@bastani/atomic 0.7.17 → 0.8.0

package/dist/builtin/workflows/skills/impeccable/reference/brand.md

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+# Brand register
+
+When design IS the product: brand sites, landing pages, marketing surfaces, campaign pages, portfolios, long-form content, about pages. The deliverable is the design itself; a visitor's impression is the thing being made.
+
+The register spans every genre. A tech brand (Stripe, Linear, Vercel). A luxury brand (a hotel, a fashion house). A consumer product (a restaurant, a travel site, a CPG packaging page). A creative studio, an agency portfolio, a band's album page. They all share the stance (*communicate, not transact*) and diverge wildly in aesthetic. Don't collapse them into a single look.
+
+## The brand slop test
+
+If someone could look at this and say "AI made that" without hesitation, it's failed. The bar is distinctiveness; a visitor should ask "how was this made?", not "which AI made this?"
+
+Brand isn't a neutral register. AI-generated landing pages have flooded the internet, and average is no longer findable. Restraint without intent now reads as mediocre, not refined. Brand surfaces need a POV, a specific audience, a willingness to risk strangeness. Go big or go home.
+
+**The second slop test: aesthetic lane.** Before committing to moves, name the reference. A Klim-style specimen page is one lane; Stripe-minimal is another; Liquid-Death-acid-maximalism is another. Don't drift into editorial-magazine aesthetics on a brief that isn't editorial. A hiking brand with Cormorant italic drop caps has the wrong register within the register.
+
+Then the inverse test: in one sentence, describe what you're about to build the way a competitor would describe theirs. If that sentence fits the modal landing page in the category, restart.
+
+## Typography
+
+### Font selection procedure
+
+Every project. Never skip.
+
+1. Read the brief. Write three concrete brand-voice words. Not "modern" or "elegant," but "warm and mechanical and opinionated" or "calm and clinical and careful." Physical-object words.
+2. List the three fonts you'd reach for by reflex. If any appear in the reflex-reject list below, reject them; they are training-data defaults and they create monoculture.
+3. Browse a real catalog (Google Fonts, Pangram Pangram, Future Fonts, Adobe Fonts, ABC Dinamo, Klim, Velvetyne) with the three words in mind. Find the font for the brand as a *physical object*: a museum caption, a 1970s terminal manual, a fabric label, a cheap-newsprint children's book, a concert poster, a receipt from a mid-century diner. Reject the first thing that "looks designy."
+4. Cross-check. "Elegant" is not necessarily serif. "Technical" is not necessarily sans. "Warm" is not Fraunces. If the final pick lines up with the original reflex, start over.
+
+### Reflex-reject list
+
+Training-data defaults. Ban list. Look further:
+
+Fraunces · Newsreader · Lora · Crimson · Crimson Pro · Crimson Text · Playfair Display · Cormorant · Cormorant Garamond · Syne · IBM Plex Mono · IBM Plex Sans · IBM Plex Serif · Space Mono · Space Grotesk · Inter · DM Sans · DM Serif Display · DM Serif Text · Outfit · Plus Jakarta Sans · Instrument Sans · Instrument Serif
+
+### Reflex-reject aesthetic lanes
+
+Parallel to the font list. Currently saturated aesthetic families that have flooded brand surfaces. If a brief lands in one of these lanes without a register reason that *requires* it (a literal magazine, a literal terminal, a literal industrial signage system), it's the second-order training reflex: the trap one tier deeper than picking a Fraunces font. Look further.
+
+- **Editorial-typographic.** Display serif (often italic) + small mono labels + ruled separators + monochromatic restraint. Klim-influenced, magazine-cover affectation. By 2026, every Stripe-adjacent and Notion-adjacent brand has landed here. The fingerprint: three rule-separated columns, an italic Fraunces / Recoleta / Newsreader headline, lowercase track-spaced metadata, no imagery.
+
+(More entries land here on the same cadence the font list updates. Brutalist-utility and acid-maximalism may join when they saturate. Removing entries when they fall back below saturation is also fine.)
+
+The reflex-reject lists apply to **new design choices**. When the existing brand has already committed to a font or a lane as part of its identity, identity-preservation wins; variants on an existing surface don't second-guess what's already shipping. The reflex-reject lists are for greenfield decisions and for departure-mode variants in [live.md](live.md).
+
+### Pairing and voice
+
+Distinctive + refined is the goal. The specific shape depends on the brand:
+
+- **Editorial / long-form / luxury**: display serif + sans body (a magazine shape).
+- **Tech / dev tools / fintech**: one committed sans, usually; custom-tight tracking, strong weight contrast inside a single family.
+- **Consumer / food / travel**: warmer pairings, often a humanist sans plus a script or display serif.
+- **Creative studios / agencies**: rule-breaking welcome. Mono-only, or display-only, or custom-drawn type as voice.
+
+Two families minimum is the rule *only* when the voice needs it. A single well-chosen family with committed weight/size contrast is stronger than a timid display+body pair.
+
+Vary across projects. If the last brief was a serif-display landing page, this one isn't.
+
+### Scale
+
+Modular scale, fluid `clamp()` for headings, ≥1.25 ratio between steps. Flat scales (1.1× apart) read as uncommitted.
+
+Light text on dark backgrounds: add 0.05–0.1 to line-height. Light type reads as lighter weight and needs more breathing room.
+
+## Color
+
+Brand surfaces have permission for Committed, Full palette, and Drenched strategies. Use them. A single saturated color spread across a hero is not excess; it's voice. A beige-and-muted-slate landing page ignores the register.
+
+- Name a real reference before picking a strategy. "Klim Type Foundry #ff4500 orange drench", "Stripe purple-on-white restraint", "Liquid Death acid-green full palette", "Mailchimp yellow full palette", "Condé Nast Traveler muted navy restraint", "Vercel pure black monochrome". Unnamed ambition becomes beige.
+- Palette IS voice. A calm brand and a restless brand should not share palette mechanics.
+- When the strategy is Committed or Drenched, color carries the brand. Don't hedge with neutrals around the edges. Commit.
+- Don't converge across projects. If the last brand surface was restrained-on-cream, this one is not.
+- When a cultural-symbol palette is the obvious pull, reach past it. Let the cultural reading come from typography, imagery, and copy, not the palette.
+
+## Layout
+
+- Asymmetric compositions are one option. Break the grid intentionally for emphasis.
+- Fluid spacing with `clamp()` that breathes on larger viewports. Vary for rhythm: generous separations, tight groupings.
+- Alternative: a strict, visible grid as the voice (brutalist / Swiss / tech-spec aesthetics). Either asymmetric or rigorously-gridded can be "designed"; the failure mode is splitting the difference into a generic centered stack.
+- Don't default to centering everything. Left-aligned with asymmetric layouts feels more designed; a strict grid reads as confident structure. A centered-stack hero with icon-title-subtitle cards reads as template.
+- When cards ARE the right affordance, use `grid-template-columns: repeat(auto-fit, minmax(280px, 1fr))` for breakpoint-free responsiveness.
+
+## Imagery
+
+Brand surfaces lean on imagery. A restaurant, hotel, magazine, or product landing page without any imagery reads as incomplete, not as restrained. A solid-color rectangle where a hero image should go is worse than a representative stock photo.
+
+**When the brief implies imagery (restaurants, hotels, magazines, photography, hobbyist communities, food, travel, fashion, product), you must ship imagery.** Zero images is a bug, not a design choice. "Restraint" is not an excuse. If the approved comp or brief is image-led, ship real project assets, generated raster assets, or a credible canvas/SVG/WebGL scene. Do not replace photographic, architectural, product, or place imagery with generic CSS panels, decorative diagrams, cards, bullets, or copy.
+
+- **For greenfield work without local assets, use stock imagery.** Unsplash is the default. The URL shape is `https://images.unsplash.com/photo-{id}?auto=format&fit=crop&w=1600&q=80`. **Verify the URLs before referencing them.** If you have an image-search MCP, web-fetch tool, or browser access, use it to find real photo IDs and confirm they resolve. Guessed IDs (even ones that look real) often 404 and ship as broken-image placeholders. Without a verification path, pick fewer photos you're confident exist over more that you guessed; never substitute colored `<div>` placeholders.
+- **Search for the brand's physical object**, not the generic category: "handmade pasta on a scratched wooden table" beats "Italian food"; "cypress trees above a limestone hotel facade at dusk" beats "luxury hotel".
+- **One decisive photo beats five mediocre ones.** Hero imagery should commit to a mood; padding with more stock doesn't rescue an indecisive one.
+- **Alt text is part of the voice.** "Coastal fettuccine, hand-cut, served on the terrace" beats "pasta dish".
+
+"Imagery" here is broader than stock photography: product screenshots, custom data visualizations, generated SVG, and canvas/WebGL scenes are all imagery. Text-only pages where typography alone carries the entire visual weight are the failure mode.
+
+## Motion
+
+- One well-orchestrated page-load with staggered reveals beats scattered micro-interactions, when the brand invites it. Tech-minimal brands often skip entrance motion entirely; the restraint is the voice.
+- For collapsing/expanding sections, transition `grid-template-rows` rather than `height`.
+
+## Brand bans (on top of the shared absolute bans)
+
+- Monospace as lazy shorthand for "technical / developer." If the brand isn't technical, mono reads as costume.
+- Large rounded-corner icons above every heading. Screams template.
+- Single-family pages that picked the family by reflex, not voice. (A single family chosen deliberately is fine.)
+- All-caps body copy. Reserve caps for short labels and headings.
+- Timid palettes and average layouts. Safe = invisible.
+- Zero imagery on a brief that implies imagery (restaurant, hotel, food, travel, fashion, photography, hobbyist). Colored blocks where a hero photo belongs.
+- Defaulting to editorial-magazine aesthetics (display serif + italic + drop caps + broadsheet grid) on briefs that aren't magazine-shaped. Editorial is ONE aesthetic lane, not the default brand aesthetic.
+- Repeated tiny uppercase tracked labels above every section heading. A single strong kicker can be voice; repeating it as section grammar is AI scaffolding unless it's a deliberate, named brand system.
+
+## Brand permissions
+
+Brand can afford things product can't. Take them.
+
+- Ambitious first-load motion. Reveals, scroll-triggered transitions, typographic choreography.
+- Single-purpose viewports. One dominant idea per fold, long scroll, deliberate pacing.
+- Typographic risk. Enormous display type, unexpected italic cuts, mixed cases, hand-drawn headlines, a single oversize word as a hero.
+- Unexpected color strategies. Palette IS voice; a calm brand and a restless brand should not share palette mechanics.
+- Art direction per section. Different sections can have different visual worlds if the narrative demands it. Consistency of voice beats consistency of treatment.

package/dist/builtin/workflows/skills/impeccable/reference/clarify.md

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+> **Additional context needed**: audience technical level and users' mental state in context.
+
+Find the unclear, confusing, or poorly written interface text and rewrite it. Vague copy creates support tickets and abandonment; specific copy gets users through the task.
+
+
+---
+
+## Assess Current Copy
+
+Identify what makes the text unclear or ineffective:
+
+1. **Find clarity problems**:
+   - **Jargon**: Technical terms users won't understand
+   - **Ambiguity**: Multiple interpretations possible
+   - **Passive voice**: "Your file has been uploaded" vs "We uploaded your file"
+   - **Length**: Too wordy or too terse
+   - **Assumptions**: Assuming user knowledge they don't have
+   - **Missing context**: Users don't know what to do or why
+   - **Tone mismatch**: Too formal, too casual, or inappropriate for situation
+
+2. **Understand the context**:
+   - Who's the audience? (Technical? General? First-time users?)
+   - What's the user's mental state? (Stressed during error? Confident during success?)
+   - What's the action? (What do we want users to do?)
+   - What's the constraint? (Character limits? Space limitations?)
+
+**CRITICAL**: Clear copy helps users succeed. Unclear copy creates frustration, errors, and support tickets.
+
+## Plan Copy Improvements
+
+Create a strategy for clearer communication:
+
+- **Primary message**: What's the ONE thing users need to know?
+- **Action needed**: What should users do next (if anything)?
+- **Tone**: How should this feel? (Helpful? Apologetic? Encouraging?)
+- **Constraints**: Length limits, brand voice, localization considerations
+
+**IMPORTANT**: Good UX writing is invisible. Users should understand immediately without noticing the words.
+
+## Improve Copy Systematically
+
+Refine text across these common areas:
+
+### Error Messages
+**Bad**: "Error 403: Forbidden"
+**Good**: "You don't have permission to view this page. Contact your admin for access."
+
+**Bad**: "Invalid input"
+**Good**: "Email addresses need an @ symbol. Try: name@example.com"
+
+**Principles**:
+- Explain what went wrong in plain language
+- Suggest how to fix it
+- Don't blame the user
+- Include examples when helpful
+- Link to help/support if applicable
+
+### Form Labels & Instructions
+**Bad**: "DOB (MM/DD/YYYY)"
+**Good**: "Date of birth" (with placeholder showing format)
+
+**Bad**: "Enter value here"
+**Good**: "Your email address" or "Company name"
+
+**Principles**:
+- Use clear, specific labels (not generic placeholders)
+- Show format expectations with examples
+- Explain why you're asking (when not obvious)
+- Put instructions before the field, not after
+- Keep required field indicators clear
+
+### Button & CTA Text
+**Bad**: "Click here" | "Submit" | "OK"
+**Good**: "Create account" | "Save changes" | "Got it, thanks"
+
+**Principles**:
+- Describe the action specifically
+- Use active voice (verb + noun)
+- Match user's mental model
+- Be specific ("Save" is better than "OK")
+
+### Help Text & Tooltips
+**Bad**: "This is the username field"
+**Good**: "Choose a username. You can change this later in Settings."
+
+**Principles**:
+- Add value (don't just repeat the label)
+- Answer the implicit question ("What is this?" or "Why do you need this?")
+- Keep it brief but complete
+- Link to detailed docs if needed
+
+### Empty States
+**Bad**: "No items"
+**Good**: "No projects yet. Create your first project to get started."
+
+**Principles**:
+- Explain why it's empty (if not obvious)
+- Show next action clearly
+- Make it welcoming, not dead-end
+
+### Success Messages
+**Bad**: "Success"
+**Good**: "Settings saved! Your changes will take effect immediately."
+
+**Principles**:
+- Confirm what happened
+- Explain what happens next (if relevant)
+- Be brief but complete
+- Match the user's emotional moment (celebrate big wins)
+
+### Loading States
+**Bad**: "Loading..." (for 30+ seconds)
+**Good**: "Analyzing your data... this usually takes 30-60 seconds"
+
+**Principles**:
+- Set expectations (how long?)
+- Explain what's happening (when it's not obvious)
+- Show progress when possible
+- Offer escape hatch if appropriate ("Cancel")
+
+### Confirmation Dialogs
+**Bad**: "Are you sure?"
+**Good**: "Delete 'Project Alpha'? This can't be undone."
+
+**Principles**:
+- State the specific action
+- Explain consequences (especially for destructive actions)
+- Use clear button labels ("Delete project" not "Yes")
+- Don't overuse confirmations (only for risky actions)
+
+### Navigation & Wayfinding
+**Bad**: Generic labels like "Items" | "Things" | "Stuff"
+**Good**: Specific labels like "Your projects" | "Team members" | "Settings"
+
+**Principles**:
+- Be specific and descriptive
+- Use language users understand (not internal jargon)
+- Make hierarchy clear
+- Consider information scent (breadcrumbs, current location)
+
+## Apply Clarity Principles
+
+Every piece of copy should follow these rules:
+
+1. **Be specific**: "Enter email" not "Enter value"
+2. **Be concise**: Cut unnecessary words (but don't sacrifice clarity)
+3. **Be active**: "Save changes" not "Changes will be saved"
+4. **Be human**: "Oops, something went wrong" not "System error encountered"
+5. **Tell users what to do**, not just what happened
+6. **Be consistent**: Use same terms throughout (don't vary for variety)
+
+**NEVER**:
+- Use jargon without explanation
+- Blame users ("You made an error" → "This field is required")
+- Be vague ("Something went wrong" without explanation)
+- Use passive voice unnecessarily
+- Write overly long explanations (be concise)
+- Use humor for errors (be empathetic instead)
+- Assume technical knowledge
+- Vary terminology (pick one term and stick with it)
+- Repeat information (headers restating intros, redundant explanations)
+- Use placeholders as the only labels (they disappear when users type)
+
+## Verify Improvements
+
+Test that copy improvements work:
+
+- **Comprehension**: Can users understand without context?
+- **Actionability**: Do users know what to do next?
+- **Brevity**: Is it as short as possible while remaining clear?
+- **Consistency**: Does it match terminology elsewhere?
+- **Tone**: Is it appropriate for the situation?
+
+When the copy reads cleanly, hand off to `/impeccable polish` for the final pass.

package/dist/builtin/workflows/skills/impeccable/reference/codex.md

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+# Codex: Visual Direction & Asset Production
+
+This file is loaded by `/impeccable craft` when the harness has native image generation (currently Codex via `image_gen`). Other harnesses skip it. It covers the two craft steps that depend on real image generation: landing the visual direction, and producing the raster assets the implementation will compose.
+
+Read this *before* generating any images. The order matters, and the per-step user pauses are what keep generated imagery from drifting away from the brief.
+
+### Four stop points before code
+
+Steps A through D each end with the user. Do not advance past any of them on your own read of the situation.
+
+1. **STOP after Step A questions.** Wait for answers.
+2. **STOP after Step B palette generation.** Wait for "confirm palette."
+3. **STOP after Step C mocks.** Wait for direction approval or delegation.
+4. **Only after Step D approves a direction** do you return to craft.md Step 4 and write code.
+
+Prior shape approval does **not** satisfy any of these. Shape's "confirm or override" advances you into Step A; it is not a substitute for it.
+
+## Step A: Explore Directions with the User
+
+Before generating anything, run a brief direction conversation grounded in the shape brief.
+
+**Step A is required even when shape just produced a confirmed brief.** The shape questions and Step A questions cover different ground: shape pins purpose, content, scope; Step A pins palette, atmosphere, and named visual references for the comps you're about to generate. The only time you can skip Step A is when the user has already answered these exact palette/atmosphere/reference questions in the same session.
+
+Ask **2-3 targeted questions** about visual lane, color strategy, atmosphere, and named anchor references. Don't enumerate generic menus; tie each question to the shape brief's answers. Example shape-grounded questions:
+
+- "Brief says 'editorial restraint, Klim-adjacent.' Are we closer to a quiet specimen page or a magazine-spread feel with hero imagery?"
+- "Palette strategy from shape was 'Committed.' Want it warm-grounded (deep oxblood + cream) or cool-grounded (slate + paper white)?"
+
+**STOP and wait for answers.** These pin the palette before any pixel gets generated. Do not proceed to Step B until the user has responded.
+
+## Step B: Generate the Brand Palette First
+
+Generate **one** palette artifact before any mocks. This is a small, focused image: typography pairing on the chosen background, primary + accent color swatches, one signature ornament or motif. Single image, single pass.
+
+Why palette first: mocks generated against a vague color sense produce noise that drowns out the structural decisions. A confirmed palette is the first concrete contract for everything downstream.
+
+Show the palette to the user. Ask one question: "This is the palette I'm locking in for the mocks. Confirm, or call out what to shift?"
+
+**STOP and wait for confirmation.** Do not generate mocks against an unconfirmed palette. "Probably good enough" is the wrong call here; the palette is the contract for everything downstream.
+
+## Step C: Generate 1-3 Visual Mocks Against the Palette
+
+Once the palette is confirmed, generate **1 to 3** high-fidelity north-star comps. Each mock must use the confirmed palette and typography. Mocks differ in *structural* direction (hierarchy, topology, density, composition), not in color or motif.
+
+- Brand work: push visual identity, composition, mood, and signature motifs.
+- Product work: push hierarchy, topology, density, tone, grounded in realistic product structure.
+- Landing pages and long-form brand surfaces: show enough of the second fold to establish the system beyond the hero.
+
+Use the `image_gen` tool directly (or via the imagegen skill when available). Don't ask the user to install anything.
+
+## Step D: Approval Loop
+
+Show the comps. Ask what carries forward. Iterate until **one direction is approved** or the user explicitly delegates.
+
+**STOP and wait for the approval or the delegation.** Do not begin Step E or return to craft.md Step 4 until a single direction is named. If the user delegates, pick the strongest direction and explain it from the brief, not personal taste.
+
+Before moving to assets, summarize what to carry into code and what *not* to literalize from the mock. This is the handoff between visual exploration and semantic implementation.
+
+## Step E: Mock Fidelity Inventory
+
+Inventory the approved mock's major visible ingredients. For each, decide implementation: semantic HTML/CSS/SVG, generated raster, sourced raster, icon library, canvas/WebGL, or accepted omission.
+
+Common ingredients to inventory:
+
+- Hero silhouette and dominant composition
+- Signature motifs (planets, devices, portraits, charts, route lines, insets, badges, etc.)
+- Nav and primary CTA treatment
+- Section sequence, especially the second fold
+- Image-native content the concept depends on
+- Typography, density, color/material treatment, motion cues
+
+Treat the mock as a north star, not a screenshot to trace. Don't rasterize core UI text. But if the live result lacks the mock's major ingredients, the implementation is wrong.
+
+If a photographic, architectural, product, or place-led mock becomes generic CSS scenery, decorative diagrams, bullets, or copy, stop and fix it. That's a broken implementation, not a harmless interpretation.
+
+Don't substitute a different hero composition or visual driver post-approval without user sign-off.
+
+## Step F: Asset Slicing via the Asset Producer
+
+Raster ingredients identified in Step E need clean production assets. Use the bundled `impeccable_asset_producer` subagent rather than producing inline.
+
+Spawn it as a scoped subagent. If you do not have explicit permission to use agents, stop and ask:
+
+```text
+Asset production will work better as a scoped subagent job. Should I spawn the Impeccable asset producer subagent for this step?
+```
+
+Pass to the agent:
+
+- Approved mock path or screenshot reference
+- Crop paths or a contact sheet with crop ids
+- Output directory
+- Required dimensions, format, transparency needs
+- Avoid list
+- Notes on what should remain semantic HTML/CSS/SVG instead of raster
+
+Attach image generation capability to the spawned agent when the harness supports it. Do **not** load image-generation reference material into the parent thread.
+
+Inline asset production is allowed only if the user declines subagents, the harness cannot spawn the authorized agent, or the user explicitly asks for single-thread mode.
+
+Prefer HTML/CSS/SVG/canvas when they can credibly reproduce an ingredient; reach for real, generated, or stock imagery when the mock or subject matter calls for actual visual content.
+
+## After This File
+
+Once Steps A through F are complete, return to `craft.md` Step 5 (Build to Production Quality). The implementation builds against the confirmed palette, approved mock, and the assets the producer wrote.

package/dist/builtin/workflows/skills/impeccable/reference/cognitive-load.md

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+# Cognitive Load Assessment
+
+Cognitive load is the total mental effort required to use an interface. Overloaded users make mistakes, get frustrated, and leave. This reference helps identify and fix cognitive overload.
+
+---
+
+## Three Types of Cognitive Load
+
+### Intrinsic Load: The Task Itself
+Complexity inherent to what the user is trying to do. You can't eliminate this, but you can structure it.
+
+**Manage it by**:
+- Breaking complex tasks into discrete steps
+- Providing scaffolding (templates, defaults, examples)
+- Progressive disclosure: show what's needed now, hide the rest
+- Grouping related decisions together
+
+### Extraneous Load: Bad Design
+Mental effort caused by poor design choices. **Eliminate this ruthlessly.** It's pure waste.
+
+**Common sources**:
+- Confusing navigation that requires mental mapping
+- Unclear labels that force users to guess meaning
+- Visual clutter competing for attention
+- Inconsistent patterns that prevent learning
+- Unnecessary steps between user intent and result
+
+### Germane Load: Learning Effort
+Mental effort spent building understanding. This is *good* cognitive load; it leads to mastery.
+
+**Support it by**:
+- Progressive disclosure that reveals complexity gradually
+- Consistent patterns that reward learning
+- Feedback that confirms correct understanding
+- Onboarding that teaches through action, not walls of text
+
+---
+
+## Cognitive Load Checklist
+
+Evaluate the interface against these 8 items:
+
+- [ ] **Single focus**: Can the user complete their primary task without distraction from competing elements?
+- [ ] **Chunking**: Is information presented in digestible groups (≤4 items per group)?
+- [ ] **Grouping**: Are related items visually grouped together (proximity, borders, shared background)?
+- [ ] **Visual hierarchy**: Is it immediately clear what's most important on the screen?
+- [ ] **One thing at a time**: Can the user focus on a single decision before moving to the next?
+- [ ] **Minimal choices**: Are decisions simplified (≤4 visible options at any decision point)?
+- [ ] **Working memory**: Does the user need to remember information from a previous screen to act on the current one?
+- [ ] **Progressive disclosure**: Is complexity revealed only when the user needs it?
+
+**Scoring**: Count the failed items. 0–1 failures = low cognitive load (good). 2–3 = moderate (address soon). 4+ = high cognitive load (critical fix needed).
+
+---
+
+## The Working Memory Rule
+
+**Humans can hold ≤4 items in working memory at once** (Miller's Law revised by Cowan, 2001).
+
+At any decision point, count the number of distinct options, actions, or pieces of information a user must simultaneously consider:
+- **≤4 items**: Within working memory limits, manageable
+- **5–7 items**: Pushing the boundary; consider grouping or progressive disclosure
+- **8+ items**: Overloaded; users will skip, misclick, or abandon
+
+**Practical applications**:
+- Navigation menus: ≤5 top-level items (group the rest under clear categories)
+- Form sections: ≤4 fields visible per group before a visual break
+- Action buttons: 1 primary, 1–2 secondary, group the rest in a menu
+- Dashboard widgets: ≤4 key metrics visible without scrolling
+- Pricing tiers: ≤3 options (more causes analysis paralysis)
+
+---
+
+## Common Cognitive Load Violations
+
+### 1. The Wall of Options
+**Problem**: Presenting 10+ choices at once with no hierarchy.
+**Fix**: Group into categories, highlight recommended, use progressive disclosure.
+
+### 2. The Memory Bridge
+**Problem**: User must remember info from step 1 to complete step 3.
+**Fix**: Keep relevant context visible, or repeat it where it's needed.
+
+### 3. The Hidden Navigation
+**Problem**: User must build a mental map of where things are.
+**Fix**: Always show current location (breadcrumbs, active states, progress indicators).
+
+### 4. The Jargon Barrier
+**Problem**: Technical or domain language forces translation effort.
+**Fix**: Use plain language. If domain terms are unavoidable, define them inline.
+
+### 5. The Visual Noise Floor
+**Problem**: Every element has the same visual weight; nothing stands out.
+**Fix**: Establish clear hierarchy: one primary element, 2–3 secondary, everything else muted.
+
+### 6. The Inconsistent Pattern
+**Problem**: Similar actions work differently in different places.
+**Fix**: Standardize interaction patterns. Same type of action = same type of UI.
+
+### 7. The Multi-Task Demand
+**Problem**: Interface requires processing multiple simultaneous inputs (reading + deciding + navigating).
+**Fix**: Sequence the steps. Let the user do one thing at a time.
+
+### 8. The Context Switch
+**Problem**: User must jump between screens/tabs/modals to gather info for a single decision.
+**Fix**: Co-locate the information needed for each decision. Reduce back-and-forth.

package/dist/builtin/workflows/skills/impeccable/reference/color-and-contrast.md

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+# Color & Contrast
+
+## Color Spaces: Use OKLCH
+
+**Stop using HSL.** Use OKLCH (or LCH) instead. It's perceptually uniform, meaning equal steps in lightness *look* equal, unlike HSL where 50% lightness in yellow looks bright while 50% in blue looks dark.
+
+The OKLCH function takes three components: `oklch(lightness chroma hue)` where lightness is 0-100%, chroma is roughly 0-0.4, and hue is 0-360. To build a primary color and its lighter / darker variants, hold the chroma+hue roughly constant and vary the lightness, but **reduce chroma as you approach white or black**, because high chroma at extreme lightness looks garish.
+
+The hue you pick is a brand decision and should not come from a default. Do not reach for blue (hue 250) or warm orange (hue 60) by reflex; those are the dominant AI-design defaults, not the right answer for any specific brand.
+
+## Building Functional Palettes
+
+### Tinted Neutrals
+
+**Pure gray is dead.** A neutral with zero chroma feels lifeless next to a colored brand. Add a tiny chroma value (0.005-0.015) to all your neutrals, hued toward whatever your brand color is. The chroma is small enough not to read as "tinted" consciously, but it creates subconscious cohesion between brand color and UI surfaces.
+
+The hue you tint toward should come from THIS project's brand, not from a "warm = friendly, cool = tech" formula. If your brand color is teal, your neutrals lean toward teal. If your brand color is amber, they lean toward amber. The point is cohesion with the SPECIFIC brand, not a stock palette.
+
+**Avoid** the trap of always tinting toward warm orange or always tinting toward cool blue. Those are the two laziest defaults and they create their own monoculture across projects.
+
+### Palette Structure
+
+A complete system needs:
+
+| Role | Purpose | Example |
+|------|---------|---------|
+| **Primary** | Brand, CTAs, key actions | 1 color, 3-5 shades |
+| **Neutral** | Text, backgrounds, borders | 9-11 shade scale |
+| **Semantic** | Success, error, warning, info | 4 colors, 2-3 shades each |
+| **Surface** | Cards, modals, overlays | 2-3 elevation levels |
+
+**Skip secondary/tertiary unless you need them.** Most apps work fine with one accent color. Adding more creates decision fatigue and visual noise.
+
+### The 60-30-10 Rule (Applied Correctly)
+
+This rule is about **visual weight**, not pixel count:
+
+- **60%**: Neutral backgrounds, white space, base surfaces
+- **30%**: Secondary colors: text, borders, inactive states
+- **10%**: Accent: CTAs, highlights, focus states
+
+The common mistake: using the accent color everywhere because it's "the brand color." Accent colors work *because* they're rare. Overuse kills their power.
+
+## Contrast & Accessibility
+
+### WCAG Requirements
+
+| Content Type | AA Minimum | AAA Target |
+|--------------|------------|------------|
+| Body text | 4.5:1 | 7:1 |
+| Large text (18px+ or 14px bold) | 3:1 | 4.5:1 |
+| UI components, icons | 3:1 | 4.5:1 |
+| Non-essential decorations | None | None |
+
+**The gotcha**: Placeholder text still needs 4.5:1. That light gray placeholder you see everywhere? Usually fails WCAG.
+
+### Dangerous Color Combinations
+
+These commonly fail contrast or cause readability issues:
+
+- Light gray text on white (the #1 accessibility fail)
+- **Gray text on any colored background**: gray looks washed out and dead on color. Use a darker shade of the background color, or transparency
+- Red text on green background (or vice versa): 8% of men can't distinguish these
+- Blue text on red background (vibrates visually)
+- Yellow text on white (almost always fails)
+- Thin light text on images (unpredictable contrast)
+
+### Never Use Pure Gray or Pure Black
+
+Pure gray (`oklch(50% 0 0)`) and pure black (`#000`) don't exist in nature; real shadows and surfaces always have a color cast. Even a chroma of 0.005-0.01 is enough to feel natural without being obviously tinted. (See tinted neutrals example above.)
+
+### Testing
+
+Don't trust your eyes. Use tools:
+
+- [WebAIM Contrast Checker](https://webaim.org/resources/contrastchecker/)
+- Browser DevTools → Rendering → Emulate vision deficiencies
+- [Polypane](https://polypane.app/) for real-time testing
+
+## Theming: Light & Dark Mode
+
+### Dark Mode Is Not Inverted Light Mode
+
+You can't just swap colors. Dark mode requires different design decisions:
+
+| Light Mode | Dark Mode |
+|------------|-----------|
+| Shadows for depth | Lighter surfaces for depth (no shadows) |
+| Dark text on light | Light text on dark (reduce font weight) |
+| Vibrant accents | Desaturate accents slightly |
+| White backgrounds | Never pure black; use dark gray (oklch 12-18%) |
+
+In dark mode, depth comes from surface lightness, not shadow. Build a 3-step surface scale where higher elevations are lighter (e.g. 15% / 20% / 25% lightness). Use the SAME hue and chroma as your brand color (whatever it is for THIS project; do not reach for blue) and only vary the lightness. Reduce body text weight slightly (e.g. 350 instead of 400) because light text on dark reads as heavier than dark text on light.
+
+### Token Hierarchy
+
+Use two layers: primitive tokens (`--blue-500`) and semantic tokens (`--color-primary: var(--blue-500)`). For dark mode, only redefine the semantic layer; primitives stay the same.
+
+## Alpha Is A Design Smell
+
+Heavy use of transparency (rgba, hsla) usually means an incomplete palette. Alpha creates unpredictable contrast, performance overhead, and inconsistency. Define explicit overlay colors for each context instead. Exception: focus rings and interactive states where see-through is needed.
+
+---
+
+**Avoid**: Relying on color alone to convey information. Creating palettes without clear roles for each color. Using pure black (#000) for large areas. Skipping color blindness testing (8% of men affected).