tamga-ui 0.4.3 → 0.5.0

package/CHANGELOG.md

@@ -5,6 +5,914 @@ Versions follow [semver](https://semver.org/). Through `0.x`, breaking changes m
 
 > 🇹🇷 Türkçe için [tamga.org.tr/tr](https://tamga.org.tr/tr).
 
+## 0.5.0
+
+> The Soft Neo Brutalism port: every component, every token and the physics behind them. The
+> renames are under "Breaking", each with the line that moves you across.
+
+### Removed
+
+- **A dead layer of unprefixed classes is gone.** `theme.css` still carried `.press-surface`,
+  `.seated-surface`, `.card-surface`, `.sunk-surface`, `.app-surface`, `.gutter`, `.rail-link` and
+  a second copy of the skeleton and beacon keyframes (`.animate-skeleton-breath`,
+  `.animate-beacon-breath`). All of it predates the `tamga-` rename: the real physics lives in
+  `kit.css` as the `.tamga-*` family, and nothing in the kit, the docs site or either consuming
+  panel referenced a single one of these. One comment beside them even claimed a block had been
+  deleted while the block sat eight lines below it. 210 lines.
+
+- **27 token names the kit itself never read.** `--shadow-raised`, `--shadow-pressed`,
+  `--shadow-seated-pressed`, `--shadow-overlay`, `--shadow-ambient`, `--shadow-rim`, the ten
+  `-foreground` pairs, `--primary`, `--secondary`, `--muted`, `--popover`, `--beacon`, `--input`,
+  `--duration-instant`, `--table-min-wide`, `--table-min-widest`, `--color-danger-solid` and
+  `--radius-lg`. They were printed on the token page, so a consumer could reasonably read them as
+  part of the kit's vocabulary, and the vocabulary was stale: the page listed `--shadow-raised` as
+  `2px 2px 0 0 var(--shadow-color)` while the kit actually paints
+  `2px 2px 0 var(--color-edge-strong)`. A name the kit does not read is a name nothing keeps
+  honest. The token page goes from 162 entries to 136, and every entry left is one the kit uses.
+
+  Migration: each has an equivalent in the kit's own family, and in most cases the same value
+  (`--primary-foreground` and `--color-accent-ink` were both `#fdfcfa` light / `#12245c` dark).
+  Kept: the raw brand ramp (`--color-brand-50/100/400/600`), which is documented as raw material
+  that the semantic tokens derive from rather than something the interface consumes.
+
+- **19 `@theme inline` bridges nobody could reach.** `--color-background`, `--color-foreground`,
+  `--color-primary`, `--color-muted`, `--color-popover`, `--color-border`, `--color-input`, the
+  `-foreground` pairs and the rest of the shadcn-compat naming existed only to generate Tailwind
+  utilities (`bg-background`, `text-muted-foreground`, …). Nothing used them, and they were not on
+  the token page either, so they were not an offering to consumers, just weight: **266 fewer
+  generated utilities** (1401 → 1135). The raw tokens behind them are untouched, so a product that
+  writes `var(--primary)` in its own CSS still works.
+
+  Kept on purpose: `--font-sans`. No rule in the kit reads it, but Tailwind's preflight does, so
+  removing it would have quietly changed the typeface of every consumer.
+
+### Added
+
+- **`DropdownMenu` takes `defaultOpen`.** A documentation surface has to be able to show the open
+  panel; until now the only way was a click, so a menu on a poster page was an empty button. Not
+  for a product screen: a menu that is open before anyone asked for it covers what is under it.
+
+### Changed
+
+- **`FileUpload`'s drop zone is no longer squared paper.** It reused `.tamga-art-well`, a ground
+  designed for ILLUSTRATIONS ("an instrument on paper"); behind a sentence and two lines of hint
+  text the 8px ruling competes with the words. The well now has its own class
+  (`.tamga-drop-well`): a dashed edge on the accent's palest ground, which is the quietest way to
+  say "you can drop something here". `.tamga-art-well` is unchanged and still draws illustrations.
+
+### Fixed
+
+- **`Calendar` now opens on the month of its `value`.** It always opened on the current month, so
+  a date handed to it from another month left the grid showing today with no selection anywhere in
+  sight: the caller had given a date and the calendar appeared to have ignored it. With no `value`
+  it still opens on today.
+
+### Changed
+
+- **`ColorSwatches`: the free-colour square now carries an eyedropper.** Its empty state was a
+  checkered ground and nothing else. The ground says "no colour here" but not what the square is
+  FOR, and this square does something none of the other six do: it opens a colour picker. The
+  glyph says that. Once a free colour is chosen the eyedropper gives way to the check mark the
+  presets use, so the "which one is selected" reading stays the same across all seven.
+
+- **The chart family now matches the design reference.** Eight components changed, all of them
+  visual: the bar chart's rows fade to 0.4 around the one you point at (a painted row background
+  turned five rows into five boxes), the pie's first series takes the accent instead of the
+  categorical palette's olive, the score ring is a filled arc rather than a 32-segment dial, the
+  score meter became a five-band scale with a pointer rather than a filling bar, and progress
+  moved its label and number above the track and dropped the ticks that used to stand in for the
+  number.
+
+  Two rules came out of it and they hold across the family: **the first series is the accent**
+  (`seriRenk`), because most charts have one series and it is the page's real information; and
+  **emphasis is opacity, never a painted ground**.
+
+  The sparkline lost its area fill and baseline: both gave an axis-less line the look of an axis,
+  promising a scale it cannot deliver. It also lost its end marker by default (`mark` turns it
+  back on), because in a column of sparklines it repeats on every row.
+
+
+- **The form family now matches the design reference.** Nine components, and each change answers a
+  complaint someone actually had: the combobox now **bolds the matched letters** in each option, so
+  a long list shows you why a row is in it; the date picker's cells are a 36px grid with a framed
+  today instead of text in a table; multi select shows **four chips and then `+N`**, because a field
+  holding eleven selections used to grow taller than the form; tags input asks twice before
+  destroying — the first Backspace marks the last tag, the second removes it; and tree select draws
+  a **mixed** parent when only some children are picked, instead of an unchecked one that lies.
+
+  Two of them are rebuilds rather than edits. **Rich text's active button is a wash, not a fill**:
+  three formats can be on at once, and three filled buttons broke the one-primary-action rule and
+  made the toolbar read like a warning. **Schedule input** is described under Breaking.
+
+  Number input keeps its own rule: while the field has focus it shows **what you typed**, and
+  formats only on blur. Formatting mid-keystroke moves the caret out from under the cursor, which is
+  how "1.500" becomes "1.5001" — measured, not imagined.
+
+
+- **The table and list family now matches the design reference.** `SortHeader` draws a neutral
+  two-way glyph on sortable columns that are not sorted, and keeps the **direction** arrow for the
+  sorted one, now in the accent colour. Before this, an unsorted header carried nothing at all, so
+  nothing on screen said the header was clickable and sorting was found by accident.
+
+  `SelectAll` stopped drawing its own box. It was a `role="checkbox"` span that painted a plain
+  square when checked, while the row boxes beside it painted `Checkbox`'s tick: two different
+  marks in one column, visible only when everything was selected. It is a `Checkbox` with
+  `indeterminate` now — same component, same size, same keyboard.
+
+  `ListRow` highlights on `--color-hover`, the token the table already used (it was on
+  `--color-sunk`, so a list beside a table showed two different greys), and it takes `min-height`
+  rather than `height`, because a row with a title *and* a sub-line was overflowing its box.
+
+  `LogView` gained level badges and dashed row rules: 13px mono at a 1.7 line height, a fixed
+  78px timestamp column, and a badge whose **slot** is fixed width while the badge hugs its text,
+  so the message column starts at the same place on every line.
+
+
+- **The overlay family now matches the design reference.** `Dialog` enters instead of appearing:
+  160ms, opacity plus a scale from .98 (it settles, it does not grow), with the scrim fading
+  alongside it, and `prefers-reduced-motion` turning both off while leaving the dialog open.
+
+  **The scrim is the ink at 45%**, not a warm brown at 32%. The dialog page states the rule —
+  everything behind it becomes unreachable — and at 32% the page behind stayed comfortably
+  readable, so the dialog read as a card rather than as a gate. Same hue as the ink, so the dim
+  is one colour deepening rather than a second colour cast over the page.
+
+  `Popover` grew an arrow, drawn as two stacked triangles (edge colour under, surface colour 2px
+  down), aligned 22px from the trigger's side rather than centred on the 288px panel, because an
+  arrow leaving the middle points at empty space instead of at what opened it. `Tooltip` keeps
+  its own arrow: that bubble is `fixed` and measured in JS, so it is detached from the trigger's
+  box and the arrow is its only tie.
+
+  `Tooltip` also waits now: **400ms on hover, nothing on keyboard focus**, `Esc` closes it, and
+  the label is bound with `aria-describedby` to a copy that is always in the DOM — a screen
+  reader reads the description the moment focus lands, while the bubble may not be open yet.
+
+
+- **The shell family now matches the design reference.** `Tabs` underlines the active tab with
+  **3px** sitting on the strip's own rule rather than a 1px line the same weight as it. The rail's
+  active row takes an accent **wash**: hover and active were both the surface colour, so the only
+  thing separating them was 3px of shadow against 4px, which the eye does not read. It is still a
+  wash and not a fill, so "you are here" is still not painted as an action.
+
+  `LogoTile`'s letter is the display face at its heaviest, in the accent colour. Drawn in muted
+  mono it read as a *code* rather than as a brand, and this tile stands in for an image.
+
+  **Keyboard, and it is a promise.** `role="tablist"` and `role="radiogroup"` announce "move with
+  the arrows"; while the arrows did nothing, that role was a lie. Both strips now move with ←/→,
+  jump with Home/End, carry focus along with the selection, skip disabled tabs, and expose a
+  **single tab stop** — an eight-tab strip used to cost eight presses to get past.
+
+  **`Segmented` is a radio group**, not a group of pressed buttons: as buttons, a screen reader
+  did not say how many choices there were or which one was chosen, because pressed buttons count
+  as independent of each other. `RadioGroup` stays a separate component for a separate job — it
+  is a form field, with a label, help text and an error line; this is a toolbar control.
+
+
+- **The design's own kit was read section by section — all 96 of them.** Six reference files
+  (actions, form, data, feedback, layout, extras), each section compared against its page and its
+  component. What came out of it is in the entries above and below; the ones that changed
+  behaviour rather than measurements are marked as such.
+
+  The appearance screen's five parts (`ColorSwatches`, `ThemeCards`, `RailCards`, `ImageField`,
+  `SquarePicker`) were documented in prose with no live example on the page — the one thing a
+  screen built out of **pictures instead of words** cannot be explained without. Its page opens
+  with the real thing now.
+
+
+- **An accordion is a stack of cards, and the open one rises.** Every section used to be a row
+  inside one surface, separated by rules, and which one was open could only be read from the
+  direction of its caret. Each is its own card now (1.5px edge, r7); open, it takes a 3px base
+  and a washed head, and its body indents to the title's text column.
+
+  `SectionHead` grew a second size. `base` stays the card's own strip; **`lg` is a section of a
+  PAGE** — a 30px title, an eyebrow above it **in the accent** (in a quiet grey it read as a
+  separate line rather than part of the title), a line under it, and no closing rule, because
+  the container sets the page's rhythm.
+
+
+- **Avatars are brand tiles now.** They were grey-on-grey with one 3px corner at every size. The
+  **corner grows with the size** (4 · 5 · 7 · 8) — at 24px an 8px corner turns the square towards
+  a circle, and at 56 a 4px corner leaves it sharp — the edge is 1.5px like every other pressed
+  thing, and **only the large ones (40 up) carry a base**, because a 24px tile lives inside a row
+  and a base there crowds it. Two fills, `solid` and `soft`; not a palette, because an avatar is
+  not a status.
+
+  `ErrorState` is **centred** and its retry is the primary button: the block replaces a section
+  rather than being pinned to its left edge, and in that state the screen offers nothing else.
+
+
+- **`Code` is the dark block it was drawn as.** It was a light surface with a copy button parked
+  in its corner, over the first line. It is now the inverse surface in both themes, with a strip
+  carrying the **filename** and the copy button, and **line numbers** that cannot be selected —
+  someone dragging to copy the code was taking the numbers with it. The reference puts an accent
+  shadow under it; Law 1 says the edge and the offset are one colour, and the law comes first.
+
+  `Alert` carries the **tone's glyph in its own tile** (the four feedback marks derive from the
+  tone, so the same tone cannot be a triangle on one screen and a circle on the next). Its 3px
+  left border is gone: the comment above it had said "the tone is the wash, not the left rule"
+  for a long time while the rule kept drawing it.
+
+
+- **The form family, the same way.** A failing field is **washed**, not only outlined: with four
+  fields in a form the eye was hunting for the bad one along the edges. Its error line carries a
+  filled warning glyph, because colour alone is not a mark. And **disabled is a different object,
+  not a faded one** — a dashed edge on a sunk ground, the rule already written for buttons and
+  applied only there; checkbox, radio and switch were fading to 45% opacity instead.
+
+  `Select` options can carry a `hint`, the quiet second value on the right of a row ("2-3 days",
+  "₺49"): under the label it doubles the list's height, and what is being read is still one
+  choice.
+
+
+- **The action family went through the reference one section at a time.** `IconButton` has three
+  sizes — 30, 40 and 50 — and **the corner grows with the size** (5 · 7 · 8), because one radius
+  across three sizes makes the small one look round and the large one sharp; its base is 3px, not
+  2, which had left it sitting at the same height as the mini button beside it. `MiniButton` is
+  28px, the reference's own measure.
+
+  Both gained the fills they were missing (`primary`, `soft`, `danger`, `ghost` / `quiet`), and
+  **`ghost` is not an object at rest**: no edge, no base, it appears under the pointer. Thirty
+  rows each carrying a three-dot button would otherwise be thirty objects.
+
+  `Steps` marks the current step with a **light accent fill** rather than an outline: the done
+  ones are filled dark, and an outlined current step read as one of the empty ones ahead of it.
+  `Kbd` is layered now (1.5px edge, 2px base) — in this kit depth is the mark of what can be
+  pressed, and a shortcut describes something to press.
+
+
+- **Measured against the reference, component by component.** `Segmented` is 7px around the well
+  and 5px around each button (it was 6 and 4), pads 6×14, and keeps **full ink on the unselected
+  options**: a faded option read as *disabled*, while what separates them is the seat. It also
+  gained the **6px gap between a glyph and its word** that it never had, which is why every
+  icon-bearing segment glued the two together.
+
+  `Tabs` underlines the **body** of a tab, not the word: 4px between tabs with 8×12 padding
+  inside each, rather than 24px between bare words. `Kpi` follows the reference's two shapes (see
+  Added), and `StackedBarChart` draws its slices in **one hue's ramp** instead of the categorical
+  palette: stacked slices are parts of ONE measure, and in four different colours each slice
+  reads as a measure of its own while the total disappears. Each slice keeps a 1px edge with no
+  bottom border, so two slices share one line.
+
+  **`KpiGrid` asks its container, not the screen.** The rule was three media queries plus a count
+  of the tiles, and the measured failure was this: on a 1494px screen, inside a 790px column, it
+  opened four columns, each tile fell to 190px and the number was clipped. It is now
+  `auto-fit` with a 210px floor. `SkeletonKpi`'s bars gained `max-w-full` for the same reason: a
+  skeleton that overflows its card is not carrying the geometry it stands in for.
+
+  **The slider's handle sits on its rail.** WebKit aligns the thumb to the TOP of a track with an
+  explicit height rather than centring it, so the square hung below the rail by half its height.
+
+
+- **The default brand is `#1E4FD8`.** The palette generator's reference brand was already this
+  blue, but the default theme still shipped the older, greyer `#2069c9` — so a product that picked
+  the very colour the kit is built around got a different palette than the kit's own default. The
+  accent family moves with it in both themes; in dark the hue shifts to match while every value
+  keeps its lightness, because each of those lightness numbers has a written argument beside it.
+
+  The selected-row ground moves with it and this one is worth saying out loud: `#ecedf3` had a
+  chroma of 0.008 — all but colourless — so a selected row sat one step lighter than a hovered one
+  and the two did not read apart. It is `#dce9fb` now: what separates them is hue, not lightness.
+  White ink on the primary fill goes from 5.22:1 to 6.47:1.
+
+### Added
+
+- **`Announcement`, the strip across the top of a page.** The design's `page-band` section is an
+  announcement strip; this kit's `PageBand` is the page's own title block (eyebrow, `h1`,
+  subtitle, actions). Two different things under one name, so the strip became its own component.
+  Two looks, and the difference is a sentence rather than a style: `loud` is the filled accent and
+  it LIFTS, because the reader is meant to act on it and in this kit a fill already means action;
+  `quiet` is a wash with no base, because a standing condition ("you are in test mode") only asks
+  to be read. Its ink is `--color-accent-ink` in both themes rather than the design's light blue:
+  `--color-accent-soft` is fixed across themes while `--color-accent` lightens at night, and the
+  pair measures 4.03 in light but **1.61** in dark. Hierarchy comes from size and weight instead.
+
+- **`Spinner` gained the two looks the design shows and the kit was missing:** `dots`, three equal
+  squares blinking in turn for the side of a line of text, and `square`, a raised box turning on
+  its own axis with its shadow, for a wait that owns the view. `bars`, `pixels` and `ring` are
+  unchanged, and `bars` stays the default.
+
+- **`Avatar` takes a `status` mark.** A square in the tile's bottom-right corner in the tone's own
+  colour, with a ring in the ground behind it. It is the one place colour is allowed on an avatar:
+  the tile stays monochrome because identity is text, and this mark is not identity but health.
+  No default · a mark on every avatar would be a legend nobody wrote.
+
+- **`Dot` takes a `size`** (`sm` · `base` · `lg`). The large one carries an edge and a base,
+  because at 14px a flat square reads as a swatch rather than a status; the small one drops them,
+  because at 6px an edge swallows the square.
+
+- **`RichText` takes `hint`**, the quiet mono note at the end of the toolbar saying what the
+  editor accepts ("Markdown supported"). The toolbar also moved onto the header strip's ground
+  and took the box's own edge weight under it: on the sunk ground it read as a second box inside
+  the editor.
+
+- **`TimelineStrip` takes `steps`**, the second shape of the same question. The buckets measure a
+  RUN (24 hours, one health each); the steps name the STATIONS (an order's history): icon tiles
+  on a line, with the line drawn twice · a quiet one end to end and an accent one up to where it
+  stands now. Only the steps that happened are raised, because a base under something that has
+  not happened read as if it had.
+
+- **`ThemeToggle variant="segmented"` can offer two.** It demanded all three labels and threw
+  otherwise. The three-way stays the recommendation and the reason stands (see `preference`:
+  "system" is the absence of a choice, not a third shade), but offering two is a legitimate
+  product decision, so the step now follows the label: no `system` label, no `system` step. With
+  two the labels are visible; with three only the glyph is, because three words stretch the
+  control past any toolbar.
+
+- **`TimelineStrip` takes `className`**, like every other surface in the kit.
+
+- **`Progress` takes two more looks.** `blocks` is a row of cells for a COUNTABLE capacity, where
+  the real sentence is "7 of 10" and a smooth bar would claim a precision that does not exist;
+  the last filled cell takes the light tone, the one mark that says where we are. `split` is one
+  track cut into shares, for a distribution that adds up to a whole, with its legend underneath.
+  The caller writes the legend line · the kit formats no percentages, because the sign and its
+  place are a locale.
+
+- **`PasswordInput` takes `strength`**, the meter under the field: so many bars lit out of four,
+  and a line saying what is still missing. The kit LIGHTS the bars and does not judge the
+  password: what counts as strong is a policy, and a policy belongs to the product.
+
+- **`NumberInput` takes `look="quantity"`**, the joined control with the buttons flanking the
+  value, for a count that is CLICKED into place. The value there is not an editable field: with
+  two buttons doing the whole job, a typed invalid value has nothing to gain. `field` (the text
+  field with the stepper on its edge) stays the default, for numbers that are typed.
+
+- **`LogView` takes `filters`**, the level bar over the stream. The kit draws the bar and marks
+  the chosen one; which levels exist, what they are called and the filtering itself stay with the
+  caller · a log view that filtered its own lines would have to know what a level means.
+
+- **`FileUpload` takes `files`**, the transfer rows under the well: one going up (a bar and a
+  percentage), one that arrived (its size, written by the caller · the kit formats no bytes), one
+  refused (the row turns critical and carries the reason beside the file name, not under it).
+  `labels.hint` adds the quiet line about accepted types, and the well's glyph now sits in a
+  raised tile: a bare glyph in the middle of a dashed area sinks into it.
+
+- **`EmptyNote` takes `icon`**, and with it the note collapses to a single line: a card that is
+  empty inside an otherwise full screen deserves a sentence, not a picture.
+
+- **`EmptyTile` takes `icon`**, which turns the tile into the grid's empty cell · dashed and
+  groundless while it waits, solid and raised under the pointer. The dashed edge says "not
+  content yet", the lift says "this is a control".
+
+- **`Label` takes `look="section"`**, the heading over a group of fields: letter-spaced and
+  heavier, because it names a region rather than annotating a number.
+
+- **`Select` options take a `label`**, for when the stored value is not the text to show: a locale
+  is kept as `tr` and read as "Türkçe".
+
+- **`StatusChip` takes a `look`.** `wash` (the default, unchanged) has no edge, because in a
+  table of thirty rows an edge on every chip turns the status column into a column of boxes.
+  `outline` carries the tone as a line on the surface, for a chip standing alone. `solid` is the
+  tone's plate with its own ink, for a TERMINAL state that ends the row's story ("delivered",
+  "returned"); it stands in tension with Law 2, a fill means action, which is exactly why it is
+  opt-in and not the default.
+
+- **`Beacon` takes `edged`**, for a mark that sits ON a control: it grows a step (12 → 14) and
+  takes the pressed edge, and its fill turns into the tone's wash. A solid square touching a
+  button's own edge reads as part of that edge. The beacon's own size also went from 8px to 12px
+  · 8 is the measure of a dot beside a line of text, not of a mark that has to be found across a
+  screen.
+
+- **`Beacon` takes `look="ping"` and a `state`.** `pulse` (the existing breath) says a STATE: it
+  is live, it is streaming. `ping`, a ring expanding out of the mark and fading, says a CALL:
+  "there is something new here" · which is what the design attaches to a control's corner. The
+  core stays under the ring, otherwise the mark disappears at the faint end of the beat.
+
+- **`Badge` takes `dot`**, a mark with no number, for when the answer is "there is something new"
+  rather than "there are four". `count` is now optional, since a dot has none to show.
+
+- **`Separator` takes `look` and `label`.** `plain` is the quiet rule, `dashed` a provisional one,
+  `strong` the one that separates two SECTIONS and therefore takes the edge colour rather than the
+  line colour, and `label` carries a word in the middle ("or"), which turns the separator into a
+  choice rather than a break.
+
+- **`SectionHead` takes `size="sub"`**, the row that opens a sub-section INSIDE a card: no band
+  behind it, a rule under it, and `meta` becomes a count chip beside the title instead of a label.
+
+- **`Button` takes `size="lg"`** (52px, one step up the shadow ladder at 5px). A screen's single
+  action: an empty state's call, a wizard's next.
+
+- **`Alert` takes `onDismiss` and `dismissLabel`.** Without them an alert is a standing condition
+  the reader cannot clear; with them, a message they have finished with. The control is a ghost
+  icon button: inside a washed box, a second bordered object competes with the message itself.
+
+- **A tone now carries `markInk`, the glyph that reads ON its `mark`** · and it is not one colour
+  for all six. See Fixed below for what it repairs.
+
+### Fixed
+
+- **`LineChart`'s hover marker rendered as a pill, and the chart showed a stray tooltip.** Two
+  costs of the same decision: the `viewBox` is 100×100 with `preserveAspectRatio="none"` so that
+  coordinates behave like percentages. A `<rect width={14} height={14}>` drawn inside it measured
+  **252 × 22 px** on a 1800×160 chart, and the comment beside it claimed `vectorEffect` kept the
+  size — that property preserves stroke width, not geometry. The marker now sits in the HTML layer
+  (`.tamga-chart-mark`), positioned in percentages and sized in pixels, so it is square at every
+  width. Separately, the accessible name was given with `<title>`, which browsers render as a
+  native tooltip: hovering the chart popped a box reading "Kayıt: 14" — with the wrong number, as
+  the title always names the LAST value rather than the hovered one. The name is now `aria-label`:
+  same sentence for a screen reader, no bubble on screen.
+
+- **Eight tokens were declared but never published.** `--font-sans`, `--font-display`,
+  `--font-mono`, `--tracking-label` and four radii (`-sm`, `-md`, `-xl`, `-full`) all exist in
+  `theme.css`, all are used, and all generate Tailwind utilities — and none of them appeared in the
+  token reference. They sit in the bridge `@theme inline` block, which the extractor read only for
+  `var(--x)` aliases. The typography page describes three faces; the token page's typography group
+  did not carry their names. For a consumer, a name that is not published does not exist. A gate
+  now diffs every declaration in a `:root`/`@theme` body against the published list.
+
+- **Twenty-two tokens carried no rationale at all**, and the cause was a pattern rather than
+  twenty-two oversights: one comment sits above a RUN of declarations (the six `--color-*-inverse`,
+  `--chart-2..5`, `--mark-dot` and its radius) and the parser correctly binds it to the first name
+  only. All twenty-two are written; the extractor now stops on a token with no rationale. Every one
+  of the 145 tokens carries a bilingual one.
+
+- **Three token comments described a kit that no longer exists**, and they are published: the
+  token page is generated from them. `--font-display` said "headings are the same face, heavier:
+  never a separate display cut" while the token itself reads `"Red Hat Display"`, two lines under
+  a `--font-sans` comment that already describes three faces. `--font-mono` said "Mono is the same
+  face too" and went on to explain that Red Hat Mono was *not* taken "because it would make the kit
+  a two-family system" — the token reads `"JetBrains Mono"` and the kit has been a three-family
+  system since the port. `--radius-full` said "avatars and the live dot ONLY"; it is read by the
+  score ring alone, and fully round lives in three places (`check:yuvarlak` says so in its own
+  output). All three rewritten to what the code does.
+
+- **`Segmented` was two pixels taller than every control beside it.** `--control` is 40px and the
+  input, the button, the select and the icon button all read it; the segment took its height from
+  padding and measured 42. On a toolbar the input and the button lined up and the segment did not,
+  which is exactly what the measure page promises cannot happen. A fixed height had been tried once
+  and rolled back for a good reason: it was given to the button INSIDE the well, and the well then
+  added its own 3px padding and 1px edge on top of it and came out at 46. The height belongs to the
+  well itself, with the items stretching into it. `-sm` and the icon segment take `height: auto` and
+  are unchanged, because standing under 40px on a toolbar is their whole reason to exist. Found by
+  the measure page's own rhythm demo; held by a new gate, `check:olcu-hizasi`, which requires all
+  eight base controls to declare `height: var(--control)`.
+
+- **Every number input turned into an 18px chip.** A class rename landed on a name that was
+  already taken: the tab counter became `.tamga-sayi`, which is what `NumberInput` uses for the
+  numeral's FACE. Two definitions of the same class, the later one winning, and the field
+  inherited the chip's box · 18px tall, chip padding, chip background. Nothing errored: both
+  names were defined, so the class-name gate passed too. The counter is `.tamga-sayac` now, and
+  `check-css` gained the question that catches this shape: is this class defined twice in the
+  same context? It immediately found four more, all real:
+
+  - `.tamga-collapsible-head` and `-body` existed twice (a row-shaped port and a card-shaped one)
+    and the later pair had quietly dropped the header's `font-weight` and its background
+    transition. The design writes 700; the accordion had been shipping unbolded headers.
+  - `.tamga-sheet-end` was split across two blocks (mirrored shadow in one, animation in the
+    other); they are one block now.
+  - `.tamga-eyebrow` was pasted twice, identically.
+  - the docs' `.docs-search-btn` carried its radius and height in a second block below itself.
+
+- **The popover was drawn as a card, and it showed.** It carried a header strip with its own
+  background, a rule under it, a second rule over the footer and a boxed close button · three
+  horizontal lines inside a 288px panel, so the eye read the box instead of what was in it. The
+  design's popover is one padded surface: a bold title line, the content, a right-aligned footer,
+  and nothing else. `closeLabel` is optional now and draws a quiet corner control when given:
+  a popover is dismissed with Escape or by clicking away, and the thing that must be closed
+  deliberately is a dialog.
+
+- **`SecretField` hid its actions inside the field.** Two mini buttons crammed against the right
+  edge made copying look like trim. A secret is read, not typed: the value now sits in a sunk
+  read-only plate with a key glyph, and reveal and copy are two real buttons beside it, the copy
+  one carrying its label as the design writes it.
+
+- **A selected radio card only changed its edge.** The design fills it with the soft accent, and
+  the note that said "selection by edge, not by the accent colour" was about a different token
+  (`--color-accent-line`, which collapses into `--color-edge` on a light brand).
+  `--color-accent-soft` is fixed in both themes and carries its own ink, so the wash joins the
+  edge and the lift rather than replacing them. `look="card"` also stopped forcing a three-column
+  grid: three priced shipping options read down a column, and the container's layout is the
+  caller's decision.
+
+- **A rising sparkline was grey.** `positive` fell into the muted stroke, which contradicted the
+  decision already written on the `Delta` chip: good news is the accent, not green, because a
+  rising trend is a movement rather than a state. Neutral stays quiet; a trend line only takes a
+  colour when it is carrying good or bad news.
+
+- **The number input's operator glyphs were duotone.** `Icon`'s default weight is duotone, which
+  is right for an icon that carries the brand and wrong for a control's operator: duotone draws
+  its second layer quieter, and a single-stroke mark like a plus or a minus turns into a faded
+  sketch of itself. The plus, the minus and the two stepper carets are `bold` now, which is what
+  the design writes for them.
+
+- **`LocaleSwitcher` drew the browser's `<select>`, not the kit's.** Above two locales it fell
+  back to a native control: the OS arrow, the OS dropdown, and none of the kit's rules. It uses
+  the kit's `Select` now.
+
+- **The separator family was drawn one step off, because the design's token names collide with
+  this kit's.** In the design's own file `--edge` is `#0A1F3D`, a near-black navy · this kit's
+  `--color-edge` is `#c3c9d3`, a pale grey, and the near-black one is `--color-edge-strong`. Its
+  `--line` is our `--color-edge`, and its `--dash` is our `--color-line`. Read as if the names
+  matched, the ladder came out flat: the section rule was drawn in pale grey where the design
+  asks for near-black. The four rules now sit where they belong · plain `--color-div`, dashed
+  `--color-line`, strong `--color-edge-strong` at 1.5px, vertical `--color-edge`. The same
+  mis-mapping had reached three more places from this cycle, all corrected: the announcement
+  strip's border and base, the spinner's `square`, and the large `Dot`.
+
+- **The announcement strip's title was navy on blue.** The kit's base layer paints every
+  `strong` with `--color-ink`, which is right for page copy and wrong on a surface carrying its
+  own ink: the title measured about 1.9 against the accent ground while the line under it was
+  readable. Inside the strip, `strong` inherits now (6.47).
+
+- **The `+N` tile in an `AvatarStack` was raised in a different colour from the faces beside
+  it.** The avatar tiles lift with `--color-edge-strong`; the summary tile had a pale base, so
+  it read as being made of another material.
+
+- **In dark, the glyph inside an alert's tile sank into its own plate.** The tile is painted in
+  the tone's `mark`, which is a fixed plate in both themes, and the glyph was `--color-page`,
+  which is not: near-white in light, near-black at night. On critical it measured **2.96**, under
+  the 3.0 floor that applies to a graphical object. One ink cannot fix six plates, so each tone
+  now carries its own, picked by measurement: critical takes white (5.89), `info` follows the page
+  (7.38 / 8.61) because its plate is the one that flips too, and the rest take the fixed dark
+  plate (4.27-7.59). `check-token-contrast` measures these six pairs at the 3.0 glyph floor, and
+  it reads the pairs out of `tone.ts` rather than from a list of its own: written by hand, the
+  gate passed a deliberate sabotage of the mapping, because what it measured was its own list.
+
+- **The `+N` tile in an `AvatarStack` now carries its own base.** It is the one tile in the row
+  that is not a person but a summary, and the offset is what steps it out of the row of faces.
+
+- **The dropdown menu's group heading was a row-sized label.** It is the name of a GROUP, not of a
+  row: caption size, heavy, letter-spaced, with the tighter padding the design gives it (10px
+  rather than 16px, which had left a second misalignment down the menu's left edge). Casing stays
+  with the caller · the kit does not touch text, and `text-transform` would hand Turkish's i/İ to
+  the browser.
+
+### Breaking
+
+- **`ScoreMatrix` is a density grid now, not a waffle of one score.** The design's 03.15 is a
+  two-dimensional heatmap · rows for one band (a weekday), columns for the other (an hour), and a
+  cell's colour reporting the amount at their crossing. What stood under that name here was a
+  10×10 waffle rendering a single 0-100 score, which `ScoreRing` and `ScoreMeter` already answer.
+  The new props are `rows`, `columns`, `levels`, `legend` and `cellTitle`; colour comes from the
+  brand ramp rather than the tone family, because a cell reports an AMOUNT and not a state, and
+  the step is computed against the grid's own maximum · an absolute threshold would make one grid
+  impossible to compare with another week's numbers.
+
+- **`.tamga-tab-sayi` is now `.tamga-sayac`.** The count chip stopped belonging to tabs when
+  `SectionHead size="sub"` started carrying one beside its title, and a class named after tabs in
+  that position would have made the name a lie. It was briefly `.tamga-sayi`, which was already
+  taken by the numeral face `NumberInput` wears · see the Fixed entry. The `count` prop on `Tabs`
+  is unchanged; only a consumer styling the kit's internals by class name is affected.
+
+- **In dark, a sunk surface was the page.** `--color-sunk` is the ground for content that sits *in*
+  the page rather than on it: filter bars, table headers, code blocks, sub-panels, skeleton
+  placeholders. In light it sits ΔL* 7.3 under the page; in dark it sat **1.1** under it, which is
+  to say nowhere. The skeleton made it visible: its base is `--color-sunk` and the bar you actually
+  see is a breathing `::after` (opacity 0.78 ↔ 0.06), so at the bottom of every breath only the
+  base was left, and against the page it measured a ratio of 1.02. The placeholder vanished and
+  came back, once per breath. Dark cannot fix this by going lighter (`--color-band` carries that
+  measurement: lightening dark surfaces collapsed the card to ΔL* 0.4), so sunk went down instead,
+  `#0e1829` → `#020c21`, ΔL* 5.8 under the page. The number is the ramp's own compression, not a
+  taste call: dark holds every other surface pair at ~0.8 of light's separation, and 7.3 × 0.79 =
+  5.8. Chroma does not drop with it (14.5 against the page's 13.7, same 280° hue).
+
+- **`makePalette` generated the same invisible surface for every brand.** The kit's dark half is
+  written by hand and the generator runs its own ladder, and the generated ladder had the same
+  missing rung: dark `sunk` sat at `l 0.209`, ΔL* 1.0 under the `l 0.218` page it is supposed to sit
+  under, and it is now `l 0.168`.
+  A product generating a palette from its own brand colour inherited the invisible filter bar. The
+  rung now sits below the rail, which is also its order in light, and measures ΔL* 4.9–5.2 across
+  the ten brand colours the suite covers.
+
+- **Two gates were silent on it, so both now measure it.** Surface separation was only ever asked
+  of `--color-edge` and `--color-line` (`check-token-contrast`) and of `navHoverBg · rail`
+  (`measurePalette`). Both now carry the sunk/page and sunk/shell pairs against the same 2.0 floor
+  that already stood for "a second ground on top of a ground must read as changed". Verified by
+  putting the old value back: the gate names ΔL* 1.1 and fails.
+
+- **The danger icon button's glyph nearly disappeared in dark.** `.tamga-icon-btn-danger` fills with
+  `--color-critical-mark`, which is the same wine red in both themes, and painted its glyph with
+  `--color-page`, which is not: near-white in light (5.26) and near-black in dark (2.96). The design
+  writes this pair as fixed (`#fff` on `#9E2A3A`), and the ink is now `--color-inverse-ink`, white in
+  both themes, 5.89 on the plate either way. The pair is measured by `check-token-contrast` now.
+
+- **A new gate measures the whole class: a theme-fixed ground under a theme-flipping ink.**
+  `check-tema-cifti` resolves every kit rule that sets both `background` and `color` down to hex in
+  both themes, and fails when exactly one side is theme-fixed and either theme falls under AA. This
+  same shape had already been fixed three times by hand this cycle (the selection bar, the marked
+  link at 1.36, and the danger icon button), each time without anything to stop the fourth. It
+  measures 12 mixed pairs today. What it deliberately does not see: a ground and an ink split across
+  two rules, which needs real CSS resolution rather than a per-rule read.
+
+- **A comment claimed `--color-hover` was sunk's value; it is not, in either theme.** Light hover
+  is `#f7f5ef` and sunk `#e1ddd3`; dark hover is `#1a2842` and sunk `#020c21`. The two had drifted
+  apart long before, on both sides, and the comment was still asserting the old identity.
+
+- **A tall `Dialog` cut off its own close button.** The panel had no bound: content taller than the
+  window made a `wide` dialog 1014px tall inside a 783px viewport, and since the shell centres its
+  child, 116px was clipped off the top and 116px off the bottom. The title and the close control
+  live in that top 116px. Escape still worked; the mouse had no way out. The body scroll that
+  fixes this had been written for `size="full"` only, and the other three sizes overflowed in
+  silence. The panel is now bounded and the body scrolls, with the header and footer held in
+  place.
+
+- **Nine things the port had skipped.** Comparing `kit.css` class by class against the last commit
+  turned up 58 untouched classes; most are layout utilities and the mascot's furniture and were
+  right to leave alone, but nine were still speaking the old language:
+
+  - `Button size="sm"` carried the full-size 4px layer and 4px press, so the only thing "small"
+    about it was its width. It now steps down to 3px, like every other reduced control.
+  - A selected `RadioGroup` card or chip was marked with the accent colour and a 2px layer, while
+    every other selection in the kit — swatch, theme card, rail row, segment — is marked with the
+    edge and a lift. On a light brand the accent and the edge fall close enough together that the
+    selection disappeared.
+  - An invalid field sat at 2px while focus moved to 3px, so clicking into a field with an error
+    RAISED it.
+  - `Progress` had a 1px edge and a flat ink fill. It takes the 1.5px edge, a 3px layer, and a
+    striped accent fill with a hard right edge, so where the fill stops is exact at any brand.
+  - `Slider` was round — both the track and the thumb — against the kit's own written rule that
+    only the radio, the score ring and the ring spinner are circles. The thumb is now a 24px
+    square that can actually be grabbed.
+  - `RichText`'s toolbar buttons were flat, and an active one filled with plain ink, a colour the
+    kit uses nowhere else. They are boxed now, and an active one fills with the accent and sits on
+    its own base.
+  - `ImageField` was a thin 1px box; empty, it was a dashed rectangle with a normal surface
+    inside, so a filled field and an empty one read at the same weight. Empty is now hatched, the
+    same hatch the custom colour swatch uses.
+  - `LogoTile` took the 1.5px edge and the button radius.
+  - `Surface` drew its edge with `--color-edge`, the colour reserved for an object's own rule, so
+    the screen's ground read as heavily as the cards standing on it. It uses `--color-line`.
+
+### Added
+
+- **A gate for the roundness rule** (`check:yuvarlak`). The rule was written down in two places
+  and enforced nowhere, which is why the slider stayed round for months without anyone noticing —
+  on its own it does not look wrong; what is wrong is that it disagrees with everything beside it.
+  The gate reads `kit.css` and allows `border-radius: 50%` only on a named list of selectors, so
+  adding a circle is now a decision someone has to write down.
+
+### Breaking
+
+- **`LogView` takes a `labels` object.** New required prop: `labels={{ newLines: (n) => … }}`,
+  the text of the button described under Added. It is required rather than optional because a kit
+  that silently drops a behaviour when a string is missing is worse than one that asks for the
+  string.
+
+- **Two names went back to the design's vocabulary.** The kit had invented both, and in the
+  design each name belongs to a different component:
+
+  `Rise` was a block sliding in from below; in the design it is **the number climbing from zero
+  to its target**. The animation is now **`Reveal`** (class `.tamga-rise` → `.tamga-reveal`), and
+  `Rise` is the change indicator. Our own docs page for it opened with "the name may be
+  misleading", which was the warning.
+
+  `SaysBubble` was the bubble over an empty state's drawing; in the design it is **the
+  conversation bubble** (a customer message, our reply, an assistant's suggestion). The drawing's
+  bubble is now **`ArtSays`**, which `EmptyState` uses internally, and `SaysBubble` is the chat
+  bubble. With both under one name, whoever looked for an empty state and whoever looked for a
+  chat found the wrong component.
+
+- **`Delta` is a chip, not an inline percentage.** A trend glyph plus the value, filled with the
+  tone's own ink: beside a KPI the old outline version was too quiet to read. Good news takes the
+  **accent**, not green — green is a STATE colour ("resolved") while a rising revenue is a
+  movement — bad news stays red, and a flat change has no colour at all. `mono` is gone; the chip
+  sets its own numerals.
+
+- **`ScheduleInput` is now a weekly schedule, not an interval `<select>`.** It used to take
+  `value` (minutes), `onChange` and an `options` list and render a single `<select>` — a native
+  select wearing a component name, which is the one thing a kit should not ship. It now takes
+  `days` (0 Sunday to 6 Saturday), `from`, `to`, their change handlers, a `labels` object and a
+  ready `summary` sentence, and it draws seven day buttons over an hour range.
+
+  Migration: for choosing an interval use `Select` with your own options — that is literally what
+  the old component was. For a weekly window, the new props are on the
+  [Schedule input](https://tamga.org.tr/docs/schedule-input) page; the summary line is the
+  caller's sentence, because "Every weekday" and "Her hafta içi" are not a translation the kit can
+  make.
+
+- **`FileUpload.onReorder` takes a target index, not a direction.** `(id, -1 | 1)` became
+  `(id, target)`. The first signature was enough for the two arrow buttons; dragging broke it,
+  because moving the fourth image to the front is not a step. Two callbacks would have told one
+  story from two places, so there is one meaning left: *put this item at this index*.
+
+  Migration: the arrow buttons now send `i - 1` / `i + 1`, so a handler that swapped two entries
+  keeps working for them — but for dragging it must **splice**, not swap, or making the fourth
+  image the cover flings the cover into fourth place. The docs page shows the splice form.
+
+- **`SettingsPanel` no longer takes `accent`.** The brand-coloured left edge existed for one
+  screen — the appearance screen — and that screen stopped stacking panels (see below), so the
+  prop had no caller left and its documented reason no longer described anything. Drop the prop;
+  nothing replaces it. A product that wants a coloured edge on a panel is describing a different
+  component, not a variant of this one.
+
+- **`AppearanceLabels.brand` gained four required strings** — `customName`, `preview`,
+  `previewAction` and `lightNote` — because the brand row now names the chosen colour, prints its
+  hex, and shows a sample of it. The kit does not write text, so all four come from the caller.
+
+### Added
+
+- **`Accordion.look`** — `cards` (the default) or `list`. The design draws both: sections as
+  their own raised cards, and the quiet stack inside one surface. The container decides, because
+  a prop on every section is the same decision taken again at every call site.
+
+- **`ScrollX.controls` and `ScrollX.title`** — the two arrow buttons at the head of a strip, as
+  the design draws them. A click moves the strip by **one visible width** (90% of it, so the card
+  at the edge is not swallowed), never by "one card": that would need the strip to know what a
+  card is. The arrows do not replace the keyboard; the strip is focusable and scrolls with the
+  arrow keys already.
+
+- **`Collapsible.icon`** — the glyph at the head of the row, in the accent: it says what kind of
+  section this is before the words are read.
+
+- **`EmptyState` has a fourth layout, `plain`** — the dashed card the design draws: an icon tile
+  (`icon`, `tone`), a line and the first step, with no mascot. `art` is optional now. It is the
+  shape most screens need, and the dashed edge is the kit's own word for "not real content yet":
+  filled, the same place holds a solid card.
+
+- **`Tag`** — the label badge: BETA, NEW, PRO. A sibling of `Badge` but not the same thing: a
+  counter carries a QUANTITY and disappears once read, a tag carries a STATE and stays. Three
+  looks — `dashed` for what is not real yet (a dashed edge says exactly that everywhere in the
+  kit), `solid` for what is new right now, `outline` for the quiet standing fact. The product
+  writes the word, the kit gives the shape.
+
+- **`Spinner.look`** — `bars` (the default, the inline one that fits inside a control), `pixels`
+  (the mark's own 3×3 grid, pulsing along the diagonal, for a panel waiting on its first data)
+  and `ring` (the familiar circle, for a whole screen). The kit had only the bars, so every
+  screen-level wait borrowed a control-sized spinner.
+
+- **`Descriptions.split`** — breaks the list into as many columns as fit (280px floor). At page
+  width a six-row list was leaving the right half empty; split, it reads as two short lists. Each
+  column keeps its own label column, so the values still line up.
+
+- **`Code.filename`** — the name on the strip. Without it the strip still stands and holds the
+  copy button.
+
+- **`InputGroup`** — the prefix/suffix box: a currency, a domain, a unit, a search glyph, a
+  shortcut key. The class for it had been in the kit with no component to draw it. A prefix is a
+  **piece**, not a string, so an `<Icon />` fits where "₺" fits, and the focus ring wraps the
+  whole box: one object, not two.
+
+- **`Field.required`, `Field.note`, `Field.info` and `Field.count`.** The asterisk is a glyph
+  rather than a word (a word is a translation, and the kit makes none), `note` is the caller's
+  quiet word at the far end of the label row, `info` a mark that sits outside the `<label>` so
+  clicking it does not focus the control, and `count` the character counter under the control —
+  on the FIELD, because a textarea knows how many characters it holds, not how many it is
+  allowed.
+
+- **`Button.variant="soft"`** — a step between primary and secondary, filled in the accent's
+  light tone. The action that says "you can also do this" without competing with the page's one
+  filled button.
+
+- **`Link.look`** — `inline` (the default), `standalone` with an arrow that steps forward under
+  the pointer, `quiet` for a footer where twenty links cannot all be in the accent, and `marked`
+  for the one address in a paragraph that has to be found.
+
+- **`Kbd.inline`** — the quieter key for a row in a shortcut list, where twenty layered boxes
+  would turn the list into a keypad.
+
+- **`Card` can lead somewhere.** `href` (with `linkComponent`) or `onClick` makes the card a real
+  `<a>` or `<button>` and gives it the raised physics: it lifts under the pointer and presses
+  flat. A product card was being hand-rolled as a clickable `div`, which is invisible to the
+  keyboard and silent to a screen reader.
+
+- **`SaysBubble`** — the conversation bubble, in three sides: `them` (left, quiet surface),
+  `me` (right, accent fill with a base) and `assistant` (a dashed, washed suggestion). The corner
+  facing the speaker is the small one; there is no tail, because a tail means a rotated square
+  and the kit has none. Time and delivery state live inside the bubble, where they do not break
+  the rhythm of a long thread.
+
+- **`Kpi.look`** — `tile` (the default) is what a KPI grid is built from: a 40px icon box on the
+  left, the label over the number. `detail` is the taller card for a number that carries a curve
+  beside it and a change under it, the delta now drawn as a chip rather than an inline
+  percentage. The two are separate because of room: a card that fits a curve is taller than a
+  tile four of which stand side by side.
+
+- **`Tabs.look="folder"` and `TabPanel`.** The design has two kinds of tab and the kit had one.
+  The line separates views of the page; the folder separates sections of one surface, sitting ON
+  its panel — the active tab's bottom edge is transparent and the tab drops by the panel's 1.5px
+  border, so the two read as one body.
+
+- **`Segmented.size="sm"`** — the strip that lives in a toolbar. At the base size a segment
+  stands taller than the row it sits in; the docs example box's bar was 55px against the
+  reference's 45.
+
+- **`yiginRenk` / `yiginRenkleri`** (from `tamga-ui/tone`) — the brand ramp a stacked chart's
+  slices step through, beside `seriRenk` for separate measures. Two names, so the two cases
+  cannot be confused.
+
+- **`RailLink.badge`** (with `badgeLabel`) — how many things wait behind an entry. On a wide rail
+  it is the number; on a narrow one only a square, because a two-digit number sits on top of the
+  icon in a 40px box, and an unreadable number says no more than "there is something". The number
+  itself goes to the screen reader through `badgeLabel`, which is why that one is required.
+
+- **`TabItem.count`** — the mono chip beside a tab's label: how many rows are in that tab. Mono,
+  because it is a number compared with the other tabs' numbers rather than a word to be read.
+
+- **`Tooltip.bind`** — turns off the `aria-describedby` tie. On for everything except a trigger
+  whose accessible name is already the tooltip's text: a narrow rail item is labelled
+  "Orders" and its tip says "Orders", and a screen reader read it twice.
+
+- **`Toast` has its own lifetime.** "It comes, and it goes" was the component's one sentence and
+  the going was left to the caller: every product wrote its own `setTimeout`, and the ones that
+  did not left notifications on screen. It is **5 seconds now, 8 with an `action`** ("Undo" has
+  to be readable *and* reachable before it leaves), `duration={0}` keeps it until dismissed, and
+  **the timer pauses while the pointer or keyboard focus is on it** — the hand reaching for
+  "Undo" travels straight across the toast.
+
+  `role` follows the tone: **`alert` only for `danger`**, because an assertive region cuts into
+  the sentence a screen reader is reading. Everything else stays `status`.
+
+- **`MenuItem.shortcut`** — the keyboard shortcut drawn on the right of a menu row as a `Kbd`. It
+  does not bind the key: a menu that binds a global shortcut would fight the page that already
+  has one.
+
+- **`LogView` says how many lines you missed.** Following only when you are already at the bottom
+  is the right behaviour, but it has a price: a line that arrives while you are reading further up
+  is out of sight, and without a word about it the stream looks stopped. A "↓ 12 new lines" button
+  now appears in that case and takes you down; the counter resets the moment you reach the bottom.
+
+- **`LogLine.level`** — the level badge's word ("INFO", "WARN", "UYARI"). The kit draws the badge
+  and colours it from `tone`; the product writes the word, because a log level is not a string the
+  kit can translate.
+
+- **`FileUpload` reorders by dragging** as well as with the arrow buttons. The dragged card fades
+  to 0.45 (lower reads as deleted) and the card it would land on takes the accent edge — the kit's
+  existing "this is the target" mark, not a new line invented for it. The arrows stay, because
+  drag-and-drop does not exist for someone on a keyboard.
+
+- **`Checkbox.indeterminate`** — renders `aria-checked="mixed"` with a minus glyph. A parent row
+  whose children are partly selected had to be drawn either checked or unchecked, and both were
+  false; `TreeSelect` and any "select all" header need this third state.
+
+- **`NumberInput.locale`** — which thousands separator and decimal mark to draw. It was hardcoded
+  to the browser's locale, so a Turkish panel viewed in an English browser showed `1,500.50` in a
+  form that submits `1.500,50`.
+
+- **`RailCards`.** The sidebar width was a three-word `Segmented`: "Always narrow · Always wide ·
+  Let the user choose". On the same screen the theme was asked with pictures and this with words,
+  and how much room a menu takes is something you see rather than read. Three miniatures now, and
+  the third carries a collapse button at the foot of the rail because that is where it sits in the
+  panel.
+
+- **`ThemeCards` takes a one-line note under each name** (`lightNote`, `darkNote`, `systemNote`),
+  and "System" is drawn as one panel cut on a diagonal rather than two rectangles side by side.
+  Two rectangles say "there are two themes"; the diagonal says "same panel, the device decides".
+
+- **`PageBand` takes an `eyebrow`.** A short line above the title, for the question a title leaves
+  open — whether a setting applies to everyone or only to the person reading it.
+
+### Changed
+
+- **The appearance screen is one card with dashed rows, not five stacked cards.** Five cards said
+  "a new subject starts here" five times, for five parts of one subject; and with the title above
+  the control in each, the eye zigzagged down the screen. Titles now sit in one column and
+  controls in another, split by the card's own width rather than the viewport, so the breakpoint
+  is right whether the rail is open or shut.
+
+- **A colour swatch is the colour.** It was a white box holding a 20px square, with the check mark
+  deliberately left out because "its contrast changes with the chosen colour and disappears on a
+  light one". The reason was right and the remedy was not: the ink is now taken from the palette
+  that colour generates, so a light swatch gets dark ink and a dark one white. The square is 44px
+  and the check sits inside it.
+
+  The swatch no longer lifts on hover or sits on press. Its resting height is two different
+  numbers (0 unselected, 4 selected) and one hover ladder cannot serve both — tuned for the
+  unselected box, hover LOWERED the selected one. Law 1 · E and F caught it.
+
+## 0.4.4
+
+### Added
+
+- **A fifth tone: `info`.** The scale answered one question — is something wrong — in four ways:
+  solved, heading there, broken, or not reporting. A product that only wants to SAY something had
+  to choose between a grey that reads as "not reporting" and a green that reads as "solved". Both
+  are a lie about the same sentence. `info` is blue because blue is the one hue this palette has
+  never attached urgency to, and like the other three it never decorates. It never pulses either:
+  "worth knowing" and "look here, now" are not the same sentence, and the pulse stays with the
+  second.
+
+  New tokens: `--color-info` and `--color-info-bg`, in both themes. The dark value leans toward
+  cyan rather than the brand's navy, for the same reason the other statuses stay warm there — a
+  navy signal sinks into a navy ground.
+
+### Changed
+
+- **`Toast` takes its tone as the surface, not as a mark on its edge.** It was a white box with a
+  ten-pixel square in the corner. A toast is on screen for about two seconds, and what gets read in
+  that time is the colour of the box, not a square beside the text. The wash was already designed
+  for this — `--color-*-bg` is documented as "a tint, not a fill" — so the tone now paints the
+  surface and the square stays as the secondary cue. `neutral` is unchanged and stays uncoloured,
+  which is its whole job on this scale.
+
+  The edge and the drop stay neutral on purpose: painting them in the tone as well put a hard frame
+  around a soft wash, and the box ended up shouting in the exact way the wash exists to prevent.
+
+  **This changes how every existing toast looks without any change at the call site.** Nothing to
+  migrate; if a product wants the old white box, `tone="neutral"` is it.
+
+### Fixed
+
+- **A toast no longer overflows a container narrower than itself.** Its width was fixed at 320px,
+  so a narrow parent got a toast hanging out of it, and a 360px phone got one hanging off the
+  screen (320 plus two 24px gutters does not fit). The measurement moved to `ToastViewport`, which
+  is the thing that knows how much room there is: the column is 20rem and shrinks by the gutters
+  when the screen is narrower.
+
+- **The contrast gate now measures a status colour on its own wash.** It only ever checked
+  `critical` against the shell, so the pair that a chip, a row and a toast actually put on screen
+  was never measured — and a new tone could be added without anything looking. The five pairs are
+  gated now, including `silent` on `chart-fill`, which had already failed once and was recorded in
+  a comment rather than a gate.
+
 ## 0.4.3
 
 ### Fixed