tamga-ui 0.2.1 → 0.3.1

package/dist/theme.css

@@ -1,146 +1,73 @@
-/* ==============================================================
-   tamga-ui · TEMA KATMANI
-
-   Token'lar burada yaşar: renk rampası, semantik renkler, tip skalası,
-   ölçü, şekil ve motion. Sınıflar kit.css'te.
-
-   KULLANIM — tüketici kendi CSS'inde şu sırayı kurar:
-
-     @import "tailwindcss";
-     @import "tamga-ui/styles.css";
-     :root { --color-accent: #d6336c; }   ← markanın tamamı
-
-   Bu dosya Tailwind v4 gerektirir (@theme direktifi kullanıyor).
-   kit.css gerektirmez — o saf CSS.
-
-   KURALLAR (guard'larla zorlanır):
-     · her token HEM :root HEM .dark içinde  (check-token-parity)
-     · bileşen token'a adıyla erişir, ham hex yazmaz  (check-hardcoded-colors)
-     · motion yalnız token üzerinden  (check-motion-tokens)
-   ============================================================== */
-
+/*! tamga-ui 0.3.1 · MIT · https://tamga.org.tr */
 @custom-variant dark (&:is(.dark *));
 
-/* ============================================================
-   TOKEN KATMANI — kitin tek renk, ölçü ve hareket kaynağı.
-
-   KALICI (mekanizma, tartışmaya kapalı)
-     · token isimleri + @theme inline köprüsü
-     · her token HEM :root HEM .dark içinde (parite CI'da denetlenir)
-     · motion yalnız token üzerinden — ham süre ve eğri yasak
-     · yükselme tek formülden gelir: 1px kenar + N px sert offset, bulanıklık yok
-
-   DEĞİŞTİRİLEBİLİR (ürünün kararı)
-     · rampanın DEĞERLERİ. Bir ürün kendi CSS girişinde :root ve .dark blokları
-       yazarak markasını verir. Token'ın ADI kitin, DEĞERİ ürünündür.
-
-   Buradaki bir değeri değiştirmeden önce kitin ilgili karar belgesini güncelle —
-   sıra hep aynı: önce doküman, sonra değer.
-   ============================================================ */
-
-/* tamga:sabit-olcek — temadan bağımsız: marka rampası, kırılma noktası,
-   hareket eğrileri ve süreler. Gece de gündüz de aynı. */
 @theme {
-  /* Raw brand ramp. Nothing consumes it directly: the semantic tokens below are
-     the interface, and a component reaching for --color-brand-500 is skipping the
-     layer that makes theming work. Kept in step with the accent so that if anyone
-     ever does reach for it they get this product's blue, not the placeholder v2
-     shipped with.
-     TR: Ham marka rampası. Hiçbir şey doğrudan tüketmiyor: arayüz aşağıdaki anlamsal
-     token'lar, ve --color-brand-500'e uzanan bir bileşen temalandırmayı çalıştıran
-     katmanı atlıyor. */
+
   --color-brand-50: #ecedf3;
-  /* Raw ramp, second step.
-     TR: Ham rampa, ikinci adım. */
+
   --color-brand-100: #d6e2f5;
-  --color-brand-400: #53a4fa; /* = dark --primary TR: = koyu --primary */
-  --color-brand-500: #2069c9; /* = light --primary TR: = açık --primary */
-  --color-brand-600: #12245c; /* = the base under the face TR: = yüzün altındaki taban */
+  --color-brand-400: #53a4fa;
+  --color-brand-500: #2069c9;
+  --color-brand-600: #12245c;
 
   --breakpoint-xs: 30rem;
 
-  /* Motion (docs/13-design-soul §1) — theme-invariant, defined once here and read through the
-     ease/duration custom properties below. Components never write raw curves/durations (§10).
-     (Spelled out rather than written with a wildcard: Tailwind scans this file for class
-     candidates and read the glob form as an arbitrary utility, warning on every build.) */
-  --ease-instrument: cubic-bezier(0.22, 1, 0.36, 1); /* THE signature: everything that enters or moves TR: İMZA: giren ya da hareket eden her şey */
-  --ease-press: cubic-bezier(0.22, 1, 0.36, 1); /* the same curve: a press is not a different physics TR: aynı eğri: basmak farklı bir fizik değil */
-  /* --ease-settle removed (13 §1): the only curve with overshoot, and nothing in this
-     product bounces. An overshoot placed anywhere leaks everywhere. */
-  --ease-breath: ease-in-out; /* the two loops: beacon and skeleton TR: iki döngü: işaret ve iskelet */
-
-  --duration-instant: 100ms; /* press, hover, focus: every control (13 §1 --duration-press) TR: basma, üzerine gelme, odak: her kontrol (13 §1 --duration-press) */
-  --duration-quick: 160ms; /* colour and tone shifts TR: renk ve ton geçişleri */
-  --duration-base: 240ms; /* panels, popovers, toasts, value changes TR: paneller, balonlar, bildirimler, değer değişimleri */
-  --duration-slow: 340ms; /* route-level reveals TR: rota düzeyinde açılışlar */
-  /* Loops — long by design, the only things allowed past --duration-slow */
-  --duration-breath: 1100ms; /* skeleton TR: iskelet */
-  --duration-beacon: 1800ms; /* the live mark. 2400ms read as heavy on an instrument. TR: canlı işaret. 2400ms bir göstergede ağır okunuyordu. */
+  --ease-instrument: cubic-bezier(0.22, 1, 0.36, 1);
+  --ease-press: cubic-bezier(0.22, 1, 0.36, 1);
+
+  --ease-breath: ease-in-out;
+
+  --duration-instant: 100ms;
+  --duration-quick: 160ms;
+  --duration-base: 240ms;
+  --duration-slow: 340ms;
+
+  --duration-breath: 1100ms;
+  --duration-beacon: 1800ms;
 }
 
-/* İŞARETÇİ YORUMU KENDİNDEN BAŞKA BİR İŞARETÇİNİN ADINI TAŞIMAZ. İlk hâli
-   burada koyu bloğun adını da anıyordu; ayrıştırıcı "koyu" işaretçisini
-   ararken bu yorumu buluyor ve AÇIK bloğu koyu sanıyordu. Parite kapısı da
-   bu yüzden açık bloğu kendisiyle karşılaştırıp sessizce geçiyordu.
-   tamga:tema-acik */
 :root {
-  --radius: 6px; /* 13 §5: instrument sharpness, a knowing DNA §12 deviation (ADR pending) TR: 13 §5: gösterge keskinliği, DNA §12'den bilerek yapılan bir sapma (ADR bekliyor) */
-
-  /* Elevation — hard, blurless, offset shadows (docs/13-design-soul §2). Blur only on the
-     overlay's ambient second layer. Parity-checked in both :root and .dark (docs/03).
-     Every formula carries the SAME two layers in every theme (bottom shadow + inset top rim) so the
-     structure is parallel — light just holds the rim transparent; dark's rim is the load-bearing
-     "night edge" (§2). Equal layer counts also guarantee smooth box-shadow interpolation on press. */
-  --shadow-color: #d2cec8; /* = --color-edge: the offset IS the edge colour (13 Yasa 1). Darkened from #d9d6d1, which measured ΔL* 9.8 against the page, under this gate's floor of 10. TR: = --color-edge: kaydırmanın kendisi kenarın rengidir (13 Yasa 1). #d9d6d1'den koyulaştırıldı; sayfaya karşı ΔL* 9.8 ölçülmüştü, bu kapının 10 tabanının altında. */
-  --shadow-rim: transparent; /* no rim in either theme; see .dark TR: iki temada da çerçeve yok; bkz. .dark */
-  --shadow-ambient: rgb(38 34 26 / 0.32); /* scrim/overlay drop, warm ink TR: katman gölgesi, sıcak mürekkep */
-  --shadow-raised: 2px 2px 0 0 var(--shadow-color); /* diagonal, blurless (13 Yasa 1) TR: çapraz, bulanıksız (13 Yasa 1) */
+  --radius: 6px;
+
+  --shadow-color: #d2cec8;
+  --shadow-rim: transparent;
+  --shadow-ambient: rgb(38 34 26 / 0.32);
+  --shadow-raised: 2px 2px 0 0 var(--shadow-color);
   --shadow-hover: 3px 3px 0 0 var(--shadow-color);
   --shadow-pressed: 0 0 0 0 var(--shadow-color);
-  --shadow-overlay: 6px 6px 0 0 var(--shadow-color); /* the overlay plane: 6px, past anything the page can reach TR: katman düzlemi: 6px, sayfanın ulaşabileceği her şeyin ötesinde */
-  --shadow-seated-pressed: inset 0 0 0 0 transparent; /* seated never lifts, so it has nothing to collapse (13 §2) TR: oturmuş olan hiç kalkmaz, yani çökecek bir şeyi yok (13 §2) */
+  --shadow-overlay: 6px 6px 0 0 var(--shadow-color);
+  --shadow-seated-pressed: inset 0 0 0 0 transparent;
 
-  --background: #f5f2ec; /* warm paper TR: sıcak kâğıt */
+  --background: #f5f2ec;
   --foreground: #26221a;
   --card: #fdfcfa;
   --card-foreground: #26221a;
   --popover: #fdfcfa;
   --popover-foreground: #26221a;
 
-  --primary: #2069c9; /* the FACE: L* 45, carries white ink at 5.22:1 (13 §2) TR: YÜZ: L* 45, beyaz mürekkebi 5.22:1 ile taşıyor (13 §2) */
+  --primary: #2069c9;
   --primary-foreground: #fdfcfa;
   --secondary: #eceae6;
   --secondary-foreground: #453f34;
   --muted: #eceae6;
-  --muted-foreground: #6f695b; /* = --color-ink-faint: the same colour in the other name family, moved in step (contrast gate) TR: = --color-ink-faint: öteki ad ailesindeki aynı renk, onunla birlikte taşındı (kontrast kapısı) */
-  --accent: #ecedf3; /* selected-row wash TR: seçili satır yıkaması */
+  --muted-foreground: #6f695b;
+  --accent: #ecedf3;
   --accent-foreground: #12245c;
   --destructive: #b3341f;
   --destructive-foreground: #fdfcfa;
-  --success: #0a7a5f; /* healthy AND resolved share one green (13 Yasa 3) TR: sağlıklı VE çözüldü tek bir yeşili paylaşıyor (13 Yasa 3) */
+  --success: #0a7a5f;
   --success-foreground: #fdfcfa;
   --warning: #8a5a0b;
   --warning-foreground: #fdfcfa;
-  --beacon: #12245c; /* ⚠️ no separate signature colour; see note below TR: ⚠️ ayrı bir imza rengi yok; aşağıdaki nota bakın */
+  --beacon: #12245c;
   --beacon-foreground: #fdfcfa;
 
-  --border: #e2ded6; /* the single rule colour TR: tek çizgi rengi */
-  /* Instrument scale marks (13 §4). NOT a border: a gauge's ticks are how the dial is READ, so they
-     answer to a FLOOR (be visible on every surface the dial can sit on), never to the border band's
-     deliberate softness. Kept warm-taupe in family, several steps darker than --border. */
-  --tick: #bdb8ae; /* scale marks answer to a FLOOR, not to the border's softness: they must read on card, page AND muted (13 §4) TR: ölçek işaretleri kenarın yumuşaklığına değil bir TABANA cevap verir: kartta, sayfada VE soluk zeminde okunmalı (13 §4) */
-  --input: #d2cec8; /* = --shadow-color. Yasa 1: the edge and the offset are one colour TR: = --shadow-color. Yasa 1: kenar ile kaydırma tek renktir */
+  --border: #e2ded6;
+
+  --tick: #bdb8ae;
+  --input: #d2cec8;
   --ring: #12245c;
 
-  /* Categorical series: for data that is NOT a status (regions, plans, series).
-     Deliberately QUIETER than the status palette: C* 26 against status's 36–65, so a
-     chart can never out-shout an event. Hues avoid critical's red (40°) and
-     resolved's green (169°) — the two carrying the strongest meaning, and the two a
-     reader would most easily mistake on a line. Measured: 22 ΔE between neighbours,
-     20 ΔE to the nearest status colour.
-     TR: Kategorik seriler: durum OLMAYAN veri için (bölgeler, planlar, seriler). Durum
-     paletinden bilerek daha SESSİZ: durumun 36–65'ine karşı C* 26, yani bir grafik bir
-     olayın sesini asla bastıramıyor. */
   --chart-1: #887c4f;
   --chart-2: #32888a;
   --chart-3: #4782a5;
@@ -148,21 +75,15 @@
   --chart-5: #a36c84;
 }
 
-/* tamga:tema-koyu */
 .dark {
-  /* Night field station — warm charcoal, not cold navy. */
-  /* Elevation (docs/13-design-soul §2 "night edge"): a darkening bottom shadow can't read on a
-     near-black ground (measured ceiling ΔL* ~8 vs light's ~16-20), so dark pushes --shadow-color to
-     near-black for max bottom separation AND adds the load-bearing cue — a 1px warm-white inset TOP
-     rim (light catches the raised top edge at night). Same two-layer formulas as light; on press the
-     rim goes transparent → the surface reads pressed flat (1:1 with light's bottom-out). */
+
   --shadow-color: #363e6e;
-  --shadow-rim: transparent; /* the edge colour carries dark on its own — no rim needed */
+  --shadow-rim: transparent;
   --shadow-ambient: rgb(6 6 22 / 0.62);
-  --shadow-raised: 2px 2px 0 0 var(--shadow-color); /* diagonal, blurless (13 Yasa 1) */
+  --shadow-raised: 2px 2px 0 0 var(--shadow-color);
   --shadow-hover: 3px 3px 0 0 var(--shadow-color);
   --shadow-pressed: 0 0 0 0 var(--shadow-color);
-  --shadow-overlay: 6px 6px 0 0 var(--shadow-color); /* the overlay plane: 6px, past anything the page can reach */
+  --shadow-overlay: 6px 6px 0 0 var(--shadow-color);
   --shadow-seated-pressed: inset 0 0 0 0 transparent;
 
   --background: #0f1127;
@@ -172,8 +93,8 @@
   --popover: #131832;
   --popover-foreground: #efeef4;
 
-  --primary: #53a4fa; /* face flips bright: white ink caps the fill at L* 47 on a dark ground */
-  --primary-foreground: #12245c; /* navy ink on the bright face — 5.62:1 */
+  --primary: #53a4fa;
+  --primary-foreground: #12245c;
   --secondary: #1c2241;
   --secondary-foreground: #d4d4df;
   --muted: #1c2241;
@@ -190,7 +111,7 @@
   --beacon-foreground: #0f1127;
 
   --border: #262d54;
-  --tick: #3f4880; /* same floor, measured against the darkest dial surface */
+  --tick: #3f4880;
   --input: #363e6e;
   --ring: #86a7f3;
 
@@ -201,10 +122,6 @@
   --chart-5: #ca90a9;
 }
 
-/* Köprü: tema ailesinin adlarını kitin `--color-*` ad alanına bağlıyor. Bir
-   token'ın Tailwind utility'si üretip üretmediği buradan geçip geçmediğine
-   bağlı, o yüzden işaretli.
-   tamga:kopru */
 @theme inline {
   --color-background: var(--background);
   --color-foreground: var(--foreground);
@@ -234,46 +151,30 @@
   --color-ring: var(--ring);
 
   --color-chart-1: var(--chart-1);
-  /* Teal, the second series. Far enough from resolved's green that a line is
-     never mistaken for a status. */
+
   --color-chart-2: var(--chart-2);
-  /* Blue, the third series. */
+
   --color-chart-3: var(--chart-3);
-  /* Violet, the fourth series. */
+
   --color-chart-4: var(--chart-4);
-  /* Rose, the fifth and last. Beyond five the eye stops telling series apart
-     and a legend stops helping. */
+
   --color-chart-5: var(--chart-5);
 
-  /* Typographic lock (docs/13-design-soul §6) — DECISION CHANGED 2026-08-16 (Berika).
-     The product runs on the SYSTEM UI stack. Outfit and JetBrains Mono were the earlier lock, but
-     the prototype everyone judged the design against had a broken variable chain and was silently
-     rendering system UI the whole time — that is the typography the design was actually approved
-     with, so it is the typography that ships.
-     Written out as an explicit value rather than left to a fallback: a stack you can read is a
-     stack you can change. Reverting is these three lines. */
   --font-sans: -apple-system, "system-ui", "Segoe UI", Roboto, "Helvetica Neue", "Noto Sans", Arial, sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji";
-  /* Measure — how long a line is allowed to get before the eye loses the start
-     of the next one. A typographic decision, so it lives with the tokens rather
-     than as an invented number in a className (13 §6). */
-  --measure-tight: 36ch; /* a note under a control */
-  --measure: 54ch; /* body copy in a card */
-  --measure-wide: 70ch; /* documentation prose */
-
-  --font-display: -apple-system, "system-ui", "Segoe UI", Roboto, "Helvetica Neue", "Noto Sans", Arial, sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji"; /* headings are the same face, heavier — never a separate display cut (13 §6) */
-  /* Mono is the same face too — this is what the prototype did, and it is the shape the design was
-     approved in. The cost is real and worth stating: digits are no longer tabular by default, so a
-     column of numbers stops aligning on its own. `tabular-nums` is still available where a column
-     needs it. */
+
+  --measure-tight: 36ch;
+  --measure: 54ch;
+  --measure-wide: 70ch;
+
+  --font-display: -apple-system, "system-ui", "Segoe UI", Roboto, "Helvetica Neue", "Noto Sans", Arial, sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji";
+
   --font-mono: -apple-system, "system-ui", "Segoe UI", Roboto, "Helvetica Neue", "Noto Sans", Arial, sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol", "Noto Color Emoji";
 
-  /* Shape rhythm (docs/13-design-soul §5), base --radius = 0.75rem. Kept as a single-knob
-     calc scale: sm = 0.5rem and lg = 1rem land exactly on §5; md stays a shadcn-compat step. */
-  --radius-sm: calc(var(--radius) - 4px); /* 0.5rem — badges, tags, inline chips (§5) */
-  --radius-md: calc(var(--radius) - 2px); /* 0.625rem — shadcn default step */
-  --radius-lg: calc(var(--radius) + 4px); /* 1rem — cards, panels (§5) */
-  --radius-xl: calc(var(--radius) + 8px); /* 1.25rem — large surfaces */
-  --radius-full: 9999px; /* avatars and the live dot ONLY (§5) */
+  --radius-sm: calc(var(--radius) - 4px);
+  --radius-md: calc(var(--radius) - 2px);
+  --radius-lg: calc(var(--radius) + 4px);
+  --radius-xl: calc(var(--radius) + 8px);
+  --radius-full: 9999px;
 }
 
 @layer base {
@@ -285,7 +186,7 @@
     background-color: var(--background);
     color: var(--foreground);
   }
-  /* GEÇİCİ (Faz 2): headings in the display cut. Which face, which tracking — undecided. */
+
   h1,
   h2,
   h3 {
@@ -293,10 +194,6 @@
     letter-spacing: -0.01em;
   }
 
-  /* Skeleton breath — an opacity breath, never a shimmer sweep (13 §8, §10).
-     Deep and quick on purpose: it started shallow and slow, which was right in
-     principle and useless in practice — at a glance you could not tell a loading
-     panel from a settled one, and that is its only job. */
   @keyframes skeleton-breath {
     0%,
     100% {
@@ -311,8 +208,6 @@
     animation-delay: var(--skeleton-delay, 0ms);
   }
 
-  /* The live mark. Brightness only — never a transform, or it starts competing
-     with the mascot's channel and Yasa 4 stops being enforceable (13 §3). */
   @keyframes beacon-breath {
     0%,
     100% {
@@ -326,9 +221,6 @@
     animation: beacon-breath var(--duration-beacon) var(--ease-breath) infinite;
   }
 
-  /* Decorative motion goes static under reduced motion. MECHANISM — keep in every art direction.
-     A stopped skeleton must still READ as a placeholder, so it parks near the middle of the
-     breath rather than at either end; an empty box is worse than no skeleton. */
   @media (prefers-reduced-motion: reduce) {
     .animate-skeleton-breath {
       animation: none;
@@ -340,12 +232,6 @@
   }
 }
 
-/* ============================================================
-   Press choreography (docs/13-design-soul §2) — THE single source for every raised interactive
-   surface (buttons, clickable cards). Apply the `press-surface` class; never re-implement it per
-   component (no second copy). Decorative, non-clickable surfaces must NOT use it (Law 2).
-   No transition-all — the property list is explicit.
-   ============================================================ */
 .press-surface {
   transform: translateY(0);
   box-shadow: var(--shadow-raised);
@@ -355,16 +241,7 @@
   transition-duration: var(--duration-quick);
   transition-timing-function: var(--ease-instrument);
 }
-/* The working surface: one card that holds a whole screen (13 §4b).
-   The chrome around it — rail, header, ground — is all --card with no dividing
-   line, so it reads as one continuous frame. This is the only thing on top of
-   that frame, which is why it takes the CONTROL radius rather than the card
-   radius: at this size a softer corner makes the whole screen look like a
-   widget, and the sharper one keeps it in the same family as the buttons
-   inside it.
-   NOT a motion rule: this sat inside the reduced-motion query, so the surface
-   had no ground, no edge and no radius for anyone who had not turned reduced
-   motion on. */
+
 .app-surface {
   background: var(--background);
   border: 1px solid var(--border);
@@ -372,7 +249,7 @@
 }
 
 @media (prefers-reduced-motion: reduce) {
-  /* Functional feedback (lift, press travel, focus ring) stays — just shortened (13 §11). */
+
   .press-surface {
     transition-duration: var(--duration-instant);
   }
@@ -380,16 +257,9 @@
 .press-surface:hover:not(:disabled):not([aria-disabled="true"]):not([data-loading="true"]) {
   transform: translate(-1px, -1px);
   box-shadow: var(--shadow-hover);
-  /* Hover is carried by HEIGHT alone (13 §2). The inherited rule also turned the
-     border to the signature colour; that was dropped deliberately. One event
-     should produce one signal, and in this system an accent border already means
-     "selected or focused" — spending it on "the pointer is here" would blunt it. */
+
 }
-/* 1:1 on BOTH axes — the offset is diagonal (13 Yasa 1), so the travel has to be too, or the
-   surface lands beside its own shadow instead of on it. Measured in-browser: a vertical-only
-   press against a 2px 2px offset left the button 2px to the left of where it bottomed out.
-   If this scale ever changes, keep the press translate EQUAL to --shadow-raised's offset on
-   both x and y. */
+
 .press-surface:active:not(:disabled):not([aria-disabled="true"]):not([data-loading="true"]) {
   transform: translate(2px, 2px);
   box-shadow: var(--shadow-pressed);
@@ -397,7 +267,7 @@
   transition-timing-function: var(--ease-press);
 }
 .press-surface:focus-visible {
-  /* 2px beacon ring @2px offset; box-shadow + transform untouched — focus NEVER flattens (13 §2). */
+
   outline-color: var(--beacon);
 }
 .press-surface:disabled,
@@ -407,46 +277,25 @@
   border-color: color-mix(in oklab, var(--border) 50%, transparent);
 }
 .press-surface[data-loading="true"] {
-  transform: translateY(0); /* travel locked */
+  transform: translateY(0);
   box-shadow: var(--shadow-raised);
 }
 
-/* ============================================================
-   Surfaces (docs/13 §5) — the raised panel, defined once.
-
-   §5 is explicit and was not being followed: surfaces take --radius-card (6px), the edge is 1px in
-   the SHADOW colour (Yasa 1: the edge and the offset are one colour), and emphasis comes from a
-   hard diagonal offset. shadcn's `rounded-xl border shadow-sm` broke all three — `shadow-sm` is a
-   BLURRED shadow, which Yasa 1 forbids outright, and a blurred shadow is exactly what makes a
-   neobrutalist surface read as a generic SaaS card.
-
-   Role aliases, so call sites read by ROLE rather than by size (§5):
-   ============================================================ */
-/* tamga:sabit-rol — rol takma adları ve yapısal ölçüler. Temaya bağlı değil. */
 :root {
-  --radius-ctl: var(--radius-md); /* 4px: button, input, chip, segment TR: 4px: düğme, girdi, çip, segment */
-  --radius-card: var(--radius); /* 6px: card, overlay, panel TR: 6px: kart, katman, panel */
-
-  /* §5's structural rhythm. `--gutter` is the vertical line every heading, label, row and cell
-     starts on; it existed in the decision and nowhere in the code, so each screen was picking its
-     own px-6 / px-8 and the left edge wandered from page to page.
-     TR: §5'in yapısal ritmi. `--gutter` her başlığın, etiketin, satırın ve hücrenin
-     üstünde başladığı dikey çizgi; kararda vardı ama kodda hiçbir yerde yoktu, o yüzden
-     her ekran kendi px-6 / px-8'ini seçiyor ve sol kenar sayfadan sayfaya kayıyordu. */
+  --radius-ctl: var(--radius-md);
+  --radius-card: var(--radius);
+
   --gutter: 24px;
-  --row: 56px; /* list row TR: liste satırı */
-  --row-sm: 48px; /* dense row TR: sık satır */
-  --control: 40px; /* every control's height (§5) TR: her kontrolün yüksekliği (§5) */
+  --row: 56px;
+  --row-sm: 48px;
+  --control: 40px;
 }
 
-/* The one left line every page shares. */
 .gutter {
   padding-left: var(--gutter);
   padding-right: var(--gutter);
 }
 
-/* A raised panel. Same grammar as .press-surface but with no choreography: it is not pressable, so
-   it never lifts and never presses (Law 2). */
 .card-surface {
   background: var(--card);
   border: 1px solid var(--shadow-color);
@@ -454,49 +303,28 @@
   box-shadow: var(--shadow-raised);
 }
 
-/* A seated well: content that sits IN the page rather than on it — filter bars, table headers,
-   sub-panels. No offset, ever. */
 .sunk-surface {
   background: var(--muted);
   border: 1px solid var(--shadow-color);
   border-radius: var(--radius-card);
 }
 
-/* Rayın kendi fiziği artık `kit.css`'te `.tamga-rail-link` olarak yaşıyor ve
-   `--color-nav-*` okuyor. Burada duran `.rail-link` bloğu ile onu besleyen
-   sekiz `--sidebar-*` token'ı SİLİNDİ: hiçbir bileşen onlara dokunmuyordu, ve
-   ölü bir token yalnız yer kaplamıyor, yanlış da söylüyor. Token sayfası
-   `--sidebar-primary` için kırmızı bir 1.08 basıyordu; hiçbir yerde
-   kullanılmayan bir rengin kontrast uyarısı, gerçek uyarıların arasında
-   gürültüdür. */
-
 @media (prefers-reduced-motion: reduce) {
   .rail-link {
     transition-duration: var(--duration-instant);
   }
 }
 
-/* ============================================================
-   Seated choreography (docs/13-design-soul §2) — THE single source for controls that sit IN a track
-   (tabs trigger, switch, checkbox, radio, segmented). Sibling of .press-surface, SAME grammar
-   (beacon focus ring, beacon hover warm, same tokens, same reduced-motion) — but the seated physics:
-   flat at rest, presses INTO the track on active (inset mirror of the raised bottom-out). No translate,
-   no scale. Apply the `seated-surface` class + a `border border-transparent` (so the warm shows).
-   Never re-implement it per component; decorative surfaces must NOT use it (Law 2).
-   ============================================================ */
 .seated-surface {
-  position: relative; /* anchors the ::after tint overlay */
-  box-shadow: inset 0 0 0 0 var(--shadow-color); /* flat, but transitionable to the inset press */
+  position: relative;
+  box-shadow: inset 0 0 0 0 var(--shadow-color);
   outline: 2px solid transparent;
   outline-offset: 2px;
   transition-property: box-shadow, border-color, outline-color, color;
   transition-duration: var(--duration-quick);
   transition-timing-function: var(--ease-instrument);
 }
-/* The beacon "light" LAYERS over the control's own background via a solid-color ::after overlay —
-   it never replaces the state (a checked switch keeps --primary; an active tab keeps --background).
-   Solid color, NOT a gradient (§10). This also sidesteps the specificity clash with the component's
-   data-[state]:bg-* utility entirely — it's a different element and a different property. */
+
 .seated-surface::after {
   content: "";
   position: absolute;
@@ -507,25 +335,25 @@
   transition: background-color var(--duration-quick) var(--ease-instrument);
 }
 @media (prefers-reduced-motion: reduce) {
-  /* functional feedback kept, shortened (13 §11) */
+
   .seated-surface,
   .seated-surface::after {
     transition-duration: var(--duration-instant);
   }
 }
 .seated-surface:hover:not(:disabled):not([aria-disabled="true"]) {
-  /* seated answers by FILLING, not by recolouring its edge (13 §2) */
+
 }
 .seated-surface:hover:not(:disabled):not([aria-disabled="true"])::after {
   background-color: var(--accent);
 }
 .seated-surface:active:not(:disabled):not([aria-disabled="true"]) {
-  box-shadow: var(--shadow-seated-pressed); /* presses INTO the track — inset mirror of raised */
+  box-shadow: var(--shadow-seated-pressed);
   transition-duration: var(--duration-instant);
   transition-timing-function: var(--ease-press);
 }
 .seated-surface:focus-visible {
-  outline-color: var(--beacon); /* SAME 2px beacon ring as raised — the shared grammar */
+  outline-color: var(--beacon);
 }
 .seated-surface:disabled,
 .seated-surface[aria-disabled="true"] {
@@ -533,280 +361,96 @@
   border-color: color-mix(in oklab, var(--border) 50%, transparent);
 }
 
-/* ==============================================================
-   TASLAK tokens (src/taslak) — here rather than in taslak.css because Tailwind generates utilities
-   only for the entry that imports it, and the draft needs `bg-shell`, `text-ink`, `text-body`.
-   Names are additive: v5 speaks --background/--card and Tailwind's own text scale, so nothing is
-   overwritten. `static` because a token reached only through var() in a TSX inline style is
-   invisible to the tree-shaker. Dark overrides and the tamga-* classes stay in taslak.css.
-   ============================================================== */
-/* Kitin kendi ad ailesi (--color-page, --color-ink …). Koyu karşılıkları
-   kit.css'te, ayrı bir dosyada: tam olarak bir parite kapısı gerektiren şey.
-   tamga:kit-acik */
 @theme static {
 
-
-  /* 1 · neutral ramp — cooled off, one step per layer */
-  /* The ground everything sits on. The rail and the band share it: what divides
-     them is a 1px line, never a fill.
-     TR: Her şeyin üstünde durduğu zemin. Ray ve şerit de aynı zemini kullanıyor: onları
-     ayıran şey 1px'lik bir çizgi, asla bir dolgu. */
   --color-page: #f5f2ec;
-  /* A raised surface: cards, overlays, popovers. It is barely lighter than the
-     page on purpose; the edge does the lifting.
-     TR: Yükseltilmiş yüzey: kartlar, katmanlar, balonlar. Sayfadan bilerek çok az açık;
-     yükseltmeyi kenar yapıyor. */
+
   --color-shell: #fdfcfa;
-  /* A row under the pointer, and a selected row's neutral wash. Same value as
-     sunk, different job.
-     TR: İmlecin altındaki satır, ve seçili satırın nötr yıkaması. Gömülü ile aynı değer,
-     farklı iş. */
+
   --color-hover: #eceae6;
-  /* The strip above a table: counters, page-size, summary lines. It is the
-     page, separated by a line.
-     TR: Tablonun üstündeki şerit: sayaçlar, sayfa boyu, özet satırları. Sayfanın
-     kendisi, bir çizgiyle ayrılmış. */
+
   --color-band: #f5f2ec;
-  /* The navigation rail. Also the page: a sidebar that fills itself becomes a
-     second surface competing with the content.
-     TR: Gezinme rayı. O da sayfa: kendini dolduran bir kenar çubuğu, içerikle yarışan
-     ikinci bir yüzeye dönüşüyor. */
+
   --color-rail: #f5f2ec;
-  /* Content that sits IN the page rather than on it: filter bars, table
-     headers, code blocks, sub-panels.
-     TR: Sayfanın üstünde değil İÇİNDE duran içerik: filtre çubukları, tablo başlıkları,
-     kod blokları, alt paneller. */
+
   --color-sunk: #eceae6;
-  /* the single rule colour: dividers and card edges
-     TR: tek çizgi rengi: ayraçlar ve kart kenarları */
+
   --color-line: #e2ded6;
-  /* Darkened from #d9d6d1 after v5's contrast gate measured it at ΔL* 9.8 against
-     the page, just under the floor of 10 where a raised surface stops reading as
-     raised. check-token-contrast now measures it here too, and reproduces that
-     same 9.8, which is how we know the two gates share one arithmetic.
-     TR: #d9d6d1'den koyulaştırıldı: v5'in kontrast kapısı sayfaya karşı ΔL* 9.8
-     ölçmüştü, yükseltilmiş bir yüzeyin yükseltilmiş okunmayı bıraktığı 10 tabanının
-     hemen altında. check-token-contrast artık burada da ölçüyor ve aynı 9.8'i üretiyor;
-     iki kapının tek bir aritmetiği paylaştığını böyle biliyoruz. */
+
   --color-edge: #d2cec8;
-  /* neutral fill under a chart: area body, sparkline wash
-     TR: grafiğin altındaki nötr dolgu: alan gövdesi, kıvılcım çizgisi yıkaması */
+
   --color-chart-fill: #eceae6;
-  /* Lightened text, and it answers to AA like any other text. Was #716b5d, which
-     measured 4.41 against --color-sunk and --color-hover, under the 4.5 floor, so
-     secondary text on a filter bar, a table header or a hovered row was failing
-     while the same colour passed on the page. Nobody saw it: it fails by 0.09.
-     Darkened one step to clear 4.5 on every surface it can land on (4.54 on sunk,
-     4.89 on the page, 5.32 on a card). check-token-contrast measures it now.
-     TR: Açılmış metin, ve her metin gibi AA'ya cevap veriyor. #716b5d'ydi; --color-sunk
-     ve --color-hover'a karşı 4.41 ölçüldü, 4.5 tabanının altında, yani bir filtre
-     çubuğundaki ya da tablo başlığındaki ikincil metin, aynı renk sayfada geçerken orada
-     kalıyordu. */
+
   --color-ink-faint: #6f695b;
-  /* The second weight: labels, secondary rows, anything that supports the
-     heading without competing with it.
-     TR: İkinci ağırlık: etiketler, ikincil satırlar, başlıkla yarışmadan onu destekleyen
-     her şey. */
+
   --color-ink-soft: #453f34;
-  /* The heaviest weight: headings, table values, anything the eye should land
-     on first.
-     TR: En ağır ağırlık: başlıklar, tablo değerleri, gözün ilk konması gereken her şey. */
+
   --color-ink: #26221a;
 
-  /* 2 · accent — interaction only */
-  /* A face on a base, never a fill with a shadow. #12245c is L* 16 — our body
-     text is L* 27 and our heading ink is L* 13, so as a fill it was a text
-     colour, and every product primary worth comparing sits at L* 46–62. A
-     near-black face leaves no room for a base under it, which is why the offset
-     kept having to escape upward. The navy moved to the base, and the face
-     sits at L* 45 carrying white ink: 29 ΔL* between the two layers. */
-  --color-accent: #2069c9; /* primary fill TR: birincil dolgu */
-  --color-accent-hover: #005ab5; /* darkens, not lightens; white ink needs it TR: açılmaz, koyulaşır; beyaz mürekkep bunu istiyor */
-  /* The pressed face. It keeps going in the same direction as hover: darker in
-     light, brighter in dark.
-     TR: Basılı yüz. Üzerine gelmeyle aynı yönde devam ediyor: açıkta daha koyu, koyuda
-     daha parlak. */
+  --color-accent: #2069c9;
+  --color-accent-hover: #005ab5;
+
   --color-accent-active: #004c9b;
-  --color-accent-ink: #fdfcfa; /* white ink on the fill, 5.22:1 TR: dolgunun üstünde beyaz mürekkep, 5.22:1 */
-  --color-accent-line: #12245c; /* link text, focus ring, thin marks TR: bağlantı metni, odak halkası, ince işaretler */
-  --color-accent-bg: #ecedf3; /* selected row ground TR: seçili satırın zemini */
-  /* The base the face sits on, and the primary's edge. This is where the brand
-     navy belongs: dark, saturated, and doing the job a shadow is supposed to do
-     instead of pretending to be a fill.
-     TR: Yüzün üstüne oturduğu taban, ve birincilin kenarı. Marka lacivertinin yeri
-     burası: koyu, doygun, ve bir dolgu taklidi yapmak yerine bir gölgenin yapması
-     gereken işi yapıyor. */
+  --color-accent-ink: #fdfcfa;
+  --color-accent-line: #12245c;
+  --color-accent-bg: #ecedf3;
+
   --color-accent-shadow: #12245c;
 
-  /* 3 · status — healthy green, silenced neutral */
-  /* Something is broken and someone has to act. The only red in the system, and
-     it never decorates.
-     TR: Bir şey bozuldu ve birinin harekete geçmesi gerekiyor. Sistemdeki tek kırmızı,
-     ve asla süslemiyor. */
   --color-critical: #b3341f;
-  /* The wash behind a critical chip or row. A tint, not a fill: it carries no
-     text of its own.
-     TR: Kritik bir çipin ya da satırın arkasındaki yıkama. Bir dolgu değil bir ton:
-     kendi metnini taşımıyor. */
+
   --color-critical-bg: #fbeae4;
-  /* Not broken yet, but heading there. A threshold crossed, a queue growing, a
-     stock running low.
-     TR: Henüz bozulmadı ama o yöne gidiyor. Aşılan bir eşik, büyüyen bir kuyruk, azalan
-     bir stok. */
+
   --color-warn: #8a5a0b;
-  /* The wash behind a warning chip or row.
-     TR: Uyarı çipinin ya da satırının arkasındaki yıkama. */
+
   --color-warn-bg: #fbf1dd;
-  /* Healthy, and also resolved. One green for both, because a reader should
-     not have to learn two.
-     TR: Sağlıklı, ve aynı zamanda çözüldü. İkisi için tek yeşil, çünkü okuyanın iki renk
-     öğrenmesi gerekmemeli. */
+
   --color-resolved: #0a7a5f;
-  /* The wash behind a healthy or resolved chip.
-     TR: Sağlıklı ya da çözülmüş bir çipin arkasındaki yıkama. */
+
   --color-resolved-bg: #e3f3ec;
-  /* Was #716b5d, the same value as ink-faint, and it failed on the one ground it
-     is documented against: silent on chart-fill measured 4.41:1, under AA. It
-     passed on the card (5.17:1), which is why it went unnoticed: the healthy
-     and paused chips are the only place the pair actually meets. Darkened to
-     clear the wash (5.02:1) while staying clearly the muted tone. It no longer
-     tracks ink-faint, which is correct: they are different roles.
-     TR: #716b5d'ydi, ink-faint ile aynı değer, ve belgelendiği tek zeminde kalıyordu:
-     chart-fill üstünde 4.41:1, AA'nın altında. Kartta geçiyordu (5.17:1), fark
-     edilmemesinin sebebi de bu. */
+
   --color-silent: #696256;
 
-  /* Instrument scale marks: the progress dial's ticks. NOT --color-edge: a tick is
-     READ, so it answers to a floor (visible on card, page AND the sunk wash), never
-     to the rule line's deliberate softness. On --color-sunk the edge measured ΔL* 7.0
-     against a floor of 12.
-     TR: Gösterge ölçek işaretleri: ilerleme kadranının çentikleri. --color-edge DEĞİL:
-     bir çentik OKUNUR, yani çizginin bilerek seçilmiş yumuşaklığına değil bir tabana
-     cevap verir (kartta, sayfada VE gömülü yıkamada görünecek). */
   --color-tick: #bdb8ae;
 
-  /* Categorical series: data that is NOT a status (regions, plans, series).
-     Quieter than the status palette on purpose: C* 26 against status's 36–65, so a
-     chart can never out-shout an event. Hues avoid critical's red and resolved's
-     green, the two a reader would most easily misread on a line.
-     TR: Kategorik seriler: durum OLMAYAN veri (bölgeler, planlar, seriler). Durum
-     paletinden bilerek daha sessiz: durumun 36–65'ine karşı C* 26, yani bir grafik bir
-     olayın sesini asla bastıramıyor. */
   --color-chart-1: #887c4f;
-  /* Teal, the second series. Far enough from resolved's green that a line is
-     never mistaken for a status.
-     TR: Deniz mavisi, ikinci seri. Çözüldü yeşilinden, bir çizginin durum sanılmayacağı
-     kadar uzak. */
+
   --color-chart-2: #32888a;
-  /* Blue, the third series.
-     TR: Mavi, üçüncü seri. */
+
   --color-chart-3: #4782a5;
-  /* Violet, the fourth series.
-     TR: Mor, dördüncü seri. */
+
   --color-chart-4: #7f76a2;
-  /* Rose, the fifth and last. Beyond five the eye stops telling series apart
-     and a legend stops helping.
-     TR: Gül, beşinci ve sonuncu. Beşten sonra göz serileri ayırmayı bırakıyor ve bir
-     gösterge artık yardım etmiyor. */
+
   --color-chart-5: #a36c84;
 
-  /* rail navigation */
-  /* An idle rail label is TEXT, so it answers to AA. Was #8a857a: 3.29 against the
-     rail, while dark's counterpart sat at 5.42, and the asymmetry was the tell that
-     light had never been measured. Now L* 46, the same band as --color-ink-faint,
-     which is what a faint label should be.
-     TR: Boştaki bir ray etiketi METİNDİR, yani AA'ya cevap verir. #8a857a'ydı: raya
-     karşı 3.29, koyudaki karşılığı 5.42'de dururken. Bu asimetri, açığın hiç
-     ölçülmediğinin işaretiydi. */
   --color-nav-idle: #726d62;
-  /* A rail item under the pointer. Darker than idle in light, brighter in
-     dark: the label steps toward the reader.
-     TR: İmlecin altındaki ray öğesi. Açıkta boştakinden koyu, koyuda daha parlak: etiket
-     okuyana doğru bir adım atıyor. */
+
   --color-nav-hover: #4a4438;
-  /* The wash behind a hovered rail item. The current item takes an outline
-     instead, never this fill.
-     TR: Üzerine gelinen ray öğesinin arkasındaki yıkama. Bulunulan öğe bunun yerine bir
-     dış çizgi alıyor, asla bu dolguyu. */
+
   --color-nav-hover-bg: #eae6dd;
 
-  /* overlay plane: dropdowns, popovers, dialogs, toasts
-     TR: katman düzlemi: açılır listeler, balonlar, diyaloglar, bildirimler */
   --color-scrim: rgba(38, 34, 26, 0.32);
 
-  /* ---------------------------------------------------------------- *
-   * Type scale. Ten steps, and nothing outside them.
-   *
-   * The kit ran on 19 hand-written sizes across 272 places, including
-   * 12.5px, 13.5px and 14.5px — half pixels, which no screen renders
-   * cleanly and which nobody chose on purpose. They existed because
-   * each one was typed at the moment it was needed, so the answer to
-   * "how big is body text?" was "somewhere between 12 and 14".
-   *
-   * Each step has ONE job. Pick by role, never by how it looks in the
-   * spot you happen to be in.
-   * ---------------------------------------------------------------- */
-  --text-micro: 10px; /* axis ticks, scale ends, the smallest label TR: eksen çentikleri, ölçek uçları, en küçük etiket */
-  --text-caption: 11px; /* dense mono identifiers, chip text TR: sık eşaralıklı kimlikler, çip metni */
-  --text-small: 12px; /* meta, secondary, table sub-lines TR: üstveri, ikincil satırlar, tablo alt satırları */
-  --text-body: 13px; /* THE default: rows, cells, body copy TR: VARSAYILAN: satırlar, hücreler, gövde metni */
-  --text-control: 14px; /* inputs, textareas, larger body TR: girdiler, metin alanları, daha büyük gövde */
-  --text-subhead: 15px; /* card and section titles TR: kart ve bölüm başlıkları */
-  --text-title: 18px; /* page titles TR: sayfa başlıkları */
-  /* The small display step: a card's hero number, a score.
-     TR: Küçük gösterim adımı: bir kartın öne çıkan sayısı, bir puan. */
+  --text-micro: 10px;
+  --text-caption: 11px;
+  --text-small: 12px;
+  --text-body: 13px;
+  --text-control: 14px;
+  --text-subhead: 15px;
+  --text-title: 18px;
+
   --text-display-sm: 24px;
-  --text-display: 30px; /* KPI numbers TR: KPI sayıları */
-  /* The largest step, and the rarest. One per screen at most.
-     TR: En büyük adım, ve en nadiri. Ekran başına en fazla bir tane. */
+  --text-display: 30px;
+
   --text-display-lg: 40px;
 
-  /* Measure — how long a line of text is allowed to get before the eye loses
-     the start of the next one. Three steps, and nothing outside them; the kit
-     ran on ten hand-written `ch` values across 31 places, which is the type
-     scale's disease in a second coat. */
-  --measure-tight: 36ch; /* a note under a control TR: bir kontrolün altındaki not */
-  --measure: 54ch; /* body copy in a card TR: kart içindeki gövde metni */
-  --measure-wide: 70ch; /* documentation prose TR: doküman metni */
-
-  /* ---------------------------------------------------------------- *
-   * Shape. One knob, and everything derives from it.
-   *
-   * Written as a calc scale rather than two loose numbers so "make the
-   * product a little softer" stays a one-line edit — v5 inherits the
-   * same single-knob structure, and matching it means the values port
-   * without redesigning anything.
-   *
-   * The VALUE is a deliberate departure. v5 carries --radius: 12px with
-   * a note pointing at the brand DNA's "soft corners"; this product went
-   * the other way on purpose. It is an instrument read at 3am, and a
-   * dense table of rows reads faster with corners that stop rather than
-   * curve. Recorded as a knowing deviation, not an oversight — the same
-   * way v5 records its own amber beacon as one.
-   * ---------------------------------------------------------------- */
-
-  /* aliases kept so call sites read by ROLE rather than by size */
-
-  /* ---------------------------------------------------------------- *
-   * Motion. Durations and curves are tokens for exactly the reason
-   * colours are: written inline they drift. Before this block existed
-   * the kit held 16 hand-written values doing four jobs, and they had
-   * already scattered — a toast appeared in 200ms, a progress bar moved
-   * in 240ms, a route revealed in 340ms. Nobody could point at a line
-   * and call it wrong; it just felt uneven.
-   *
-   * --press is its own step and the smallest on purpose: a control that
-   * answers a click in 100ms feels mechanical, which is the whole point
-   * of a hard-offset button. Anything slower reads as lag.
-   * ---------------------------------------------------------------- */
-  --duration-press: 100ms; /* hover, press, focus: every control TR: üzerine gelme, basma, odak: her kontrol */
-
-  --ease-standard: cubic-bezier(0.22, 1, 0.36, 1); /* everything that enters or moves TR: giren ya da hareket eden her şey */
-
-  /* Loops. Long by design, and the only things allowed past --duration-slow.
-     `--duration-spin` and `--ease-linear` lived here for the old CSS `.tamga-spinner`, a rotating
-     ring. The kit's spinner is three marching bars (ui/spinner.tsx) — nothing in this product
-     rotates any more, so both went with it.
-     TR: Döngüler. Bilerek uzun, ve --duration-slow'u geçmesine izin verilen tek şeyler. */
+  --measure-tight: 36ch;
+  --measure: 54ch;
+  --measure-wide: 70ch;
+
+  --duration-press: 100ms;
+
+  --ease-standard: cubic-bezier(0.22, 1, 0.36, 1);
+
   --duration-bar: 900ms;
 }