tonus 0.1.6 → 0.5.0

package/BIBLIOGRAPHY.md

@@ -1,159 +1,183 @@
 # Bibliography
 
+The sources the library draws on: chant and calendar data, algorithms,
+doctrine tables, and the references behind them. Code cites by bracketed key
+(`[biblio: key]`); each docs page keeps a `## Sources` line pointing here.
+
 ## Data corpora
 
-- `gregobase` — **GregoBase.** <https://gregobase.selapa.net/>. Chant corpora in
-  GABC, extracted by book (GregoBase source IDs 2, 3, 48, 15):
+- `gregobase` — **GregoBase.** <https://gregobase.selapa.net/>. Chant corpora
+  in GABC, extracted by book. Counts are the chants tonus ships: the corpus is
+  assignment-driven, so a book contributes the chants some day of the calendar
+  calls for (see COVERAGE.md). Admission is Solesmes and the rhythmic marks
+  the score engine reads; the 1974 Graduale, the 1990 Gregorian Missal, and
+  the 1983 Liber cantualis are excluded as post-conciliar re-editions of books
+  already here.
+
   - _Graduale sacrosanctæ Romanæ ecclesiæ de tempore et de sanctis_ (Graduale
-    Romanum). Ed. Solesmes. Tournai: Desclée, 1961 — 1,344 chants (`gr`).
+    Romanum). Ed. Solesmes. Tournai: Desclée, 1961 — 780 chants (`gr`).
   - _Liber Usualis Missæ et Officii pro dominicis et festis cum cantu
-    Gregoriano_. Ed. Solesmes. Tournai: Desclée, 1961 — 2,377 chants (`lu`).
+    Gregoriano_. Ed. Solesmes. Tournai: Desclée, 1961 — 707 chants (`lu`).
   - _Liber antiphonarius pro diurnis horis_ (Antiphonale Romanum). Solesmes,
-    1960 — 1,422 chants (`la`).
+    1960 — 160 chants (`la`).
   - _Liber Hymnarius cum invitatoriis & aliquibus responsoriis_. Solesmes, 1983
-    — 361 chants (`lh`).
-  - _Antiphonale Monasticum pro diurnis horis_ (the monastic antiphonary).
-    Solesmes, 1934 — 1,429 chants (`am`). The classic Solesmes monastic edition,
-    carrying the rhythmic marks the score engine reads (not the 2005–07
-    restoration).
+    — 25 chants (`lh`).
+  - _Antiphonale Monasticum pro diurnis horis_. Solesmes, 1934 — 576 chants
+    (`am`). The 1934 edition with the classic rhythmic marks, not the 2005–07
+    restoration.
+  - _Kyriale_ (from the Graduale Romanum). Solesmes, 1961 — 120 settings
+    (`ky`). The eighteen numbered Masses, the ad libitum chants, and the
+    Requiem.
+  - _Antiphonale Monasticum Solesmense — Proprium Sanctorum_, the offices
+    proper to the Solesmes congregation. Solesmes, 1935 — 11 chants (`ams`).
+  - _Psalterium Monasticum — Office divin selon le rit bénédictin_. Solesmes,
+    1981 — 11 chants (`psm`).
+  - _Cantus selecti ad benedictionem Sanctissimi Sacramenti_. Solesmes, 1957 —
+    11 chants (`cse`).
+  - _Chants of the Church — Selected Gregorian Chants_, compiled by the monks
+    of Solesmes. 1956 — 16 chants (`cot`).
 - `divinum-officium` — **Divinum Officium.** The 1570–1962 Roman Breviary and
-  Missal in machine-readable form. <https://github.com/DivinumOfficium/divinum-officium>;
-  <https://divinumofficium.com/> — the liturgical calendar (642 entries), Mass
-  propers (926), Office hours (929 days), and the Psalterium (2,612 psalm + 579
-  canticle verses, Vulgate), plus the feast names, ranks (`ritus`), and Tempora
-  stem structure the seasons follow.
-- `graduale-toni-communes` — **Graduale Romanum appendix (Toni Communes).** Psalm
-  tones and differentiae, including the tonus peregrinus.
-- `versus-psalmorum` — **_Versus Psalmorum et Canticorum_ (No. 839).** Solesmes.
-  The psalm-verse formulas for the tones.
-- `bloomfield-compline` — **Bloomfield, _Compline_.** <https://github.com/bbloomf/compline>
-  (public domain). Reference dates and chants for the traditional Roman Compline
-  ordo.
+  Missal in machine-readable form.
+  <https://github.com/DivinumOfficium/divinum-officium>;
+  <https://divinumofficium.com/>. The liturgical calendar (650 entries), the
+  Mass propers, the Office hours, and the Psalterium (Vulgate psalm and
+  canticle verses), with the feast names, ranks (`ritus`), and Tempora stems
+  the seasons follow.
+- `nocturnale-romanum` — **_Nocturnale Romanum_ — Matins of the Roman Rite.**
+  Community restitution after Holger Peter Sandhofe (2002 base),
+  Hartker-derived. <https://github.com/Nocturnale-Romanum/nocturnale-romanum>.
+  The night-office corpus: responsories, antiphons, and hymns (470 chants,
+  `nr`).
+- `graduale-toni-communes` — **Graduale Romanum appendix (Toni Communes).**
+  The psalm tones and differentiae, including the tonus peregrinus.
+- `bloomfield-compline` — **Bloomfield, _Compline_.**
+  <https://github.com/bbloomf/compline> (public domain). Reference dates and
+  chants for the Compline ordo.
 
-## Chant rhythm (score engine)
+## Chant rhythm and notation (score engine)
 
 - `carroll-chironomy` — **Carroll, Joseph Robert. _The Technique of Gregorian
-  Chironomy_. Toledo, OH: Gregorian Institute of America, 1955.** Seven rhythmic
-  types, three melodic rules, chironomy.
-- `carroll-applied` — **Carroll, Joseph Robert. _An Applied Course in Gregorian
-  Chant_. Toledo, OH: Gregorian Institute of America, 1956.** Compound beats,
-  ictus placement.
+  Chironomy_. Toledo, OH: Gregorian Institute of America, 1955.** The seven
+  rhythmic types, the three melodic rules, and the chironomy the track draws.
+- `carroll-applied` — **Carroll, Joseph Robert (trans./ed., from the official
+  course syllabus of the Gregorian Institute of Paris). _An Applied Course in
+  Gregorian Chant_. Toledo, OH: Gregorian Institute of America, 1956.**
+  Compound beats, ictus placement.
 - `gajard-rhythm` — **Gajard, Joseph (trans. Aldhelm Dean). _The Rhythm of
-  Plainsong According to the Solesmes School_. New York: J. Fischer & Bro., 1945.** The arsis/thesis synthesis.
+  Plainsong According to the Solesmes School_. New York: J. Fischer & Bro.,
+  1945.** The arsis/thesis synthesis.
 - `mocquereau-nombre` — **Mocquereau, André. _Le nombre musical grégorien_,
   1908–1927.** The Solesmes school's foundation.
-- `cardine-semiology` — **Cardine, Eugène. "Semiology and the Interpretation of
-  Gregorian Chant." Trans. Virginia A. Schubert; from the Festschrift for Joseph
-  Lennards.** The semiological approach the `restrained` pondus style reflects.
+- `cardine-semiology` — **Cardine, Eugène. _Gregorian Semiology_. Trans.
+  Robert M. Fowells. Solesmes.** The semiological reading of the neumes from
+  the manuscripts themselves. Ch. 16 ("Salicus") is the source for tonus's one
+  departure from the Mocquereau lineage: the salicus's principal note is the
+  one following the oriscus, not the oriscus itself. Cited alongside it, the
+  essay "Semiology and the Interpretation of Gregorian Chant" (trans. Virginia
+  A. Schubert, from the Festschrift for Joseph Lennards), and Bevenot,
+  "Plainsong with Dom Cardine: The Salicus" (_Sacred Music_ 115:4, pp. 15–21),
+  which calls the printed middle-note reading "a trap."
 - `desrocquettes-values` — **Desrocquettes, Jean Hébert. "Gregorian Musical
-  Values."** The Solesmes school's rhythmic values, from Mocquereau's collaborator.
-- `niedermeyer-ortigue` — **Niedermeyer, Louis, and Joseph d'Ortigue. _Gregorian
-  Accompaniment: A Theoretical and Practical Treatise upon the Accompaniment of
-  Plainsong_. Trans. Wallace Goodrich. New York: Novello, Ewer & Co.** The
-  per-mode cadence figures and the modal ethos epithets.
+  Values."** The Solesmes rhythmic values, from Mocquereau's collaborator.
+- `niedermeyer-ortigue` — **Niedermeyer, Louis, and Joseph d'Ortigue.
+  _Gregorian Accompaniment: A Theoretical and Practical Treatise upon the
+  Accompaniment of Plainsong_. Trans. Wallace Goodrich. New York: Novello,
+  Ewer & Co.** The per-mode cadence figures and the modal ethos epithets.
 - `bragers-treatise` — **Bragers, Achille P. _A Short Treatise on Gregorian
-  Accompaniment_. New York: J. Fischer & Bro., 1934.** Cadence figures, cross-check.
+  Accompaniment_. New York: Carl Fischer, 1934.** Cadence figures,
+  cross-check.
 - `homan-cadence` — **Homan, Frederic W. _Cadence in Gregorian Chant_. Ph.D.
   diss., Indiana University, 1961.** The analytic study of chant cadences.
-- `murray-accentual` — **Murray, Gregory. "Accentual Cadences in Gregorian
-  Chant." _The Downside Review_, 1958.** The spondaic and dactylic verbal cadences.
-- `sunol-textbook` — **Suñol, Dom Gregory. _Textbook of Gregorian Chant According
-  to the Solesmes Method_. Trans. from the 6th French ed. Tournai: Desclée, 1930.** Modes, dominants, psalmody, and the Solesmes rhythm doctrine.
+- `sunol-textbook` — **Suñol, Dom Gregory. _Textbook of Gregorian Chant
+  According to the Solesmes Method_. Trans. from the 6th French ed. Tournai:
+  Desclée, 1930.** Modes, dominants, psalmody, the Solesmes rhythm doctrine,
+  and the worked modulation examples the calibration reads.
 - `apel-chant` — **Apel, Willi. _Gregorian Chant_. Bloomington: Indiana
-  University Press, 1958.** The analytic study of the repertoire.
-- `hiley-plainchant` — **Hiley, David. _Western Plainchant: A Handbook_. Oxford:
-  Clarendon Press, 1993.** The standard modern reference.
-- `treitler-voice-pen` — **Treitler, Leo. _With Voice and Pen: Coming to Know
-  Medieval Song and How It Was Made_. Oxford: Oxford University Press, 2003.**
-  Orality and notation.
+  University Press, 1958.** The analytic study of the repertoire; the
+  centonization catalogue behind `score.formulas`.
+- `hiley-plainchant` — **Hiley, David. _Western Plainchant: A Handbook_.
+  Oxford: Clarendon Press, 1993.** The standard modern reference.
 - `saulnier-guide` — **Saulnier, Daniel. _Gregorian Chant: A Guide_. CMAA
   edition.** Chant introduction.
-- `pierik-spirit` — **Pierik, Marie. _The Spirit of Gregorian Chant_. Milwaukee:
-  Bruce, 1939; and _Gregorian Chant Analyzed and Studied_. St. Meinrad, IN:
-  Grail, 1951.** Chant interpretation.
-- `burkard-manual` — **Burkard, Dom Sisbert. _Manual of Plain Chant_. 1906.**
-  Plainchant instruction.
-- `kelly-capturing` — **Kelly, Thomas Forrest. _Capturing Music: The Story of
-  Notation_. New York: W. W. Norton, 2014.** Notation history.
-- `gregorio-gabc` — **The Gregorio project.** <https://gregorio-project.github.io/>.
-  The GABC plain-text chant notation the corpora are encoded in and the parser reads.
+- `saulnier-modes` — **Saulnier, Daniel. _The Gregorian Modes_. Solesmes:
+  Éditions de Solesmes.** The Degree Summary Tables from Dom Jean Claire's
+  research and the mode-by-mode Octoechos study; the source for the
+  reciting-note data in `temper/data/modes.ts`.
+- `pierik-spirit` — **Pierik, Marie. _The Spirit of Gregorian Chant_. Boston:
+  Bruce Humphries, 1939; and _Gregorian Chant Analyzed and Studied_. St.
+  Meinrad, IN: Grail, 1951.** Chant interpretation; the beat letters the
+  chironomia track draws.
+- `gregorio-gabc` — **The Gregorio project.**
+  <https://gregorio-project.github.io/>. The GABC plain-text chant notation
+  the corpora are encoded in and the parser reads.
+- `bravura-smufl` — **Spreadbury, Daniel. _Bravura_ music font and the SMuFL
+  (Standard Music Font Layout) specification. Steinberg, 2013–.**
+  <https://www.smufl.org/> and <https://github.com/steinbergmedia/bravura>
+  (SIL Open Font License). The reference SMuFL font; the notation glyphs the
+  score engine engraves into SVG.
 
 ## Tuning and music theory (temperamentum engine)
 
-- `boethius-institutione` — **Boethius. _De institutione musica_ (c. 524),
-  esp. I.27.** The medieval transmission of Pythagorean interval math; also the
-  Boethius doctrina (conjunct diatonic planetary scale, transmitting Nicomachus).
+- `boethius-institutione` — **Boethius. _De institutione musica_ (c. 500–510),
+  esp. I.27.** The medieval transmission of Pythagorean interval math; also
+  the Boethius doctrina (conjunct diatonic planetary scale, transmitting
+  Nicomachus).
 - `ptolemy-harmonics` — **Ptolemy. _Harmonics_ I.15–16 (the three diatonic
-  shades) and III with the Canobic Inscription (c. 150).** The tetrachord genera
-  for the tuning presets; the Greater Perfect System tone assignments and
-  aspect–consonance mapping for the doctrina.
-- `atkinson-nexus` — **Atkinson, Charles M. _The Critical Nexus: Tone-System,
-  Mode, and Notation in Early Medieval Music_. New York: Oxford University Press, 2009.** Tone-system, mode, and notation.
-- `reisenweaver-guido` — **Reisenweaver, Anna. "Guido of Arezzo and His Influence
-  on Music Learning." _Musical Offerings_ 3, no. 1 (2012).** Guido's pedagogy.
-- `schulter-harmony` — **Schulter, Margo. Medieval Music & Arts Foundation harmony
-  FAQs:** "Pythagorean Tuning and Medieval Polyphony"
+  shades) and III with the Canobic Inscription (c. 150).** The tetrachord
+  genera for the tuning presets; the Greater Perfect System tone assignments
+  and aspect–consonance mapping for the doctrina.
+- `schulter-harmony` — **Schulter, Margo. Medieval Music & Arts Foundation
+  harmony FAQs:** "Pythagorean Tuning and Medieval Polyphony"
   (<https://www.medieval.org/emfaq/harmony/pyth.html>) and "Hexachords,
-  solmization, and musica ficta" (<https://www.medieval.org/emfaq/harmony/hex.html>).
-  Pythagorean tuning; hexachords and solmization; the consonance taxonomy.
+  solmization, and musica ficta"
+  (<https://www.medieval.org/emfaq/harmony/hex.html>). Pythagorean tuning;
+  hexachords and solmization; the consonance taxonomy.
 - `rockstro-grove` — **Rockstro, W. S. "Modes, The Ecclesiastical." In _A
   Dictionary of Music and Musicians_ (Grove, 1st ed.).**
   <https://en.wikisource.org/wiki/A_Dictionary_of_Music_and_Musicians/Modes,_The_Ecclesiastical>.
   The church modes, their dominants and modulations in rank order.
-- `powers-wiering-mode` — **Powers, Harold S., and Frans Wiering, et al. "Mode."
-  _Grove Music Online_, 2001, §§I–III.**
-  <https://doi.org/10.1093/gmo/9781561592630.article.43718>. Medieval modal theory.
 - `liber-usualis` — **_The Liber Usualis, with Introduction and Rubrics in
   English_. Ed. the Benedictines of Solesmes. Tournai: Desclée, 1961.** The
-  introduction's "Rules for Interpretation" and rubrics — the original design
-  source for the GABC parser and rhythm model: the notation and neume taxonomy,
-  the three ictus rules, accidental scope, bar-line/breathing semantics, psalmody
-  structure, and Latin diction. (A structured extract is kept at
-  `~/Documents/Projects/Liber_Parsed/`. The book itself is also a chant corpus
-  source — see `gregobase`.)
+  introduction's "Rules for Interpretation" and rubrics: the notation and
+  neume taxonomy, ictus rules, accidental scope, bar-line semantics, psalmody,
+  the Kyriale rubric categories, and the Latin diction the parser and rhythm
+  model follow.
 - `scala-format` — **Scala scale archive and `.scl` format. Manuel Op de Coul,
-  Huygens-Fokker Foundation.** <https://www.huygens-fokker.org/scala/scl_format.html>.
-  Custom tuning input.
-- `guidonian-gamut` — **Guido of Arezzo's gamut and solmization, and the
-  eight-mode system, as standardized in medieval theory** (gamut, hexachords,
-  modes, psalm tones).
-- `wikipedia-tuning` — **Wikipedia:** [Pythagorean tuning](https://en.wikipedia.org/wiki/Pythagorean_tuning),
-  [Meantone temperament](https://en.wikipedia.org/wiki/Meantone_temperament),
-  [Gregorian mode](https://en.wikipedia.org/wiki/Gregorian_mode). General-reference
-  orientation for the temperaments and the modal system.
+  Huygens-Fokker Foundation.**
+  <https://www.huygens-fokker.org/scala/scl_format.html>. Custom tuning input.
 
 ## Musica universalis (harmonia engine)
 
 - `godwin-harmonies` — **Godwin, Joscelyn. _Harmonies of Heaven and Earth: The
-  Spiritual Dimension of Music from Antiquity to the Avant-Garde_. London: Thames
-  & Hudson, 1987.** Planetary scale taxonomy (Types A/B/C) and per-author analyses.
+  Spiritual Dimension of Music from Antiquity to the Avant-Garde_. London:
+  Thames & Hudson, 1987.** Planetary scale taxonomy (Types A/B/C) and
+  per-author analyses.
 - `godwin-spheres` — **Godwin, Joscelyn, ed. _The Harmony of the Spheres: A
   Sourcebook of the Pythagorean Tradition in Music_. Rochester, VT: Inner
   Traditions, 1993.** Primary-source translations used to verify ratio and
   tone-name claims.
-- `godwin-vowels` — **Godwin, Joscelyn. _The Mystery of the Seven Vowels in Theory
-  and Practice_. Grand Rapids: Phanes Press, 1991.** Planetary vowel attestations;
-  the Moon→Saturn vowel order after Nicomachus.
-- `doctrina-primaries` — **The doctrina primary sources:** Nicomachus of Gerasa,
-  _Manual of Harmonics_ (c. 100) and _Excerpta ex Nicomacho_; Plato, _Republic_
-  X, 617b (Myth of Er); Pliny the Elder, _Naturalis historia_ II.xx (c. 77, with
-  octave closure per Censorinus and Theon of Smyrna); Ptolemy, _Harmonics_ III.
-  With the vowel–planet attestations: Porphyry, Marcus Gnosticus, Demetrius of
-  Phaleron, Eusebius of Caesarea, Barthélemy of Edessa (via `godwin-vowels`).
+- `godwin-vowels` — **Godwin, Joscelyn. _The Mystery of the Seven Vowels in
+  Theory and Practice_. Grand Rapids: Phanes Press, 1991.** Planetary vowel
+  attestations; the Moon→Saturn vowel order after Nicomachus.
+- `doctrina-primaries` — **The doctrina primary sources:** Nicomachus of
+  Gerasa, _Manual of Harmonics_ (c. 100) and _Excerpta ex Nicomacho_; Plato,
+  _Republic_ X, 617b (Myth of Er); Pliny the Elder, _Naturalis historia_ II.xx
+  (c. 77, with octave closure per Censorinus and Theon of Smyrna); Ptolemy,
+  _Harmonics_ III. With the vowel–planet attestations: Porphyry, Marcus
+  Gnosticus, Demetrius of Phaleron, Eusebius of Caesarea, Barthélemy of Edessa
+  (via `godwin-vowels`).
 
 ## Astronomy and computus
 
 - `standish-jpl` — **Standish, E. M. "Keplerian Elements for Approximate
-  Positions of the Major Planets." JPL Solar System Dynamics, 1992 (updated for
-  DE430).** <https://ssd.jpl.nasa.gov/planets/approx_pos.html>. The orbital
-  element tables.
+  Positions of the Major Planets." JPL Solar System Dynamics, 1992 (updated
+  for DE430).** <https://ssd.jpl.nasa.gov/planets/approx_pos.html>. The
+  orbital element tables.
 - `schlyter-positions` — **Schlyter, Paul. "Computing planetary positions — a
   tutorial with worked examples." Stjärnhimlen.**
   <https://www.stjarnhimlen.se/comp/tutorial.html>. The Sun and Moon position
   formulae.
 - `computus` — **Easter computus: the Gregorian algorithm (Gauss/Butcher) and,
-  before 1583, the classical 19-year Julian cycle with Julian→Gregorian day-number
-  conversion.** See [Computus](https://en.wikipedia.org/wiki/Computus).
-- `wikipedia-calendar` — **Wikipedia:** [Tridentine calendar](https://en.wikipedia.org/wiki/Tridentine_calendar),
-  [Ranking of liturgical days in the Roman Rite](https://en.wikipedia.org/wiki/Ranking_of_liturgical_days_in_the_Roman_Rite).
-  General-reference background for the era and the grade precedence.
+  before 1583, the classical 19-year Julian cycle with Julian→Gregorian
+  day-number conversion.** See
+  [Computus](https://en.wikipedia.org/wiki/Computus).