rlo-engine 1.0.3

package/dist/Instruments/Decay/AdditiveSynth.d.ts

@@ -0,0 +1,15 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Inharmonic Additive bells/glass.
+ * Stacks sine waves at non-integer multiples to create metallic, clanging overtones.
+ */
+export declare class AdditiveSynth extends DecaySynthBase {
+    protected _c: {
+        v: number;
+        a: number;
+        d: number;
+        m: number;
+    };
+    protected _setupSynthesis(ctx: AudioContext, masterGain: GainNode, gain: GainNode, time: number, freq: number, velocity: number, safeDuration: number, stopTime: number): AudioNode | void;
+}
+//# sourceMappingURL=AdditiveSynth.d.ts.map

package/dist/Instruments/Decay/AdditiveSynth.d.ts.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/AdditiveSynth.js

@@ -0,0 +1,24 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Inharmonic Additive bells/glass.
+ * Stacks sine waves at non-integer multiples to create metallic, clanging overtones.
+ */
+export class AdditiveSynth extends DecaySynthBase {
+    constructor() {
+        super(...arguments);
+        this._c = { v: 0.6, a: 0.005, d: 0.5, m: 5.0 };
+    }
+    _setupSynthesis(ctx, masterGain, gain, time, freq, velocity, safeDuration, stopTime) {
+        const ratios = [1.0, 2.76, 5.4, 8.9, 13.3];
+        const decays = [1.0, 0.6, 0.4, 0.2, 0.1]; // Higher frequencies die out much faster
+        ratios.forEach((ratio, i) => {
+            const hFreq = freq * ratio;
+            if (hFreq < 22000) {
+                const peak = Math.max(0.001, velocity * (1 / (i + 1.5)));
+                const dur = Math.max(0.1, safeDuration * decays[i]);
+                this._transient(ctx, 0 /* Osc.Sine */, hFreq, gain, time, peak, dur, 0.005);
+            }
+        });
+    }
+}
+//# sourceMappingURL=AdditiveSynth.js.map

package/dist/Instruments/Decay/AdditiveSynth.js.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/BrassSynth.d.ts

@@ -0,0 +1,13 @@
+import { AnalogSynthBase } from "../Analog/AnalogSynthBase.js";
+/**
+ * Synthesizer strategy for Brass and Wind instruments with a slow filter envelope.
+ */
+export declare class BrassSynth extends AnalogSynthBase {
+    protected _c: {
+        v: number;
+        a: number;
+        r: number;
+    };
+    protected _setupSynthesis(ctx: AudioContext, gain: GainNode, time: number, freq: number, velocity: number, sustainTime: number, releaseTime: number, stopTime: number): AudioNode | void;
+}
+//# sourceMappingURL=BrassSynth.d.ts.map

package/dist/Instruments/Decay/BrassSynth.d.ts.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/BrassSynth.js

@@ -0,0 +1,29 @@
+import { AnalogSynthBase } from "../Analog/AnalogSynthBase.js";
+/**
+ * Synthesizer strategy for Brass and Wind instruments with a slow filter envelope.
+ */
+export class BrassSynth extends AnalogSynthBase {
+    constructor() {
+        super(...arguments);
+        this._c = { v: 0.5, a: 0.1, r: 0.1 };
+    }
+    _setupSynthesis(ctx, gain, time, freq, velocity, sustainTime, releaseTime, stopTime) {
+        const osc = this._osc(ctx, 1 /* Osc.Square */, 0, gain);
+        this._set(osc.frequency, freq * 0.95, time);
+        this._exp(osc.frequency, freq, time + 0.05);
+        const blareGain = this._gain(ctx, 0, gain);
+        this._set(blareGain.gain, 0, time);
+        this._lin(blareGain.gain, Math.max(0.001, velocity * 0.25), time + 0.05);
+        this._exp(blareGain.gain, 0.001, time + 0.2);
+        const blare = this._osc(ctx, 2 /* Osc.Sawtooth */, freq * 2, blareGain);
+        const filter = this._filter(ctx, 0 /* Filter.Lowpass */);
+        this._set(filter.frequency, freq + 400, time);
+        this._lin(filter.frequency, freq + 1500 + velocity * 1000, time + 0.1);
+        this._exp(filter.frequency, freq + 400, time + sustainTime + releaseTime);
+        gain.connect(filter);
+        this._on(time, stopTime, osc);
+        this._on(time, time + 0.2, blare);
+        return filter;
+    }
+}
+//# sourceMappingURL=BrassSynth.js.map

package/dist/Instruments/Decay/BrassSynth.js.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/ChromaticPercussionSynth.d.ts

@@ -0,0 +1,15 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Chromatic Percussion (Bells, Marimba, Vibraphone).
+ * Characterized by a pure tone with a very fast attack and immediate decay.
+ */
+export declare class ChromaticPercussionSynth extends DecaySynthBase {
+    protected _c: {
+        v: number;
+        a: number;
+        d: number;
+        m: number;
+    };
+    protected _setupSynthesis(ctx: AudioContext, masterGain: GainNode, gain: GainNode, time: number, freq: number, velocity: number, safeDuration: number, stopTime: number): AudioNode | void;
+}
+//# sourceMappingURL=ChromaticPercussionSynth.d.ts.map

package/dist/Instruments/Decay/ChromaticPercussionSynth.d.ts.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/ChromaticPercussionSynth.js

@@ -0,0 +1,23 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Chromatic Percussion (Bells, Marimba, Vibraphone).
+ * Characterized by a pure tone with a very fast attack and immediate decay.
+ */
+export class ChromaticPercussionSynth extends DecaySynthBase {
+    constructor() {
+        super(...arguments);
+        this._c = { v: 0.7, a: 0.005, d: 0.5, m: 6.0 };
+    }
+    _setupSynthesis(ctx, masterGain, gain, time, freq, velocity, safeDuration, stopTime) {
+        const osc = this._osc(ctx, 0 /* Osc.Sine */, 0, gain);
+        this._set(osc.frequency, freq * 1.1, time);
+        this._exp(osc.frequency, freq, time + 0.02);
+        const overtoneGain = this._gain(ctx, 0, masterGain);
+        this._set(overtoneGain.gain, Math.max(0.001, velocity * 0.25), time);
+        this._exp(overtoneGain.gain, 0.001, time + safeDuration);
+        const overtone = this._osc(ctx, 0 /* Osc.Sine */, freq * 2.76, overtoneGain);
+        overtoneGain.connect(masterGain);
+        this._on(time, stopTime, osc, overtone);
+    }
+}
+//# sourceMappingURL=ChromaticPercussionSynth.js.map

package/dist/Instruments/Decay/ChromaticPercussionSynth.js.map

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package/dist/Instruments/Decay/DecaySynthBase.d.ts

@@ -0,0 +1,23 @@
+import { CoreSynthBase } from "../CoreSynthBase.js";
+export type DecayCfg = {
+    v: number;
+    a: number;
+    d: number;
+    m: number;
+};
+/**
+ * Abstract base class for plucked, struck, and decaying synthesizers.
+ * Handles GainNode creation, Nyquist safety limits, and decay volume envelopes.
+ */
+export declare abstract class DecaySynthBase extends CoreSynthBase {
+    protected _c: DecayCfg;
+    _playNote(ctx: AudioContext, masterGain: GainNode, time: number, freq: number, duration: number, velocity: number): void;
+    protected _cfg(): DecayCfg;
+    /** Override this for complex envelopes (like electric guitar compression) */
+    protected _applyDecay(gainParam: AudioParam, peakVol: number, time: number, attack: number, safeDuration: number, decayTail: number): void;
+    /**
+     * Set up the specific oscillators and filters for this instrument.
+     */
+    protected abstract _setupSynthesis(ctx: AudioContext, masterGain: GainNode, gain: GainNode, time: number, freq: number, velocity: number, safeDuration: number, stopTime: number): AudioNode | void;
+}
+//# sourceMappingURL=DecaySynthBase.d.ts.map

package/dist/Instruments/Decay/DecaySynthBase.d.ts.map

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package/dist/Instruments/Decay/DecaySynthBase.js

@@ -0,0 +1,35 @@
+import { CoreSynthBase } from "../CoreSynthBase.js";
+/**
+ * Abstract base class for plucked, struck, and decaying synthesizers.
+ * Handles GainNode creation, Nyquist safety limits, and decay volume envelopes.
+ */
+export class DecaySynthBase extends CoreSynthBase {
+    constructor() {
+        super(...arguments);
+        this._c = { v: 0.5, a: 0.02, d: 0.2, m: 4.0 };
+    }
+    _playNote(ctx, masterGain, time, freq, duration, velocity) {
+        const gain = ctx.createGain();
+        const c = this._cfg();
+        const peakVol = Math.max(0.001, velocity * c.v);
+        /** Physical strings/mallets stop vibrating quickly. Protects against stuck MIDI notes. */
+        const safeDuration = Math.max(0.02, Math.min(duration, c.m));
+        this._set(gain.gain, 0, time);
+        this._lin(gain.gain, peakVol, time + c.a);
+        this._applyDecay(gain.gain, peakVol, time, c.a, safeDuration, c.d);
+        /** Pad the oscillator stop time slightly past the volume decay to prevent digital clicking */
+        const stopTime = time + safeDuration + c.d + 0.1;
+        const output = this._setupSynthesis(ctx, masterGain, gain, time, freq, velocity, safeDuration, stopTime);
+        const finalNode = output || gain;
+        finalNode.connect(masterGain);
+        this._gc(ctx, time, stopTime + 2.0, finalNode);
+    }
+    _cfg() {
+        return this._c;
+    }
+    /** Override this for complex envelopes (like electric guitar compression) */
+    _applyDecay(gainParam, peakVol, time, attack, safeDuration, decayTail) {
+        this._exp(gainParam, 0.001, time + safeDuration + decayTail);
+    }
+}
+//# sourceMappingURL=DecaySynthBase.js.map

package/dist/Instruments/Decay/DecaySynthBase.js.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/ElectricGuitarSynth.d.ts

@@ -0,0 +1,15 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Electric and Distorted Guitars.
+ */
+export declare class ElectricGuitarSynth extends DecaySynthBase {
+    protected _c: {
+        v: number;
+        a: number;
+        d: number;
+        m: number;
+    };
+    protected _applyDecay(gainParam: AudioParam, peakVol: number, time: number, attack: number, safeDuration: number, decayTail: number): void;
+    protected _setupSynthesis(ctx: AudioContext, masterGain: GainNode, gain: GainNode, time: number, freq: number, velocity: number, safeDuration: number, stopTime: number): AudioNode | void;
+}
+//# sourceMappingURL=ElectricGuitarSynth.d.ts.map

package/dist/Instruments/Decay/ElectricGuitarSynth.d.ts.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/ElectricGuitarSynth.js

@@ -0,0 +1,31 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Electric and Distorted Guitars.
+ */
+export class ElectricGuitarSynth extends DecaySynthBase {
+    constructor() {
+        super(...arguments);
+        this._c = { v: 0.5, a: 0.02, d: 0.2, m: 4.0 };
+    }
+    _applyDecay(gainParam, peakVol, time, attack, safeDuration, decayTail) {
+        /** Compressed sustain mimicking an electric guitar amp */
+        this._exp(gainParam, Math.max(0.001, peakVol * 0.4), time + Math.min(0.5, safeDuration));
+        this._exp(gainParam, 0.001, time + safeDuration + decayTail);
+    }
+    _setupSynthesis(ctx, masterGain, gain, time, freq, velocity, safeDuration, stopTime) {
+        const filter = this._filterSweep(ctx, 0 /* Filter.Lowpass */, 2500 + velocity * 1500, 600, time, safeDuration);
+        const [osc, osc2] = this._stereoOsc(ctx, 2 /* Osc.Sawtooth */, 0, 1, 0, gain);
+        this._set(osc.frequency, freq * 1.02, time);
+        this._exp(osc.frequency, freq, time + 0.05);
+        this._set(osc2.frequency, freq * 1.022, time);
+        this._exp(osc2.frequency, freq * 1.002, time + 0.05);
+        const vibrato = this._lfo(ctx, 5.0, freq * 0.015, time, 0.2, stopTime, osc.frequency, 0.4);
+        vibrato.connect(osc2.frequency);
+        gain.connect(filter);
+        /** Heavy plectrum attack */
+        this._transient(ctx, 1 /* Osc.Square */, 3500, masterGain, time, Math.max(0.001, velocity * 0.25), 0.015);
+        this._on(time, stopTime, osc, osc2);
+        return filter;
+    }
+}
+//# sourceMappingURL=ElectricGuitarSynth.js.map

package/dist/Instruments/Decay/ElectricGuitarSynth.js.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/EthnicSynth.d.ts

@@ -0,0 +1,15 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Ethnic instruments (Sitar, Shamisen, Koto).
+ * Uses a bandpass filter over a square wave to emulate a hollow, plucked resonator.
+ */
+export declare class EthnicSynth extends DecaySynthBase {
+    protected _c: {
+        v: number;
+        a: number;
+        d: number;
+        m: number;
+    };
+    protected _setupSynthesis(ctx: AudioContext, masterGain: GainNode, gain: GainNode, time: number, freq: number, velocity: number, safeDuration: number, stopTime: number): AudioNode | void;
+}
+//# sourceMappingURL=EthnicSynth.d.ts.map

package/dist/Instruments/Decay/EthnicSynth.d.ts.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/EthnicSynth.js

@@ -0,0 +1,21 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Ethnic instruments (Sitar, Shamisen, Koto).
+ * Uses a bandpass filter over a square wave to emulate a hollow, plucked resonator.
+ */
+export class EthnicSynth extends DecaySynthBase {
+    constructor() {
+        super(...arguments);
+        this._c = { v: 0.6, a: 0.02, d: 0.1, m: 4.0 };
+    }
+    _setupSynthesis(ctx, masterGain, gain, time, freq, velocity, safeDuration, stopTime) {
+        const osc = this._osc(ctx, 1 /* Osc.Square */, 0, gain);
+        this._set(osc.frequency, freq * 1.05, time);
+        this._exp(osc.frequency, freq, time + 0.08);
+        const filter = this._filterSweep(ctx, 2 /* Filter.Bandpass */, freq * 2.5, freq, time, safeDuration);
+        filter.Q.value = 2;
+        filter.connect(gain);
+        this._on(time, stopTime, osc);
+    }
+}
+//# sourceMappingURL=EthnicSynth.js.map

package/dist/Instruments/Decay/EthnicSynth.js.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/GuitarSynth.d.ts

@@ -0,0 +1,14 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Acoustic Guitars using a plucked sawtooth.
+ */
+export declare class GuitarSynth extends DecaySynthBase {
+    protected _c: {
+        v: number;
+        a: number;
+        d: number;
+        m: number;
+    };
+    protected _setupSynthesis(ctx: AudioContext, masterGain: GainNode, gain: GainNode, time: number, freq: number, velocity: number, safeDuration: number, stopTime: number): AudioNode | void;
+}
+//# sourceMappingURL=GuitarSynth.d.ts.map

package/dist/Instruments/Decay/GuitarSynth.d.ts.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/GuitarSynth.js

@@ -0,0 +1,23 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Acoustic Guitars using a plucked sawtooth.
+ */
+export class GuitarSynth extends DecaySynthBase {
+    constructor() {
+        super(...arguments);
+        this._c = { v: 0.6, a: 0.02, d: 0.2, m: 4.0 };
+    }
+    _setupSynthesis(ctx, masterGain, gain, time, freq, velocity, safeDuration, stopTime) {
+        /** Bright attack that quickly muffles as the acoustic string loses kinetic energy */
+        const filter = this._filterSweep(ctx, 0 /* Filter.Lowpass */, 2000 + velocity * 1000, 200, time, safeDuration);
+        const osc = this._osc(ctx, 2 /* Osc.Sawtooth */, 0, gain);
+        this._set(osc.frequency, freq * 1.02, time);
+        this._exp(osc.frequency, freq, time + 0.05);
+        gain.connect(filter);
+        /** Plectrum Pluck: the sharp, plastic click of a pick striking a steel string */
+        this._transient(ctx, 1 /* Osc.Square */, 3500, masterGain, time, Math.max(0.001, velocity * 0.25), 0.015);
+        this._on(time, stopTime, osc);
+        return filter;
+    }
+}
+//# sourceMappingURL=GuitarSynth.js.map

package/dist/Instruments/Decay/GuitarSynth.js.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/KarplusSynth.d.ts

@@ -0,0 +1,10 @@
+import { CoreSynthBase } from "../CoreSynthBase.js";
+/**
+ * Synthesizer strategy for Karplus-Strong physical modeling.
+ * Uses a noise burst fed into a tuned delay line with a feedback filter
+ * to accurately simulate the physics of plucked strings (Acoustic Guitar, Harp).
+ */
+export declare class KarplusSynth extends CoreSynthBase {
+    _playNote(ctx: AudioContext, masterGain: GainNode, time: number, freq: number, duration: number, velocity: number): void;
+}
+//# sourceMappingURL=KarplusSynth.d.ts.map

package/dist/Instruments/Decay/KarplusSynth.d.ts.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/KarplusSynth.js

@@ -0,0 +1,34 @@
+import { CoreSynthBase } from "../CoreSynthBase.js";
+/**
+ * Synthesizer strategy for Karplus-Strong physical modeling.
+ * Uses a noise burst fed into a tuned delay line with a feedback filter
+ * to accurately simulate the physics of plucked strings (Acoustic Guitar, Harp).
+ */
+export class KarplusSynth extends CoreSynthBase {
+    _playNote(ctx, masterGain, time, freq, duration, velocity) {
+        const delayTime = 1 / freq;
+        // 1. The Plectrum (A microscopic burst of white noise)
+        const burstBuffer = ctx.createBuffer(1, Math.max(1, ctx.sampleRate * delayTime), ctx.sampleRate);
+        const data = burstBuffer.getChannelData(0);
+        for (let i = 0; i < data.length; i++)
+            data[i] = (Math.random() * 2 - 1) * velocity;
+        const burst = ctx.createBufferSource();
+        burst.buffer = burstBuffer;
+        // 2. The String (A delay node exactly the length of the frequency)
+        const delay = ctx.createDelay(delayTime);
+        delay.delayTime.value = delayTime;
+        // 3. The Body Damping (Lowpass filter inside the feedback loop to absorb high frequencies)
+        const filter = this._filter(ctx, 0 /* Filter.Lowpass */);
+        filter.frequency.value = Math.min(22000, freq * 6);
+        // 4. The Tension (Feedback gain)
+        const feedback = this._gain(ctx, 0.98); // Higher value = longer ring time
+        burst.connect(delay).connect(filter).connect(feedback).connect(delay);
+        const output = this._gain(ctx, 0, masterGain);
+        this._set(output.gain, 1, time);
+        this._exp(output.gain, 0.001, time + duration);
+        delay.connect(output);
+        this._on(time, time + duration, burst);
+        this._gc(ctx, time, time + duration + 3.0, output, delay, filter, feedback);
+    }
+}
+//# sourceMappingURL=KarplusSynth.js.map

package/dist/Instruments/Decay/KarplusSynth.js.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/PianoSynth.d.ts

@@ -0,0 +1,14 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Piano and similar percussive-melodic instruments.
+ */
+export declare class PianoSynth extends DecaySynthBase {
+    protected _c: {
+        v: number;
+        a: number;
+        d: number;
+        m: number;
+    };
+    protected _setupSynthesis(ctx: AudioContext, masterGain: GainNode, gain: GainNode, time: number, freq: number, velocity: number, safeDuration: number, stopTime: number): AudioNode | void;
+}
+//# sourceMappingURL=PianoSynth.d.ts.map

package/dist/Instruments/Decay/PianoSynth.d.ts.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/PianoSynth.js

@@ -0,0 +1,32 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for Piano and similar percussive-melodic instruments.
+ */
+export class PianoSynth extends DecaySynthBase {
+    constructor() {
+        super(...arguments);
+        this._c = { v: 0.8, a: 0.015, d: 0.1, m: 5.0 };
+    }
+    _setupSynthesis(ctx, masterGain, gain, time, freq, velocity, safeDuration, stopTime) {
+        /** Key-tracking the filter ensures high notes aren't artificially muffled or phase-distorted. Capped at Nyquist. */
+        const filter = this._filterSweep(ctx, 0 /* Filter.Lowpass */, freq + 800 + velocity * 1000, freq + 200, time, Math.min(safeDuration, 1.0));
+        const osc1 = this._osc(ctx, 3 /* Osc.Triangle */, freq, gain);
+        /** Slight inharmonicity stretching, strictly capped below Nyquist to prevent digital aliasing */
+        const overtoneGain = this._gain(ctx, 0);
+        const osc2 = this._osc(ctx, 0 /* Osc.Sine */, freq * 2.003, overtoneGain);
+        const osc3 = this._osc(ctx, 0 /* Osc.Sine */, freq * 3.007, overtoneGain);
+        /** Dynamically pan lower keys to the left ear, and higher keys to the right ear */
+        const panner = this._pan(ctx, Math.max(-0.8, Math.min(0.8, (freq - 261.6) / 800)));
+        /** Sympathetic string resonance: metallic clangs decay much faster than the fundamental */
+        this._set(overtoneGain.gain, 0, time);
+        this._lin(overtoneGain.gain, Math.max(0.001, velocity * 0.15), time + 0.01);
+        this._exp(overtoneGain.gain, 0.001, time + Math.min(safeDuration, 0.5));
+        overtoneGain.connect(panner);
+        /** Mechanical Hammer Thump: the physical impact of the wooden hammer on the strings */
+        this._transient(ctx, 0 /* Osc.Sine */, 60, panner, time, Math.max(0.001, velocity * 0.4), 0.05, 0.005);
+        gain.connect(panner).connect(filter);
+        this._on(time, stopTime, osc1, osc2, osc3);
+        return filter;
+    }
+}
+//# sourceMappingURL=PianoSynth.js.map

package/dist/Instruments/Decay/PianoSynth.js.map

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package/dist/Instruments/Decay/SlapBassSynth.d.ts

@@ -0,0 +1,15 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for 80s Slap Bass (DX7/Seinfeld style).
+ * Characterized by a very snappy filter envelope and a metallic transient "pop".
+ */
+export declare class SlapBassSynth extends DecaySynthBase {
+    protected _c: {
+        v: number;
+        a: number;
+        d: number;
+        m: number;
+    };
+    protected _setupSynthesis(ctx: AudioContext, masterGain: GainNode, gain: GainNode, time: number, freq: number, velocity: number, safeDuration: number, stopTime: number): AudioNode | void;
+}
+//# sourceMappingURL=SlapBassSynth.d.ts.map

package/dist/Instruments/Decay/SlapBassSynth.d.ts.map

@@ -0,0 +1 @@
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package/dist/Instruments/Decay/SlapBassSynth.js

@@ -0,0 +1,28 @@
+import { DecaySynthBase } from "./DecaySynthBase.js";
+/**
+ * Synthesizer strategy for 80s Slap Bass (DX7/Seinfeld style).
+ * Characterized by a very snappy filter envelope and a metallic transient "pop".
+ */
+export class SlapBassSynth extends DecaySynthBase {
+    constructor() {
+        super(...arguments);
+        this._c = { v: 0.9, a: 0.005, d: 0.15, m: 3.0 }; // Ultra-fast attack for the slap
+    }
+    _setupSynthesis(ctx, masterGain, gain, time, freq, velocity, safeDuration, stopTime) {
+        /** The "Pop" - An aggressive lowpass filter sweep that opens bright and snaps shut */
+        const filter = this._filterSweep(ctx, 0 /* Filter.Lowpass */, freq * 8 + velocity * 3000, // Very bright on hard velocities
+        freq + 100, // Quickly muffles down to the fundamental
+        time, 0.1);
+        filter.Q.value = 3; // Adds a "quack" resonance to the slap
+        /** The Body - Sawtooth for rich harmonics */
+        const osc = this._osc(ctx, 2 /* Osc.Sawtooth */, freq, gain);
+        /** The Sub - Deep sine wave an octave down to anchor the low end */
+        const subOsc = this._osc(ctx, 0 /* Osc.Sine */, freq / 2, gain);
+        /** The "Thumb Slap" - A quick, inharmonic metallic burst simulating the string hitting the fretboard */
+        this._transient(ctx, 1 /* Osc.Square */, freq * 3.5, filter, time, Math.max(0.001, velocity * 0.4), 0.04);
+        gain.connect(filter);
+        this._on(time, stopTime, osc, subOsc);
+        return filter;
+    }
+}
+//# sourceMappingURL=SlapBassSynth.js.map

package/dist/Instruments/Decay/SlapBassSynth.js.map

@@ -0,0 +1 @@
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package/dist/Instruments/ISynthInstrument.d.ts

@@ -0,0 +1,16 @@
+/**
+ * Interface for all synthesizer instrument strategies.
+ */
+export interface ISynthInstrument {
+    /**
+     * Synthesizes and schedules a note.
+     * @param {AudioContext} ctx - The active AudioContext.
+     * @param {GainNode} masterGain - The master output gain node.
+     * @param {number} time - The AudioContext time to start the note.
+     * @param {number} freq - Note frequency in Hz.
+     * @param {number} duration - The duration in seconds.
+     * @param {number} velocity - The velocity/volume between 0.0 and 1.0.
+     */
+    _playNote(ctx: AudioContext, masterGain: GainNode, time: number, freq: number, duration: number, velocity: number): void;
+}
+//# sourceMappingURL=ISynthInstrument.d.ts.map

package/dist/Instruments/ISynthInstrument.d.ts.map

@@ -0,0 +1 @@
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package/dist/Instruments/ISynthInstrument.js

@@ -0,0 +1,2 @@
+export {};
+//# sourceMappingURL=ISynthInstrument.js.map

package/dist/Instruments/ISynthInstrument.js.map

@@ -0,0 +1 @@
+{"version":3,"file":"ISynthInstrument.js","sourceRoot":"","sources":["../../Instruments/ISynthInstrument.ts"],"names":[],"mappings":""}

package/dist/Instruments/InstrumentFactory.d.ts

@@ -0,0 +1,2 @@
+export {};
+//# sourceMappingURL=InstrumentFactory.d.ts.map

package/dist/Instruments/InstrumentFactory.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"InstrumentFactory.d.ts","sourceRoot":"","sources":["../../Instruments/InstrumentFactory.ts"],"names":[],"mappings":""}

package/dist/Instruments/InstrumentFactory.js

@@ -0,0 +1,4 @@
+export {};
+// This file is intentionally left blank. 
+// The dynamic routing class overhead has been completely replaced by the pre-computed array in generated-registry.ts!
+//# sourceMappingURL=InstrumentFactory.js.map

package/dist/Instruments/InstrumentFactory.js.map

@@ -0,0 +1 @@
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