@museumwnf/communication-data 1.0.4 → 1.0.5

This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
Files changed (11) hide show
  1. package/dynasties.json +1 -1
  2. package/items.json +1 -1
  3. package/manifest.json +1 -1
  4. package/package.json +1 -5
  5. package/partners.json +1 -1
  6. package/translations/items.ar.json +1 -1
  7. package/translations/items.en.json +1 -1
  8. package/translations/items.es.json +1 -1
  9. package/translations/items.fr.json +1 -1
  10. package/translations/items.pt.json +1 -1
  11. package/translations/items.tr.json +1 -1
package/manifest.json CHANGED
@@ -1 +1 @@
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package/package.json CHANGED
@@ -1,6 +1,6 @@
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  {
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  "name": "@museumwnf/communication-data",
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- "version": "1.0.4",
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+ "version": "1.0.5",
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  "type": "module",
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  "private": false,
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  "description": "Static data export for communication_and_transportation",
@@ -19,9 +19,5 @@
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  "engines": {
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  "node": ">=16.0.0",
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  "npm": ">=8.0.0"
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- },
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- "repository": {
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- "type": "git",
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- "url": "https://github.com/museumwithnofrontiers/inventory-app"
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  }
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  }
package/partners.json CHANGED
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E., and Shukla, S., \"Palanquin Symbolism: The Special Vocabulary of the Palanquin-Bearing Castes of North Central India\", *The Journal of American Folklore*, 81 : 321 (1968): 216–234. \nPaolini, S., \"Palanquins on Camels and Elephants in the Islamic World\",*Vicino Oriente* (2018): 227-240.","author":"Sarah Schroeder","translator":"Faisal Haddad","materials":["خشب: نحت"]},"2735c542-1b56-59a7-9fac-72518fe82535":{"name":"خارطة أولية للخط الحديدي الحجازي بين دمشق والمدينة","short_description":"في عام 1900 بدأ السلطان عبد الحميد الثاني (حكم خلال 1876 -1909 ) بإنشاء خط سكة حديد يربط دمشق بالمدن المقدسة في الحجاز كالمدينة ومكة. وقد أنشأ هذا الخط بمشاركة من الجهات العامة ودعوة للعالم الإسلامي للدعم المالي وقد وصل خط السكة الحديدية للمدينة عام 1908 ولكنه لم يصل لمكة. هذه الخارطة المؤرخة في 28 حزيران 1334 (28 يونيو 1916 ) تظهر الخط الحديدي الحجازي من دمشق للمدينة ومن درعا إلى حيفا مع خط منقط يشير للحدود بين المدينة ومكة (الخط لم يكتمل أبدا). وإن أسماء المواقف ومناطق القبائل مشار لها. والخارطة موقعة من قبل الألماني هاينريش أوغوست مايزنر وهو كبير مهندسي الخط الحديدي الحجازي. وفي عام 1904 أعطي لقبا رسميا وعرف بمايزنر باشا. والرسوم الأصلية للخط الحديدي الحجازي تمت من قبل مختار باي وهو مهندس بارع من إسطنبول الذي كان مسؤولا عن أعمال المسح الأصلية للمسار. وقد رسمت بعد ذلك من قبل مسؤولين آخرين والمخططات الهندسية موقعة من قبل مايزنر، ربما بعد بعض التغييرات. وقد كان مختار باي معروفا بأنه اليد اليمنى لمايزنر .وإن التاريخ هنا معروف بتاريخ الثورة العربية التي أدت لتخريب أجزاء من الخط الحديدي وقد بدأت في يونيو 1916.","type":"خارطة ، مخطط ، مخطط أولي","holder":"عهدة عائلة الخليلي – مجموعة ناصر د. الخليلي للفن الإسلامي","dates":"ميلادي 1916","location":"لندن","dimensions":"86.5 × 56 سم","method_for_datation":"الخارطة موقعة ومؤرخة","provenance":"تركيا","bibliography":"Nicholson, J., *The Hejaz railway*, London: Stacey International, 2005.","author":"Qaisra Khan","translator":"أحمد باسل رضوان","keywords":["الحج","الحجاز","الخط الحديدي الحجازي","الكعبة","المدينة","النبي محمد","الهندسة","دين","سفر","صلاة","طريق الحج","مسجد","مكان مقدس","مكة","ورق"],"materials":["ورق حساس ضوئيا"]},"713a80ee-86ad-5103-bcf7-5c70eb44eb3b":{"name":"ألبوم صور لسكة الحديد الحجازية","short_description":"في عام 1900 بدأ السلطان عبد الحميد الثاني (حكم خلال 1876 -1909 ) بإنشاء خط سكة حديد يربط دمشق بالمدن المقدسة في الحجاز كالمدينة ومكة. وقد أنشأ هذا الخط بمشاركة من الجهات العامة ودعوة للعالم الإسلامي للدعم المالي وقد وصل خط السكة الحديدية للمدينة عام 1908 ولكنه لم يصل لمكة. وقد بني بمساعدة مهندسين ألمان الذين عملوا تحت إشراف المسؤولين الأتراك. وهذا الألبوم للخط الحديدي الحجازي يعود لمهندس تركي الذي عمل على إنشاء الخط. وفي هذا الألبوم 50 صورة أغلبها لمحطات ومقاطع الخط ولكن أيضا يوجد صور لمشاهد طبيعية التي يمر عبرها الخط في المنطقة بين تبوك ومدائن صالح. والصور التقطت في الأغلب من قبل المصور الأرمني ج.هـ. هالدجيان الذي يملك استوديو في حيفا في فلسطين والذي كان نشطا في 1890s وبداية القرن العشرين. واستنادا للسجلات في متحف الحرب الإمبراطورية والجمعية الجغرافية الملكية فإن هالدجيان هو من التقط صور الخط الحديدي الحجازي والأماكن التي على مساره. ويحتوي الألبوم بعض الصور المهمة مثل صورة مستشفى تبوك الذي تأسس عام 1907 والذي أصبح محطة الحجر الصحي للخط الحديدي (ARC.al 6.16) وأيضا الصور التي تظهر صعوبة قطع الصخور من أجل تمرير الخط عبر الأراضي الجبلية (ARC.al 6.24). أيضا يوثق هنا القطع الكبيرة من الحجر في شمال مدائن صالح (ARC.al 6.389 ) في مبرك النجاة حيث قبل السكة الحديدية فإن الحكومة العثمانية ربطت الحجاز بإسطنبول عن طريق خط تلغراف الذي وصل لمدائن صالح في عام 1900. وبناء خط التلغراف البري بين دمشق والمدينة والذي يشبه لحد كبير مشروع إنشاء الخط الحديدي الحجازي كانت تعترضه صعوبات تتضمن طبيعة الأرض وخطر المقاومة من قبل البدو.","type":"ألبوم ، صور","holder":"عهدة عائلة الخليلي – مجموعة ناصر د. الخليلي للفن الإسلامي","dates":"حوالي 1908 ميلادي","location":"لندن","dimensions":"الألبوم المغلق : 24 × 31 سم ، الألبوم المفتوح : 24 × 67.5 سم","method_for_datation":"التأريخ والنسبة تستند إلى مجموعات IWM & RGS","provenance":"تركبا","bibliography":"Minawi, M., *The Ottoman Scramble for Africa: Empire and Diplomacy in the Sahara and the Hijaz*, Stanford, CA: Stanford University Press, 2016.https://www.rgs.org (last accessed 08-07-2019) \nhttps://www.iwm.org.uk (last accessed 08-07-2019)","author":"Qaisra Khan","translator":"أحمد باسل رضوان","keywords":["الحج","الحجاز","الخط الحديدي الحجازي","الكعبة","المدينة","النبي محمد","الهندسة","دين","سفر","صلاة","صورة","طريق الحج","مسجد","مكان مقدس","مكة","ورق"]},"a3a7e6de-6cff-51a1-9392-ab310f7efdc7":{"name":"لوحة أمامية مزينة عبارة عن سطح مرئي أعلى كبين السائق","short_description":"تماما مثلما تعمل اللوحات المرسومة في باكستان فإن وصول عصر التصوير الفوتوغرافي والصور المنتجة بكميات كبيرة – مع توفر الطلاءات الزيتية – ساعد في تطور الفن الشعبي في النصف الثاني من القرن العشرين وأدى لرسم لوحات ضخمة ناصعة على الشاحنات البرية في أفغانستان وباكستان. وإن أجسام الشاحنات كانت ترسم بتخطيط شعري أو آيات دينية ونماذج مزهرة وحدائق الجنة ومشاهد ألبية ومواقع مقدسة وصور لأبطال بشريين وطائرات وصواريخ من قبل فناني الشوارع في مواقف الشاحنات في كل شمال غرب باكستان.","type":"وسيلة مواصلات ، لوحة","holder":"متحف العالم ، فينا","dates":"عقد 1990","location":"فيينا","dimensions":"الارتفاع : 100 سم ، الطول : 200 سم ، العمق : 18 سم","method_for_datation":"المادة موجودة في قاعدة بيانات TMS الرقمية والوثائق الأرشيفية","method_for_provenance":"المادة موجودة في دفتر الجرد العام","provenance":"باكستان","obtention":"أشتريت من الدكتور فريتس تروب ، أتنانغ – بوخهايم ، 1994.","bibliography":"Steinmann, Axel, *Afghanistan, exhibition catalogue*, Vienna: Museum für Völkerkunde, 2003: 125.","translator":"Ahmad Bassel Radwan","materials":["بلاستيك","حديد","خشب"]},"dc22fbbb-3a0b-58bb-82f9-7523c4e9d4d5":{"name":"بطاقات بريدية رسمية للخط الحديدي الحجازي","short_description":"في عام 1900 بدأ السلطان العثماني عبد الحميد الثاني (حكم خلال 1876 – 1909 ) في إنشاء خط سكة حديدية يربط دمشق بالمدن المقدسة في الحجاز كالمدينة ومكة. وقد أنشأ هذا الخط بمشاركة من الجهات العامة ودعوة للعالم الإسلامي للدعم المالي وقد وصل خط السكة الحديدية للمدينة عام 1908 ولكنه لم يصل لمكة. وتمويل خط سكة الحديد الحجازي كان يراد به مبدئيا أن يأتي كليا من التبرعات الخيرية وفي مايو عام 1900 بدأ السلطان عبد الحميد العملية بتبرع سخي من أمواله الخاصة. بالرغم من السخاء الوطني والأجنبي تجاه حملة التبرعات فقد أصبح سريعا من الواضح أن هذا لوحده غير كاف لتأمين التمويل اللازم للإنشاء. وبالتالي سعت الحكومة لتأمين التمويل بعدة طرق أخرى التي تتضمن إصدار بطاقات بريدية من ضمن المنتجات الأخرى ألمانية الصنع من أجل تحقيق عائد أكبر. وتحت عنوان (منظر لسكة الحديد الحميدية الحجازي ) وبعبارات مكتوبة بالفرنسية والتركية فقد صورت البطاقات البريدية إنشاء الخط الحديدي وأيضا المناظر العامة واحتفالات التدشين /الافتتاح. وهذه كانت متوفرة للشراء في مكاتب البريد المحلية.","type":"بطاقة بريدية ، صورة","holder":"عهدة عائلة الخليلي – مجموعة ناصر د. الخليلي للفن الإسلامي","dates":"ميلادي 1900 -1908","location":"لندن","dimensions":"ARC.pc 459 : 8.8 × 14.1 سم، ARC.pc 460 : 9 × 14.2 سمARC.pc 461 : 9 × 14.1 سم","method_for_datation":"الخط الحديدي الحجازي أنشأ بين عامي 1900 و1908 .","provenance":"تركيا","bibliography":"Nicholson, J., *The Hejaz railway*, London: Stacey International, 2005.Ochsenwald, William L., “The Financing of the Hijaz Railroad”, *Die Welt des Islams*, New Series, 14, 1/4 (1973): 129-149.Ozyuksel, M., *The Hejaz Railway and the Ottoman Empire: Modernity, Industrialisation and Ottoman Decline*, London: I.B.Tauris, 2014.","author":"Qaisra Khan","translator":"أحمد باسل رضوان","keywords":["الحج","الحجاز","الخط الحديدي الحجازي","الكعبة","المدينة","النبي محمد","الهندسة","دين","سفر","صلاة","طريق الحج","مسجد","مكان مقدس","مكة","ورق"],"materials":["بطاقة"]},"f542a798-8c47-5278-ad25-50059baf16a0":{"name":"دليل مسافات.","description":"مَعْلم أو دليل مسافات، غالباً ما يُنصَب لتحديد المسافة بين محطتين على امتداد رحلة الحج أو طريق التجارة. تعود هذه القطعة إلى عهد الخليفة الأموي الخامس، عبد الملك بن مروان (حكم في الفترة 66- 86 / 685- 705). تحمل القطعة نقشاً يتألف من ثمانية أسطر مكتوبة بالخط الكوفي، ولا يمكن قراءة كامل النص لأن الجزء العلوي من الحجر قد تحطَّم وضاع. أما الجزء الواضح من النقش فيقرأ: \"نصب هذا الحجر عبد الله، أمير المؤمنين، عبد الملك، رحمة الله عليه. المسافة من هنا إلى دمشق 109 أميال.\" لم يبقَ اليوم من النقوش الأموية إلا عدد قليل جداً. كذلك، فإن دليل المسافات هذا ذو أهمية نظراً لأنه يرينا تطور الأسلوب في النقش الكوفي على الحجر خلال العهد الأموي.","short_description":"في سنوات الإسلام الأولى، كانت مُؤشِّرات المسافات تُنصب على امتداد طرق التجارة والحج، لبيان المسافات للمسافرين. وهذه العلامات أو المُؤشِّرات تحمل التواريخ، وأسماء المسؤولين ذوي العلاقة في المنطقة، بما يجعلها ذات أهمية وثائقية.","holder":"متحف الفنون التركية والإسلامية.","dates":"66- 86 / 685- 705.","location":"استنبول.","dimensions":"الارتفاع: 40 سم؛ العرض: 30 سم؛ العمق: 9 سم.","method_for_datation":"أرِّخت القطعة بالفترة 66 - 86 / 685 - 705 استناداً إلى ورود اسم عبد الملك بن مروان في النقش، وكان الخليفة في تلك الفترة.","method_for_provenance":"تدل سجلات قوائم الموجودات بأنه تمَّ العثور على القطعة بين أطلال خان الحترورة في أريحا، ونقلت إلى جناح القرميد (البلاط) في عام 1884. وبما أن خان الحترورة أبعد عن دمشق مما يشير إليه النقش (109 أميال)، يُعتقد أن مَعلم المسافات قد نُقِل إلى الخان من مكان أبعد إلى الشمال.","provenance":"أريحا، قرب القدس.","obtention":"تدل قائمة الموجودات على أن القطعة نُقلت من خان الحترورة في أريحا إلى جناح القرميد (البلاط) في عام 1884 كجزء من مبادرة القرن 19 م الهادفة إلى تجميع الأعمال الفنية عبر البلاد. وقد نقلت القطعة إلى المتحف في عام 1941.","bibliography":"\\- ,Clermont-Ganneau, C. “Notes d'épigraphie et l'Histoire Arabes.” Journal Asiatique, 8e série, no. 9 \n.avril–mai–juin 1887, pp. 472 – 497 \n\\- Kerametli, C. “Türk ve Islam Eserleri Müzesi'nde Erken Islam Devrine Ait Kitabeler.” Şarkiyat \n.Mecmuası VI (1965), Istanbul, 1966, pp. 20 \n\\- .ölçer, N. et al. Museum of Turkish and Islamic Art. Istanbul, 2002 \n\\- .Van Berchem, M. Matériaux pour un Corpus Inscriptionum Arabicarum, deuxieme partie, Syrie du Sud \n.Tome Premier, Jerusalem 'la Ville'. Cairo, 1922","author":"Gönül Tekeli","translator":"Abbas Abbas","translation_copy_editor":"Majd Musa","keywords":["دليل مسافة","رخام."],"materials":["رخام منقوش."]}}
1
+ {"148b5238-d0f6-5a73-ade6-65b1ffbc8ca4":{"name":"محمل","short_description":"المحمل المعروض عبارة عن مقصورة خشبية مُثبّتة على أعمدة خشبية كبيرة مع أرضية منسوجة وسقف مُقوّس. فضلا عن ذلك، تتنوّع الزخارف المنقوشة لأستعراض مكانة السلطة الملكية . \n \nوحدهم الرجال من طوائف معينة أو الفيلة هم من باستطاعتهم حمل الهوادج التي تنقل أفراد العائلة الملكية في رحلات طويلة أو العرائس إلى حفلات الزفاف.عادة هذا النوع من المحمل يُغطى لستر الركاب من نظرات الغرباء، كما أنها تُشير إلى أن المستخدمين هم من علية القوم وأصحاب الثروات . \n \nفي جميع أنحاء شبه الجزيرة العربية، يُطلق على المحمل اسم \"هودج\" الذي يحمل نساء البدو على ظهر الجمل، وغالبا ما يقع ذكره في أشعار قبيلة بنو مرّة. أما اليوم، فيمكن اعتبار المحمل بمثابة النسخة القديمة من السيارات المضادة للرصاص وذات الزجاج المُلوّن التي يركبها أفراد العائلة المالكة وحاشيتهم.","type":"وسائل نقل","holder":"متحف الشيخ فيصل بن قاسم ال ثاني","owner":"متحف الشيخ فيصل بن قاسم ال ثاني","dates":"القرن ال 19","location":"الشهنية","dimensions":"طول: 398 سم عرض: 85 سم ارتفاع: 110 سم","provenance":"الهند","obtention":"شراء","bibliography":"Behrens-Abouseif, D., \"The Mahmal Legend and the Pilgrimage of the Ladies of the Mamluk Court\", *Mamluk Studies Review*, 1 (1997): 87-96. \nIngham, B., \"Camel Terminology Among the ĀL Murrah Bedouins\", *Zeitschrift Für Arabische Linguistik*, 22 (1990): 67–78. \nOpler, M. E., and Shukla, S., \"Palanquin Symbolism: The Special Vocabulary of the Palanquin-Bearing Castes of North Central India\", *The Journal of American Folklore*, 81 : 321 (1968): 216–234. \nPaolini, S., \"Palanquins on Camels and Elephants in the Islamic World\",*Vicino Oriente* (2018): 227-240.","author":"سارة شرودر","translator":"فيصل حداد","materials":["خشب: نحت"]},"2735c542-1b56-59a7-9fac-72518fe82535":{"name":"خارطة أولية للخط الحديدي الحجازي بين دمشق والمدينة","short_description":"في عام 1900 بدأ السلطان عبد الحميد الثاني (حكم خلال 1876 -1909 ) بإنشاء خط سكة حديد يربط دمشق بالمدن المقدسة في الحجاز كالمدينة ومكة. وقد أنشأ هذا الخط بمشاركة من الجهات العامة ودعوة للعالم الإسلامي للدعم المالي وقد وصل خط السكة الحديدية للمدينة عام 1908 ولكنه لم يصل لمكة. هذه الخارطة المؤرخة في 28 حزيران 1334 (28 يونيو 1916 ) تظهر الخط الحديدي الحجازي من دمشق للمدينة ومن درعا إلى حيفا مع خط منقط يشير للحدود بين المدينة ومكة (الخط لم يكتمل أبدا). وإن أسماء المواقف ومناطق القبائل مشار لها. والخارطة موقعة من قبل الألماني هاينريش أوغوست مايزنر وهو كبير مهندسي الخط الحديدي الحجازي. وفي عام 1904 أعطي لقبا رسميا وعرف بمايزنر باشا. والرسوم الأصلية للخط الحديدي الحجازي تمت من قبل مختار باي وهو مهندس بارع من إسطنبول الذي كان مسؤولا عن أعمال المسح الأصلية للمسار. وقد رسمت بعد ذلك من قبل مسؤولين آخرين والمخططات الهندسية موقعة من قبل مايزنر، ربما بعد بعض التغييرات. وقد كان مختار باي معروفا بأنه اليد اليمنى لمايزنر .وإن التاريخ هنا معروف بتاريخ الثورة العربية التي أدت لتخريب أجزاء من الخط الحديدي وقد بدأت في يونيو 1916.","type":"خارطة ، مخطط ، مخطط أولي","holder":"عهدة عائلة الخليلي – مجموعة ناصر د. الخليلي للفن الإسلامي","dates":"ميلادي 1916","location":"لندن","dimensions":"86.5 × 56 سم","method_for_datation":"الخارطة موقعة ومؤرخة","provenance":"تركيا","bibliography":"Nicholson, J., *The Hejaz railway*, London: Stacey International, 2005.","dynasty":"العصر العثماني","author":"Qaisra Khan","translator":"أحمد باسل رضوان","keywords":["الهندسة ، الحج ، الحجاز ، الخط الحديدي الحجازي ، مكان مقدس ، الكعبة ، المدينة ، مسجد ، ورق ، الحج ، طريق الحج ، صلاة ، النبي محمد ، دين ، سفر ، مكة"],"materials":["ورق حساس ضوئيا"]},"713a80ee-86ad-5103-bcf7-5c70eb44eb3b":{"name":"ألبوم صور لسكة الحديد الحجازية","short_description":"في عام 1900 بدأ السلطان عبد الحميد الثاني (حكم خلال 1876 -1909 ) بإنشاء خط سكة حديد يربط دمشق بالمدن المقدسة في الحجاز كالمدينة ومكة. وقد أنشأ هذا الخط بمشاركة من الجهات العامة ودعوة للعالم الإسلامي للدعم المالي وقد وصل خط السكة الحديدية للمدينة عام 1908 ولكنه لم يصل لمكة. وقد بني بمساعدة مهندسين ألمان الذين عملوا تحت إشراف المسؤولين الأتراك. وهذا الألبوم للخط الحديدي الحجازي يعود لمهندس تركي الذي عمل على إنشاء الخط. وفي هذا الألبوم 50 صورة أغلبها لمحطات ومقاطع الخط ولكن أيضا يوجد صور لمشاهد طبيعية التي يمر عبرها الخط في المنطقة بين تبوك ومدائن صالح. والصور التقطت في الأغلب من قبل المصور الأرمني ج.هـ. هالدجيان الذي يملك استوديو في حيفا في فلسطين والذي كان نشطا في 1890s وبداية القرن العشرين. واستنادا للسجلات في متحف الحرب الإمبراطورية والجمعية الجغرافية الملكية فإن هالدجيان هو من التقط صور الخط الحديدي الحجازي والأماكن التي على مساره. ويحتوي الألبوم بعض الصور المهمة مثل صورة مستشفى تبوك الذي تأسس عام 1907 والذي أصبح محطة الحجر الصحي للخط الحديدي (ARC.al 6.16) وأيضا الصور التي تظهر صعوبة قطع الصخور من أجل تمرير الخط عبر الأراضي الجبلية (ARC.al 6.24). أيضا يوثق هنا القطع الكبيرة من الحجر في شمال مدائن صالح (ARC.al 6.389 ) في مبرك النجاة حيث قبل السكة الحديدية فإن الحكومة العثمانية ربطت الحجاز بإسطنبول عن طريق خط تلغراف الذي وصل لمدائن صالح في عام 1900. وبناء خط التلغراف البري بين دمشق والمدينة والذي يشبه لحد كبير مشروع إنشاء الخط الحديدي الحجازي كانت تعترضه صعوبات تتضمن طبيعة الأرض وخطر المقاومة من قبل البدو.","type":"ألبوم ، صور","holder":"عهدة عائلة الخليلي – مجموعة ناصر د. الخليلي للفن الإسلامي","dates":"حوالي 1908 ميلادي","location":"لندن","dimensions":"الألبوم المغلق : 24 × 31 سم ، الألبوم المفتوح : 24 × 67.5 سم","method_for_datation":"التأريخ والنسبة تستند إلى مجموعات IWM & RGS","provenance":"تركبا","bibliography":"Minawi, M., *The Ottoman Scramble for Africa: Empire and Diplomacy in the Sahara and the Hijaz*, Stanford, CA: Stanford University Press, 2016.https://www.rgs.org (last accessed 08-07-2019) \nhttps://www.iwm.org.uk (last accessed 08-07-2019)","dynasty":"العصر العثماني","author":"Qaisra Khan","translator":"أحمد باسل رضوان","keywords":["الهندسة ، الحج ، الحجاز ، الخط الحديدي الحجازي ، مكان مقدس ، الكعبة ، المدينة ، مسجد ، ورق ، الحج ، طريق الحج ، صلاة ، النبي محمد ، دين ، سفر ، مكة ، صورة"]},"a3a7e6de-6cff-51a1-9392-ab310f7efdc7":{"name":"لوحة أمامية مزينة عبارة عن سطح مرئي أعلى كبين السائق","short_description":"تماما مثلما تعمل اللوحات المرسومة في باكستان فإن وصول عصر التصوير الفوتوغرافي والصور المنتجة بكميات كبيرة – مع توفر الطلاءات الزيتية – ساعد في تطور الفن الشعبي في النصف الثاني من القرن العشرين وأدى لرسم لوحات ضخمة ناصعة على الشاحنات البرية في أفغانستان وباكستان. وإن أجسام الشاحنات كانت ترسم بتخطيط شعري أو آيات دينية ونماذج مزهرة وحدائق الجنة ومشاهد ألبية ومواقع مقدسة وصور لأبطال بشريين وطائرات وصواريخ من قبل فناني الشوارع في مواقف الشاحنات في كل شمال غرب باكستان.","type":"وسيلة مواصلات ، لوحة","holder":"متحف العالم ، فينا","dates":"عقد 1990","location":"فيينا","dimensions":"الارتفاع : 100 سم ، الطول : 200 سم ، العمق : 18 سم","method_for_datation":"المادة موجودة في قاعدة بيانات TMS الرقمية والوثائق الأرشيفية","method_for_provenance":"المادة موجودة في دفتر الجرد العام","provenance":"باكستان","obtention":"أشتريت من الدكتور فريتس تروب ، أتنانغ – بوخهايم ، 1994.","bibliography":"Steinmann, Axel, *Afghanistan, exhibition catalogue*, Vienna: Museum für Völkerkunde, 2003: 125.","translator":"أحمد باسل رضوان","materials":["خشب ، بلاستيك ، حديد"]},"dc22fbbb-3a0b-58bb-82f9-7523c4e9d4d5":{"name":"بطاقات بريدية رسمية للخط الحديدي الحجازي","short_description":"في عام 1900 بدأ السلطان العثماني عبد الحميد الثاني (حكم خلال 1876 – 1909 ) في إنشاء خط سكة حديدية يربط دمشق بالمدن المقدسة في الحجاز كالمدينة ومكة. وقد أنشأ هذا الخط بمشاركة من الجهات العامة ودعوة للعالم الإسلامي للدعم المالي وقد وصل خط السكة الحديدية للمدينة عام 1908 ولكنه لم يصل لمكة. وتمويل خط سكة الحديد الحجازي كان يراد به مبدئيا أن يأتي كليا من التبرعات الخيرية وفي مايو عام 1900 بدأ السلطان عبد الحميد العملية بتبرع سخي من أمواله الخاصة. بالرغم من السخاء الوطني والأجنبي تجاه حملة التبرعات فقد أصبح سريعا من الواضح أن هذا لوحده غير كاف لتأمين التمويل اللازم للإنشاء. وبالتالي سعت الحكومة لتأمين التمويل بعدة طرق أخرى التي تتضمن إصدار بطاقات بريدية من ضمن المنتجات الأخرى ألمانية الصنع من أجل تحقيق عائد أكبر. وتحت عنوان (منظر لسكة الحديد الحميدية الحجازي ) وبعبارات مكتوبة بالفرنسية والتركية فقد صورت البطاقات البريدية إنشاء الخط الحديدي وأيضا المناظر العامة واحتفالات التدشين /الافتتاح. وهذه كانت متوفرة للشراء في مكاتب البريد المحلية.","type":"بطاقة بريدية ، صورة","holder":"عهدة عائلة الخليلي – مجموعة ناصر د. الخليلي للفن الإسلامي","dates":"ميلادي 1900 -1908","location":"لندن","dimensions":"ARC.pc 459 : 8.8 × 14.1 سم، ARC.pc 460 : 9 × 14.2 سمARC.pc 461 : 9 × 14.1 سم","method_for_datation":"الخط الحديدي الحجازي أنشأ بين عامي 1900 و1908 .","provenance":"تركيا","bibliography":"Nicholson, J., *The Hejaz railway*, London: Stacey International, 2005.Ochsenwald, William L., “The Financing of the Hijaz Railroad”, *Die Welt des Islams*, New Series, 14, 1/4 (1973): 129-149.Ozyuksel, M., *The Hejaz Railway and the Ottoman Empire: Modernity, Industrialisation and Ottoman Decline*, London: I.B.Tauris, 2014.","dynasty":"العصر العثماني","author":"Qaisra Khan","translator":"أحمد باسل رضوان","keywords":["الهندسة ، الحج ، الحجاز ، الخط الحديدي الحجازي ، مكان مقدس ، الكعبة ، المدينة ، مسجد ، ورق ، الحج ، طريق الحج ، صلاة ، النبي محمد ، دين ، سفر ، مكة"],"materials":["بطاقة"]},"f542a798-8c47-5278-ad25-50059baf16a0":{"name":"دليل مسافات.","description":"مَعْلم أو دليل مسافات، غالباً ما يُنصَب لتحديد المسافة بين محطتين على امتداد رحلة الحج أو طريق التجارة. تعود هذه القطعة إلى عهد الخليفة الأموي الخامس، عبد الملك بن مروان (حكم في الفترة 66- 86 / 685- 705). تحمل القطعة نقشاً يتألف من ثمانية أسطر مكتوبة بالخط الكوفي، ولا يمكن قراءة كامل النص لأن الجزء العلوي من الحجر قد تحطَّم وضاع. أما الجزء الواضح من النقش فيقرأ: \"نصب هذا الحجر عبد الله، أمير المؤمنين، عبد الملك، رحمة الله عليه. المسافة من هنا إلى دمشق 109 أميال.\" لم يبقَ اليوم من النقوش الأموية إلا عدد قليل جداً. كذلك، فإن دليل المسافات هذا ذو أهمية نظراً لأنه يرينا تطور الأسلوب في النقش الكوفي على الحجر خلال العهد الأموي.","short_description":"في سنوات الإسلام الأولى، كانت مُؤشِّرات المسافات تُنصب على امتداد طرق التجارة والحج، لبيان المسافات للمسافرين. وهذه العلامات أو المُؤشِّرات تحمل التواريخ، وأسماء المسؤولين ذوي العلاقة في المنطقة، بما يجعلها ذات أهمية وثائقية.","holder":"متحف الفنون التركية والإسلامية.","dates":"66- 86 / 685- 705.","location":"استنبول.","dimensions":"الارتفاع: 40 سم؛ العرض: 30 سم؛ العمق: 9 سم.","method_for_datation":"أرِّخت القطعة بالفترة 66 - 86 / 685 - 705 استناداً إلى ورود اسم عبد الملك بن مروان في النقش، وكان الخليفة في تلك الفترة.","method_for_provenance":"تدل سجلات قوائم الموجودات بأنه تمَّ العثور على القطعة بين أطلال خان الحترورة في أريحا، ونقلت إلى جناح القرميد (البلاط) في عام 1884. وبما أن خان الحترورة أبعد عن دمشق مما يشير إليه النقش (109 أميال)، يُعتقد أن مَعلم المسافات قد نُقِل إلى الخان من مكان أبعد إلى الشمال.","provenance":"أريحا، قرب القدس.","obtention":"تدل قائمة الموجودات على أن القطعة نُقلت من خان الحترورة في أريحا إلى جناح القرميد (البلاط) في عام 1884 كجزء من مبادرة القرن 19 م الهادفة إلى تجميع الأعمال الفنية عبر البلاد. وقد نقلت القطعة إلى المتحف في عام 1941.","bibliography":"\\- ,Clermont-Ganneau, C. “Notes d'épigraphie et l'Histoire Arabes.” Journal Asiatique, 8e série, no. 9 \n.avril–mai–juin 1887, pp. 472 – 497 \n\\- Kerametli, C. “Türk ve Islam Eserleri Müzesi'nde Erken Islam Devrine Ait Kitabeler.” Şarkiyat \n.Mecmuası VI (1965), Istanbul, 1966, pp. 20 \n\\- .ölçer, N. et al. Museum of Turkish and Islamic Art. Istanbul, 2002 \n\\- .Van Berchem, M. Matériaux pour un Corpus Inscriptionum Arabicarum, deuxieme partie, Syrie du Sud \n.Tome Premier, Jerusalem 'la Ville'. Cairo, 1922","dynasty":"العهد الأموي","author":"غينول تيكلي .","translator":"عباس عباس","translation_copy_editor":"مجد موسى","keywords":["دليل مسافة","رخام."],"materials":["رخام منقوش."]}}