@ignix-social/editor 0.1.0

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Files changed (586) hide show
  1. package/LICENSE +190 -0
  2. package/NOTICE +54 -0
  3. package/README.md +23 -0
  4. package/bin/ignix-editor.mjs +8 -0
  5. package/package.json +53 -0
  6. package/patches/index.mjs +53 -0
  7. package/scripts/build-ffmpeg-macos.sh +35 -0
  8. package/scripts/build-whisper-macos.sh +21 -0
  9. package/scripts/vendor.mjs +41 -0
  10. package/skills/ignix-editor/SKILL.md +132 -0
  11. package/src/audio.mjs +31 -0
  12. package/src/binaries.json +46 -0
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  14. package/src/cli.mjs +254 -0
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  16. package/src/runtime/ignix-frame.js +92 -0
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+ # Background music (BGM)
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+
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+ One music bed per composition, produced by the shared audio engine (`scripts/audio.mjs` → `scripts/lib/bgm.mjs`). Two routes, chosen by the engine's one switch — whether a HeyGen credential is present:
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+
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+ - **HeyGen retrieval — the default when credentialed.** Search HeyGen's music catalog by mood, download the top track. No generation; same `~/.heygen` / `$HEYGEN_API_KEY` credential as TTS.
6
+ - **Local generation (Lyria → MusicGen) — the fallback when there is no credential** (or when asked for explicitly). Generate a WAV from a mood prompt. There is **no `npx hyperframes bgm` command**; the engine spawns `scripts/lyria-recipe.py` or an inline MusicGen script directly.
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+
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+ > **Run the Preflight first — no credential is not a green light to silently generate locally.** Before generating, complete the sign-in **Preflight** (see `../../SKILL.md` → Preflight): run `npx hyperframes auth status`, recommend signing in, and **STOP for the user's choice** (sign in for HeyGen's music library, or continue offline with local generation). This applies to a one-off "generate a BGM" request just as much as inside a full workflow.
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+
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+ ## Driving it from the request
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+
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+ `audio_request.json` → `bgm: { mode?, query?, prompt? }`:
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+
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+ - **`mode`** — `retrieve | generate | none`. Omit for **auto** (retrieve when credentialed, else generate). An **explicit** `retrieve` is strict: no credential ⇒ skip, never a detached generate (so a caller with no `wait-bgm` step, e.g. product-launch, can't get a pending job it won't await).
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+ - **`query`** — the mood, used for retrieval and as a fallback prompt seed (e.g. a storyboard's `music:` field, falling back to `message` → `arc` → `"calm cinematic underscore"`).
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+ - **`prompt`** — an explicit full prompt for generation; omit and the engine infers one (see Mood inference). Optional `blob` / `archetype` / `arc` feed that inference.
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+
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+ Both routes keep a file of yours already at the output name: the engine writes the next free name (`track-2.mp3`), reports it as an anomaly, and `bgm.path` carries the real path.
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+
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+ ## HeyGen retrieval (default)
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+
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+ `searchSounds(query, "music", { limit: 5 })` → `GET /audio/sounds?query=<mood>&type=music&limit=5`. Take the top result (ranked by `score`), download its presigned `audio_url` → `assets/bgm/track.mp3`. Synchronous. No match → skip (BGM is optional; never fail the render over it). Cue written to `audio_meta.json`:
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+
24
+ ```jsonc
25
+ {
26
+ "path": "assets/bgm/track.mp3",
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+ "volume": 0.12,
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+ "mode": "retrieve",
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+ "query": "calm cinematic underscore",
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+ "duration_s": 42.0,
31
+ }
32
+ ```
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+
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+ `volume` comes from the engine's `bgmDefaultVolume()`: `BGM_BED_VOLUME` (currently `0.12` ≈ -18 dB — a bed under the voice) under narration, `BGM_SILENT_VOLUME` (currently `0.9`) for a silent film (no voice). Tune those constants in `scripts/lib/bgm.mjs`, not call sites. An explicit `volume` in `audio_meta.json` always overrides this default. `bgm_pending` is `false` — the file is on disk when the engine returns.
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+
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+ For short launch videos, do not assume the beginning of the retrieved file is the best edit point. Check the opening against later five-second sections. If the track starts with a quiet build but a later section has a stronger, clean musical entrance, trim from that section and apply a short fade-in and longer fade-out. Repeat this check whenever the composition duration changes; the final music file must cover the full cut without a silent tail.
37
+
38
+ ## Local generation (fallback) — Lyria → MusicGen
39
+
40
+ Spawned **detached** so voice work isn't blocked; `audio_meta.bgm_pending: true` and `bgm_pid` / `bgm_log` are set until it finishes. **Run `scripts/wait-bgm.mjs` before assembling** — it polls the output file / process / log, detects crashes, and writes `bgm_status.json` (`status: ready | failed | timeout | disabled`). A failed/absent track is simply omitted; it never blocks voice/SFX.
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+
42
+ | Order | Provider | Env / deps | Speed | Quality |
43
+ | ----- | ------------------------------------ | ------------------------------------------------------------------------------------- | --------------------------------------- | --------------------------- |
44
+ | 1 | Google Lyria RealTime | `$GEMINI_API_KEY` or `$GOOGLE_API_KEY` + `google-genai` (auto-installed on demand) | Real-time stream (≈ requested duration) | Production-grade |
45
+ | 2 | MusicGen (`facebook/musicgen-small`) | Python `transformers + torch + soundfile + numpy` (~300 MB first run; auto-installed) | Slow on CPU; fast on Apple MPS / CUDA | Decent; prompt-only control |
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+
47
+ Output → `assets/bgm/track.wav`, target = total voice duration. MusicGen generates **one** seed clip (≤28–30s, under the decoder's positional limit) then crossfade-loops it up to the target (or trims down if shorter), avoiding per-segment seams. Backend selection is by what can actually **run**: Lyria only when `import google.genai` succeeds, else MusicGen; if neither can be made to run, BGM is skipped (voice + SFX still render).
48
+
49
+ ## Mood inference (the generate prompt)
50
+
51
+ `inferBgmPrompt()` in `scripts/lib/bgm.mjs`: an explicit `prompt` wins; otherwise industry-keyword **base** → narrative-**archetype** shape → emotional-**arc** tiebreaker.
52
+
53
+ | Match in `blob` / `query` | Base prompt | BPM |
54
+ | ------------------------------------------------------ | --------------------------------------------------------------------------- | --- |
55
+ | `crypto / nft / web3 / defi / token / blockchain` | atmospheric electronic, deep bass, futuristic synths, restrained percussion | 100 |
56
+ | `finance / fintech / bank / payment / invest / wealth` | calm cinematic, soft strings, subtle piano, restrained percussion | 92 |
57
+ | `creative / agency / design / studio / art / brand` | playful electronic, warm pads, light percussion | 115 |
58
+ | _(default: SaaS / tech / platform)_ | uplifting corporate tech, bright modern piano with synth pads | 108 |
59
+
60
+ Archetype then reshapes the arc — PAS → "MINOR to MAJOR" build; BAB / future-pacing → aspirational rising; feature-cascade → +10 BPM driving; demo-loop → −8 BPM minimal. The emotional arc breaks remaining ties (tension→relief, excitement, trust/reassurance).
61
+
62
+ ## Lyria knobs (direct recipe use)
63
+
64
+ The engine bakes BPM / scale into the **prompt text** (via the inference above) and passes only `--output` / `--duration` / `--prompt` to the recipe. If you invoke `scripts/lyria-recipe.py` directly you can also set: `--bpm` (90–110 calm, 110–130 energetic), `--brightness` (0–1, ≥0.7 promotional), `--density` (0–1, higher = fuller), `--scale` (`MAJOR` / `MINOR` / `PENTATONIC` / …), `--negative-prompt` (styles to exclude). MusicGen ignores all of these — put the mood in the prompt.
65
+
66
+ ## Failure modes
67
+
68
+ | Failure | Behavior |
69
+ | --------------------------------------------- | ---------------------------------------------------------------------------------------- |
70
+ | No music match (retrieve) | `bgm: null`, anomaly logged. Render proceeds without BGM. |
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+ | Explicit `retrieve`, no credential | Skipped (no silent generate fallback). Use `mode: generate` or omit `mode` for auto. |
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+ | Neither Lyria nor MusicGen can run (generate) | `bgm` disabled with a `pip install …` hint. Voice + SFX still render. |
73
+ | Generate still rendering at assemble time | `bgm_pending: true`; `wait-bgm.mjs` waits/checks and writes `bgm_status.json` first. |
74
+ | Generate crashed | `wait-bgm.mjs` → `bgm_status.json { status: "failed" }`; the `<audio>` track is omitted. |
75
+
76
+ BGM failure never blocks a render.
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1
+ # Captions
2
+
3
+ <!-- registry-items: allow=max-width,data-composition-src,hyperframes-registry,blend-mode,caption-style,font-family -->
4
+
5
+ **The live search is the source of truth for what the registry has.** The table(s) below are a hand-maintained sample and under-cover by design: run `npx hyperframes catalog --query "<what you want>" --json` — it needs nothing installed — before concluding the registry lacks something. Item names here are checked against `registry/registry.json` by `bun run lint:skills`.
6
+
7
+ Before authoring: confirm the transcript came from the right Whisper model. CLI default `small.en` silently translates non-English audio — see [`../transcribe.md`](../transcribe.md) → "Language Rule" and [`transcript-handling.md`](transcript-handling.md) for the mandatory quality check.
8
+
9
+ Analyze spoken content to determine caption style. If user specifies a style, use that. Otherwise, detect tone from the transcript.
10
+
11
+ ## Transcript Source
12
+
13
+ ```json
14
+ [
15
+ { "id": "w0", "text": "Hello", "start": 0.0, "end": 0.5 },
16
+ { "id": "w1", "text": "world.", "start": 0.6, "end": 1.2 }
17
+ ]
18
+ ```
19
+
20
+ `id` (`w0`, `w1`, …) is the stable reference for per-word overrides and is added by `hyperframes transcribe`. It's optional for backwards compatibility with hand-authored transcripts. See [`../transcribe.md`](../transcribe.md) → "Output Shape" for how this is produced, and [`transcript-handling.md`](transcript-handling.md) for cleanup before consumption.
21
+
22
+ ## Style Detection (When No Style Specified)
23
+
24
+ Read the full transcript before choosing. Four dimensions:
25
+
26
+ **1. Visual feel** — corporate→clean; energetic→bold; storytelling→elegant; technical→precise; social→playful.
27
+
28
+ **2. Color palette** — dark+bright for energy; muted for professional; high contrast for clarity; one accent color.
29
+
30
+ **3. Font mood** — heavy/condensed for impact; clean sans for modern; rounded for friendly; serif for elegance.
31
+
32
+ **4. Animation character** — scale-pop for punchy; gentle fade for calm; word-by-word for emphasis; typewriter for technical.
33
+
34
+ ## Per-Word Styling
35
+
36
+ Scan for words deserving distinct treatment:
37
+
38
+ - **Brand/product names** — larger size, unique color
39
+ - **ALL CAPS** — scale boost, flash, accent color
40
+ - **Numbers/statistics** — bold weight, accent color
41
+ - **Emotional keywords** — exaggerated animation (overshoot, bounce)
42
+ - **Call-to-action** — highlight, underline, color pop
43
+ - **Marker highlight** — for beyond-color emphasis (highlight sweep, circle, burst, scribble, sketchout), see `hyperframes-animation/rules/css-marker-patterns.md`.
44
+
45
+ ## Script-to-Style Mapping
46
+
47
+ | Tone | Font mood | Animation | Color | Size |
48
+ | ------------ | ------------------------ | ---------------------------------- | --------------------------- | ------- |
49
+ | Hype/launch | Heavy condensed, 800-900 | Scale-pop, back.out(1.7), 0.1-0.2s | Bright on dark | 72-96px |
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+ | Corporate | Clean sans, 600-700 | Fade+slide, power3.out, 0.3s | White/neutral, muted accent | 56-72px |
51
+ | Tutorial | Mono/clean sans, 500-600 | Typewriter/fade, 0.4-0.5s | High contrast, minimal | 48-64px |
52
+ | Storytelling | Serif/elegant, 400-500 | Slow fade, power2.out, 0.5-0.6s | Warm muted tones | 44-56px |
53
+ | Social | Rounded sans, 700-800 | Bounce, elastic.out, word-by-word | Playful, colored pills | 56-80px |
54
+
55
+ ## Word Grouping
56
+
57
+ - **High energy:** 2-3 words. Quick turnover.
58
+ - **Conversational:** 3-5 words. Natural phrases.
59
+ - **Measured/calm:** 4-6 words. Longer groups.
60
+
61
+ Break on sentence boundaries, 150ms+ pauses, or max word count.
62
+
63
+ ## Positioning
64
+
65
+ - **Landscape (1920x1080):** Bottom 80-120px, centered
66
+ - **Portrait (1080x1920):** Lower middle ~600-700px from bottom, centered
67
+ - Never cover the subject's face
68
+ - `position: absolute` — never relative
69
+ - One caption group visible at a time
70
+
71
+ ## Text Overflow Prevention
72
+
73
+ Use `window.__hyperframes.fitTextFontSize()`:
74
+
75
+ ```js
76
+ var result = window.__hyperframes.fitTextFontSize(group.text.toUpperCase(), {
77
+ fontFamily: "Outfit",
78
+ fontWeight: 900,
79
+ maxWidth: 1600,
80
+ });
81
+ el.style.fontSize = result.fontSize + "px";
82
+ ```
83
+
84
+ Options: `maxWidth` (1600 landscape, 900 portrait), `baseFontSize` (78), `minFontSize` (42), `fontWeight`, `fontFamily`, `step` (2).
85
+
86
+ CSS safety nets: `max-width` on container, `overflow: visible` (**not** `hidden` — hidden clips scaled emphasis words and glow effects), `position: absolute`, explicit `height`. When per-word styling uses `scale > 1.0`, compute `maxWidth = safeWidth / maxScale` to leave headroom.
87
+
88
+ **Container pattern:** Full-width absolute container, centered. Do **not** use `left: 50%; transform: translateX(-50%)` — causes clipping at composition edges.
89
+
90
+ ## Caption Exit Guarantee
91
+
92
+ Every group **must** have a hard kill after exit animation:
93
+
94
+ ```js
95
+ tl.to(groupEl, { opacity: 0, scale: 0.95, duration: 0.12, ease: "power2.in" }, group.end - 0.12);
96
+ // `tl.set` is an instant flip, not a tween — safe to set `visibility` here (core's "no animating
97
+ // visibility" rule applies to tweens, which can't smoothly interpolate non-numeric values anyway).
98
+ tl.set(groupEl, { opacity: 0, visibility: "hidden" }, group.end);
99
+ ```
100
+
101
+ Self-lint after building timeline — place **before** `window.__timelines[id] = tl` so it runs at composition init:
102
+
103
+ ```js
104
+ GROUPS.forEach(function (group, gi) {
105
+ var el = document.getElementById("cg-" + gi);
106
+ if (!el) return;
107
+ tl.seek(group.end + 0.01);
108
+ var computed = window.getComputedStyle(el);
109
+ if (computed.opacity !== "0" && computed.visibility !== "hidden") {
110
+ console.warn(
111
+ "[caption-lint] group " + gi + " still visible at t=" + (group.end + 0.01).toFixed(2) + "s",
112
+ );
113
+ }
114
+ });
115
+ tl.seek(0);
116
+ ```
117
+
118
+ ## Pre-Built Caption Components
119
+
120
+ Before building caption styles from scratch, check the registry — 15 ready-to-use caption components cover the most common styles. Install with `npx hyperframes add <name>` and wire as a sub-composition via `data-composition-src` (see `hyperframes-registry`).
121
+
122
+ ```bash
123
+ npx hyperframes catalog --tag caption-style # list all caption components
124
+ npx hyperframes add caption-highlight # install a specific one
125
+ ```
126
+
127
+ | Style | Component | Best for |
128
+ | ------------------------- | ---------------------------- | ---------------------------- |
129
+ | TikTok-style highlight | `caption-highlight` | Social, high-energy |
130
+ | Karaoke pill | `caption-pill-karaoke` | Music, lyric videos |
131
+ | Cinematic editorial | `caption-editorial-emphasis` | Documentary, storytelling |
132
+ | Glitch / cyber | `caption-glitch-rgb` | Tech, gaming |
133
+ | Full-screen slam | `caption-kinetic-slam` | Hype, announcements |
134
+ | Neon glow | `caption-neon-glow` | Night, club, neon aesthetics |
135
+ | Neon accent (multi-color) | `caption-neon-accent` | Colorful, playful |
136
+ | Wipe reveal | `caption-clip-wipe` | Clean, modern |
137
+ | Gradient fill | `caption-gradient-fill` | Vibrant, eye-catching |
138
+ | Matrix decode | `caption-matrix-decode` | Sci-fi, tech reveals |
139
+ | Emoji pop | `caption-emoji-pop` | Social, casual |
140
+ | Parallax layers | `caption-parallax-layers` | Depth, cinematic |
141
+ | Particle burst | `caption-particle-burst` | Celebration, impact keywords |
142
+ | Lava texture | `caption-texture` | Bold, dramatic |
143
+ | Weight shift | `caption-weight-shift` | Elegant, typographic |
144
+
145
+ Related: `caption-blend-difference` (tagged `text` / `blend-mode`, not `caption-style`, so it won't appear under the filter above) auto-inverts text against any background via `mix-blend-mode: difference` — useful when the background is busy or unpredictable.
146
+
147
+ Browse all with previews: [hyperframes.heygen.com/catalog](https://hyperframes.heygen.com/catalog)
148
+
149
+ Caption components ship with transparent backgrounds — they're pure overlays. If the underlying video is bright or busy, add a contrast layer (e.g. a semi-transparent dark div) in the host composition beneath the caption sub-composition, not inside the component itself.
150
+
151
+ ## Further References
152
+
153
+ - [`motion.md`](motion.md) — karaoke, marker effects, audio-reactive modulation, scatter exits.
154
+ - [`transcript-handling.md`](transcript-handling.md) — input formats, quality checks, cleaning, external API fallback.
155
+ - `hyperframes-animation/rules/css-marker-patterns.md` — marker highlighting (deterministic, fully seekable).
156
+
157
+ ## Constraints
158
+
159
+ - Deterministic. No `Math.random()`, no `Date.now()`.
160
+ - Sync to transcript timestamps.
161
+ - One group visible at a time.
162
+ - Every group must have a hard `tl.set` kill at `group.end`.
163
+ - Fonts: the compiler auto-embeds only its **built-in mapped set** (Inter, Roboto, Montserrat, …) — for those, just declare `font-family` in CSS. Any **other** font (a brand/custom font like `TT Norms Pro`, or a non-Latin CJK/Devanagari family) is **not** auto-supplied: it needs an `@font-face` pointing at a real `.woff2` shipped with the project, or the text silently falls back to a generic font in the render. Don't assume a `font-family` you can see locally will render — the render machine is a clean headless Chrome with no installed fonts.
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1
+ # Dynamic Caption Techniques
2
+
3
+ You are here because SKILL.md told you to read this file before writing animation code. Pick your technique combination from the table below based on the energy level you detected from the transcript, then implement using standard GSAP patterns.
4
+
5
+ ## Technique Selection by Energy
6
+
7
+ | Energy level | Highlight | Exit | Cycle pattern |
8
+ | ------------ | ------------------------------------- | ------------------- | ----------------------------------------- |
9
+ | High | Karaoke with accent glow + scale pop | Scatter or drop | Alternate highlight styles every 2 groups |
10
+ | Medium-high | Karaoke with color pop | Scatter or collapse | Alternate every 3 groups |
11
+ | Medium | Karaoke (subtle, white only) | Fade + slide | Alternate every 3 groups |
12
+ | Medium-low | Karaoke (minimal scale change) | Fade | Single style, vary ease per group |
13
+ | Low | Karaoke (warm tones, slow transition) | Collapse | Alternate every 4 groups |
14
+
15
+ **All energy levels use karaoke highlight as the baseline.** The difference is intensity — high energy gets accent color + glow + 15% scale pop on active words, low energy gets a gentle white shift with 3% scale.
16
+
17
+ **Emphasis words always break the pattern.** When a word is flagged as emphasis (emotional keyword, ALL CAPS, brand name), give it a stronger animation than surrounding words (larger scale, accent color, overshoot ease). This creates contrast.
18
+
19
+ **Marker highlight modes add a visual layer on top of karaoke.** For emphasis words that need more than color/scale, add a marker-style effect: highlight sweep, circle, burst, scribble, or sketchout. See `hyperframes-animation/rules/css-marker-patterns.md` for implementation details. Match mode to energy: burst for hype, circle for key terms, highlight for standard, scribble for subtle.
20
+
21
+ ## Audio-Reactive Captions (Mandatory for Music)
22
+
23
+ **If the source audio is music (vocals over instrumentation, beats, any musical content), you MUST extract audio data and add audio-reactive animations.** This is not optional — music without audio reactivity looks disconnected. Even low-energy ballads get subtle bass pulse and treble glow.
24
+
25
+ No special wiring is needed. The group loop already iterates over every caption group to build entrance, karaoke, and exit tweens. At that point, read the audio data for each group's time range and use it to modulate the group's animation intensity with regular GSAP tweens.
26
+
27
+ ```js
28
+ // Load audio data inline (same pattern as TRANSCRIPT)
29
+ var AUDIO = JSON.parse(audioDataJson); // { fps, totalFrames, frames: [{ bands: [...] }] }
30
+
31
+ GROUPS.forEach(function (group, gi) {
32
+ var groupEl = document.getElementById("cg-" + gi);
33
+ if (!groupEl) return;
34
+
35
+ // Read peak energy for this group's time range
36
+ var startFrame = Math.floor(group.start * AUDIO.fps);
37
+ var endFrame = Math.min(Math.floor(group.end * AUDIO.fps), AUDIO.totalFrames - 1);
38
+ var peakBass = 0;
39
+ var peakTreble = 0;
40
+ for (var f = startFrame; f <= endFrame; f++) {
41
+ var frame = AUDIO.frames[f];
42
+ if (!frame) continue;
43
+ peakBass = Math.max(peakBass, frame.bands[0] || 0, frame.bands[1] || 0);
44
+ peakTreble = Math.max(peakTreble, frame.bands[6] || 0, frame.bands[7] || 0);
45
+ }
46
+
47
+ // Modulate entrance — louder groups enter bigger and glowier
48
+ tl.to(
49
+ groupEl,
50
+ {
51
+ scale: 1 + peakBass * 0.06,
52
+ textShadow:
53
+ "0 0 " + Math.round(peakTreble * 12) + "px rgba(255,255,255," + peakTreble * 0.4 + ")",
54
+ duration: 0.3,
55
+ ease: "power2.out",
56
+ },
57
+ group.start,
58
+ );
59
+
60
+ // Reset at exit so audio-driven values don't persist
61
+ tl.set(groupEl, { scale: 1, textShadow: "none" }, group.end - 0.15);
62
+ });
63
+ ```
64
+
65
+ This shapes the animation at build time, not playback time — no per-frame callbacks, no `tl.call()` loops, no async fetch timing issues. Loud groups come in with more weight and glow; quiet groups come in soft. The audio data modulates _how much_, the content determines _what_.
66
+
67
+ Keep audio reactivity subtle — 3-6% scale variation and soft glow. Heavy pulsing makes text unreadable.
68
+
69
+ To generate the audio data file:
70
+
71
+ ```bash
72
+ python3 skills/hyperframes-creative/scripts/extract-audio-data.py audio.mp3 --fps 30 --bands 8 -o audio-data.json
73
+ ```
74
+
75
+ ## Combining Techniques
76
+
77
+ Don't use the same highlight animation on every group — cycle through styles using the group index. Don't combine multiple competing animations on the same word at the same timestamp. Vary techniques across groups to match the content's pace changes.
78
+
79
+ **Marker highlight effects** layer well with karaoke — use karaoke for the word-by-word reveal, then add a marker effect on emphasis words only. For example: karaoke highlights each word in white, but brand names get a yellow highlight sweep and stats get a red circle. Cycle marker modes across groups for visual variety.
80
+
81
+ ## Runtime Tools
82
+
83
+ Caption motion uses standard HyperFrames runtime APIs. Use the canonical sources:
84
+
85
+ - **GSAP timeline + tween syntax** — `hyperframes-animation/adapters/gsap.md` (eases, position parameter, performance)
86
+ - **`window.__hyperframes.fitTextFontSize` / `pretext`** — `hyperframes-core/references/determinism-rules.md` → Layout Contract (overflow prevention, per-frame text measurement)
87
+ - **Audio data extraction** — generate via `python3 skills/hyperframes-creative/scripts/extract-audio-data.py audio.mp3 --fps 30 --bands 8 -o audio-data.json`, then load inline as shown in "Audio-Reactive Captions" above
@@ -0,0 +1,97 @@
1
+ # Transcript Guide
2
+
3
+ For the `transcribe` CLI invocation, the `.en`-translates-non-English rule, and whisper model selection, see [`../transcribe.md`](../transcribe.md). This file covers what to do with the resulting transcript when authoring captions: input formats, mandatory quality checks, cleaning code, external-API fallbacks.
4
+
5
+ ## Supported Input Formats
6
+
7
+ The CLI auto-detects and normalizes these formats:
8
+
9
+ | Format | Extension | Source | Word-level? |
10
+ | --------------------- | --------- | --------------------------------------------------------------------------- | ----------------- |
11
+ | whisper.cpp JSON | `.json` | `hyperframes init --video`, `hyperframes transcribe` | Yes |
12
+ | OpenAI Whisper API | `.json` | `openai.audio.transcriptions.create({ timestamp_granularities: ["word"] })` | Yes |
13
+ | SRT subtitles | `.srt` | Video editors, subtitle tools, YouTube | No (phrase-level) |
14
+ | VTT subtitles | `.vtt` | Web players, YouTube, transcription services | No (phrase-level) |
15
+ | Normalized word array | `.json` | Pre-processed by any tool | Yes |
16
+
17
+ **Word-level timestamps produce better captions.** SRT/VTT give phrase-level timing, which works but can't do per-word animation effects.
18
+
19
+ ## Transcript Quality Check (Mandatory)
20
+
21
+ After every transcription, **read the transcript and check for quality issues before proceeding.** Bad transcripts produce nonsensical captions. Never skip this step.
22
+
23
+ ### What to look for
24
+
25
+ | Signal | Example | Cause |
26
+ | ---------------------------- | -------------------------------------- | ---------------------------------------------------------------------------- |
27
+ | Music note tokens (`♪`, `�`) | `{ "text": "♪" }` or `{ "text": "�" }` | Whisper detected music, not speech |
28
+ | Garbled / nonsense words | "Do a chin", "Get so gay", "huh" | Model misheard lyrics or background noise |
29
+ | Long gaps with no words | 20+ seconds of only `♪` tokens | Instrumental section — expected, but high ratio means speech is being missed |
30
+ | Repeated filler | Many "huh", "uh", "oh" entries | Model is hallucinating on music |
31
+ | Very short word spans | Words with `end - start < 0.05` | Unreliable timestamp alignment |
32
+
33
+ ### Automatic retry rules
34
+
35
+ **If more than 20% of entries are `♪`/`�` tokens, or the transcript contains obvious nonsense words, the transcription failed.** Do not proceed with the bad transcript. Instead:
36
+
37
+ 1. **Retry with `medium.en`** if the original used `small.en` or smaller:
38
+ ```bash
39
+ npx hyperframes transcribe audio.mp3 --model medium.en
40
+ ```
41
+ 2. **If `medium.en` also fails** (still >20% music tokens or garbled), tell the user the audio is too noisy for local transcription and suggest:
42
+ - Providing lyrics manually as an SRT/VTT file
43
+ - Using an external API (OpenAI or Groq Whisper — see below)
44
+ 3. **Always clean the transcript** before building captions — filter out `♪`/`�` tokens and entries where `text` is a single non-word character. Only real words should reach the caption composition.
45
+
46
+ ### Cleaning a transcript
47
+
48
+ After transcription (even with a good model), strip non-word entries:
49
+
50
+ ```js
51
+ var raw = JSON.parse(transcriptJson);
52
+ var words = raw.filter(function (w) {
53
+ if (!w.text || w.text.trim().length === 0) return false;
54
+ if (/^[♪�\u266a\u266b\u266c\u266d\u266e\u266f]+$/.test(w.text)) return false;
55
+ if (/^(huh|uh|um|ah|oh)$/i.test(w.text) && w.end - w.start < 0.1) return false;
56
+ return true;
57
+ });
58
+ ```
59
+
60
+ For model-selection guidance by content type, see [`../transcribe.md`](../transcribe.md) → "Picking a model by content type".
61
+
62
+ ## Using External Transcription APIs
63
+
64
+ For the best accuracy, use an external API and import the result:
65
+
66
+ **OpenAI Whisper API** (recommended for quality):
67
+
68
+ ```bash
69
+ # Generate with word timestamps, then import
70
+ curl https://api.openai.com/v1/audio/transcriptions \
71
+ -H "Authorization: Bearer $OPENAI_API_KEY" \
72
+ -F file=@audio.mp3 -F model=whisper-1 \
73
+ -F response_format=verbose_json \
74
+ -F "timestamp_granularities[]=word" \
75
+ -o transcript-openai.json
76
+
77
+ npx hyperframes transcribe transcript-openai.json
78
+ ```
79
+
80
+ **Groq Whisper API** (fast, free tier available):
81
+
82
+ ```bash
83
+ curl https://api.groq.com/openai/v1/audio/transcriptions \
84
+ -H "Authorization: Bearer $GROQ_API_KEY" \
85
+ -F file=@audio.mp3 -F model=whisper-large-v3 \
86
+ -F response_format=verbose_json \
87
+ -F "timestamp_granularities[]=word" \
88
+ -o transcript-groq.json
89
+
90
+ npx hyperframes transcribe transcript-groq.json
91
+ ```
92
+
93
+ ## If No Transcript Exists
94
+
95
+ 1. Check the project root for `transcript.json`, `.srt`, or `.vtt` files.
96
+ 2. If none found, run [`../transcribe.md`](../transcribe.md) — pick the starting model from "Picking a model by content type" there.
97
+ 3. Run the quality check above. If it fails, retry with a larger model or fall back to manual lyrics / external API.
@@ -0,0 +1,143 @@
1
+ # Background Removal
2
+
3
+ Make a transparent overlay (typical: a talking head over an arbitrary scene). Uses `u2net_human_seg` (Apache-2.0).
4
+
5
+ ```bash
6
+ npx hyperframes remove-background subject.mp4 -o transparent.webm # default: VP9 + alpha
7
+ npx hyperframes remove-background subject.mp4 -o transparent.mov # ProRes 4444 (editing)
8
+ npx hyperframes remove-background portrait.jpg -o cutout.png # single-image cutout
9
+ npx hyperframes remove-background subject.mp4 -o subject.webm \
10
+ --background-output plate.webm # both layers, one pass
11
+ npx hyperframes remove-background subject.mp4 -o transparent.webm --device cpu
12
+ npx hyperframes remove-background --info # detected providers
13
+ ```
14
+
15
+ ## Output Format
16
+
17
+ - **`.webm` (VP9 alpha)** — default. Plug straight into `<video>` for Chrome-native transparent playback (~1 MB / 4s @ 1080p).
18
+ - **`.mov` (ProRes 4444)** — round-trip in editors (Premiere / Resolve / DaVinci). ~50 MB / 4s.
19
+ - **`.png`** — single-image cutout.
20
+
21
+ ## Quality (`--quality`)
22
+
23
+ Controls VP9 encoder CRF only — segmentation quality is fixed. Higher quality keeps the cutout's RGB closer to the source MP4 (important when overlaying the cutout on its own source).
24
+
25
+ | Preset | CRF | When |
26
+ | ---------- | --- | --------------------------------------------- |
27
+ | `fast` | 30 | Iterating, smaller files, looser color match |
28
+ | `balanced` | 18 | **Default**; visually identical for most uses |
29
+ | `best` | 12 | Master / final delivery, tightest color match |
30
+
31
+ ## Device (`--device`)
32
+
33
+ `auto` (default) picks CoreML on Apple Silicon, CUDA when available, otherwise CPU. Force with `--device cpu | coreml | cuda`. CUDA requires `HYPERFRAMES_CUDA=1` plus a GPU-enabled `onnxruntime-node` build. Use `--info` to inspect detected providers without rendering.
34
+
35
+ ## Compositing patterns — pick the right one
36
+
37
+ The cutout WebM is a **re-encoded copy** of the source MP4's RGB. What sits behind it matters.
38
+
39
+ | Pattern | Behind the cutout | Result |
40
+ | -------------------------------------------------------- | --------------------------------------- | --------------------------------------------------------------------------------------------------------------- |
41
+ | **Cutout over a different scene** (most common) | Static image, gradient, unrelated video | Looks great. Single RGB source for the subject. |
42
+ | **Cutout over its own source mp4** (text-behind-subject) | Same mp4 the cutout came from | At `balanced` doubling is barely visible; at `fast` you'll see color shift / edge halo. Use `best` for masters. |
43
+ | **Cutout over a different take of the same person** | Footage of the same subject | **Two overlapping people. Don't do this.** |
44
+
45
+ ## Text-behind-subject pattern (two non-obvious rules)
46
+
47
+ Putting a headline behind a presenter cutout:
48
+
49
+ ```html
50
+ <video
51
+ src="presenter.mp4"
52
+ id="bg"
53
+ data-start="0"
54
+ data-duration="6"
55
+ data-track-index="0"
56
+ muted
57
+ playsinline
58
+ ></video>
59
+
60
+ <h1 id="headline" style="z-index:2; ...">MAKE IT IN HYPERFRAMES</h1>
61
+
62
+ <div class="cutout-wrap" style="position:absolute; inset:0; z-index:3; opacity:0">
63
+ <video
64
+ src="presenter.webm"
65
+ data-start="0"
66
+ data-duration="6"
67
+ data-track-index="1"
68
+ muted
69
+ playsinline
70
+ ></video>
71
+ </div>
72
+ ```
73
+
74
+ ```js
75
+ // Flip the wrapper's opacity at the cut, NOT the video's
76
+ tl.set(".cutout-wrap", { opacity: 1 }, 3.3);
77
+ ```
78
+
79
+ Two rules that are easy to miss:
80
+
81
+ 1. **Wrap the cutout `<video>` in a non-timed `<div>` and animate the wrapper's opacity, not the video element's.** The framework forces `opacity: 1` on active clips (any element with `data-start` / `data-duration`), so animating the video's opacity directly is silently overridden. The wrapper has no `data-*` attributes, so it's owned by your CSS / GSAP.
82
+ 2. **Both videos use `data-start="0"` and `data-media-start="0"`** so the framework decodes them in sync from t=0. Late-mounting the cutout (`data-start=3.3`) introduces a seek + warm-up that lands a frame off the base mp4 — visible as one frame of misalignment at the cut.
83
+
84
+ ## Layer separation (`--background-output`)
85
+
86
+ Emits a **second** transparent video alongside the cutout: same source RGB, alpha is `255 - mask` instead of `mask`. The cutout has the subject opaque; the plate has the surroundings opaque (with a transparent hole where the subject was). Use it when text / graphics need to live **between** the two layers.
87
+
88
+ | File | Alpha is… | Use it for |
89
+ | -------------------------------- | ------------------------------------------------------- | ---------------------------------------------------------------- |
90
+ | `-o subject.webm` | mask — subject opaque, background transparent | Foreground layer (top) |
91
+ | `--background-output plate.webm` | inverse mask — surroundings opaque, subject transparent | Bottom layer; place text / graphics between this and the subject |
92
+
93
+ Both share the same `--quality` and run from a single inference pass — only encode cost roughly doubles. Only valid for video inputs with `.webm` / `.mov` outputs.
94
+
95
+ **Hole-cut, not inpainted.** The subject region in `plate.webm` is fully transparent — composite something opaque under it to fill the hole.
96
+
97
+ **Single test for whether `--background-output` is the right tool:** _will anything ever be visible through the subject's silhouette where the subject used to be?_ If no, you don't need the plate — `subject.webm` alone over a different background is enough.
98
+
99
+ ### Use case → right tool
100
+
101
+ | Use case | Right tool |
102
+ | ----------------------------------------------------------------------------------- | ---------------------------------------------------------------------------------- |
103
+ | Text/graphics between the cutout and the plate (this command's reason for existing) | **Hole-cut** (`--background-output`) |
104
+ | Subject onto an unrelated scene | Just `subject.webm`; ignore the plate |
105
+ | Show the room _without_ the person, alone over no other content | **Clean plate** — needs an inpainter (LaMa, ProPainter, E2FGVI). Not this command. |
106
+ | Replace the subject with a different subject | **Clean plate** — same as above |
107
+
108
+ ### Canonical 3-layer template (plate + content + cutout)
109
+
110
+ Ship just the two transparent layers and let arbitrary content live between them — no original mp4 needed:
111
+
112
+ ```html
113
+ <!-- z=1 plate: surroundings opaque, subject silhouette transparent -->
114
+ <video
115
+ src="plate.webm"
116
+ data-start="0"
117
+ data-duration="6"
118
+ data-track-index="0"
119
+ muted
120
+ playsinline
121
+ ></video>
122
+
123
+ <!-- z=2 your content lives between the layers -->
124
+ <h1 id="headline" style="z-index:2; ...">MAKE IT IN HYPERFRAMES</h1>
125
+
126
+ <!-- z=3 cutout floats the subject back on top -->
127
+ <div class="cutout-wrap" style="position:absolute; inset:0; z-index:3">
128
+ <video
129
+ src="subject.webm"
130
+ data-start="0"
131
+ data-duration="6"
132
+ data-track-index="1"
133
+ muted
134
+ playsinline
135
+ ></video>
136
+ </div>
137
+ ```
138
+
139
+ Functionally equivalent to the text-behind-subject pattern above, but doesn't require shipping the original mp4 — the plate replaces it. Use this when delivering just the two transparent layers as a reusable asset.
140
+
141
+ ## When `remove-background` is NOT the right tool
142
+
143
+ If a user asks for "the room **without** the person, displayed standalone" (no subject anywhere, no compositing on top), `--background-output` is wrong — its plate has a transparent hole, not a filled-in clean plate. They need an **inpainter**: LaMa, ProPainter, or E2FGVI. Tell them this command can't do it.
@@ -0,0 +1,29 @@
1
+ # Requirements & Caches
2
+
3
+ ## Credential & key priority
4
+
5
+ Run `npx hyperframes auth status` to see what's configured and which engines a workflow will use (see the skill's **Preflight** section). Keys resolve in this order — **first match wins**:
6
+
7
+ | Provider | Resolution order (first non-empty wins) | Local deps when used |
8
+ | ------------------------------------ | -------------------------------------------------------------------------------------------------------------------------------------------------------------------------- | ------------------------------------------------ |
9
+ | **HeyGen** (TTS + BGM/SFX retrieval) | `$HEYGEN_API_KEY` → `$HYPERFRAMES_API_KEY` → `~/.heygen/credentials` (shared with heygen-cli; `$HEYGEN_CONFIG_DIR` overrides the dir; written by `hyperframes auth login`) | none (REST) |
10
+ | **ElevenLabs** (TTS fallback) | `$ELEVENLABS_API_KEY` | `pip install elevenlabs` |
11
+ | **Lyria** (BGM fallback) | `$GEMINI_API_KEY` → `$GOOGLE_API_KEY` | `pip install google-genai` |
12
+ | **Kokoro** (TTS, no key) | always — final voice fallback | `pip install kokoro-onnx soundfile` |
13
+ | **MusicGen** (BGM, no key) | always — final music fallback | `pip install transformers torch soundfile numpy` |
14
+
15
+ `hyperframes auth login` (browser OAuth) is the recommended setup: one sign-in, every project, no per-repo `.env`. An OAuth login is sent as `Authorization: Bearer`; an API key as `X-Api-Key`; both are tagged with `X-HeyGen-Source: cli`. OAuth CLI users can consume the web-plan free allowance for HeyGen TTS (10 min/month); API keys follow the normal API billing path. With no HeyGen credential, voice/BGM run fully locally (Kokoro / MusicGen) — `hyperframes auth status` and `hyperframes doctor` both report whether those local deps are installed.
16
+
17
+ ## Model caches & system dependencies
18
+
19
+ Each command downloads its own model on first run and caches it under `~/.cache/hyperframes/`:
20
+
21
+ - **TTS (HeyGen)** — no local deps; needs a HeyGen credential + `ffmpeg` on PATH (to transcode the mp3 response to `.wav`). Credential resolves like the CLI: `$HEYGEN_API_KEY` → `$HYPERFRAMES_API_KEY` → `~/.heygen/credentials` (shared with heygen-cli; run `npx hyperframes auth login`). An OAuth login is sent as `Authorization: Bearer`; an API key as `X-Api-Key`; both include `X-HeyGen-Source: cli` so the backend can apply CLI OAuth free usage.
22
+ - **TTS (ElevenLabs)** — same as HeyGen: API key + `ffmpeg`.
23
+ - **TTS (Kokoro)** — Kokoro-82M (~311 MB) + voices (~27 MB) in `tts/`. Requires Python 3.8+ with `kokoro-onnx` and `soundfile` (`pip install kokoro-onnx soundfile`). Non-English text also needs `espeak-ng` system-wide.
24
+ - **BGM (Lyria)** — needs `$GEMINI_API_KEY` or `$GOOGLE_API_KEY` + `pip install google-genai`. No local model cache.
25
+ - **BGM (MusicGen)** — `pip install transformers torch soundfile`. `facebook/musicgen-small` (~300 MB) cached under `~/.cache/huggingface/` on first run.
26
+ - **Transcribe** — Whisper model size depending on choice (75 MB – 3.1 GB) in `whisper/`, downloaded from HuggingFace on first use. `whisper.cpp` itself is NOT bundled: the CLI resolves it from PATH, installs via Homebrew (macOS), or builds it from source with git+cmake on first use (`$HYPERFRAMES_WHISPER_PATH` overrides).
27
+ - **Remove-background** — `u2net_human_seg` (~168 MB ONNX) in `background-removal/models/`. Peak inference RAM ~1.5 GB.
28
+
29
+ Run `npx hyperframes doctor` if a command fails because of a missing dependency.