@milenyumai/film-kit 1.0.0

package/content/skills/coverage-system/SKILL.md

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+---
+name: coverage-system
+description: Mandatory coverage shots (detay çekimleri) for every main shot. Provides editing flexibility with reaction shots, OTS, inserts, cutaways, ECU, and wide coverage.
+---
+
+# Coverage System (Detay Çekimleri)
+
+> **Philosophy:** Great scenes are built in the edit room. Coverage gives editors options.
+> **Core Principle:** Every main shot MUST have 2-3 coverage shots. No exceptions.
+
+---
+
+## 🎯 Core Principle (Non-Negotiable)
+
+**MANDATORY COVERAGE RULE:**
+
+Every main shot MUST generate coverage shots for editing flexibility.
+
+**Minimum:** 2 coverage shots per main shot
+**Recommended:** 3 coverage shots per main shot
+
+---
+
+## Coverage Types (All 6 Types Available)
+
+| Type | Code | Description | Camera | Duration |
+|------|------|-------------|--------|----------|
+| **Reaction Shot** | R | Dinleyen/tepki veren karakterin yüzü | CU, shallow DOF | 4-6s |
+| **Over-the-Shoulder** | OTS | Omuz arkasından karşı karaktere | MS, f/2.8 | 4-6s |
+| **Insert Shot** | INS | Obje/detay çekimi (el, nesne, mekan detayı) | CU/ECU, sharp focus | 2-4s |
+| **Cutaway** | CUT | Ortam/atmosfer (saat, tavan, yağmur) | Variable | 4s |
+| **Extreme Close-Up** | ECU | Aşırı yakın plan (göz, dudak, parmak) | Macro-style | 2-4s |
+| **Wide Cutaway** | WC | Geniş ortam geçişi | Wide, deep focus | 6-8s |
+
+---
+
+## Sub-Shot Naming Convention
+
+```
+SHOT05      → Main shot (Ana çekim)
+SHOT05A     → First coverage (ilk detay)
+SHOT05B     → Second coverage (ikinci detay)
+SHOT05C     → Third coverage (üçüncü detay)
+SHOT05D     → Fourth coverage (rarely needed)
+```
+
+**Alphabetical suffix:** A, B, C, D, E, F (max 6 coverage per shot)
+
+---
+
+## Scene Type → Coverage Selection Matrix
+
+| Scene Type | Required Coverage | Recommended | Priority |
+|------------|-------------------|-------------|----------|
+| **DIALOGUE (2 people)** | R + OTS | OTS-Reverse | A: Reaction, B: OTS-A, C: OTS-B |
+| **DIALOGUE (1 speaker)** | R | INS or CUT | A: Reaction, B: Insert |
+| **ACTION** | INS + ECU | WC | A: Insert, B: ECU, C: Wide |
+| **EMOTIONAL/DRAMA** | R + ECU | CUT | A: Reaction, B: ECU |
+| **ESTABLISHING** | WC + CUT | INS | A: Wide, B: Cutaway |
+| **SUSPENSE/TENSION** | ECU + CUT | R | A: ECU, B: Cutaway, C: Reaction |
+| **MONTAGE** | INS + CUT + WC | ECU | Multiple inserts |
+
+---
+
+## Coverage Shot Generation Protocol
+
+### Step 1: Analyze Main Shot
+
+```
+Main shot type? → Dialogue / Action / Emotion / Establishing / Suspense
+Characters in frame? → Who is listener? Who is speaker?
+Key objects? → Hands, weapons, documents, environmental elements
+Mood? → Tense, joyful, sad, urgent
+```
+
+### Step 2: Select Coverage Types
+
+```
+For DIALOGUE:
+  A = Reaction (listener's face)
+  B = OTS (speaker from behind listener)
+  C = Insert (hands, object being discussed)
+
+For ACTION:
+  A = Insert (weapon, tool, body part in action)
+  B = ECU (eyes, trigger, fist)
+  C = Wide (context, spatial orientation)
+
+For EMOTIONAL:
+  A = Reaction (affected character)
+  B = ECU (tears, trembling lips, clenched jaw)
+  C = Cutaway (symbolic element: rain, clock, candle)
+```
+
+### Step 3: Generate Prompts
+
+Each coverage shot receives:
+- İLK FRAME (only if not chained)
+- SON FRAME (always)
+- VİDEO (with audio direction)
+
+---
+
+## Camera Specifications by Coverage Type
+
+### Reaction Shot (R)
+
+```
+Camera: Close-up, 85mm lens, f/2.0, shallow DOF
+Subject: Character's face, eyes, micro-expressions
+Lighting: Soft key, subtle fill, rim for separation
+Movement: Static or very slow push-in
+Duration: 4-6 seconds
+Audio: Natural ambience only, no dialogue (listening)
+```
+
+**Example Image Prompt:**
+```
+Close-up of [CHARACTER], 85mm lens, f/2.0. Eyes fixed on the speaker, 
+subtle emotional shift visible in micro-expressions. Soft key light 
+from screen-right, gentle rim light separating from dark background.
+Static camera, holding on the silent reaction. Shallow depth of field
+isolates the face.
+
+Avoid: blurry, low-res, noise, distorted faces, bad anatomy, extra limbs/fingers, plastic skin, waxy skin, on-screen text, watermark, logo, cartoon style, CGI look.
+```
+
+**Example Video Prompt:**
+```
+Close-up reaction shot of [CHARACTER]. Eyes fixed on the speaker, subtle emotional shift visible - a micro-expression of [EMOTION]. Soft key light from screen-right. Static camera holds on the face. Shallow DOF isolates the subject.
+
+Audio direction:
+- Language: [LANGUAGE]
+- Type: Ambience only
+- Dialogue transcript: NONE (listening)
+- SFX: Subtle breathing, fabric rustle
+- Ambience: Room tone, distant sounds from scene
+- Music: NONE
+- Mix target: Ambience 70%, SFX 30%
+- No on-screen subtitles/captions.
+
+Avoid: distorted faces, morphing, bad anatomy, blurry, flickering, inconsistent lighting, unnatural motion, on-screen text, watermark, cartoon style, CGI motion.
+```
+
+### Over-the-Shoulder (OTS)
+
+```
+Camera: Medium shot, 50mm lens, f/2.8
+Framing: Foreground character's shoulder/head (blurred), 
+         Background character (speaking) in focus
+Lighting: Consistent with main shot
+Movement: Static or subtle drift
+Duration: 4-6 seconds
+Audio: Full dialogue from featured speaker
+```
+
+**Example Image Prompt:**
+```
+Over-the-shoulder shot from behind [LISTENER]. [SPEAKER] visible in 
+frame center, speaking. Foreground shoulder softly blurred at f/2.8, 
+50mm lens. Focus locked on speaker's face. Lighting consistent with 
+main shot setup.
+
+Avoid: blurry, low-res, noise, distorted faces, bad anatomy, extra limbs/fingers, plastic skin, on-screen text, watermark, logo, cartoon style.
+```
+
+**Example Video Prompt:**
+```
+Over-the-shoulder shot from behind [LISTENER]. [SPEAKER] visible in frame center, speaking with intent. Foreground shoulder softly blurred. Focus on speaker's face. Subtle breathing movement in frame.
+
+Audio direction:
+- Language: [LANGUAGE]
+- Type: Dialogue
+- Dialogue transcript: "[SPEAKER'S LINE]"
+- SFX: Fabric rustle, subtle movement
+- Ambience: Room tone
+- Music: NONE
+- Mix target: Dialogue 60%, Ambience 30%, SFX 10%
+- No on-screen subtitles/captions.
+
+Avoid: distorted faces, morphing, bad anatomy, blurry, flickering, lip sync issues, unnatural motion, on-screen text, watermark.
+```
+
+### Insert Shot (INS)
+
+```
+Camera: Close-up or ECU, 50-100mm, f/4-5.6
+Subject: Hands, objects, environmental details
+Lighting: Motivated, matches scene
+Movement: Static or slow pan/tilt
+Duration: 2-4 seconds
+Audio: SFX only (object sounds, movement)
+```
+
+**Example Image Prompt:**
+```
+Insert shot of [OBJECT/DETAIL]. Tight framing on hands gripping 
+[OBJECT], knuckles white with tension. 85mm lens, f/4, sharp focus.
+Motivated lighting from scene's practical sources. Static camera.
+Surface texture and material clearly visible.
+
+Avoid: blurry, low-res, noise, bad anatomy, extra fingers, plastic skin, on-screen text, watermark, logo, cartoon style.
+```
+
+**Example Video Prompt:**
+```
+Insert shot of [OBJECT/DETAIL]. Tight framing on hands interacting with [OBJECT]. Subtle movement - fingers tightening, object shifting. Sharp focus on texture and material. Motivated lighting.
+
+Audio direction:
+- Language: N/A
+- Type: SFX only
+- Dialogue transcript: NONE
+- SFX: Object handling sounds, surface contact, material sounds
+- Ambience: Minimal room tone
+- Music: NONE
+- Mix target: SFX 80%, Ambience 20%
+- No on-screen subtitles/captions.
+
+Avoid: distorted proportions, morphing, blurry, flickering, unnatural motion, on-screen text, watermark.
+```
+
+### Cutaway (CUT)
+
+```
+Camera: Variable based on subject
+Subject: Environment, atmosphere, symbolic elements
+Lighting: Ambient, natural
+Movement: Static or slow drift
+Duration: 4 seconds
+Audio: Ambience only
+```
+
+**Example Image Prompt:**
+```
+Cutaway shot of [ENVIRONMENTAL ELEMENT]. [SPECIFIC DESCRIPTION of 
+atmospheric detail]. Natural lighting, ambient mood. Camera holds 
+static, allowing the environment to breathe. No characters in frame.
+
+Avoid: blurry, low-res, noise, on-screen text, watermark, logo, cartoon style, CGI look.
+```
+
+**Example Video Prompt:**
+```
+Cutaway shot of [ENVIRONMENTAL ELEMENT]. [SPECIFIC atmospheric detail - clock ticking, rain on window, candle flickering]. Natural lighting. Static camera allows the environment to breathe. No characters in frame.
+
+Audio direction:
+- Language: N/A
+- Type: Ambience only
+- Dialogue transcript: NONE
+- SFX: Environmental sounds specific to element
+- Ambience: Full environmental soundscape
+- Music: NONE
+- Mix target: Ambience 70%, SFX 30%
+- No on-screen subtitles/captions.
+
+Avoid: morphing, flickering, unnatural motion, on-screen text, watermark.
+```
+
+### Extreme Close-Up (ECU)
+
+```
+Camera: Very tight, 100mm+ or macro, f/2.0
+Subject: Eyes, lips, fingers, small objects
+Lighting: Dramatic, high contrast acceptable
+Movement: Static (stability critical)
+Duration: 2-4 seconds
+Audio: Amplified SFX (breathing, heartbeat) or silence
+```
+
+**Example Image Prompt:**
+```
+Extreme close-up of [SUBJECT - eyes/lips/hands]. Fills the frame,
+intimate and intense. 100mm lens, f/2.0, razor-thin depth of field.
+Single eye or pair of eyes, reflecting available light. Subtle 
+moisture visible on cornea. Absolutely static camera.
+
+Avoid: blurry, low-res, noise, distorted features, bad anatomy, on-screen text, watermark, logo, cartoon style.
+```
+
+**Example Video Prompt:**
+```
+Extreme close-up of [SUBJECT]. Fills the frame - intimate, intense. 100mm lens, razor-thin DOF. [Micro-movement: eye blink, lip tremble, finger twitch]. Absolutely static camera.
+
+Audio direction:
+- Language: N/A
+- Type: Amplified SFX
+- Dialogue transcript: NONE
+- SFX: Amplified breathing, heartbeat, subtle sound of subject
+- Ambience: Minimal - near silence for intensity
+- Music: NONE
+- Mix target: SFX 90%, Ambience 10%
+- No on-screen subtitles/captions.
+
+Avoid: distorted features, morphing, blurry, flickering, unnatural motion, on-screen text, watermark.
+```
+
+### Wide Cutaway (WC)
+
+```
+Camera: Wide angle, 24-35mm, f/8-11
+Subject: Location establishing, context, scale
+Lighting: Natural or motivated
+Movement: Static or slow crane/pan
+Duration: 6-8 seconds
+Audio: Full ambience, environmental sounds
+```
+
+**Example Image Prompt:**
+```
+Wide establishing shot of [LOCATION]. 24mm lens, f/8, deep focus 
+entire scene sharp. [SPECIFIC ENVIRONMENTAL DESCRIPTION]. Golden 
+hour/harsh noon/overcast light. Camera static or slow crane reveal.
+Scale and context emphasized.
+
+Avoid: blurry, low-res, noise, on-screen text, watermark, logo, cartoon style, CGI look.
+```
+
+**Example Video Prompt:**
+```
+Wide establishing shot of [LOCATION]. 24mm lens, deep focus - entire scene sharp. [ENVIRONMENTAL DESCRIPTION]. Slow crane or static camera. Scale and context emphasized.
+
+Audio direction:
+- Language: N/A
+- Type: Full ambience
+- Dialogue transcript: NONE
+- SFX: Location-specific sounds (wind, distant activity)
+- Ambience: Full environmental soundscape, rich and immersive
+- Music: NONE
+- Mix target: Ambience 80%, SFX 20%
+- No on-screen subtitles/captions.
+
+Avoid: morphing, flickering, unnatural motion, on-screen text, watermark.
+```
+
+---
+
+## Chain Rules for Coverage Shots
+
+### Coverage Shots Are NOT Chained to Each Other
+
+```
+Main Shot SHOT05 → SHOT05_END
+Coverage SHOT05A → STANDALONE (new start frame)
+Coverage SHOT05B → STANDALONE (new start frame)  
+Coverage SHOT05C → STANDALONE (new start frame)
+Next Main SHOT06 → CHAINS from SHOT05_END (not from coverage)
+```
+
+**KEY RULE:** Coverage shots break chain continuity by design. They are cutaway material, not sequential narrative.
+
+### Main Shot Chaining Continues
+
+```
+SHOT04_END → SHOT05_START (main shot chains)
+SHOT05_END → SHOT06_START (main shot chains)
+
+Coverage shots exist in parallel, not in sequence.
+```
+
+---
+
+## Output Format (Per Main Shot File)
+
+```markdown
+# SHOT05 | 8s
+
+## Chain Status
+🔗 CHAINED from SHOT04_END
+
+## Main Shot
+
+### İLK FRAME (SHOT05_START)
+→ Use SHOT04_END as first frame
+
+### SON FRAME (SHOT05_END)
+```
+[End frame prompt]
+```
+
+### VİDEO
+```
+[Video prompt with audio]
+```
+
+---
+
+## Coverage Shots (Kurgu Detayları)
+
+### SHOT05A - Reaction Shot | 5s | 👁️ LISTENER
+```
+[Reaction shot image prompt - standalone]
+```
+```
+[Reaction shot video prompt with audio]
+```
+
+---
+
+### SHOT05B - Over-the-Shoulder | 5s | 📹 OTS
+```
+[OTS shot image prompt - standalone]
+```
+```
+[OTS shot video prompt with audio]
+```
+
+---
+
+### SHOT05C - Insert Shot | 3s | 🔍 DETAIL
+```
+[Insert shot image prompt - standalone]
+```
+```
+[Insert shot video prompt with SFX only]
+```
+
+---
+Coverage generated: [timestamp]
+Total shots: 1 main + 3 coverage = 4 production shots
+```
+
+---
+
+## Quality Checklist for Coverage
+
+Before finalizing coverage:
+
+- [ ] Minimum 2 coverage shots generated?
+- [ ] Coverage types match scene type?
+- [ ] Each coverage has clear purpose?
+- [ ] Camera specs appropriate for coverage type?
+- [ ] Audio direction correct (no dialogue in reaction shots)?
+- [ ] Coverage shots are STANDALONE (not chained)?
+- [ ] Main shot chain preserved?
+
+---
+
+## Icons for Coverage Types
+
+| Type | Icon | Visual Marker |
+|------|------|---------------|
+| Reaction | 👁️ | LISTENER |
+| OTS | 📹 | OTS |
+| Insert | 🔍 | DETAIL |
+| Cutaway | 🌿 | ATMOSPHERE |
+| ECU | 👀 | EXTREME |
+| Wide | 🏔️ | WIDE |
+
+---
+
+## ✂️ Kurgu Teknikleri (Post-Production Rehberi)
+
+Coverage shot'ları ürettikten sonra, **kurgu aşamasında** bu teknikleri uygulamak sahneyi "robotik"ten "sinematik"e çevirir.
+
+### L-Cut (Ses Taşması)
+
+Bir planın **sesi**, görüntüsü bitmeden bir sonraki planın üstüne taşar.
+
+```
+Görüntü:  | SHOT A (konuşan) |→ SHOT B (dinleyen) |
+Ses:      | A'nın sesi.............|→ B'nin tepkisi    |
+                              ↑
+                    A'nın sesi B'nin görüntüsü üstünde devam eder
+```
+
+**Ne Zaman:** Dinleyenin tepkisini konuşma bitmeden göstermek istediğinde. Diyaloğu doğallaştırır.
+
+### J-Cut (Ses Önden Gelir)
+
+Bir sonraki planın **sesi**, görüntüsünden önce başlar.
+
+```
+Görüntü:  | SHOT A (ortam) |→ SHOT B (konuşan)    |
+Ses:      | ortam...|→ B'nin sesi başlar...........|
+                     ↑
+           B'nin sesi, B'nin görüntüsünden ÖNCE duyulur
+```
+
+**Ne Zaman:** Gerilim yaratmak veya "kim konuşuyor?" merakı oluşturmak istediğinde.
+
+### L/J-Cut + Coverage Kombinasyonları
+
+| Kurgu Tekniği | Coverage Shot'u | Etki |
+|---------------|-----------------|------|
+| **L-Cut → Reaction** | A konuşurken B'nin reaction shot'una kes | A'nın sesi B'nin yüzü üstünde devam eder |
+| **J-Cut → OTS** | B'nin sesi başlar, sonra OTS'ye geç | Merak + doğal geçiş |
+| **L-Cut → Insert** | Diyalog devam ederken insert'e kes | Ses köprüsüyle detay göster |
+| **J-Cut → Wide** | Ortam sesi önce gelir, sonra wide shot | Sahne girişi için güçlü |
+
+> **Altın Kural:** Diyalog sahnesi "robotik" hissediyorsa sorun genellikle görüntü değil **ses köprüsü eksikliğidir**. L/J-cut bu sorunu çözer.
+
+---
+
+## 📐 30-Degree Rule (30 Derece Kuralı)
+
+Aynı karakter veya nesneye arka arkaya iki farklı açıdan keserken, kamera açısı **en az 30 derece** değişmelidir.
+
+### Kural
+
+```
+❌ YANLIŞ (< 30°): 
+  Shot A: Karaktere 0° (tam karşıdan)
+  Shot B: Karaktere 10° (hafif sağa) 
+  → "JUMP CUT" hissi, izleyici rahatsız olur
+
+✅ DOĞRU (≥ 30°):
+  Shot A: Karaktere 0° (tam karşıdan, CU)
+  Shot B: Karaktere 45° (sağ yan, OTS)
+  → Kesme doğal, akıcı
+```
+
+### Coverage'da 30° Kuralı Uygulaması
+
+| Ana Shot → Coverage | Açı Farkı | Sonuç |
+|---------------------|-----------|-------|
+| Master (wide, 0°) → CU (0°, zoom) | ⚠️ Riskli | Sadece frame boyutu değişir, zıplama hissi |
+| Master (wide, 0°) → OTS (45°+) | ✅ Güvenli | Açı farkı yeterli |
+| CU A (0°) → CU B (180°) | ✅ Güvenli | Shot-reverse-shot, tam karşıt açı |
+| OTS A→B (45°) → OTS B→A (135°) | ✅ Güvenli | 90° fark, standart diyalog coverage |
+
+### Pratik İpuçları
+
+1. **Master → Close-up** geçişinde sadece zoom yapma, **açıyı da değiştir**
+2. **Aynı karakterde** iki ardışık kesme yapıyorsan, mutlaka 30°+ fark koy
+3. **Insert shot** bu kuraldan muaftır (çünkü tamamen farklı bir nesneye kesersin)
+4. **Whip pan** ile geçiş yapıyorsan kural esnetilebilir (motion blur hatayı saklar)
+
+---
+
+## 🔄 180° Kuralı (Axis of Action — SİNEMATOGRAFİNİN EN TEMEL KURALI)
+
+İki karakter konuşurken kamera **HER ZAMAN** eksen çizgisinin aynı tarafında kalmalıdır.
+
+```
+         A ←————————————→ B
+         |  EKSEN ÇİZGİSİ  |
+         |                   |
+    ✅ KAMERA BÖLGE 1       ❌ KAMERA BÖLGE 2
+    (bu tarafta kal)        (buraya geçersen
+                             izleyici yön kaybeder)
+```
+
+### OTS Coverage'da 180° Uygulaması
+
+```
+Doğru OTS Çifti:
+  OTS-A: Kamera SOL omuz arkasından → B'yi gösterir (45° sol)
+  OTS-B: Kamera SAĞ omuz arkasından → A'yı gösterir (135° sol)
+  → İkisi de eksenin AYNI tarafında ✅
+
+Yanlış OTS Çifti:
+  OTS-A: Kamera SOL omuz arkasından → B'yi gösterir (45° sol)
+  OTS-B: Kamera SOL omuz arkasından → A'yı gösterir (45° sağ = EKSEN GEÇİLDİ!)
+  → İzleyici: "Karakterler yer mi değiştirdi?" ❌
+```
+
+### 180° Kuralı Kırılabilir Mi?
+
+| Durum | Yapılabilir mi? | Nasıl? |
+|-------|----------------|--------|
+| **Kasıtlı delilik/kaos** | ✅ Evet | Bilinçli tercih, senaryo gerektiriyorsa |
+| **Karakter yer değiştirince** | ✅ Evet | Hareket sırasında kamerayı da geçir |
+| **Bilmeden/hatayla** | ❌ Hayır | Asla |
+
+---
+
+## 👁️ Eyeline Match (Bakış Yönü Eşleşmesi)
+
+Kesme yapıldığında karakterlerin bakış yönleri **mekansal olarak eşleşmelidir**.
+
+```
+✅ DOĞRU:
+  Shot A: Karakter A SOLA bakıyor
+  Shot B: Karakter B SAĞA bakıyor
+  → Birbirlerine bakıyorlar ✅
+
+❌ YANLIŞ:
+  Shot A: Karakter A SOLA bakıyor
+  Shot B: Karakter B SOLA bakıyor
+  → İkisi de aynı yöne bakıyor = birbirlerini görmüyorlar ❌
+```
+
+### Coverage'da Eyeline Kuralı
+
+| Coverage Tipi | Eyeline Kuralı |
+|---------------|---------------|
+| **Reaction** | Dinleyenin bakışı konuşana doğru yönelmiş olmalı |
+| **OTS A→B** | A'nın omzu üzerinden B → B'nin gözleri kameraya (yani A'ya) doğru |
+| **OTS B→A** | Tam tersi yön, eyeline simetrik |
+| **Insert** | Eyeline gerekmiyor (nesne detayı) |
+
+---
+
+## ✂️ Matching Action (Eylem Eşleşmesi)
+
+İki farklı açıdan aynı eylemi keserken, kesme noktasında **eylem tam olarak eşleşmelidir**.
+
+```
+❌ YANLIŞ:
+  Ana Shot: Adam bardağı masadan kaldırmaya BAŞLIYOR (bardak masada)
+  Coverage: Adam bardağı AĞZINA götürüyor (bardak zaten havada)
+  → Bardak "ışınlanmış" gibi → zıplama! ❌
+
+✅ DOĞRU:
+  Ana Shot: Adam bardağı kaldırmaya başlıyor (bardak göğüs hizasında BİTER)
+  Coverage: Bardak göğüs hizasından BAŞLAR, ağza devam eder
+  → Kesme noktasında eylem aynı pozisyonda ✅
+```
+
+### Matching Action Prompt Stratejisi
+
+Coverage prompt yazarken:
+1. **Eylemin hangi anında** kesildiğini belirt
+2. **Aynı pozisyonu** coverage'ın başlangıcında tekrarla
+3. Start frame'de "mid-action" pozisyon tanımla
+
+```
+✅ Coverage prompt'ta:
+"Mid-action: Subject's hand at chest height, holding the cup. 
+Continuing from the main shot's action — hand rises toward mouth..."
+
+❌ Coverage prompt'ta:
+"Subject drinks from cup."
+(Eylemin hangi anından başladığı belli değil)
+```
+
+---
+
+## 👥 Multi-Character Blocking (3+ Karakter Sahne Düzeni)
+
+3 veya daha fazla karakter olduğunda **mekansal yerleşim** planlanmalıdır.
+
+### Bloklama Şablonları
+
+**Masa Sahnesi (3-5 kişi):**
+```
+          [B]
+    [A]    ↕    [C]
+          [D]
+          
+Kamera: A ile C arasından → B'ye (master wide)
+OTS: A'nın arkasından → B+C (two-shot)  
+CU: Sırayla her karakter (konuşan)
+Insert: Masadaki nesne (harita, yemek, belge)
+```
+
+**Karşı Karşı (2 grup):**
+```
+    [A] [B]  ←→  [C] [D]
+    
+Kamera: Yan profilden (wide) → her iki grubu göster
+OTS: A+B arkasından → C+D
+CU: Aktif konuşmacı
+Reaction: Karşı taraftan tepki
+```
+
+**Hat / Oluşum (askerler, kalabalık):**
+```
+    [A] [B] [C] [D] [E]
+    ─────────────────
+    
+Kamera: Uçtan başla, tracking ile hat boyunca ilerle
+CU: Öne çıkan 2-3 kişi (fazlası karışır)
+Wide: Tüm hat + çevre
+```
+
+### Prompt'ta Bloklama
+
+```
+✅ DOĞRU (pozisyonları belirt):
+"Three soldiers at a wooden table. Leftmost soldier, older with grey beard, 
+leans forward. Center soldier, young, sits upright. Rightmost soldier, 
+heavyset, arms crossed. Camera positioned at table end, wide shot."
+
+❌ YANLIŞ (pozisyonsuz):
+"Three soldiers sitting at a table."
+```
+
+---
+
+> **Remember:** Coverage is not optional luxury—it's professional necessity. Every editor thanks you for options. Every rushed single-take limits the final cut.