@issuegraph/viewer 0.3.0 → 0.9.1

package/dist/layout.js.map

@@ -1 +1 @@
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package/dist/marks.d.ts

@@ -0,0 +1,105 @@
+/**
+ * Marks a host asks to have drawn on an edge, in a vocabulary of POSITIONS.
+ *
+ * ## Why this lives in layer 1 at all
+ *
+ * An editor draws mutation states as overlays on these edges, and most of that
+ * needs no help: a halo is the path stroked wider, a ghost is the path dashed
+ * differently. Neither moves, so a layer that never interprets the geometry can
+ * clone a solved path and be right.
+ *
+ * The marks are the half that cannot work that way. A chip sits ON a node, a
+ * cross sits BESIDE a terminal, a reason sits BESIDE the line, and a conflict's
+ * second version sits on the line's PERPENDICULAR. Each needs a position that
+ * is not the path's own, and the only layer that has one is the layer that
+ * computed the layout.
+ *
+ * The kit says the same thing in the one crossing it declares: the together
+ * connector must live here "because a click target can't be added from outside
+ * without the viewer knowing where members are". The remedy there is to move the
+ * DRAWING in, not to publish the coordinates out — and the same answer applies
+ * for the same reason.
+ *
+ * ## What keeps this from making the viewer edit-aware
+ *
+ * The vocabulary is positional and nothing else. {@link EdgeMarkPlacement} says
+ * `terminal`, never `failed`; `companion`, never `conflict`. The host maps its
+ * own states onto these four, and the mapping never travels — so this module
+ * cannot name a mutation state, and a reader of it cannot learn that the
+ * package has an editor.
+ *
+ * That is the property to protect if this file grows. A placement named for
+ * what it MEANS rather than where it GOES is the point at which layer 1 has
+ * quietly learned layer 2's vocabulary.
+ *
+ * ## Content is opaque, and the tone is a token NAME
+ *
+ * A mark carries a glyph the host supplies verbatim, because "✕" and "writing…"
+ * belong to whoever knows what they mean. Colour travels as the NAME of a theme
+ * custom property rather than a value, which is the contract the edge vocabulary
+ * already uses for its own hues: a host that rethemes moves both at once, and
+ * nothing here holds a colour.
+ *
+ * ## The offset is derived, never chosen
+ *
+ * Every distance below is read from the theme, for the reason the layout module
+ * states about its own geometry: a literal stays put while a host scales the
+ * type around it. The companion in particular separates by the same stroke
+ * width the doubled edge treatment already uses, so the two versions read as a
+ * pair at any scale — the property that treatment's own comment exists to keep.
+ */
+import { type ElementSpec } from './element.ts';
+import type { EdgeGeometry } from './layout.ts';
+import type { Theme } from './theme.ts';
+/**
+ * Where a mark goes. POSITIONS, not meanings — see the module note.
+ *
+ * - `both-ends` — one mark at each endpoint, on the boxes the edge joins.
+ * - `terminal` — beside the arriving end, stepped clear of the terminal marker.
+ * - `beside` — off the curve's midpoint, on its perpendicular.
+ * - `companion` — the whole line again, offset onto its perpendicular.
+ */
+export type EdgeMarkPlacement = 'both-ends' | 'terminal' | 'beside' | 'companion';
+export interface EdgeMark {
+    readonly placement: EdgeMarkPlacement;
+    /** Drawn verbatim. Absent for a placement whose whole form is the line. */
+    readonly glyph?: string | null;
+    /** A theme custom-property NAME, e.g. `--ig-state-failed`. Never a value. */
+    readonly tone?: string | null;
+}
+/** The class every mark carries, so a host can find them and a sheet can style them. */
+export declare const EDGE_MARK_CLASS = "ig-edge-mark";
+/** The attribute a mark publishes its placement on. */
+export declare const MARK_PLACEMENT_ATTRIBUTE = "data-ig-mark";
+/**
+ * How the edge this mark decorates is DRAWN.
+ *
+ * Passed in rather than re-derived, because the relationship vocabulary belongs
+ * to `vocabulary.ts` and a second reading of it here is the drifting copy this
+ * package family objects to everywhere else.
+ */
+export interface EdgeDrawing {
+    /** Whether the kind draws its line twice. */
+    readonly doubled: boolean;
+    /** The kind's own dash array, or `null` for a solid line. */
+    readonly dashArray: string | null;
+    /**
+     * The kind's hue token, used by a mark that declares none of its own.
+     *
+     * A MARK CANNOT INHERIT IT, which is the whole reason this is here. Marks are
+     * siblings of the edge rather than its descendants, and the hue reaches the
+     * line through `.ig-edge[data-edge=…]` — a selector no mark matches — so a
+     * mark left on `currentColor` resolves to the viewer's body text and not to
+     * the relationship at all. `overlay/render.ts` states the hue inline on its
+     * dashed clone for exactly this reason; the same trap is one element over.
+     */
+    readonly hueToken: string;
+}
+/**
+ * Draw the marks a host asked for on one edge.
+ *
+ * Takes the geometry the projection already solved, so this adds no layout pass
+ * and cannot disagree with the line it decorates.
+ */
+export declare function edgeMarkSpecs(marks: readonly EdgeMark[], geometry: EdgeGeometry, theme: Theme, identity: string, drawing: EdgeDrawing): readonly ElementSpec[];
+//# sourceMappingURL=marks.d.ts.map

package/dist/marks.d.ts.map

@@ -0,0 +1 @@
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package/dist/marks.js

@@ -0,0 +1,430 @@
+/**
+ * Marks a host asks to have drawn on an edge, in a vocabulary of POSITIONS.
+ *
+ * ## Why this lives in layer 1 at all
+ *
+ * An editor draws mutation states as overlays on these edges, and most of that
+ * needs no help: a halo is the path stroked wider, a ghost is the path dashed
+ * differently. Neither moves, so a layer that never interprets the geometry can
+ * clone a solved path and be right.
+ *
+ * The marks are the half that cannot work that way. A chip sits ON a node, a
+ * cross sits BESIDE a terminal, a reason sits BESIDE the line, and a conflict's
+ * second version sits on the line's PERPENDICULAR. Each needs a position that
+ * is not the path's own, and the only layer that has one is the layer that
+ * computed the layout.
+ *
+ * The kit says the same thing in the one crossing it declares: the together
+ * connector must live here "because a click target can't be added from outside
+ * without the viewer knowing where members are". The remedy there is to move the
+ * DRAWING in, not to publish the coordinates out — and the same answer applies
+ * for the same reason.
+ *
+ * ## What keeps this from making the viewer edit-aware
+ *
+ * The vocabulary is positional and nothing else. {@link EdgeMarkPlacement} says
+ * `terminal`, never `failed`; `companion`, never `conflict`. The host maps its
+ * own states onto these four, and the mapping never travels — so this module
+ * cannot name a mutation state, and a reader of it cannot learn that the
+ * package has an editor.
+ *
+ * That is the property to protect if this file grows. A placement named for
+ * what it MEANS rather than where it GOES is the point at which layer 1 has
+ * quietly learned layer 2's vocabulary.
+ *
+ * ## Content is opaque, and the tone is a token NAME
+ *
+ * A mark carries a glyph the host supplies verbatim, because "✕" and "writing…"
+ * belong to whoever knows what they mean. Colour travels as the NAME of a theme
+ * custom property rather than a value, which is the contract the edge vocabulary
+ * already uses for its own hues: a host that rethemes moves both at once, and
+ * nothing here holds a colour.
+ *
+ * ## The offset is derived, never chosen
+ *
+ * Every distance below is read from the theme, for the reason the layout module
+ * states about its own geometry: a literal stays put while a host scales the
+ * type around it. The companion in particular separates by the same stroke
+ * width the doubled edge treatment already uses, so the two versions read as a
+ * pair at any scale — the property that treatment's own comment exists to keep.
+ */
+import { svg } from "./element.js";
+/*
+ * THERE IS NO `label`, AND ITS ABSENCE IS DELIBERATE.
+ *
+ * An earlier draft took one and rendered `role="img"` with an `aria-label` when a
+ * host supplied it. That could never have worked: the canvas is an
+ * `<svg aria-hidden="true">`, and `aria-hidden` excludes the whole SUBTREE, so no
+ * descendant of it can carry an accessible name however it is marked up.
+ *
+ * It was a field that lied — a published option whose contract the renderer
+ * cannot honour — which is worse than not having one, because a host wiring it
+ * gets silence rather than an error. This package's own rule is that a control
+ * which cannot complete the act it advertises is not drawn; the same applies to
+ * an option that cannot deliver what it promises.
+ *
+ * Marks need no accessible name of their own. Every state is announced once, on
+ * the edge's own `aria-label`, and the rail beside the canvas carries every node,
+ * name and tab stop. A second, flattened description of the same fact is what the
+ * canvas is hidden to avoid. If a host ever does need one, it belongs in the
+ * RAIL, which is where accessible content already lives.
+ */
+/** The class every mark carries, so a host can find them and a sheet can style them. */
+export const EDGE_MARK_CLASS = 'ig-edge-mark';
+/** The attribute a mark publishes its placement on. */
+export const MARK_PLACEMENT_ATTRIBUTE = 'data-ig-mark';
+/**
+ * The unit perpendicular to the edge, at its midpoint.
+ *
+ * THE TANGENT OF A QUADRATIC AT ITS MIDPOINT IS ITS CHORD, exactly: differentiate
+ * `(1-t)²P₀ + 2(1-t)tC + t²P₂` at `t = ½` and the control point cancels, leaving
+ * `P₂ - P₀`. So "beside the line" is decided by the two endpoints alone, and the
+ * channel the curve bows through cannot tilt it.
+ *
+ * That is what makes this safe on the case that has bitten before. Two boxes in
+ * one column share an x, so the chord is VERTICAL — and a companion offset by a
+ * fixed vertical step would slide ALONG such a line rather than beside it,
+ * drawing a second version on top of the first. Here a vertical chord yields a
+ * horizontal normal, by construction rather than by a special case.
+ *
+ * A zero-length chord cannot happen — `edgeGeometry` answers `null` when both
+ * ends resolve to one box — but it is guarded anyway, because the alternative to
+ * a guard is a `NaN` that reaches the markup as a silently undrawn mark.
+ */
+function normalAt(start, end) {
+    const dx = end.x - start.x;
+    const dy = end.y - start.y;
+    const length = Math.hypot(dx, dy);
+    if (length === 0)
+        return { x: 0, y: 0 };
+    return { x: -dy / length, y: dx / length };
+}
+/**
+ * The edge's normal, turned to face the CHANNEL rather than the cards.
+ *
+ * A normal has two directions and `normalAt` picks one from the order the
+ * endpoints happen to be in — which is a fact about traversal, not about the
+ * drawing. Measured: for an upward `blocked-by` between two spine cards it
+ * points at +x, and both endpoints sit on the cards' LEFT bounds, so every mark
+ * offset that way landed INSIDE the card — where the rail, an opaque HTML layer
+ * painted after the canvas, hides it completely. Marks that render and cannot be
+ * seen, which is worse than marks that do not render.
+ *
+ * The control point is the answer, and it needs no new input: the layout routes
+ * every arc through a free vertical channel, so the side the curve bows toward
+ * is by construction the side with no card on it. Facing the normal that way
+ * puts every mark in the space the line already occupies.
+ *
+ * It also holds where the naive sign happened to be right, so there is one rule
+ * rather than a rule and an exception.
+ */
+function outwardNormal(geometry) {
+    const normal = normalAt(geometry.start, geometry.end);
+    const chordMid = {
+        x: (geometry.start.x + geometry.end.x) / 2,
+        y: (geometry.start.y + geometry.end.y) / 2,
+    };
+    const toChannel = {
+        x: geometry.control.x - chordMid.x,
+        y: geometry.control.y - chordMid.y,
+    };
+    const facing = normal.x * toChannel.x + normal.y * toChannel.y;
+    return facing < 0 ? { x: -normal.x, y: -normal.y } : normal;
+}
+/**
+ * Which way is away from the CARD at one endpoint, as a unit x.
+ *
+ * THIS IS THE FACT EVERY EARLIER ATTEMPT WAS APPROXIMATING, and it is the reason
+ * three of them were wrong. A mark beside an endpoint has to clear that
+ * endpoint's own card, and nothing about the LINE says where that card is: the
+ * chord's direction, the arriving tangent and the routing channel each answer a
+ * different question, and each of them put marks inside a card for some edges.
+ *
+ * `edgeGeometry` knows, because it resolved the box — an anchor on a box's left
+ * bound is cleared by moving further left, and a right one by moving right — and
+ * it publishes the side per endpoint precisely because THE TWO CAN DIFFER. An
+ * arc between a gutter card and a spine card leaves one box's right face and
+ * arrives on the other's left, so one shared direction clears one end and drives
+ * the other mark straight into its card.
+ *
+ * The y component is zero: cards are laid out in columns and every anchor sits
+ * on a vertical bound, so "away" is horizontal by construction.
+ */
+function awayFromCard(side) {
+    return { x: side === 'left' ? -1 : 1, y: 0 };
+}
+/** The point on the curve at `t = ½`. The control point is a quarter of it. */
+function midpointOf(geometry) {
+    const { start, control, end } = geometry;
+    return {
+        x: 0.25 * start.x + 0.5 * control.x + 0.25 * end.x,
+        y: 0.25 * start.y + 0.5 * control.y + 0.25 * end.y,
+    };
+}
+function round(value) {
+    return (Math.round(value * 100) / 100).toFixed(2);
+}
+/**
+ * The colour a STROKE paints with.
+ *
+ * A stroke that declares no tone takes the RELATIONSHIP's, never `currentColor`.
+ * The two are not the same thing here: a mark is a sibling of the edge, so it
+ * inherits the viewer's body text rather than the hue `.ig-edge[data-edge=…]`
+ * gives the line — which would render a companion grey beside the red line it
+ * doubles, silently dropping the one channel that says which relationship is
+ * being written.
+ *
+ * "No tone" therefore means "the kind's", which is what a state with no hue of
+ * its own is asking for; a state that has one overrides it here.
+ *
+ * ONLY A STROKE. A glyph is TEXT and takes {@link GLYPH_FILL} instead — see the
+ * note there, and `theme.ts`, which guarantees these hues at a bar text may not
+ * be drawn at.
+ */
+function strokeToneOf(mark, drawing) {
+    const token = mark.tone === undefined || mark.tone === null ? drawing.hueToken : mark.tone;
+    return `var(${token})`;
+}
+/**
+ * The colour every worded or glyphed mark is drawn in, and it is TEXT-GRADE.
+ *
+ * THE HUES ARE NOT AVAILABLE TO TEXT, and the palette says so in as many words:
+ * `theme.ts` guarantees text at WCAG AA's 4.5:1 and holds every edge hue AND
+ * every edit-state hue to the 3:1 bar that applies to a line or a badge outline
+ * instead. `theme.test.ts` states the reason for keeping the two apart —
+ * "stating the DIFFERENT bar explicitly is what stops the looser number leaking
+ * onto text later" — which is precisely what a glyph painted in a relationship
+ * hue does. Measured, a `writing…` chip in `--ig-edge-duplicate-of` lands at
+ * about 4.47:1, and a host's own theme may sit nearer 3:1 and still be valid.
+ *
+ * NOTHING IS LOST BY IT, because the mark was never the hue's carrier. The type
+ * identity rests on four redundant channels, and a mark's contribution is its
+ * SHAPE — a ✕ is not a `!` is not a word, without colour. The hue stays on the
+ * line, where the bar it is guaranteed at is the right one: the edge's own
+ * stroke, the dashed ghost, and the conflict's companion, which is a stroke and
+ * so keeps its tone.
+ */
+const GLYPH_FILL = 'var(--ig-text-body)';
+/**
+ * One glyph, placed.
+ *
+ * IT ANNOUNCES NOTHING, and cannot: the canvas is `aria-hidden`, so its whole
+ * subtree is out of the accessibility tree whatever this writes. That is also
+ * the right answer — every node, name and tab stop is carried by the HTML rail
+ * beside it, and the state is announced once on the edge's own `aria-label`, so
+ * a mark that spoke would be a second, flattened description of something
+ * already said properly.
+ *
+ * `aria-hidden` is still written rather than left implicit, so the intent is
+ * legible on the element rather than inherited from an ancestor a reader of this
+ * function cannot see.
+ */
+function glyphMark(at, mark, placement, identity, 
+/**
+ * Which end of the glyph sits on `at`.
+ *
+ * `middle` centres it, which is right for a single symbol. A WORD needs
+ * `start` or `end` instead, because a centred box half as wide as the word
+ * reaches back over whatever the sideways offset was meant to clear — and this
+ * layer renders to a string, so it can never measure a word to compensate.
+ * Anchoring the near edge makes the glyph grow AWAY from the line, at any
+ * length and in any font.
+ */
+anchor = 'middle') {
+    if (mark.glyph === undefined || mark.glyph === null || mark.glyph === '')
+        return null;
+    return svg('text', {
+        class: EDGE_MARK_CLASS,
+        [MARK_PLACEMENT_ATTRIBUTE]: placement,
+        // THE SAME POINTER IDENTITY THE STROKE CARRIES. A mark sitting on its own
+        // edge that resolved to nothing would read as the click having missed —
+        // the defect the terminal marker's own identity was added to fix.
+        'data-ig-group': identity,
+        x: round(at.x),
+        y: round(at.y),
+        // Centred on the point it was given, so a caller reasons about ONE
+        // position rather than about a glyph's own box.
+        'text-anchor': anchor,
+        'dominant-baseline': 'middle',
+        fill: GLYPH_FILL,
+        'aria-hidden': 'true',
+    }, [mark.glyph]);
+}
+/**
+ * The line again, offset onto its perpendicular.
+ *
+ * ONE PER STROKE THE KIND ALREADY DRAWS, and that is the correctness of it
+ * rather than a nicety. A doubled relationship is two paths separated by a
+ * stroke width; a single companion beside that pair is a third line, which is
+ * neither of the two things a reader is being asked to compare. The doubling is
+ * re-applied here from the same theme metric the edge treatment spends, so the
+ * companion is the same SHAPE as the thing it doubles.
+ *
+ * The offset is a translation of the whole path rather than a re-solved curve:
+ * a translated quadratic is congruent to its original, so the two versions are
+ * the same line twice, which is what "two versions" has to mean.
+ */
+function companionPaths(geometry, mark, theme, identity, drawing) {
+    const normal = outwardNormal(geometry);
+    const stroke = theme.metrics['--ig-stroke'];
+    // Clear of the original by more than the original's own doubling, or the two
+    // versions merge into one thicker line at exactly the width the doubling uses.
+    const gap = stroke * (drawing.doubled ? 4 : 3);
+    const base = {
+        class: `${EDGE_MARK_CLASS} ig-edge-companion`,
+        [MARK_PLACEMENT_ATTRIBUTE]: 'companion',
+        'data-ig-group': identity,
+        d: geometry.d,
+        fill: 'none',
+        stroke: strokeToneOf(mark, drawing),
+        // THE KIND'S OWN DASH, CARRIED. A companion drops `class` like every other
+        // mark, so `.ig-edge[data-edge=…]` no longer patterns it — and a SOLID
+        // second version beside a dotted `duplicate-of` is not the same line twice,
+        // it is a different relationship drawn beside the first. The dash is one of
+        // the four redundant channels the type identity rests on, and losing it on
+        // the companion loses it exactly where a reader is being asked to compare.
+        'stroke-dasharray': drawing.dashArray,
+        // Decoration over a rail that already carries every name.
+        'aria-hidden': 'true',
+    };
+    /** A shift of `distance` along the chord's normal, as a transform. */
+    const along = (distance) => `translate(${round(normal.x * distance)} ${round(normal.y * distance)})`;
+    if (!drawing.doubled)
+        return [svg('path', { ...base, transform: along(gap) })];
+    // THE DOUBLING RIDES THE NORMAL TOO, and the first version of this did not.
+    //
+    // It separated the pair with `translate(0 ±stroke)` — copied from the edge
+    // treatment, which doubles on the global y-axis. That is right for the shapes
+    // the viewer happens to draw and wrong here for the same reason the whole
+    // module exists: on a VERTICAL chord the y-axis runs ALONG the line, so the
+    // two companion strokes slid over each other and drew as one.
+    //
+    // A vertical chord is the ordinary same-column case, not a corner, so this was
+    // the recorded round-4 failure reintroduced inside the change that claims to
+    // retire it — and it survived a test asserting the pair's COUNT, because two
+    // strokes were emitted and they simply coincided.
+    return [
+        svg('path', { ...base, transform: along(gap - stroke) }),
+        svg('path', { ...base, transform: along(gap + stroke) }),
+    ];
+}
+/**
+ * Draw the marks a host asked for on one edge.
+ *
+ * Takes the geometry the projection already solved, so this adds no layout pass
+ * and cannot disagree with the line it decorates.
+ */
+export function edgeMarkSpecs(marks, geometry, theme, identity, drawing) {
+    const specs = [];
+    for (const mark of marks) {
+        switch (mark.placement) {
+            case 'both-ends': {
+                // OFF THE LINE, at both ends, and the offset is not decoration.
+                //
+                // An endpoint is a point on a node's bound, which is also exactly where
+                // the terminal marker sits at the arriving end — so a chip drawn ON the
+                // endpoint lands on the arrowhead. Measured before this offset existed:
+                // five pixels between their centres, which is a collision, on the one
+                // channel that carries the relationship's type without colour.
+                //
+                // Pushed onto the chord's perpendicular, both chips clear the line and
+                // the marker at once, and the pair stays symmetric — the same sideways
+                // step at each end, so the two read as one state rather than as two
+                // marks that happen to share a colour.
+                const aside = theme.metrics['--ig-terminal-width'] + theme.metrics['--ig-stroke'] * 4;
+                // EACH END IS CLEARED AGAINST ITS OWN CARD. A single direction for the
+                // pair is only right when both anchors sit on the same face, which a
+                // same-column edge satisfies and a gutter-to-spine edge does not — there
+                // one box is left by its right face and the other entered by its left,
+                // so one shared direction drove the second chip into its card.
+                //
+                // The text anchor follows the same side, or a chip cleared leftward
+                // grows straight back across the line the offset just moved it off.
+                const chip = (point, side) => {
+                    const away = awayFromCard(side);
+                    return glyphMark({ x: point.x + away.x * aside, y: point.y + away.y * aside }, mark, 'both-ends', identity, side === 'left' ? 'end' : 'start');
+                };
+                const at = chip(geometry.start, geometry.startSide);
+                const to = chip(geometry.end, geometry.endSide);
+                if (at !== null)
+                    specs.push(at);
+                if (to !== null)
+                    specs.push(to);
+                break;
+            }
+            case 'terminal': {
+                // BESIDE THE TERMINAL, AND THE SIDEWAYS STEP IS THE PART THAT WORKS.
+                //
+                // The arrowhead is one of the four redundant channels the type identity
+                // rests on — the one that carries the type without colour — so a mark
+                // may sit next to it and must never sit on it.
+                //
+                // Stepping BACK along the tangent alone does not achieve that, and it
+                // measurably did not: a glyph is centred on the point it is given and
+                // has a width of its own, so backing off by the marker's own length put
+                // the glyph's box over the marker's tail. This layer renders to a string
+                // and can never measure a glyph, so any clearance derived from the
+                // glyph's size would be a guess.
+                //
+                // The perpendicular is what actually separates them: offset sideways by
+                // more than the marker's full width and the glyph clears it whatever its
+                // own width turns out to be, because the two no longer share a line. The
+                // step back stays, so the mark still reads as belonging to the arrowhead
+                // rather than floating past the tip.
+                //
+                // Both distances are theme data, and the perpendicular is the one at the
+                // END — the tangent there — rather than the chord's, because this mark
+                // is about the arrival and not about the line as a whole.
+                //
+                // THE STEP BACK IS THE TANGENT'S; THE STEP ASIDE IS THE CARD'S. Which
+                // way "sideways" points cannot be read off the tangent, and measured, an
+                // upward arrival between two spine cards sent the ✕ across the
+                // destination card's left bound where the opaque rail hides it.
+                //
+                // It is the ARRIVING endpoint's own side, not the routing channel's:
+                // those agree for a same-column arc and disagree for one that crosses
+                // between columns, which is the case a channel-derived sign gets wrong.
+                const stroke = theme.metrics['--ig-stroke'];
+                const back = theme.metrics['--ig-terminal-length'] + stroke;
+                const aside = theme.metrics['--ig-terminal-width'] + stroke * 4;
+                const cos = Math.cos(geometry.endAngle);
+                const sin = Math.sin(geometry.endAngle);
+                const away = awayFromCard(geometry.endSide);
+                const at = {
+                    x: geometry.end.x - cos * back + away.x * aside,
+                    y: geometry.end.y - sin * back + away.y * aside,
+                };
+                const spec = glyphMark(at, mark, 'terminal', identity);
+                if (spec !== null)
+                    specs.push(spec);
+                break;
+            }
+            case 'beside': {
+                // IN THE CHANNEL, WHICH IS FREE OF CARDS BY DEFINITION — rather than
+                // beside the curve by an offset in some derived direction.
+                //
+                // That distinction is the whole fix. A routing channel is the gap the
+                // layout leaves BETWEEN columns precisely so an arc has somewhere to go,
+                // so a point at the channel's x is clear of every card without anything
+                // needing to know where the cards are. An offset from the curve's
+                // midpoint is not: measured, a long arc crossing between the gutters has
+                // its midpoint over a spine card, so the glyph landed under the opaque
+                // rail — the same invisible-mark failure the endpoint marks had, arrived
+                // at from the one placement that has no endpoint of its own to clear.
+                //
+                // The y is still the curve's, so the mark sits at the line's own height
+                // and reads as belonging to it. Only the x is taken from the channel.
+                const mid = midpointOf(geometry);
+                const spec = glyphMark({ x: geometry.control.x, y: mid.y }, mark, 'beside', identity);
+                if (spec !== null)
+                    specs.push(spec);
+                break;
+            }
+            case 'companion':
+                specs.push(...companionPaths(geometry, mark, theme, identity, drawing));
+                break;
+        }
+    }
+    return specs;
+}
+//# sourceMappingURL=marks.js.map

package/dist/marks.js.map

@@ -0,0 +1 @@
+{"version":3,"file":"marks.js","sourceRoot":"","sources":["../src/marks.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;GAiDG;AAEH,OAAO,EAAoB,GAAG,EAAE,MAAM,cAAc,CAAC;AAsBrD;;;;;;;;;;;;;;;;;;;GAmBG;AAEH,wFAAwF;AACxF,MAAM,CAAC,MAAM,eAAe,GAAG,cAAc,CAAC;AAE9C,uDAAuD;AACvD,MAAM,CAAC,MAAM,wBAAwB,GAAG,cAAc,CAAC;AAEvD;;;;;;;;;;;;;;;;;GAiBG;AACH,SAAS,QAAQ,CAAC,KAAY,EAAE,GAAU;IACxC,MAAM,EAAE,GAAG,GAAG,CAAC,CAAC,GAAG,KAAK,CAAC,CAAC,CAAC;IAC3B,MAAM,EAAE,GAAG,GAAG,CAAC,CAAC,GAAG,KAAK,CAAC,CAAC,CAAC;IAC3B,MAAM,MAAM,GAAG,IAAI,CAAC,KAAK,CAAC,EAAE,EAAE,EAAE,CAAC,CAAC;IAClC,IAAI,MAAM,KAAK,CAAC;QAAE,OAAO,EAAE,CAAC,EAAE,CAAC,EAAE,CAAC,EAAE,CAAC,EAAE,CAAC;IACxC,OAAO,EAAE,CAAC,EAAE,CAAC,EAAE,GAAG,MAAM,EAAE,CAAC,EAAE,EAAE,GAAG,MAAM,EAAE,CAAC;AAC7C,CAAC;AAED;;;;;;;;;;;;;;;;;;GAkBG;AACH,SAAS,aAAa,CAAC,QAAsB;IAC3C,MAAM,MAAM,GAAG,QAAQ,CAAC,QAAQ,CAAC,KAAK,EAAE,QAAQ,CAAC,GAAG,CAAC,CAAC;IACtD,MAAM,QAAQ,GAAG;QACf,CAAC,EAAE,CAAC,QAAQ,CAAC,KAAK,CAAC,CAAC,GAAG,QAAQ,CAAC,GAAG,CAAC,CAAC,CAAC,GAAG,CAAC;QAC1C,CAAC,EAAE,CAAC,QAAQ,CAAC,KAAK,CAAC,CAAC,GAAG,QAAQ,CAAC,GAAG,CAAC,CAAC,CAAC,GAAG,CAAC;KAC3C,CAAC;IACF,MAAM,SAAS,GAAG;QAChB,CAAC,EAAE,QAAQ,CAAC,OAAO,CAAC,CAAC,GAAG,QAAQ,CAAC,CAAC;QAClC,CAAC,EAAE,QAAQ,CAAC,OAAO,CAAC,CAAC,GAAG,QAAQ,CAAC,CAAC;KACnC,CAAC;IACF,MAAM,MAAM,GAAG,MAAM,CAAC,CAAC,GAAG,SAAS,CAAC,CAAC,GAAG,MAAM,CAAC,CAAC,GAAG,SAAS,CAAC,CAAC,CAAC;IAC/D,OAAO,MAAM,GAAG,CAAC,CAAC,CAAC,CAAC,EAAE,CAAC,EAAE,CAAC,MAAM,CAAC,CAAC,EAAE,CAAC,EAAE,CAAC,MAAM,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC,MAAM,CAAC;AAC9D,CAAC;AAED;;;;;;;;;;;;;;;;;;GAkBG;AACH,SAAS,YAAY,CAAC,IAAsB;IAC1C,OAAO,EAAE,CAAC,EAAE,IAAI,KAAK,MAAM,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,EAAE,CAAC,EAAE,CAAC,EAAE,CAAC;AAC/C,CAAC;AAED,+EAA+E;AAC/E,SAAS,UAAU,CAAC,QAAsB;IACxC,MAAM,EAAE,KAAK,EAAE,OAAO,EAAE,GAAG,EAAE,GAAG,QAAQ,CAAC;IACzC,OAAO;QACL,CAAC,EAAE,IAAI,GAAG,KAAK,CAAC,CAAC,GAAG,GAAG,GAAG,OAAO,CAAC,CAAC,GAAG,IAAI,GAAG,GAAG,CAAC,CAAC;QAClD,CAAC,EAAE,IAAI,GAAG,KAAK,CAAC,CAAC,GAAG,GAAG,GAAG,OAAO,CAAC,CAAC,GAAG,IAAI,GAAG,GAAG,CAAC,CAAC;KACnD,CAAC;AACJ,CAAC;AAED,SAAS,KAAK,CAAC,KAAa;IAC1B,OAAO,CAAC,IAAI,CAAC,KAAK,CAAC,KAAK,GAAG,GAAG,CAAC,GAAG,GAAG,CAAC,CAAC,OAAO,CAAC,CAAC,CAAC,CAAC;AACpD,CAAC;AAED;;;;;;;;;;;;;;;;GAgBG;AACH,SAAS,YAAY,CAAC,IAAc,EAAE,OAAoB;IACxD,MAAM,KAAK,GAAG,IAAI,CAAC,IAAI,KAAK,SAAS,IAAI,IAAI,CAAC,IAAI,KAAK,IAAI,CAAC,CAAC,CAAC,OAAO,CAAC,QAAQ,CAAC,CAAC,CAAC,IAAI,CAAC,IAAI,CAAC;IAC3F,OAAO,OAAO,KAAK,GAAG,CAAC;AACzB,CAAC;AAED;;;;;;;;;;;;;;;;;;GAkBG;AACH,MAAM,UAAU,GAAG,qBAAqB,CAAC;AAEzC;;;;;;;;;;;;;GAaG;AACH,SAAS,SAAS,CAChB,EAAS,EACT,IAAc,EACd,SAA4B,EAC5B,QAAgB;AAChB;;;;;;;;;GASG;AACH,SAAqC,QAAQ;IAE7C,IAAI,IAAI,CAAC,KAAK,KAAK,SAAS,IAAI,IAAI,CAAC,KAAK,KAAK,IAAI,IAAI,IAAI,CAAC,KAAK,KAAK,EAAE;QAAE,OAAO,IAAI,CAAC;IACtF,OAAO,GAAG,CACR,MAAM,EACN;QACE,KAAK,EAAE,eAAe;QACtB,CAAC,wBAAwB,CAAC,EAAE,SAAS;QACrC,0EAA0E;QAC1E,wEAAwE;QACxE,kEAAkE;QAClE,eAAe,EAAE,QAAQ;QACzB,CAAC,EAAE,KAAK,CAAC,EAAE,CAAC,CAAC,CAAC;QACd,CAAC,EAAE,KAAK,CAAC,EAAE,CAAC,CAAC,CAAC;QACd,mEAAmE;QACnE,gDAAgD;QAChD,aAAa,EAAE,MAAM;QACrB,mBAAmB,EAAE,QAAQ;QAC7B,IAAI,EAAE,UAAU;QAChB,aAAa,EAAE,MAAM;KACtB,EACD,CAAC,IAAI,CAAC,KAAK,CAAC,CACb,CAAC;AACJ,CAAC;AA2BD;;;;;;;;;;;;;GAaG;AACH,SAAS,cAAc,CACrB,QAAsB,EACtB,IAAc,EACd,KAAY,EACZ,QAAgB,EAChB,OAAoB;IAEpB,MAAM,MAAM,GAAG,aAAa,CAAC,QAAQ,CAAC,CAAC;IACvC,MAAM,MAAM,GAAG,KAAK,CAAC,OAAO,CAAC,aAAa,CAAC,CAAC;IAC5C,6EAA6E;IAC7E,+EAA+E;IAC/E,MAAM,GAAG,GAAG,MAAM,GAAG,CAAC,OAAO,CAAC,OAAO,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC,CAAC;IAC/C,MAAM,IAAI,GAAG;QACX,KAAK,EAAE,GAAG,eAAe,oBAAoB;QAC7C,CAAC,wBAAwB,CAAC,EAAE,WAAW;QACvC,eAAe,EAAE,QAAQ;QACzB,CAAC,EAAE,QAAQ,CAAC,CAAC;QACb,IAAI,EAAE,MAAM;QACZ,MAAM,EAAE,YAAY,CAAC,IAAI,EAAE,OAAO,CAAC;QACnC,2EAA2E;QAC3E,uEAAuE;QACvE,4EAA4E;QAC5E,4EAA4E;QAC5E,2EAA2E;QAC3E,2EAA2E;QAC3E,kBAAkB,EAAE,OAAO,CAAC,SAAS;QACrC,0DAA0D;QAC1D,aAAa,EAAE,MAAM;KACb,CAAC;IAEX,sEAAsE;IACtE,MAAM,KAAK,GAAG,CAAC,QAAgB,EAAU,EAAE,CACzC,aAAa,KAAK,CAAC,MAAM,CAAC,CAAC,GAAG,QAAQ,CAAC,IAAI,KAAK,CAAC,MAAM,CAAC,CAAC,GAAG,QAAQ,CAAC,GAAG,CAAC;IAE3E,IAAI,CAAC,OAAO,CAAC,OAAO;QAAE,OAAO,CAAC,GAAG,CAAC,MAAM,EAAE,EAAE,GAAG,IAAI,EAAE,SAAS,EAAE,KAAK,CAAC,GAAG,CAAC,EAAE,CAAC,CAAC,CAAC;IAE/E,4EAA4E;IAC5E,EAAE;IACF,2EAA2E;IAC3E,8EAA8E;IAC9E,0EAA0E;IAC1E,4EAA4E;IAC5E,8DAA8D;IAC9D,EAAE;IACF,+EAA+E;IAC/E,6EAA6E;IAC7E,6EAA6E;IAC7E,kDAAkD;IAClD,OAAO;QACL,GAAG,CAAC,MAAM,EAAE,EAAE,GAAG,IAAI,EAAE,SAAS,EAAE,KAAK,CAAC,GAAG,GAAG,MAAM,CAAC,EAAE,CAAC;QACxD,GAAG,CAAC,MAAM,EAAE,EAAE,GAAG,IAAI,EAAE,SAAS,EAAE,KAAK,CAAC,GAAG,GAAG,MAAM,CAAC,EAAE,CAAC;KACzD,CAAC;AACJ,CAAC;AAED;;;;;GAKG;AACH,MAAM,UAAU,aAAa,CAC3B,KAA0B,EAC1B,QAAsB,EACtB,KAAY,EACZ,QAAgB,EAChB,OAAoB;IAEpB,MAAM,KAAK,GAAkB,EAAE,CAAC;IAEhC,KAAK,MAAM,IAAI,IAAI,KAAK,EAAE,CAAC;QACzB,QAAQ,IAAI,CAAC,SAAS,EAAE,CAAC;YACvB,KAAK,WAAW,CAAC,CAAC,CAAC;gBACjB,gEAAgE;gBAChE,EAAE;gBACF,wEAAwE;gBACxE,wEAAwE;gBACxE,wEAAwE;gBACxE,sEAAsE;gBACtE,+DAA+D;gBAC/D,EAAE;gBACF,uEAAuE;gBACvE,uEAAuE;gBACvE,oEAAoE;gBACpE,uCAAuC;gBACvC,MAAM,KAAK,GAAG,KAAK,CAAC,OAAO,CAAC,qBAAqB,CAAC,GAAG,KAAK,CAAC,OAAO,CAAC,aAAa,CAAC,GAAG,CAAC,CAAC;gBACtF,uEAAuE;gBACvE,qEAAqE;gBACrE,yEA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package/dist/mount.d.ts

@@ -42,6 +42,19 @@ export interface MountOptions extends RenderOptions {
     readonly onSelect?: ((key: string | null) => void) | undefined;
     /** Called with the hovered key, and with `null` when nothing is hovered. */
     readonly onHover?: ((key: string | null) => void) | undefined;
+    /**
+     * Called with a command the viewer PUBLISHES and cannot complete: `refresh`,
+     * `projection:linear`, `projection:graph`, `expand`, `collapse`.
+     *
+     * THE VIEWER IS A PURE RENDERER, so none of these is its to perform — it
+     * cannot fetch a mirror, switch its own projection or widen its own column.
+     * They already travel on `data-ig-command` for a host that listens to the
+     * DOM; this is the same set on the callback channel, because §16e puts one of
+     * them on a KEY (`g` toggles the view) and a key press has no element for a
+     * host to have been listening to. One name set, two channels, so a host
+     * cannot wire the button and silently lose the shortcut.
+     */
+    readonly onCommand?: ((command: string) => void) | undefined;
 }
 export interface ViewerHandle {
     /** Redraw. A still-present selection survives; focus follows it. */