scriveno 2.0.5
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- package/LICENSE +21 -0
- package/README.md +222 -0
- package/agents/continuity-checker.md +85 -0
- package/agents/drafter.md +248 -0
- package/agents/plan-checker.md +209 -0
- package/agents/researcher.md +114 -0
- package/agents/translator.md +204 -0
- package/agents/voice-checker.md +154 -0
- package/bin/install.js +1620 -0
- package/commands/scr/add-note.md +51 -0
- package/commands/scr/add-unit.md +101 -0
- package/commands/scr/art-direction.md +225 -0
- package/commands/scr/autopilot-publish.md +210 -0
- package/commands/scr/autopilot-translate.md +237 -0
- package/commands/scr/autopilot.md +200 -0
- package/commands/scr/back-matter.md +630 -0
- package/commands/scr/back-translate.md +197 -0
- package/commands/scr/beta-reader.md +97 -0
- package/commands/scr/blurb.md +149 -0
- package/commands/scr/book-proposal.md +210 -0
- package/commands/scr/build-ebook.md +448 -0
- package/commands/scr/build-poetry-submission.md +202 -0
- package/commands/scr/build-print.md +598 -0
- package/commands/scr/build-smashwords.md +171 -0
- package/commands/scr/build-world.md +158 -0
- package/commands/scr/cast-list.md +104 -0
- package/commands/scr/chapter-header.md +158 -0
- package/commands/scr/character-arc.md +108 -0
- package/commands/scr/character-ref.md +160 -0
- package/commands/scr/character-sheet.md +143 -0
- package/commands/scr/character-touch.md +157 -0
- package/commands/scr/character-voice-sample.md +111 -0
- package/commands/scr/check-notes.md +50 -0
- package/commands/scr/cleanup.md +159 -0
- package/commands/scr/compare.md +112 -0
- package/commands/scr/complete-draft.md +49 -0
- package/commands/scr/continuity-check.md +129 -0
- package/commands/scr/copy-edit.md +118 -0
- package/commands/scr/cover-art.md +382 -0
- package/commands/scr/cultural-adaptation.md +177 -0
- package/commands/scr/demo.md +93 -0
- package/commands/scr/dialogue-audit.md +143 -0
- package/commands/scr/discuss.md +118 -0
- package/commands/scr/discussion-questions.md +129 -0
- package/commands/scr/do.md +68 -0
- package/commands/scr/draft.md +97 -0
- package/commands/scr/editor-review.md +466 -0
- package/commands/scr/export.md +942 -0
- package/commands/scr/fast.md +65 -0
- package/commands/scr/front-matter.md +696 -0
- package/commands/scr/health.md +113 -0
- package/commands/scr/help.md +121 -0
- package/commands/scr/history.md +92 -0
- package/commands/scr/illustrate-scene.md +211 -0
- package/commands/scr/import.md +95 -0
- package/commands/scr/insert-unit.md +108 -0
- package/commands/scr/line-edit.md +146 -0
- package/commands/scr/manager.md +77 -0
- package/commands/scr/manuscript-stats.md +139 -0
- package/commands/scr/map-illustration.md +213 -0
- package/commands/scr/map-manuscript.md +134 -0
- package/commands/scr/merge-units.md +136 -0
- package/commands/scr/multi-publish.md +344 -0
- package/commands/scr/new-character.md +167 -0
- package/commands/scr/new-revision.md +50 -0
- package/commands/scr/new-work.md +148 -0
- package/commands/scr/next.md +125 -0
- package/commands/scr/originality-check.md +170 -0
- package/commands/scr/outline.md +131 -0
- package/commands/scr/pacing-analysis.md +170 -0
- package/commands/scr/panel-layout.md +225 -0
- package/commands/scr/pause-work.md +88 -0
- package/commands/scr/plan.md +112 -0
- package/commands/scr/plant-seed.md +57 -0
- package/commands/scr/plot-graph.md +199 -0
- package/commands/scr/polish.md +141 -0
- package/commands/scr/profile-writer.md +154 -0
- package/commands/scr/progress.md +51 -0
- package/commands/scr/publish.md +455 -0
- package/commands/scr/query-letter.md +183 -0
- package/commands/scr/quick-write.md +82 -0
- package/commands/scr/relationship-map.md +129 -0
- package/commands/scr/remove-unit.md +120 -0
- package/commands/scr/reorder-units.md +126 -0
- package/commands/scr/resume-work.md +97 -0
- package/commands/scr/sacred/annotation-layer.md +105 -0
- package/commands/scr/sacred/chronology.md +121 -0
- package/commands/scr/sacred/concordance.md +88 -0
- package/commands/scr/sacred/cross-reference.md +97 -0
- package/commands/scr/sacred/doctrinal-check.md +129 -0
- package/commands/scr/sacred/genealogy.md +107 -0
- package/commands/scr/sacred/source-tracking.md +101 -0
- package/commands/scr/sacred/verse-numbering.md +103 -0
- package/commands/scr/sacred-numbering-format.md +103 -0
- package/commands/scr/save.md +109 -0
- package/commands/scr/scan.md +291 -0
- package/commands/scr/sensitivity-review.md +169 -0
- package/commands/scr/series-bible.md +127 -0
- package/commands/scr/session-report.md +80 -0
- package/commands/scr/settings.md +58 -0
- package/commands/scr/split-unit.md +123 -0
- package/commands/scr/spread-layout.md +187 -0
- package/commands/scr/storyboard.md +262 -0
- package/commands/scr/subject-touch.md +168 -0
- package/commands/scr/submit.md +50 -0
- package/commands/scr/subplot-map.md +147 -0
- package/commands/scr/sync.md +116 -0
- package/commands/scr/synopsis.md +137 -0
- package/commands/scr/theme-tracker.md +128 -0
- package/commands/scr/thread.md +83 -0
- package/commands/scr/timeline.md +141 -0
- package/commands/scr/track.md +564 -0
- package/commands/scr/translate.md +260 -0
- package/commands/scr/translation-glossary.md +298 -0
- package/commands/scr/translation-memory.md +310 -0
- package/commands/scr/troubleshoot.md +59 -0
- package/commands/scr/undo.md +106 -0
- package/commands/scr/validate.md +133 -0
- package/commands/scr/versions.md +94 -0
- package/commands/scr/voice-check.md +133 -0
- package/commands/scr/voice-test.md +68 -0
- package/data/CONSTRAINTS.json +1606 -0
- package/data/demo/.manuscript/BRIEF.md +37 -0
- package/data/demo/.manuscript/CHARACTERS.md +90 -0
- package/data/demo/.manuscript/OUTLINE.md +46 -0
- package/data/demo/.manuscript/PLOT-GRAPH.md +75 -0
- package/data/demo/.manuscript/STATE.md +44 -0
- package/data/demo/.manuscript/STYLE-GUIDE.md +119 -0
- package/data/demo/.manuscript/THEMES.md +51 -0
- package/data/demo/.manuscript/WORK.md +51 -0
- package/data/demo/.manuscript/config.json +59 -0
- package/data/demo/.manuscript/drafts/body/1-the-letter-DRAFT.md +51 -0
- package/data/demo/.manuscript/drafts/body/2-the-workshop-DRAFT.md +51 -0
- package/data/demo/.manuscript/drafts/body/3-the-pier-DRAFT.md +45 -0
- package/data/demo/.manuscript/drafts/body/4-the-clock-DRAFT.md +59 -0
- package/data/demo/.manuscript/plans/5-the-reunion-PLAN.md +52 -0
- package/data/demo/.manuscript/reviews/2-the-workshop-REVIEW.md +61 -0
- package/data/export-templates/scriveno-academic.latex +184 -0
- package/data/export-templates/scriveno-acm.latex +67 -0
- package/data/export-templates/scriveno-apa7.latex +83 -0
- package/data/export-templates/scriveno-book.typst +175 -0
- package/data/export-templates/scriveno-chapbook.typst +121 -0
- package/data/export-templates/scriveno-elsevier.latex +76 -0
- package/data/export-templates/scriveno-epub.css +386 -0
- package/data/export-templates/scriveno-fixed-layout-epub.css +76 -0
- package/data/export-templates/scriveno-fixed-layout.opf +23 -0
- package/data/export-templates/scriveno-ieee.latex +77 -0
- package/data/export-templates/scriveno-lncs.latex +79 -0
- package/data/export-templates/scriveno-picturebook.typst +113 -0
- package/data/export-templates/scriveno-poetry-submission-styles.md +45 -0
- package/data/export-templates/scriveno-poetry-submission.docx +0 -0
- package/data/export-templates/scriveno-smashwords-styles.md +45 -0
- package/data/export-templates/scriveno-smashwords.docx +0 -0
- package/data/export-templates/scriveno-stageplay.typst +129 -0
- package/data/proof/creative-context/README.md +79 -0
- package/data/proof/voice-dna/GUIDED-SAMPLE.md +19 -0
- package/data/proof/voice-dna/README.md +45 -0
- package/data/proof/voice-dna/STYLE-GUIDE-EXCERPT.md +43 -0
- package/data/proof/voice-dna/UNGUIDED-SAMPLE.md +11 -0
- package/data/proof/watchmaker-flow/README.md +78 -0
- package/docs/architecture.md +425 -0
- package/docs/command-reference.md +2384 -0
- package/docs/configuration.md +228 -0
- package/docs/context-protocol.md +81 -0
- package/docs/contributing.md +430 -0
- package/docs/creative-context.md +158 -0
- package/docs/development.md +152 -0
- package/docs/drafter-quality.md +127 -0
- package/docs/getting-started.md +198 -0
- package/docs/history-protocol.md +96 -0
- package/docs/proof-artifacts.md +56 -0
- package/docs/publishing.md +296 -0
- package/docs/release-notes.md +457 -0
- package/docs/runtime-support.md +77 -0
- package/docs/sacred-texts.md +296 -0
- package/docs/shipped-assets.md +129 -0
- package/docs/testing.md +156 -0
- package/docs/translation.md +343 -0
- package/docs/voice-dna.md +297 -0
- package/docs/work-types.md +339 -0
- package/lib/architectural-profiles.js +134 -0
- package/package.json +54 -0
- package/templates/BRIEF.md +51 -0
- package/templates/CHARACTERS.md +64 -0
- package/templates/CONTEXT.md +56 -0
- package/templates/OUTLINE.md +36 -0
- package/templates/RECORD.md +68 -0
- package/templates/STATE.md +50 -0
- package/templates/STYLE-GUIDE.md +121 -0
- package/templates/THEMES.md +36 -0
- package/templates/WORK.md +67 -0
- package/templates/WORLD.md +62 -0
- package/templates/WRITING-RULES.md +156 -0
- package/templates/academic/ARGUMENT-MAP.md +40 -0
- package/templates/academic/CONCEPTS.md +34 -0
- package/templates/academic/CONTEXT.md +29 -0
- package/templates/academic/PROPOSAL.md +37 -0
- package/templates/academic/QUESTIONS.md +24 -0
- package/templates/config.json +72 -0
- package/templates/pitfalls/comic.md +54 -0
- package/templates/pitfalls/commentary.md +62 -0
- package/templates/pitfalls/memoir.md +48 -0
- package/templates/pitfalls/novel.md +53 -0
- package/templates/pitfalls/poetry_collection.md +63 -0
- package/templates/pitfalls/research_paper.md +66 -0
- package/templates/pitfalls/runbook.md +64 -0
- package/templates/pitfalls/screenplay.md +54 -0
- package/templates/platforms/README.md +16 -0
- package/templates/platforms/apple/manifest.yaml +20 -0
- package/templates/platforms/bn/manifest.yaml +20 -0
- package/templates/platforms/d2d/manifest.yaml +20 -0
- package/templates/platforms/google/manifest.yaml +20 -0
- package/templates/platforms/ingram/manifest.yaml +44 -0
- package/templates/platforms/kdp/manifest.yaml +42 -0
- package/templates/platforms/kobo/manifest.yaml +20 -0
- package/templates/platforms/smashwords/manifest.yaml +26 -0
- package/templates/sacred/COSMOLOGY.md +88 -0
- package/templates/sacred/DOCTRINES.md +45 -0
- package/templates/sacred/FIGURES.md +69 -0
- package/templates/sacred/FRAMEWORK.md +98 -0
- package/templates/sacred/LINEAGES.md +52 -0
- package/templates/sacred/README.md +20 -0
- package/templates/sacred/THEOLOGICAL-ARC.md +69 -0
- package/templates/sacred/catholic/manifest.yaml +93 -0
- package/templates/sacred/islamic-hafs/manifest.yaml +134 -0
- package/templates/sacred/islamic-warsh/manifest.yaml +134 -0
- package/templates/sacred/jewish/manifest.yaml +56 -0
- package/templates/sacred/orthodox/manifest.yaml +98 -0
- package/templates/sacred/pali/manifest.yaml +20 -0
- package/templates/sacred/protestant/manifest.yaml +86 -0
- package/templates/sacred/sanskrit/manifest.yaml +20 -0
- package/templates/sacred/tewahedo/manifest.yaml +106 -0
- package/templates/sacred/tibetan/manifest.yaml +20 -0
- package/templates/technical/AUDIENCE.md +26 -0
- package/templates/technical/DEPENDENCIES.md +19 -0
- package/templates/technical/DOC-BRIEF.md +45 -0
- package/templates/technical/PROCEDURES.md +37 -0
- package/templates/technical/REFERENCES.md +36 -0
- package/templates/technical/SYSTEM.md +25 -0
|
@@ -0,0 +1,56 @@
|
|
|
1
|
+
---
|
|
2
|
+
creative_pillar: continuity
|
|
3
|
+
always_load_for: [next, resume-work, pause-work, save]
|
|
4
|
+
authority: bootstrap
|
|
5
|
+
---
|
|
6
|
+
|
|
7
|
+
# Project context
|
|
8
|
+
|
|
9
|
+
This file is auto-regenerated by Scriveno. It is the single one-page bootstrap any new session (human or AI) reads first to locate itself in the project. Do not hand-edit -- changes are overwritten on the next save / pause / resume.
|
|
10
|
+
|
|
11
|
+
If this file is missing, stale, or contradicts STATE.md, run `/scr:resume-work` (or `/scr:scan --fix`) to regenerate it.
|
|
12
|
+
|
|
13
|
+
**Updated:** {{LAST_UPDATED}}
|
|
14
|
+
**Updated by:** {{LAST_COMMAND}}
|
|
15
|
+
|
|
16
|
+
---
|
|
17
|
+
|
|
18
|
+
## You are here
|
|
19
|
+
|
|
20
|
+
**Project:** {{TITLE}}
|
|
21
|
+
**Work type:** {{WORK_TYPE}}
|
|
22
|
+
**Phase:** {{PHASE}}
|
|
23
|
+
**Active unit:** {{CURRENT_UNIT}}
|
|
24
|
+
|
|
25
|
+
## Recent activity
|
|
26
|
+
|
|
27
|
+
The last five recorded actions, newest first. The full chronological log lives in `.manuscript/HISTORY.log`; STATE.md holds the structured snapshot.
|
|
28
|
+
|
|
29
|
+
| When | Command | Unit | Outcome |
|
|
30
|
+
|------|---------|------|---------|
|
|
31
|
+
{{RECENT_ACTIONS}}
|
|
32
|
+
|
|
33
|
+
## Open items
|
|
34
|
+
|
|
35
|
+
**Drafted but not reviewed:** {{UNITS_PENDING_REVIEW}}
|
|
36
|
+
**Planned but not drafted:** {{UNITS_PENDING_DRAFT}}
|
|
37
|
+
**Voice-check warnings since last drafter run:** {{VOICE_WARNINGS}}
|
|
38
|
+
**Continuity flags:** {{CONTINUITY_FLAGS}}
|
|
39
|
+
**Unresolved scaffold markers:** {{SCAFFOLD_MARKERS}}
|
|
40
|
+
|
|
41
|
+
## Record highlights
|
|
42
|
+
|
|
43
|
+
{{RECORD_HIGHLIGHTS}}
|
|
44
|
+
|
|
45
|
+
## Suggested next step
|
|
46
|
+
|
|
47
|
+
{{NEXT_STEP}}
|
|
48
|
+
|
|
49
|
+
Run `/scr:next` to act on the suggestion, or `/scr:scan` first if you suspect any of the recorded state above is out of date.
|
|
50
|
+
|
|
51
|
+
## Trust check
|
|
52
|
+
|
|
53
|
+
This file was generated from STATE.md, OUTLINE.md, RECORD.md when present, the contents of `.manuscript/drafts/body/`, and the last 5 lines of HISTORY.log. The numbers above are claims, not facts -- a `/scr:scan` confirms they still match the disk.
|
|
54
|
+
|
|
55
|
+
**Last `/scr:scan` run:** {{LAST_SCAN}}
|
|
56
|
+
**Last drift verdict:** {{LAST_SCAN_VERDICT}}
|
|
@@ -0,0 +1,36 @@
|
|
|
1
|
+
---
|
|
2
|
+
creative_pillar: structure
|
|
3
|
+
always_load_for: [discuss, plan, next]
|
|
4
|
+
authority: project
|
|
5
|
+
---
|
|
6
|
+
|
|
7
|
+
# Outline
|
|
8
|
+
|
|
9
|
+
## High-level structure
|
|
10
|
+
|
|
11
|
+
{{HIGH_LEVEL}}
|
|
12
|
+
|
|
13
|
+
## Act/part breakdown
|
|
14
|
+
|
|
15
|
+
{{ACTS}}
|
|
16
|
+
|
|
17
|
+
## {{UNIT_LABEL}} list
|
|
18
|
+
|
|
19
|
+
{{UNITS}}
|
|
20
|
+
|
|
21
|
+
## Arc positions
|
|
22
|
+
|
|
23
|
+
**Opening:** {{OPENING_ARC}}
|
|
24
|
+
**Inciting incident:** {{INCITING}}
|
|
25
|
+
**First turning point:** {{TURN_1}}
|
|
26
|
+
**Midpoint:** {{MIDPOINT}}
|
|
27
|
+
**Second turning point:** {{TURN_2}}
|
|
28
|
+
**Climax:** {{CLIMAX}}
|
|
29
|
+
**Resolution:** {{RESOLUTION}}
|
|
30
|
+
|
|
31
|
+
## Notes
|
|
32
|
+
|
|
33
|
+
{{NOTES}}
|
|
34
|
+
|
|
35
|
+
---
|
|
36
|
+
*Update this file as the structure evolves. It's the bridge between WORK.md (high concept) and individual unit planning.*
|
|
@@ -0,0 +1,68 @@
|
|
|
1
|
+
---
|
|
2
|
+
creative_pillar: record
|
|
3
|
+
always_load_for: [discuss, plan, draft, editor-review, next, scan, continuity-check]
|
|
4
|
+
authority: established
|
|
5
|
+
---
|
|
6
|
+
|
|
7
|
+
# Record
|
|
8
|
+
|
|
9
|
+
This file tracks what the work has established so far. It is not the manuscript, and it is not workflow state.
|
|
10
|
+
|
|
11
|
+
- `STATE.md` tracks where the project is in the workflow.
|
|
12
|
+
- `OUTLINE.md` tracks how the work is structured.
|
|
13
|
+
- `RECORD.md` tracks what the work has established and what future units must honor.
|
|
14
|
+
|
|
15
|
+
Use this file across work types. In fiction it can hold story facts. In nonfiction it can hold argument movement. In sacred commentary it can hold interpretive claims and source-handling obligations. In technical writing it can hold system facts, procedure truths, and reader expectations.
|
|
16
|
+
|
|
17
|
+
## Established on page
|
|
18
|
+
|
|
19
|
+
Facts, claims, decisions, events, procedures, definitions, relationships, images, or constraints that have already appeared in drafted text.
|
|
20
|
+
|
|
21
|
+
| Established item | First established | Current status | Notes |
|
|
22
|
+
|------------------|-------------------|----------------|-------|
|
|
23
|
+
| | | | |
|
|
24
|
+
|
|
25
|
+
## Open threads
|
|
26
|
+
|
|
27
|
+
Questions, tensions, mysteries, arguments, promises, risks, procedures, motifs, images, relationship shifts, or reader expectations that remain open.
|
|
28
|
+
|
|
29
|
+
| Thread | Opened in | Needs payoff or handling | Urgency |
|
|
30
|
+
|--------|-----------|--------------------------|---------|
|
|
31
|
+
| | | | |
|
|
32
|
+
|
|
33
|
+
## Promises and payoffs
|
|
34
|
+
|
|
35
|
+
Reader-facing promises the work has made and whether they have paid off.
|
|
36
|
+
|
|
37
|
+
| Promise | Setup location | Payoff location | Status |
|
|
38
|
+
|---------|----------------|-----------------|--------|
|
|
39
|
+
| | | | |
|
|
40
|
+
|
|
41
|
+
## Continuity facts
|
|
42
|
+
|
|
43
|
+
Durable facts future drafting must not contradict.
|
|
44
|
+
|
|
45
|
+
| Fact | Applies to | Source location | Notes |
|
|
46
|
+
|------|------------|-----------------|-------|
|
|
47
|
+
| | | | |
|
|
48
|
+
|
|
49
|
+
## Movement
|
|
50
|
+
|
|
51
|
+
Character, figure, subject, argument, reader, doctrine, procedure, image, object, setting, or relationship movement that future units should preserve.
|
|
52
|
+
|
|
53
|
+
| Moving element | Starting state | Current state | Next pressure |
|
|
54
|
+
|----------------|----------------|---------------|---------------|
|
|
55
|
+
| | | | |
|
|
56
|
+
|
|
57
|
+
## Next unit obligations
|
|
58
|
+
|
|
59
|
+
Specific obligations the next planned or drafted unit should honor.
|
|
60
|
+
|
|
61
|
+
-
|
|
62
|
+
|
|
63
|
+
## Notes
|
|
64
|
+
|
|
65
|
+
Use plain language. Keep this file short enough to load. Move detailed material into the relevant source file when it becomes permanent: CHARACTERS.md, THEMES.md, WORLD.md, QUESTIONS.md, PROCEDURES.md, DOCTRINES.md, or another adapted context file.
|
|
66
|
+
|
|
67
|
+
---
|
|
68
|
+
*This file is the living record of what the work has established. Update it after drafting, review, import, and major continuity decisions.*
|
|
@@ -0,0 +1,50 @@
|
|
|
1
|
+
---
|
|
2
|
+
creative_pillar: continuity
|
|
3
|
+
always_load_for: [next, scan, save, pause-work, resume-work]
|
|
4
|
+
authority: state
|
|
5
|
+
---
|
|
6
|
+
|
|
7
|
+
# Workflow state
|
|
8
|
+
|
|
9
|
+
**Last updated:** {{TIMESTAMP}}
|
|
10
|
+
**Current phase:** {{PHASE}}
|
|
11
|
+
**Current unit:** {{CURRENT_UNIT}}
|
|
12
|
+
|
|
13
|
+
## Progress
|
|
14
|
+
|
|
15
|
+
- **Units total:** {{UNITS_TOTAL}}
|
|
16
|
+
- **Units discussed:** {{UNITS_DISCUSSED}}
|
|
17
|
+
- **Units planned:** {{UNITS_PLANNED}}
|
|
18
|
+
- **Units drafted:** {{UNITS_DRAFTED}}
|
|
19
|
+
- **Units reviewed:** {{UNITS_REVIEWED}}
|
|
20
|
+
- **Units submitted:** {{UNITS_SUBMITTED}}
|
|
21
|
+
- **Total words:** {{WORD_COUNT}}
|
|
22
|
+
|
|
23
|
+
## Last actions
|
|
24
|
+
|
|
25
|
+
| Timestamp | Command | Unit | Outcome |
|
|
26
|
+
|-----------|---------|------|---------|
|
|
27
|
+
| | | | |
|
|
28
|
+
|
|
29
|
+
## Session metrics
|
|
30
|
+
|
|
31
|
+
**Current session started:** {{SESSION_START}}
|
|
32
|
+
**Units this session:** {{SESSION_UNITS}}
|
|
33
|
+
**Words this session:** {{SESSION_WORDS}}
|
|
34
|
+
**Quality passes:** {{SESSION_QUALITY_PASSES}}
|
|
35
|
+
|
|
36
|
+
## Pending
|
|
37
|
+
|
|
38
|
+
- **Next step:** {{NEXT_STEP}}
|
|
39
|
+
- **Open revisions:** {{OPEN_REVISIONS}}
|
|
40
|
+
- **Unresolved notes:** {{UNRESOLVED_NOTES}}
|
|
41
|
+
- **Voice-check issues:** {{VOICE_ISSUES}}
|
|
42
|
+
- **Continuity flags:** {{CONTINUITY_FLAGS}}
|
|
43
|
+
|
|
44
|
+
## Session handoff
|
|
45
|
+
|
|
46
|
+
**Last session ended:** {{LAST_SESSION_END}}
|
|
47
|
+
**Resume context:** {{RESUME_CONTEXT}}
|
|
48
|
+
|
|
49
|
+
---
|
|
50
|
+
*This file is the source of truth for workflow position. Every Scriveno command reads it and updates it. Don't edit by hand -- it's managed automatically.*
|
|
@@ -0,0 +1,121 @@
|
|
|
1
|
+
---
|
|
2
|
+
creative_pillar: voice
|
|
3
|
+
always_load_for: [draft, voice-check, plan, editor-review, translate]
|
|
4
|
+
authority: sovereign
|
|
5
|
+
---
|
|
6
|
+
|
|
7
|
+
# Style guide -- Voice DNA
|
|
8
|
+
|
|
9
|
+
*This file is loaded into every drafter agent invocation. It is the single most important file in the project -- the difference between prose that sounds like the writer and prose that sounds like generic AI.*
|
|
10
|
+
|
|
11
|
+
## Part 1 -- Narrative architecture
|
|
12
|
+
|
|
13
|
+
### Narrative perspective
|
|
14
|
+
- **POV:** {{POV}} (first person, close third, distant third, omniscient, second person)
|
|
15
|
+
- **POV consistency:** {{POV_CONSISTENCY}} (single POV, multi-POV by chapter, shifting)
|
|
16
|
+
- **Narrator reliability:** {{RELIABILITY}} (reliable, unreliable, ambiguous)
|
|
17
|
+
- **Narrator distance:** {{DISTANCE}} (intimate, observational, detached, cinematic)
|
|
18
|
+
|
|
19
|
+
### Tense
|
|
20
|
+
- **Primary tense:** {{TENSE}} (past, present, mixed)
|
|
21
|
+
- **Tense shifts:** {{TENSE_RULES}} (where and why tense shifts are allowed)
|
|
22
|
+
|
|
23
|
+
### Narrative stance
|
|
24
|
+
- **Knowing vs. discovering:** {{STANCE}} (does the narrator know what's coming, or discover it alongside the reader?)
|
|
25
|
+
- **Emotional distance:** {{EMO_DISTANCE}} (warm/cool, sympathetic/critical/neutral)
|
|
26
|
+
- **Judgment:** {{JUDGMENT}} (moralistic, withholding, ironic, compassionate)
|
|
27
|
+
|
|
28
|
+
## Part 2 -- Sentence and paragraph architecture
|
|
29
|
+
|
|
30
|
+
### Sentence architecture
|
|
31
|
+
- **Average sentence length:** {{SENTENCE_LENGTH}} words
|
|
32
|
+
- **Sentence variation:** {{VARIATION}} (high variation, mostly short, mostly long, rhythmic alternation)
|
|
33
|
+
- **Complex structures:** {{COMPLEX}} (embedded clauses, parallel structures, fragments)
|
|
34
|
+
- **Sentence music:** {{MUSIC}} (staccato, flowing, punchy, lyrical)
|
|
35
|
+
|
|
36
|
+
### Paragraph architecture
|
|
37
|
+
- **Paragraph length:** {{PARAGRAPH_LENGTH}} (short, medium, long, variable)
|
|
38
|
+
- **White space:** {{WHITESPACE}} (dense, generous, rhythmic)
|
|
39
|
+
- **Paragraph breaks:** {{BREAK_RULES}} (when to break -- beat shift, POV shift, emphasis)
|
|
40
|
+
|
|
41
|
+
## Part 3 -- Vocabulary and figurative language
|
|
42
|
+
|
|
43
|
+
### Vocabulary
|
|
44
|
+
- **Register:** {{REGISTER}} (formal, conversational, lyrical, colloquial, literary)
|
|
45
|
+
- **Complexity:** {{COMPLEXITY}} (accessible, elevated, specialized)
|
|
46
|
+
- **Word origin:** {{WORD_ORIGIN}} (preference for Anglo-Saxon vs. Latinate)
|
|
47
|
+
- **Jargon handling:** {{JARGON}} (how domain-specific terms are introduced)
|
|
48
|
+
- **Profanity:** {{PROFANITY}} (none, mild, moderate, explicit, character-specific)
|
|
49
|
+
|
|
50
|
+
### Figurative language
|
|
51
|
+
- **Metaphor density:** {{METAPHOR_DENSITY}} (sparse, moderate, dense)
|
|
52
|
+
- **Metaphor style:** {{METAPHOR_STYLE}} (grounded/concrete, abstract/philosophical, sensory)
|
|
53
|
+
- **Recurring image systems:** {{IMAGE_SYSTEMS}} (list of motifs that should recur)
|
|
54
|
+
- **Similes:** {{SIMILES}} (frequency and style)
|
|
55
|
+
- **Symbolism:** {{SYMBOLISM}} (overt, buried, emergent)
|
|
56
|
+
|
|
57
|
+
## Part 4 -- Dialogue
|
|
58
|
+
|
|
59
|
+
### Dialogue voice
|
|
60
|
+
- **Ratio:** {{DIALOGUE_RATIO}} (% of text that is dialogue)
|
|
61
|
+
- **Tag style:** {{TAG_STYLE}} (said-bookish, creative tags, action beats, minimal)
|
|
62
|
+
- **Subtext level:** {{SUBTEXT}} (on-the-nose, moderately layered, heavily subtextual)
|
|
63
|
+
- **Dialect/accent:** {{DIALECT}} (phonetic, light, none)
|
|
64
|
+
- **Interrupted speech:** {{INTERRUPTIONS}} (frequency and handling)
|
|
65
|
+
|
|
66
|
+
### Character voice differentiation
|
|
67
|
+
Each character should sound distinct. See CHARACTERS.md for individual voice anchors.
|
|
68
|
+
|
|
69
|
+
## Part 5 -- Description and sensory detail
|
|
70
|
+
|
|
71
|
+
### Description density
|
|
72
|
+
- **Overall density:** {{DESCRIPTION_DENSITY}} (sparse, moderate, rich, lush)
|
|
73
|
+
- **Sense mix:** {{SENSES}} (visual-dominant, multi-sensory, synesthetic)
|
|
74
|
+
- **Specificity:** {{SPECIFICITY}} (general, specific, hyper-specific with brand names)
|
|
75
|
+
|
|
76
|
+
### Physicality
|
|
77
|
+
- **Body awareness:** {{PHYSICALITY}} (how often characters' physical sensations appear)
|
|
78
|
+
- **Place:** {{PLACE}} (how strongly setting is felt)
|
|
79
|
+
- **Time of day/weather:** {{ATMOSPHERE}} (how often atmosphere is referenced)
|
|
80
|
+
|
|
81
|
+
## Part 6 -- Pacing, rhythm, and transitions
|
|
82
|
+
|
|
83
|
+
### Pacing
|
|
84
|
+
- **Default pace:** {{PACE}} (slow-burn, steady, brisk, breakneck)
|
|
85
|
+
- **Pace variation:** {{PACE_VARIATION}} (where and how pace shifts)
|
|
86
|
+
- **Scene-to-summary ratio:** {{SCENE_SUMMARY}}
|
|
87
|
+
|
|
88
|
+
### Transitions
|
|
89
|
+
- **Between scenes:** {{SCENE_TRANSITIONS}} (hard cuts, soft fades, hooks)
|
|
90
|
+
- **Between chapters:** {{CHAPTER_TRANSITIONS}} (cliffhangers, echoes, clean breaks)
|
|
91
|
+
- **Time jumps:** {{TIME_JUMPS}} (signaling, frequency, handling)
|
|
92
|
+
|
|
93
|
+
## Part 7 -- Reference influences
|
|
94
|
+
|
|
95
|
+
### Authors/works the writer wants to evoke
|
|
96
|
+
{{INFLUENCES}}
|
|
97
|
+
|
|
98
|
+
### Passages loaded as reference
|
|
99
|
+
{{REFERENCE_PASSAGES}}
|
|
100
|
+
*(500-word samples from the writer's own previous work or selected reference authors, used by the drafter as voice anchors.)*
|
|
101
|
+
|
|
102
|
+
## Part 8 -- Sacred voice registers (sacred/historical work types only)
|
|
103
|
+
|
|
104
|
+
{{SACRED_REGISTERS_BLOCK}}
|
|
105
|
+
|
|
106
|
+
*If the work type is sacred/historical, this section lists the active voice registers (prophetic, wisdom, legal, liturgical, narrative-historical, apocalyptic, epistolary, psalmic, parabolic, didactic) and which units use which register.*
|
|
107
|
+
|
|
108
|
+
## Part 9 -- Do and don't
|
|
109
|
+
|
|
110
|
+
### Always
|
|
111
|
+
{{ALWAYS}}
|
|
112
|
+
|
|
113
|
+
### Never
|
|
114
|
+
{{NEVER}}
|
|
115
|
+
|
|
116
|
+
### Consider
|
|
117
|
+
{{CONSIDER}}
|
|
118
|
+
|
|
119
|
+
---
|
|
120
|
+
|
|
121
|
+
*This style guide is generated from the `/scr:profile-writer` questionnaire and refined by `/scr:voice-test`. It is updated whenever the writer says "this doesn't sound like me" or flags a specific voice issue. Every drafter agent loads this file -- it is the single most important artifact in the project.*
|
|
@@ -0,0 +1,36 @@
|
|
|
1
|
+
---
|
|
2
|
+
creative_pillar: themes
|
|
3
|
+
always_load_for: [discuss, plan, draft, editor-review]
|
|
4
|
+
authority: project
|
|
5
|
+
---
|
|
6
|
+
|
|
7
|
+
# Themes
|
|
8
|
+
|
|
9
|
+
*The thematic threads this work explores. Each theme has a position (the writer's stance), a set of scenes where it surfaces, and a craft strategy for handling it.*
|
|
10
|
+
|
|
11
|
+
---
|
|
12
|
+
|
|
13
|
+
## {{THEME_NAME}}
|
|
14
|
+
|
|
15
|
+
**The question:** {{QUESTION}}
|
|
16
|
+
**The writer's position:** {{POSITION}} (or "deliberately unresolved")
|
|
17
|
+
**How it surfaces:** {{HOW}} (dialogue, action, imagery, structure, contrast)
|
|
18
|
+
**Scenes where it appears:** {{SCENE_LIST}}
|
|
19
|
+
**Craft strategy:** {{STRATEGY}} (show without telling, contrast through character, embedded in setting, etc.)
|
|
20
|
+
**Risks:** {{RISKS}} (preachiness, obviousness, loss of subtlety)
|
|
21
|
+
|
|
22
|
+
---
|
|
23
|
+
|
|
24
|
+
## Subject dynamics
|
|
25
|
+
|
|
26
|
+
Use this section when the work does not depend on named characters, or when a unit is driven more by an idea, subject, procedure, place, object, doctrine, argument, reader problem, or image pattern than by cast dynamics.
|
|
27
|
+
|
|
28
|
+
### {{SUBJECT_NAME}}
|
|
29
|
+
|
|
30
|
+
**Subject type:** {{SUBJECT_TYPE}} (idea, claim, process, procedure, place, object, doctrine, image pattern, reader problem)
|
|
31
|
+
**Reader starts here:** {{READER_START}}
|
|
32
|
+
**Reader should move toward:** {{READER_SHIFT}}
|
|
33
|
+
**Pressure or friction:** {{SUBJECT_PRESSURE}} (misconception, counterclaim, risk, constraint, ambiguity, failure mode)
|
|
34
|
+
**Interaction pattern:** {{INTERACTION_PATTERN}} (claim vs. counterclaim, rule vs. exception, step vs. failure mode, image vs. meaning, doctrine vs. practice)
|
|
35
|
+
**How it should surface:** {{SURFACE_STRATEGY}} (structure, example, evidence, image, rhythm, demonstration, contrast)
|
|
36
|
+
**Watchpoints:** {{SUBJECT_WATCHPOINTS}}
|
|
@@ -0,0 +1,67 @@
|
|
|
1
|
+
---
|
|
2
|
+
creative_pillar: work
|
|
3
|
+
always_load_for: [discuss, plan, next]
|
|
4
|
+
authority: project
|
|
5
|
+
---
|
|
6
|
+
|
|
7
|
+
# {{WORK_TITLE}}
|
|
8
|
+
|
|
9
|
+
## Premise
|
|
10
|
+
|
|
11
|
+
{{PREMISE}}
|
|
12
|
+
|
|
13
|
+
## Work type
|
|
14
|
+
|
|
15
|
+
- **Type:** {{WORK_TYPE}}
|
|
16
|
+
- **Group:** {{GROUP}}
|
|
17
|
+
- **Command unit:** {{COMMAND_UNIT}}
|
|
18
|
+
- **Target length:** {{TARGET_LENGTH}}
|
|
19
|
+
- **Genre:** {{GENRE}}
|
|
20
|
+
- **Audience:** {{AUDIENCE}}
|
|
21
|
+
|
|
22
|
+
## Profile
|
|
23
|
+
|
|
24
|
+
<!--
|
|
25
|
+
The `tradition` key applies only to sacred work types.
|
|
26
|
+
The `platform` key applies to work types that publish as books (prose, visual, poetry, sacred).
|
|
27
|
+
For work types where neither applies (script, academic, technical, interactive, speech_song),
|
|
28
|
+
`/scr:new-work` renders this section as "Not applicable for this work type." and omits the keys.
|
|
29
|
+
Valid values and per-work-type defaults live in `data/CONSTRAINTS.json` under `architectural_profiles`.
|
|
30
|
+
-->
|
|
31
|
+
|
|
32
|
+
{{PROFILE_BLOCK}}
|
|
33
|
+
|
|
34
|
+
## Elevator pitch
|
|
35
|
+
|
|
36
|
+
{{ELEVATOR_PITCH}}
|
|
37
|
+
|
|
38
|
+
## Logline
|
|
39
|
+
|
|
40
|
+
{{LOGLINE}}
|
|
41
|
+
|
|
42
|
+
## Comparable works
|
|
43
|
+
|
|
44
|
+
{{COMPARABLES}}
|
|
45
|
+
|
|
46
|
+
## Central question
|
|
47
|
+
|
|
48
|
+
{{CENTRAL_QUESTION}}
|
|
49
|
+
|
|
50
|
+
## Core conflict
|
|
51
|
+
|
|
52
|
+
{{CORE_CONFLICT}}
|
|
53
|
+
|
|
54
|
+
## Tone and mood
|
|
55
|
+
|
|
56
|
+
{{TONE}}
|
|
57
|
+
|
|
58
|
+
## Structural notes
|
|
59
|
+
|
|
60
|
+
{{STRUCTURE_NOTES}}
|
|
61
|
+
|
|
62
|
+
## What makes this different
|
|
63
|
+
|
|
64
|
+
{{DIFFERENTIATORS}}
|
|
65
|
+
|
|
66
|
+
---
|
|
67
|
+
*This file is the north star. Every drafted unit should advance the premise, sharpen the central question, and serve the tone. If you find yourself off-track, return here.*
|
|
@@ -0,0 +1,62 @@
|
|
|
1
|
+
---
|
|
2
|
+
creative_pillar: world
|
|
3
|
+
always_load_for: [discuss, plan, draft, continuity-check]
|
|
4
|
+
authority: project
|
|
5
|
+
---
|
|
6
|
+
|
|
7
|
+
# World
|
|
8
|
+
|
|
9
|
+
*The setting rules that constrain everything. If it's not in here, don't assume it exists.*
|
|
10
|
+
|
|
11
|
+
---
|
|
12
|
+
|
|
13
|
+
## Geography
|
|
14
|
+
|
|
15
|
+
**Scale:** {{SCALE}} (city, region, continent, planet, multiverse)
|
|
16
|
+
**Key locations:**
|
|
17
|
+
{{LOCATIONS}}
|
|
18
|
+
|
|
19
|
+
**Maps/spatial notes:**
|
|
20
|
+
{{SPATIAL_NOTES}}
|
|
21
|
+
|
|
22
|
+
---
|
|
23
|
+
|
|
24
|
+
## Culture
|
|
25
|
+
|
|
26
|
+
**Societies:** {{SOCIETIES}}
|
|
27
|
+
**Social structure:** {{SOCIAL_STRUCTURE}}
|
|
28
|
+
**Languages:** {{LANGUAGES}}
|
|
29
|
+
**Customs and traditions:** {{CUSTOMS}}
|
|
30
|
+
**Religion/belief systems:** {{BELIEFS}}
|
|
31
|
+
|
|
32
|
+
---
|
|
33
|
+
|
|
34
|
+
## Technology / Magic
|
|
35
|
+
|
|
36
|
+
**Tech level:** {{TECH_LEVEL}}
|
|
37
|
+
**Key technologies:** {{KEY_TECH}}
|
|
38
|
+
**Magic system (if applicable):** {{MAGIC_SYSTEM}}
|
|
39
|
+
**Rules/limitations:** {{RULES}}
|
|
40
|
+
**Cost of magic/tech:** {{COST}}
|
|
41
|
+
|
|
42
|
+
---
|
|
43
|
+
|
|
44
|
+
## Rules and Laws
|
|
45
|
+
|
|
46
|
+
**Governing systems:** {{GOVERNMENT}}
|
|
47
|
+
**Laws that matter to the story:** {{LAWS}}
|
|
48
|
+
**Enforcement:** {{ENFORCEMENT}}
|
|
49
|
+
**What's forbidden:** {{FORBIDDEN}}
|
|
50
|
+
**What's common but surprising to outsiders:** {{SURPRISING}}
|
|
51
|
+
|
|
52
|
+
---
|
|
53
|
+
|
|
54
|
+
## History
|
|
55
|
+
|
|
56
|
+
**Timeline of events relevant to the story:** {{TIMELINE}}
|
|
57
|
+
**Key historical events:** {{EVENTS}}
|
|
58
|
+
**How the past shapes the present:** {{PAST_TO_PRESENT}}
|
|
59
|
+
**Historical conflicts still active:** {{ACTIVE_CONFLICTS}}
|
|
60
|
+
|
|
61
|
+
---
|
|
62
|
+
*Update this file as the world develops. Build progressively -- seed questions first, then refine with `/scr:build-world --area <area>`.*
|
|
@@ -0,0 +1,156 @@
|
|
|
1
|
+
# Writing rules
|
|
2
|
+
|
|
3
|
+
*Universal pitfalls every drafter must avoid. Loaded into the drafter, voice-checker, and originality-check after STYLE-GUIDE.md. STYLE-GUIDE.md wins where they conflict; this file is the floor, not the ceiling.*
|
|
4
|
+
|
|
5
|
+
*This file is optional. If absent, agents fall back to their built-in rules. If present, this is the single source of truth for universal AI-tell don'ts.*
|
|
6
|
+
|
|
7
|
+
## How to read this file
|
|
8
|
+
|
|
9
|
+
- **Defaults, not absolutes.** If STYLE-GUIDE.md says the writer hedges, fragments dialogue, or moralizes deliberately, follow STYLE-GUIDE.md.
|
|
10
|
+
- **Floor, not ceiling.** These rules catch the worst AI tells. Real craft goes further.
|
|
11
|
+
- **Per work type.** When a per-work-type pitfall pack exists for the project's `work_type`, load it after this file. Type-specific rules can refine but not relax universal ones.
|
|
12
|
+
|
|
13
|
+
## Universal don'ts
|
|
14
|
+
|
|
15
|
+
These patterns make prose sound generated. Avoid them unless STYLE-GUIDE.md explicitly calls for them.
|
|
16
|
+
|
|
17
|
+
### Human-first restraint
|
|
18
|
+
- Do not over-correct prose that already sounds like the writer.
|
|
19
|
+
- Isolated signals are not enough. Look for clusters: generic vocabulary plus symmetrical rhythm plus vague claims plus formulaic transitions.
|
|
20
|
+
- Preserve human markers: specific details, mixed feelings, fragments, self-corrections, uneven rhythm, and era-bound references.
|
|
21
|
+
- If the passage has only one or two weak spots, fix those spots. Do not sand down the whole paragraph.
|
|
22
|
+
- When reporting edits, name one to three things deliberately left alone because they are authentic to the writer or register.
|
|
23
|
+
|
|
24
|
+
### Variance over substitution
|
|
25
|
+
- Do not fix AI-sounding prose by swapping one suspect word for another everywhere. Fix the underlying thought.
|
|
26
|
+
- Increase or preserve genuine structural variance: sentence length, paragraph shape, syntax, pace, and silence.
|
|
27
|
+
- Do not install a new humanizer signature. Avoid repeated edit shapes such as every paragraph becoming short punch, long explanation, short punch.
|
|
28
|
+
- Match STYLE-GUIDE.md's distribution of rhythm. If the writer is deliberately even, spare, maximalist, clipped, or formal, do not force generic variety.
|
|
29
|
+
|
|
30
|
+
### Factual integrity and content preservation
|
|
31
|
+
- Do not invent facts, names, numbers, sources, quotes, dates, prices, examples, locations, or claims.
|
|
32
|
+
- Specificity is good only when the source material provides it.
|
|
33
|
+
- Cover every original beat the plan or draft requires. Do not truncate, skip paragraphs, compress away obligations, or replace concrete content with a prettier generalization.
|
|
34
|
+
- If a detail is missing, leave the gap visible for the writer or planner rather than filling it with plausible material.
|
|
35
|
+
- Audit soft inference as carefully as hard facts. Do not add causal, temporal, quantitative, or priority claims unless the source or plan states them.
|
|
36
|
+
|
|
37
|
+
### Register-aware restraint
|
|
38
|
+
- Academic, technical, legal, sacred, journalistic, and quoted material should not be casualized just to sound "human."
|
|
39
|
+
- Preserve required terms of art, citation language, doctrinal phrasing, legal precision, procedural commands, and period diction.
|
|
40
|
+
- Change register only when STYLE-GUIDE.md or the plan asks for the shift.
|
|
41
|
+
- When a sentence is correct for its register, leave it alone even if it would sound warmer in another context.
|
|
42
|
+
|
|
43
|
+
### Stance discipline
|
|
44
|
+
- Add edge, opinion, irony, warmth, or first-person attitude only when STYLE-GUIDE.md, the plan, or the writer explicitly calls for that stance.
|
|
45
|
+
- Stance may react to content already present. It may not smuggle in new facts, motives, causes, events, expertise, lived experience, or claims.
|
|
46
|
+
- If the writer asks for more voice, make the voice sharper through rhythm, emphasis, and judgment about supplied material, not through invented support.
|
|
47
|
+
|
|
48
|
+
### Hedging and qualifiers
|
|
49
|
+
- Avoid "perhaps", "maybe", "in a sense", "to some degree", "it could be argued", "one could say", "it bears mentioning", "it is worth noting", "it should be noted".
|
|
50
|
+
- Avoid stacked qualifiers: "quite", "rather", "somewhat", "fairly", "relatively", "arguably", "potentially".
|
|
51
|
+
- A sentence that hedges twice is hedging too much.
|
|
52
|
+
|
|
53
|
+
### Throat-clearing and scaffolding
|
|
54
|
+
- Do not open with "The scene begins...", "In this chapter...", "What follows is...".
|
|
55
|
+
- No "and then" connective tissue between beats.
|
|
56
|
+
- No meta-commentary on the prose itself.
|
|
57
|
+
- Start in the moment. If you cannot start, re-read the previous unit's tail and let its rhythm lead.
|
|
58
|
+
|
|
59
|
+
### Balanced-both-sides constructions
|
|
60
|
+
- Do not pair every pro with a con, every advantage with a disadvantage.
|
|
61
|
+
- Real voices take positions. Symmetry is an AI tell.
|
|
62
|
+
- If STYLE-GUIDE.md describes the voice as "judicious" or "essayistic", balance is allowed. Otherwise, lean.
|
|
63
|
+
|
|
64
|
+
### Generic metaphors and dead figures
|
|
65
|
+
- "Heart of gold", "tip of the iceberg", "at the end of the day", "wave of emotion", "shiver down the spine", "time stood still".
|
|
66
|
+
- If the metaphor predates the writer, it is not the writer's metaphor.
|
|
67
|
+
- Match metaphor density and image systems to STYLE-GUIDE.md.
|
|
68
|
+
|
|
69
|
+
### Symmetrical rhythm
|
|
70
|
+
- Do not write three sentences of similar length in a row.
|
|
71
|
+
- Vary cadence: short, short, long. Or fragment, full, full.
|
|
72
|
+
- Uniform paragraph lengths are an AI tell. Real rhythm breathes.
|
|
73
|
+
|
|
74
|
+
### Moralizing closings
|
|
75
|
+
- Do not wrap the unit in a bow. No takeaway sentence, no "and so", no lesson.
|
|
76
|
+
- The scene ends where it ends. The reader does the work.
|
|
77
|
+
- If STYLE-GUIDE.md establishes a moralizing voice (homiletic, didactic, parabolic), defer to it.
|
|
78
|
+
|
|
79
|
+
### Essay transitions in narrative
|
|
80
|
+
- "Furthermore", "moreover", "additionally", "in conclusion", "consequently" do not belong in fiction or scene.
|
|
81
|
+
- They belong in argument. Use them only when the work type's group is `academic` or `technical`, or when the unit is explicitly an essay.
|
|
82
|
+
|
|
83
|
+
### Abstract vagueness
|
|
84
|
+
- "Various factors", "a number of reasons", "in many ways", "something like", "some kind of".
|
|
85
|
+
- Name the factors. Name the reasons. Name the thing.
|
|
86
|
+
- Specificity is voice. Vagueness is filler.
|
|
87
|
+
|
|
88
|
+
### Chat artifacts and placeholder contamination
|
|
89
|
+
- Remove chatbot wrapper text: "I hope this helps", "Would you like me to", "Here is the revised version", "As an AI".
|
|
90
|
+
- Remove copied citation artifacts, UI references, orphaned markdown fences, access-date placeholders, and template blanks.
|
|
91
|
+
- Do not leave `[INSERT]`, `[YEAR]`, `[COMPANY]`, `[TODO]`, `turn0search0`, `oai_citation`, or similar residue in writer-facing prose.
|
|
92
|
+
- If the artifact hides missing information, flag the missing information instead of inventing it.
|
|
93
|
+
|
|
94
|
+
### Emotional telling
|
|
95
|
+
- Do not write "she felt sad", "he was angry", "they were excited".
|
|
96
|
+
- Show it through action, dialogue, body, or implication.
|
|
97
|
+
- The verb "felt" before an emotion word is a flag. Recheck before keeping it.
|
|
98
|
+
|
|
99
|
+
### AI tics in dialogue
|
|
100
|
+
- Characters do not "let out a sigh", "give a small smile", or "nod softly".
|
|
101
|
+
- They sigh, smile, or nod. Or they do something more specific.
|
|
102
|
+
- Adverb stacks on tags ("she said softly, quietly, almost inaudibly") are a tell. One adverb at most. Usually none.
|
|
103
|
+
|
|
104
|
+
### Dialogue attribution defaults
|
|
105
|
+
- Default to "said". "Said" is invisible.
|
|
106
|
+
- Action beats are stronger than creative tags. "He set down the cup." beats "he muttered darkly".
|
|
107
|
+
- Attribute only when the speaker would be unclear. Two-character scenes need fewer tags than you think.
|
|
108
|
+
|
|
109
|
+
### Diff-anchored explanation
|
|
110
|
+
- In docs, comments, and technical prose, describe what is true now, not what changed from an older version.
|
|
111
|
+
- Release notes and changelogs may describe changes. Durable documentation should stand on its own.
|
|
112
|
+
- Prefer "Authentication uses encrypted cookies for session storage" over "We replaced the old session middleware with encrypted cookies."
|
|
113
|
+
|
|
114
|
+
## Show-don't-tell triggers
|
|
115
|
+
|
|
116
|
+
Before writing any of these, try the harder version first.
|
|
117
|
+
|
|
118
|
+
| Trigger phrase | What it usually means | Try instead |
|
|
119
|
+
|---|---|---|
|
|
120
|
+
| "She felt X" | Emotion told, not shown | A gesture, a thought, a physical sensation |
|
|
121
|
+
| "He realized X" | Insight stated flat | Let the reader watch the realization land |
|
|
122
|
+
| "It was a beautiful day" | Setting told | One concrete detail of weather, light, or air |
|
|
123
|
+
| "The room was tense" | Mood told | Body language, pause, what is not said |
|
|
124
|
+
| "She knew that X" | Cognition stated | Show what she does because she knows it |
|
|
125
|
+
|
|
126
|
+
## Punctuation defaults
|
|
127
|
+
|
|
128
|
+
- No em dashes. No en dashes. Use commas, colons, semicolons, parentheses, or two sentences.
|
|
129
|
+
- No emojis in prose, dialogue, or headings.
|
|
130
|
+
- Hyphens for compounds ("old-fashioned") and number ranges ("pages 10-15").
|
|
131
|
+
|
|
132
|
+
## Diagnostic discipline (honest read)
|
|
133
|
+
|
|
134
|
+
These rules tell a writer how to write. When the work is instead *diagnosed* for AI-slop (`/scr:voice-check`, `/scr:originality-check`), the same rules read from the other side, under this discipline:
|
|
135
|
+
|
|
136
|
+
- **Diagnose, do not rewrite.** A diagnostic reports a band, a score, and flagged spans with reasons. It never hands back an improved or suggested version of a span. Fixing flagged prose is a separate transform step (`/scr:line-edit`, `/scr:polish`, re-draft) the writer chooses, then the diagnostic re-runs as a fresh read. The loop is diagnose, decide, transform, re-verify; keeping the halves apart prevents a score-then-rewrite gaming loop, so never carry a target score into the rewrite.
|
|
137
|
+
- **Uniformity is the signal.** Prose reads as AI because of sameness (even lengths, even rhythm, the same shapes resolved the same way), not vocabulary. Flag the signature, not the lone word. A relocated signature (words swapped, rhythm still even) is not more authentic and does not earn back points.
|
|
138
|
+
- **Restraint over reach.** Match scrutiny to evidence density; low density biases hard toward a high score and a near-empty flag list. A lone weak signal that does not recur or co-occur is not a flag and must not lower a score. A strong false positive that is a real human marker (concrete detail, mixed feeling, dated reference, self-correction, unhedged opinion, trade idiolect, a STYLE-GUIDE.md tic) is positive evidence and moves the score up. Over-flagging genuine human prose is the worst error a diagnostic can make.
|
|
139
|
+
- **No diagnostic signature.** Do not always flag the first sentence, force a fixed flag count, or score to a safe middle. Vary the verdict with the evidence.
|
|
140
|
+
- **Honest read, no detector.** A diagnostic is an honest read of how authentically the prose reads as the writer's own work. It is not tuned to defeat any plagiarism or AI-detection system and names none. Reframe "get this past a graded or contractual check" toward the honest diagnostic.
|
|
141
|
+
|
|
142
|
+
## When STYLE-GUIDE.md overrides
|
|
143
|
+
|
|
144
|
+
STYLE-GUIDE.md takes precedence when it explicitly establishes:
|
|
145
|
+
- A hedging or qualified voice (philosophical, essayistic, scholarly registers)
|
|
146
|
+
- Fragmented or symmetrical rhythm as a deliberate signature
|
|
147
|
+
- A moralizing or didactic closing pattern (homiletic, parabolic, catechetical work types)
|
|
148
|
+
- Genre-specific stock language the writer wants preserved (pastiche, parody, period voice)
|
|
149
|
+
- Profanity, dialect, or register choices that would otherwise read as AI artifacts
|
|
150
|
+
- A clear stance profile: skeptical, warm, devotional, polemical, restrained, comic, severe, or otherwise writer-specific
|
|
151
|
+
|
|
152
|
+
When STYLE-GUIDE.md is silent, this file's defaults hold.
|
|
153
|
+
|
|
154
|
+
---
|
|
155
|
+
|
|
156
|
+
*If a sentence sounds like a smart machine wrote it, it probably did. Rewrite until it sounds like the writer.*
|