scenri 0.6.4 → 0.6.5

package/CHANGELOG.md

@@ -1,5 +1,13 @@
 # Changelog
 
+## [0.6.5](https://github.com/tonygorb/Scenri/compare/v0.6.4...v0.6.5) (2026-08-29)
+
+
+### Bug Fixes
+
+* a scene stages a subject slot, never its own demo object ([471981a](https://github.com/tonygorb/Scenri/commit/471981a89f7b3bb62cd4e5f7aec795b468e0aa15))
+* a scene stages a subject slot, never its own demo object ([04e2afe](https://github.com/tonygorb/Scenri/commit/04e2afe7da67af13df32d854d2fd861597e6025e))
+
 ## [0.6.4](https://github.com/tonygorb/Scenri/compare/v0.6.3...v0.6.4) (2026-08-28)
 
 

package/dist/serve.js

@@ -1291,8 +1291,11 @@ var REFERENCE_ROLE_DIRECTIVE = {
   // subject or person from it", which handed the model a photograph of a face
   // treatment and told it to ignore the treatment. A hand-attached reference
   // says "match ... treatment" and works; this now says the same thing, with the
-  // identity carve-out a scene needs and a lone reference does not.
-  scene: "a reference for this world and for the treatment applied to the figure in it \u2014 match the environment, the light, and the material, density, scale, finish and spread of that treatment, including which parts of the form it covers and how far it reaches; take no identity from the person in it, and no product or brand",
+  // identity carve-out a scene needs and a lone reference does not. The tail
+  // names staged objects as stand-ins rather than just "no product": a bare
+  // prohibition still left the demo object in the frame, because the model had
+  // nowhere to put what the photograph so vividly showed.
+  scene: "a reference for this world and for the treatment applied to the figure in it \u2014 match the environment, the light, and the material, density, scale, finish and spread of that treatment, including which parts of the form it covers and how far it reaches; take no identity from the person in it, and treat any product, garment or prop staged in it as a stand-in whose place the attached subject takes \u2014 never an object to reproduce",
   composition: "a reference for framing, camera angle and pose only \u2014 take no subject, color, material or branding from it",
   style: "a reference for overall treatment and mood only \u2014 take no composition, subject or product detail from it",
   reference: "a reference to match in composition, lighting and treatment"
@@ -3129,6 +3132,21 @@ function sceneGuardDirectives(opts) {
       "The scene direction above describes the set, not the cast. If it says the space is empty or that no people appear, disregard that: the attached person stands in this set, clearly visible. A ban on props or extra objects in the scene direction is about set dressing only \u2014 it never applies to the presenter or to the product in their hands."
     );
   }
+  if (opts.hasScenePhoto && (opts.hasProduct || opts.hasPerson)) {
+    out.push(
+      "One attached reference is the scene's own photograph. It shows this world \u2014 the set, the light, and any treatment this world applies \u2014 never a cast: any product, garment, prop or person visible in it is a stand-in, demonstrating where the subject sits, how large it stands in the frame, and what has been done to it."
+    );
+    if (opts.hasProduct) {
+      out.push(
+        "The product in the scene photograph is not in this shot. The attached product photo is the only source of product identity: that exact product takes the stand-in's position, at the placement and scale the scene photograph demonstrates, keeping its own shape, label and colours."
+      );
+    }
+    if (opts.hasPerson) {
+      out.push(
+        "Any person in the scene photograph lends their role, never their face: the attached presenter takes their place, wearing whatever treatment this world applies, with their identity drawn from their own photographs alone."
+      );
+    }
+  }
   return out;
 }
 function brandRuleDirectives(brand) {
@@ -3388,7 +3406,13 @@ function compileBrief(brief, ctx) {
   }
   const sceneCamera = inlineTemplates[0]?.camera?.trim() || ctx.template?.camera?.trim() || "";
   const cameraDirectives = sceneCamera && !shotSpecifiesCamera(sentence) ? [`Camera for this shot: ${sceneCamera}`] : [];
-  const guard = scene ? sceneGuardDirectives({ hasProduct: !!productId, hasPerson }) : [];
+  const max = ctx.engineCaps.maxReferenceImages;
+  const { kept, dropped } = allocateAttachments(attachments, max);
+  const guard = scene ? sceneGuardDirectives({
+    hasProduct: !!productId,
+    hasPerson,
+    hasScenePhoto: kept.some((a) => a.role === "scene")
+  }) : [];
   const pairDirectives = productId && hasPerson ? [
     "If the attached product is something a person wears, the presenter wears that exact product, with the rest of the outfit styled around it; otherwise the presenter presents or uses the product naturally.",
     // A product's own notes are written for solo packshots, and several
@@ -3434,8 +3458,6 @@ function compileBrief(brief, ctx) {
     ...preservation
   ];
   if (allDirectives.length) prompt = `${prompt}${prompt.endsWith(".") ? "" : "."} ${dedupe(allDirectives).join(" ")}`;
-  const max = ctx.engineCaps.maxReferenceImages;
-  const { kept, dropped } = allocateAttachments(attachments, max);
   if (dropped.some((d) => d.role !== "scene")) {
     const names = [...new Set(dropped.filter((d) => d.role !== "scene").map((d) => d.label))];
     const reads = max === 0 ? "reads no reference images" : `reads ${max} reference image${max === 1 ? "" : "s"}`;
@@ -7513,7 +7535,11 @@ function registerAssetBuildRoutes(app, deps) {
         kind: "scene",
         sceneId: id,
         name: scene.name,
-        instruction: body.correction == null ? void 0 : String(body.correction),
+        // A plain re-read used to drop the Direction on the floor: body.correction
+        // was the only source, so the analyzer's deciding-word preamble never
+        // fired and whatever the Direction excluded came straight back. No new
+        // word means the stored word.
+        instruction: String(body.correction ?? "").trim() || scene.instruction || void 0,
         imageHashes: []
       });
     } catch (err) {
@@ -7973,6 +7999,16 @@ function registerImageRoutes(app, deps) {
 
 // src/release/notes.data.ts
 var RELEASES = [
+  {
+    version: "0.6.5",
+    date: "2026-08-29",
+    sections: [
+      {
+        heading: "Scenes",
+        body: "A Scene no longer brings its own demo object into your shots. The product and presenter you select take the place of whatever its reference or preview happened to stage, while the environment, the light and any figure treatment carry over as before. Editing the Direction and pressing Read again now applies the Direction you wrote instead of quietly ignoring it."
+      }
+    ]
+  },
   {
     version: "0.6.4",
     date: "2026-08-29",

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "scenri",
-  "version": "0.6.4",
+  "version": "0.6.5",
   "author": "Tony Gorb <hello@scenri.co>",
   "license": "AGPL-3.0-only",
   "type": "module",

package/templates/chrome-bubble-warp.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Jewelry", "Accessories", "Fragrance"],
-  "prompt": "a pendant necklace resting in the sculptural folds of a length of richly saturated deep-emerald silk fabric, the fabric draped and gathered into genuine three-dimensional folds rather than lying flat, one soft raking key light crossing the silk to reveal real fold shadows and a true woven-silk sheen along the fabric's high points, the necklace's polished metal catching a distinct highlight against the fabric's own softer sheen, shallow depth of field keeping the necklace and its immediate fold crisp while the wider drape softens toward the edges of frame, one dominant saturated silk color throughout, no second product, no props beyond the fabric, immaculate commercial-render clarity",
+  "prompt": "the subject resting in the sculptural folds of a length of richly saturated deep-emerald silk fabric, the fabric draped and gathered into genuine three-dimensional folds rather than lying flat, one soft raking key light crossing the silk to reveal real fold shadows and a true woven-silk sheen along the fabric's high points, the subject catching a distinct highlight against the fabric's own softer sheen, shallow depth of field keeping the subject and its immediate fold crisp while the wider drape softens toward the edges of frame, one dominant saturated silk color throughout, no second product, no props beyond the fabric, immaculate commercial-render clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/cold-table-clinic.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Beauty", "Fragrance", "Electronics"],
-  "prompt": "a matte white cylindrical serum bottle with a brushed-steel pump collar, standing on a brushed stainless steel surface with a real directional grain and a faint cold-condensation bloom, precise botanical cross-sections of cucumber, ginger root and citrus cut cleanly and laid out with deliberate specimen-like spacing, a few beads of condensate pooling at the section edges, broad cool low-contrast directional light from above and slightly behind so form reads through gradation across the surface rather than through cast shadow, shadows staying short soft and honest, true brushed-metal anisotropic reflection showing a directional streak rather than a mirror, real cut-botanical cell structure visible in the sections, cool steel grey and pale blue-white with the botanical sections supplying the only colour, no warm light, no lush foliage, no visible lab equipment, no second product, surgical commercial clarity",
+  "prompt": "the subject standing on a brushed stainless steel surface with a real directional grain and a faint cold-condensation bloom, precise botanical cross-sections of cucumber, ginger root and citrus cut cleanly and laid out with deliberate specimen-like spacing, a few beads of condensate pooling at the section edges, broad cool low-contrast directional light from above and slightly behind so form reads through gradation across the surface rather than through cast shadow, shadows staying short soft and honest, true brushed-metal anisotropic reflection showing a directional streak rather than a mirror, real cut-botanical cell structure visible in the sections, cool steel grey and pale blue-white with the botanical sections supplying the only colour, no warm light, no lush foliage, no visible lab equipment, no second product, surgical commercial clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/confetti-burst-freeze.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Beauty", "Fragrance", "Accessories"],
-  "prompt": "a squat ceramic-lidded jar in matte stoneware with a rounded domed lid, nested within the widest fissure of a sun-dried terracotta clay surface, a deep radiating crack network spreading outward from it, a single raking low-angle directional light emphasizing the crack network's real depth and texture, warm golden-hour color temperature, fine dry clay dust settled naturally at the fissure's edge, shallow depth of field keeping the jar and immediate crack texture crisp while the wider field softens toward the edges of frame, warm terracotta and burnt-sienna palette throughout, no second product, no props beyond the clay, immaculate commercial-render clarity",
+  "prompt": "the subject nested within the widest fissure of a sun-dried terracotta clay surface, a deep radiating crack network spreading outward from it, a single raking low-angle directional light emphasizing the crack network's real depth and texture, warm golden-hour color temperature, fine dry clay dust settled naturally at the fissure's edge, shallow depth of field keeping the subject and immediate crack texture crisp while the wider field softens toward the edges of frame, warm terracotta and burnt-sienna palette throughout, no second product, no props beyond the clay, immaculate commercial-render clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/editorial-fisheye-flash-studio.json

@@ -9,7 +9,7 @@
   "subject": "person",
   "collections": ["Editorial"],
   "verticals": ["Apparel", "Footwear", "Accessories", "Furniture"],
-  "prompt": "a person wearing a shearling-collar trucker jacket, shot straight-on through a genuine fisheye lens with real barrel distortion bowing straight lines outward, most pronounced toward the frame edges, direct on-camera flash creating hard immediate light with a dramatic circular vignette darkening the corners, genuine fabric texture under the hard flash, cool-toned high-contrast palette with deep blacks from the flash falloff, deep focus throughout, no second person, no rendered text, distortion staying within what a real fisheye lens physically produces",
+  "prompt": "a person shot straight-on through a genuine fisheye lens with real barrel distortion bowing straight lines outward, most pronounced toward the frame edges, direct on-camera flash creating hard immediate light with a dramatic circular vignette darkening the corners, genuine fabric texture under the hard flash, cool-toned high-contrast palette with deep blacks from the flash falloff, deep focus throughout, no second person, no rendered text, distortion staying within what a real fisheye lens physically produces",
   "width": 1024,
   "height": 1280
 }

package/templates/heliconia-bloom-field.json

@@ -4,12 +4,12 @@
   "promptName": "Heliconia Bloom Field",
   "legacyNames": ["Heliconia Bloom Field"],
   "keywords": ["tropical", "flowers", "heliconia", "crimson", "botanical", "bloom", "red", "jungle", "exotic"],
-  "description": "The product nested among bold tropical red heliconia-style blooms against a rich saturated crimson-to-blush gradient field, its own metallic surface contrasting the organic petals.",
+  "description": "The product nested among bold tropical red heliconia-style blooms against a rich saturated crimson-to-blush gradient field, its own surface contrasting the organic petals.",
   "lighting": "Soft diffused overhead-adjacent light",
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Beauty", "Fragrance", "Accessories"],
-  "prompt": "a brushed-metal hand-balm tube, nested among genuine tropical red heliconia-style blooms with real petal texture and translucency, a rich saturated crimson-to-blush gradient field behind, soft diffused overhead-adjacent light with gentle even glow and no harsh shadow, a soft highlight tracing the tube's brushed-metal finish, shallow depth of field keeping the tube and nearest blooms crisp, no vase or floral-foam mechanics visible, no second product, immaculate commercial-render clarity",
+  "prompt": "the subject nested among genuine tropical red heliconia-style blooms with real petal texture and translucency, a rich saturated crimson-to-blush gradient field behind, soft diffused overhead-adjacent light with gentle even glow and no harsh shadow, a soft highlight tracing the subject's finish, shallow depth of field keeping the subject and nearest blooms crisp, no vase or floral-foam mechanics visible, no second product, immaculate commercial-render clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/indigo-fold.json

@@ -8,7 +8,7 @@
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Fragrance", "Beauty", "Jewelry", "Home"],
-  "prompt": "a squat apothecary-style glass bottle with a black lacquer cap, the bottle is the hero of the frame and occupies roughly 60 percent of the frame height, tack-sharp and clearly lit and brighter than its surroundings, standing in the deep folds of heavyweight indigo-dyed linen with visible slub, weave irregularity and genuine crease memory, structural botanicals — thistle heads, a halved artichoke, eucalyptus sprigs — layered across the bottle rather than arranged beside it, a single cool north-window source from camera-left at a low angle raking across the linen's weave and dying into the folds, deep true shadow gathering in the fabric valleys with no fill light, one narrow shaft catching the bottle's shoulder, deep indigo and midnight blue with desaturated sage and silver-green botanicals, real fabric drape rather than smooth CGI cloth, no bright or saturated backdrop, no warm light, no second product, no visible vase or arrangement mechanics, immaculate still-life clarity",
+  "prompt": "the subject is the hero of the frame and occupies roughly 60 percent of the frame height, tack-sharp and clearly lit and brighter than its surroundings, standing in the deep folds of heavyweight indigo-dyed linen with visible slub, weave irregularity and genuine crease memory, structural botanicals — thistle heads, a halved artichoke, eucalyptus sprigs — layered across the subject rather than arranged beside it, a single cool north-window source from camera-left at a low angle raking across the linen's weave and dying into the folds, deep true shadow gathering in the fabric valleys with no fill light, one narrow shaft catching its upper surfaces, deep indigo and midnight blue with desaturated sage and silver-green botanicals, real fabric drape rather than smooth CGI cloth, no bright or saturated backdrop, no warm light, no second product, no visible vase or arrangement mechanics, immaculate still-life clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/interiors-bathroom-vanity.json

@@ -4,12 +4,12 @@
   "promptName": "Bathroom Vanity Mirror",
   "legacyNames": ["Bathroom Vanity Mirror"],
   "keywords": ["bathroom", "vanity", "mirror", "tile", "tungsten", "warm", "grooming", "interior"],
-  "description": "A frosted-glass body-wash bottle catches warm, faintly golden vanity-bulb light on a real honed-tile bathroom counter, brass fixtures softening out of focus behind it — human-scale, lived-in intimacy rather than a spa-brochure fantasy.",
+  "description": "The subject catches warm, faintly golden vanity-bulb light on a real honed-tile bathroom counter, brass fixtures softening out of focus behind it — human-scale, lived-in intimacy rather than a spa-brochure fantasy.",
   "lighting": "Warm tungsten-equivalent vanity-bulb light, soft and golden",
   "subject": "product",
   "collections": ["Interiors"],
   "verticals": ["Beauty", "Fragrance"],
-  "prompt": "a frosted-glass pump bottle staged on a real bathroom vanity, warm tungsten-equivalent vanity light glowing from above the mirror and catching the frosted glass with a soft golden highlight, the brass tap softly visible and falling out of focus behind the bottle, shallow depth of field with the tile and brass falling softly out of focus behind the sharp bottle, brass fixtures and tile in a real lived-in bathroom, genuine warm-bulb color temperature with true brass and glass specular highlights, no visible face, no other people in frame, clean editorial product-photography finish",
+  "prompt": "the subject staged on a real bathroom vanity, warm tungsten-equivalent vanity light glowing from above the mirror and catching its upper surfaces with a soft golden highlight, the brass tap softly visible and falling out of focus behind the subject, shallow depth of field with the tile and brass falling softly out of focus behind the sharp subject, brass fixtures and tile in a real lived-in bathroom, genuine warm-bulb color temperature with true brass specular highlights, no visible face, no other people in frame, clean editorial product-photography finish",
   "width": 1024,
   "height": 1280
 }

package/templates/interiors-marble-kitchen-counter.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Interiors"],
   "verticals": ["Food & drink", "Home", "Beauty"],
-  "prompt": "A glass jar staged on a honed white-veined marble kitchen counter at a three-quarter angle and counter height as if the viewer is standing at the counter, warm low morning window light raking in from one side with soft directional shadows and a genuine specular catch along the marble's veining, a worn wood cutting board and a linen tea towel positioned at the edge of frame, a real lived-in kitchen with natural food styling and no glossy fake-food sheen, shallow depth of field letting the counter's texture and the room beyond fall softly out of focus around the sharp subject, no other people, no visible face, no props that don't belong in a real kitchen",
+  "prompt": "The subject staged on a honed white-veined marble kitchen counter at a three-quarter angle and counter height as if the viewer is standing at the counter, warm low morning window light raking in from one side with soft directional shadows and a genuine specular catch along the marble's veining, a worn wood cutting board and a linen tea towel positioned at the edge of frame, a real lived-in kitchen with natural food styling and no glossy fake-food sheen, shallow depth of field letting the counter's texture and the room beyond fall softly out of focus around the sharp subject, no other people, no visible face, no props that don't belong in a real kitchen",
   "width": 1024,
   "height": 1280
 }

package/templates/interiors-wood-table-flatlay.json

@@ -4,12 +4,12 @@
   "promptName": "Wood Table Flat-Lay",
   "legacyNames": ["Wood Table Flat-Lay"],
   "keywords": ["wood", "oak", "table", "flat-lay", "raking light", "warm", "desk", "overhead"],
-  "description": "A leather-wrapped notebook resting on a real oak table in warm, raking side-window light — long soft shadows and true wood grain give it the editorial flat-lay energy of an actual desk someone works at, not a studio backdrop.",
+  "description": "The subject resting on a real oak table in warm, raking side-window light — long soft shadows and true wood grain give it the editorial flat-lay energy of an actual desk someone works at, not a studio backdrop.",
   "lighting": "Warm raking side-window light, long soft shadows",
   "subject": "product",
   "collections": ["Interiors"],
   "verticals": ["Accessories", "Fragrance", "Beauty", "Home"],
-  "prompt": "A leather-wrapped notebook with a plain brass corner stamp staged on a real oak table at a natural 45 to 60 degree flat-lay angle, warm raking side-window light spilling low across the surface in long soft shadows, a leather coaster and a pen resting near the edge of frame, visible wood grain under the raking light with genuine specular highlights and true leather and brass material response, small natural imperfections like a faint water ring nearby, shallow to moderate depth of field keeping the near grain sharp while the far edge of the table softens out of focus, a real lived-in room someone actually works or eats at, no other people, no visible face, no more than two or three supporting objects, no brand text anywhere in frame",
+  "prompt": "The subject staged on a real oak table at a natural 45 to 60 degree flat-lay angle, warm raking side-window light spilling low across the surface in long soft shadows, a leather coaster and a pen resting near the edge of frame, visible wood grain under the raking light with genuine specular highlights and true material response, small natural imperfections like a faint water ring nearby, shallow to moderate depth of field keeping the near grain sharp while the far edge of the table softens out of focus, a real lived-in room someone actually works or eats at, no other people, no visible face, no more than two or three supporting objects, no brand text anywhere in frame",
   "width": 1024,
   "height": 1280
 }

package/templates/liquid-marble-pour.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Beauty", "Fragrance", "Accessories"],
-  "prompt": "a faceted glass perfume bottle with a plain polished metal cap, resting where a cascade of deep burgundy molten wax has pooled and begun to set, glossy drips frozen mid-fall around it at varying stages of cooling from wet gloss to matte set, a single raking key light tracking the vertical cascade producing genuine specular gloss on still-wet wax and a duller matte sheen where the wax has begun to set, shallow depth of field keeping the bottle and immediate wax detail crisp while the wider cascade softens toward the edges of frame, one dominant deep jewel tone throughout with a warm-gold undertone where the wax catches light, no second product, no props beyond the wax, immaculate commercial-render clarity",
+  "prompt": "the subject resting where a cascade of deep burgundy molten wax has pooled and begun to set, glossy drips frozen mid-fall around it at varying stages of cooling from wet gloss to matte set, a single raking key light tracking the vertical cascade producing genuine specular gloss on still-wet wax and a duller matte sheen where the wax has begun to set, shallow depth of field keeping the subject and immediate wax detail crisp while the wider cascade softens toward the edges of frame, one dominant deep jewel tone throughout with a warm-gold undertone where the wax catches light, no second product, no props beyond the wax, immaculate commercial-render clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/plain-light-portrait.json

@@ -4,12 +4,12 @@
   "promptName": "Plain Light Portrait",
   "legacyNames": ["Plain Light Portrait"],
   "keywords": ["natural light", "window", "portrait", "minimal", "daylight", "plain", "simple", "honest"],
-  "description": "Soft true daylight from a single large window in a real minimalist room — unmodified, no studio rig, no added fill — the plainest, most honest register in the Portrait family, worn by a raw waxed-canvas chore jacket, with a relaxed and quietly warm presence rather than a stern documentary stare.",
+  "description": "Soft true daylight from a single large window in a real minimalist room — unmodified, no studio rig, no added fill — the plainest, most honest register in the Portrait family, with a relaxed and quietly warm presence rather than a stern documentary stare.",
   "lighting": "Soft window daylight, no studio rig",
   "subject": "person",
   "collections": ["Portrait"],
   "verticals": ["Apparel", "Sport", "Accessories"],
-  "prompt": "a person wearing a waxed-canvas chore jacket with a small woven, blank neck label, real waxed-canvas texture with its own natural sheen and creasing, standing in a three-quarter turn inside a real minimalist room lit by a single large window just out of frame, a plain painted wall filling the background and extending fully to all four edges of the frame with no visible seam, corner, vignette, or edge of a backdrop anywhere, chest-up to waist-up crop centered in frame, unposed and natural body language, a relaxed, open, quietly warm expression with a soft natural half-smile in the eyes — approachable and at ease, never stern, tense, frowning or unsmiling, soft true daylight falling across the subject with no added studio fill or shaping and no artificial rig of any kind, true-to-life daylight color rendering, natural skin texture with no retouch-grade gloss, no dramatic shadow or contrast, no other people or props in frame, quiet documentary-honest register that still reads as genuinely photographed rather than a flat studio backdrop shot",
+  "prompt": "a person standing in a three-quarter turn inside a real minimalist room lit by a single large window just out of frame, a plain painted wall filling the background and extending fully to all four edges of the frame with no visible seam, corner, vignette, or edge of a backdrop anywhere, chest-up to waist-up crop centered in frame, unposed and natural body language, a relaxed, open, quietly warm expression with a soft natural half-smile in the eyes — approachable and at ease, never stern, tense, frowning or unsmiling, soft true daylight falling across the subject with no added studio fill or shaping and no artificial rig of any kind, true-to-life daylight color rendering, natural skin texture with no retouch-grade gloss, no dramatic shadow or contrast, no other people or props in frame, quiet documentary-honest register that still reads as genuinely photographed rather than a flat studio backdrop shot",
   "width": 1024,
   "height": 1280
 }

package/templates/precision-bench-anodised.json

@@ -8,7 +8,7 @@
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Electronics", "Accessories", "Jewelry"],
-  "prompt": "a compact matte-black anodised aluminium device with milled edges, a machined side vent and a single knurled control, the product is the hero of the frame and occupies roughly 55 percent of the frame width, tack-sharp and clearly lit, set on a lapped black granite surface plate whose top reads as a dead-flat non-reflective charcoal field with a fine stippled lapping texture and one chamfered edge catching a thin bright line, every object on the plate mutually square, each item's edges parallel or perpendicular to every other item's edges on one shared orthogonal grid at deliberate equal engineering spacing, nothing rotated off that grid by even a few degrees, three steel gauge blocks wrung into one solid column with their lapped faces in full contact so the joins read as hairline dark lines only, with no gap, step or daylight between the blocks, a hard-anodised sine bar in deep blue with a precision cylindrical roll pinned at each end, a red-anodised parallel clamp, a dial indicator on a chrome column stand whose face is left completely blank, plain white with no numerals, graduation marks, lettering or printed scale of any kind, its plunger lowered onto the product so the contact tip physically touches the top face with no gap, calibration-grade even lighting from one very large source directly overhead plus two low fill cards so the scene carries almost no shadow gradient and the object edges do all the separating, exactly one controlled specular streak running the length of each machined chamfer and nowhere else, shadows short crisp and honest directly beneath each object with true contact, deep focus holding the whole layout crisp corner to corner, colour held to charcoal granite, tool-steel grey and satin black with the anodised blue and red as the only saturation, real anodised finish showing a fine directional brush under the dye rather than painted plastic, genuine lapped-granite matte that refuses to mirror, no workshop clutter, no swarf oil or coolant, no printed callouts, dimension lines, rulers or measurement graphics, no numerals, digits or graduated scales on any instrument face, bezel or stand, no glowing screens or indicator lights, no coloured gel light, no second product, immaculate technical commercial clarity",
+  "prompt": "the subject is the hero of the frame and occupies roughly 55 percent of the frame width, tack-sharp and clearly lit, set on a lapped black granite surface plate whose top reads as a dead-flat non-reflective charcoal field with a fine stippled lapping texture and one chamfered edge catching a thin bright line, every object on the plate mutually square, each item's edges parallel or perpendicular to every other item's edges on one shared orthogonal grid at deliberate equal engineering spacing, nothing rotated off that grid by even a few degrees, three steel gauge blocks wrung into one solid column with their lapped faces in full contact so the joins read as hairline dark lines only, with no gap, step or daylight between the blocks, a hard-anodised sine bar in deep blue with a precision cylindrical roll pinned at each end, a red-anodised parallel clamp, a dial indicator on a chrome column stand whose face is left completely blank, plain white with no numerals, graduation marks, lettering or printed scale of any kind, its plunger lowered onto the subject so the contact tip physically touches the top face with no gap, calibration-grade even lighting from one very large source directly overhead plus two low fill cards so the scene carries almost no shadow gradient and the object edges do all the separating, exactly one controlled specular streak running the length of each machined chamfer and nowhere else, shadows short crisp and honest directly beneath each object with true contact, deep focus holding the whole layout crisp corner to corner, colour held to charcoal granite, tool-steel grey and satin black with the anodised blue and red as the only saturation, real anodised finish showing a fine directional brush under the dye rather than painted plastic, genuine lapped-granite matte that refuses to mirror, no workshop clutter, no swarf oil or coolant, no printed callouts, dimension lines, rulers or measurement graphics, no numerals, digits or graduated scales on any instrument face, bezel or stand, no glowing screens or indicator lights, no coloured gel light, no second product, immaculate technical commercial clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/screen-print-duotone.json

@@ -9,7 +9,7 @@
   "subject": "either",
   "collections": ["Colored backgrounds"],
   "verticals": ["Apparel", "Sport", "Accessories", "Beauty"],
-  "prompt": "A heavyweight cream and kraft-toned hoodie screen-printed with a bold graphic wordmark in exactly two inks — deep ink-black and saturated safety-orange — rendered as a true two-ink screen-print poster, shown front-on with the full print visible in a flat, frontal, poster-like composition, reduced to bold, sharply defined halftone dot patterns standing in for all tonal gradation, a deliberate two-ink registration offset visible along the print's high-contrast edges, coarse poster-paper grain texture across the surface, flat frontal screened-flash lighting with no dimensional shading beyond what the halftone dots imply, no props in frame beyond the garment itself, genuine halftone dot geometry and authentic two-ink flatness rather than a blur filter or photographic gradient.",
+  "prompt": "The subject rendered as a true two-ink screen-print poster in exactly two inks — deep ink-black and saturated safety-orange — shown front-on with the full print visible in a flat, frontal, poster-like composition, reduced to bold, sharply defined halftone dot patterns standing in for all tonal gradation, a deliberate two-ink registration offset visible along the print's high-contrast edges, coarse poster-paper grain texture across the surface, flat frontal screened-flash lighting with no dimensional shading beyond what the halftone dots imply, no props in frame beyond the subject itself, genuine halftone dot geometry and authentic two-ink flatness rather than a blur filter or photographic gradient.",
   "width": 1024,
   "height": 1280
 }

package/templates/showcase/holloway-rings-loupe-surface-plate.json

@@ -14,7 +14,7 @@
       },
       {
         "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. Read the matte-black anodised device named first as three gold bands, and the scene's blue sine bar and red clamp as bare steel and black anodising: every fixture here is steel, black anodising or charcoal granite, the golds the only chroma. Exactly three bands, no fourth: the polished yellow flat band and brushed rose half-round lie on the lapped granite, each tipped on a visible steel shim; the hammered white-gold band lies at the row's end under a steel loupe on its barrel, seen only through the 10x element it fills edge to edge. Magnified, the hammering reads as shallow round dimples the interior wall carrying one unlettered strike - a struck depression holding pooled shadow, no specular crown. 100mm macro at f/11, framed 1:1 life-size so the frame spans barely a hand's width of granite, camera thirty degrees above, flat overhead calibration light, focus stacked. Bands and loupe fill the lower two-thirds; granite runs out both sides, the chamfer crops the base."
+        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. Read the subject as three gold bands, and the scene's blue sine bar and red clamp as bare steel and black anodising: every fixture here is steel, black anodising or charcoal granite, the golds the only chroma. Exactly three bands, no fourth: the polished yellow flat band and brushed rose half-round lie on the lapped granite, each tipped on a visible steel shim; the hammered white-gold band lies at the row's end under a steel loupe on its barrel, seen only through the 10x element it fills edge to edge. Magnified, the hammering reads as shallow round dimples the interior wall carrying one unlettered strike - a struck depression holding pooled shadow, no specular crown. 100mm macro at f/11, framed 1:1 life-size so the frame spans barely a hand's width of granite, camera thirty degrees above, flat overhead calibration light, focus stacked. Bands and loupe fill the lower two-thirds; granite runs out both sides, the chamfer crops the base."
       },
       {
         "t": "format",

package/templates/showcase/tanner-fielding-cocoa-crown.json

@@ -14,7 +14,7 @@
       },
       {
         "t": "text",
-        "v": " Read the glass jar that follows as this kraft-wrapped chocolate bar and the scene's standing three-quarter counter view as this macro: framed 1:1 life-size, square to the break, the fracture face the subject in focus at half the frame width. The bar has just been snapped over the wood board, halves hinged two millimetres apart on the kraft bridging their undersides, faces turned up into the window: tempered cocoa butter reads as fine dry matte grain with one glassy conchoidal step. The board is clean, every particle of cocoa airborne and stopped. One hand only, index and middle fingertips on the left half, pushed-up ecru linen cuff, no torso or other body part in frame. 90mm at f/4 at board height, warm low morning window from camera-left doubled by a bare flash on that axis to stop the crumb, marble soft behind. TANNER & FIELDING is hand-stamped exactly once, large capitals on the left half only, running partly off toward the break, struck hard enough to crush the fibre. Board out both sides, marble out the top, the bar's near edge out the bottom."
+        "v": " Read the subject as this kraft-wrapped chocolate bar and the scene's standing three-quarter counter view as this macro: framed 1:1 life-size, square to the break, the fracture face the subject in focus at half the frame width. The bar has just been snapped over the wood board, halves hinged two millimetres apart on the kraft bridging their undersides, faces turned up into the window: tempered cocoa butter reads as fine dry matte grain with one glassy conchoidal step. The board is clean, every particle of cocoa airborne and stopped. One hand only, index and middle fingertips on the left half, pushed-up ecru linen cuff, no torso or other body part in frame. 90mm at f/4 at board height, warm low morning window from camera-left doubled by a bare flash on that axis to stop the crumb, marble soft behind. TANNER & FIELDING is hand-stamped exactly once, large capitals on the left half only, running partly off toward the break, struck hard enough to crush the fibre. Board out both sides, marble out the top, the bar's near edge out the bottom."
       },
       {
         "t": "format",

package/templates/showcase/voss-rowe-dune-slip-face.json

@@ -14,7 +14,7 @@
       },
       {
         "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. Read the sand-toned suede-and-mesh shoe named first as this trail runner, panel by panel: matte-coated clay-orange ripstop mesh is the whole field of the upper, with charcoal overlays on the toe bumper, the diagonal midfoot straps and the heel counter, and below them a chunky off-white outsole whose blocky lugs stand clearly proud with deep channels, on a charcoal midsole band - never a smooth cream midsole wrap, never gum rubber, never suede nap. It sits at a hard diagonal across the ripple bars, holding half the frame width, a small avalanche slumped from the heel, grains lodged in the lug channels. 135mm at f/8 from high on the crest straight down the slope, low sun raking from camera-right at the last hour; inside the cast shadow the ripple ridges and grains stay legible, only darker and cool lavender-grey, its outline reading as the shoe's silhouette. Backlit wind smoke crosses the top edge; combed grain runs unbroken out of the bottom and both sides. Unmarked."
+        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. Read the subject as this trail runner, panel by panel: matte-coated clay-orange ripstop mesh is the whole field of the upper, with charcoal overlays on the toe bumper, the diagonal midfoot straps and the heel counter, and below them a chunky off-white outsole whose blocky lugs stand clearly proud with deep channels, on a charcoal midsole band - never a smooth cream midsole wrap, never gum rubber, never suede nap. It sits at a hard diagonal across the ripple bars, holding half the frame width, a small avalanche slumped from the heel, grains lodged in the lug channels. 135mm at f/8 from high on the crest straight down the slope, low sun raking from camera-right at the last hour; inside the cast shadow the ripple ridges and grains stay legible, only darker and cool lavender-grey, its outline reading as the shoe's silhouette. Backlit wind smoke crosses the top edge; combed grain runs unbroken out of the bottom and both sides. Unmarked."
       },
       {
         "t": "format",

package/templates/social-amber-flare-motion.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Social"],
   "verticals": ["Fragrance", "Beauty", "Electronics"],
-  "prompt": "a faceted glass perfume bottle, caught within dramatic warm light streaks radiating from a single motivated off-frame source, genuine lens-flare bloom with correct optical falloff on the bottle's glass and cap, deep shadow falloff away from the streaks, warm amber-gold palette against deep shadow, shallow depth of field keeping the bottle crisp, no rendered text or logos, no second product, streak density that never obscures the product's silhouette, immaculate commercial-render clarity",
+  "prompt": "the subject caught within dramatic warm light streaks radiating from a single motivated off-frame source, genuine lens-flare bloom with correct optical falloff on its surfaces, deep shadow falloff away from the streaks, warm amber-gold palette against deep shadow, shallow depth of field keeping the subject crisp, no rendered text or logos, no second product, streak density that never obscures the product's silhouette, immaculate commercial-render clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/social-fashion-campaign-billboard.json

@@ -9,7 +9,7 @@
   "subject": "person",
   "collections": ["Social"],
   "verticals": ["Apparel", "Footwear", "Accessories"],
-  "prompt": "positioned off-center wearing a cropped technical jacket with a fixed zip line, one hard late-day directional key light raking across a real layered paste-up poster wall behind, torn edges and peeling paper texture with faint ghost-texture of previous posters showing through, weathered concrete beneath, a hint of pavement grounding the real location, a genuinely blank freshly-pasted rectangular poster panel physically part of the wall reserved in frame on the opposite side, clean and unweathered so it reads as legitimately available for a headline, real fabric texture and movement catching the light, shallow to moderate depth of field keeping the model sharp against the legible wall texture, no rendered text or lettering anywhere in the image including on the wall's other poster fragments, no second model in frame",
+  "prompt": "positioned off-center, one hard late-day directional key light raking across a real layered paste-up poster wall behind, torn edges and peeling paper texture with faint ghost-texture of previous posters showing through, weathered concrete beneath, a hint of pavement grounding the real location, a genuinely blank freshly-pasted rectangular poster panel physically part of the wall reserved in frame on the opposite side, clean and unweathered so it reads as legitimately available for a headline, real fabric texture and movement catching the light, shallow to moderate depth of field keeping the model sharp against the legible wall texture, no rendered text or lettering anywhere in the image including on the wall's other poster fragments, no second model in frame",
   "width": 1024,
   "height": 1280
 }

package/templates/social-vertical-story-motion.json

@@ -4,12 +4,12 @@
   "promptName": "Vertical Story Motion",
   "legacyNames": ["Vertical Story Motion"],
   "keywords": ["story", "vertical", "motion", "mid-step", "saturated", "social", "reels", "bold"],
-  "description": "A full-height model caught mid-step in hard directional light against a bold saturated vertical color field, styled with the kinetic energy of a genuine Stories/Reels paid-social ad rather than a static feed post cropped tall. The same technical zip jacket and identity-locked model carry through every frame, with a clean reserved zone for headline text.",
+  "description": "A full-height model caught mid-step in hard directional light against a bold saturated vertical color field, styled with the kinetic energy of a genuine Stories/Reels paid-social ad rather than a static feed post cropped tall. The same identity-locked model carries through every frame, with a clean reserved zone for headline text.",
   "lighting": "Hard directional light, motion-freeze contrast",
   "subject": "person",
   "collections": ["Social"],
   "verticals": ["Apparel", "Accessories", "Food & drink"],
-  "prompt": "a person wearing a matte black technical zip jacket with reflective teal-and-orange trim tape down the zip line, full-height vertical composition, hard directional light, genuine kinetic motion caught mid-step with real fabric movement and crisp hard-edged motion-freeze shadows, set against a fixed saturated vertical color field of deep magenta falling into clean falloff toward the edges, shallow depth of field keeping the model sharp, real specular highlights catching the jacket's technical fabric, a clean, genuinely empty zone reserved in the upper third for headline text, no rendered text, no logos, no watermarks, no second model anywhere in the frame, genuine paid-social advertising finish",
+  "prompt": "a person, full-height vertical composition, hard directional light, genuine kinetic motion caught mid-step with real fabric movement and crisp hard-edged motion-freeze shadows, set against a fixed saturated vertical color field of deep magenta falling into clean falloff toward the edges, shallow depth of field keeping the model sharp, real specular highlights catching the clothing's fabric, a clean, genuinely empty zone reserved in the upper third for headline text, no rendered text, no logos, no watermarks, no second model anywhere in the frame, genuine paid-social advertising finish",
   "width": 1024,
   "height": 1280
 }

package/templates/stitched-construction-detail.json

@@ -4,12 +4,12 @@
   "promptName": "Stitched Construction Detail",
   "legacyNames": ["Stitched Construction Detail"],
   "keywords": ["stitch", "seam", "construction", "macro", "leather", "welt", "craft", "detail", "thread"],
-  "description": "Extreme macro on a product's genuine hand-stitched construction seam — the welt where a boot's leather upper meets its sole — raking light revealing real thread, leather, and layered structure as proof of craftsmanship.",
+  "description": "Extreme macro on the subject's genuine hand-stitched construction seam — raking light revealing real thread and layered structure as proof of craftsmanship.",
   "lighting": "Single raking light, genuine stitch shadow",
   "subject": "product",
   "collections": ["Detail"],
   "verticals": ["Footwear", "Accessories"],
-  "prompt": "extreme macro on the welted sole seam of a leather boot, genuine hand-stitched thread crossing the welt with real leather grain and layered construction visible, a single raking light held low across the seam so every stitch casts a genuine tiny shadow, razor-shallow depth of field, a plain neutral surface behind that never competes with the construction detail, no CGI-smooth surfaces, no props beyond the boot, immaculate commercial-render clarity",
+  "prompt": "extreme macro on the subject's construction seam, genuine hand-stitched thread crossing the seam with real material grain and layered construction visible, a single raking light held low across the seam so every stitch casts a genuine tiny shadow, razor-shallow depth of field, a plain neutral surface behind that never competes with the construction detail, no CGI-smooth surfaces, no props beyond the subject, immaculate commercial-render clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/studio-aloe-flesh-macro.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Studio"],
   "verticals": ["Beauty", "Fragrance", "Food & drink"],
-  "prompt": "a translucent pale-green glass jar with a matte screw cap, the product is the hero of the frame and occupies roughly 55 percent of the frame height, tack-sharp and clearly lit and brighter than everything around it, set among freshly cut aloe leaves laid with their severed faces toward camera so the gel-filled flesh reads as genuinely translucent — a clear jelly core banded with visible fibre inside a thick wax-green rind, the serrated margins still stiff and pale at the tips, a fine chalky bloom on the outer skin, real mucilage drawing thin viscous strings between two cut faces and hanging in a slow thick-waisted sag rather than a clean droplet, clear gel pooling and standing under its own surface tension where a leaf has been sliced flat, a fine condensation film across the rind, cool diffused daylight from high camera-left for form plus a second soft backlight raking low through the cut leaves so light travels through the flesh and lights it from inside rather than bouncing off it, cool green and celadon with pale yellow-green at the translucent cores and one cold silver highlight on the glass, the leaves treated as supporting texture cropped tight around the product rather than shown as a whole plant, shallow depth of field with only the product and the nearest cut face crisp, genuine plant cell structure and fibre visible inside the gel, real fluid viscosity in the strings, no soil, no pot, no whole aloe rosette, no gradient studio backdrop, no warm light, no second product, immaculate close-range commercial clarity",
+  "prompt": "the subject is the hero of the frame and occupies roughly 55 percent of the frame height, tack-sharp and clearly lit and brighter than everything around it, set among freshly cut aloe leaves laid with their severed faces toward camera so the gel-filled flesh reads as genuinely translucent — a clear jelly core banded with visible fibre inside a thick wax-green rind, the serrated margins still stiff and pale at the tips, a fine chalky bloom on the outer skin, real mucilage drawing thin viscous strings between two cut faces and hanging in a slow thick-waisted sag rather than a clean droplet, clear gel pooling and standing under its own surface tension where a leaf has been sliced flat, a fine condensation film across the rind, cool diffused daylight from high camera-left for form plus a second soft backlight raking low through the cut leaves so light travels through the flesh and lights it from inside rather than bouncing off it, cool green and celadon with pale yellow-green at the translucent cores and one cold silver highlight on the subject, the leaves treated as supporting texture cropped tight around the product rather than shown as a whole plant, shallow depth of field with only the product and the nearest cut face crisp, genuine plant cell structure and fibre visible inside the gel, real fluid viscosity in the strings, no soil, no pot, no whole aloe rosette, no gradient studio backdrop, no warm light, no second product, immaculate close-range commercial clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/studio-amber-resin-suspension.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Jewelry", "Fragrance", "Beauty"],
-  "prompt": "a slim tapered gold-toned ring with a plain polished bezel, the product is the hero of the frame and occupies roughly 50 percent of the frame height, clearly readable but optically altered by the centimetres of resin standing in front of it, suspended deep inside a rectangular block of warm amber casting resin that is still setting, its outline visibly broken, stepped and displaced where the block's front face refracts it, at least two large bubbles sitting in the near resin directly in front of the object and rendered distinctly softer than it, one schlieren swirl passing across it and partly occluding it, so resin unmistakably stands in front of the object and not only behind it, focus falling off within the block so the front-face bubbles sit slightly soft, the object holds the one sharp plane and the rear face with its schlieren goes clearly softer, the block a genuinely poured object with slightly soft top-edge radii, a faint meniscus at its upper surface and one shallow sink mark where the resin has drawn down as it cures, standing on a scarred dark workbench top, a slow train of trapped bubbles standing frozen around the object, a few large ones near the surface and a fine sparse column of pinpricks trailing down, slightly elongated where the pour was thicker, a hard backlight directly behind the block firing through it so the resin transmits as glowing honey with the deepest amber pooling in the thickest section, the object blocking that light and therefore throwing a dark shadow forward through the resin toward camera with one bright caustic thrown beside it onto the bench in front, one small cool top light putting a single clean specular on the block's front face so the surface plane reads, colour running from pale gold at the thin edges through honey to deep burnt orange at the core against a near-black surround, no bright halo, rim glow or aura around the enclosed object, no razor-sharp undisplaced outline, no insect, fossil, leaf or organic inclusion of any kind, no fantasy inner glow or self-illumination, no smooth featureless flawless block, no coloured gel light, no second product, immaculate craft-material clarity",
+  "prompt": "the subject is the hero of the frame and occupies roughly 50 percent of the frame height, clearly readable but optically altered by the centimetres of resin standing in front of it, suspended deep inside a rectangular block of warm amber casting resin that is still setting, its outline visibly broken, stepped and displaced where the block's front face refracts it, at least two large bubbles sitting in the near resin directly in front of the object and rendered distinctly softer than it, one schlieren swirl passing across it and partly occluding it, so resin unmistakably stands in front of the object and not only behind it, focus falling off within the block so the front-face bubbles sit slightly soft, the object holds the one sharp plane and the rear face with its schlieren goes clearly softer, the block a genuinely poured object with slightly soft top-edge radii, a faint meniscus at its upper surface and one shallow sink mark where the resin has drawn down as it cures, standing on a scarred dark workbench top, a slow train of trapped bubbles standing frozen around the object, a few large ones near the surface and a fine sparse column of pinpricks trailing down, slightly elongated where the pour was thicker, a hard backlight directly behind the block firing through it so the resin transmits as glowing honey with the deepest amber pooling in the thickest section, the object blocking that light and therefore throwing a dark shadow forward through the resin toward camera with one bright caustic thrown beside it onto the bench in front, one small cool top light putting a single clean specular on the block's front face so the surface plane reads, colour running from pale gold at the thin edges through honey to deep burnt orange at the core against a near-black surround, no bright halo, rim glow or aura around the enclosed object, no razor-sharp undisplaced outline, no insect, fossil, leaf or organic inclusion of any kind, no fantasy inner glow or self-illumination, no smooth featureless flawless block, no coloured gel light, no second product, immaculate craft-material clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/studio-basalt-crust-glow.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Studio"],
   "verticals": ["Fragrance", "Accessories", "Footwear", "Electronics"],
-  "prompt": "a heavy smoked-black glass flask with a dark gunmetal cap, the product is the hero of the frame and occupies roughly 55 percent of the frame height, tack-sharp and clearly lit, standing on the cooling crust of a pahoehoe lava flow at dusk, the crust a skin of black basalt folded into real coiled rope-and-entrail texture with a fine silver-grey glassy bloom across its upper surfaces, hairline cooling cracks and small collapsed plates tilted where the flow has drained beneath them, incandescent orange-to-white fissures breaking open across the crust close beside the product and lighting the scene from below so the underside of the flask and the near rope folds carry the warm key while everything above falls into cold blue dusk ambient, genuine heat shimmer rising over the hottest cracks and distorting only what is seen through it, thin dark smoke drifting low and sparse, colour running from incandescent yellow-white in the fissure cores through deep orange and ember red to near-black basalt and cold blue shadow with nothing in between, the flow treated as supporting texture cropped tight at crust scale rather than shown as a wide volcanic landscape, no open flame, no fountaining or spattering lava, no distant smoking cone or horizon, no ash fall, no molten liquid touching the product, the crust genuinely solid under the product with a true contact shadow bridged by the glow, believable radiant-heat falloff, no second product, cinematic elemental realism",
+  "prompt": "the subject is the hero of the frame and occupies roughly 55 percent of the frame height, tack-sharp and clearly lit, standing on the cooling crust of a pahoehoe lava flow at dusk, the crust a skin of black basalt folded into real coiled rope-and-entrail texture with a fine silver-grey glassy bloom across its upper surfaces, hairline cooling cracks and small collapsed plates tilted where the flow has drained beneath them, incandescent orange-to-white fissures breaking open across the crust close beside the product and lighting the scene from below so the underside of the subject and the near rope folds carry the warm key while everything above falls into cold blue dusk ambient, genuine heat shimmer rising over the hottest cracks and distorting only what is seen through it, thin dark smoke drifting low and sparse, colour running from incandescent yellow-white in the fissure cores through deep orange and ember red to near-black basalt and cold blue shadow with nothing in between, the flow treated as supporting texture cropped tight at crust scale rather than shown as a wide volcanic landscape, no open flame, no fountaining or spattering lava, no distant smoking cone or horizon, no ash fall, no molten liquid touching the product, the crust genuinely solid under the product with a true contact shadow bridged by the glow, believable radiant-heat falloff, no second product, cinematic elemental realism",
   "width": 1024,
   "height": 1280
 }

package/templates/studio-blue-ice-melt-channel.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Studio"],
   "verticals": ["Beverage", "Electronics", "Accessories"],
-  "prompt": "a tall clear glass bottle with a fine-ribbed shoulder and a metal crown cap, standing on the solid ice floor of a narrow meltwater channel cut into the flank of a deep blue glacier, the product the hero of the frame at roughly 55 percent of the frame height, tack-sharp and clearly lit, the channel walls hard frozen solid ice and completely motionless, massive translucent blocks broken by conchoidal fracture faces, sharp arêtes standing between meltwater-scalloped hollows and long polished flutes, chalky frost-abraded patches, hairline stress cracks and internal fracture planes reading as flat pale sheets deep inside the mass, ancient trapped air held frozen and stationary inside that solid ice as ranks of flattened lens-shaped voids and long stretched silver threads, each sharply outlined and stacked in level bands, motionless rather than drifting or churning, daylight entering from above and travelling through metres of ice so the colour deepens with thickness, near-white at the thin cleaved edges, cyan through the mid-thickness, saturated cobalt in the deepest sections, one shallow ribbon of clear meltwater confined to the channel floor across the lower third only, running as a thin glassy laminar tongue that breaks to a low white riffle over one small step and parts around the base into two seams with a small standing wave upstream of it, dry matte ice floor visible on both sides of that ribbon and a hard clean boundary line where the running water ends and the solid ice begins, the base standing in real contact with the ice floor with a visible contact edge, a short dark shadow cast into the ice directly beneath it and no gap between them, a few spray beads thrown onto the glass, one thin band of pale cold sky light along the top of the channel, the glacier cropped tight at channel scale rather than shown as a wide ice landscape, real ice refraction with the outline visibly displaced where it is seen through the wall, no waterfall, cascade or full-width curtain of falling water, no churning swirling or vortex flow, no aerated foam filling the frame, no gel, soap, wax or molten-glass-looking walls, no drifting fog or mist, no icicles, no falling snow, no warm light anywhere, no second product, immaculate commercial clarity",
+  "prompt": "the subject standing on the solid ice floor of a narrow meltwater channel cut into the flank of a deep blue glacier, the product the hero of the frame at roughly 55 percent of the frame height, tack-sharp and clearly lit, the channel walls hard frozen solid ice and completely motionless, massive translucent blocks broken by conchoidal fracture faces, sharp arêtes standing between meltwater-scalloped hollows and long polished flutes, chalky frost-abraded patches, hairline stress cracks and internal fracture planes reading as flat pale sheets deep inside the mass, ancient trapped air held frozen and stationary inside that solid ice as ranks of flattened lens-shaped voids and long stretched silver threads, each sharply outlined and stacked in level bands, motionless rather than drifting or churning, daylight entering from above and travelling through metres of ice so the colour deepens with thickness, near-white at the thin cleaved edges, cyan through the mid-thickness, saturated cobalt in the deepest sections, one shallow ribbon of clear meltwater confined to the channel floor across the lower third only, running as a thin glassy laminar tongue that breaks to a low white riffle over one small step and parts around the base into two seams with a small standing wave upstream of it, dry matte ice floor visible on both sides of that ribbon and a hard clean boundary line where the running water ends and the solid ice begins, the base standing in real contact with the ice floor with a visible contact edge, a short dark shadow cast into the ice directly beneath it and no gap between them, a few spray beads thrown onto the subject, one thin band of pale cold sky light along the top of the channel, the glacier cropped tight at channel scale rather than shown as a wide ice landscape, real ice refraction with the outline visibly displaced where it is seen through the wall, no waterfall, cascade or full-width curtain of falling water, no churning swirling or vortex flow, no aerated foam filling the frame, no gel, soap, wax or molten-glass-looking walls, no drifting fog or mist, no icicles, no falling snow, no warm light anywhere, no second product, immaculate commercial clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/studio-boulder-gap.json

@@ -8,7 +8,7 @@
   "subject": "product",
   "collections": ["Studio"],
   "verticals": ["Fragrance", "Beauty", "Footwear", "Accessories", "Jewelry"],
-  "prompt": "a heavy faceted glass bottle with a brushed-steel cap, the bottle is the hero of the frame and occupies roughly 60 percent of the frame height, tack-sharp and clearly lit, nested off-centre in the natural saddle where two weathered glacial-erratic granite boulders lean together, the two boulders deliberately unmatched — different sizes, different distances from camera and different heights, never a symmetrical pair with the product centred between them, real mineral banding and quartz veining through the granite, ochre and pale-sage lichen crusts, deep moss packed into the crevice, dark water-staining where runoff tracks down the faces, cool overcast daylight with one soft directional bias from camera-left so the boulder faces separate by tone rather than by hard shadow, a faint warm bounce off the lichen into the shadowed underside of the bottle, a soft out-of-focus rock edge crossing one foreground corner, genuine contact where the bottle rests on stone with a soft occlusion shadow, believable scale between product and boulder, no sunset, no sea, no sky-dominant framing, immaculate commercial clarity",
+  "prompt": "the subject is the hero of the frame and occupies roughly 60 percent of the frame height, tack-sharp and clearly lit, nested off-centre in the natural saddle where two weathered glacial-erratic granite boulders lean together, the two boulders deliberately unmatched — different sizes, different distances from camera and different heights, never a symmetrical pair with the product centred between them, real mineral banding and quartz veining through the granite, ochre and pale-sage lichen crusts, deep moss packed into the crevice, dark water-staining where runoff tracks down the faces, cool overcast daylight with one soft directional bias from camera-left so the boulder faces separate by tone rather than by hard shadow, a faint warm bounce off the lichen into the shadowed underside of the subject, a soft out-of-focus rock edge crossing one foreground corner, genuine contact where the subject rests on stone with a soft occlusion shadow, believable scale between product and boulder, no sunset, no sea, no sky-dominant framing, immaculate commercial clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/studio-dune-slip-face.json

@@ -8,7 +8,7 @@
   "subject": "either",
   "collections": ["Studio"],
   "verticals": ["Footwear", "Apparel", "Accessories", "Fragrance"],
-  "prompt": "a low-profile sand-toned suede-and-mesh trail shoe with a gum-rubber outsole and a dark heel counter, the product is the hero of the frame and occupies roughly 50 percent of the frame width, tack-sharp and clearly lit, set on the steep slip face of a large sand dune at low sun, the slip face a clean avalanching plane of fine grain with real slump lobes and a shear line where the sand has slipped, the windward flank above it combed into regular wind ripples whose crests throw long hard-edged shadows raking across the frame in parallel bars, wind-carried grains streaming off the dune crest as a bright translucent smoke lit from behind that resolves into individual moving grains at its leading edge rather than reading as fog, a fine saltation haze skimming the surface at ankle height, low sun very close to the horizon and slightly behind camera-right so the ripples take maximum relief and the subject throws one long clean shadow down the slope, cool weak sky bounce as the only fill, warm gold and apricot on the lit sand against cool lavender-grey in every shadow with nothing muddy between them, a thin band of pale sky only where the crest line enters frame, the dune treated as supporting texture cropped tight at slope scale rather than shown as a wide desert landscape, genuine granular sand behaviour with a small displaced collar of grains where the subject has settled and loose grains resting on its upper surfaces, no footprints beyond the subject's own contact, no vehicle or animal tracks, no vegetation, no distant caravan or postcard desert silhouette, no sun disc in frame, no lens-flare stars, no second product, cinematic elemental realism",
+  "prompt": "the subject is the hero of the frame and occupies roughly 50 percent of the frame width, tack-sharp and clearly lit, set on the steep slip face of a large sand dune at low sun, the slip face a clean avalanching plane of fine grain with real slump lobes and a shear line where the sand has slipped, the windward flank above it combed into regular wind ripples whose crests throw long hard-edged shadows raking across the frame in parallel bars, wind-carried grains streaming off the dune crest as a bright translucent smoke lit from behind that resolves into individual moving grains at its leading edge rather than reading as fog, a fine saltation haze skimming the surface at ankle height, low sun very close to the horizon and slightly behind camera-right so the ripples take maximum relief and the subject throws one long clean shadow down the slope, cool weak sky bounce as the only fill, warm gold and apricot on the lit sand against cool lavender-grey in every shadow with nothing muddy between them, a thin band of pale sky only where the crest line enters frame, the dune treated as supporting texture cropped tight at slope scale rather than shown as a wide desert landscape, genuine granular sand behaviour with a small displaced collar of grains where the subject has settled and loose grains resting on its upper surfaces, no footprints beyond the subject's own contact, no vehicle or animal tracks, no vegetation, no distant caravan or postcard desert silhouette, no sun disc in frame, no lens-flare stars, no second product, cinematic elemental realism",
   "width": 1024,
   "height": 1280
 }

package/templates/studio-molten-sugar-pull.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Food & drink", "Beauty", "Fragrance"],
-  "prompt": "a squat amber glass jar with a broad shoulder and a brushed metal lid, the product is the hero of the frame and occupies roughly 55 percent of the frame height, tack-sharp and clearly lit, standing on a warm steel bench top with ribbons of molten caramelised sugar pulled into glassy amber sheets arcing around and behind it, caught mid-stretch — each ribbon thick and dark at its root and thinning as it is drawn until light passes straight through it as a bright transparent membrane, with genuine tension edges and a beaded rim where the pull has begun to neck, one lower ribbon sagging under its own heat into a slow catenary with a heavy drip forming at its lowest point and a single hair-fine sugar thread tapering off it, the surface of every ribbon holding a true wet glass gloss with sharp specular streaks and a faint heat haze immediately above the bench, a hard backlight low and behind the sugar firing through it so the thin sections glow orange-gold and the thick sections go near-mahogany, a small cool front fill so the product's own form reads and does not silhouette, colour running from pale honey through burnt amber to dark treacle against a deep warm-brown ground with the differences reading as thickness rather than pigment, the sugar treated as supporting material cropped tight around the product rather than shown as a whole confectionery workbench, real molten-sugar viscosity and thermal sag rather than solid plastic-looking ribbons, no flame, no spun-sugar nests, lattice cages or decorative sugar sculpture, no thermometer, pan, gas ring or piping bag in frame, no smoke, no second product, immaculate appetite-grade commercial clarity",
+  "prompt": "the subject is the hero of the frame and occupies roughly 55 percent of the frame height, tack-sharp and clearly lit, standing on a warm steel bench top with ribbons of molten caramelised sugar pulled into glassy amber sheets arcing around and behind it, caught mid-stretch — each ribbon thick and dark at its root and thinning as it is drawn until light passes straight through it as a bright transparent membrane, with genuine tension edges and a beaded rim where the pull has begun to neck, one lower ribbon sagging under its own heat into a slow catenary with a heavy drip forming at its lowest point and a single hair-fine sugar thread tapering off it, the surface of every ribbon holding a true wet glass gloss with sharp specular streaks and a faint heat haze immediately above the bench, a hard backlight low and behind the sugar firing through it so the thin sections glow orange-gold and the thick sections go near-mahogany, a small cool front fill so the product's own form reads and does not silhouette, colour running from pale honey through burnt amber to dark treacle against a deep warm-brown ground with the differences reading as thickness rather than pigment, the sugar treated as supporting material cropped tight around the product rather than shown as a whole confectionery workbench, real molten-sugar viscosity and thermal sag rather than solid plastic-looking ribbons, no flame, no spun-sugar nests, lattice cages or decorative sugar sculpture, no thermometer, pan, gas ring or piping bag in frame, no smoke, no second product, immaculate appetite-grade commercial clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/studio-rainforest-canopy.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Studio"],
   "verticals": ["Beauty", "Home", "Food & drink"],
-  "prompt": "A matte glass jar of body butter rests on a moss-covered root deep in a real rainforest understory, dappled green canopy light breaking through dense overhead foliage in irregular, uneven pools of leaf-shaped shadow rather than an even wash, broad tropical leaves softening the edges of frame, fine humid mist drifting low across the forest floor with faint condensation beading on the glass, mid-shot with the jar in sharp focus and the deep-green canopy falling into soft bokeh behind it, real moss and root-wood texture throughout, no glowing or bioluminescent plants, no animals, no second product or extra props beyond the moss, foliage and jar, lush elemental realism",
+  "prompt": "The subject rests on a moss-covered root deep in a real rainforest understory, dappled green canopy light breaking through dense overhead foliage in irregular, uneven pools of leaf-shaped shadow rather than an even wash, broad tropical leaves softening the edges of frame, fine humid mist drifting low across the forest floor with faint condensation beading on its surfaces, mid-shot with the subject in sharp focus and the deep-green canopy falling into soft bokeh behind it, real moss and root-wood texture throughout, no glowing or bioluminescent plants, no animals, no second product or extra props beyond the moss, foliage and the subject, lush elemental realism",
   "width": 1024,
   "height": 1280
 }

package/templates/studio-reef-shelf-caustics.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Studio"],
   "verticals": ["Beauty", "Fragrance", "Food & drink"],
-  "prompt": "a frosted sea-glass-green bottle with a brushed metal collar, the product is the hero of the frame and occupies roughly 55 percent of the frame height, tack-sharp, settled into the white carbonate sand of a shallow underwater reef shelf, the product lit to read as a solid three-dimensional volume, its own form shading falling off toward both silhouette edges with the brightest band down its centre, a narrow core shadow inside one edge and a thin bright rim where the surface turns away at the other, never evenly bright from edge to edge, the caustic net breaking over that curvature, its cells wide and open only across the centre band and stretching, skewing and compressing into narrow slivers as they approach each silhouette, never a flat even pattern laid across the body, on the seabed the same net landing as bright wavering polygons, cells large and open in the near foreground and shrinking steadily with distance to fine sparkle at the coral line so the light reads on a receding floor rather than on a wall, the sand worked into real parallel ripple bars running away from camera with crests catching light and troughs holding blue shadow and the bar spacing tightening toward the back of frame, a soft scour hollow dug in around the base, hard sun almost overhead and slightly behind throwing one short dark cast shadow forward onto the sand toward camera with a brighter refracted halo ringing its edge, the base meeting the sand along a hard contact line with no gap, defined light shafts cutting through suspended particulate, a scatter of adhering micro-bubbles across the upper surfaces, the pale sand bouncing a weak uplight into the underside only without flattening the side-to-side falloff, low mounded coral heads and soft gorgonian fans held at the frame edges in muted rose and ochre, softened by real visibility falloff into blue-green haze, colour running from bright aquamarine in the near water to deep teal at distance against bleached white sand, correct underwater colour absorption with reds dropping out at distance, no flat sticker-like caustic overlay, no water surface or mirrored ceiling in frame, no fish or marine life, no tank wall or pool edge, no diving equipment, no second product, immaculate high-end commercial clarity",
+  "prompt": "the subject is the hero of the frame and occupies roughly 55 percent of the frame height, tack-sharp, settled into the white carbonate sand of a shallow underwater reef shelf, the product lit to read as a solid three-dimensional volume, its own form shading falling off toward both silhouette edges with the brightest band down its centre, a narrow core shadow inside one edge and a thin bright rim where the surface turns away at the other, never evenly bright from edge to edge, the caustic net breaking over that curvature, its cells wide and open only across the centre band and stretching, skewing and compressing into narrow slivers as they approach each silhouette, never a flat even pattern laid across the body, on the seabed the same net landing as bright wavering polygons, cells large and open in the near foreground and shrinking steadily with distance to fine sparkle at the coral line so the light reads on a receding floor rather than on a wall, the sand worked into real parallel ripple bars running away from camera with crests catching light and troughs holding blue shadow and the bar spacing tightening toward the back of frame, a soft scour hollow dug in around the base, hard sun almost overhead and slightly behind throwing one short dark cast shadow forward onto the sand toward camera with a brighter refracted halo ringing its edge, the base meeting the sand along a hard contact line with no gap, defined light shafts cutting through suspended particulate, a scatter of adhering micro-bubbles across the upper surfaces, the pale sand bouncing a weak uplight into the underside only without flattening the side-to-side falloff, low mounded coral heads and soft gorgonian fans held at the frame edges in muted rose and ochre, softened by real visibility falloff into blue-green haze, colour running from bright aquamarine in the near water to deep teal at distance against bleached white sand, correct underwater colour absorption with reds dropping out at distance, no flat sticker-like caustic overlay, no water surface or mirrored ceiling in frame, no fish or marine life, no tank wall or pool edge, no diving equipment, no second product, immaculate high-end commercial clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/studio-sea-stack-horizon.json

@@ -8,7 +8,7 @@
   "subject": "product",
   "collections": ["Studio"],
   "verticals": ["Footwear", "Accessories", "Fragrance"],
-  "prompt": "a lace-up leather boot with a rugged lugged sole, wedged in a natural gap between two wind-and-wave-carved sea-stack rocks, a vivid golden-hour sunset gradient sky filling the background — deep coral-orange low fading to dusky blue-violet high, warm rim light tracing the rock's weathered edges, genuine mineral rock texture, shallow depth of field keeping the boot and immediate rock crisp while the wider formation softens toward the edges of frame, no props beyond the rock, immaculate commercial-render clarity",
+  "prompt": "the subject wedged in a natural gap between two wind-and-wave-carved sea-stack rocks, a vivid golden-hour sunset gradient sky filling the background — deep coral-orange low fading to dusky blue-violet high, warm rim light tracing the rock's weathered edges, genuine mineral rock texture, shallow depth of field keeping the subject and immediate rock crisp while the wider formation softens toward the edges of frame, no props beyond the rock, immaculate commercial-render clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/studio-volcanic-ash-field.json

@@ -4,12 +4,12 @@
   "promptName": "Volcanic Ash Field",
   "legacyNames": ["Volcanic Ash Field"],
   "keywords": ["volcanic", "ash", "black rock", "dusk", "smoldering", "geological", "grey", "dramatic"],
-  "description": "A garment posed on cooled black volcanic rock beneath a smoldering orange horizon, fine grey ash drifting through the cool dusk air. Raw, elemental, and quietly dangerous — no flame in sight, just the horizon's afterglow.",
+  "description": "The subject posed on cooled black volcanic rock beneath a smoldering orange horizon, fine grey ash drifting through the cool dusk air. Raw, elemental, and quietly dangerous — no flame in sight, just the horizon's afterglow.",
   "lighting": "Smoldering horizon glow, cool dusk shadow",
   "subject": "product",
   "collections": ["Studio"],
   "verticals": ["Apparel", "Sport", "Accessories", "Footwear"],
-  "prompt": "a muted slate-grey technical hiking jacket displayed upright on a slim stand on a field of cooled black volcanic rock, matte fractured rock texture underfoot, near-black stone beneath a smoldering orange horizon glow low across the skyline — the only warm light source, everything else settling into cool dusk shadow, the jacket's muted slate-grey shell the sole color accent in frame, fine grey ash drifting slowly through the air and catching the glow, mid-distance framing with tall dramatic negative space above, deep focus holding the rock field and horizon equally sharp, true dusk color temperature with no visible flame or lava, no other people or props in frame, cinematic elemental realism",
+  "prompt": "the subject set on a field of cooled black volcanic rock, matte fractured rock texture underfoot, near-black stone beneath a smoldering orange horizon glow low across the skyline — the only warm light source, everything else settling into cool dusk shadow, the subject the sole color accent in frame, fine grey ash drifting slowly through the air and catching the glow, mid-distance framing with tall dramatic negative space above, deep focus holding the rock field and horizon equally sharp, true dusk color temperature with no visible flame or lava, no other people or props in frame, cinematic elemental realism",
   "width": 1024,
   "height": 1280
 }

package/templates/succulent-dew-bed.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Beauty", "Fragrance"],
-  "prompt": "a frosted glass gel bottle, resting among broad succulent leaves beaded with genuine water droplets, real waxy leaf sheen and fine ridge texture, a cool sage-to-emerald gradient field behind, soft diffused slightly cool-toned wrap light with gentle even glow, genuine water-droplet surface tension and refraction, shallow depth of field keeping the bottle and nearest leaves crisp, no soil or pot visible, no second product, immaculate commercial-render clarity",
+  "prompt": "the subject resting among broad succulent leaves beaded with genuine water droplets, real waxy leaf sheen and fine ridge texture, a cool sage-to-emerald gradient field behind, soft diffused slightly cool-toned wrap light with gentle even glow, genuine water-droplet surface tension and refraction, shallow depth of field keeping the subject and nearest leaves crisp, no soil or pot visible, no second product, immaculate commercial-render clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/suspended-color-field.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Beauty", "Fragrance", "Electronics", "Accessories"],
-  "prompt": "a matte bone-white opaque cylindrical bottle with a knurled steel cap, standing 20cm in front of a full-height sheet of 20mm-pitch reeded cast glass with vertical ribs, two flat matte-painted panels 40cm behind the glass — cadmium orange on the left, ultramarine blue on the right — chopped by the flutes into hard vertical color bands whose straight seam staggers in discrete offset steps flute to flute rather than curving, a faint green iron tint and scattered seed bubbles visible in the glass edges, frosted ground edges seated in a brushed-aluminium foot channel, one bare head raking almost flat across the glass face so every flute crest picks up a single thin hard white specular line running its full height, a soft parabolic key at camera-right throwing one honest contact shadow across a matte chalk-white base, flat painted panels with no gradients, the scene filling the frame edge to edge with no border or letterbox, immaculate commercial-render clarity",
+  "prompt": "the subject standing 20cm in front of a full-height sheet of 20mm-pitch reeded cast glass with vertical ribs, two flat matte-painted panels 40cm behind the glass — cadmium orange on the left, ultramarine blue on the right — chopped by the flutes into hard vertical color bands whose straight seam staggers in discrete offset steps flute to flute rather than curving, a faint green iron tint and scattered seed bubbles visible in the glass edges, frosted ground edges seated in a brushed-aluminium foot channel, one bare head raking almost flat across the glass face so every flute crest picks up a single thin hard white specular line running its full height, a soft parabolic key at camera-right throwing one honest contact shadow across a matte chalk-white base, flat painted panels with no gradients, the scene filling the frame edge to edge with no border or letterbox, immaculate commercial-render clarity",
   "width": 1024,
   "height": 1280
 }

package/templates/terracotta-ledge-glow.json

@@ -9,7 +9,7 @@
   "subject": "product",
   "collections": ["Colored backgrounds"],
   "verticals": ["Food & drink", "Beauty", "Fragrance"],
-  "prompt": "a glass beverage bottle, resting on the corner of a minimalist geometric ledge combining real wood grain and terracotta surface texture, a warm taupe gradient field extending behind it, soft diffused light with genuinely shadowless transitions — no hard shadow edge anywhere, true material texture on the ledge, shallow depth of field keeping the bottle and immediate ledge surface crisp, no props beyond the ledge, immaculate commercial-render clarity",
+  "prompt": "the subject resting on the corner of a minimalist geometric ledge combining real wood grain and terracotta surface texture, a warm taupe gradient field extending behind it, soft diffused light with genuinely shadowless transitions — no hard shadow edge anywhere, true material texture on the ledge, shallow depth of field keeping the subject and immediate ledge surface crisp, no props beyond the ledge, immaculate commercial-render clarity",
   "width": 1024,
   "height": 1280
 }