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-        him say goodbye to her according to the rituals of the Merja culture, an ancient
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-        Ki Bijlee Ka Mandola","year":2013,"mpaa_rating":"Unrated","runtime":147,"release_dates":{"theater":"2013-01-11","dvd":"2013-02-25"},"ratings":{"critics_rating":"Rotten","critics_score":33,"audience_rating":"Spilled","audience_score":48},"synopsis":"Set
-        in the rustic surroundings of a village in Haryana in India, \"Matru ki Bijlee
-        ka Mandola\" is a comedy-drama about Harry Mandola (PANKAJ KAPUR), a wealthy
-        industrialist who loves his drink, his daughter Bijlee (ANUSHKA SHARMA) and
-        the unusual bond they both share with Harry''s man friday, Matru (IMRAN KHAN).
-        Much to her father''s delight, Bijlee is all set to marry Baadal (ARYA BABBAR),
-        the son of a powerful politician Chaudhari Devi (SHABANA AZMI). This alliance
-        which is far from just being a simple union of two young people becomes the
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-        simple means and filming, This is Not a Film presents a vital political statement
-        and a snapshot of life in Iran as enemy of the state.","release_dates":{"theater":"2012-02-29","dvd":"2013-02-26"},"ratings":{"critics_rating":"Certified
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-        prison and a 20 year ban from filmmaking - Panahi is seen talking to his family
-        and lawyer on the phone, discussing his plight with Mirtahmasb and reflecting
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-        who journeys from one life to the next. He is, in turn, captain of industry,
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-        headlong into each part - but where are the cameras? Monsieur Oscar is alone,
-        accompanied only by Celine, the slender blonde woman behind the wheel of the
-        vast engine that transports him through and around Paris. He''s like a conscientious
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-        wedding, they are backpacking in the Caucasus Mountains in Georgia. The couple
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-        closed. Walking for hours, they trade anecdotes, play games to pass the time
-        of moving through space. And then, a momentary misstep, a gesture that takes
-        only two or three seconds, a gesture that''s over almost as soon as it begins.
-        But once it is done, it can''t be undone. Once it is done, it threatens to
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-        her teenage years, Chung Chun-Tao has worked as an amah - a servant - for
-        the Leung family. Known as Ah Tao, she witnessed every aspect of the family''s
-        life. Now, after 60 years of service, she is looking after Roger, who works
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-        Hong Kong. One day Roger comes home from work to find that Ah Tao has suffered
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-        quit her job and move into anursing home. Roger researches the possibilities
-        and finds her a room in an establishment run by an old friend. Ah Tao moves
-        in and begins acquainting herself with a new ''family'': the brisk but fundamentally
-        kindly supervisor Ms Choi and a motley crew of elderly residents Giving ever
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-        two embark on a gruesome killing spree, terrorizing and brutally murdering
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-        and an innocent waitress suddenly becomes involved. Now a hostage in her own
-        home, the young woman is driven to desperate measures for survival. A suspenseful,
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-'
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-  recorded_at: Wed, 20 Feb 2013 15:31:56 GMT
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