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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html lang="en">
+<head>
+<meta http-equiv="Content-Type"
+    content="text/html; charset=us-ascii">
+<title>
+    A Laodicean: a Story of To-day,
+    by Thomas Hardy
+</title>
+<style type="text/css">
+    <!--
+		body { text-align:justify}
+    P { margin:10%;
+		    text-indent:   1em;
+        margin-top:    .75em;
+        margin-bottom: .75em; }
+    H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+		hr  { width: 50%; }
+    hr.full { width: 100%; }
+    .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+		img {border: 0;}
+    HR  { width: 33%; text-align: center; }
+		blockquote {font-size: 97%; margin-left: 20%; margin-right: 20%;}
+		.pagenum  { /* uncomment the next line for invisible page numbers */
+            /*  visibility: hidden;  */
+                position: absolute;
+                left: 1%;
+                font-size: smaller;
+                text-align: left;
+                color: gray;
+              } /* page numbers */
+		.figleft   {float: left; margin-left: 10%; margin-right: 1%;}
+    .figright  {float: right; margin-right: 10%; margin-left: 1%;}
+		.mynote    {background-color: #DDE; color: #000; padding: .5em;
+                margin: 15%; font-family: sans-serif; font-size: 95%;}
+		.toc       { margin-left: 5%; margin-bottom: .75em; font-size: 80%;}
+    .toc2      { margin-left: 5%;}
+    CENTER { padding: 10px;}
+		PRE    { font-style: italic; font-size: 90%; margin-left: 20%;}
+    // -->
+</style>
+</head>
+<body>
+<pre>
+The Project Gutenberg EBook of A Laodicean, by Thomas Hardy
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+Title: A Laodicean
+Author: Thomas Hardy
+Release Date: February 9, 2009 [EBook #3258]
+Language: English
+Character set encoding: ASCII
+*** START OF THIS PROJECT GUTENBERG EBOOK A LAODICEAN ***
+Produced by Les Bowler, and David Widger
+</pre>
+<br><br>
+<h1>
+    A LAODICEAN: A STORY OF TO-DAY
+</h1><br>
+<h2>
+By Thomas Hardy
+</h2>
+<br>
+<br>
+<hr>
+<br>
+<br>
+<h2>Contents</h2>
+<center><a href="#2H_PREF">
+PREFACE.
+</a></center>
+<center>
+<table summary="">
+<tr><td>
+ <a href="#2H_4_0002">
+BOOK THE FIRST. </a></td><td>GEORGE SOMERSET.
+</td></tr><tr><td>
+ <a href="#2H_4_0003">
+BOOK THE SECOND. </a></td><td>DARE AND HAVILL.
+</td></tr><tr><td>
+ <a href="#2H_4_0004">
+BOOK THE THIRD. </a></td><td>DE STANCY.
+</td></tr><tr><td>
+ <a href="#2H_4_0005">
+BOOK THE FOURTH. &nbsp;&nbsp;</a></td><td>SOMERSET, DARE AND DE STANCY.
+</td></tr><tr><td>
+ <a href="#2H_4_0006">
+BOOK THE FIFTH. </a></td><td>DE STANCY AND PAULA.
+</td></tr><tr><td>
+ <a href="#2H_4_0007">
+BOOK THE SIXTH. </a></td><td>PAULA.
+</td></tr><tr><td>
+</table>
+</center>
+<br>
+<br>
+<hr>
+<br>
+<br>
+<a name="2H_PREF"><!-- H2 anchor --></a>
+<div style="height: 4em;"><br><br><br><br></div>
+<h2>
+    PREFACE.
+</h2>
+<p>
+The changing of the old order in country manors and mansions may be
+slow or sudden, may have many issues romantic or otherwise, its romantic
+issues being not necessarily restricted to a change back to the original
+order; though this admissible instance appears to have been the only
+romance formerly recognized by novelists as possible in the case.
+Whether the following production be a picture of other possibilities or
+not, its incidents may be taken to be fairly well supported by evidence
+every day forthcoming in most counties.
+</p>
+<p>
+The writing of the tale was rendered memorable to two persons, at least,
+by a tedious illness of five months that laid hold of the author soon
+after the story was begun in a well-known magazine; during which
+period the narrative had to be strenuously continued by dictation to a
+predetermined cheerful ending.
+</p>
+<p>
+As some of these novels of Wessex life address themselves more
+especially to readers into whose souls the iron has entered, and whose
+years have less pleasure in them now than heretofore, so "A Laodicean"
+may perhaps help to while away an idle afternoon of the comfortable ones
+whose lines have fallen to them in pleasant places; above all, of that
+large and happy section of the reading public which has not yet reached
+ripeness of years; those to whom marriage is the pilgrim's Eternal City,
+and not a milestone on the way. T.H.
+</p>
+<p>
+January 1896.
+</p>
+<a name="2H_4_0002"><!-- H2 anchor --></a>
+<div style="height: 4em;"><br><br><br><br></div>
+<h2>
+    BOOK THE FIRST. GEORGE SOMERSET.
+</h2>
+<center>
+I.
+</center>
+<p>
+The sun blazed down and down, till it was within half-an-hour of its
+setting; but the sketcher still lingered at his occupation of measuring
+and copying the chevroned doorway&mdash;a bold and quaint example of a
+transitional style of architecture, which formed the tower entrance to
+an English village church. The graveyard being quite open on its western
+side, the tweed-clad figure of the young draughtsman, and the tall mass
+of antique masonry which rose above him to a battlemented parapet,
+were fired to a great brightness by the solar rays, that crossed the
+neighbouring mead like a warp of gold threads, in whose mazes groups of
+equally lustrous gnats danced and wailed incessantly.
+</p>
+<p>
+He was so absorbed in his pursuit that he did not mark the brilliant
+chromatic effect of which he composed the central feature, till it was
+brought home to his intelligence by the warmth of the moulded stonework
+under his touch when measuring; which led him at length to turn his head
+and gaze on its cause.
+</p>
+<p>
+There are few in whom the sight of a sunset does not beget as much
+meditative melancholy as contemplative pleasure, the human decline and
+death that it illustrates being too obvious to escape the notice of
+the simplest observer. The sketcher, as if he had been brought to this
+reflection many hundreds of times before by the same spectacle, showed
+that he did not wish to pursue it just now, by turning away his face
+after a few moments, to resume his architectural studies.
+</p>
+<p>
+'I can assure you, you need not be alarmed, madam,' said Havill. 'The
+chief constable is here, and the two town engines, and I am doing all I
+can. The castle engine unfortunately is out of repair.'
+</p>
+<p>
+Somerset and Paula then went on to another point of view near the
+gymnasium, where they could not be seen by the crowd. Three-quarters of
+a mile off, on their left hand, the powerful irradiation fell upon the
+brick chapel in which Somerset had first seen the woman who now
+stood beside him as his wife. It was the only object visible in that
+direction, the dull hills and trees behind failing to catch the light.
+She significantly pointed it out to Somerset, who knew her meaning, and
+they turned again to the more serious matter.
+</p>
+<p>
+It had long been apparent that in the face of such a wind all the pigmy
+appliances that the populace could bring to act upon such a mass of
+combustion would be unavailing. As much as could burn that night was
+burnt, while some of that which would not burn crumbled and fell as
+a formless heap, whence new flames towered up, and inclined to the
+north-east so far as to singe the trees of the park. The thicker walls
+of Norman date remained unmoved, partly because of their thickness, and
+partly because in them stone vaults took the place of wood floors.
+</p>
+<p>
+The tower clock kept manfully going till it had struck one, its face
+smiling out from the smoke as if nothing were the matter, after which
+hour something fell down inside, and it went no more.
+</p>
+<p>
+Cunningham Haze, with his body of men, was devoted in his attention, and
+came up to say a word to our two spectators from time to time. Towards
+four o'clock the flames diminished, and feeling thoroughly weary,
+Somerset and Paula remained no longer, returning to Markton as they had
+come.
+</p>
+<p>
+On their journey they pondered and discussed what course it would be
+best to pursue in the circumstances, gradually deciding not to attempt
+rebuilding the castle unless they were absolutely compelled. True,
+the main walls were still standing as firmly as ever; but there was
+a feeling common to both of them that it would be well to make an
+opportunity of a misfortune, and leaving the edifice in ruins start
+their married life in a mansion of independent construction hard by the
+old one, unencumbered with the ghosts of an unfortunate line.
+</p>
+<p>
+'We will build a new house from the ground, eclectic in style. We will
+remove the ashes, charred wood, and so on from the ruin, and plant more
+ivy. The winter rains will soon wash the unsightly smoke from the walls,
+and Stancy Castle will be beautiful in its decay. You, Paula, will be
+yourself again, and recover, if you have not already, from the warp
+given to your mind (according to Woodwell) by the mediaevalism of that
+place.'
+</p>
+<p>
+'And be a perfect representative of "the modern spirit"?' she inquired;
+'representing neither the senses and understanding, nor the heart and
+imagination; but what a finished writer calls "the imaginative reason"?'
+</p>
+<p>
+'Yes; for since it is rather in your line you may as well keep straight
+on.'
+</p>
+<p>
+'Very well, I'll keep straight on; and we'll build a new house beside
+the ruin, and show the modern spirit for evermore.... But, George, I
+wish&mdash;' And Paula repressed a sigh.
+</p>
+<p>
+'Well?'
+</p>
+<p>
+'I wish my castle wasn't burnt; and I wish you were a De Stancy!'
+</p>
+<br><br><br><br>
+<pre class="gutlic">
+End of the Project Gutenberg EBook of A Laodicean, by Thomas Hardy
+*** END OF THIS PROJECT GUTENBERG EBOOK A LAODICEAN ***
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+</pre>
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