nDal 981 divenne feudo della potente famiglia dei Conti di Tuscolo, passò quindi ai Malabranca che diedero inizio ad importanti opere di fortificazione, scegliendo la zona oggi occupata dal Palazzo Chigi, per costruire una torre a difesa dell'accesso settentrionale, rivolto verso l'attuale Via dei Laghi, divenuto accesso principale all'abitato a causa dell'abbandono dell'Appia Antica. Dal dominio dei Malabranca, l'usufrutto del feudo di Ariccia di proprietà ecclesiastica, passò ai monaci di S. Anastasio alle Tre Fontane, ai Colonna, ai Monaci di Grottaferrata, ma dell'antico splendore, non rimanevano che sempre più povere rovine.  \n  \nNel 1473 divenne proprietà dei Savelli che avviarono la ricostruzione dell'abitato distrutto, dotandolo di servizi, adeguate fortificazioni e inaugurando, agli inizi del Cinquecento, la costruzione dell'imponente palazzo baronale.  \nIl feudo fu acquistato nel 1661 dai Chigi. Caso eccezionale nella storia dell'urbanistica, il borgo fu completamente riprogettato e attrezzato dal genio architettonico di Gian Lorenzo Bernini che non solo ridisegnò il Palazzo, progettò la Piazza di Corte, eresse il complesso dell'Assunta, gli Stalloni, la Porta Napoletana, ma sistemò anche la viabilità interna e qualificò il tessuto edilizio. I recenti lavori di sistemazione della Piazza hanno consentito, compatibilmente con le esigenze moderne di vita del paese, di recuperare il valore architettonico del prezioso complesso.  \n  \nNel 1854 venne inaugurato il Ponte Monumentale, una delle più grandiose opere di ingegneria dello Stato Pontifico, realizzato su commissione di Pio IX (1846-1878).  \nAriccia è conosciuta nel mondo anche come la terra della porchetta. Ovunque ad Ariccia si possono trovare botteghe e osterie (fraschette) che propongono questo prodotto tipico, i cui segreti di lavorazione risalgono a più di 26 secoli fa. La porchetta aricina non era meno richiesta (ventre falisco) nell'antica di Roma di quanto non lo sia oggi.","extra":{"info":"Per la visita di Ariccia bisogna calcolare almeno una giornata intera. Alla voce **“Itinerari”**, ci sono le nostre proposte di visita, suddivise in tre categorie: **EXPLORE Ariccia - Anche da non perdere - Per i più curiosi**. Per alcuni insiemi di monumenti, oltre alla scheda principale, possono essere consultate anche delle schede particolareggiate alla voce **“Per saperne di più”**. A tale proposito va menzionato che la maggior parte delle schede in PDF, disponibili alla voce “Per saperne di più” fanno parte del censimento del patrimonio artistico ed architettonico del Comune di Ariccia, realizzato nel 2011 dall'arch. Francesco Petrucci.  \nPer gli orari di apertura di Palazzo Chigi e le possibilità di visita degli altri monumenti vedere le schede corrispondenti. Le chiese sono normalmente chiuse tra le 12.30 e le 15.30 circa.  \n  \nSuggeriamo di abbinare la visita di Ariccia con la degustazione della famosa porchetta (vedere anche Dove mangiare) o con un'escursione a piedi nei dintorni (vedere Escursioni).  \n  \nAriccia è gemellata con  \nAmgal (Repubblica Araba Democratica del Saharawi)  \nCournon d'Auvergne (Francia)  \nLichtenfels (Germania)","prepared_by":"Museo Senza Frontiere (Saverio Capozzi) sulla base di materiale fornito da:  \nArch. Francesco Petrucci; © Museum With No Frontiers (MWNF).","how_to_reach":"**In macchina**: sulla Via Appia Nuova (SS 7), 28 km da Roma, in direzione Sud. All'entrata di Ariccia si seguono le indicazioni per il parcheggio ai piedi del Ponte Monumentale, dove un ascensore panoramico su Parco Chigi permette di raggiungere comodamente Piazza di Corte, il centro storico e la zona delle Fraschette. In alternativa si può trovare posto per lasciare l'auto in uno dei parcheggi distribuiti un po' dappertutto sul territorio comunale. Tutti i parcheggi sono a pagamento per i non residenti.  \n  \n**In treno e/o pullman**: Ariccia è facilmente raggiungibile anche con i mezzi pubblici: dalla Stazione di Roma Termini si prende il treno regionale per Albano Laziale (partenza ogni ora, [www.trenitalia.com](https://www.trenitalia.com), tempo di percorrenza 50 minuti circa). Uscendo dalla stazione di Albano Laziale si sale la scalinata di fronte che attraversa un parco e si raggiunge l'Appia Nuova (in questo tratto chiamata Corso Matteotti); si prosegue a destra e dopo 15/20 minuti si raggiunge Ariccia, costeggiando dall'alto la tomba degli Oriazi e Curiazi e attraversando il ponte monumentale in vista del Palazzo Chigi e della Chiesa dell'Assunta. Sull'Appia Nuova passa anche il minibus-navetta che collega Albano, Ariccia e Genzano (circa tre corse all'ora). In alternativa al treno si possono prendere i pullman Cotral che partono dall'Anagnina, capolinea Metro A, in direzione Velletri (circa due partenze all'ora, [www.cotralspa.it](https://www.cotralspa.it/)); in questo caso conviene scendere ad Albano Laziale e prendere il minibus-navetta che parte dallo stesso piazzale o proseguire a piedi (vedere sopra); da quando il ponte monumentale è stato chiuso ai mezzi pesanti, la fermata dei pullman Cotral nel centro di Ariccia è stata soppressa."}},"3bd2a83c-a7d1-563a-9483-3a0bae6d0e2e":{"title":"Palestrina","description":""},"44157ab4-ab4d-57d5-a66b-30b590fc13f0":{"title":"Altofonte","description":""},"57cc47d2-0ab8-5c97-9280-6d08d20d88c2":{"title":"Mussomeli","description":""},"5832c384-a296-5aad-bd78-97b1516eb533":{"title":"L'Arte Mudejar. L'estetica islamica nell'arte cristiana","description":"","extra":{"duration":"XIII Percorsi","introd_type":"other-intro#3"}},"5a03cfd5-7b41-586e-b2c8-1d86d928cbc2":{"title":"EXPLORE Portogallo","description":""},"5b35f0d9-5f54-5cad-81c1-3f3f0bd2b7b3":{"title":"Frascati","description":""},"5bf8ea89-82d0-5d58-9054-c4e95787b59c":{"title":"L'impronta del passato: chiese, sinagoghe e palazzi","description":"Among the many Mudejar buildings conserved in Toledo, those included in this itinerary are the most representative and have been chosen to illustrate both the various functions of churches, palaces, synagogues or gates in the city walls, as well as to explore the stylistic evolution of these models. These buildings are in different parts of the city, leading the visitor, therefore, through an itinerary that includes the streets and which allows the Islamic traces to be seen in the urban plan in order to appreciate the various functions of the different sectors – commercial, residential, the Jewish Quarter – which defined Toledo as a Mudejar city, the heir of the earlier Hispano-Muslim Toledo.  \n  \nIncorporated into the Crown of Castilla in 1085, the conditions of the capitulation guaranteed the Muslims who remained in the city the right to retain their goods and their religion, their language and their own judges. In this way Toledo became the prototype of what Torres Balbás called “Mudejar cities”, the result of the transformation of Muslim cities once occupied by Christians.","extra":{"duration":"Una giornata","et_title":"IAM;es;IX;en;1","introd_type":"ET-short#-"}},"5d4a3620-0251-5cbe-949d-7c8425b68093":{"title":"Taormina","description":""},"5f6974c9-bd97-584b-aace-0aa37a73d040":{"title":"Piazza di Corte e Centro Storico","description":"","extra":{"duration":"mezza giornata"}},"603250a7-4665-5a6f-8aa8-b1688e75b35d":{"title":"Bologna","description":""},"60530d47-fa51-5a8e-af81-c9cc714229b4":{"title":"Figlie di re e di nobili: attraverso i conventi delle clarisse","description":"Some daughters of kings and of the more important families of the Castile and Leon nobility swelled the nuns' communities in the region. The Cistercian and St Clare's orders gladly took them in and entrusted them relevant charges. Their economic contributions gave to many 14th–16th-century Cistercian and St Clare's convents the spacious and stately habitability which is still their characteristic.  \n  \nMaría de Padilla (?–1361) as well as her daughters Beatriz (1353–?) and Constanza (1354–?), born from her relations with Pedro I of Castile (1334-69), stayed in the unfinished palaces in Astudillo and Tordesillas. Women of the families Manrique, Castañeda, Enríquez and others bequeathed their houses and goods to the convents in Calabazanos, Carrión de los Condes and Palencia. It is difficult to find a convent in the region where a family of the local nobility did not leave their mark.  \n  \nBeside the conventual architecture, there is another distinctive style of religious architecture in the main towns of Tierra de Campos. Here, the Mudéjar artists constructed ceilings with rich interlacing, endowed the upper choirs with figurative themes representing figures of the period, and created plasterwork in chapels and pulpits, tile-works and funerary arches.","extra":{"duration":"Due giorni","et_title":"IAM;es;VII;en;1","introd_type":"ET-short#-"}},"652e2fad-3a46-50ec-8e6c-55ee7530b041":{"title":"Castelvetrano","description":""},"72058cd4-5034-59d0-8c3b-6c17e1d94b06":{"title":"Zola Predosa","description":""},"72afffaa-849c-55f5-b36f-1b9f15a46129":{"title":"Messina","description":""},"752b8a64-4b5f-5093-83ac-f64ddb048097":{"title":"Castellammare del Golfo","description":""},"75d41794-03f0-5db8-9ea7-c68f08e138a7":{"title":"L'Arte Siculo-Normanna. La Cultura Islamica nella Sicilia Medievale","description":"","extra":{"duration":"X Percorsi","introd_type":"other-intro#3"}},"774c5c46-01e9-5da1-bf38-1dcabc3034df":{"title":"Castilla-La Mancha","description":""},"7b6ac8d8-c4f7-5ed8-b381-74988545330f":{"title":"San Marco d'Alunzio","description":""},"7c6fd638-eff4-5666-aac8-d18d1bf752b3":{"title":"Castilla y León","description":""},"7fa95edb-214b-59e3-85f6-1b73261b4e3e":{"title":"Provincia di Roma","description":""},"833f4c2e-4119-57ea-b97e-cb78d3d39c51":{"title":"Castelli e città murate","description":"In the same way as the Mudejar style played an important part in the religious and civil architecture of the Middle Ages in Castilla and León, it was also a very useful style for military architecture where economy of resources and time were important assets.  \n  \nFrom the 14th century onwards, the *meseta* of Castilla and the valley of the River Ebro suffered an instability that lasted until the union of Castilla and Aragón. Some defensive systems were renewed, and the passages between the barbicans and ravelins were widened, the towers were improved with lookout turrets and other elements jutting out from the walls. In this era we no longer find enormous fortresses, but rather small castles able to lodge one family and the troops needed to protect them.  \n  \nAlongside the battering walls and drawbridges typical of the Western world, in Mudejar military architecture the keep is at one corner of the castle just as in the Hispano-Muslim citadels, the cupolas on *trompas and* the multifoil arches and the ceramics from Seville.","extra":{"duration":"Una giornata","et_title":"IAM;es;VI;en;1","introd_type":"ET-short#-"}},"8a209e09-e20c-5e03-8a7a-57147c10675c":{"title":"Lo stile Cisneros","description":"At the end of the 15th, beginning of 16th century, the Gothic style which was already in its last stages joined with Mudejar art to create a courtly art. It was the era of the Catholic Monarchs. The Reconquest was ended and Granada had fallen into the hands of Castile and Aragon. Their political project did not take long to spill over the national frontiers and the products of their commerce arrived from all sides. What was shortly to develop in Spain was in one of the most outstanding growth periods of its history.  \n  \nIn the artistic sphere, the new phenomenon of hybridisation appeared. Now the architectonic forms of Centro-European Gothic and the ornamental variants of Flamboyant Gothic were to be blended again, this time with the multicoloured and geometric decoration of Mudejar.  \n  \nThe activity carried out by Cisneros as Archbishop of Toledo and Regent (1495–1517) was especially important in his own archdiocese. The Cisneros period saw a resurge of Mudejarism thanks to the large number of Morisco artists who immigrated to Castile after the fall of Granada.","extra":{"duration":"Mezza giornata","et_title":"IAM;es;II;en;1","introd_type":"ET-short#-"}},"8d4b1b6a-4b98-58f5-9dc4-fe05a6899363":{"title":"Monteporzio Catone","description":""},"96b52a44-1c73-5c98-8aa3-d84123e2e3c2":{"title":"Edifici di culto e palazzi di Siviglia","description":"Immediately after the capture of Seville in 1248 work was begun on the mosques to convert them into Christian churches. Almost at the same time as the Muslim buildings were being re-stored, work began on new churches in which a clear dependency on the Courtly Gothic style can be seen, although this did not hide the survival of the construction techniques and compositional schemes of Islamic origin. Starting from these precedents and under the ever-increasing influence of Hispanic-Muslim art, during the 14th century the model of Seville Mudejar church originated. This type of Parish Church illustrates that the Almohad Muslim heritage and the Gothic proposals harmoniously combined.  \n  \nThe Muslim palaces were also converted into the houses of noblemen and into monasteries. This meant there was a certain degree of familiarity with Muslim architecture, which led them to adopt much of the lifestyle and culture of the people who had been defeated politically.","extra":{"duration":"Una giornata","et_title":"IAM;es;XI;en;1","introd_type":"ET-short#-"}},"9763089a-c9d5-527e-a5fa-34bb11d626af":{"title":"Mecenatismo nobiliare e monastico","description":"During the period of Almohad domination in al-Andalús, what is now Extremadura was the military frontier between the Christians to the north of the Tajo, and the Muslims to the south of the Sierra Morena. The towns in Extremadura had as a result an essentially military function, as can be seen from the important Almohad defence systems which survive at strategic points such as Cáceres or Badajoz.  \n  \nIn the mid-13th century, when the Transierra was finally conquered and with the intention of consolidating the advance of the Christians towards Andalucia, a large part of what is nowadays the region of Extremadura and which was then practically uninhabited, was given over into the control and power of different Lords. Among the landowners, the Military Orders were the ones who accepted most Mudejares.  \n  \nIt is to these political and religious organisations, which were also Military Orders, that we owe the majority of the Mudejar art works in Extremadura. To them should be added those works carried out in the Conventual Priory of Guadalupe, a Marian centre of special devotion and extraordinary historical importance in the Middle and Modern Ages.","extra":{"duration":"Due giorni","et_title":"IAM;es;X;en;1","introd_type":"ET-short#-"}},"976d26b0-ff1e-5bfa-a604-8d0261ef987f":{"title":"Mazara del Vallo","description":""},"97eb2052-294e-5762-a90a-1a870dd042d7":{"title":"Centro Storico (Da Porta Napoletana a Porta Romana)","description":"","extra":{"introd_type":"other-intro#3"}},"99d9db3e-1464-51ab-943f-121b6e7df24c":{"title":"Extremadura","description":""},"99fae180-5cc0-5865-bfd3-68b539909e42":{"title":"Itàla","description":""},"9ace23c5-bff3-507e-bacc-71dafe129e33":{"title":"Castel Gandolfo","description":""},"9b989181-85ca-5403-9ad4-8a6e2908beea":{"title":"Frazzanò","description":""},"9fa1f589-dd1b-5d78-a534-9a288fc52bdd":{"title":"Crevalcore","description":""},"a15da2ac-4665-509a-9057-ef8af7984bbc":{"title":"Monreale","description":""},"a16d6454-8872-5852-b87b-7cc858d3761e":{"title":"Sperlinga","description":""},"a51931d8-6d4d-5677-9600-e20e5a6a6f04":{"title":"Cefalà Diana","description":""},"a6ee59d7-67a1-5553-ad60-666721398733":{"title":"Cefalù","description":""},"a9146007-50e5-5104-a6a4-da29d198eafd":{"title":"Alcamo","description":"","extra":{"info":"Thermal Baths of Segesta  \nOn the border between the Comunes of Alcamo and Castellamare, on the banks of the river Caldo, there is a group of springs of sulphuric water that were already known at the time of the Arabic era,which flowed from inside the caves at a temperature of 45o C making a natural sauna.The hot water is channelled through structures of baths and  \nthermal pools, which offer the visitor the chance of some therapeutic medicinal bathing, and which is also freely usable in the few stretches of the river not restricted by cement dykes."}},"a91716a0-a73a-5580-85e9-5bec409dd8d4":{"title":"Città mudéjar: dall'Islam al Cristianesimo","description":"This itinerary includes two of the great Mudejar cities of Aragon, two border towns on the frontier of Islam. In this way we can contrast two different Medieval town plans of different provenance: on the one hand the fairly regular grid of the city of Teruel, a Christian foundation; on the other, the irregular plan of the city of Daroca, an Islamic foundation. In the former, the Mudejar towers of the parish churches are perfectly integrated into the streets, which run under them. In the latter there still persists the irregularity of the streets which run through the site of the *medina*, while those in the district built round the calle Mayor, are regular in their layout.  \n  \nThere are three essential values in the Mudejar art and architecture of Teruel, which has been declared a UNESCO World Heritage Site. First, the Mudejar ceramics from Teruel; secondly, the open character of the Mudejar style of Teruel; and thirdly, the figurative decoration on the ceiling of Teruel Cathedral.  \n  \nIn the visit to Daroca, Mudejar art appears as an alternative system to the Romanesque art of the conquerors.","extra":{"duration":"Una giornata","et_title":"IAM;es;IV;en;1","introd_type":"ET-short#-"}},"ac45321f-3cf5-5584-923f-06ea34ad4155":{"title":"Artena","description":""},"ad5deb87-622b-579d-a106-19abf17d5e56":{"title":"Campofelice di Roccella","description":""},"aeb6263b-cb4d-5927-80f3-e1d0eac262c3":{"title":"Lazio","description":""},"b42c1410-2751-5eab-8e8d-7914f6471bf4":{"title":"Minerbio","description":""},"b5cdf490-2a66-5a8a-8615-912ace476df7":{"title":"Emilia Romagna","description":""},"b81caf79-175b-5c03-95f6-c05290f93479":{"title":"Comunidad Autónoma de Madrid","description":""},"b851bd5a-801a-5687-8244-3088dfb66618":{"title":"Segesta (Calatafimi)","description":""},"ba74c92d-510d-5f0b-952e-1b317521c8d9":{"title":"Andalucía","description":""},"be254aa3-f17b-5f51-9816-49b24380fec7":{"title":"Siracusa","description":""},"c083b0b9-795e-57d4-a33c-6df3aebebe2d":{"title":"Imola","description":""},"c1592bfa-a2a2-5720-b31d-d2ef72f9f034":{"title":"Ariccia Archeologica","description":"","extra":{"duration":"due ore"}},"c3f94560-2a0e-507b-a975-f9e313d07e53":{"title":"Vicari","description":"","extra":{"info":"The “Serre” of Ciminna  \nAlong the road to Vicari there is countryside characterised by the presence of macrocrystalline chalk outcropping on the surface and rocks in the form of intriguing ruins emerging in a territory where small cultivated fields of wheat and oats, almonds and olives alternate, as well as beans, tomatoes and vines. The most scenographic and oustanding part of this land, in the municipal district of Ciminna called “*serre*” (sierras), is a natural reserve where, above all in spring and in the autumn, it is possible to observe the spectacular flowering of garrigue and a large variety of species of migratory fauna."}},"c461e6f7-a6b8-56fa-a354-a62a03c180a2":{"title":"Incoronazione dei re d'Aragona","description":"The city of Saragossa with its Cathedral of San Salvador where the Kings of Aragon were crowned, was the creative centre of the Mudejar style in Aragon and responsible for the dissemination of the style, thanks above all to the royal patronage it enjoyed. This unique style was developed in the first place in the Palace of Aljafería, an Islamic palace from the 11th century, which after the conquest of the city by Alfonso I el Batallador (the Fighter) in the year 1118, was converted into the palace of the Kings of Aragon. They conserved it and added Mudejar rooms, using for them Muslim master craftsmen.  \n  \nOur itinerary through the Mudejar part of the city of Saragossa follows the same route as the Coronation procession. The visit begins in the Mudejar rooms and the apartments of the Catholic Monarchs in the complex of the Aljafería Palace, both excellent examples of royal patronage. Then it continues through the busy district of San Pablo, with its Mudejar church and tower to finish in the Cathedral of San Salvador, in which there are magnificent testimonies to the patronage of the archbishops and Popes. The visit can be continued in the eastern part of the city, by visiting the bustling Mudejar parishes of La Magdalena, San Miguel de los Navarros and San Gil.","extra":{"duration":"Una giornata","et_title":"IAM;es;III;en;1","introd_type":"ET-short#-"}},"c9534b27-073e-5d65-b2ee-587211e29d56":{"title":"Trapani","description":""},"ca1fc68c-1ad9-564c-a57d-7649dd5fd05f":{"title":"Catania","description":""},"cba672ee-4685-57e3-a926-f3cab0c2eeae":{"title":"Explore Ariccia","description":"Arrivando ad Ariccia dal ponte monumentale sulla Via Appia Nuova, ci da il benvenuto lo splendido insieme urbanistico creato da Gianlorenzo Bernini con la piazza di Corte incorniciata da Palazzo Chigi e la Chiesa dell'Assunta. Dalle finestre del Palazzo intravediamo il meraviglioso bosco della dea del luogo, Diana nemorense, il cui culto spiega le numerose vestigia romane lungo il tratto della Via Appia Antica che attraversa il territorio di Ariccia."},"d02f828a-94b1-5f27-847f-12d5e5626d15":{"title":"Roma","description":""},"d28ea8f6-3c9a-5669-bef5-3ab93ae9baf7":{"title":"Zagarolo","description":""},"d48a5f13-4a3e-5fb9-8c0e-e2177bef4699":{"title":"Forza d'Agrò","description":""},"d658deb8-46ec-5350-a6e2-3cf1269e3acf":{"title":"Santa Maria di Galloro","description":"","extra":{"duration":"un'ora"}},"ea2f3066-4700-52c3-bad7-e847b6040af1":{"title":"Agrigento","description":"","extra":{"info":"The Stairs of the Turks (La Scala dei Turchi)  \nGoing towards Agrigento, one crosses a valley characterised by a thick group of Saracen olive trees, that is to say “*that olive tree*” as Leonardo Sciacia writes, “*with a twisted trunk, of dark cracks; as though being tortured and almost hearing the groans*”. Leaving the main state road for the road to Porto Empedocle, on the eastern side towards the sea, between the provincial road and the beach, there is a continuous wall of chalk hills, named the “Stairs of the Turks” on account of its singular configuration. These hills provide a grandiose phenomenon of the erosion caused by water and the atmospheric agents, which dig deep ditches between the white marly slopes; the cliff is punctuated by small and attractive inlets. Popular legend links this point to the pirate raids of the 15th and 16th centuries."}},"ea66069e-07f3-5e7c-b2ec-99017d856002":{"title":"Aci Castello","description":""},"eadb3505-da7f-5559-bfb2-8613950c824c":{"title":"Paternò","description":""},"eb77a944-ef14-5e92-8214-8217fdc11fd5":{"title":"L'aljarafe di Siviglia","description":"One of the most important regions of the province of Seville, and one that has always had the most connection with the capital, is the Aljarafe. Its name comes from the Arabic *as-saraf,* which can be translated as “height” or “ a slightly higher place”. In fact this is a sort of *atalaya,* which looks down over the city of Seville and a large part of the valley of the River Guadalquivir.  \n  \nIn this area, to the west of the city of Seville, there have been many great estates since Medieval times, belonging to the Military Orders, the Church and the aristocracy. Its population changed significantly as a result of the Conquest of Seville in the year 1248, when an important contingent of Christians joined the numerous groups of Muslims who decided to stay in the district. The situation changed after the uprising of 1264–1266 when the expulsion of the Muslims and the disappearance of their settlements was decided. All of these facts had an important effect on the chronology and character of the Mudejar work in this district.","extra":{"duration":"Una giornata","et_title":"IAM;es;XII;en;1","introd_type":"ET-short#-"}},"ebe4f8fd-a03e-5998-9fdf-008a71a34c31":{"title":"Sambuca di Sicilia","description":""},"ebfa1c43-8ad2-5522-a54a-0db5c2c48e88":{"title":"Pieve di Cento","description":""},"ec3745fa-655d-586d-8239-7f4391989cf0":{"title":"Sciacca","description":""},"edc3f9f1-c4c9-5cbb-abff-f4cfb15d91d5":{"title":"Palermo","description":""},"ee374e2e-9d6c-5f62-9cbf-2e4a7816966e":{"title":"Rometta","description":""},"f1718c2e-9895-5ad7-a5fc-809e8406b8fd":{"title":"Adrano","description":""},"f28cdfeb-09f6-5926-aaa9-27497c90a43b":{"title":"Caccamo","description":""},"f82177bc-01e2-52ae-b16e-800af33271cb":{"title":"Aragón","description":""},"fc2d5113-417f-58ce-a496-e257ed8b86ec":{"title":"Rodrigo de Mendoza, marchese di Zenete: dal Castello di La Calahorra all’Albayzín","description":"This two-day itinerary to some extent re-creates the historical route between the district of the Marquesado or estates of the Marquis of Zenete and the city of Granada. This route linked the country retreat of Rodrigo de Mendoza in his Castle-Palace, La Calahorra, with the two properties he began building in Granada: a villa on the outskirts of the city on the site of a Moorish *almunia*, or garden, a palace with Mudejar characteristics in the very centre of the Albaicín.  \n  \nThe north side of the Sierra Nevada became a magnet for the Spanish Muslims from the end of the 15th century until the expulsion of the Moriscos in the 17th century. This was the result of the Safe-Conduct Policy issued by Cardinal Mendoza in 1490, inviting any Muslim who was fleeing from the frontier with Castilla to settle in this area of the Granada province.  \n  \nThe building systems of Mudejar, characterised by a unique way of using wood in roofs and frameworks, were reflected in the urban physiognomy and in the buildings of a whole series of places in the province of Granada as evidence of a past characterised by cultural symbiosis.","extra":{"duration":"Due giorni","et_title":"IAM;es;XIII;en;1","introd_type":"ET-short#-"}},"fe47e0d3-4965-52ff-94e7-f4ec3598a70d":{"title":"Caronia","description":""},"feb49d2c-78be-5d99-ba33-f99e6c94e78e":{"title":"Sasso Marconi","description":""}}
+{"003d08dc-6215-5320-a8d3-88161baeb779":{"title":"EXPLORE il Barocco","description":""},"01a72572-7c98-58e6-a882-419c02a02266":{"title":"Naro","description":""},"01a7fa99-c5d0-5d91-9ed4-e4777a00cdf8":{"title":"Sicilia","description":""},"03c282d2-2529-53b9-8191-1923525a897d":{"title":"Mili San Pietro","description":""},"09172371-9546-5403-ac47-30dc619130e1":{"title":"Villa Comunale e Ville di inizio ‘900","description":"","extra":{"duration":"un’ora"}},"09a80d2d-7b45-5f82-bc7a-2cd35940101c":{"title":"Salemi","description":""},"0b38d418-f1a9-5714-bfaa-59fe0e884513":{"title":"SAN MARCO D’ALUNZIO"},"0c535e33-48f4-59a4-89a4-4af3958d19af":{"title":"EDİRNE"},"0edf480a-5b03-5950-9554-5eafd89f63f1":{"title":"ZAFRA"},"0f81c3b9-80c2-5ff5-83a7-87b8562d66e6":{"title":"Casa, cucina e coro: vita quotidiana e liturgica","description":"The Mudejar style was not only used for religious architecture as might be supposed from the many buildings of this type that are preserved in Spain. The same simple materials, bricks, cob-walls, wood and plaster, all of which were materials used in the construction of churches and convents, were also used in the construction of different kinds of civil and military architecture too. The development of this utilitarian architecture was greatly influenced by several considerations: the need to economise on materials and to be able to obtain the necessary supplies from those available locally; to avoid costly transportation and expensive specialised workers, such as stonemasons.  \n  \nThis same humble vocation explains how Mudejar art and architecture was used also to satisfy the needs of the lower economic strata of the population and left its mark on objects of everyday use in the late Medieval and early Renaissance periods.  \n  \nDaily life in the house was very similar to that in the convents or palaces and fortunately the history of these day-to-day tasks can be followed perfectly thanks to the many objects that have been preserved.","extra":{"duration":"Mezza giornata","et_title":"IAM;es;I;en;1","introd_type":"ET-short#-"}},"103b7595-efae-55a9-86d3-2fd2a1c37ece":{"title":"BALAT"},"143e9672-3bc4-55a0-9093-7b1787a8d765":{"title":"Altavilla Milicia","description":""},"145bcc34-0ba9-5c42-a9ed-0674fa73b3e7":{"title":"VILLALPANDO"},"15d8f143-900b-5db2-993f-effc1c740066":{"title":"Le chiese-fortezza della frontiera con la Castiglia","description":"The valley of the River Jalón – the largest tributary of the River Ebro on the right bank – is the most important Mudejar area in Aragon. These lands of the ancient community of Calatayud had large Mudejar and Morisco populations before they were expelled in the 17th century.  \n  \nThe objective of the route is to present Mudejar as a valley culture, developing one main theme and two complementary ones. The main motive of the itinerary is approached from the start, in the Church of the Virgin in Tobed, and forms the backbone of the whole. It consists of examining in depth a unique architectural typology, which is a genuine creation of Mudejar art in Aragon: the fortified church.  \n  \nThe other two motives to consider during this itinerary are equally interesting, although complementary. One of them emphasises the authority of the Muslim masters of works. This is the case of Yuçaf Adolmalih, or of the famous master of works of Benedict XIII, the Muslim Mahoma Rami. The second is to underline the harmony between the Oriental and Occidental artistic languages in the churches in this area, between the Mudejar interiors and the splendid altarpieces of Gothic art.","extra":{"duration":"Una giornata","et_title":"IAM;es;V;en;1","introd_type":"ET-short#-"}},"1a03c051-4560-5817-8bd7-9d5511c58e19":{"title":"Valmontone","description":""},"1fe7b005-0804-51de-9ff3-f38214ab42b1":{"title":"Castelli Romani","description":""},"2116aa4f-1d72-55bc-91c3-024d3de686bf":{"title":"Medicina","description":""},"21392f64-6c52-5dcf-a442-d9e7f2eb504d":{"title":"LE KEF"},"21cad775-0b8b-5dde-b320-6c19bd19c918":{"title":"GUADALUPE"},"25508345-c342-5e46-8fee-afd41e6b9dfd":{"title":"EXPLORE il Patrimonio Islamico del Mediterraneo","description":""},"26846198-61a1-5b1d-ad44-1c83a106c373":{"title":"Grottaferrata","description":""},"291efb8d-da4b-5c9b-98fb-85346d5f7f23":{"title":"Conseguenze della nascita delle cattedrali gotiche. Le opere in laterizio","description":"The beginning of the great Gothic cathedrals in Castilla and León – Burgos (1222), León (1255) or Palencia (1321) – and of the great monastic foundations – Las Huelgas in Burgos (around 1180), coincides historically with the conversion of unfinished Romanesque buildings into brick architecture.  \n  \nThe enormous amount of tithes and taxes needed to build one of these colossal works and the vested interests of all the guilds of master craftsmen involved in their construction – stonemasons, carpenters, plasterers, stucco artists or painters – in ensuring that the work lasted as long as possible, is without any doubt at all the reason that so much rural religious architecture remains unfinished and was left very badly off in so far as materials, transport and workmen were concerned.  \n  \nAway from the Camino de Santiago (The Way of St James) and apart from the great monastic centres, it is difficult to find completed Romanesque buildings. In general terms, the Romanesque buildings in this region conserve their sanctuaries and the front parts of their first bays, vaulted in the early years of the 13th century and left in an unfinished state, waiting for a chance to complete them. In this way brick architecture was popularised in Castilla, which helped to satisfy the demand for workmen for these rural buildings in a simple and economical way.","extra":{"duration":"Una giornata","et_title":"IAM;es;VIII;en;1","introd_type":"ET-short#-"}},"2bccad7b-c15a-51ff-b490-40fef5f9b524":{"title":"Erice","description":""},"2f5d3234-4758-548b-97ce-f13c23ebebf8":{"title":"TANGERI"},"30ca7a5a-f30c-578a-ad9b-a8f20826adfd":{"title":"GELİBOLU"},"30fb6fbc-4986-5621-9d1d-2a2759f051f9":{"title":"MANİSA"},"31480749-0e53-56bd-a5a0-86bbf36e92e3":{"title":"ASILAH"},"31e5d2b4-692b-5e7b-9fc4-9d10025c2f3e":{"title":"Racalmuto","description":""},"333bd404-e9e3-54a8-8aa2-bb30cfc82c46":{"title":"Ariccia","description":"L'antica *Aricia* fu insigne città preromana e città di riferimento della Lega Latina, per la presenza sul suo territorio del Santuario di Diana, uno dei tre principali luoghi di culto della confederazione dei popoli latini. Le ambizioni egemoniche degli Etruschi verso il Lazio meridionale vennero stroncate alla fine del VI secolo a.C. con la celebre battaglia di *Aricia*.  \nPresente nella battaglia del lago Regillo, *Aricia* partecipò nel 493 a.C. alla stipulazione del *Foedus Cassianum*. A seguito della sistemazione della Via Appia a partire dal 312 a.C., l'abitato si spostò dall'alto dell'acropoli (attuale Centro Storico) verso la valle che si popolò di *tabernae*, magazzini, templi, edifici pubblici e mercati organizzati in un vero e proprio Foro di cui l'arco, detto “Basto del Diavolo”, costituisce testimonianza di uno degli ingressi. Numerosi aricini furono insigniti di importanti cariche pubbliche in Roma e originaria di Aricia fu anche la famiglia materna di Augusto.  \n  \nTravolta dal processo di decadenza dell'impero romano, Aricia sopravvisse all'assalto dei Vandali, ma al volgere del V secolo dovette soccombere ai saccheggi e agli attacchi delle orde barbariche dilaganti nella campagna romana, prima, e alle incursioni saracene dopo. Lentamente la popolazione locale arretrò verso l'acropoli e le zone più a monte.  \nDal 981 divenne feudo della potente famiglia dei Conti di Tuscolo, passò quindi ai Malabranca che diedero inizio ad importanti opere di fortificazione, scegliendo la zona oggi occupata dal Palazzo Chigi, per costruire una torre a difesa dell'accesso settentrionale, rivolto verso l'attuale Via dei Laghi, divenuto accesso principale all'abitato a causa dell'abbandono dell'Appia Antica. Dal dominio dei Malabranca, l'usufrutto del feudo di Ariccia di proprietà ecclesiastica, passò ai monaci di S. Anastasio alle Tre Fontane, ai Colonna, ai Monaci di Grottaferrata, ma dell'antico splendore, non rimanevano che sempre più povere rovine.  \n  \nNel 1473 divenne proprietà dei Savelli che avviarono la ricostruzione dell'abitato distrutto, dotandolo di servizi, adeguate fortificazioni e inaugurando, agli inizi del Cinquecento, la costruzione dell'imponente palazzo baronale.  \nIl feudo fu acquistato nel 1661 dai Chigi. Caso eccezionale nella storia dell'urbanistica, il borgo fu completamente riprogettato e attrezzato dal genio architettonico di Gian Lorenzo Bernini che non solo ridisegnò il Palazzo, progettò la Piazza di Corte, eresse il complesso dell'Assunta, gli Stalloni, la Porta Napoletana, ma sistemò anche la viabilità interna e qualificò il tessuto edilizio. I recenti lavori di sistemazione della Piazza hanno consentito, compatibilmente con le esigenze moderne di vita del paese, di recuperare il valore architettonico del prezioso complesso.  \n  \nNel 1854 venne inaugurato il Ponte Monumentale, una delle più grandiose opere di ingegneria dello Stato Pontifico, realizzato su commissione di Pio IX (1846-1878).  \nAriccia è conosciuta nel mondo anche come la terra della porchetta. Ovunque ad Ariccia si possono trovare botteghe e osterie (fraschette) che propongono questo prodotto tipico, i cui segreti di lavorazione risalgono a più di 26 secoli fa. La porchetta aricina non era meno richiesta (ventre falisco) nell'antica di Roma di quanto non lo sia oggi.","extra":{"info":"Per la visita di Ariccia bisogna calcolare almeno una giornata intera. Alla voce **“Itinerari”**, ci sono le nostre proposte di visita, suddivise in tre categorie: **EXPLORE Ariccia - Anche da non perdere - Per i più curiosi**. Per alcuni insiemi di monumenti, oltre alla scheda principale, possono essere consultate anche delle schede particolareggiate alla voce **“Per saperne di più”**. A tale proposito va menzionato che la maggior parte delle schede in PDF, disponibili alla voce “Per saperne di più” fanno parte del censimento del patrimonio artistico ed architettonico del Comune di Ariccia, realizzato nel 2011 dall'arch. Francesco Petrucci.  \nPer gli orari di apertura di Palazzo Chigi e le possibilità di visita degli altri monumenti vedere le schede corrispondenti. Le chiese sono normalmente chiuse tra le 12.30 e le 15.30 circa.  \n  \nSuggeriamo di abbinare la visita di Ariccia con la degustazione della famosa porchetta (vedere anche Dove mangiare) o con un'escursione a piedi nei dintorni (vedere Escursioni).  \n  \nAriccia è gemellata con  \nAmgal (Repubblica Araba Democratica del Saharawi)  \nCournon d'Auvergne (Francia)  \nLichtenfels (Germania)","prepared_by":"Museo Senza Frontiere (Saverio Capozzi) sulla base di materiale fornito da:  \nArch. Francesco Petrucci; © Museum With No Frontiers (MWNF).","how_to_reach":"**In macchina**: sulla Via Appia Nuova (SS 7), 28 km da Roma, in direzione Sud. All'entrata di Ariccia si seguono le indicazioni per il parcheggio ai piedi del Ponte Monumentale, dove un ascensore panoramico su Parco Chigi permette di raggiungere comodamente Piazza di Corte, il centro storico e la zona delle Fraschette. In alternativa si può trovare posto per lasciare l'auto in uno dei parcheggi distribuiti un po' dappertutto sul territorio comunale. Tutti i parcheggi sono a pagamento per i non residenti.  \n  \n**In treno e/o pullman**: Ariccia è facilmente raggiungibile anche con i mezzi pubblici: dalla Stazione di Roma Termini si prende il treno regionale per Albano Laziale (partenza ogni ora, [www.trenitalia.com](https://www.trenitalia.com), tempo di percorrenza 50 minuti circa). Uscendo dalla stazione di Albano Laziale si sale la scalinata di fronte che attraversa un parco e si raggiunge l'Appia Nuova (in questo tratto chiamata Corso Matteotti); si prosegue a destra e dopo 15/20 minuti si raggiunge Ariccia, costeggiando dall'alto la tomba degli Oriazi e Curiazi e attraversando il ponte monumentale in vista del Palazzo Chigi e della Chiesa dell'Assunta. Sull'Appia Nuova passa anche il minibus-navetta che collega Albano, Ariccia e Genzano (circa tre corse all'ora). In alternativa al treno si possono prendere i pullman Cotral che partono dall'Anagnina, capolinea Metro A, in direzione Velletri (circa due partenze all'ora, [www.cotralspa.it](https://www.cotralspa.it/)); in questo caso conviene scendere ad Albano Laziale e prendere il minibus-navetta che parte dallo stesso piazzale o proseguire a piedi (vedere sopra); da quando il ponte monumentale è stato chiuso ai mezzi pesanti, la fermata dei pullman Cotral nel centro di Ariccia è stata soppressa."}},"33598575-8404-5b92-bfea-14aa8e9b5544":{"title":"SINTRA"},"37d6f9fc-2d1d-58a5-809b-e7326bd1dc23":{"title":"RABAT"},"39b8eaff-ee45-5678-bd24-37bb72687b8e":{"title":"TAORMINA"},"3ac8be4a-60b0-501f-ae16-415814fefcd9":{"title":"ADRANO"},"3b8103a8-becc-51c6-a642-41a3f1554497":{"title":"LEMTA"},"3bd2a83c-a7d1-563a-9483-3a0bae6d0e2e":{"title":"Palestrina","description":""},"3e4984f1-8471-5aa4-b8db-98582c1a7b9e":{"title":"CALERA DE LEÓN"},"3faf7c9b-92f5-500e-8dce-9b0469575b83":{"title":"MADABA"},"40c80fcd-9277-5ae3-a6d1-38062174830c":{"title":"BİRGİ"},"422310e1-b698-5e49-9b64-ee6a30f98420":{"title":"GHAWR AL-SAFI / ZOAR"},"439fce29-6fb5-52b1-ab0a-8ff0dd1c62d4":{"title":"FARO"},"44157ab4-ab4d-57d5-a66b-30b590fc13f0":{"title":"Altofonte","description":""},"453bd9ed-5689-560d-9d8c-e978393425a4":{"title":"L’ARIANA"},"481d69ba-fef4-5f6a-bd9f-ec4ccbc7e317":{"title":"ALCALÁ DE HENARES"},"4cda4f97-49cc-5340-be3a-bfee0962a2f0":{"title":"TİRE"},"4ed768cc-401b-50c2-beb4-7aae3d01fc17":{"title":"TOZEUR"},"4fca1279-fab7-5a6b-90c6-3cc036ec94e1":{"title":"ALCAMO"},"506ebfbe-e49b-5f19-8db5-62c712fa2323":{"title":"VILLALÓN DE CAMPOS"},"53224035-1f11-5b34-8672-584f4a9db127":{"title":"ARÉVALO"},"54a22a50-1d3e-5afe-8ad5-6532ec457aab":{"title":"MAYORGA DE CAMPOS (opzione)"},"54f3557a-f461-5e80-9858-4d48823dfd96":{"title":"SILVES"},"57cc47d2-0ab8-5c97-9280-6d08d20d88c2":{"title":"Mussomeli","description":""},"5832c384-a296-5aad-bd78-97b1516eb533":{"title":"L'Arte Mudejar. L'estetica islamica nell'arte cristiana","description":"","extra":{"duration":"XIII Percorsi","introd_type":"other-intro#3"}},"5a009e41-c8d2-5db8-bcca-3197baa98889":{"title":"KAIROUAN"},"5a03cfd5-7b41-586e-b2c8-1d86d928cbc2":{"title":"EXPLORE Portogallo","description":""},"5ad5f826-2904-5528-ab27-f4e26e5ca962":{"title":"SUSA"},"5b35f0d9-5f54-5cad-81c1-3f3f0bd2b7b3":{"title":"Frascati","description":""},"5bf8ea89-82d0-5d58-9054-c4e95787b59c":{"title":"L'impronta del passato: chiese, sinagoghe e palazzi","description":"Among the many Mudejar buildings conserved in Toledo, those included in this itinerary are the most representative and have been chosen to illustrate both the various functions of churches, palaces, synagogues or gates in the city walls, as well as to explore the stylistic evolution of these models. These buildings are in different parts of the city, leading the visitor, therefore, through an itinerary that includes the streets and which allows the Islamic traces to be seen in the urban plan in order to appreciate the various functions of the different sectors – commercial, residential, the Jewish Quarter – which defined Toledo as a Mudejar city, the heir of the earlier Hispano-Muslim Toledo.  \n  \nIncorporated into the Crown of Castilla in 1085, the conditions of the capitulation guaranteed the Muslims who remained in the city the right to retain their goods and their religion, their language and their own judges. In this way Toledo became the prototype of what Torres Balbás called “Mudejar cities”, the result of the transformation of Muslim cities once occupied by Christians.","extra":{"duration":"Una giornata","et_title":"IAM;es;IX;en;1","introd_type":"ET-short#-"}},"5d4a3620-0251-5cbe-949d-7c8425b68093":{"title":"Taormina","description":""},"5e324c55-9fd9-5301-a247-48afa528bb80":{"title":"VICARI"},"5eabf1d5-83d6-5a67-a5bf-736936927ed9":{"title":"HOUMT SOUK"},"5f6974c9-bd97-584b-aace-0aa37a73d040":{"title":"Piazza di Corte e Centro Storico","description":"","extra":{"duration":"mezza giornata"}},"603250a7-4665-5a6f-8aa8-b1688e75b35d":{"title":"Bologna","description":""},"60530d47-fa51-5a8e-af81-c9cc714229b4":{"title":"Figlie di re e di nobili: attraverso i conventi delle clarisse","description":"Some daughters of kings and of the more important families of the Castile and Leon nobility swelled the nuns' communities in the region. The Cistercian and St Clare's orders gladly took them in and entrusted them relevant charges. Their economic contributions gave to many 14th–16th-century Cistercian and St Clare's convents the spacious and stately habitability which is still their characteristic.  \n  \nMaría de Padilla (?–1361) as well as her daughters Beatriz (1353–?) and Constanza (1354–?), born from her relations with Pedro I of Castile (1334-69), stayed in the unfinished palaces in Astudillo and Tordesillas. Women of the families Manrique, Castañeda, Enríquez and others bequeathed their houses and goods to the convents in Calabazanos, Carrión de los Condes and Palencia. It is difficult to find a convent in the region where a family of the local nobility did not leave their mark.  \n  \nBeside the conventual architecture, there is another distinctive style of religious architecture in the main towns of Tierra de Campos. Here, the Mudéjar artists constructed ceilings with rich interlacing, endowed the upper choirs with figurative themes representing figures of the period, and created plasterwork in chapels and pulpits, tile-works and funerary arches.","extra":{"duration":"Due giorni","et_title":"IAM;es;VII;en;1","introd_type":"ET-short#-"}},"652e2fad-3a46-50ec-8e6c-55ee7530b041":{"title":"Castelvetrano","description":""},"6646f14c-5bbf-50cd-9780-c676b1e8d95e":{"title":"COIMBRA"},"6d2bb3f2-9a47-5a1f-b429-480eb82732bf":{"title":"İZNİK"},"6e7af898-4728-5e8e-9c18-2239f1c9f4cb":{"title":"TORO"},"6f2d8ee7-1c2b-5dd1-bba7-940d4ec9aeff":{"title":"MEHDIA"},"72058cd4-5034-59d0-8c3b-6c17e1d94b06":{"title":"Zola Predosa","description":""},"727db34a-48f8-56b6-8363-0bd4d7150c32":{"title":"ERICE"},"72afffaa-849c-55f5-b36f-1b9f15a46129":{"title":"Messina","description":""},"752b8a64-4b5f-5093-83ac-f64ddb048097":{"title":"Castellammare del Golfo","description":""},"75d41794-03f0-5db8-9ea7-c68f08e138a7":{"title":"L'Arte Siculo-Normanna. La Cultura Islamica nella Sicilia Medievale","description":"","extra":{"duration":"X Percorsi","introd_type":"other-intro#3"}},"774c5c46-01e9-5da1-bf38-1dcabc3034df":{"title":"Castilla-La Mancha","description":""},"7b6ac8d8-c4f7-5ed8-b381-74988545330f":{"title":"San Marco d'Alunzio","description":""},"7c6fd638-eff4-5666-aac8-d18d1bf752b3":{"title":"Castilla y León","description":""},"7e00c668-c64a-57cf-a2aa-bd5dd61c2bb1":{"title":"GUADIX"},"7f1a37a4-06d6-5909-b25a-cba66fdfc0a1":{"title":"LLERENA"},"7fa95edb-214b-59e3-85f6-1b73261b4e3e":{"title":"Provincia di Roma","description":""},"7fc5a2f3-293c-555a-85ff-60149363e6f4":{"title":"TESTOUR"},"807595a2-8a0d-5851-aab9-b1dc209f869c":{"title":"MÉRTOLA"},"833f4c2e-4119-57ea-b97e-cb78d3d39c51":{"title":"Castelli e città murate","description":"In the same way as the Mudejar style played an important part in the religious and civil architecture of the Middle Ages in Castilla and León, it was also a very useful style for military architecture where economy of resources and time were important assets.  \n  \nFrom the 14th century onwards, the *meseta* of Castilla and the valley of the River Ebro suffered an instability that lasted until the union of Castilla and Aragón. Some defensive systems were renewed, and the passages between the barbicans and ravelins were widened, the towers were improved with lookout turrets and other elements jutting out from the walls. In this era we no longer find enormous fortresses, but rather small castles able to lodge one family and the troops needed to protect them.  \n  \nAlongside the battering walls and drawbridges typical of the Western world, in Mudejar military architecture the keep is at one corner of the castle just as in the Hispano-Muslim citadels, the cupolas on *trompas and* the multifoil arches and the ceramics from Seville.","extra":{"duration":"Una giornata","et_title":"IAM;es;VI;en;1","introd_type":"ET-short#-"}},"898711aa-0972-5da9-9e55-756aa27b9de6":{"title":"MALUENDA"},"8a209e09-e20c-5e03-8a7a-57147c10675c":{"title":"Lo stile Cisneros","description":"At the end of the 15th, beginning of 16th century, the Gothic style which was already in its last stages joined with Mudejar art to create a courtly art. It was the era of the Catholic Monarchs. The Reconquest was ended and Granada had fallen into the hands of Castile and Aragon. Their political project did not take long to spill over the national frontiers and the products of their commerce arrived from all sides. What was shortly to develop in Spain was in one of the most outstanding growth periods of its history.  \n  \nIn the artistic sphere, the new phenomenon of hybridisation appeared. Now the architectonic forms of Centro-European Gothic and the ornamental variants of Flamboyant Gothic were to be blended again, this time with the multicoloured and geometric decoration of Mudejar.  \n  \nThe activity carried out by Cisneros as Archbishop of Toledo and Regent (1495–1517) was especially important in his own archdiocese. The Cisneros period saw a resurge of Mudejarism thanks to the large number of Morisco artists who immigrated to Castile after the fall of Granada.","extra":{"duration":"Mezza giornata","et_title":"IAM;es;II;en;1","introd_type":"ET-short#-"}},"8d4b1b6a-4b98-58f5-9dc4-fe05a6899363":{"title":"Monteporzio Catone","description":""},"92520a49-8540-5a70-aab7-9c4fc3a8ef85":{"title":"BISERTA"},"93549f8b-099f-522d-a86b-a7a643c095d0":{"title":"SALÉ"},"96b52a44-1c73-5c98-8aa3-d84123e2e3c2":{"title":"Edifici di culto e palazzi di Siviglia","description":"Immediately after the capture of Seville in 1248 work was begun on the mosques to convert them into Christian churches. Almost at the same time as the Muslim buildings were being re-stored, work began on new churches in which a clear dependency on the Courtly Gothic style can be seen, although this did not hide the survival of the construction techniques and compositional schemes of Islamic origin. Starting from these precedents and under the ever-increasing influence of Hispanic-Muslim art, during the 14th century the model of Seville Mudejar church originated. This type of Parish Church illustrates that the Almohad Muslim heritage and the Gothic proposals harmoniously combined.  \n  \nThe Muslim palaces were also converted into the houses of noblemen and into monasteries. This meant there was a certain degree of familiarity with Muslim architecture, which led them to adopt much of the lifestyle and culture of the people who had been defeated politically.","extra":{"duration":"Una giornata","et_title":"IAM;es;XI;en;1","introd_type":"ET-short#-"}},"9763089a-c9d5-527e-a5fa-34bb11d626af":{"title":"Mecenatismo nobiliare e monastico","description":"During the period of Almohad domination in al-Andalús, what is now Extremadura was the military frontier between the Christians to the north of the Tajo, and the Muslims to the south of the Sierra Morena. The towns in Extremadura had as a result an essentially military function, as can be seen from the important Almohad defence systems which survive at strategic points such as Cáceres or Badajoz.  \n  \nIn the mid-13th century, when the Transierra was finally conquered and with the intention of consolidating the advance of the Christians towards Andalucia, a large part of what is nowadays the region of Extremadura and which was then practically uninhabited, was given over into the control and power of different Lords. Among the landowners, the Military Orders were the ones who accepted most Mudejares.  \n  \nIt is to these political and religious organisations, which were also Military Orders, that we owe the majority of the Mudejar art works in Extremadura. To them should be added those works carried out in the Conventual Priory of Guadalupe, a Marian centre of special devotion and extraordinary historical importance in the Middle and Modern Ages.","extra":{"duration":"Due giorni","et_title":"IAM;es;X;en;1","introd_type":"ET-short#-"}},"976d26b0-ff1e-5bfa-a604-8d0261ef987f":{"title":"Mazara del Vallo","description":""},"97eb2052-294e-5762-a90a-1a870dd042d7":{"title":"Centro Storico (Da Porta Napoletana a Porta Romana)","description":"","extra":{"introd_type":"other-intro#3"}},"993034ab-4b19-549e-b9cc-0dddc44f13b3":{"title":"GHAR EL-MELH"},"99d9db3e-1464-51ab-943f-121b6e7df24c":{"title":"Extremadura","description":""},"99fae180-5cc0-5865-bfd3-68b539909e42":{"title":"Itàla","description":""},"9ac899da-b170-56dc-abc7-2f5bdd89f7a6":{"title":"SELÇUK"},"9ace23c5-bff3-507e-bacc-71dafe129e33":{"title":"Castel Gandolfo","description":""},"9b989181-85ca-5403-9ad4-8a6e2908beea":{"title":"Frazzanò","description":""},"9fa1f589-dd1b-5d78-a534-9a288fc52bdd":{"title":"Crevalcore","description":""},"9ff000e8-4f6e-5535-b750-94ac0d439c28":{"title":"SHEBIKA"},"a15da2ac-4665-509a-9057-ef8af7984bbc":{"title":"Monreale","description":""},"a16d6454-8872-5852-b87b-7cc858d3761e":{"title":"Sperlinga","description":""},"a26e1cdc-e8e0-50df-a5ff-2cc85e86aaf3":{"title":"ELVAS"},"a4a75d39-e259-5ed3-8963-9a7055bce8f2":{"title":"SIRACUSA"},"a51931d8-6d4d-5677-9600-e20e5a6a6f04":{"title":"Cefalà Diana","description":""},"a6ee59d7-67a1-5553-ad60-666721398733":{"title":"Cefalù","description":""},"a7cbf775-cf58-5896-b435-28a1fc4f7808":{"title":"SANTARÉM"},"a9146007-50e5-5104-a6a4-da29d198eafd":{"title":"Alcamo","description":"","extra":{"info":"Thermal Baths of Segesta  \nOn the border between the Comunes of Alcamo and Castellamare, on the banks of the river Caldo, there is a group of springs of sulphuric water that were already known at the time of the Arabic era,which flowed from inside the caves at a temperature of 45o C making a natural sauna.The hot water is channelled through structures of baths and  \nthermal pools, which offer the visitor the chance of some therapeutic medicinal bathing, and which is also freely usable in the few stretches of the river not restricted by cement dykes."}},"a91716a0-a73a-5580-85e9-5bec409dd8d4":{"title":"Città mudéjar: dall'Islam al Cristianesimo","description":"This itinerary includes two of the great Mudejar cities of Aragon, two border towns on the frontier of Islam. In this way we can contrast two different Medieval town plans of different provenance: on the one hand the fairly regular grid of the city of Teruel, a Christian foundation; on the other, the irregular plan of the city of Daroca, an Islamic foundation. In the former, the Mudejar towers of the parish churches are perfectly integrated into the streets, which run under them. In the latter there still persists the irregularity of the streets which run through the site of the *medina*, while those in the district built round the calle Mayor, are regular in their layout.  \n  \nThere are three essential values in the Mudejar art and architecture of Teruel, which has been declared a UNESCO World Heritage Site. First, the Mudejar ceramics from Teruel; secondly, the open character of the Mudejar style of Teruel; and thirdly, the figurative decoration on the ceiling of Teruel Cathedral.  \n  \nIn the visit to Daroca, Mudejar art appears as an alternative system to the Romanesque art of the conquerors.","extra":{"duration":"Una giornata","et_title":"IAM;es;IV;en;1","introd_type":"ET-short#-"}},"a966d007-2f83-5f97-b87a-5221f821358c":{"title":"BELYOUNESH"},"a96e0ae6-f1cc-5742-8334-014c6bdb3236":{"title":"MAHDIYA"},"aaab286e-9305-59bb-b688-0c21f0593c7a":{"title":"BEÇİN"},"ac45321f-3cf5-5584-923f-06ea34ad4155":{"title":"Artena","description":""},"ad5deb87-622b-579d-a106-19abf17d5e56":{"title":"Campofelice di Roccella","description":""},"aeb6263b-cb4d-5927-80f3-e1d0eac262c3":{"title":"Lazio","description":""},"b305bb73-74da-5b24-820b-89a7fe76e906":{"title":"MİLAS"},"b42c1410-2751-5eab-8e8d-7914f6471bf4":{"title":"Minerbio","description":""},"b43f7d30-ab5b-5801-8816-9d02c3942836":{"title":"KSAR ES-SEGHIR"},"b5cdf490-2a66-5a8a-8615-912ace476df7":{"title":"Emilia Romagna","description":""},"b81caf79-175b-5c03-95f6-c05290f93479":{"title":"Comunidad Autónoma de Madrid","description":""},"b851bd5a-801a-5687-8244-3088dfb66618":{"title":"Segesta (Calatafimi)","description":""},"ba74c92d-510d-5f0b-952e-1b317521c8d9":{"title":"Andalucía","description":""},"be254aa3-f17b-5f51-9816-49b24380fec7":{"title":"Siracusa","description":""},"c083b0b9-795e-57d4-a33c-6df3aebebe2d":{"title":"Imola","description":""},"c1592bfa-a2a2-5720-b31d-d2ef72f9f034":{"title":"Ariccia Archeologica","description":"","extra":{"duration":"due ore"}},"c270b0e9-ce7a-5cf9-9ffc-4db3133c2563":{"title":"JEDEYDA"},"c3f94560-2a0e-507b-a975-f9e313d07e53":{"title":"Vicari","description":"","extra":{"info":"The “Serre” of Ciminna  \nAlong the road to Vicari there is countryside characterised by the presence of macrocrystalline chalk outcropping on the surface and rocks in the form of intriguing ruins emerging in a territory where small cultivated fields of wheat and oats, almonds and olives alternate, as well as beans, tomatoes and vines. The most scenographic and oustanding part of this land, in the municipal district of Ciminna called “*serre*” (sierras), is a natural reserve where, above all in spring and in the autumn, it is possible to observe the spectacular flowering of garrigue and a large variety of species of migratory fauna."}},"c461e6f7-a6b8-56fa-a354-a62a03c180a2":{"title":"Incoronazione dei re d'Aragona","description":"The city of Saragossa with its Cathedral of San Salvador where the Kings of Aragon were crowned, was the creative centre of the Mudejar style in Aragon and responsible for the dissemination of the style, thanks above all to the royal patronage it enjoyed. This unique style was developed in the first place in the Palace of Aljafería, an Islamic palace from the 11th century, which after the conquest of the city by Alfonso I el Batallador (the Fighter) in the year 1118, was converted into the palace of the Kings of Aragon. They conserved it and added Mudejar rooms, using for them Muslim master craftsmen.  \n  \nOur itinerary through the Mudejar part of the city of Saragossa follows the same route as the Coronation procession. The visit begins in the Mudejar rooms and the apartments of the Catholic Monarchs in the complex of the Aljafería Palace, both excellent examples of royal patronage. Then it continues through the busy district of San Pablo, with its Mudejar church and tower to finish in the Cathedral of San Salvador, in which there are magnificent testimonies to the patronage of the archbishops and Popes. The visit can be continued in the eastern part of the city, by visiting the bustling Mudejar parishes of La Magdalena, San Miguel de los Navarros and San Gil.","extra":{"duration":"Una giornata","et_title":"IAM;es;III;en;1","introd_type":"ET-short#-"}},"c65278e2-4679-54e8-b11f-f905208f95b6":{"title":"SFAX"},"c9534b27-073e-5d65-b2ee-587211e29d56":{"title":"Trapani","description":""},"ca1fc68c-1ad9-564c-a57d-7649dd5fd05f":{"title":"Catania","description":""},"ca7fe0c9-a2dc-52fb-8eb6-e7bac567b5fd":{"title":"LISBONA"},"caabf348-94a2-5dde-984c-7eefb5071c70":{"title":"GABÈS"},"cb8ec515-f103-5516-96f7-db0e7ac64674":{"title":"SALEMI"},"cba672ee-4685-57e3-a926-f3cab0c2eeae":{"title":"Explore Ariccia","description":"Arrivando ad Ariccia dal ponte monumentale sulla Via Appia Nuova, ci da il benvenuto lo splendido insieme urbanistico creato da Gianlorenzo Bernini con la piazza di Corte incorniciata da Palazzo Chigi e la Chiesa dell'Assunta. Dalle finestre del Palazzo intravediamo il meraviglioso bosco della dea del luogo, Diana nemorense, il cui culto spiega le numerose vestigia romane lungo il tratto della Via Appia Antica che attraversa il territorio di Ariccia."},"d02f828a-94b1-5f27-847f-12d5e5626d15":{"title":"Roma","description":""},"d24a9da7-ba71-5502-b316-1dfdf1bb21bb":{"title":"CALATAYUD"},"d28ea8f6-3c9a-5669-bef5-3ab93ae9baf7":{"title":"Zagarolo","description":""},"d40e8ef4-4f29-5385-8aa9-7b8a217a82d8":{"title":"TAMERZA"},"d422ad3b-fdba-5e4a-bb6e-045b63f63553":{"title":"CATANIA"},"d48a5f13-4a3e-5fb9-8c0e-e2177bef4699":{"title":"Forza d'Agrò","description":""},"d658deb8-46ec-5350-a6e2-3cf1269e3acf":{"title":"Santa Maria di Galloro","description":"","extra":{"duration":"un'ora"}},"d72d7f6c-5efd-5faa-8482-7776b7e05887":{"title":"TEBOURBA"},"d7495e66-fc72-5a73-a0ac-485c333d8598":{"title":"GAFSA"},"d7afbc00-831c-5e6e-941f-aef9ecd3213b":{"title":"IRBID"},"d8ba4563-4e7f-5b67-8ea6-eb1e8d1b63c0":{"title":"AGRIGENTO"},"df3ffe4e-8add-523d-9e52-42be047d1aea":{"title":"DEGUECHE"},"df8de2dc-6e2a-5fc3-8a3c-3a0eb453cafb":{"title":"BURSA"},"e2af7f0b-9b0e-50ed-8a07-86d9f6ad72fc":{"title":"LA MARSA"},"ea2f3066-4700-52c3-bad7-e847b6040af1":{"title":"Agrigento","description":"","extra":{"info":"The Stairs of the Turks (La Scala dei Turchi)  \nGoing towards Agrigento, one crosses a valley characterised by a thick group of Saracen olive trees, that is to say “*that olive tree*” as Leonardo Sciacia writes, “*with a twisted trunk, of dark cracks; as though being tortured and almost hearing the groans*”. Leaving the main state road for the road to Porto Empedocle, on the eastern side towards the sea, between the provincial road and the beach, there is a continuous wall of chalk hills, named the “Stairs of the Turks” on account of its singular configuration. These hills provide a grandiose phenomenon of the erosion caused by water and the atmospheric agents, which dig deep ditches between the white marly slopes; the cliff is punctuated by small and attractive inlets. Popular legend links this point to the pirate raids of the 15th and 16th centuries."}},"ea66069e-07f3-5e7c-b2ec-99017d856002":{"title":"Aci Castello","description":""},"eadb3505-da7f-5559-bfb2-8613950c824c":{"title":"Paternò","description":""},"eb77a944-ef14-5e92-8214-8217fdc11fd5":{"title":"L'aljarafe di Siviglia","description":"One of the most important regions of the province of Seville, and one that has always had the most connection with the capital, is the Aljarafe. Its name comes from the Arabic *as-saraf,* which can be translated as “height” or “ a slightly higher place”. In fact this is a sort of *atalaya,* which looks down over the city of Seville and a large part of the valley of the River Guadalquivir.  \n  \nIn this area, to the west of the city of Seville, there have been many great estates since Medieval times, belonging to the Military Orders, the Church and the aristocracy. Its population changed significantly as a result of the Conquest of Seville in the year 1248, when an important contingent of Christians joined the numerous groups of Muslims who decided to stay in the district. The situation changed after the uprising of 1264–1266 when the expulsion of the Muslims and the disappearance of their settlements was decided. All of these facts had an important effect on the chronology and character of the Mudejar work in this district.","extra":{"duration":"Una giornata","et_title":"IAM;es;XII;en;1","introd_type":"ET-short#-"}},"ebe00cf0-2621-533f-ba29-72f99688e2ec":{"title":"CEFALÙ"},"ebe4f8fd-a03e-5998-9fdf-008a71a34c31":{"title":"Sambuca di Sicilia","description":""},"ebfa1c43-8ad2-5522-a54a-0db5c2c48e88":{"title":"Pieve di Cento","description":""},"ec3745fa-655d-586d-8239-7f4391989cf0":{"title":"Sciacca","description":""},"ecb04545-3b09-5d83-8ba2-b02e1345154e":{"title":"SIDI BOU SAID"},"ed54e4b6-6c3c-5fea-afc5-96f55abcf6da":{"title":"TAVIRA"},"edc3f9f1-c4c9-5cbb-abff-f4cfb15d91d5":{"title":"Palermo","description":""},"ee374e2e-9d6c-5f62-9cbf-2e4a7816966e":{"title":"Rometta","description":""},"f1622cbf-4a6e-54a2-a586-b4769274d194":{"title":"MAZARA DEL VALLO"},"f1718c2e-9895-5ad7-a5fc-809e8406b8fd":{"title":"Adrano","description":""},"f28cdfeb-09f6-5926-aaa9-27497c90a43b":{"title":"Caccamo","description":""},"f55ac9f8-e534-55af-9a6c-b22c42d39002":{"title":"MEJEZ EL-BAB"},"f82177bc-01e2-52ae-b16e-800af33271cb":{"title":"Aragón","description":""},"fc2d5113-417f-58ce-a496-e257ed8b86ec":{"title":"Rodrigo de Mendoza, marchese di Zenete: dal Castello di La Calahorra all’Albayzín","description":"This two-day itinerary to some extent re-creates the historical route between the district of the Marquesado or estates of the Marquis of Zenete and the city of Granada. This route linked the country retreat of Rodrigo de Mendoza in his Castle-Palace, La Calahorra, with the two properties he began building in Granada: a villa on the outskirts of the city on the site of a Moorish *almunia*, or garden, a palace with Mudejar characteristics in the very centre of the Albaicín.  \n  \nThe north side of the Sierra Nevada became a magnet for the Spanish Muslims from the end of the 15th century until the expulsion of the Moriscos in the 17th century. This was the result of the Safe-Conduct Policy issued by Cardinal Mendoza in 1490, inviting any Muslim who was fleeing from the frontier with Castilla to settle in this area of the Granada province.  \n  \nThe building systems of Mudejar, characterised by a unique way of using wood in roofs and frameworks, were reflected in the urban physiognomy and in the buildings of a whole series of places in the province of Granada as evidence of a past characterised by cultural symbiosis.","extra":{"duration":"Due giorni","et_title":"IAM;es;XIII;en;1","introd_type":"ET-short#-"}},"fe47e0d3-4965-52ff-94e7-f4ec3598a70d":{"title":"Caronia","description":""},"feb49d2c-78be-5d99-ba33-f99e6c94e78e":{"title":"Sasso Marconi","description":""}}

package/translations/collections.pt.json

@@ -1 +1 @@
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+{"01a7fa99-c5d0-5d91-9ed4-e4777a00cdf8":{"title":"Sicily","description":""},"0edf480a-5b03-5950-9554-5eafd89f63f1":{"title":"ZAFRA"},"145bcc34-0ba9-5c42-a9ed-0674fa73b3e7":{"title":"VILLALPANDO"},"1fe7b005-0804-51de-9ff3-f38214ab42b1":{"title":"Roman Castles","description":""},"21cad775-0b8b-5dde-b320-6c19bd19c918":{"title":"GUADALUPE"},"33598575-8404-5b92-bfea-14aa8e9b5544":{"title":"SINTRA"},"3e4984f1-8471-5aa4-b8db-98582c1a7b9e":{"title":"CALERA DE LEÓN"},"439fce29-6fb5-52b1-ab0a-8ff0dd1c62d4":{"title":"FARO"},"481d69ba-fef4-5f6a-bd9f-ec4ccbc7e317":{"title":"ALCALÁ DE HENARES"},"506ebfbe-e49b-5f19-8db5-62c712fa2323":{"title":"VILLALÓN DE CAMPOS"},"53224035-1f11-5b34-8672-584f4a9db127":{"title":"ARÉVALO"},"54a22a50-1d3e-5afe-8ad5-6532ec457aab":{"title":"MAYORGA DE CAMPOS (opção)"},"54f3557a-f461-5e80-9858-4d48823dfd96":{"title":"SILVES"},"6646f14c-5bbf-50cd-9780-c676b1e8d95e":{"title":"COIMBRA"},"6e7af898-4728-5e8e-9c18-2239f1c9f4cb":{"title":"TORO"},"774c5c46-01e9-5da1-bf38-1dcabc3034df":{"title":"Castilla-La Mancha","description":""},"7c6fd638-eff4-5666-aac8-d18d1bf752b3":{"title":"Castilla y León","description":""},"7e00c668-c64a-57cf-a2aa-bd5dd61c2bb1":{"title":"GUADIX"},"7f1a37a4-06d6-5909-b25a-cba66fdfc0a1":{"title":"LLERENA"},"7fa95edb-214b-59e3-85f6-1b73261b4e3e":{"title":"Província de Roma","description":""},"807595a2-8a0d-5851-aab9-b1dc209f869c":{"title":"MÉRTOLA"},"898711aa-0972-5da9-9e55-756aa27b9de6":{"title":"MALUENDA"},"99d9db3e-1464-51ab-943f-121b6e7df24c":{"title":"Estremadura","description":""},"a26e1cdc-e8e0-50df-a5ff-2cc85e86aaf3":{"title":"ELVAS"},"a7cbf775-cf58-5896-b435-28a1fc4f7808":{"title":"SANTARÉM"},"aeb6263b-cb4d-5927-80f3-e1d0eac262c3":{"title":"Lazio","description":""},"b81caf79-175b-5c03-95f6-c05290f93479":{"title":"Comunidad Autónoma de Madrid","description":""},"ba74c92d-510d-5f0b-952e-1b317521c8d9":{"title":"Andalucía","description":""},"ca7fe0c9-a2dc-52fb-8eb6-e7bac567b5fd":{"title":"LISBOA"},"d24a9da7-ba71-5502-b316-1dfdf1bb21bb":{"title":"CALATAYUD"},"ed54e4b6-6c3c-5fea-afc5-96f55abcf6da":{"title":"TAVIRA"},"f82177bc-01e2-52ae-b16e-800af33271cb":{"title":"Aragón","description":""}}

package/translations/collections.tr.json

@@ -0,0 +1 @@
+{"0c535e33-48f4-59a4-89a4-4af3958d19af":{"title":"EDİRNE"},"103b7595-efae-55a9-86d3-2fd2a1c37ece":{"title":"BALAT"},"30ca7a5a-f30c-578a-ad9b-a8f20826adfd":{"title":"GELİBOLU"},"30fb6fbc-4986-5621-9d1d-2a2759f051f9":{"title":"MANİSA"},"40c80fcd-9277-5ae3-a6d1-38062174830c":{"title":"BİRGİ"},"4cda4f97-49cc-5340-be3a-bfee0962a2f0":{"title":"TİRE"},"6d2bb3f2-9a47-5a1f-b429-480eb82732bf":{"title":"İZNİK"},"9ac899da-b170-56dc-abc7-2f5bdd89f7a6":{"title":"SELÇUK"},"aaab286e-9305-59bb-b688-0c21f0593c7a":{"title":"BEÇİN"},"b305bb73-74da-5b24-820b-89a7fe76e906":{"title":"MİLAS"},"df8de2dc-6e2a-5fc3-8a3c-3a0eb453cafb":{"title":"BURSA"}}