vintage-frames 0.8.0 → 0.9.0

package/custom-elements.json

@@ -5110,11 +5110,11 @@
       "declarations": [
         {
           "kind": "class",
-          "description": "`<vf-icon>` — a Finder icon: pixel art in a reserved cell with its name on a\nplate below, selectable, movable and renameable in place.\n\nIt is the one composite in the kit whose parts already existed separately —\n`vf-img` draws the art, `vf-list-item` inverts on selection, `vf-window`\ndrags — and the reason to have it anyway is that the *icon* is the unit the\nFinder actually manipulates. A picture and a caption that select together,\nmove together and rename together is a control, not a layout.\n\n### The art arrives by slot\n\nTwo slots, one per resource size — `large` is the 32×32 `ICN#` and `small`\nthe 16×16 `ics#` — each holding a `vf-img` around the consumer's own `<img>`:\n\n```html\n<vf-icon label=\"Macintosh HD\" selectable movable editable>\n  <vf-img slot=\"large\"><img src=\"hd-32.png\" alt=\"\"></vf-img>\n  <vf-img slot=\"small\"><img src=\"hd-16.png\" alt=\"\"></vf-img>\n</vf-icon>\n```\n\nSlots rather than `src` properties, for the reason `vf-img` exists at all:\nthe kit ships no raster files and never builds an `<img>` on a consumer's\nbehalf, so the graphic stays a real element in the light DOM with its own\n`alt`, `srcset`, loading behavior and asset URLs. A `src` string can express\nnone of that, and it could not hold an inline `<svg>` or a `<canvas>` either.\n`vf-list-item`'s `icon` slot makes the same trade.\n\nThe cost is that both files fetch even though one paints — pay it with two\ndata URIs, or slot only the size that view uses.\n\n### The cell is reserved, the art is registered in it\n\n`size` picks which slot paints *and* the cell it paints in: 32×32 or 16×16,\nheld whether or not there is art for it. A folder is 32×20 of ink and a\ndocument 25×32, and a row of them keeps one baseline only because the cell —\nnot the ink — is the unit, which is what an icon resource always was.\n\n### Everything centered lands on a whole pixel, by parity\n\nThe frame centers two things over one axis — the art cell and the name — and\na centered child sits at `(box − child) / 2`. That is a whole number exactly\nwhen the box and the child have the **same parity**. Half a system pixel is\nwhat fringes 1-bit art: the glyph stems smear across two device columns and\ngo gray, while the plate behind them stays sharp, because backgrounds are\npixel-snapped by the compositor and glyphs are not. A crisp plate under a\ngrey name is the signature of exactly this.\n\nSo the component makes the parities agree instead of correcting afterwards.\nThe cell is 32 or 16, and #measurePlate sizes the name plate to a\nwhole **even** number of system px — measured from the text, rounded up. Both\nchildren are then even, and so is every offset, at every display density and\nwhether or not a `width` is declared. Nothing is snapped, nothing leans on\nthe rasterizer, and `verify:icon` asserts both the geometry and that a field\nof names renders without a single gray pixel — with the kit's normal\nantialiasing left on, since a run on whole pixels gives it nothing to smooth.\n\nYour side of it is one rule: **a declared `width` must be even**, since the\ncomponent cannot round a number you chose. Supply art at the cell size too —\nwhich \"one image pixel is one system pixel\" already implies — because art\ndiffering from its cell by an odd number centers the same way.\n\n### Selection inverts, because the art is a 1-bit mask\n\nA System 7 icon is black ink and opaque white on a transparent surround —\nprecisely an image plus its mask — so inverting it flips ink and fill and\nleaves the surround alone, which is the whole of the classic selected\nappearance. `filter: invert(1)` reproduces it exactly for 1-bit art. Color\nart would invert into a photographic negative, which was never what\nSystem 7 showed: declare `color` and selection **darkens** the art\ninstead — Icon Utilities' ttSelected transform, every color blended\nhalfway toward black (`brightness(0.5)`), whites going gray, the\ntransparent surround still untouched. The declaration is the consumer's\nbecause the component cannot tell color art from a mask by looking at a\nslotted image. It covers whatever the cell shows, the derived open ghost\nincluded, so a color icon has one selected treatment open or closed. The\nlabel plate inverts to the `--vf-highlight` pair either way, sharing one\nselection color with `vf-list-item` — the selected name was inverted\nwhatever the art.\n\n### Open is derived, not shipped\n\nWith `open`, the art redraws as the Finder's open ghost: the outline held\nin solid black, the interior re-filled with the kit's loose 25% dither (the\nscrollbar trough's lattice), the transparent surround untouched. There is\nno second raster and no second fetch — the same alpha channel that makes\nselection an inversion makes the ghost derivable, and `src/open-art.ts`\nderives it from the slotted art by canvas compositing alone. No pixels are\never read back, so a cross-origin image that taints its canvas still works:\ntaint forbids reading, not drawing or displaying.\n\nThe ghost keeps the shape selection expects — ink and opaque white on a\ntransparent surround — so a selected open icon inverts exactly as a closed\none does, with no second treatment. The slot stays in the tree while the\nghost paints, hidden (it is where the art loads, and re-loads, from), and\nart the pipeline cannot draw — nothing slotted yet, a failed load, an\ninline `<svg>` — keeps rendering as itself rather than vanishing behind a\nstate it cannot show.\n\n### `movable`, not `draggable`\n\n`draggable` is a global HTML attribute *and* an `HTMLElement` accessor, so\ndeclaring it would both shadow a platform member and hand the element to the\nbrowser's own drag-and-drop machinery. This is the `align` trap from\n`vf-stack` in a second costume — `align`, `hidden`, `dir`, `draggable` and\n`title` all carry behavior a custom element never asked for. The kit already\nspells this parameter `movable` on `vf-window`, so the icon does too, and it\nmoves the same way: `DragController` tracks the gesture and\n`PlacementController` writes the result into `left`/`top` in whole system px,\nthe art's own unit — the same pair markup places an icon with, so a moved\nicon is still where it was dropped after a zoom.\n\nDragging is a pointer gesture with no keyboard equivalent, which is the kind\nof gap the kit closes rather than inherits (SPEC §1): a focused movable icon\nalso moves under the arrow keys, one system px at a time and eight with\nShift. Focus is what `selectable` grants, so the keyboard half of `movable`\nand `editable` presupposes it — see the role section below.\n\n### The drag is an outline; the icon stays put\n\nThe Finder dragged an icon as a dotted outline — the mask's boundary and\nthe name's rectangle — drawn over everything with the XOR pen, the icon\nitself staying put until the drop. The kit draws it from what it already\nhas: deriveDragOutline finds the ring the way the open ghost does\n(the silhouette from the art's alpha, eroded by one pixel, the ring the\nerosion removes), adds the plate's rectangle, and dotOutline dots\nit against a 2×2 checker — compositing only, so cross-origin art derives\ntoo, and art the pipeline cannot draw falls back to the cell's rectangle.\nThe canvas paints with the cursor's XOR recipe, `filter: invert(1)` under\n`mix-blend-mode: difference`: a dotted black line over a white window\nbody, and over the desktop dither a black line, the composition\nQuickDraw's pattern pen gave — the checker's phase is taken from where\nthe outline lands on the *screen* (penPhase), so its dots fall on\nthe pixels the dither leaves white wherever it goes, and the dither's own\nink fills in between them.\n\nIt draws on the desktop's drag surface: a layer in the screen's shadow,\nover windows, palettes and the menu bar alike, clipped at the raster's\nedge like everything else, reached through the `vf-drag-surface-request`\nhandshake (bubbles, non-composed — it travels up the slots the icon is\nassigned to, so it works from inside a window body). With no desktop the\ncanvas lives in the icon's own frame instead, translated by the delta,\nclipped by whatever clips the icon; the gesture and its events are the\nsame either way. Its origin is a whole count of system px from the\nsurface's, written as a live `sysLength()`, so a scale change mid-gesture\ncannot smear it.\n\n### The drag reports, the page files\n\nThe kit ships no filing semantics — folders are the page's own catalog —\nso a drag is a stream of events and a cancelable commit, on the icon:\n\n- `vf-drag-start` `{ left, top }` on the first lattice step away from the\n  press (a plain click never starts one, and never fires a drop);\n- `vf-drag` `{ clientX, clientY, left, top, x, y }` on every step that\n  changed the snapped proposal;\n- `vf-drop`, the same shape at the release, **cancelable**: its default\n  action is the move, the proposal written through `left`/`top` and\n  clamped whole in the container measured at the press. `preventDefault()`\n  writes nothing — the page re-parents or places the icon itself, the\n  outline's origin converted with the destination's `placementAt`;\n- `vf-drag-cancel` `{}` on Escape or a `pointercancel`: nothing written.\n\n`left`/`top` in the detail are the *proposal*, unclamped — the origin plus\nthe lattice-snapped delta — and only the default action clamps, so a page\nthat cancels gets the raw gesture. `x`/`y` are the outline's top-left in\nviewport CSS px: the frame's box at the press translated by the delta,\nthe press offset already inside it, so an icon placed at the\ndestination's `placementAt(x, y)` lands exactly where the outline was.\n\n### The selection travels\n\nA drag that begins on a *selected* icon takes every other selected,\nmovable icon of its field with it — the Finder outlined the whole\nselection under a drag on any member. Each follower draws its own outline\n(followDrag), moved by the same lattice delta as the leader's, and\nthe leader's events carry the set as `detail.icons`, itself first. The\ndefault action of the drop clamps the delta once for the whole group —\nthe arrangement is kept, and the group stops when its outermost member\nmeets the container's edge — then writes each member's origin plus that\ndelta. A cancel takes every outline down and writes nothing. A press on\nan unselected icon makes it the selection first (the outside listeners\nclear the others), so it drags alone; a Shift press that deselects the\npressed icon drags it alone too, the rest staying where they are.\n\nFor the selection to travel, a plain press on one of its members must not\ncollapse it: the other icons' outside-press listeners leave a selection\nalone when the press landed on an icon already selected in the same\nfield. A *click* on such an icon — released with no drag — collapses the\nselection to it on the release, so a click still single-selects and the\nsame press could have dragged them all.\n\nEscape is heard by a document listener scoped to the gesture rather than\nby the icon's own key handler, because a `movable`-only icon never takes\nfocus — an addition in the kit's idiom (a pointer-only gesture with no way\nout is the kind of gap SPEC §1 closes), not a claim about the Finder.\n\n`target` is the destination highlight the page sets on the folder under a\ndrag: the selected treatment of the art alone — inverted, or darkened\nunder `color` — with none of `selected`'s semantics: no event, no outside\nlistener, no `aria-selected`, the plate untouched.\n\nOpening gets the same treatment. The double-click is the pointer gesture,\nand its keyboard route is ⌘O / ⌘↓ — the System 7 Open shortcuts, with Ctrl\nstanding in for ⌘ off the Mac. Return is deliberately not one of them: the\nFinder's Return renamed, never opened, so on an editable icon it starts the\nedit and on a non-editable one it does nothing at all.\n\n### The name and the art are one target, and the second click decides\n\nA double-click opens the icon *wherever it lands* — the name is as much the\nicon as the picture is, and the Finder never made you aim at the 32 pixels of\nart. But the name is also where a single click renames, so the two gestures\nbegin with the same press and only the second one tells them apart.\n\nSo the rename waits for it. A press on the plate of an already-selected icon\narms the field rather than opening it, and the next press inside\nRENAME_DELAY_MS calls it off — leaving the double-click to open, with\nno rename box flashing up behind it. Nothing needs to *undo* an edit that\nbegan: the press that starts one and the press that opens are the same\npress, so the only thing that can be got right is not committing early.\n\nThe window is generous in the one direction that is cheap. Reading a lone\nclick as a pair costs a wait before the box appears; reading a pair as a lone\nclick renames when the user asked to open. The same reasoning covers a press\nthat turns into a drag, a press elsewhere, and any key — each calls the\npending rename off, because none of them is the click it is waiting for.\n\n### An icon alone is a picture; an icon in a field is an option\n\n`role=\"option\"` is only meaningful inside a `listbox` that owns it. Written\nunconditionally it is not merely untidy — the browser *drops* it, and\n`aria-selected` with it, so a `selectable` icon announced as a bare generic\nand its selection state reached assistive tech nowhere at all.\n\nSo the role follows the container. Owned, the icon is an `option` that names\nitself from its plate and publishes `aria-selected`. Unowned, it degrades to\n`role=\"img\"` with a name — the same vocabulary the derived open ghost uses,\nand true of what it is. Deliberately not `button`: that would promise Enter\nand Space activate, and here Return *renames* while the open route is ⌘O / ⌘↓.\n\nThe owner is `vf-icon-field`, the container a field of icons sits in, and\nit is what buys the selection state back:\n\n```html\n<vf-icon-field label=\"Desktop\">\n  <vf-icon label=\"Macintosh HD\" selectable movable editable>…</vf-icon>\n  <vf-icon label=\"Trash\" selectable movable editable>…</vf-icon>\n</vf-icon-field>\n```\n\nA `vf-desktop` cannot be that container itself: it also holds windows and a\nmenu bar, and a non-`option` child of a listbox is invalid the same way the\norphaned option was. The field is layout-neutral — placed icons anchor to\nthe nearest *positioned* ancestor, which is still the desktop's raster. An\nelement of your own carrying `role=\"listbox\"` still owns an icon the same\nway. One divergence from the APG listbox is deliberate: its options share\na single roving tab stop, while these stay one stop each, the way a Finder\nicon is reached on its own.\n\n**`selectable` is what makes an icon focusable**, and `movable`/`editable`\npresuppose it. That is the Finder's own model — you cannot move or rename\nwhat you have not selected — and the pointer path already assumed it: the\nrename opens on a press on the plate of an *already-selected* icon. A\n`movable`-only icon is a picture you can drag, not a widget.\n\n### The label is a property, because it is editable\n\nThe caption is `label` rather than slotted content: renaming means the\ncomponent owns the string and hands it back on `vf-change`, and it cannot own\ntext that lives in the consumer's DOM. An empty `label` draws no plate at\nall — that *is* the \"no label\" parameter, in preference to a second attribute\nthat could disagree with it. `editable` then lets a click on the plate of an\nalready-selected icon open the rename box a moment later, as the Finder's\ndoes (see above), with Return committing, Escape reverting, and the plate\nwidening as you type.\n\n### A name is never abbreviated, and never folded\n\nThere is no ellipsis, no clipping and no wrapping: one line, always. System 7\nsolved the long-name problem at the *other* end — HFS capped a filename at 31\ncharacters — so the Finder could afford to always draw the name in full, and\ndid. A name wider than its cell simply overflows it, centered, the way a name\nwider than a 32-pixel icon always did.\n\nStaying on one line is also what keeps the name on the grid: a single run has\na single measured width, so the even-plate rule above is one number rather\nthan one per line, each with its own parity. `width` is therefore the cell —\nthe grid pitch — not a bound on the name.\n\n`maxlength` (31) bounds the rename field rather than the `label` property:\nthe name belongs to the consumer's model, and truncating one handed to us\nwould lose data.\n\nThe box hugs its text while you type it, not only once you are done, which is\nwhat keeps the name from moving when the edit commits: the plate is the same\nwidth either side of it, so the glyphs stay exactly where they were.\n\nA file also has to be called *something*, so a rename committed empty — or\nas nothing but spaces — is refused rather than applied, and the previous name\ncomes back, which is what System 7 did. An empty `label` is still a perfectly\ngood state to *start* in, though: a freshly made icon has no name until it is\ngiven one. Such an icon draws no plate but stays selectable, focusable and\nrenameable — Return opens a field, and an edit with nothing in it yet is the\none time the box stops hugging and reserves a cell's width, since a field you\ncannot see is one you cannot type into.",
+          "description": "`<vf-icon>` — a Finder icon: pixel art in a reserved cell with its name on a\nplate below, selectable, movable and renameable in place.\n\nIt is the one composite in the kit whose parts already existed separately —\n`vf-img` draws the art, `vf-list-item` inverts on selection, `vf-window`\ndrags — and the reason to have it anyway is that the *icon* is the unit the\nFinder actually manipulates. A picture and a caption that select together,\nmove together and rename together is a control, not a layout.\n\n### The art arrives by slot\n\nTwo slots, one per resource size — `large` is the 32×32 `ICN#` and `small`\nthe 16×16 `ics#` — each holding a `vf-img` around the consumer's own `<img>`:\n\n```html\n<vf-icon label=\"Macintosh HD\" selectable movable editable>\n  <vf-img slot=\"large\"><img src=\"hd-32.png\" alt=\"\"></vf-img>\n  <vf-img slot=\"small\"><img src=\"hd-16.png\" alt=\"\"></vf-img>\n</vf-icon>\n```\n\nSlots rather than `src` properties, for the reason `vf-img` exists at all:\nthe kit ships no raster files and never builds an `<img>` on a consumer's\nbehalf, so the graphic stays a real element in the light DOM with its own\n`alt`, `srcset`, loading behavior and asset URLs. A `src` string can express\nnone of that, and it could not hold an inline `<svg>` or a `<canvas>` either.\n`vf-list-item`'s `icon` slot makes the same trade.\n\nThe cost is that both files fetch even though one paints — pay it with two\ndata URIs, or slot only the size that view uses.\n\n### The cell is reserved, the art is registered in it\n\n`size` picks which slot paints *and* the cell it paints in: 32×32 or 16×16,\nheld whether or not there is art for it. A folder is 32×20 of ink and a\ndocument 25×32, and a row of them keeps one baseline only because the cell —\nnot the ink — is the unit, which is what an icon resource always was.\n\n### Everything centered lands on a whole pixel, by parity\n\nThe frame centers two things over one axis — the art cell and the name — and\na centered child sits at `(box − child) / 2`. That is a whole number exactly\nwhen the box and the child have the **same parity**. Half a system pixel is\nwhat fringes 1-bit art: the glyph stems smear across two device columns and\ngo gray, while the plate behind them stays sharp, because backgrounds are\npixel-snapped by the compositor and glyphs are not. A crisp plate under a\ngrey name is the signature of exactly this.\n\nSo the component makes the parities agree instead of correcting afterwards.\nThe cell is 32 or 16, and #measurePlate sizes the name plate to a\nwhole **even** number of system px — measured from the text, rounded up. Both\nchildren are then even, and so is every offset, at every display density and\nwhether or not a `width` is declared. Nothing is snapped, nothing leans on\nthe rasterizer, and `verify:icon` asserts both the geometry and that a field\nof names renders without a single gray pixel — with the kit's normal\nantialiasing left on, since a run on whole pixels gives it nothing to smooth.\n\nYour side of it is one rule: **a declared `width` must be even**, since the\ncomponent cannot round a number you chose. Supply art at the cell size too —\nwhich \"one image pixel is one system pixel\" already implies — because art\ndiffering from its cell by an odd number centers the same way.\n\n### Selection inverts, because the art is a 1-bit mask\n\nA System 7 icon is black ink and opaque white on a transparent surround —\nprecisely an image plus its mask — so inverting it flips ink and fill and\nleaves the surround alone, which is the whole of the classic selected\nappearance. `filter: invert(1)` reproduces it exactly for 1-bit art. Color\nart would invert into a photographic negative, which was never what\nSystem 7 showed: declare `color` and selection **darkens** the art\ninstead — Icon Utilities' ttSelected transform, every color blended\nhalfway toward black (`brightness(0.5)`), whites going gray, the\ntransparent surround still untouched. The declaration is the consumer's\nbecause the component cannot tell color art from a mask by looking at a\nslotted image. It covers whatever the cell shows, the derived open ghost\nincluded, so a color icon has one selected treatment open or closed. The\nlabel plate inverts to the `--vf-highlight` pair either way, sharing one\nselection color with `vf-list-item` — the selected name was inverted\nwhatever the art.\n\n### Open is derived, not shipped\n\nWith `open`, the art redraws as the Finder's open ghost: the outline held\nin solid black, the interior re-filled with the kit's loose 25% dither (the\nscrollbar trough's lattice), the transparent surround untouched. There is\nno second raster and no second fetch — the same alpha channel that makes\nselection an inversion makes the ghost derivable, and `src/open-art.ts`\nderives it from the slotted art by canvas compositing alone. No pixels are\never read back, so a cross-origin image that taints its canvas still works:\ntaint forbids reading, not drawing or displaying.\n\nThe ghost keeps the shape selection expects — ink and opaque white on a\ntransparent surround — so a selected open icon inverts exactly as a closed\none does, with no second treatment. The slot stays in the tree while the\nghost paints, hidden (it is where the art loads, and re-loads, from), and\nart the pipeline cannot draw — nothing slotted yet, a failed load, an\ninline `<svg>` — keeps rendering as itself rather than vanishing behind a\nstate it cannot show.\n\n### `movable`, not `draggable`\n\n`draggable` is a global HTML attribute *and* an `HTMLElement` accessor, so\ndeclaring it would both shadow a platform member and hand the element to the\nbrowser's own drag-and-drop machinery. This is the `align` trap from\n`vf-stack` in a second costume — `align`, `hidden`, `dir`, `draggable` and\n`title` all carry behavior a custom element never asked for. The kit already\nspells this parameter `movable` on `vf-window`, so the icon does too, and it\nmoves the same way: `DragController` tracks the gesture and\n`PlacementController` writes the result into `left`/`top` in whole system px,\nthe art's own unit — the same pair markup places an icon with, so a moved\nicon is still where it was dropped after a zoom.\n\nDragging is a pointer gesture with no keyboard equivalent, which is the kind\nof gap the kit closes rather than inherits (SPEC §1): a focused movable icon\nalso moves under the arrow keys, one system px at a time and eight with\nShift. Focus is what `selectable` grants, so the keyboard half of `movable`\nand `editable` presupposes it — see the role section below.\n\n### The drag is an outline; the icon stays put\n\nThe Finder dragged an icon as a dotted outline — the mask's boundary and\nthe name's rectangle — drawn over everything with the XOR pen, the icon\nitself staying put until the drop. The kit draws it from what it already\nhas: deriveDragOutline finds the ring the way the open ghost does\n(the silhouette from the art's alpha, the plate's rectangle united with\nit, the whole inset by one pixel as `FrameRgn` inset a region, the ring\nthe inset removes — so where the art and the plate abut, the outline\nwraps around both), and dotOutline dots it against a 2×2 checker\n— compositing only, so cross-origin art derives too, and art the\npipeline cannot draw falls back to the cell's rectangle. The canvas\ncovers the frame widened to the plate, since a name wider than a\ndeclared `width` overhangs the frame.\nThe canvas paints with the cursor's XOR recipe, `filter: invert(1)` under\n`mix-blend-mode: difference`: a dotted black line over a white window\nbody, and over the desktop dither a black line, the composition\nQuickDraw's pattern pen gave — the checker's phase is taken from where\nthe outline lands on the *screen* (penPhase), so its dots fall on\nthe pixels the dither leaves white wherever it goes, and the dither's own\nink fills in between them.\n\nIt draws on the desktop's drag surface: a layer in the screen's shadow,\nover windows, palettes and the menu bar alike, clipped at the raster's\nedge like everything else, reached through the `vf-drag-surface-request`\nhandshake (bubbles, non-composed — it travels up the slots the icon is\nassigned to, so it works from inside a window body). With no desktop the\ncanvas lives in the icon's own frame instead, translated by the delta,\nclipped by whatever clips the icon; the gesture and its events are the\nsame either way. Its origin is a whole count of system px from the\nsurface's, written as a live `sysLength()`, so a scale change mid-gesture\ncannot smear it.\n\n### The drag reports, the page files\n\nThe kit ships no filing semantics — folders are the page's own catalog —\nso a drag is a stream of events and a cancelable commit, on the icon:\n\n- `vf-drag-start` `{ left, top }` on the first lattice step away from the\n  press (a plain click never starts one, and never fires a drop);\n- `vf-drag` `{ clientX, clientY, left, top, x, y }` on every step that\n  changed the snapped proposal;\n- `vf-drop`, the same shape at the release, **cancelable**: its default\n  action is the move, the proposal written through `left`/`top` and\n  clamped whole in the container measured at the press. `preventDefault()`\n  writes nothing — the page re-parents or places the icon itself, the\n  outline's origin converted with the destination's `placementAt`;\n- `vf-drag-cancel` `{}` on Escape or a `pointercancel`: nothing written.\n\n`left`/`top` in the detail are the *proposal*, unclamped — the origin plus\nthe lattice-snapped delta — and only the default action clamps, so a page\nthat cancels gets the raw gesture. `x`/`y` are the outline's top-left in\nviewport CSS px: the frame's box at the press translated by the delta,\nthe press offset already inside it, so an icon placed at the\ndestination's `placementAt(x, y)` lands exactly where the outline was.\n\n### The selection travels\n\nA drag that begins on a *selected* icon takes every other selected,\nmovable icon of its field with it — the Finder outlined the whole\nselection under a drag on any member. Each follower draws its own outline\n(followDrag), moved by the same lattice delta as the leader's, and\nthe leader's events carry the set as `detail.icons`, itself first. The\ndefault action of the drop clamps the delta once for the whole group —\nthe arrangement is kept, and the group stops when its outermost member\nmeets the container's edge — then writes each member's origin plus that\ndelta. A cancel takes every outline down and writes nothing. A press on\nan unselected icon makes it the selection first (the outside listeners\nclear the others), so it drags alone; a Shift press that deselects the\npressed icon drags it alone too, the rest staying where they are.\n\nFor the selection to travel, a plain press on one of its members must not\ncollapse it: the other icons' outside-press listeners leave a selection\nalone when the press landed on an icon already selected in the same\nfield. A *click* on such an icon — released with no drag — collapses the\nselection to it on the release, so a click still single-selects and the\nsame press could have dragged them all.\n\nEscape is heard by a document listener scoped to the gesture rather than\nby the icon's own key handler, because a `movable`-only icon never takes\nfocus — an addition in the kit's idiom (a pointer-only gesture with no way\nout is the kind of gap SPEC §1 closes), not a claim about the Finder.\n\n`target` is the destination highlight the page sets on the folder under a\ndrag: the selected treatment of the art alone — inverted, or darkened\nunder `color` — with none of `selected`'s semantics: no event, no outside\nlistener, no `aria-selected`, the plate untouched.\n\nOpening gets the same treatment. The double-click is the pointer gesture,\nand its keyboard route is ⌘O / ⌘↓ — the System 7 Open shortcuts, with Ctrl\nstanding in for ⌘ off the Mac. Return is deliberately not one of them: the\nFinder's Return renamed, never opened, so on an editable icon it starts the\nedit and on a non-editable one it does nothing at all.\n\n### The name and the art are one target, and the second click decides\n\nA double-click opens the icon *wherever it lands* — the name is as much the\nicon as the picture is, and the Finder never made you aim at the 32 pixels of\nart. But the name is also where a single click renames, so the two gestures\nbegin with the same press and only the second one tells them apart.\n\nSo the rename waits for it. A press on the plate of an already-selected icon\narms the field rather than opening it, and the next press inside\nRENAME_DELAY_MS calls it off — leaving the double-click to open, with\nno rename box flashing up behind it. Nothing needs to *undo* an edit that\nbegan: the press that starts one and the press that opens are the same\npress, so the only thing that can be got right is not committing early.\n\nThe window is generous in the one direction that is cheap. Reading a lone\nclick as a pair costs a wait before the box appears; reading a pair as a lone\nclick renames when the user asked to open. The same reasoning covers a press\nthat turns into a drag, a press elsewhere, and any key — each calls the\npending rename off, because none of them is the click it is waiting for.\n\n### An icon alone is a picture; an icon in a field is an option\n\n`role=\"option\"` is only meaningful inside a `listbox` that owns it. Written\nunconditionally it is not merely untidy — the browser *drops* it, and\n`aria-selected` with it, so a `selectable` icon announced as a bare generic\nand its selection state reached assistive tech nowhere at all.\n\nSo the role follows the container. Owned, the icon is an `option` that names\nitself from its plate and publishes `aria-selected`. Unowned, it degrades to\n`role=\"img\"` with a name — the same vocabulary the derived open ghost uses,\nand true of what it is. Deliberately not `button`: that would promise Enter\nand Space activate, and here Return *renames* while the open route is ⌘O / ⌘↓.\n\nThe owner is `vf-icon-field`, the container a field of icons sits in, and\nit is what buys the selection state back:\n\n```html\n<vf-icon-field label=\"Desktop\">\n  <vf-icon label=\"Macintosh HD\" selectable movable editable>…</vf-icon>\n  <vf-icon label=\"Trash\" selectable movable editable>…</vf-icon>\n</vf-icon-field>\n```\n\nA `vf-desktop` cannot be that container itself: it also holds windows and a\nmenu bar, and a non-`option` child of a listbox is invalid the same way the\norphaned option was. The field is layout-neutral — placed icons anchor to\nthe nearest *positioned* ancestor, which is still the desktop's raster. An\nelement of your own carrying `role=\"listbox\"` still owns an icon the same\nway. One divergence from the APG listbox is deliberate: its options share\na single roving tab stop, while these stay one stop each, the way a Finder\nicon is reached on its own.\n\n**`selectable` is what makes an icon focusable**, and `movable`/`editable`\npresuppose it. That is the Finder's own model — you cannot move or rename\nwhat you have not selected — and the pointer path already assumed it: the\nrename opens on a press on the plate of an *already-selected* icon. A\n`movable`-only icon is a picture you can drag, not a widget.\n\n### The label is a property, because it is editable\n\nThe caption is `label` rather than slotted content: renaming means the\ncomponent owns the string and hands it back on `vf-change`, and it cannot own\ntext that lives in the consumer's DOM. An empty `label` draws no plate at\nall — that *is* the \"no label\" parameter, in preference to a second attribute\nthat could disagree with it. `editable` then lets a click on the plate of an\nalready-selected icon open the rename box a moment later, as the Finder's\ndoes (see above), with Return committing, Escape reverting, and the plate\nwidening as you type.\n\n### A name is never abbreviated, and never folded\n\nThere is no ellipsis, no clipping and no wrapping: one line, always. System 7\nsolved the long-name problem at the *other* end — HFS capped a filename at 31\ncharacters — so the Finder could afford to always draw the name in full, and\ndid. A name wider than its cell simply overflows it, centered, the way a name\nwider than a 32-pixel icon always did.\n\nStaying on one line is also what keeps the name on the grid: a single run has\na single measured width, so the even-plate rule above is one number rather\nthan one per line, each with its own parity. `width` is therefore the cell —\nthe grid pitch — not a bound on the name.\n\n`maxlength` (31) bounds the rename field rather than the `label` property:\nthe name belongs to the consumer's model, and truncating one handed to us\nwould lose data.\n\nThe box hugs its text while you type it, not only once you are done, which is\nwhat keeps the name from moving when the edit commits: the plate is the same\nwidth either side of it, so the glyphs stay exactly where they were.\n\nA file also has to be called *something*, so a rename committed empty — or\nas nothing but spaces — is refused rather than applied, and the previous name\ncomes back, which is what System 7 did. An empty `label` is still a perfectly\ngood state to *start* in, though: a freshly made icon has no name until it is\ngiven one. Such an icon draws no plate but stays selectable, focusable and\nrenameable — Return opens a field, and an edit with nothing in it yet is the\none time the box stops hugging and reserves a cell's width, since a field you\ncannot see is one you cannot type into.",
           "name": "VfIcon",
           "cssProperties": [
             {
-              "description": "Space between the art cell and the name plate",
+              "description": "Space between the art cell and the name plate; 0 by default, the plate directly under the cell as the Finder drew it",
               "name": "--vf-icon-gap"
             },
             {
@@ -5669,7 +5669,7 @@
                   }
                 }
               ],
-              "description": "Build this icon's outline for a drag, and put it where it draws: the\ndesktop's drag surface when the leader's handshake found one, else the\nicon's own frame. The geometry is measured off the rendered parts —\nthe frame (`at`, its box at the press), the art as it paints (the ghost\nwhile `open`), the cell and the plate — in system px relative to the\nframe, so the ring lands on the pixels the frame paints. Null when\nthere is nothing to draw with."
+              "description": "Build this icon's outline for a drag, and put it where it draws: the\ndesktop's drag surface when the leader's handshake found one, else the\nicon's own frame. The geometry is measured off the rendered parts —\nthe frame (`at`, its box at the press), the art as it paints (the ghost\nwhile `open`), the cell and the plate — in system px relative to the\noutline's box, the frame widened to a plate that overhangs it, so the\nring lands on the pixels the frame paints. Null when there is nothing\nto draw with."
             },
             {
               "kind": "method",

package/dist/components/vf-icon.d.ts

@@ -188,10 +188,14 @@ declare const VfIcon_base: (new (...args: any[]) => import("../position.js").VfP
  * the name's rectangle — drawn over everything with the XOR pen, the icon
  * itself staying put until the drop. The kit draws it from what it already
  * has: {@link deriveDragOutline} finds the ring the way the open ghost does
- * (the silhouette from the art's alpha, eroded by one pixel, the ring the
- * erosion removes), adds the plate's rectangle, and {@link dotOutline} dots
- * it against a 2×2 checker — compositing only, so cross-origin art derives
- * too, and art the pipeline cannot draw falls back to the cell's rectangle.
+ * (the silhouette from the art's alpha, the plate's rectangle united with
+ * it, the whole inset by one pixel as `FrameRgn` inset a region, the ring
+ * the inset removes — so where the art and the plate abut, the outline
+ * wraps around both), and {@link dotOutline} dots it against a 2×2 checker
+ * — compositing only, so cross-origin art derives too, and art the
+ * pipeline cannot draw falls back to the cell's rectangle. The canvas
+ * covers the frame widened to the plate, since a name wider than a
+ * declared `width` overhangs the frame.
  * The canvas paints with the cursor's XOR recipe, `filter: invert(1)` under
  * `mix-blend-mode: difference`: a dotted black line over a white window
  * body, and over the desktop dither a black line, the composition
@@ -379,7 +383,8 @@ declare const VfIcon_base: (new (...args: any[]) => import("../position.js").VfP
  * @csspart plate - The inked run behind the name, which each wrapped line gets
  *   its own of (inverts when selected).
  * @csspart input - The rename field, while editing.
- * @cssprop --vf-icon-gap - Space between the art cell and the name plate
+ * @cssprop --vf-icon-gap - Space between the art cell and the name plate;
+ *   0 by default, the plate directly under the cell as the Finder drew it
  * @cssprop --vf-icon-label-height - The name plate's line box
  * @fires vf-select - Selection changed by user interaction. `detail: { selected: boolean }`.
  * @fires vf-change - The name was committed. `detail: { label: string, previous: string }`.

package/dist/components/vf-icon.js

@@ -213,7 +213,7 @@ var D, O = {
          centring below is still a whole number of system px. */
       .caption {
         position: relative;
-        margin-top: calc(var(--vf-scale, 1) * var(--vf-icon-gap, 2px));
+        margin-top: calc(var(--vf-scale, 1) * var(--vf-icon-gap, 0px));
       }
       .label {
         ${u}
@@ -494,43 +494,36 @@ var D, O = {
 	#T(e, t) {
 		let n = this.renderRoot, a = n?.querySelector(".frame");
 		if (!a) return null;
-		let o = r(this), s = (t) => ({
-			x: Math.round((t.left - e.left) / o),
-			y: Math.round((t.top - e.top) / o),
-			width: Math.round(t.width / o),
-			height: Math.round(t.height / o)
-		}), c = Math.round(e.width / o), l = Math.round(e.height / o), u = n.querySelector(".art"), d = n.querySelector(".name"), f = this.open && this._ghost ? this._ghost : this.#t, p = f != null && (f instanceof HTMLCanvasElement ? f.width > 0 : f.complete && f.naturalWidth > 0), m = p ? f.getBoundingClientRect() : null, h = _(p ? f : null, {
-			width: c,
-			height: l,
-			art: m && m.width > 0 ? s(m) : null,
-			cell: u ? s(u.getBoundingClientRect()) : {
+		let o = r(this), s = n.querySelector(".art"), c = n.querySelector(".name")?.getBoundingClientRect() ?? null, l = c ? Math.min(e.left, c.left) : e.left, u = c ? Math.min(e.top, c.top) : e.top, d = c ? Math.max(e.right, c.right) : e.right, f = c ? Math.max(e.bottom, c.bottom) : e.bottom, p = (e) => ({
+			x: Math.round((e.left - l) / o),
+			y: Math.round((e.top - u) / o),
+			width: Math.round(e.width / o),
+			height: Math.round(e.height / o)
+		}), m = Math.round((d - l) / o), h = Math.round((f - u) / o), g = this.open && this._ghost ? this._ghost : this.#t, v = g != null && (g instanceof HTMLCanvasElement ? g.width > 0 : g.complete && g.naturalWidth > 0), y = v ? g.getBoundingClientRect() : null, b = _(v ? g : null, {
+			width: m,
+			height: h,
+			art: y && y.width > 0 ? p(y) : null,
+			cell: s ? p(s.getBoundingClientRect()) : {
 				x: 0,
 				y: 0,
-				width: c,
-				height: l
+				width: m,
+				height: h
 			},
-			plate: d ? s(d.getBoundingClientRect()) : null
+			plate: c ? p(c) : null
 		});
-		if (!h) return null;
-		let g = document.createElement("canvas");
-		g.className = "drag-outline";
-		let v = g.style;
-		v.position = "absolute", v.display = "block", v.pointerEvents = "none", v.filter = "invert(1)", v.mixBlendMode = "difference", v.imageRendering = "pixelated", v.width = i(h.width), v.height = i(h.height);
-		let y = {
-			x: 0,
-			y: 0
+		if (!b) return null;
+		let x = document.createElement("canvas");
+		x.className = "drag-outline";
+		let S = x.style;
+		S.position = "absolute", S.display = "block", S.pointerEvents = "none", S.filter = "invert(1)", S.mixBlendMode = "difference", S.imageRendering = "pixelated", S.width = i(b.width), S.height = i(b.height);
+		let C = t ?? a, w = t ? t.getBoundingClientRect() : e, T = {
+			x: Math.round((l - w.left) / o),
+			y: Math.round((u - w.top) / o)
 		};
-		if (t) {
-			let n = t.getBoundingClientRect();
-			y = {
-				x: Math.round((e.left - n.left) / o),
-				y: Math.round((e.top - n.top) / o)
-			}, t.append(g);
-		} else a.append(g);
-		return {
-			ring: h,
-			canvas: g,
-			base: y,
+		return C.append(x), {
+			ring: b,
+			canvas: x,
+			base: T,
 			phase: -1
 		};
 	}

package/dist/open-art.d.ts

@@ -24,6 +24,8 @@
  * where the source is opaque, so intersecting the silhouette with itself
  * shifted one pixel each way leaves exactly the pixels whose neighbors are
  * all opaque — the interior. The ring the erosion removes is the outline.
+ * The ghost erodes with the four edge neighbors; the drag outline with all
+ * eight, a region inset — {@link deriveDragOutline} says why it matters.
  */
 /**
  * Derive the open ghost from an icon's art: a canvas at the art's natural
@@ -39,7 +41,7 @@
  * an environment refusing a 2d context.
  */
 export declare function deriveOpenArt(art: HTMLImageElement | HTMLCanvasElement): HTMLCanvasElement | null;
-/** A box inside an icon's frame, in system px. */
+/** A box inside the outline's box, in system px. */
 export interface DragOutlineBox {
     x: number;
     y: number;
@@ -47,11 +49,12 @@ export interface DragOutlineBox {
     height: number;
 }
 /**
- * Where an icon's parts sit inside its frame, in system px — measured by the
- * icon, so the outline lands on the same pixels the frame paints.
+ * Where an icon's parts sit inside the outline's box, in system px —
+ * measured by the icon, so the outline lands on the same pixels the frame
+ * paints.
  */
 export interface DragOutlineGeometry {
-    /** The frame. */
+    /** The outline's box: the frame, widened to a name plate that overhangs it. */
     width: number;
     height: number;
     /**
@@ -66,18 +69,28 @@ export interface DragOutlineGeometry {
     plate: DragOutlineBox | null;
 }
 /**
- * Derive the outline an icon drags as: the mask's boundary — the same
- * one-pixel ring the open ghost finds, by the same erosion — and the name
- * plate's rectangle, solid black on transparent, one canvas the size of the
- * icon's frame at one image px per system px. Not yet dotted: the ring is
- * derived once per drag, and {@link dotOutline} re-applies the checker at
- * each step's phase.
+ * Derive the outline an icon drags as: the boundary of the mask united with
+ * the name plate's rectangle — one shape, the one-pixel ring a 3×3 box
+ * erosion removes from it, so where the art and the plate abut the outline
+ * wraps around both — solid black on transparent, one canvas the size of
+ * the outline's box (the icon's frame, widened to a plate that overhangs
+ * it) at one image px per system px. Not yet dotted: the ring is derived
+ * once per drag, and {@link dotOutline} re-applies the checker at each
+ * step's phase.
+ *
+ * The box, not the ghost's four-neighbor plus: it is the region inset
+ * `FrameRgn` painted a frame from, and the difference shows on a 45° edge.
+ * A one-pixel diagonal is all one parity of the checker, so the pen would
+ * keep all of it or none — and over the dither "none" is the dither's own
+ * ink diagonal, no line at all. Under the box a 45° edge is two pixels
+ * wide and carries both parities, so one full diagonal of dots survives at
+ * either phase.
  *
  * Art the pipeline cannot draw falls back to the cell's rectangle — the
  * ghost's rule: never a blank where a state cannot show. Compositing only,
  * never a readback, so cross-origin art derives too.
  *
- * Returns null for a frame with no size, or an environment refusing a 2d
+ * Returns null for a box with no size, or an environment refusing a 2d
  * context.
  */
 export declare function deriveDragOutline(art: HTMLImageElement | HTMLCanvasElement | null, geometry: DragOutlineGeometry): HTMLCanvasElement | null;

package/dist/open-art.js

@@ -44,22 +44,24 @@ var i = null, a = () => {
 function s(t, n) {
 	let { width: r, height: i } = n;
 	if (!r || !i) return null;
-	let a = e(r, i);
-	if (!a) return null;
-	let s = t ? n.art : null;
-	if (t && s && s.width > 0 && s.height > 0) {
-		let n = e(r, i), o = e(r, i);
-		if (!n || !o) return null;
-		n.ctx.drawImage(t, s.x, s.y, s.width, s.height), n.ctx.globalCompositeOperation = "source-in", n.ctx.fillStyle = "#000", n.ctx.fillRect(0, 0, r, i), o.ctx.drawImage(n.canvas, 0, 0), o.ctx.globalCompositeOperation = "destination-in";
-		for (let [e, t] of [
-			[1, 0],
-			[-1, 0],
-			[0, 1],
-			[0, -1]
-		]) o.ctx.drawImage(n.canvas, e, t);
-		a.ctx.drawImage(n.canvas, 0, 0), a.ctx.globalCompositeOperation = "destination-out", a.ctx.drawImage(o.canvas, 0, 0), a.ctx.globalCompositeOperation = "source-over";
-	} else o(a.ctx, n.cell);
-	return n.plate && o(a.ctx, n.plate), a.canvas;
+	let a = e(r, i), o = e(r, i), s = e(r, i);
+	if (!a || !o || !s) return null;
+	let c = t ? n.art : null;
+	if (t && c && c.width > 0 && c.height > 0 ? (a.ctx.drawImage(t, c.x, c.y, c.width, c.height), a.ctx.globalCompositeOperation = "source-in", a.ctx.fillStyle = "#000", a.ctx.fillRect(0, 0, r, i), a.ctx.globalCompositeOperation = "destination-in", a.ctx.fillRect(n.cell.x, n.cell.y, n.cell.width, n.cell.height), a.ctx.globalCompositeOperation = "source-over") : (a.ctx.fillStyle = "#000", a.ctx.fillRect(n.cell.x, n.cell.y, n.cell.width, n.cell.height)), n.plate) {
+		let e = n.plate;
+		a.ctx.fillStyle = "#000", a.ctx.fillRect(e.x, e.y, e.width, e.height);
+	}
+	o.ctx.drawImage(a.canvas, 0, 0), o.ctx.globalCompositeOperation = "destination-in";
+	for (let e of [
+		-1,
+		0,
+		1
+	]) for (let t of [
+		-1,
+		0,
+		1
+	]) (e || t) && o.ctx.drawImage(a.canvas, e, t);
+	return s.ctx.drawImage(a.canvas, 0, 0), s.ctx.globalCompositeOperation = "destination-out", s.ctx.drawImage(o.canvas, 0, 0), s.ctx.globalCompositeOperation = "source-over", s.canvas;
 }
 function c(e, t) {
 	return +(((e + t) % 2 + 2) % 2 == 0);

package/docs/SPEC.md

@@ -90,7 +90,7 @@ Every length in this doc is a **system pixel** value; components multiply it by
 | `--vf-label-line-height` | follows the face | `vf-label`'s own line box, above the face tokens: unset, the box is the face's native line (`--vf-line-height-display` / `--vf-line-height`); set, it overrides both faces for captions alone — keep an override even, or the baseline lands on a half pixel |
 | `--vf-paragraph-line-height` | follows the face | `vf-paragraph`'s own line box, above the face tokens — same contract as the label's, for paragraphs alone |
 | `--vf-icon-label-height` | `12px` | `vf-icon`'s name plate line box — the Finder's own plate height, tighter than the face's 16px em, which centers in it (keep an override even, or the baseline lands on a half pixel) |
-| `--vf-icon-gap` | `2px` | space between a `vf-icon`'s art cell and its name plate |
+| `--vf-icon-gap` | `0px` | space between a `vf-icon`'s art cell and its name plate — none: the plate sits directly under the cell |
 | `--vf-select-gutter` | `16px` | checkmark column: `vf-select` left inset / `vf-option` + `vf-menu-item` ✓ column (shared so the value doesn't shift on open) |
 | `--vf-field-width` | `180px` | default width of `vf-text-field` / `vf-text-area` |
 | `--vf-field-placeholder` | `#767676` | placeholder text in the editable fields — kept off `--vf-disabled`: a placeholder sits in an *enabled* well and holds AA contrast (4.54:1 on white), where the disabled gray's 1.82:1 is exempt as an inactive control |
@@ -475,11 +475,11 @@ A raster image — the reference art's pixel icons — on the kit's grid, treati
 #### `vf-icon` (`VfIcon`, vf-icon.ts)
 The Finder icon — pixel art in a reserved cell with its name on a plate below, as one selectable, movable, renameable unit. `vf-img` puts a picture on the grid; this makes it the thing the Finder manipulates.
 - **Attributes/props:** `label`: string (the name; empty draws no plate — that is the "no label" setting, rather than a second attribute that could disagree with it). `size`: `large` (default, 32×32) | `small` (16×16) — picks the slot that paints *and* the cell it paints in. `selectable`, `selected`, `movable`, `editable`: boolean. `color`: boolean — declares the art a **color icon**, so selection darkens instead of inverting (see Visual). `open`: boolean — the icon's window is on screen, and the art paints as the derived open ghost (below). `target`: boolean (reflected) — the destination highlight under a drag: the selected treatment of the *art* alone (`invert(1)`, or `brightness(0.5)` under `color`) with none of `selected`'s semantics — no `vf-select`, no outside listener, no `aria-selected`, the plate untouched; the page sets it on the folder a `vf-drag` reports the pointer over. `width`: number (system px, **even**; the cell/grid pitch, which a longer name overflows rather than being bound by). `maxlength`: number (31).
-- **Visual:** `display: inline-block`. A column: the art cell (`--_cell` system px square, `overflow: hidden`, art centered), `--vf-icon-gap` (2px), then the name plate — body face on a `--vf-icon-label-height` (12px) line box, the Finder's own plate height: the face's 16px em centers in it, 3px above the ascenders and descenders on the bottom edge, exactly as the Finder drew it — 1px horizontal padding, **opaque `--vf-white`** in its own right rather than `--vf-surface`: on the desktop dither the name reads because it sits on a plate, and `--vf-surface` is unset out there (`Example screen (1-bit).png`, the "Macintosh HD" icon). Selected: the plate takes the `--vf-highlight` pair and the art takes `filter: invert(1)` — a System 7 icon is ink and opaque white on a transparent surround, i.e. precisely an image plus its mask, so inverting flips the two and leaves the surround alone. That is the complete classic selected appearance for 1-bit art. Color art would invert into a photographic negative, which System 7 never showed: declare `color` and selection **darkens** instead — Icon Utilities' ttSelected transform, every color blended halfway toward black (`filter: brightness(0.5)`), whites going gray, the surround still untouched. The declaration is the consumer's, since the component cannot tell color art from a mask by looking at a slotted image; it covers whatever the cell shows (the open ghost included, so a color icon has one selected treatment open or closed), and the plate inverts either way — the selected name was inverted whatever the art.
+- **Visual:** `display: inline-block`. A column: the art cell (`--_cell` system px square, `overflow: hidden`, art centered), then, directly under it (`--vf-icon-gap`, 0 by default), the name plate — body face on a `--vf-icon-label-height` (12px) line box, the Finder's own plate height: the face's 16px em centers in it, 3px above the ascenders and descenders on the bottom edge, exactly as the Finder drew it — 1px horizontal padding, **opaque `--vf-white`** in its own right rather than `--vf-surface`: on the desktop dither the name reads because it sits on a plate, and `--vf-surface` is unset out there (`Example screen (1-bit).png`, the "Macintosh HD" icon). Selected: the plate takes the `--vf-highlight` pair and the art takes `filter: invert(1)` — a System 7 icon is ink and opaque white on a transparent surround, i.e. precisely an image plus its mask, so inverting flips the two and leaves the surround alone. That is the complete classic selected appearance for 1-bit art. Color art would invert into a photographic negative, which System 7 never showed: declare `color` and selection **darkens** instead — Icon Utilities' ttSelected transform, every color blended halfway toward black (`filter: brightness(0.5)`), whites going gray, the surround still untouched. The declaration is the consumer's, since the component cannot tell color art from a mask by looking at a slotted image; it covers whatever the cell shows (the open ghost included, so a color icon has one selected treatment open or closed), and the plate inverts either way — the selected name was inverted whatever the art.
 - **The open ghost is derived, not shipped** (`open`; `open-art.ts`). The art redraws as the Finder's open-window ghost — outline held in solid black, interior re-filled with the scrollbar trough's 4×2 dot lattice (a dot at (0,0) and (2,1), 25%) on opaque white, surround untouched — derived from the slotted art itself, by compositing alone: a silhouette via `source-in`; a 1px 4-neighborhood erosion via four `destination-in` draws of the silhouette shifted one pixel each way (off-canvas composites as transparent, so the raster's own edge erodes too and an interior hole rings itself); the lattice via `createPattern` anchored at the art's top-left, where 32 and 16 being whole multiples of the tile keeps a field of icons in one phase; then the fill composed over the un-eroded silhouette, so the ring the erosion removed reads as the outline. Never `getImageData` — a canvas that drew a cross-origin image is tainted, which forbids *reading* pixels but not drawing or displaying them, so the ghost works for CORS-less sources too — and never `ctx.filter` (Safari's shaky corner; compositing operators are universal). Keeping the interior *opaque white* is what lets a selected open icon invert under the same `filter: invert(1)` with no second treatment. The slot stays in the tree while the ghost paints, hidden via a class gated on a successful derivation — art the pipeline cannot draw (nothing slotted, a failed load, an inline `<svg>`) keeps rendering as itself. The ghost re-derives on slotchange, the art's `load`/`error`, and `open`/`size` changes, keyed by `currentSrc` so a refresh that changed nothing is a string compare; the source's `alt` is carried onto the ghost (`role="img"` + `aria-label`) so a graphic that names its icon keeps doing so while its slot is hidden. The ghost displays on `vf-img`'s terms: natural raster size in system px, `image-rendering: pixelated`, one image pixel per system pixel.
 - **Behavior:** clicking selects, Shift/⌘ toggles, and a press outside every icon clears — a `DocumentListenersController` capture-phase listener attached only while selectable *and* selected, which is what makes single-selection work with no container owning the set. Double-click fires `vf-open`, and its keyboard route is ⌘O / ⌘↓ (Ctrl off the Mac) — the System 7 Open shortcuts, added because a double-click is a pointer-only gesture (§1). Return is deliberately not one: the Finder's Return renamed, never opened, so it starts the edit on an editable icon and does nothing on a non-editable one. A double-click opens the icon **wherever it lands, the name included** — the handler is on the frame, and the name is as much the icon as the art is. `editable`: a press on the plate of an ALREADY-selected icon opens a rename field overlaying it (the press that does the selecting never does); the whole name starts selected, Return commits, Escape reverts, and the hidden plate keeps rendering the draft so the box widens as you type. **The two pointer gestures on a name are the same press**, and only the second one tells them apart, so the rename *waits*: the press arms a field that opens `RENAME_DELAY_MS` (800ms, `src/motion.ts`) later, and a press landing inside that window — wherever in the icon it falls — calls it off, leaving the double-click to open with no rename flashing up behind it. The window is long deliberately: no API reports what the browser counts as a double-click (it follows a user-movable platform setting), and reading a lone click as a pair costs only a wait, while reading a pair as a lone click renames when the user meant to open. A press that travels into a drag, a press outside, and any key call it off too — so a name drags like the art does, and Return opens the field at once, having no second half to wait for. `movable` — **not `draggable`**, which is a global HTML attribute and an `HTMLElement` accessor (the same trap as `align`, §5 Group G) — drags via `DragController` on the `vf-window` delegate shape (the frame is the handle and sets `touch-action: none` while movable, as the title bars do), plus arrow-key nudging (1 system px, 8 with Shift) because a pointer-only gesture is the kind of gap the kit closes (§1). Focus is the dashed rule below the plate, gated on `FocusRuleController` rather than `:focus-visible`: the host focuses itself so the press-drag can own the pointer.
 - **The drag reports, the page files.** The kit ships no filing semantics — folders are the page's own catalog — so a drag is a stream of events on the icon and a cancelable commit, all bubbling and composed: `vf-drag-start` `{ left, top }` on the first lattice step away from the press (the jitter test: a stationary press snaps back onto the same system px and never starts a drag, so a plain click never fires a drop); `vf-drag` `{ clientX, clientY, left, top, x, y }` on every step that changed the snapped proposal — the pointer in viewport CSS px for the page's hit test, the proposal in the icon's own container in whole system px on the lattice, and the frame's box at the press translated by the delta in viewport CSS px, so a drop that lands in another container converts with that container's `placementAt` and lands where it was let go, the press offset already inside it; `vf-drop`, the same shape at the release, **cancelable**, whose default action is the move — `PlacementController.moveTo` with the proposal, clamped whole by `#keepWhole` against the box measured at the press — and whose `preventDefault()` writes nothing, the page re-parenting or placing the icon itself; `vf-drag-cancel` `{}` on Escape or a `pointercancel`, nothing written. `left`/`top` in the detail are the proposal *unclamped* (the origin plus the lattice-snapped delta); only the default action clamps, so a page that cancels gets the raw gesture. The drop is dispatched with the outline gone, the drag state cleared and the pointer capture released, so re-parenting inside the handler is safe (Chromium drops the `click` of a press whose node was re-inserted at `pointerup`; the icon listens for no click and times its double-click on presses).
-- **The drag is an outline; the icon stays put** (`deriveDragOutline` / `dotOutline`, `open-art.ts`). The Finder dragged an icon as a dotted outline — the mask's boundary and the name's rectangle — drawn over everything with the XOR pen, the icon itself unmoved until the drop. Derived from the slotted art like the open ghost: the silhouette from the art's alpha (drawn at the box the art paints in, so magnified art outlines at its magnified size), the one-pixel erosion by four `destination-in` draws on a frame-sized layer (the frame is transparent around the art, so its edge erodes as the off-canvas edge did), the ring the erosion removes via `destination-out`, plus the plate's rectangle as fills (a 1px stroke straddles the pixel); compositing only, so cross-origin art derives too. Art the pipeline cannot draw falls back to the cell's rectangle — never a blank. One canvas the size of the frame at one image px per system px; the ring is derived once per drag, and each step re-dots it against a 2×2 checker (`destination-in`) at the pen's phase for where it lands on the *screen* (`penPhase`): ink where `x + y` is odd in screen coordinates, the diagonal the desktop dither (`gray-50`, ink at even) leaves white, so the dots fall between the dither's ink wherever the outline lands, as QuickDraw's screen-anchored pattern pen did — over a white body a dotted black line, over the dither a black line, each dot flipping a white pixel with the dither's own ink filling in between. Painted with the cursor's XOR recipe, `filter: invert(1)` under `mix-blend-mode: difference`, `image-rendering: pixelated`, `pointer-events: none`, sized and placed as live `sysLength()`s so a scale change mid-gesture cannot smear it; its origin is the frame's whole-system-px offset from the surface plus the delta. **The surface is the desktop's, not the top layer:** the icon dispatches `vf-drag-surface-request` (bubbles, `composed: false`, `detail.surface` null) on the first step, and the nearest `vf-desktop` on its light-DOM path fills it with its drag surface (§5 vf-desktop); a non-composed event from a slotted icon still travels through the slots it is assigned to, so the handshake works from inside a window body. Without a desktop the canvas is appended to the icon's own `.frame` (the vf-snap box, `position: relative`), translated by the delta alone and clipped by whatever clips the icon — the honest fallback, with the same gesture and events. Not `position: fixed` inside the icon: a `vf-window` is a stacking context, so a fixed outline inside it would paint at the window's z, under every other window (KNOWN-BUGS.md #1 in another costume). One drag, no opt-in: the Finder never moved the icon itself, the drop lands where it always did, and the kit ships no taste knobs. Escape is heard by a document `keydown` listener scoped to the gesture (`DocumentListenersController`, capture phase, the key stopped there so an enclosing `vf-dialog` never reads it as a dismissal) rather than the icon's own handler, because a `movable`-only icon never takes focus — an addition in the kit's idiom (§1), not a claim about the Finder. `DragController` gained the two trailing parameters this needs (`onDrag(x, y, event)`, `onDragEnd(event, cancelled)`) and a `cancel()`; `vf-window` and `vf-dialog` ignore them. A selected icon re-parented at the drop keeps its outside-press listener: it re-attaches on connect, since the controller detaches on disconnect and `updated()` does not re-run for an unchanged property. `npm run verify:icon-drag`.
+- **The drag is an outline; the icon stays put** (`deriveDragOutline` / `dotOutline`, `open-art.ts`). The Finder dragged an icon as a dotted outline — the mask's boundary and the name's rectangle — drawn over everything with the XOR pen, the icon itself unmoved until the drop. Derived from the slotted art like the open ghost: the silhouette from the art's alpha (drawn at the box the art paints in, so magnified art outlines at its magnified size), the silhouette clipped to the cell as the cell clips the art, the one-pixel erosion by eight `destination-in` draws on a layer the outline's size (the layer is transparent around the art, so its edge erodes as the off-canvas edge did) — the 3×3 box, the region inset `FrameRgn` painted a frame from, rather than the ghost's four-neighbor plus: a 45° edge comes out two pixels wide with both parities of the checker, where a one-pixel diagonal is all one parity and the pen would keep all of it or none, and over the dither "none" is the dither's own ink diagonal — the plate's rectangle filled solid into the same silhouette before the erosion (the Finder's drag region was the mask united with the name's rect, framed once — where the two abut, the outline wraps around both and no edge runs between them; apart, each is ringed on its own), the ring the erosion removes via `destination-out`; compositing only, so cross-origin art derives too. Art the pipeline cannot draw falls back to the cell's rectangle — never a blank. One canvas the size of the frame widened to the plate — a name wider than a declared `width` overhangs the frame on both sides — at one image px per system px; the ring is derived once per drag, and each step re-dots it against a 2×2 checker (`destination-in`) at the pen's phase for where it lands on the *screen* (`penPhase`): ink where `x + y` is odd in screen coordinates, the diagonal the desktop dither (`gray-50`, ink at even) leaves white, so the dots fall between the dither's ink wherever the outline lands, as QuickDraw's screen-anchored pattern pen did — over a white body a dotted black line, over the dither a black line, each dot flipping a white pixel with the dither's own ink filling in between. Painted with the cursor's XOR recipe, `filter: invert(1)` under `mix-blend-mode: difference`, `image-rendering: pixelated`, `pointer-events: none`, sized and placed as live `sysLength()`s so a scale change mid-gesture cannot smear it; its origin is that box's whole-system-px offset from the surface plus the delta. **The surface is the desktop's, not the top layer:** the icon dispatches `vf-drag-surface-request` (bubbles, `composed: false`, `detail.surface` null) on the first step, and the nearest `vf-desktop` on its light-DOM path fills it with its drag surface (§5 vf-desktop); a non-composed event from a slotted icon still travels through the slots it is assigned to, so the handshake works from inside a window body. Without a desktop the canvas is appended to the icon's own `.frame` (the vf-snap box, `position: relative`), translated by the delta alone and clipped by whatever clips the icon — the honest fallback, with the same gesture and events. Not `position: fixed` inside the icon: a `vf-window` is a stacking context, so a fixed outline inside it would paint at the window's z, under every other window (KNOWN-BUGS.md #1 in another costume). One drag, no opt-in: the Finder never moved the icon itself, the drop lands where it always did, and the kit ships no taste knobs. Escape is heard by a document `keydown` listener scoped to the gesture (`DocumentListenersController`, capture phase, the key stopped there so an enclosing `vf-dialog` never reads it as a dismissal) rather than the icon's own handler, because a `movable`-only icon never takes focus — an addition in the kit's idiom (§1), not a claim about the Finder. `DragController` gained the two trailing parameters this needs (`onDrag(x, y, event)`, `onDragEnd(event, cancelled)`) and a `cancel()`; `vf-window` and `vf-dialog` ignore them. A selected icon re-parented at the drop keeps its outside-press listener: it re-attaches on connect, since the controller detaches on disconnect and `updated()` does not re-run for an unchanged property. `npm run verify:icon-drag`.
 - **The selection travels.** A drag that begins on a *selected* icon carries every other selected, movable icon of its field (`closest('vf-icon-field, [role="listbox"]')`, document order) — the Finder outlined the whole selection under a drag on any member. Each follower is joined through `vf-icon.followDrag(surface)` (internal to the group drag): it seeds its own origin, builds its own outline on the surface the leader's handshake found (or in its own frame), and hands back a handle `{ icon, origin, size, move(dx, dy), drop(dx, dy), end() }`. The leader moves every outline by its lattice delta on each step; every event's detail carries the set as `icons`, the leader first (`VfIconDragDetail`). The drop's default action clamps the delta **once for the whole group** — per axis, the tightest of every member's room to its edges, so the arrangement is kept and the group stops when its outermost icon meets the container (a group no edge can hold is held off the near edge only, the single-icon rule; `PlacementController.bounds` is the box, measured at the press) — then writes each member's origin plus that delta through its own `moveTo`. A cancel, or a cancelled drop, takes every outline down and writes nothing for anyone. **The press keeps the selection:** an icon's outside-press listener leaves the selection alone when a plain press lands on an icon already selected in the same field (document capture runs before the pressed icon's own handler, so `selected` reads as the press found it); a click on such an icon, released with no drag, collapses the selection to it on the `pointerup` — so a click still single-selects, and the same press could have dragged them all. A press on an unselected icon makes it the selection first, so it drags alone; a Shift press that deselects the pressed icon drags it alone too; a selected icon in another field, or one that cannot move, stays. `npm run verify:icon-drag` (GROUP).
 - **An icon alone is a picture; an icon in a field is an option.** `option` is invalid without a `listbox` that owns it — written unconditionally the browser drops the role *and* `aria-selected`, which is how a `selectable` icon reached AT as a bare generic in every configuration the kit shipped. So the role follows the container: `role="option"` + `aria-selected` when a `vf-icon-field` or a `[role="listbox"]` ancestor claims it (`closest('vf-icon-field, [role="listbox"]')` — the field's role lives in internals and never lands as an attribute), otherwise `role="img"` named from `label` (else the art's `alt`), since `img` is not a name-from-content role. Not `button` — that promises Enter/Space activate, while here Return renames and the open route is ⌘O / ⌘↓. Re-derived on every connect, so re-parenting between the two contexts re-grades the icon. **The container for a field of icons is `vf-icon-field`** (below); a consumer's own element carrying `role="listbox"` still owns an icon the same way. `vf-desktop` cannot be it, since it also holds windows and a menu bar and a non-`option` child of a listbox is invalid the same way. Divergence from APG, recorded: its listbox options share one roving tab stop, the kit's stay one stop each.
 - **`selectable` is what makes an icon focusable** — `movable` and `editable` require it, as the Finder did (you cannot move or rename what you have not selected; the rename already opens only on an ALREADY-selected icon). A `movable`-only icon is draggable but not a tab stop, rather than a tab stop that announces nothing.

package/editor/vscode.html-custom-data.json

@@ -476,7 +476,7 @@
     },
     {
       "name": "vf-icon",
-      "description": "`<vf-icon>` — a Finder icon: pixel art in a reserved cell with its name on a\nplate below, selectable, movable and renameable in place.\n\nIt is the one composite in the kit whose parts already existed separately —\n`vf-img` draws the art, `vf-list-item` inverts on selection, `vf-window`\ndrags — and the reason to have it anyway is that the *icon* is the unit the\nFinder actually manipulates. A picture and a caption that select together,\nmove together and rename together is a control, not a layout.\n\n### The art arrives by slot\n\nTwo slots, one per resource size — `large` is the 32×32 `ICN#` and `small`\nthe 16×16 `ics#` — each holding a `vf-img` around the consumer's own `<img>`:\n\n```html\n<vf-icon label=\"Macintosh HD\" selectable movable editable>\n  <vf-img slot=\"large\"><img src=\"hd-32.png\" alt=\"\"></vf-img>\n  <vf-img slot=\"small\"><img src=\"hd-16.png\" alt=\"\"></vf-img>\n</vf-icon>\n```\n\nSlots rather than `src` properties, for the reason `vf-img` exists at all:\nthe kit ships no raster files and never builds an `<img>` on a consumer's\nbehalf, so the graphic stays a real element in the light DOM with its own\n`alt`, `srcset`, loading behavior and asset URLs. A `src` string can express\nnone of that, and it could not hold an inline `<svg>` or a `<canvas>` either.\n`vf-list-item`'s `icon` slot makes the same trade.\n\nThe cost is that both files fetch even though one paints — pay it with two\ndata URIs, or slot only the size that view uses.\n\n### The cell is reserved, the art is registered in it\n\n`size` picks which slot paints *and* the cell it paints in: 32×32 or 16×16,\nheld whether or not there is art for it. A folder is 32×20 of ink and a\ndocument 25×32, and a row of them keeps one baseline only because the cell —\nnot the ink — is the unit, which is what an icon resource always was.\n\n### Everything centered lands on a whole pixel, by parity\n\nThe frame centers two things over one axis — the art cell and the name — and\na centered child sits at `(box − child) / 2`. That is a whole number exactly\nwhen the box and the child have the **same parity**. Half a system pixel is\nwhat fringes 1-bit art: the glyph stems smear across two device columns and\ngo gray, while the plate behind them stays sharp, because backgrounds are\npixel-snapped by the compositor and glyphs are not. A crisp plate under a\ngrey name is the signature of exactly this.\n\nSo the component makes the parities agree instead of correcting afterwards.\nThe cell is 32 or 16, and #measurePlate sizes the name plate to a\nwhole **even** number of system px — measured from the text, rounded up. Both\nchildren are then even, and so is every offset, at every display density and\nwhether or not a `width` is declared. Nothing is snapped, nothing leans on\nthe rasterizer, and `verify:icon` asserts both the geometry and that a field\nof names renders without a single gray pixel — with the kit's normal\nantialiasing left on, since a run on whole pixels gives it nothing to smooth.\n\nYour side of it is one rule: **a declared `width` must be even**, since the\ncomponent cannot round a number you chose. Supply art at the cell size too —\nwhich \"one image pixel is one system pixel\" already implies — because art\ndiffering from its cell by an odd number centers the same way.\n\n### Selection inverts, because the art is a 1-bit mask\n\nA System 7 icon is black ink and opaque white on a transparent surround —\nprecisely an image plus its mask — so inverting it flips ink and fill and\nleaves the surround alone, which is the whole of the classic selected\nappearance. `filter: invert(1)` reproduces it exactly for 1-bit art. Color\nart would invert into a photographic negative, which was never what\nSystem 7 showed: declare `color` and selection **darkens** the art\ninstead — Icon Utilities' ttSelected transform, every color blended\nhalfway toward black (`brightness(0.5)`), whites going gray, the\ntransparent surround still untouched. The declaration is the consumer's\nbecause the component cannot tell color art from a mask by looking at a\nslotted image. It covers whatever the cell shows, the derived open ghost\nincluded, so a color icon has one selected treatment open or closed. The\nlabel plate inverts to the `--vf-highlight` pair either way, sharing one\nselection color with `vf-list-item` — the selected name was inverted\nwhatever the art.\n\n### Open is derived, not shipped\n\nWith `open`, the art redraws as the Finder's open ghost: the outline held\nin solid black, the interior re-filled with the kit's loose 25% dither (the\nscrollbar trough's lattice), the transparent surround untouched. There is\nno second raster and no second fetch — the same alpha channel that makes\nselection an inversion makes the ghost derivable, and `src/open-art.ts`\nderives it from the slotted art by canvas compositing alone. No pixels are\never read back, so a cross-origin image that taints its canvas still works:\ntaint forbids reading, not drawing or displaying.\n\nThe ghost keeps the shape selection expects — ink and opaque white on a\ntransparent surround — so a selected open icon inverts exactly as a closed\none does, with no second treatment. The slot stays in the tree while the\nghost paints, hidden (it is where the art loads, and re-loads, from), and\nart the pipeline cannot draw — nothing slotted yet, a failed load, an\ninline `<svg>` — keeps rendering as itself rather than vanishing behind a\nstate it cannot show.\n\n### `movable`, not `draggable`\n\n`draggable` is a global HTML attribute *and* an `HTMLElement` accessor, so\ndeclaring it would both shadow a platform member and hand the element to the\nbrowser's own drag-and-drop machinery. This is the `align` trap from\n`vf-stack` in a second costume — `align`, `hidden`, `dir`, `draggable` and\n`title` all carry behavior a custom element never asked for. The kit already\nspells this parameter `movable` on `vf-window`, so the icon does too, and it\nmoves the same way: `DragController` tracks the gesture and\n`PlacementController` writes the result into `left`/`top` in whole system px,\nthe art's own unit — the same pair markup places an icon with, so a moved\nicon is still where it was dropped after a zoom.\n\nDragging is a pointer gesture with no keyboard equivalent, which is the kind\nof gap the kit closes rather than inherits (SPEC §1): a focused movable icon\nalso moves under the arrow keys, one system px at a time and eight with\nShift. Focus is what `selectable` grants, so the keyboard half of `movable`\nand `editable` presupposes it — see the role section below.\n\n### The drag is an outline; the icon stays put\n\nThe Finder dragged an icon as a dotted outline — the mask's boundary and\nthe name's rectangle — drawn over everything with the XOR pen, the icon\nitself staying put until the drop. The kit draws it from what it already\nhas: deriveDragOutline finds the ring the way the open ghost does\n(the silhouette from the art's alpha, eroded by one pixel, the ring the\nerosion removes), adds the plate's rectangle, and dotOutline dots\nit against a 2×2 checker — compositing only, so cross-origin art derives\ntoo, and art the pipeline cannot draw falls back to the cell's rectangle.\nThe canvas paints with the cursor's XOR recipe, `filter: invert(1)` under\n`mix-blend-mode: difference`: a dotted black line over a white window\nbody, and over the desktop dither a black line, the composition\nQuickDraw's pattern pen gave — the checker's phase is taken from where\nthe outline lands on the *screen* (penPhase), so its dots fall on\nthe pixels the dither leaves white wherever it goes, and the dither's own\nink fills in between them.\n\nIt draws on the desktop's drag surface: a layer in the screen's shadow,\nover windows, palettes and the menu bar alike, clipped at the raster's\nedge like everything else, reached through the `vf-drag-surface-request`\nhandshake (bubbles, non-composed — it travels up the slots the icon is\nassigned to, so it works from inside a window body). With no desktop the\ncanvas lives in the icon's own frame instead, translated by the delta,\nclipped by whatever clips the icon; the gesture and its events are the\nsame either way. Its origin is a whole count of system px from the\nsurface's, written as a live `sysLength()`, so a scale change mid-gesture\ncannot smear it.\n\n### The drag reports, the page files\n\nThe kit ships no filing semantics — folders are the page's own catalog —\nso a drag is a stream of events and a cancelable commit, on the icon:\n\n- `vf-drag-start` `{ left, top }` on the first lattice step away from the\n  press (a plain click never starts one, and never fires a drop);\n- `vf-drag` `{ clientX, clientY, left, top, x, y }` on every step that\n  changed the snapped proposal;\n- `vf-drop`, the same shape at the release, **cancelable**: its default\n  action is the move, the proposal written through `left`/`top` and\n  clamped whole in the container measured at the press. `preventDefault()`\n  writes nothing — the page re-parents or places the icon itself, the\n  outline's origin converted with the destination's `placementAt`;\n- `vf-drag-cancel` `{}` on Escape or a `pointercancel`: nothing written.\n\n`left`/`top` in the detail are the *proposal*, unclamped — the origin plus\nthe lattice-snapped delta — and only the default action clamps, so a page\nthat cancels gets the raw gesture. `x`/`y` are the outline's top-left in\nviewport CSS px: the frame's box at the press translated by the delta,\nthe press offset already inside it, so an icon placed at the\ndestination's `placementAt(x, y)` lands exactly where the outline was.\n\n### The selection travels\n\nA drag that begins on a *selected* icon takes every other selected,\nmovable icon of its field with it — the Finder outlined the whole\nselection under a drag on any member. Each follower draws its own outline\n(followDrag), moved by the same lattice delta as the leader's, and\nthe leader's events carry the set as `detail.icons`, itself first. The\ndefault action of the drop clamps the delta once for the whole group —\nthe arrangement is kept, and the group stops when its outermost member\nmeets the container's edge — then writes each member's origin plus that\ndelta. A cancel takes every outline down and writes nothing. A press on\nan unselected icon makes it the selection first (the outside listeners\nclear the others), so it drags alone; a Shift press that deselects the\npressed icon drags it alone too, the rest staying where they are.\n\nFor the selection to travel, a plain press on one of its members must not\ncollapse it: the other icons' outside-press listeners leave a selection\nalone when the press landed on an icon already selected in the same\nfield. A *click* on such an icon — released with no drag — collapses the\nselection to it on the release, so a click still single-selects and the\nsame press could have dragged them all.\n\nEscape is heard by a document listener scoped to the gesture rather than\nby the icon's own key handler, because a `movable`-only icon never takes\nfocus — an addition in the kit's idiom (a pointer-only gesture with no way\nout is the kind of gap SPEC §1 closes), not a claim about the Finder.\n\n`target` is the destination highlight the page sets on the folder under a\ndrag: the selected treatment of the art alone — inverted, or darkened\nunder `color` — with none of `selected`'s semantics: no event, no outside\nlistener, no `aria-selected`, the plate untouched.\n\nOpening gets the same treatment. The double-click is the pointer gesture,\nand its keyboard route is ⌘O / ⌘↓ — the System 7 Open shortcuts, with Ctrl\nstanding in for ⌘ off the Mac. Return is deliberately not one of them: the\nFinder's Return renamed, never opened, so on an editable icon it starts the\nedit and on a non-editable one it does nothing at all.\n\n### The name and the art are one target, and the second click decides\n\nA double-click opens the icon *wherever it lands* — the name is as much the\nicon as the picture is, and the Finder never made you aim at the 32 pixels of\nart. But the name is also where a single click renames, so the two gestures\nbegin with the same press and only the second one tells them apart.\n\nSo the rename waits for it. A press on the plate of an already-selected icon\narms the field rather than opening it, and the next press inside\nRENAME_DELAY_MS calls it off — leaving the double-click to open, with\nno rename box flashing up behind it. Nothing needs to *undo* an edit that\nbegan: the press that starts one and the press that opens are the same\npress, so the only thing that can be got right is not committing early.\n\nThe window is generous in the one direction that is cheap. Reading a lone\nclick as a pair costs a wait before the box appears; reading a pair as a lone\nclick renames when the user asked to open. The same reasoning covers a press\nthat turns into a drag, a press elsewhere, and any key — each calls the\npending rename off, because none of them is the click it is waiting for.\n\n### An icon alone is a picture; an icon in a field is an option\n\n`role=\"option\"` is only meaningful inside a `listbox` that owns it. Written\nunconditionally it is not merely untidy — the browser *drops* it, and\n`aria-selected` with it, so a `selectable` icon announced as a bare generic\nand its selection state reached assistive tech nowhere at all.\n\nSo the role follows the container. Owned, the icon is an `option` that names\nitself from its plate and publishes `aria-selected`. Unowned, it degrades to\n`role=\"img\"` with a name — the same vocabulary the derived open ghost uses,\nand true of what it is. Deliberately not `button`: that would promise Enter\nand Space activate, and here Return *renames* while the open route is ⌘O / ⌘↓.\n\nThe owner is `vf-icon-field`, the container a field of icons sits in, and\nit is what buys the selection state back:\n\n```html\n<vf-icon-field label=\"Desktop\">\n  <vf-icon label=\"Macintosh HD\" selectable movable editable>…</vf-icon>\n  <vf-icon label=\"Trash\" selectable movable editable>…</vf-icon>\n</vf-icon-field>\n```\n\nA `vf-desktop` cannot be that container itself: it also holds windows and a\nmenu bar, and a non-`option` child of a listbox is invalid the same way the\norphaned option was. The field is layout-neutral — placed icons anchor to\nthe nearest *positioned* ancestor, which is still the desktop's raster. An\nelement of your own carrying `role=\"listbox\"` still owns an icon the same\nway. One divergence from the APG listbox is deliberate: its options share\na single roving tab stop, while these stay one stop each, the way a Finder\nicon is reached on its own.\n\n**`selectable` is what makes an icon focusable**, and `movable`/`editable`\npresuppose it. That is the Finder's own model — you cannot move or rename\nwhat you have not selected — and the pointer path already assumed it: the\nrename opens on a press on the plate of an *already-selected* icon. A\n`movable`-only icon is a picture you can drag, not a widget.\n\n### The label is a property, because it is editable\n\nThe caption is `label` rather than slotted content: renaming means the\ncomponent owns the string and hands it back on `vf-change`, and it cannot own\ntext that lives in the consumer's DOM. An empty `label` draws no plate at\nall — that *is* the \"no label\" parameter, in preference to a second attribute\nthat could disagree with it. `editable` then lets a click on the plate of an\nalready-selected icon open the rename box a moment later, as the Finder's\ndoes (see above), with Return committing, Escape reverting, and the plate\nwidening as you type.\n\n### A name is never abbreviated, and never folded\n\nThere is no ellipsis, no clipping and no wrapping: one line, always. System 7\nsolved the long-name problem at the *other* end — HFS capped a filename at 31\ncharacters — so the Finder could afford to always draw the name in full, and\ndid. A name wider than its cell simply overflows it, centered, the way a name\nwider than a 32-pixel icon always did.\n\nStaying on one line is also what keeps the name on the grid: a single run has\na single measured width, so the even-plate rule above is one number rather\nthan one per line, each with its own parity. `width` is therefore the cell —\nthe grid pitch — not a bound on the name.\n\n`maxlength` (31) bounds the rename field rather than the `label` property:\nthe name belongs to the consumer's model, and truncating one handed to us\nwould lose data.\n\nThe box hugs its text while you type it, not only once you are done, which is\nwhat keeps the name from moving when the edit commits: the plate is the same\nwidth either side of it, so the glyphs stay exactly where they were.\n\nA file also has to be called *something*, so a rename committed empty — or\nas nothing but spaces — is refused rather than applied, and the previous name\ncomes back, which is what System 7 did. An empty `label` is still a perfectly\ngood state to *start* in, though: a freshly made icon has no name until it is\ngiven one. Such an icon draws no plate but stays selectable, focusable and\nrenameable — Return opens a field, and an edit with nothing in it yet is the\none time the box stops hugging and reserves a cell's width, since a field you\ncannot see is one you cannot type into.\n---\n\n\n### **Events:**\n - **vf-select** - Selection changed by user interaction. `detail: { selected: boolean }`.\n- **vf-change** - The name was committed. `detail: { label: string, previous: string }`.\n- **vf-open** - The icon was opened — double-clicked anywhere on it, its name included, or ⌘O / ⌘↓ from the keyboard (Ctrl off the Mac), the System 7 shortcuts. Return renames instead, as the Finder's did. `detail: {}`.\n- **vf-name-too-long** - A rename was typed or pasted past `maxlength`, and the field refused the excess. `detail: { attempted, accepted, limit }` — enough to raise the alert System 7 raised rather than drop the characters silently. Not fired for a `label` set from your own code, which is never truncated in the first place.\n- **vf-name-rejected** - A rename was committed with no name in it, so the edit was dropped and the old name put back. `detail: { attempted, kept, reason: 'empty' }`. A `vf-change` is *not* fired alongside it — nothing changed.\n- **vf-drag-start** - A drag began: the first lattice step away from the press. `detail: { left, top, icons }` — the origin, whole system px in the icon's container, and every icon the drag carries (this one first).\n- **vf-drag** - A step that changed the proposal. `detail: { clientX, clientY, left, top, x, y, icons }` — the pointer in viewport CSS px, the proposed origin in the container (whole system px on the lattice), the outline's top-left in viewport CSS px, and the icons travelling.\n- **vf-drop** - The release; cancelable. The same detail as `vf-drag`. Its default action writes the proposal through `left`/`top` — every icon in `icons` by the same delta, clamped whole in the container as a group; `preventDefault()` writes nothing.\n- **vf-drag-cancel** - The drag was abandoned — Escape, or a `pointercancel` — and nothing was written. `detail: {}`.\n\n### **Slots:**\n - **large** - The 32×32 art, normally a `vf-img` around an `<img>`.\n- **small** - The 16×16 art, shown under `size=\"small\"`.\n\n### **CSS Properties:**\n - **--vf-icon-gap** - Space between the art cell and the name plate _(default: undefined)_\n- **--vf-icon-label-height** - The name plate's line box _(default: undefined)_\n\n### **CSS Parts:**\n - **frame** - The icon and its label plate, stacked.\n- **icon** - The reserved art cell.\n- **label** - The name block; its lines are centered under the art.\n- **plate** - The inked run behind the name, which each wrapped line gets its own of (inverts when selected).\n- **input** - The rename field, while editing.",
+      "description": "`<vf-icon>` — a Finder icon: pixel art in a reserved cell with its name on a\nplate below, selectable, movable and renameable in place.\n\nIt is the one composite in the kit whose parts already existed separately —\n`vf-img` draws the art, `vf-list-item` inverts on selection, `vf-window`\ndrags — and the reason to have it anyway is that the *icon* is the unit the\nFinder actually manipulates. A picture and a caption that select together,\nmove together and rename together is a control, not a layout.\n\n### The art arrives by slot\n\nTwo slots, one per resource size — `large` is the 32×32 `ICN#` and `small`\nthe 16×16 `ics#` — each holding a `vf-img` around the consumer's own `<img>`:\n\n```html\n<vf-icon label=\"Macintosh HD\" selectable movable editable>\n  <vf-img slot=\"large\"><img src=\"hd-32.png\" alt=\"\"></vf-img>\n  <vf-img slot=\"small\"><img src=\"hd-16.png\" alt=\"\"></vf-img>\n</vf-icon>\n```\n\nSlots rather than `src` properties, for the reason `vf-img` exists at all:\nthe kit ships no raster files and never builds an `<img>` on a consumer's\nbehalf, so the graphic stays a real element in the light DOM with its own\n`alt`, `srcset`, loading behavior and asset URLs. A `src` string can express\nnone of that, and it could not hold an inline `<svg>` or a `<canvas>` either.\n`vf-list-item`'s `icon` slot makes the same trade.\n\nThe cost is that both files fetch even though one paints — pay it with two\ndata URIs, or slot only the size that view uses.\n\n### The cell is reserved, the art is registered in it\n\n`size` picks which slot paints *and* the cell it paints in: 32×32 or 16×16,\nheld whether or not there is art for it. A folder is 32×20 of ink and a\ndocument 25×32, and a row of them keeps one baseline only because the cell —\nnot the ink — is the unit, which is what an icon resource always was.\n\n### Everything centered lands on a whole pixel, by parity\n\nThe frame centers two things over one axis — the art cell and the name — and\na centered child sits at `(box − child) / 2`. That is a whole number exactly\nwhen the box and the child have the **same parity**. Half a system pixel is\nwhat fringes 1-bit art: the glyph stems smear across two device columns and\ngo gray, while the plate behind them stays sharp, because backgrounds are\npixel-snapped by the compositor and glyphs are not. A crisp plate under a\ngrey name is the signature of exactly this.\n\nSo the component makes the parities agree instead of correcting afterwards.\nThe cell is 32 or 16, and #measurePlate sizes the name plate to a\nwhole **even** number of system px — measured from the text, rounded up. Both\nchildren are then even, and so is every offset, at every display density and\nwhether or not a `width` is declared. Nothing is snapped, nothing leans on\nthe rasterizer, and `verify:icon` asserts both the geometry and that a field\nof names renders without a single gray pixel — with the kit's normal\nantialiasing left on, since a run on whole pixels gives it nothing to smooth.\n\nYour side of it is one rule: **a declared `width` must be even**, since the\ncomponent cannot round a number you chose. Supply art at the cell size too —\nwhich \"one image pixel is one system pixel\" already implies — because art\ndiffering from its cell by an odd number centers the same way.\n\n### Selection inverts, because the art is a 1-bit mask\n\nA System 7 icon is black ink and opaque white on a transparent surround —\nprecisely an image plus its mask — so inverting it flips ink and fill and\nleaves the surround alone, which is the whole of the classic selected\nappearance. `filter: invert(1)` reproduces it exactly for 1-bit art. Color\nart would invert into a photographic negative, which was never what\nSystem 7 showed: declare `color` and selection **darkens** the art\ninstead — Icon Utilities' ttSelected transform, every color blended\nhalfway toward black (`brightness(0.5)`), whites going gray, the\ntransparent surround still untouched. The declaration is the consumer's\nbecause the component cannot tell color art from a mask by looking at a\nslotted image. It covers whatever the cell shows, the derived open ghost\nincluded, so a color icon has one selected treatment open or closed. The\nlabel plate inverts to the `--vf-highlight` pair either way, sharing one\nselection color with `vf-list-item` — the selected name was inverted\nwhatever the art.\n\n### Open is derived, not shipped\n\nWith `open`, the art redraws as the Finder's open ghost: the outline held\nin solid black, the interior re-filled with the kit's loose 25% dither (the\nscrollbar trough's lattice), the transparent surround untouched. There is\nno second raster and no second fetch — the same alpha channel that makes\nselection an inversion makes the ghost derivable, and `src/open-art.ts`\nderives it from the slotted art by canvas compositing alone. No pixels are\never read back, so a cross-origin image that taints its canvas still works:\ntaint forbids reading, not drawing or displaying.\n\nThe ghost keeps the shape selection expects — ink and opaque white on a\ntransparent surround — so a selected open icon inverts exactly as a closed\none does, with no second treatment. The slot stays in the tree while the\nghost paints, hidden (it is where the art loads, and re-loads, from), and\nart the pipeline cannot draw — nothing slotted yet, a failed load, an\ninline `<svg>` — keeps rendering as itself rather than vanishing behind a\nstate it cannot show.\n\n### `movable`, not `draggable`\n\n`draggable` is a global HTML attribute *and* an `HTMLElement` accessor, so\ndeclaring it would both shadow a platform member and hand the element to the\nbrowser's own drag-and-drop machinery. This is the `align` trap from\n`vf-stack` in a second costume — `align`, `hidden`, `dir`, `draggable` and\n`title` all carry behavior a custom element never asked for. The kit already\nspells this parameter `movable` on `vf-window`, so the icon does too, and it\nmoves the same way: `DragController` tracks the gesture and\n`PlacementController` writes the result into `left`/`top` in whole system px,\nthe art's own unit — the same pair markup places an icon with, so a moved\nicon is still where it was dropped after a zoom.\n\nDragging is a pointer gesture with no keyboard equivalent, which is the kind\nof gap the kit closes rather than inherits (SPEC §1): a focused movable icon\nalso moves under the arrow keys, one system px at a time and eight with\nShift. Focus is what `selectable` grants, so the keyboard half of `movable`\nand `editable` presupposes it — see the role section below.\n\n### The drag is an outline; the icon stays put\n\nThe Finder dragged an icon as a dotted outline — the mask's boundary and\nthe name's rectangle — drawn over everything with the XOR pen, the icon\nitself staying put until the drop. The kit draws it from what it already\nhas: deriveDragOutline finds the ring the way the open ghost does\n(the silhouette from the art's alpha, the plate's rectangle united with\nit, the whole inset by one pixel as `FrameRgn` inset a region, the ring\nthe inset removes — so where the art and the plate abut, the outline\nwraps around both), and dotOutline dots it against a 2×2 checker\n— compositing only, so cross-origin art derives too, and art the\npipeline cannot draw falls back to the cell's rectangle. The canvas\ncovers the frame widened to the plate, since a name wider than a\ndeclared `width` overhangs the frame.\nThe canvas paints with the cursor's XOR recipe, `filter: invert(1)` under\n`mix-blend-mode: difference`: a dotted black line over a white window\nbody, and over the desktop dither a black line, the composition\nQuickDraw's pattern pen gave — the checker's phase is taken from where\nthe outline lands on the *screen* (penPhase), so its dots fall on\nthe pixels the dither leaves white wherever it goes, and the dither's own\nink fills in between them.\n\nIt draws on the desktop's drag surface: a layer in the screen's shadow,\nover windows, palettes and the menu bar alike, clipped at the raster's\nedge like everything else, reached through the `vf-drag-surface-request`\nhandshake (bubbles, non-composed — it travels up the slots the icon is\nassigned to, so it works from inside a window body). With no desktop the\ncanvas lives in the icon's own frame instead, translated by the delta,\nclipped by whatever clips the icon; the gesture and its events are the\nsame either way. Its origin is a whole count of system px from the\nsurface's, written as a live `sysLength()`, so a scale change mid-gesture\ncannot smear it.\n\n### The drag reports, the page files\n\nThe kit ships no filing semantics — folders are the page's own catalog —\nso a drag is a stream of events and a cancelable commit, on the icon:\n\n- `vf-drag-start` `{ left, top }` on the first lattice step away from the\n  press (a plain click never starts one, and never fires a drop);\n- `vf-drag` `{ clientX, clientY, left, top, x, y }` on every step that\n  changed the snapped proposal;\n- `vf-drop`, the same shape at the release, **cancelable**: its default\n  action is the move, the proposal written through `left`/`top` and\n  clamped whole in the container measured at the press. `preventDefault()`\n  writes nothing — the page re-parents or places the icon itself, the\n  outline's origin converted with the destination's `placementAt`;\n- `vf-drag-cancel` `{}` on Escape or a `pointercancel`: nothing written.\n\n`left`/`top` in the detail are the *proposal*, unclamped — the origin plus\nthe lattice-snapped delta — and only the default action clamps, so a page\nthat cancels gets the raw gesture. `x`/`y` are the outline's top-left in\nviewport CSS px: the frame's box at the press translated by the delta,\nthe press offset already inside it, so an icon placed at the\ndestination's `placementAt(x, y)` lands exactly where the outline was.\n\n### The selection travels\n\nA drag that begins on a *selected* icon takes every other selected,\nmovable icon of its field with it — the Finder outlined the whole\nselection under a drag on any member. Each follower draws its own outline\n(followDrag), moved by the same lattice delta as the leader's, and\nthe leader's events carry the set as `detail.icons`, itself first. The\ndefault action of the drop clamps the delta once for the whole group —\nthe arrangement is kept, and the group stops when its outermost member\nmeets the container's edge — then writes each member's origin plus that\ndelta. A cancel takes every outline down and writes nothing. A press on\nan unselected icon makes it the selection first (the outside listeners\nclear the others), so it drags alone; a Shift press that deselects the\npressed icon drags it alone too, the rest staying where they are.\n\nFor the selection to travel, a plain press on one of its members must not\ncollapse it: the other icons' outside-press listeners leave a selection\nalone when the press landed on an icon already selected in the same\nfield. A *click* on such an icon — released with no drag — collapses the\nselection to it on the release, so a click still single-selects and the\nsame press could have dragged them all.\n\nEscape is heard by a document listener scoped to the gesture rather than\nby the icon's own key handler, because a `movable`-only icon never takes\nfocus — an addition in the kit's idiom (a pointer-only gesture with no way\nout is the kind of gap SPEC §1 closes), not a claim about the Finder.\n\n`target` is the destination highlight the page sets on the folder under a\ndrag: the selected treatment of the art alone — inverted, or darkened\nunder `color` — with none of `selected`'s semantics: no event, no outside\nlistener, no `aria-selected`, the plate untouched.\n\nOpening gets the same treatment. The double-click is the pointer gesture,\nand its keyboard route is ⌘O / ⌘↓ — the System 7 Open shortcuts, with Ctrl\nstanding in for ⌘ off the Mac. Return is deliberately not one of them: the\nFinder's Return renamed, never opened, so on an editable icon it starts the\nedit and on a non-editable one it does nothing at all.\n\n### The name and the art are one target, and the second click decides\n\nA double-click opens the icon *wherever it lands* — the name is as much the\nicon as the picture is, and the Finder never made you aim at the 32 pixels of\nart. But the name is also where a single click renames, so the two gestures\nbegin with the same press and only the second one tells them apart.\n\nSo the rename waits for it. A press on the plate of an already-selected icon\narms the field rather than opening it, and the next press inside\nRENAME_DELAY_MS calls it off — leaving the double-click to open, with\nno rename box flashing up behind it. Nothing needs to *undo* an edit that\nbegan: the press that starts one and the press that opens are the same\npress, so the only thing that can be got right is not committing early.\n\nThe window is generous in the one direction that is cheap. Reading a lone\nclick as a pair costs a wait before the box appears; reading a pair as a lone\nclick renames when the user asked to open. The same reasoning covers a press\nthat turns into a drag, a press elsewhere, and any key — each calls the\npending rename off, because none of them is the click it is waiting for.\n\n### An icon alone is a picture; an icon in a field is an option\n\n`role=\"option\"` is only meaningful inside a `listbox` that owns it. Written\nunconditionally it is not merely untidy — the browser *drops* it, and\n`aria-selected` with it, so a `selectable` icon announced as a bare generic\nand its selection state reached assistive tech nowhere at all.\n\nSo the role follows the container. Owned, the icon is an `option` that names\nitself from its plate and publishes `aria-selected`. Unowned, it degrades to\n`role=\"img\"` with a name — the same vocabulary the derived open ghost uses,\nand true of what it is. Deliberately not `button`: that would promise Enter\nand Space activate, and here Return *renames* while the open route is ⌘O / ⌘↓.\n\nThe owner is `vf-icon-field`, the container a field of icons sits in, and\nit is what buys the selection state back:\n\n```html\n<vf-icon-field label=\"Desktop\">\n  <vf-icon label=\"Macintosh HD\" selectable movable editable>…</vf-icon>\n  <vf-icon label=\"Trash\" selectable movable editable>…</vf-icon>\n</vf-icon-field>\n```\n\nA `vf-desktop` cannot be that container itself: it also holds windows and a\nmenu bar, and a non-`option` child of a listbox is invalid the same way the\norphaned option was. The field is layout-neutral — placed icons anchor to\nthe nearest *positioned* ancestor, which is still the desktop's raster. An\nelement of your own carrying `role=\"listbox\"` still owns an icon the same\nway. One divergence from the APG listbox is deliberate: its options share\na single roving tab stop, while these stay one stop each, the way a Finder\nicon is reached on its own.\n\n**`selectable` is what makes an icon focusable**, and `movable`/`editable`\npresuppose it. That is the Finder's own model — you cannot move or rename\nwhat you have not selected — and the pointer path already assumed it: the\nrename opens on a press on the plate of an *already-selected* icon. A\n`movable`-only icon is a picture you can drag, not a widget.\n\n### The label is a property, because it is editable\n\nThe caption is `label` rather than slotted content: renaming means the\ncomponent owns the string and hands it back on `vf-change`, and it cannot own\ntext that lives in the consumer's DOM. An empty `label` draws no plate at\nall — that *is* the \"no label\" parameter, in preference to a second attribute\nthat could disagree with it. `editable` then lets a click on the plate of an\nalready-selected icon open the rename box a moment later, as the Finder's\ndoes (see above), with Return committing, Escape reverting, and the plate\nwidening as you type.\n\n### A name is never abbreviated, and never folded\n\nThere is no ellipsis, no clipping and no wrapping: one line, always. System 7\nsolved the long-name problem at the *other* end — HFS capped a filename at 31\ncharacters — so the Finder could afford to always draw the name in full, and\ndid. A name wider than its cell simply overflows it, centered, the way a name\nwider than a 32-pixel icon always did.\n\nStaying on one line is also what keeps the name on the grid: a single run has\na single measured width, so the even-plate rule above is one number rather\nthan one per line, each with its own parity. `width` is therefore the cell —\nthe grid pitch — not a bound on the name.\n\n`maxlength` (31) bounds the rename field rather than the `label` property:\nthe name belongs to the consumer's model, and truncating one handed to us\nwould lose data.\n\nThe box hugs its text while you type it, not only once you are done, which is\nwhat keeps the name from moving when the edit commits: the plate is the same\nwidth either side of it, so the glyphs stay exactly where they were.\n\nA file also has to be called *something*, so a rename committed empty — or\nas nothing but spaces — is refused rather than applied, and the previous name\ncomes back, which is what System 7 did. An empty `label` is still a perfectly\ngood state to *start* in, though: a freshly made icon has no name until it is\ngiven one. Such an icon draws no plate but stays selectable, focusable and\nrenameable — Return opens a field, and an edit with nothing in it yet is the\none time the box stops hugging and reserves a cell's width, since a field you\ncannot see is one you cannot type into.\n---\n\n\n### **Events:**\n - **vf-select** - Selection changed by user interaction. `detail: { selected: boolean }`.\n- **vf-change** - The name was committed. `detail: { label: string, previous: string }`.\n- **vf-open** - The icon was opened — double-clicked anywhere on it, its name included, or ⌘O / ⌘↓ from the keyboard (Ctrl off the Mac), the System 7 shortcuts. Return renames instead, as the Finder's did. `detail: {}`.\n- **vf-name-too-long** - A rename was typed or pasted past `maxlength`, and the field refused the excess. `detail: { attempted, accepted, limit }` — enough to raise the alert System 7 raised rather than drop the characters silently. Not fired for a `label` set from your own code, which is never truncated in the first place.\n- **vf-name-rejected** - A rename was committed with no name in it, so the edit was dropped and the old name put back. `detail: { attempted, kept, reason: 'empty' }`. A `vf-change` is *not* fired alongside it — nothing changed.\n- **vf-drag-start** - A drag began: the first lattice step away from the press. `detail: { left, top, icons }` — the origin, whole system px in the icon's container, and every icon the drag carries (this one first).\n- **vf-drag** - A step that changed the proposal. `detail: { clientX, clientY, left, top, x, y, icons }` — the pointer in viewport CSS px, the proposed origin in the container (whole system px on the lattice), the outline's top-left in viewport CSS px, and the icons travelling.\n- **vf-drop** - The release; cancelable. The same detail as `vf-drag`. Its default action writes the proposal through `left`/`top` — every icon in `icons` by the same delta, clamped whole in the container as a group; `preventDefault()` writes nothing.\n- **vf-drag-cancel** - The drag was abandoned — Escape, or a `pointercancel` — and nothing was written. `detail: {}`.\n\n### **Slots:**\n - **large** - The 32×32 art, normally a `vf-img` around an `<img>`.\n- **small** - The 16×16 art, shown under `size=\"small\"`.\n\n### **CSS Properties:**\n - **--vf-icon-gap** - Space between the art cell and the name plate; 0 by default, the plate directly under the cell as the Finder drew it _(default: undefined)_\n- **--vf-icon-label-height** - The name plate's line box _(default: undefined)_\n\n### **CSS Parts:**\n - **frame** - The icon and its label plate, stacked.\n- **icon** - The reserved art cell.\n- **label** - The name block; its lines are centered under the art.\n- **plate** - The inked run behind the name, which each wrapped line gets its own of (inverts when selected).\n- **input** - The rename field, while editing.",
       "attributes": [
         {
           "name": "label",

package/editor/web-types.json

@@ -1,7 +1,7 @@
 {
   "$schema": "https://raw.githubusercontent.com/JetBrains/web-types/master/schema/web-types.json",
   "name": "vintage-frames",
-  "version": "0.8.0",
+  "version": "0.9.0",
   "description-markup": "markdown",
   "contributions": {
     "html": {
@@ -1075,7 +1075,7 @@
         },
         {
           "name": "vf-icon",
-          "description": "`<vf-icon>` — a Finder icon: pixel art in a reserved cell with its name on a\nplate below, selectable, movable and renameable in place.\n\nIt is the one composite in the kit whose parts already existed separately —\n`vf-img` draws the art, `vf-list-item` inverts on selection, `vf-window`\ndrags — and the reason to have it anyway is that the *icon* is the unit the\nFinder actually manipulates. A picture and a caption that select together,\nmove together and rename together is a control, not a layout.\n\n### The art arrives by slot\n\nTwo slots, one per resource size — `large` is the 32×32 `ICN#` and `small`\nthe 16×16 `ics#` — each holding a `vf-img` around the consumer's own `<img>`:\n\n```html\n<vf-icon label=\"Macintosh HD\" selectable movable editable>\n  <vf-img slot=\"large\"><img src=\"hd-32.png\" alt=\"\"></vf-img>\n  <vf-img slot=\"small\"><img src=\"hd-16.png\" alt=\"\"></vf-img>\n</vf-icon>\n```\n\nSlots rather than `src` properties, for the reason `vf-img` exists at all:\nthe kit ships no raster files and never builds an `<img>` on a consumer's\nbehalf, so the graphic stays a real element in the light DOM with its own\n`alt`, `srcset`, loading behavior and asset URLs. A `src` string can express\nnone of that, and it could not hold an inline `<svg>` or a `<canvas>` either.\n`vf-list-item`'s `icon` slot makes the same trade.\n\nThe cost is that both files fetch even though one paints — pay it with two\ndata URIs, or slot only the size that view uses.\n\n### The cell is reserved, the art is registered in it\n\n`size` picks which slot paints *and* the cell it paints in: 32×32 or 16×16,\nheld whether or not there is art for it. A folder is 32×20 of ink and a\ndocument 25×32, and a row of them keeps one baseline only because the cell —\nnot the ink — is the unit, which is what an icon resource always was.\n\n### Everything centered lands on a whole pixel, by parity\n\nThe frame centers two things over one axis — the art cell and the name — and\na centered child sits at `(box − child) / 2`. That is a whole number exactly\nwhen the box and the child have the **same parity**. Half a system pixel is\nwhat fringes 1-bit art: the glyph stems smear across two device columns and\ngo gray, while the plate behind them stays sharp, because backgrounds are\npixel-snapped by the compositor and glyphs are not. A crisp plate under a\ngrey name is the signature of exactly this.\n\nSo the component makes the parities agree instead of correcting afterwards.\nThe cell is 32 or 16, and #measurePlate sizes the name plate to a\nwhole **even** number of system px — measured from the text, rounded up. Both\nchildren are then even, and so is every offset, at every display density and\nwhether or not a `width` is declared. Nothing is snapped, nothing leans on\nthe rasterizer, and `verify:icon` asserts both the geometry and that a field\nof names renders without a single gray pixel — with the kit's normal\nantialiasing left on, since a run on whole pixels gives it nothing to smooth.\n\nYour side of it is one rule: **a declared `width` must be even**, since the\ncomponent cannot round a number you chose. Supply art at the cell size too —\nwhich \"one image pixel is one system pixel\" already implies — because art\ndiffering from its cell by an odd number centers the same way.\n\n### Selection inverts, because the art is a 1-bit mask\n\nA System 7 icon is black ink and opaque white on a transparent surround —\nprecisely an image plus its mask — so inverting it flips ink and fill and\nleaves the surround alone, which is the whole of the classic selected\nappearance. `filter: invert(1)` reproduces it exactly for 1-bit art. Color\nart would invert into a photographic negative, which was never what\nSystem 7 showed: declare `color` and selection **darkens** the art\ninstead — Icon Utilities' ttSelected transform, every color blended\nhalfway toward black (`brightness(0.5)`), whites going gray, the\ntransparent surround still untouched. The declaration is the consumer's\nbecause the component cannot tell color art from a mask by looking at a\nslotted image. It covers whatever the cell shows, the derived open ghost\nincluded, so a color icon has one selected treatment open or closed. The\nlabel plate inverts to the `--vf-highlight` pair either way, sharing one\nselection color with `vf-list-item` — the selected name was inverted\nwhatever the art.\n\n### Open is derived, not shipped\n\nWith `open`, the art redraws as the Finder's open ghost: the outline held\nin solid black, the interior re-filled with the kit's loose 25% dither (the\nscrollbar trough's lattice), the transparent surround untouched. There is\nno second raster and no second fetch — the same alpha channel that makes\nselection an inversion makes the ghost derivable, and `src/open-art.ts`\nderives it from the slotted art by canvas compositing alone. No pixels are\never read back, so a cross-origin image that taints its canvas still works:\ntaint forbids reading, not drawing or displaying.\n\nThe ghost keeps the shape selection expects — ink and opaque white on a\ntransparent surround — so a selected open icon inverts exactly as a closed\none does, with no second treatment. The slot stays in the tree while the\nghost paints, hidden (it is where the art loads, and re-loads, from), and\nart the pipeline cannot draw — nothing slotted yet, a failed load, an\ninline `<svg>` — keeps rendering as itself rather than vanishing behind a\nstate it cannot show.\n\n### `movable`, not `draggable`\n\n`draggable` is a global HTML attribute *and* an `HTMLElement` accessor, so\ndeclaring it would both shadow a platform member and hand the element to the\nbrowser's own drag-and-drop machinery. This is the `align` trap from\n`vf-stack` in a second costume — `align`, `hidden`, `dir`, `draggable` and\n`title` all carry behavior a custom element never asked for. The kit already\nspells this parameter `movable` on `vf-window`, so the icon does too, and it\nmoves the same way: `DragController` tracks the gesture and\n`PlacementController` writes the result into `left`/`top` in whole system px,\nthe art's own unit — the same pair markup places an icon with, so a moved\nicon is still where it was dropped after a zoom.\n\nDragging is a pointer gesture with no keyboard equivalent, which is the kind\nof gap the kit closes rather than inherits (SPEC §1): a focused movable icon\nalso moves under the arrow keys, one system px at a time and eight with\nShift. Focus is what `selectable` grants, so the keyboard half of `movable`\nand `editable` presupposes it — see the role section below.\n\n### The drag is an outline; the icon stays put\n\nThe Finder dragged an icon as a dotted outline — the mask's boundary and\nthe name's rectangle — drawn over everything with the XOR pen, the icon\nitself staying put until the drop. The kit draws it from what it already\nhas: deriveDragOutline finds the ring the way the open ghost does\n(the silhouette from the art's alpha, eroded by one pixel, the ring the\nerosion removes), adds the plate's rectangle, and dotOutline dots\nit against a 2×2 checker — compositing only, so cross-origin art derives\ntoo, and art the pipeline cannot draw falls back to the cell's rectangle.\nThe canvas paints with the cursor's XOR recipe, `filter: invert(1)` under\n`mix-blend-mode: difference`: a dotted black line over a white window\nbody, and over the desktop dither a black line, the composition\nQuickDraw's pattern pen gave — the checker's phase is taken from where\nthe outline lands on the *screen* (penPhase), so its dots fall on\nthe pixels the dither leaves white wherever it goes, and the dither's own\nink fills in between them.\n\nIt draws on the desktop's drag surface: a layer in the screen's shadow,\nover windows, palettes and the menu bar alike, clipped at the raster's\nedge like everything else, reached through the `vf-drag-surface-request`\nhandshake (bubbles, non-composed — it travels up the slots the icon is\nassigned to, so it works from inside a window body). With no desktop the\ncanvas lives in the icon's own frame instead, translated by the delta,\nclipped by whatever clips the icon; the gesture and its events are the\nsame either way. Its origin is a whole count of system px from the\nsurface's, written as a live `sysLength()`, so a scale change mid-gesture\ncannot smear it.\n\n### The drag reports, the page files\n\nThe kit ships no filing semantics — folders are the page's own catalog —\nso a drag is a stream of events and a cancelable commit, on the icon:\n\n- `vf-drag-start` `{ left, top }` on the first lattice step away from the\n  press (a plain click never starts one, and never fires a drop);\n- `vf-drag` `{ clientX, clientY, left, top, x, y }` on every step that\n  changed the snapped proposal;\n- `vf-drop`, the same shape at the release, **cancelable**: its default\n  action is the move, the proposal written through `left`/`top` and\n  clamped whole in the container measured at the press. `preventDefault()`\n  writes nothing — the page re-parents or places the icon itself, the\n  outline's origin converted with the destination's `placementAt`;\n- `vf-drag-cancel` `{}` on Escape or a `pointercancel`: nothing written.\n\n`left`/`top` in the detail are the *proposal*, unclamped — the origin plus\nthe lattice-snapped delta — and only the default action clamps, so a page\nthat cancels gets the raw gesture. `x`/`y` are the outline's top-left in\nviewport CSS px: the frame's box at the press translated by the delta,\nthe press offset already inside it, so an icon placed at the\ndestination's `placementAt(x, y)` lands exactly where the outline was.\n\n### The selection travels\n\nA drag that begins on a *selected* icon takes every other selected,\nmovable icon of its field with it — the Finder outlined the whole\nselection under a drag on any member. Each follower draws its own outline\n(followDrag), moved by the same lattice delta as the leader's, and\nthe leader's events carry the set as `detail.icons`, itself first. The\ndefault action of the drop clamps the delta once for the whole group —\nthe arrangement is kept, and the group stops when its outermost member\nmeets the container's edge — then writes each member's origin plus that\ndelta. A cancel takes every outline down and writes nothing. A press on\nan unselected icon makes it the selection first (the outside listeners\nclear the others), so it drags alone; a Shift press that deselects the\npressed icon drags it alone too, the rest staying where they are.\n\nFor the selection to travel, a plain press on one of its members must not\ncollapse it: the other icons' outside-press listeners leave a selection\nalone when the press landed on an icon already selected in the same\nfield. A *click* on such an icon — released with no drag — collapses the\nselection to it on the release, so a click still single-selects and the\nsame press could have dragged them all.\n\nEscape is heard by a document listener scoped to the gesture rather than\nby the icon's own key handler, because a `movable`-only icon never takes\nfocus — an addition in the kit's idiom (a pointer-only gesture with no way\nout is the kind of gap SPEC §1 closes), not a claim about the Finder.\n\n`target` is the destination highlight the page sets on the folder under a\ndrag: the selected treatment of the art alone — inverted, or darkened\nunder `color` — with none of `selected`'s semantics: no event, no outside\nlistener, no `aria-selected`, the plate untouched.\n\nOpening gets the same treatment. The double-click is the pointer gesture,\nand its keyboard route is ⌘O / ⌘↓ — the System 7 Open shortcuts, with Ctrl\nstanding in for ⌘ off the Mac. Return is deliberately not one of them: the\nFinder's Return renamed, never opened, so on an editable icon it starts the\nedit and on a non-editable one it does nothing at all.\n\n### The name and the art are one target, and the second click decides\n\nA double-click opens the icon *wherever it lands* — the name is as much the\nicon as the picture is, and the Finder never made you aim at the 32 pixels of\nart. But the name is also where a single click renames, so the two gestures\nbegin with the same press and only the second one tells them apart.\n\nSo the rename waits for it. A press on the plate of an already-selected icon\narms the field rather than opening it, and the next press inside\nRENAME_DELAY_MS calls it off — leaving the double-click to open, with\nno rename box flashing up behind it. Nothing needs to *undo* an edit that\nbegan: the press that starts one and the press that opens are the same\npress, so the only thing that can be got right is not committing early.\n\nThe window is generous in the one direction that is cheap. Reading a lone\nclick as a pair costs a wait before the box appears; reading a pair as a lone\nclick renames when the user asked to open. The same reasoning covers a press\nthat turns into a drag, a press elsewhere, and any key — each calls the\npending rename off, because none of them is the click it is waiting for.\n\n### An icon alone is a picture; an icon in a field is an option\n\n`role=\"option\"` is only meaningful inside a `listbox` that owns it. Written\nunconditionally it is not merely untidy — the browser *drops* it, and\n`aria-selected` with it, so a `selectable` icon announced as a bare generic\nand its selection state reached assistive tech nowhere at all.\n\nSo the role follows the container. Owned, the icon is an `option` that names\nitself from its plate and publishes `aria-selected`. Unowned, it degrades to\n`role=\"img\"` with a name — the same vocabulary the derived open ghost uses,\nand true of what it is. Deliberately not `button`: that would promise Enter\nand Space activate, and here Return *renames* while the open route is ⌘O / ⌘↓.\n\nThe owner is `vf-icon-field`, the container a field of icons sits in, and\nit is what buys the selection state back:\n\n```html\n<vf-icon-field label=\"Desktop\">\n  <vf-icon label=\"Macintosh HD\" selectable movable editable>…</vf-icon>\n  <vf-icon label=\"Trash\" selectable movable editable>…</vf-icon>\n</vf-icon-field>\n```\n\nA `vf-desktop` cannot be that container itself: it also holds windows and a\nmenu bar, and a non-`option` child of a listbox is invalid the same way the\norphaned option was. The field is layout-neutral — placed icons anchor to\nthe nearest *positioned* ancestor, which is still the desktop's raster. An\nelement of your own carrying `role=\"listbox\"` still owns an icon the same\nway. One divergence from the APG listbox is deliberate: its options share\na single roving tab stop, while these stay one stop each, the way a Finder\nicon is reached on its own.\n\n**`selectable` is what makes an icon focusable**, and `movable`/`editable`\npresuppose it. That is the Finder's own model — you cannot move or rename\nwhat you have not selected — and the pointer path already assumed it: the\nrename opens on a press on the plate of an *already-selected* icon. A\n`movable`-only icon is a picture you can drag, not a widget.\n\n### The label is a property, because it is editable\n\nThe caption is `label` rather than slotted content: renaming means the\ncomponent owns the string and hands it back on `vf-change`, and it cannot own\ntext that lives in the consumer's DOM. An empty `label` draws no plate at\nall — that *is* the \"no label\" parameter, in preference to a second attribute\nthat could disagree with it. `editable` then lets a click on the plate of an\nalready-selected icon open the rename box a moment later, as the Finder's\ndoes (see above), with Return committing, Escape reverting, and the plate\nwidening as you type.\n\n### A name is never abbreviated, and never folded\n\nThere is no ellipsis, no clipping and no wrapping: one line, always. System 7\nsolved the long-name problem at the *other* end — HFS capped a filename at 31\ncharacters — so the Finder could afford to always draw the name in full, and\ndid. A name wider than its cell simply overflows it, centered, the way a name\nwider than a 32-pixel icon always did.\n\nStaying on one line is also what keeps the name on the grid: a single run has\na single measured width, so the even-plate rule above is one number rather\nthan one per line, each with its own parity. `width` is therefore the cell —\nthe grid pitch — not a bound on the name.\n\n`maxlength` (31) bounds the rename field rather than the `label` property:\nthe name belongs to the consumer's model, and truncating one handed to us\nwould lose data.\n\nThe box hugs its text while you type it, not only once you are done, which is\nwhat keeps the name from moving when the edit commits: the plate is the same\nwidth either side of it, so the glyphs stay exactly where they were.\n\nA file also has to be called *something*, so a rename committed empty — or\nas nothing but spaces — is refused rather than applied, and the previous name\ncomes back, which is what System 7 did. An empty `label` is still a perfectly\ngood state to *start* in, though: a freshly made icon has no name until it is\ngiven one. Such an icon draws no plate but stays selectable, focusable and\nrenameable — Return opens a field, and an edit with nothing in it yet is the\none time the box stops hugging and reserves a cell's width, since a field you\ncannot see is one you cannot type into.\n---\n\n\n### **Events:**\n - **vf-select** - Selection changed by user interaction. `detail: { selected: boolean }`.\n- **vf-change** - The name was committed. `detail: { label: string, previous: string }`.\n- **vf-open** - The icon was opened — double-clicked anywhere on it, its name included, or ⌘O / ⌘↓ from the keyboard (Ctrl off the Mac), the System 7 shortcuts. Return renames instead, as the Finder's did. `detail: {}`.\n- **vf-name-too-long** - A rename was typed or pasted past `maxlength`, and the field refused the excess. `detail: { attempted, accepted, limit }` — enough to raise the alert System 7 raised rather than drop the characters silently. Not fired for a `label` set from your own code, which is never truncated in the first place.\n- **vf-name-rejected** - A rename was committed with no name in it, so the edit was dropped and the old name put back. `detail: { attempted, kept, reason: 'empty' }`. A `vf-change` is *not* fired alongside it — nothing changed.\n- **vf-drag-start** - A drag began: the first lattice step away from the press. `detail: { left, top, icons }` — the origin, whole system px in the icon's container, and every icon the drag carries (this one first).\n- **vf-drag** - A step that changed the proposal. `detail: { clientX, clientY, left, top, x, y, icons }` — the pointer in viewport CSS px, the proposed origin in the container (whole system px on the lattice), the outline's top-left in viewport CSS px, and the icons travelling.\n- **vf-drop** - The release; cancelable. The same detail as `vf-drag`. Its default action writes the proposal through `left`/`top` — every icon in `icons` by the same delta, clamped whole in the container as a group; `preventDefault()` writes nothing.\n- **vf-drag-cancel** - The drag was abandoned — Escape, or a `pointercancel` — and nothing was written. `detail: {}`.\n\n### **Slots:**\n - **large** - The 32×32 art, normally a `vf-img` around an `<img>`.\n- **small** - The 16×16 art, shown under `size=\"small\"`.\n\n### **CSS Properties:**\n - **--vf-icon-gap** - Space between the art cell and the name plate _(default: undefined)_\n- **--vf-icon-label-height** - The name plate's line box _(default: undefined)_\n\n### **CSS Parts:**\n - **frame** - The icon and its label plate, stacked.\n- **icon** - The reserved art cell.\n- **label** - The name block; its lines are centered under the art.\n- **plate** - The inked run behind the name, which each wrapped line gets its own of (inverts when selected).\n- **input** - The rename field, while editing.",
+          "description": "`<vf-icon>` — a Finder icon: pixel art in a reserved cell with its name on a\nplate below, selectable, movable and renameable in place.\n\nIt is the one composite in the kit whose parts already existed separately —\n`vf-img` draws the art, `vf-list-item` inverts on selection, `vf-window`\ndrags — and the reason to have it anyway is that the *icon* is the unit the\nFinder actually manipulates. A picture and a caption that select together,\nmove together and rename together is a control, not a layout.\n\n### The art arrives by slot\n\nTwo slots, one per resource size — `large` is the 32×32 `ICN#` and `small`\nthe 16×16 `ics#` — each holding a `vf-img` around the consumer's own `<img>`:\n\n```html\n<vf-icon label=\"Macintosh HD\" selectable movable editable>\n  <vf-img slot=\"large\"><img src=\"hd-32.png\" alt=\"\"></vf-img>\n  <vf-img slot=\"small\"><img src=\"hd-16.png\" alt=\"\"></vf-img>\n</vf-icon>\n```\n\nSlots rather than `src` properties, for the reason `vf-img` exists at all:\nthe kit ships no raster files and never builds an `<img>` on a consumer's\nbehalf, so the graphic stays a real element in the light DOM with its own\n`alt`, `srcset`, loading behavior and asset URLs. A `src` string can express\nnone of that, and it could not hold an inline `<svg>` or a `<canvas>` either.\n`vf-list-item`'s `icon` slot makes the same trade.\n\nThe cost is that both files fetch even though one paints — pay it with two\ndata URIs, or slot only the size that view uses.\n\n### The cell is reserved, the art is registered in it\n\n`size` picks which slot paints *and* the cell it paints in: 32×32 or 16×16,\nheld whether or not there is art for it. A folder is 32×20 of ink and a\ndocument 25×32, and a row of them keeps one baseline only because the cell —\nnot the ink — is the unit, which is what an icon resource always was.\n\n### Everything centered lands on a whole pixel, by parity\n\nThe frame centers two things over one axis — the art cell and the name — and\na centered child sits at `(box − child) / 2`. That is a whole number exactly\nwhen the box and the child have the **same parity**. Half a system pixel is\nwhat fringes 1-bit art: the glyph stems smear across two device columns and\ngo gray, while the plate behind them stays sharp, because backgrounds are\npixel-snapped by the compositor and glyphs are not. A crisp plate under a\ngrey name is the signature of exactly this.\n\nSo the component makes the parities agree instead of correcting afterwards.\nThe cell is 32 or 16, and #measurePlate sizes the name plate to a\nwhole **even** number of system px — measured from the text, rounded up. Both\nchildren are then even, and so is every offset, at every display density and\nwhether or not a `width` is declared. Nothing is snapped, nothing leans on\nthe rasterizer, and `verify:icon` asserts both the geometry and that a field\nof names renders without a single gray pixel — with the kit's normal\nantialiasing left on, since a run on whole pixels gives it nothing to smooth.\n\nYour side of it is one rule: **a declared `width` must be even**, since the\ncomponent cannot round a number you chose. Supply art at the cell size too —\nwhich \"one image pixel is one system pixel\" already implies — because art\ndiffering from its cell by an odd number centers the same way.\n\n### Selection inverts, because the art is a 1-bit mask\n\nA System 7 icon is black ink and opaque white on a transparent surround —\nprecisely an image plus its mask — so inverting it flips ink and fill and\nleaves the surround alone, which is the whole of the classic selected\nappearance. `filter: invert(1)` reproduces it exactly for 1-bit art. Color\nart would invert into a photographic negative, which was never what\nSystem 7 showed: declare `color` and selection **darkens** the art\ninstead — Icon Utilities' ttSelected transform, every color blended\nhalfway toward black (`brightness(0.5)`), whites going gray, the\ntransparent surround still untouched. The declaration is the consumer's\nbecause the component cannot tell color art from a mask by looking at a\nslotted image. It covers whatever the cell shows, the derived open ghost\nincluded, so a color icon has one selected treatment open or closed. The\nlabel plate inverts to the `--vf-highlight` pair either way, sharing one\nselection color with `vf-list-item` — the selected name was inverted\nwhatever the art.\n\n### Open is derived, not shipped\n\nWith `open`, the art redraws as the Finder's open ghost: the outline held\nin solid black, the interior re-filled with the kit's loose 25% dither (the\nscrollbar trough's lattice), the transparent surround untouched. There is\nno second raster and no second fetch — the same alpha channel that makes\nselection an inversion makes the ghost derivable, and `src/open-art.ts`\nderives it from the slotted art by canvas compositing alone. No pixels are\never read back, so a cross-origin image that taints its canvas still works:\ntaint forbids reading, not drawing or displaying.\n\nThe ghost keeps the shape selection expects — ink and opaque white on a\ntransparent surround — so a selected open icon inverts exactly as a closed\none does, with no second treatment. The slot stays in the tree while the\nghost paints, hidden (it is where the art loads, and re-loads, from), and\nart the pipeline cannot draw — nothing slotted yet, a failed load, an\ninline `<svg>` — keeps rendering as itself rather than vanishing behind a\nstate it cannot show.\n\n### `movable`, not `draggable`\n\n`draggable` is a global HTML attribute *and* an `HTMLElement` accessor, so\ndeclaring it would both shadow a platform member and hand the element to the\nbrowser's own drag-and-drop machinery. This is the `align` trap from\n`vf-stack` in a second costume — `align`, `hidden`, `dir`, `draggable` and\n`title` all carry behavior a custom element never asked for. The kit already\nspells this parameter `movable` on `vf-window`, so the icon does too, and it\nmoves the same way: `DragController` tracks the gesture and\n`PlacementController` writes the result into `left`/`top` in whole system px,\nthe art's own unit — the same pair markup places an icon with, so a moved\nicon is still where it was dropped after a zoom.\n\nDragging is a pointer gesture with no keyboard equivalent, which is the kind\nof gap the kit closes rather than inherits (SPEC §1): a focused movable icon\nalso moves under the arrow keys, one system px at a time and eight with\nShift. Focus is what `selectable` grants, so the keyboard half of `movable`\nand `editable` presupposes it — see the role section below.\n\n### The drag is an outline; the icon stays put\n\nThe Finder dragged an icon as a dotted outline — the mask's boundary and\nthe name's rectangle — drawn over everything with the XOR pen, the icon\nitself staying put until the drop. The kit draws it from what it already\nhas: deriveDragOutline finds the ring the way the open ghost does\n(the silhouette from the art's alpha, the plate's rectangle united with\nit, the whole inset by one pixel as `FrameRgn` inset a region, the ring\nthe inset removes — so where the art and the plate abut, the outline\nwraps around both), and dotOutline dots it against a 2×2 checker\n— compositing only, so cross-origin art derives too, and art the\npipeline cannot draw falls back to the cell's rectangle. The canvas\ncovers the frame widened to the plate, since a name wider than a\ndeclared `width` overhangs the frame.\nThe canvas paints with the cursor's XOR recipe, `filter: invert(1)` under\n`mix-blend-mode: difference`: a dotted black line over a white window\nbody, and over the desktop dither a black line, the composition\nQuickDraw's pattern pen gave — the checker's phase is taken from where\nthe outline lands on the *screen* (penPhase), so its dots fall on\nthe pixels the dither leaves white wherever it goes, and the dither's own\nink fills in between them.\n\nIt draws on the desktop's drag surface: a layer in the screen's shadow,\nover windows, palettes and the menu bar alike, clipped at the raster's\nedge like everything else, reached through the `vf-drag-surface-request`\nhandshake (bubbles, non-composed — it travels up the slots the icon is\nassigned to, so it works from inside a window body). With no desktop the\ncanvas lives in the icon's own frame instead, translated by the delta,\nclipped by whatever clips the icon; the gesture and its events are the\nsame either way. Its origin is a whole count of system px from the\nsurface's, written as a live `sysLength()`, so a scale change mid-gesture\ncannot smear it.\n\n### The drag reports, the page files\n\nThe kit ships no filing semantics — folders are the page's own catalog —\nso a drag is a stream of events and a cancelable commit, on the icon:\n\n- `vf-drag-start` `{ left, top }` on the first lattice step away from the\n  press (a plain click never starts one, and never fires a drop);\n- `vf-drag` `{ clientX, clientY, left, top, x, y }` on every step that\n  changed the snapped proposal;\n- `vf-drop`, the same shape at the release, **cancelable**: its default\n  action is the move, the proposal written through `left`/`top` and\n  clamped whole in the container measured at the press. `preventDefault()`\n  writes nothing — the page re-parents or places the icon itself, the\n  outline's origin converted with the destination's `placementAt`;\n- `vf-drag-cancel` `{}` on Escape or a `pointercancel`: nothing written.\n\n`left`/`top` in the detail are the *proposal*, unclamped — the origin plus\nthe lattice-snapped delta — and only the default action clamps, so a page\nthat cancels gets the raw gesture. `x`/`y` are the outline's top-left in\nviewport CSS px: the frame's box at the press translated by the delta,\nthe press offset already inside it, so an icon placed at the\ndestination's `placementAt(x, y)` lands exactly where the outline was.\n\n### The selection travels\n\nA drag that begins on a *selected* icon takes every other selected,\nmovable icon of its field with it — the Finder outlined the whole\nselection under a drag on any member. Each follower draws its own outline\n(followDrag), moved by the same lattice delta as the leader's, and\nthe leader's events carry the set as `detail.icons`, itself first. The\ndefault action of the drop clamps the delta once for the whole group —\nthe arrangement is kept, and the group stops when its outermost member\nmeets the container's edge — then writes each member's origin plus that\ndelta. A cancel takes every outline down and writes nothing. A press on\nan unselected icon makes it the selection first (the outside listeners\nclear the others), so it drags alone; a Shift press that deselects the\npressed icon drags it alone too, the rest staying where they are.\n\nFor the selection to travel, a plain press on one of its members must not\ncollapse it: the other icons' outside-press listeners leave a selection\nalone when the press landed on an icon already selected in the same\nfield. A *click* on such an icon — released with no drag — collapses the\nselection to it on the release, so a click still single-selects and the\nsame press could have dragged them all.\n\nEscape is heard by a document listener scoped to the gesture rather than\nby the icon's own key handler, because a `movable`-only icon never takes\nfocus — an addition in the kit's idiom (a pointer-only gesture with no way\nout is the kind of gap SPEC §1 closes), not a claim about the Finder.\n\n`target` is the destination highlight the page sets on the folder under a\ndrag: the selected treatment of the art alone — inverted, or darkened\nunder `color` — with none of `selected`'s semantics: no event, no outside\nlistener, no `aria-selected`, the plate untouched.\n\nOpening gets the same treatment. The double-click is the pointer gesture,\nand its keyboard route is ⌘O / ⌘↓ — the System 7 Open shortcuts, with Ctrl\nstanding in for ⌘ off the Mac. Return is deliberately not one of them: the\nFinder's Return renamed, never opened, so on an editable icon it starts the\nedit and on a non-editable one it does nothing at all.\n\n### The name and the art are one target, and the second click decides\n\nA double-click opens the icon *wherever it lands* — the name is as much the\nicon as the picture is, and the Finder never made you aim at the 32 pixels of\nart. But the name is also where a single click renames, so the two gestures\nbegin with the same press and only the second one tells them apart.\n\nSo the rename waits for it. A press on the plate of an already-selected icon\narms the field rather than opening it, and the next press inside\nRENAME_DELAY_MS calls it off — leaving the double-click to open, with\nno rename box flashing up behind it. Nothing needs to *undo* an edit that\nbegan: the press that starts one and the press that opens are the same\npress, so the only thing that can be got right is not committing early.\n\nThe window is generous in the one direction that is cheap. Reading a lone\nclick as a pair costs a wait before the box appears; reading a pair as a lone\nclick renames when the user asked to open. The same reasoning covers a press\nthat turns into a drag, a press elsewhere, and any key — each calls the\npending rename off, because none of them is the click it is waiting for.\n\n### An icon alone is a picture; an icon in a field is an option\n\n`role=\"option\"` is only meaningful inside a `listbox` that owns it. Written\nunconditionally it is not merely untidy — the browser *drops* it, and\n`aria-selected` with it, so a `selectable` icon announced as a bare generic\nand its selection state reached assistive tech nowhere at all.\n\nSo the role follows the container. Owned, the icon is an `option` that names\nitself from its plate and publishes `aria-selected`. Unowned, it degrades to\n`role=\"img\"` with a name — the same vocabulary the derived open ghost uses,\nand true of what it is. Deliberately not `button`: that would promise Enter\nand Space activate, and here Return *renames* while the open route is ⌘O / ⌘↓.\n\nThe owner is `vf-icon-field`, the container a field of icons sits in, and\nit is what buys the selection state back:\n\n```html\n<vf-icon-field label=\"Desktop\">\n  <vf-icon label=\"Macintosh HD\" selectable movable editable>…</vf-icon>\n  <vf-icon label=\"Trash\" selectable movable editable>…</vf-icon>\n</vf-icon-field>\n```\n\nA `vf-desktop` cannot be that container itself: it also holds windows and a\nmenu bar, and a non-`option` child of a listbox is invalid the same way the\norphaned option was. The field is layout-neutral — placed icons anchor to\nthe nearest *positioned* ancestor, which is still the desktop's raster. An\nelement of your own carrying `role=\"listbox\"` still owns an icon the same\nway. One divergence from the APG listbox is deliberate: its options share\na single roving tab stop, while these stay one stop each, the way a Finder\nicon is reached on its own.\n\n**`selectable` is what makes an icon focusable**, and `movable`/`editable`\npresuppose it. That is the Finder's own model — you cannot move or rename\nwhat you have not selected — and the pointer path already assumed it: the\nrename opens on a press on the plate of an *already-selected* icon. A\n`movable`-only icon is a picture you can drag, not a widget.\n\n### The label is a property, because it is editable\n\nThe caption is `label` rather than slotted content: renaming means the\ncomponent owns the string and hands it back on `vf-change`, and it cannot own\ntext that lives in the consumer's DOM. An empty `label` draws no plate at\nall — that *is* the \"no label\" parameter, in preference to a second attribute\nthat could disagree with it. `editable` then lets a click on the plate of an\nalready-selected icon open the rename box a moment later, as the Finder's\ndoes (see above), with Return committing, Escape reverting, and the plate\nwidening as you type.\n\n### A name is never abbreviated, and never folded\n\nThere is no ellipsis, no clipping and no wrapping: one line, always. System 7\nsolved the long-name problem at the *other* end — HFS capped a filename at 31\ncharacters — so the Finder could afford to always draw the name in full, and\ndid. A name wider than its cell simply overflows it, centered, the way a name\nwider than a 32-pixel icon always did.\n\nStaying on one line is also what keeps the name on the grid: a single run has\na single measured width, so the even-plate rule above is one number rather\nthan one per line, each with its own parity. `width` is therefore the cell —\nthe grid pitch — not a bound on the name.\n\n`maxlength` (31) bounds the rename field rather than the `label` property:\nthe name belongs to the consumer's model, and truncating one handed to us\nwould lose data.\n\nThe box hugs its text while you type it, not only once you are done, which is\nwhat keeps the name from moving when the edit commits: the plate is the same\nwidth either side of it, so the glyphs stay exactly where they were.\n\nA file also has to be called *something*, so a rename committed empty — or\nas nothing but spaces — is refused rather than applied, and the previous name\ncomes back, which is what System 7 did. An empty `label` is still a perfectly\ngood state to *start* in, though: a freshly made icon has no name until it is\ngiven one. Such an icon draws no plate but stays selectable, focusable and\nrenameable — Return opens a field, and an edit with nothing in it yet is the\none time the box stops hugging and reserves a cell's width, since a field you\ncannot see is one you cannot type into.\n---\n\n\n### **Events:**\n - **vf-select** - Selection changed by user interaction. `detail: { selected: boolean }`.\n- **vf-change** - The name was committed. `detail: { label: string, previous: string }`.\n- **vf-open** - The icon was opened — double-clicked anywhere on it, its name included, or ⌘O / ⌘↓ from the keyboard (Ctrl off the Mac), the System 7 shortcuts. Return renames instead, as the Finder's did. `detail: {}`.\n- **vf-name-too-long** - A rename was typed or pasted past `maxlength`, and the field refused the excess. `detail: { attempted, accepted, limit }` — enough to raise the alert System 7 raised rather than drop the characters silently. Not fired for a `label` set from your own code, which is never truncated in the first place.\n- **vf-name-rejected** - A rename was committed with no name in it, so the edit was dropped and the old name put back. `detail: { attempted, kept, reason: 'empty' }`. A `vf-change` is *not* fired alongside it — nothing changed.\n- **vf-drag-start** - A drag began: the first lattice step away from the press. `detail: { left, top, icons }` — the origin, whole system px in the icon's container, and every icon the drag carries (this one first).\n- **vf-drag** - A step that changed the proposal. `detail: { clientX, clientY, left, top, x, y, icons }` — the pointer in viewport CSS px, the proposed origin in the container (whole system px on the lattice), the outline's top-left in viewport CSS px, and the icons travelling.\n- **vf-drop** - The release; cancelable. The same detail as `vf-drag`. Its default action writes the proposal through `left`/`top` — every icon in `icons` by the same delta, clamped whole in the container as a group; `preventDefault()` writes nothing.\n- **vf-drag-cancel** - The drag was abandoned — Escape, or a `pointercancel` — and nothing was written. `detail: {}`.\n\n### **Slots:**\n - **large** - The 32×32 art, normally a `vf-img` around an `<img>`.\n- **small** - The 16×16 art, shown under `size=\"small\"`.\n\n### **CSS Properties:**\n - **--vf-icon-gap** - Space between the art cell and the name plate; 0 by default, the plate directly under the cell as the Finder drew it _(default: undefined)_\n- **--vf-icon-label-height** - The name plate's line box _(default: undefined)_\n\n### **CSS Parts:**\n - **frame** - The icon and its label plate, stacked.\n- **icon** - The reserved art cell.\n- **label** - The name block; its lines are centered under the art.\n- **plate** - The inked run behind the name, which each wrapped line gets its own of (inverts when selected).\n- **input** - The rename field, while editing.",
           "doc-url": "",
           "attributes": [
             {

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "vintage-frames",
-  "version": "0.8.0",
+  "version": "0.9.0",
   "description": "Lit web components that emulate the look and feel of classic Mac OS System 7",
   "type": "module",
   "license": "MIT",