spotted-ts 0.1.0

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Files changed (750) hide show
  1. package/CHANGELOG.md +47 -0
  2. package/LICENSE +201 -0
  3. package/README.md +354 -0
  4. package/api-promise.d.mts +2 -0
  5. package/api-promise.d.mts.map +1 -0
  6. package/api-promise.d.ts +2 -0
  7. package/api-promise.d.ts.map +1 -0
  8. package/api-promise.js +6 -0
  9. package/api-promise.js.map +1 -0
  10. package/api-promise.mjs +2 -0
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  12. package/client.d.mts +261 -0
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  15. package/client.d.ts.map +1 -0
  16. package/client.js +553 -0
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  20. package/core/api-promise.d.mts +46 -0
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  28. package/core/error.d.mts +46 -0
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  36. package/core/pagination.d.mts +50 -0
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  44. package/core/resource.d.mts +6 -0
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  52. package/core/uploads.d.mts +3 -0
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  140. package/internal/qs/types.d.mts +57 -0
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  148. package/internal/qs/utils.d.mts +15 -0
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  156. package/internal/request-options.d.mts +75 -0
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  164. package/internal/shim-types.d.mts +17 -0
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  180. package/internal/to-file.d.mts +45 -0
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  186. package/internal/to-file.mjs +88 -0
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  188. package/internal/tslib.js +81 -0
  189. package/internal/tslib.mjs +17 -0
  190. package/internal/types.d.mts +69 -0
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  198. package/internal/uploads.d.mts +42 -0
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  206. package/internal/utils/base64.d.mts +3 -0
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@@ -0,0 +1,365 @@
1
+ import { APIResource } from "../core/resource.js";
2
+ import { APIPromise } from "../core/api-promise.js";
3
+ import { RequestOptions } from "../internal/request-options.js";
4
+ export declare class AudioAnalysis extends APIResource {
5
+ /**
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+ * Get a low-level audio analysis for a track in the Spotify catalog. The audio
7
+ * analysis describes the track’s structure and musical content, including rhythm,
8
+ * pitch, and timbre.
9
+ *
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+ * @deprecated
11
+ */
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+ retrieve(id: string, options?: RequestOptions): APIPromise<AudioAnalysisRetrieveResponse>;
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+ }
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+ export interface TimeIntervalObject {
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+ /**
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+ * The confidence, from 0.0 to 1.0, of the reliability of the interval.
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+ */
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+ confidence?: number;
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+ /**
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+ * The duration (in seconds) of the time interval.
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+ */
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+ duration?: number;
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+ /**
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+ * The starting point (in seconds) of the time interval.
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+ */
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+ start?: number;
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+ }
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+ export interface AudioAnalysisRetrieveResponse {
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+ /**
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+ * The time intervals of the bars throughout the track. A bar (or measure) is a
31
+ * segment of time defined as a given number of beats.
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+ */
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+ bars?: Array<TimeIntervalObject>;
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+ /**
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+ * The time intervals of beats throughout the track. A beat is the basic time unit
36
+ * of a piece of music; for example, each tick of a metronome. Beats are typically
37
+ * multiples of tatums.
38
+ */
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+ beats?: Array<TimeIntervalObject>;
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+ meta?: AudioAnalysisRetrieveResponse.Meta;
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+ /**
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+ * Sections are defined by large variations in rhythm or timbre, e.g. chorus,
43
+ * verse, bridge, guitar solo, etc. Each section contains its own descriptions of
44
+ * tempo, key, mode, time_signature, and loudness.
45
+ */
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+ sections?: Array<AudioAnalysisRetrieveResponse.Section>;
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+ /**
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+ * Each segment contains a roughly conisistent sound throughout its duration.
49
+ */
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+ segments?: Array<AudioAnalysisRetrieveResponse.Segment>;
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+ /**
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+ * A tatum represents the lowest regular pulse train that a listener intuitively
53
+ * infers from the timing of perceived musical events (segments).
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+ */
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+ tatums?: Array<TimeIntervalObject>;
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+ track?: AudioAnalysisRetrieveResponse.Track;
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+ }
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+ export declare namespace AudioAnalysisRetrieveResponse {
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+ interface Meta {
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+ /**
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+ * The amount of time taken to analyze this track.
62
+ */
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+ analysis_time?: number;
64
+ /**
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+ * The version of the Analyzer used to analyze this track.
66
+ */
67
+ analyzer_version?: string;
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+ /**
69
+ * A detailed status code for this track. If analysis data is missing, this code
70
+ * may explain why.
71
+ */
72
+ detailed_status?: string;
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+ /**
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+ * The method used to read the track's audio data.
75
+ */
76
+ input_process?: string;
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+ /**
78
+ * The platform used to read the track's audio data.
79
+ */
80
+ platform?: string;
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+ /**
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+ * The return code of the analyzer process. 0 if successful, 1 if any errors
83
+ * occurred.
84
+ */
85
+ status_code?: number;
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+ /**
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+ * The Unix timestamp (in seconds) at which this track was analyzed.
88
+ */
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+ timestamp?: number;
90
+ }
91
+ interface Section {
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+ /**
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+ * The confidence, from 0.0 to 1.0, of the reliability of the section's
94
+ * "designation".
95
+ */
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+ confidence?: number;
97
+ /**
98
+ * The duration (in seconds) of the section.
99
+ */
100
+ duration?: number;
101
+ /**
102
+ * The estimated overall key of the section. The values in this field ranging from
103
+ * 0 to 11 mapping to pitches using standard Pitch Class notation (E.g. 0 = C, 1 =
104
+ * C♯/D♭, 2 = D, and so on). If no key was detected, the value is -1.
105
+ */
106
+ key?: number;
107
+ /**
108
+ * The confidence, from 0.0 to 1.0, of the reliability of the key. Songs with many
109
+ * key changes may correspond to low values in this field.
110
+ */
111
+ key_confidence?: number;
112
+ /**
113
+ * The overall loudness of the section in decibels (dB). Loudness values are useful
114
+ * for comparing relative loudness of sections within tracks.
115
+ */
116
+ loudness?: number;
117
+ /**
118
+ * Indicates the modality (major or minor) of a section, the type of scale from
119
+ * which its melodic content is derived. This field will contain a 0 for "minor", a
120
+ * 1 for "major", or a -1 for no result. Note that the major key (e.g. C major)
121
+ * could more likely be confused with the minor key at 3 semitones lower (e.g. A
122
+ * minor) as both keys carry the same pitches.
123
+ */
124
+ mode?: -1 | 0 | 1;
125
+ /**
126
+ * The confidence, from 0.0 to 1.0, of the reliability of the `mode`.
127
+ */
128
+ mode_confidence?: number;
129
+ /**
130
+ * The starting point (in seconds) of the section.
131
+ */
132
+ start?: number;
133
+ /**
134
+ * The overall estimated tempo of the section in beats per minute (BPM). In musical
135
+ * terminology, tempo is the speed or pace of a given piece and derives directly
136
+ * from the average beat duration.
137
+ */
138
+ tempo?: number;
139
+ /**
140
+ * The confidence, from 0.0 to 1.0, of the reliability of the tempo. Some tracks
141
+ * contain tempo changes or sounds which don't contain tempo (like pure speech)
142
+ * which would correspond to a low value in this field.
143
+ */
144
+ tempo_confidence?: number;
145
+ /**
146
+ * An estimated time signature. The time signature (meter) is a notational
147
+ * convention to specify how many beats are in each bar (or measure). The time
148
+ * signature ranges from 3 to 7 indicating time signatures of "3/4", to "7/4".
149
+ */
150
+ time_signature?: number;
151
+ /**
152
+ * The confidence, from 0.0 to 1.0, of the reliability of the `time_signature`.
153
+ * Sections with time signature changes may correspond to low values in this field.
154
+ */
155
+ time_signature_confidence?: number;
156
+ }
157
+ interface Segment {
158
+ /**
159
+ * The confidence, from 0.0 to 1.0, of the reliability of the segmentation.
160
+ * Segments of the song which are difficult to logically segment (e.g: noise) may
161
+ * correspond to low values in this field.
162
+ */
163
+ confidence?: number;
164
+ /**
165
+ * The duration (in seconds) of the segment.
166
+ */
167
+ duration?: number;
168
+ /**
169
+ * The offset loudness of the segment in decibels (dB). This value should be
170
+ * equivalent to the loudness_start of the following segment.
171
+ */
172
+ loudness_end?: number;
173
+ /**
174
+ * The peak loudness of the segment in decibels (dB). Combined with
175
+ * `loudness_start` and `loudness_max_time`, these components can be used to
176
+ * describe the "attack" of the segment.
177
+ */
178
+ loudness_max?: number;
179
+ /**
180
+ * The segment-relative offset of the segment peak loudness in seconds. Combined
181
+ * with `loudness_start` and `loudness_max`, these components can be used to
182
+ * desctibe the "attack" of the segment.
183
+ */
184
+ loudness_max_time?: number;
185
+ /**
186
+ * The onset loudness of the segment in decibels (dB). Combined with `loudness_max`
187
+ * and `loudness_max_time`, these components can be used to describe the "attack"
188
+ * of the segment.
189
+ */
190
+ loudness_start?: number;
191
+ /**
192
+ * Pitch content is given by a “chroma” vector, corresponding to the 12 pitch
193
+ * classes C, C#, D to B, with values ranging from 0 to 1 that describe the
194
+ * relative dominance of every pitch in the chromatic scale. For example a C Major
195
+ * chord would likely be represented by large values of C, E and G (i.e. classes 0,
196
+ * 4, and 7).
197
+ *
198
+ * Vectors are normalized to 1 by their strongest dimension, therefore noisy sounds
199
+ * are likely represented by values that are all close to 1, while pure tones are
200
+ * described by one value at 1 (the pitch) and others near 0. As can be seen below,
201
+ * the 12 vector indices are a combination of low-power spectrum values at their
202
+ * respective pitch frequencies. ![pitch vector](/assets/audio/Pitch_vector.png)
203
+ */
204
+ pitches?: Array<number>;
205
+ /**
206
+ * The starting point (in seconds) of the segment.
207
+ */
208
+ start?: number;
209
+ /**
210
+ * Timbre is the quality of a musical note or sound that distinguishes different
211
+ * types of musical instruments, or voices. It is a complex notion also referred to
212
+ * as sound color, texture, or tone quality, and is derived from the shape of a
213
+ * segment’s spectro-temporal surface, independently of pitch and loudness. The
214
+ * timbre feature is a vector that includes 12 unbounded values roughly centered
215
+ * around 0. Those values are high level abstractions of the spectral surface,
216
+ * ordered by degree of importance.
217
+ *
218
+ * For completeness however, the first dimension represents the average loudness of
219
+ * the segment; second emphasizes brightness; third is more closely correlated to
220
+ * the flatness of a sound; fourth to sounds with a stronger attack; etc. See an
221
+ * image below representing the 12 basis functions (i.e. template segments).
222
+ * ![timbre basis functions](/assets/audio/Timbre_basis_functions.png)
223
+ *
224
+ * The actual timbre of the segment is best described as a linear combination of
225
+ * these 12 basis functions weighted by the coefficient values: timbre = c1 x b1 +
226
+ * c2 x b2 + ... + c12 x b12, where c1 to c12 represent the 12 coefficients and b1
227
+ * to b12 the 12 basis functions as displayed below. Timbre vectors are best used
228
+ * in comparison with each other.
229
+ */
230
+ timbre?: Array<number>;
231
+ }
232
+ interface Track {
233
+ /**
234
+ * The number of channels used for analysis. If 1, all channels are summed together
235
+ * to mono before analysis.
236
+ */
237
+ analysis_channels?: number;
238
+ /**
239
+ * The sample rate used to decode and analyze this track. May differ from the
240
+ * actual sample rate of this track available on Spotify.
241
+ */
242
+ analysis_sample_rate?: number;
243
+ /**
244
+ * A version number for the Echo Nest Musical Fingerprint format used in the
245
+ * codestring field.
246
+ */
247
+ code_version?: number;
248
+ /**
249
+ * An
250
+ * [Echo Nest Musical Fingerprint (ENMFP)](https://academiccommons.columbia.edu/doi/10.7916/D8Q248M4)
251
+ * codestring for this track.
252
+ */
253
+ codestring?: string;
254
+ /**
255
+ * Length of the track in seconds.
256
+ */
257
+ duration?: number;
258
+ /**
259
+ * A version number for the EchoPrint format used in the echoprintstring field.
260
+ */
261
+ echoprint_version?: number;
262
+ /**
263
+ * An [EchoPrint](https://github.com/spotify/echoprint-codegen) codestring for this
264
+ * track.
265
+ */
266
+ echoprintstring?: string;
267
+ /**
268
+ * The time, in seconds, at which the track's fade-in period ends. If the track has
269
+ * no fade-in, this will be 0.0.
270
+ */
271
+ end_of_fade_in?: number;
272
+ /**
273
+ * The key the track is in. Integers map to pitches using standard
274
+ * [Pitch Class notation](https://en.wikipedia.org/wiki/Pitch_class). E.g. 0 = C, 1
275
+ * = C♯/D♭, 2 = D, and so on. If no key was detected, the value is -1.
276
+ */
277
+ key?: number;
278
+ /**
279
+ * The confidence, from 0.0 to 1.0, of the reliability of the `key`.
280
+ */
281
+ key_confidence?: number;
282
+ /**
283
+ * The overall loudness of a track in decibels (dB). Loudness values are averaged
284
+ * across the entire track and are useful for comparing relative loudness of
285
+ * tracks. Loudness is the quality of a sound that is the primary psychological
286
+ * correlate of physical strength (amplitude). Values typically range between -60
287
+ * and 0 db.
288
+ */
289
+ loudness?: number;
290
+ /**
291
+ * Mode indicates the modality (major or minor) of a track, the type of scale from
292
+ * which its melodic content is derived. Major is represented by 1 and minor is 0.
293
+ */
294
+ mode?: number;
295
+ /**
296
+ * The confidence, from 0.0 to 1.0, of the reliability of the `mode`.
297
+ */
298
+ mode_confidence?: number;
299
+ /**
300
+ * The exact number of audio samples analyzed from this track. See also
301
+ * `analysis_sample_rate`.
302
+ */
303
+ num_samples?: number;
304
+ /**
305
+ * An offset to the start of the region of the track that was analyzed. (As the
306
+ * entire track is analyzed, this should always be 0.)
307
+ */
308
+ offset_seconds?: number;
309
+ /**
310
+ * A version number for the Rhythmstring used in the rhythmstring field.
311
+ */
312
+ rhythm_version?: number;
313
+ /**
314
+ * A Rhythmstring for this track. The format of this string is similar to the
315
+ * Synchstring.
316
+ */
317
+ rhythmstring?: string;
318
+ /**
319
+ * This field will always contain the empty string.
320
+ */
321
+ sample_md5?: string;
322
+ /**
323
+ * The time, in seconds, at which the track's fade-out period starts. If the track
324
+ * has no fade-out, this should match the track's length.
325
+ */
326
+ start_of_fade_out?: number;
327
+ /**
328
+ * A version number for the Synchstring used in the synchstring field.
329
+ */
330
+ synch_version?: number;
331
+ /**
332
+ * A [Synchstring](https://github.com/echonest/synchdata) for this track.
333
+ */
334
+ synchstring?: string;
335
+ /**
336
+ * The overall estimated tempo of a track in beats per minute (BPM). In musical
337
+ * terminology, tempo is the speed or pace of a given piece and derives directly
338
+ * from the average beat duration.
339
+ */
340
+ tempo?: number;
341
+ /**
342
+ * The confidence, from 0.0 to 1.0, of the reliability of the `tempo`.
343
+ */
344
+ tempo_confidence?: number;
345
+ /**
346
+ * An estimated time signature. The time signature (meter) is a notational
347
+ * convention to specify how many beats are in each bar (or measure). The time
348
+ * signature ranges from 3 to 7 indicating time signatures of "3/4", to "7/4".
349
+ */
350
+ time_signature?: number;
351
+ /**
352
+ * The confidence, from 0.0 to 1.0, of the reliability of the `time_signature`.
353
+ */
354
+ time_signature_confidence?: number;
355
+ /**
356
+ * The length of the region of the track was analyzed, if a subset of the track was
357
+ * analyzed. (As the entire track is analyzed, this should always be 0.)
358
+ */
359
+ window_seconds?: number;
360
+ }
361
+ }
362
+ export declare namespace AudioAnalysis {
363
+ export { type TimeIntervalObject as TimeIntervalObject, type AudioAnalysisRetrieveResponse as AudioAnalysisRetrieveResponse, };
364
+ }
365
+ //# sourceMappingURL=audio-analysis.d.ts.map
@@ -0,0 +1 @@
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@@ -0,0 +1,20 @@
1
+ "use strict";
2
+ // File generated from our OpenAPI spec by Stainless. See CONTRIBUTING.md for details.
3
+ Object.defineProperty(exports, "__esModule", { value: true });
4
+ exports.AudioAnalysis = void 0;
5
+ const resource_1 = require("../core/resource.js");
6
+ const path_1 = require("../internal/utils/path.js");
7
+ class AudioAnalysis extends resource_1.APIResource {
8
+ /**
9
+ * Get a low-level audio analysis for a track in the Spotify catalog. The audio
10
+ * analysis describes the track’s structure and musical content, including rhythm,
11
+ * pitch, and timbre.
12
+ *
13
+ * @deprecated
14
+ */
15
+ retrieve(id, options) {
16
+ return this._client.get((0, path_1.path) `/audio-analysis/${id}`, options);
17
+ }
18
+ }
19
+ exports.AudioAnalysis = AudioAnalysis;
20
+ //# sourceMappingURL=audio-analysis.js.map
@@ -0,0 +1 @@
1
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@@ -0,0 +1,16 @@
1
+ // File generated from our OpenAPI spec by Stainless. See CONTRIBUTING.md for details.
2
+ import { APIResource } from "../core/resource.mjs";
3
+ import { path } from "../internal/utils/path.mjs";
4
+ export class AudioAnalysis extends APIResource {
5
+ /**
6
+ * Get a low-level audio analysis for a track in the Spotify catalog. The audio
7
+ * analysis describes the track’s structure and musical content, including rhythm,
8
+ * pitch, and timbre.
9
+ *
10
+ * @deprecated
11
+ */
12
+ retrieve(id, options) {
13
+ return this._client.get(path `/audio-analysis/${id}`, options);
14
+ }
15
+ }
16
+ //# sourceMappingURL=audio-analysis.mjs.map
@@ -0,0 +1 @@
1
+ {"version":3,"file":"audio-analysis.mjs","sourceRoot":"","sources":["../src/resources/audio-analysis.ts"],"names":[],"mappings":"AAAA,sFAAsF;OAE/E,EAAE,WAAW,EAAE;OAGf,EAAE,IAAI,EAAE;AAEf,MAAM,OAAO,aAAc,SAAQ,WAAW;IAC5C;;;;;;OAMG;IACH,QAAQ,CAAC,EAAU,EAAE,OAAwB;QAC3C,OAAO,IAAI,CAAC,OAAO,CAAC,GAAG,CAAC,IAAI,CAAA,mBAAmB,EAAE,EAAE,EAAE,OAAO,CAAC,CAAC;IAChE,CAAC;CACF"}
@@ -0,0 +1,253 @@
1
+ import { APIResource } from "../core/resource.mjs";
2
+ import { APIPromise } from "../core/api-promise.mjs";
3
+ import { RequestOptions } from "../internal/request-options.mjs";
4
+ export declare class AudioFeatures extends APIResource {
5
+ /**
6
+ * Get audio feature information for a single track identified by its unique
7
+ * Spotify ID.
8
+ *
9
+ * @deprecated
10
+ */
11
+ retrieve(id: string, options?: RequestOptions): APIPromise<AudioFeatureRetrieveResponse>;
12
+ /**
13
+ * Get audio features for multiple tracks based on their Spotify IDs.
14
+ *
15
+ * @deprecated
16
+ */
17
+ list(query: AudioFeatureListParams, options?: RequestOptions): APIPromise<AudioFeatureListResponse>;
18
+ }
19
+ export interface AudioFeatureRetrieveResponse {
20
+ /**
21
+ * The Spotify ID for the track.
22
+ */
23
+ id?: string;
24
+ /**
25
+ * A confidence measure from 0.0 to 1.0 of whether the track is acoustic. 1.0
26
+ * represents high confidence the track is acoustic.
27
+ */
28
+ acousticness?: number;
29
+ /**
30
+ * A URL to access the full audio analysis of this track. An access token is
31
+ * required to access this data.
32
+ */
33
+ analysis_url?: string;
34
+ /**
35
+ * Danceability describes how suitable a track is for dancing based on a
36
+ * combination of musical elements including tempo, rhythm stability, beat
37
+ * strength, and overall regularity. A value of 0.0 is least danceable and 1.0 is
38
+ * most danceable.
39
+ */
40
+ danceability?: number;
41
+ /**
42
+ * The duration of the track in milliseconds.
43
+ */
44
+ duration_ms?: number;
45
+ /**
46
+ * Energy is a measure from 0.0 to 1.0 and represents a perceptual measure of
47
+ * intensity and activity. Typically, energetic tracks feel fast, loud, and noisy.
48
+ * For example, death metal has high energy, while a Bach prelude scores low on the
49
+ * scale. Perceptual features contributing to this attribute include dynamic range,
50
+ * perceived loudness, timbre, onset rate, and general entropy.
51
+ */
52
+ energy?: number;
53
+ /**
54
+ * Predicts whether a track contains no vocals. "Ooh" and "aah" sounds are treated
55
+ * as instrumental in this context. Rap or spoken word tracks are clearly "vocal".
56
+ * The closer the instrumentalness value is to 1.0, the greater likelihood the
57
+ * track contains no vocal content. Values above 0.5 are intended to represent
58
+ * instrumental tracks, but confidence is higher as the value approaches 1.0.
59
+ */
60
+ instrumentalness?: number;
61
+ /**
62
+ * The key the track is in. Integers map to pitches using standard
63
+ * [Pitch Class notation](https://en.wikipedia.org/wiki/Pitch_class). E.g. 0 = C, 1
64
+ * = C♯/D♭, 2 = D, and so on. If no key was detected, the value is -1.
65
+ */
66
+ key?: number;
67
+ /**
68
+ * Detects the presence of an audience in the recording. Higher liveness values
69
+ * represent an increased probability that the track was performed live. A value
70
+ * above 0.8 provides strong likelihood that the track is live.
71
+ */
72
+ liveness?: number;
73
+ /**
74
+ * The overall loudness of a track in decibels (dB). Loudness values are averaged
75
+ * across the entire track and are useful for comparing relative loudness of
76
+ * tracks. Loudness is the quality of a sound that is the primary psychological
77
+ * correlate of physical strength (amplitude). Values typically range between -60
78
+ * and 0 db.
79
+ */
80
+ loudness?: number;
81
+ /**
82
+ * Mode indicates the modality (major or minor) of a track, the type of scale from
83
+ * which its melodic content is derived. Major is represented by 1 and minor is 0.
84
+ */
85
+ mode?: number;
86
+ /**
87
+ * Speechiness detects the presence of spoken words in a track. The more
88
+ * exclusively speech-like the recording (e.g. talk show, audio book, poetry), the
89
+ * closer to 1.0 the attribute value. Values above 0.66 describe tracks that are
90
+ * probably made entirely of spoken words. Values between 0.33 and 0.66 describe
91
+ * tracks that may contain both music and speech, either in sections or layered,
92
+ * including such cases as rap music. Values below 0.33 most likely represent music
93
+ * and other non-speech-like tracks.
94
+ */
95
+ speechiness?: number;
96
+ /**
97
+ * The overall estimated tempo of a track in beats per minute (BPM). In musical
98
+ * terminology, tempo is the speed or pace of a given piece and derives directly
99
+ * from the average beat duration.
100
+ */
101
+ tempo?: number;
102
+ /**
103
+ * An estimated time signature. The time signature (meter) is a notational
104
+ * convention to specify how many beats are in each bar (or measure). The time
105
+ * signature ranges from 3 to 7 indicating time signatures of "3/4", to "7/4".
106
+ */
107
+ time_signature?: number;
108
+ /**
109
+ * A link to the Web API endpoint providing full details of the track.
110
+ */
111
+ track_href?: string;
112
+ /**
113
+ * The object type.
114
+ */
115
+ type?: 'audio_features';
116
+ /**
117
+ * The Spotify URI for the track.
118
+ */
119
+ uri?: string;
120
+ /**
121
+ * A measure from 0.0 to 1.0 describing the musical positiveness conveyed by a
122
+ * track. Tracks with high valence sound more positive (e.g. happy, cheerful,
123
+ * euphoric), while tracks with low valence sound more negative (e.g. sad,
124
+ * depressed, angry).
125
+ */
126
+ valence?: number;
127
+ }
128
+ export interface AudioFeatureListResponse {
129
+ audio_features: Array<AudioFeatureListResponse.AudioFeature>;
130
+ }
131
+ export declare namespace AudioFeatureListResponse {
132
+ interface AudioFeature {
133
+ /**
134
+ * The Spotify ID for the track.
135
+ */
136
+ id?: string;
137
+ /**
138
+ * A confidence measure from 0.0 to 1.0 of whether the track is acoustic. 1.0
139
+ * represents high confidence the track is acoustic.
140
+ */
141
+ acousticness?: number;
142
+ /**
143
+ * A URL to access the full audio analysis of this track. An access token is
144
+ * required to access this data.
145
+ */
146
+ analysis_url?: string;
147
+ /**
148
+ * Danceability describes how suitable a track is for dancing based on a
149
+ * combination of musical elements including tempo, rhythm stability, beat
150
+ * strength, and overall regularity. A value of 0.0 is least danceable and 1.0 is
151
+ * most danceable.
152
+ */
153
+ danceability?: number;
154
+ /**
155
+ * The duration of the track in milliseconds.
156
+ */
157
+ duration_ms?: number;
158
+ /**
159
+ * Energy is a measure from 0.0 to 1.0 and represents a perceptual measure of
160
+ * intensity and activity. Typically, energetic tracks feel fast, loud, and noisy.
161
+ * For example, death metal has high energy, while a Bach prelude scores low on the
162
+ * scale. Perceptual features contributing to this attribute include dynamic range,
163
+ * perceived loudness, timbre, onset rate, and general entropy.
164
+ */
165
+ energy?: number;
166
+ /**
167
+ * Predicts whether a track contains no vocals. "Ooh" and "aah" sounds are treated
168
+ * as instrumental in this context. Rap or spoken word tracks are clearly "vocal".
169
+ * The closer the instrumentalness value is to 1.0, the greater likelihood the
170
+ * track contains no vocal content. Values above 0.5 are intended to represent
171
+ * instrumental tracks, but confidence is higher as the value approaches 1.0.
172
+ */
173
+ instrumentalness?: number;
174
+ /**
175
+ * The key the track is in. Integers map to pitches using standard
176
+ * [Pitch Class notation](https://en.wikipedia.org/wiki/Pitch_class). E.g. 0 = C, 1
177
+ * = C♯/D♭, 2 = D, and so on. If no key was detected, the value is -1.
178
+ */
179
+ key?: number;
180
+ /**
181
+ * Detects the presence of an audience in the recording. Higher liveness values
182
+ * represent an increased probability that the track was performed live. A value
183
+ * above 0.8 provides strong likelihood that the track is live.
184
+ */
185
+ liveness?: number;
186
+ /**
187
+ * The overall loudness of a track in decibels (dB). Loudness values are averaged
188
+ * across the entire track and are useful for comparing relative loudness of
189
+ * tracks. Loudness is the quality of a sound that is the primary psychological
190
+ * correlate of physical strength (amplitude). Values typically range between -60
191
+ * and 0 db.
192
+ */
193
+ loudness?: number;
194
+ /**
195
+ * Mode indicates the modality (major or minor) of a track, the type of scale from
196
+ * which its melodic content is derived. Major is represented by 1 and minor is 0.
197
+ */
198
+ mode?: number;
199
+ /**
200
+ * Speechiness detects the presence of spoken words in a track. The more
201
+ * exclusively speech-like the recording (e.g. talk show, audio book, poetry), the
202
+ * closer to 1.0 the attribute value. Values above 0.66 describe tracks that are
203
+ * probably made entirely of spoken words. Values between 0.33 and 0.66 describe
204
+ * tracks that may contain both music and speech, either in sections or layered,
205
+ * including such cases as rap music. Values below 0.33 most likely represent music
206
+ * and other non-speech-like tracks.
207
+ */
208
+ speechiness?: number;
209
+ /**
210
+ * The overall estimated tempo of a track in beats per minute (BPM). In musical
211
+ * terminology, tempo is the speed or pace of a given piece and derives directly
212
+ * from the average beat duration.
213
+ */
214
+ tempo?: number;
215
+ /**
216
+ * An estimated time signature. The time signature (meter) is a notational
217
+ * convention to specify how many beats are in each bar (or measure). The time
218
+ * signature ranges from 3 to 7 indicating time signatures of "3/4", to "7/4".
219
+ */
220
+ time_signature?: number;
221
+ /**
222
+ * A link to the Web API endpoint providing full details of the track.
223
+ */
224
+ track_href?: string;
225
+ /**
226
+ * The object type.
227
+ */
228
+ type?: 'audio_features';
229
+ /**
230
+ * The Spotify URI for the track.
231
+ */
232
+ uri?: string;
233
+ /**
234
+ * A measure from 0.0 to 1.0 describing the musical positiveness conveyed by a
235
+ * track. Tracks with high valence sound more positive (e.g. happy, cheerful,
236
+ * euphoric), while tracks with low valence sound more negative (e.g. sad,
237
+ * depressed, angry).
238
+ */
239
+ valence?: number;
240
+ }
241
+ }
242
+ export interface AudioFeatureListParams {
243
+ /**
244
+ * A comma-separated list of the
245
+ * [Spotify IDs](/documentation/web-api/concepts/spotify-uris-ids) for the tracks.
246
+ * Maximum: 100 IDs.
247
+ */
248
+ ids: string;
249
+ }
250
+ export declare namespace AudioFeatures {
251
+ export { type AudioFeatureRetrieveResponse as AudioFeatureRetrieveResponse, type AudioFeatureListResponse as AudioFeatureListResponse, type AudioFeatureListParams as AudioFeatureListParams, };
252
+ }
253
+ //# sourceMappingURL=audio-features.d.mts.map
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