reze-engine 0.51.0 → 0.52.0

package/dist/index.d.ts

@@ -4,6 +4,7 @@ export { parseMidi } from "./midi-loader";
 export { parseHDR, type HdrImage } from "./hdr";
 export { LYRIC_ATLAS_MAX_H, LYRIC_ATLAS_MAX_W, parseLRC, type LyricLine, type LyricRect } from "./shaders/lyrics-api";
 export { sampleParamTrack, type ParamKey, type ParamValue } from "./param-track";
+export { effectState, type EffectWindow, type EffectState } from "./effect-schedule";
 export { compileGraph, validateGraph, assignStyleSlots, type CompileOptions, type CompileResult, type StyleSlot, } from "./graph/compile";
 export type { ShaderGraph, GraphNode, GraphLink, ExposedParam, SocketValue, Diagnostic, } from "./graph/schema";
 export { NODE_REGISTRY, type NodeSpec, type SockT } from "./graph/registry";
@@ -19,6 +20,7 @@ export { STOCKINGS_GRAPH } from "./graph/presets/stockings";
 export { EYE_GRAPH } from "./graph/presets/eye";
 export { FACE_GRAPH } from "./graph/presets/face";
 export { UNLIT_GRAPH } from "./graph/presets/unlit";
+export { parseDirectives, stripDirectives, DIRECTIVE_LINE, DIRECTIVE_NOTE, type EffectDirectives, type EffectParamDecl, } from "./shaders/directives";
 export { Model, MATERIAL_MORPH_MULTIPLY, MATERIAL_MORPH_ADD, type ClipEventInfo, type RootMotionProfile, type Morph, type Morphing, type BoneMorphOffset, type MaterialMorphOffset, type UvMorphOffset, } from "./model";
 export { Vec3, Quat, Mat4, easeInOut, type EulerOrder } from "./math";
 export type { AnimationClip, AnimationPlayOptions, AnimationProgress, BlendEntry, BoneKeyframe, IkKeyframe, MorphKeyframe, BoneInterpolation, ControlPoint, } from "./animation";

package/dist/index.d.ts.map

@@ -1 +1 @@
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package/dist/index.js

@@ -10,6 +10,10 @@ export { LYRIC_ATLAS_MAX_H, LYRIC_ATLAS_MAX_W, parseLRC } from "./shaders/lyrics
 // wants to draw a track, or scrub one, should read the same curve the engine
 // plays rather than reimplementing it a second time.
 export { sampleParamTrack } from "./param-track";
+// The strip an effect is scheduled by, and the pure evaluator behind it —
+// exported so a caller can draw a lane against the same numbers the engine
+// renders from, rather than a second copy of the ramp maths.
+export { effectState } from "./effect-schedule";
 export { compileGraph, validateGraph, assignStyleSlots, } from "./graph/compile";
 export { NODE_REGISTRY } from "./graph/registry";
 export { RENDER_CLASSES } from "./graph/render-class";
@@ -23,6 +27,10 @@ export { STOCKINGS_GRAPH } from "./graph/presets/stockings";
 export { EYE_GRAPH } from "./graph/presets/eye";
 export { FACE_GRAPH } from "./graph/presets/face";
 export { UNLIT_GRAPH } from "./graph/presets/unlit";
+// What an effect declares, and the source with those lines blanked. Exported
+// because a host builds parameter controls from the declarations and needs the
+// same answer the engine got — two parsers is how they disagree.
+export { parseDirectives, stripDirectives, DIRECTIVE_LINE, DIRECTIVE_NOTE, } from "./shaders/directives";
 export { Model, MATERIAL_MORPH_MULTIPLY, MATERIAL_MORPH_ADD, } from "./model";
 export { Vec3, Quat, Mat4, easeInOut } from "./math";
 export { LocomotionController, } from "./locomotion";

package/dist/shaders/anchor-table.d.ts

@@ -35,7 +35,7 @@ export declare function buildAnchorTable(requests: AnchorRequest[][], max: numbe
  * TRAILED anchor, so its instance index counts 0,1,2… over trailed anchors only
  * — while the cast buffer is addressed by DECLARATION slot. Those coincide
  * exactly when every anchor is trailed, which is true of all 14 library effects
- * and is why this stayed latent: declare `@anchor 頭` then `@anchor 左手首 trail`
+ * and is why this stayed latent: declare `#anchor 頭` then `#anchor 左手首 trail`
  * and ribbon 0 asked for the trail of 頭, which has none, so the ribbon silently
  * did not draw.
  *

package/dist/shaders/anchor-table.js

@@ -73,7 +73,7 @@ export function buildAnchorTable(requests, max) {
  * TRAILED anchor, so its instance index counts 0,1,2… over trailed anchors only
  * — while the cast buffer is addressed by DECLARATION slot. Those coincide
  * exactly when every anchor is trailed, which is true of all 14 library effects
- * and is why this stayed latent: declare `@anchor 頭` then `@anchor 左手首 trail`
+ * and is why this stayed latent: declare `#anchor 頭` then `#anchor 左手首 trail`
  * and ribbon 0 asked for the trail of 頭, which has none, so the ribbon silently
  * did not draw.
  *
@@ -108,7 +108,7 @@ ${cases}
  * folds away.
  */
 export function anchorAliasWgsl(alias) {
-    // NO @anchor AT ALL. Every slot is unmapped, and rzAnchor() must report
+    // NO #anchor AT ALL. Every slot is unmapped, and rzAnchor() must report
     // .valid false for all of them.
     //
     // This used to fall through to the identity branch below — `[].every()` is
@@ -120,7 +120,7 @@ export function anchorAliasWgsl(alias) {
     // reading.
     if (alias.length === 0) {
         return `
-/** No @anchor in this effect: every slot is unmapped, so rzAnchor() is invalid
+/** No #anchor in this effect: every slot is unmapped, so rzAnchor() is invalid
  *  rather than reading whichever bone another effect declared first. */
 fn _rzSlot(local: i32) -> i32 { return -1; }
 `;

package/dist/shaders/cast-api.d.ts

@@ -1,2 +1,2 @@
-export declare const CAST_API = "\nconst RZ_SUBJECTS: i32 = 4;\nconst RZ_SAMPLES: i32 = 128;\n/** The anchor ADDRESS SPACE \u2014 how many an effect may declare, not how many it\n *  did. RZ_TRAIL_SLOTS is the per-effect number and is not this one; the two\n *  being one number was the old trail bug. */\nconst RZ_MAX_ANCHORS: i32 = 16;\nconst RZ_TRAIL_SAMPLES: i32 = 128;\n\nstruct RzSubject {\n  /** On the FLOOR, under the body \u2014 where a ring or a magic circle belongs. */\n  root: vec3f,\n  /** At the hips, the middle of the body \u2014 where an aura belongs. */\n  center: vec3f,\n  /** Bounding sphere: xyz centre, w radius. Deliberately generous \u2014 cull with it. */\n  bounds: vec4f,\n  /**\n   * How much of this character is still THERE: 1 whole, 0 gone.\n   *\n   * What setModelDissolve last set on them, which the material pass has already\n   * acted on by the time an effect runs \u2014 so an effect drawing what LEAVES a\n   * dissolving body (sparks, ash, a ghost) reads the same number the body was\n   * taken apart with, rather than keeping a clock of its own and hoping the two\n   * agree. 1 on a scene that never dissolves anybody.\n   */\n  dissolve: f32,\n  /** False past the end of the cast, and every field is then zero. */\n  valid: bool,\n}\n\nstruct RzAnchor {\n  pos: vec3f,\n  /** World units per second, from the previous frame. Direction for a trail,\n   *  magnitude for anything that should react to how hard someone is moving. */\n  vel: vec3f,\n  /** The bone's forward axis \u2014 which way a foot points, where a head looks. */\n  fwd: vec3f,\n  /** False when this rig has no such bone. Check it: the alternative is drawing\n   *  a hand effect at the world origin on every model that spells it differently. */\n  valid: bool,\n}\n\n/** Which model this is, stable across a scene \u2014 for per-subject variation. */\nfn rzSubjectId(i: i32) -> u32 {\n  if (i < 0 || i >= rzSubjectCount()) { return 0u; }\n  return u32(_rzCast[i * 3 + 1].w);\n}\n\nfn rzSubject(i: i32) -> RzSubject {\n  var s: RzSubject;\n  s.valid = i >= 0 && i < rzSubjectCount();\n  if (!s.valid) { return s; }\n  let b = i * 3;\n  s.root = _rzCast[b].xyz;\n  s.dissolve = _rzCast[b].w;\n  s.center = _rzCast[b + 1].xyz;\n  s.bounds = _rzCast[b + 2];\n  return s;\n}\n\n/**\n * Where a named bone is, this frame.\n *\n * The slot is the author's own: the Nth @anchor in their file, in the order\n * they wrote them. _rzSlot turns that into the scene's address, which is what\n * keeps two effects that both anchor to a wrist from reading each other's.\n */\nfn rzAnchor(subject: i32, slot: i32) -> RzAnchor {\n  var a: RzAnchor;\n  a.valid = false;\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return a; }\n  let b = 12 + (g * 4 + subject) * 3;\n  a.valid = _rzCast[b].w > 0.5;\n  a.pos = _rzCast[b].xyz;\n  a.vel = _rzCast[b + 1].xyz;\n  a.fwd = _rzCast[b + 2].xyz;\n  return a;\n}\n\n/**\n * How many samples of a path are recorded \u2014 0 for an anchor that asked for no\n * trail, and for one that has not moved yet.\n *\n * Bounded by the anchor cap, NOT by how many anchors asked for a trail. Those\n * are different index spaces: storage is addressed by anchor slot, so an\n * untrailed @anchor followed by a trailed one put the trail at index 1 with a\n * bound of 1 and rzTrail returned zero \u2014 a ribbon that silently did not draw.\n */\nfn rzTrailCount(subject: i32, slot: i32) -> i32 {\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return 0; }\n  return i32(_rzCast[12 + (g * 4 + subject) * 3 + 2].w);\n}\n\n/** Sample i of a path: xyz where it was, w how many seconds ago. i = 0 is now. */\nfn rzTrail(subject: i32, slot: i32, i: i32) -> vec4f {\n  let n = rzTrailCount(subject, slot);\n  if (i < 0 || i >= n) { return vec4f(0.0); }\n  let base = 204 + (_rzSlot(slot) * 4 + subject) * RZ_TRAIL_SAMPLES;\n  return _rzCast[base + i];\n}\n";
+export declare const CAST_API = "\nconst RZ_SUBJECTS: i32 = 4;\nconst RZ_SAMPLES: i32 = 128;\n/** The anchor ADDRESS SPACE \u2014 how many an effect may declare, not how many it\n *  did. RZ_TRAIL_SLOTS is the per-effect number and is not this one; the two\n *  being one number was the old trail bug. */\nconst RZ_MAX_ANCHORS: i32 = 16;\nconst RZ_TRAIL_SAMPLES: i32 = 128;\n\nstruct RzSubject {\n  /** On the FLOOR, under the body \u2014 where a ring or a magic circle belongs. */\n  root: vec3f,\n  /** At the hips, the middle of the body \u2014 where an aura belongs. */\n  center: vec3f,\n  /** Bounding sphere: xyz centre, w radius. Deliberately generous \u2014 cull with it. */\n  bounds: vec4f,\n  /**\n   * How much of this character is still THERE: 1 whole, 0 gone.\n   *\n   * What setModelDissolve last set on them, which the material pass has already\n   * acted on by the time an effect runs \u2014 so an effect drawing what LEAVES a\n   * dissolving body (sparks, ash, a ghost) reads the same number the body was\n   * taken apart with, rather than keeping a clock of its own and hoping the two\n   * agree. 1 on a scene that never dissolves anybody.\n   */\n  dissolve: f32,\n  /** False past the end of the cast, and every field is then zero. */\n  valid: bool,\n}\n\nstruct RzAnchor {\n  pos: vec3f,\n  /** World units per second, from the previous frame. Direction for a trail,\n   *  magnitude for anything that should react to how hard someone is moving. */\n  vel: vec3f,\n  /** The bone's forward axis \u2014 which way a foot points, where a head looks. */\n  fwd: vec3f,\n  /** False when this rig has no such bone. Check it: the alternative is drawing\n   *  a hand effect at the world origin on every model that spells it differently. */\n  valid: bool,\n}\n\n/** Which model this is, stable across a scene \u2014 for per-subject variation. */\nfn rzSubjectId(i: i32) -> u32 {\n  if (i < 0 || i >= rzSubjectCount()) { return 0u; }\n  return u32(_rzCast[i * 3 + 1].w);\n}\n\nfn rzSubject(i: i32) -> RzSubject {\n  var s: RzSubject;\n  s.valid = i >= 0 && i < rzSubjectCount();\n  if (!s.valid) { return s; }\n  let b = i * 3;\n  s.root = _rzCast[b].xyz;\n  s.dissolve = _rzCast[b].w;\n  s.center = _rzCast[b + 1].xyz;\n  s.bounds = _rzCast[b + 2];\n  return s;\n}\n\n/**\n * Where a named bone is, this frame.\n *\n * The slot is the author's own: the Nth #anchor in their file, in the order\n * they wrote them. _rzSlot turns that into the scene's address, which is what\n * keeps two effects that both anchor to a wrist from reading each other's.\n */\nfn rzAnchor(subject: i32, slot: i32) -> RzAnchor {\n  var a: RzAnchor;\n  a.valid = false;\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return a; }\n  let b = 12 + (g * 4 + subject) * 3;\n  a.valid = _rzCast[b].w > 0.5;\n  a.pos = _rzCast[b].xyz;\n  a.vel = _rzCast[b + 1].xyz;\n  a.fwd = _rzCast[b + 2].xyz;\n  return a;\n}\n\n/**\n * How many samples of a path are recorded \u2014 0 for an anchor that asked for no\n * trail, and for one that has not moved yet.\n *\n * Bounded by the anchor cap, NOT by how many anchors asked for a trail. Those\n * are different index spaces: storage is addressed by anchor slot, so an\n * untrailed #anchor followed by a trailed one put the trail at index 1 with a\n * bound of 1 and rzTrail returned zero \u2014 a ribbon that silently did not draw.\n */\nfn rzTrailCount(subject: i32, slot: i32) -> i32 {\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return 0; }\n  return i32(_rzCast[12 + (g * 4 + subject) * 3 + 2].w);\n}\n\n/** Sample i of a path: xyz where it was, w how many seconds ago. i = 0 is now. */\nfn rzTrail(subject: i32, slot: i32, i: i32) -> vec4f {\n  let n = rzTrailCount(subject, slot);\n  if (i < 0 || i >= n) { return vec4f(0.0); }\n  let base = 204 + (_rzSlot(slot) * 4 + subject) * RZ_TRAIL_SAMPLES;\n  return _rzCast[base + i];\n}\n";
 //# sourceMappingURL=cast-api.d.ts.map

package/dist/shaders/cast-api.js

@@ -90,7 +90,7 @@ fn rzSubject(i: i32) -> RzSubject {
 /**
  * Where a named bone is, this frame.
  *
- * The slot is the author's own: the Nth @anchor in their file, in the order
+ * The slot is the author's own: the Nth #anchor in their file, in the order
  * they wrote them. _rzSlot turns that into the scene's address, which is what
  * keeps two effects that both anchor to a wrist from reading each other's.
  */
@@ -113,7 +113,7 @@ fn rzAnchor(subject: i32, slot: i32) -> RzAnchor {
  *
  * Bounded by the anchor cap, NOT by how many anchors asked for a trail. Those
  * are different index spaces: storage is addressed by anchor slot, so an
- * untrailed @anchor followed by a trailed one put the trail at index 1 with a
+ * untrailed #anchor followed by a trailed one put the trail at index 1 with a
  * bound of 1 and rzTrail returned zero — a ribbon that silently did not draw.
  */
 fn rzTrailCount(subject: i32, slot: i32) -> i32 {

package/dist/shaders/directives.d.ts

@@ -0,0 +1,73 @@
+/** A knob an effect exposes, for a host to build a control from. */
+export type EffectParamDecl = {
+    name: string;
+    kind: "float" | "color" | "vec3";
+    /** Numbers for float/vec3; `#rrggbb` for a colour, which the host converts. */
+    value: number | [number, number, number] | string;
+    /** float only, and only when the author gave a range. */
+    min?: number;
+    max?: number;
+};
+export type EffectDirectives = {
+    /** Bones this effect follows, in declaration order — slot 0 is the first. */
+    anchors: {
+        bone: string;
+        trail: boolean;
+    }[];
+    params: EffectParamDecl[];
+    /** Field layer: 0 full, 1 half. Full unless `#halfres` says otherwise. */
+    fieldLayer: 0 | 1;
+    /** The field layer composites additively rather than over. */
+    additiveLayer: boolean;
+    /** Particle blend, which is a different axis from the field layer's. */
+    particleBlend: "alpha" | "additive";
+    particles: number;
+    lights: number;
+    grid: number;
+    bloom: boolean;
+    /** This effect takes the cast apart — the host reads the timing. */
+    dissolve: boolean;
+    /**
+     * How long ONE firing of this effect lasts, in seconds. 0 = undeclared.
+     *
+     * An effect is one of two things, and only its author knows which. A HIT has
+     * an arc — a circle flares, peaks and is gone — and its length is a fact
+     * about it, the way a video clip's length is a fact about the file. An
+     * AMBIENT effect (stars, fog, rain) has no length at all; it is a condition
+     * the scene is in.
+     *
+     * Declaring it is what lets a host place the effect instead of making someone
+     * construct it: dropping a hit on the timeline gives a strip already the
+     * right size, and an effect that declares nothing spans the scene. Every
+     * timeline works this way — a clip arrives at its own duration.
+     */
+    duration: number;
+};
+/** A line that declares something, and what it declares. Exported because an
+ *  editor highlights by the same rule the parser reads by — a highlighter with
+ *  its own idea of what counts is one that paints a line as configuration that
+ *  the engine then ignores. */
+export declare const DIRECTIVE_LINE: RegExp;
+/**
+ * Split a directive's arguments from a trailing note.
+ *
+ * `#anchor 左手首 trail — her sword hand` is one line doing two jobs, and
+ * refusing it is what made the old spelling dangerous: the note is the natural
+ * thing to write, so it has to be the accepted thing to write.
+ */
+export declare const DIRECTIVE_NOTE: RegExp;
+export type DirectiveResult = {
+    directives: EffectDirectives;
+    errors: string[];
+};
+/** Read every declaration in a source. Errors name the line, one-based. */
+export declare function parseDirectives(wgsl: string): DirectiveResult;
+/**
+ * The source as the compiler should see it: every directive line blanked.
+ *
+ * Blanked rather than removed so line numbers survive — a diagnostic points at
+ * the line the author is looking at, which is the whole reason the engine
+ * rebases them in the first place.
+ */
+export declare function stripDirectives(wgsl: string): string;
+//# sourceMappingURL=directives.d.ts.map

package/dist/shaders/directives.d.ts.map

@@ -0,0 +1 @@
+{"version":3,"file":"directives.d.ts","sourceRoot":"","sources":["../../src/shaders/directives.ts"],"names":[],"mappings":"AA8BA,oEAAoE;AACpE,MAAM,MAAM,eAAe,GAAG;IAC5B,IAAI,EAAE,MAAM,CAAA;IACZ,IAAI,EAAE,OAAO,GAAG,OAAO,GAAG,MAAM,CAAA;IAChC,+EAA+E;IAC/E,KAAK,EAAE,MAAM,GAAG,CAAC,MAAM,EAAE,MAAM,EAAE,MAAM,CAAC,GAAG,MAAM,CAAA;IACjD,yDAAyD;IACzD,GAAG,CAAC,EAAE,MAAM,CAAA;IACZ,GAAG,CAAC,EAAE,MAAM,CAAA;CACb,CAAA;AAED,MAAM,MAAM,gBAAgB,GAAG;IAC7B,6EAA6E;IAC7E,OAAO,EAAE;QAAE,IAAI,EAAE,MAAM,CAAC;QAAC,KAAK,EAAE,OAAO,CAAA;KAAE,EAAE,CAAA;IAC3C,MAAM,EAAE,eAAe,EAAE,CAAA;IACzB,0EAA0E;IAC1E,UAAU,EAAE,CAAC,GAAG,CAAC,CAAA;IACjB,8DAA8D;IAC9D,aAAa,EAAE,OAAO,CAAA;IACtB,wEAAwE;IACxE,aAAa,EAAE,OAAO,GAAG,UAAU,CAAA;IACnC,SAAS,EAAE,MAAM,CAAA;IACjB,MAAM,EAAE,MAAM,CAAA;IACd,IAAI,EAAE,MAAM,CAAA;IACZ,KAAK,EAAE,OAAO,CAAA;IACd,oEAAoE;IACpE,QAAQ,EAAE,OAAO,CAAA;IACjB;;;;;;;;;;;;;OAaG;IACH,QAAQ,EAAE,MAAM,CAAA;CACjB,CAAA;AAiBD;;;+BAG+B;AAC/B,eAAO,MAAM,cAAc,QAAmC,CAAA;AAG9D;;;;;;GAMG;AACH,eAAO,MAAM,cAAc,QAA8B,CAAA;AAmBzD,MAAM,MAAM,eAAe,GAAG;IAAE,UAAU,EAAE,gBAAgB,CAAC;IAAC,MAAM,EAAE,MAAM,EAAE,CAAA;CAAE,CAAA;AAEhF,2EAA2E;AAC3E,wBAAgB,eAAe,CAAC,IAAI,EAAE,MAAM,GAAG,eAAe,CAqJ7D;AAED;;;;;;GAMG;AACH,wBAAgB,eAAe,CAAC,IAAI,EAAE,MAAM,GAAG,MAAM,CAKpD"}

package/dist/shaders/directives.js

@@ -0,0 +1,238 @@
+// What an effect DECLARES about itself — parsed once, in one place.
+//
+// An effect file is WGSL plus a handful of lines that configure how the engine
+// mounts it: which resolution it draws at, how it blends, which bones it
+// follows, what knobs it exposes. Those lines are not comments. They decide
+// whether the file gets what it asks for, and the failure they used to have was
+// the worst kind available.
+//
+// WHY `#` AND NOT `// @`. The old spelling put directives inside comments,
+// which meant two things. Authors read them as comments and wrote notes on the
+// same line — every parser was anchored to end-of-line, so the note silently
+// unmade the directive, and three shipped effects ran at half the resolution
+// their own first line said they needed while a fourth quietly stopped being
+// additive. Nothing failed and nothing was reported, because nothing had been
+// declared to fail. And it could not be fixed by being strict: a comment
+// beginning with `@` is a legitimate thing to write, so an unrecognised one can
+// only ever be a warning.
+//
+// WGSL has no `#` syntax of its own. A line starting with `#` is therefore
+// unambiguously ours, an unknown one is an ERROR rather than a guess, and the
+// sigil is the one every shader author already reads as "directive" from
+// `#pragma`. The cost usually quoted for this — that the file stops being valid
+// WGSL — is not a cost we pay: an effect calls rzSubject, rzTrail and reads
+// `params`, none of which exist until the engine splices them in, so these
+// files have never compiled anywhere else.
+//
+// STRIPPED BY BLANKING, not by deleting: the compiler sees an empty line where
+// each directive was, so every diagnostic's line number still points at the
+// line the author is looking at.
+/** Every directive, with how many words follow it. `rest` means free-form. */
+const SPEC = {
+    anchor: "rest",
+    param: "rest",
+    halfres: 0,
+    layer: 1,
+    blend: 1,
+    particles: 1,
+    lights: 1,
+    grid: 1,
+    bloom: 0,
+    dissolve: 0,
+    duration: 1,
+};
+/** A line that declares something, and what it declares. Exported because an
+ *  editor highlights by the same rule the parser reads by — a highlighter with
+ *  its own idea of what counts is one that paints a line as configuration that
+ *  the engine then ignores. */
+export const DIRECTIVE_LINE = /^[ \t]*#([a-zA-Z]+)[ \t]*(.*)$/;
+const LINE = DIRECTIVE_LINE;
+/**
+ * Split a directive's arguments from a trailing note.
+ *
+ * `#anchor 左手首 trail — her sword hand` is one line doing two jobs, and
+ * refusing it is what made the old spelling dangerous: the note is the natural
+ * thing to write, so it has to be the accepted thing to write.
+ */
+export const DIRECTIVE_NOTE = /(?:^|\s)(?:—|--|\/\/|#)\s/;
+function argsOf(rest) {
+    // `^` as well as `\s`: the tag's own trailing space is eaten by LINE, so a
+    // note can begin at the very first character — which is what
+    // `#halfres — glyph edges` looks like by the time it reaches here.
+    const note = rest.search(DIRECTIVE_NOTE);
+    return (note >= 0 ? rest.slice(0, note) : rest).trim().split(/\s+/).filter(Boolean);
+}
+/** A number, or null. Empty is NULL, not zero: `Number("")` is 0, so a missing
+ *  default silently became a real one — an author who wrote `#param float D`
+ *  and meant to finish the line got a knob quietly pinned at zero. */
+const num = (s) => {
+    if (!s || !s.trim())
+        return null;
+    const v = Number(s);
+    return Number.isFinite(v) ? v : null;
+};
+/** Read every declaration in a source. Errors name the line, one-based. */
+export function parseDirectives(wgsl) {
+    const d = {
+        anchors: [],
+        params: [],
+        // FULL unless asked otherwise — the default is what an author gets for
+        // saying nothing, so it has to be the answer that cannot silently ruin an
+        // effect. `#halfres` is a claim about being cheap, which is a claim only
+        // the author can make.
+        fieldLayer: 0,
+        additiveLayer: false,
+        particleBlend: "alpha",
+        particles: 0,
+        lights: 0,
+        grid: 0,
+        bloom: false,
+        dissolve: false,
+        duration: 0,
+    };
+    const errors = [];
+    const lines = wgsl.split("\n");
+    lines.forEach((line, i) => {
+        const m = LINE.exec(line);
+        if (!m)
+            return;
+        const at = `line ${i + 1}`;
+        const tag = m[1].toLowerCase();
+        if (!(tag in SPEC)) {
+            errors.push(`${at}: #${m[1]} is not a directive. Known: ${Object.keys(SPEC).map((k) => `#${k}`).join(", ")}`);
+            return;
+        }
+        const args = argsOf(m[2]);
+        const want = SPEC[tag];
+        if (want !== "rest" && args.length !== want) {
+            errors.push(`${at}: #${tag} takes ${want} argument${want === 1 ? "" : "s"}, got ${args.length}`);
+            return;
+        }
+        switch (tag) {
+            case "anchor": {
+                if (args.length < 1 || args.length > 2 || (args[1] && args[1] !== "trail")) {
+                    errors.push(`${at}: #anchor takes a bone name and optionally the word "trail"`);
+                    return;
+                }
+                d.anchors.push({ bone: args[0], trail: args[1] === "trail" });
+                return;
+            }
+            case "param": {
+                const [kind, name, ...rest] = args;
+                if (!name || !/^[a-zA-Z_][a-zA-Z0-9_]*$/.test(name)) {
+                    errors.push(`${at}: #param needs a WGSL identifier for a name`);
+                    return;
+                }
+                if (kind === "color") {
+                    if (!/^#[0-9a-fA-F]{6}$/.test(rest[0] ?? "")) {
+                        errors.push(`${at}: #param color ${name} needs a default like #3b82f6`);
+                        return;
+                    }
+                    d.params.push({ name, kind: "color", value: rest[0] });
+                    return;
+                }
+                if (kind === "vec3") {
+                    const v = rest.slice(0, 3).map(num);
+                    if (v.length !== 3 || v.some((x) => x === null)) {
+                        errors.push(`${at}: #param vec3 ${name} needs three numbers`);
+                        return;
+                    }
+                    d.params.push({ name, kind: "vec3", value: v });
+                    return;
+                }
+                if (kind === "float") {
+                    const v = num(rest[0]);
+                    if (v === null) {
+                        errors.push(`${at}: #param float ${name} needs a default`);
+                        return;
+                    }
+                    const lo = num(rest[1]);
+                    const hi = num(rest[2]);
+                    // A range is optional and all-or-nothing: half of one is a slider
+                    // with an end nobody chose.
+                    if ((rest[1] !== undefined) !== (rest[2] !== undefined) || (rest[1] !== undefined && (lo === null || hi === null))) {
+                        errors.push(`${at}: #param float ${name} takes both a min and a max, or neither`);
+                        return;
+                    }
+                    d.params.push({ name, kind: "float", value: v, ...(lo !== null && hi !== null ? { min: lo, max: hi } : {}) });
+                    return;
+                }
+                errors.push(`${at}: #param kind must be float, color or vec3`);
+                return;
+            }
+            case "halfres":
+                d.fieldLayer = 1;
+                return;
+            case "layer":
+                if (args[0] !== "additive") {
+                    errors.push(`${at}: #layer takes "additive" — over is the default`);
+                    return;
+                }
+                d.additiveLayer = true;
+                return;
+            case "blend":
+                if (args[0] !== "additive") {
+                    errors.push(`${at}: #blend takes "additive" — alpha is the default`);
+                    return;
+                }
+                d.particleBlend = "additive";
+                return;
+            case "bloom":
+                d.bloom = true;
+                return;
+            case "dissolve":
+                d.dissolve = true;
+                return;
+            case "duration": {
+                // SECONDS, like every other time a directive states (see #dissolve).
+                // The document above works in frames and converts once; an author
+                // writing a shader is thinking about how long a flare takes, not about
+                // MMD's frame rate.
+                const n = num(args[0]);
+                if (n === null || n <= 0) {
+                    errors.push(`${at}: #duration takes a length in seconds`);
+                    return;
+                }
+                d.duration = n;
+                return;
+            }
+            default: {
+                // The three that take a count.
+                const n = num(args[0]);
+                if (n === null || n < 0) {
+                    errors.push(`${at}: #${tag} takes a number`);
+                    return;
+                }
+                if (tag === "particles")
+                    d.particles = n;
+                else if (tag === "lights")
+                    d.lights = n;
+                else if (tag === "grid")
+                    d.grid = n;
+                return;
+            }
+        }
+    });
+    // Duplicates are an author editing one line and forgetting another; last-wins
+    // is a coin toss they never see resolved.
+    const names = new Set();
+    for (const p of d.params) {
+        if (names.has(p.name))
+            errors.push(`#param ${p.name} is declared twice`);
+        names.add(p.name);
+    }
+    return { directives: d, errors };
+}
+/**
+ * The source as the compiler should see it: every directive line blanked.
+ *
+ * Blanked rather than removed so line numbers survive — a diagnostic points at
+ * the line the author is looking at, which is the whole reason the engine
+ * rebases them in the first place.
+ */
+export function stripDirectives(wgsl) {
+    return wgsl
+        .split("\n")
+        .map((line) => (LINE.test(line) ? "" : line))
+        .join("\n");
+}

package/dist/shaders/lights.d.ts

@@ -12,16 +12,6 @@ export declare const LIGHT_STRIDE = 8;
 export declare const MAX_LIGHTS = 16;
 /** Floats in the whole buffer. */
 export declare const LIGHTS_FLOATS: number;
-/**
- * `// @lights 3` — how many lights this effect emits.
- *
- * Declared, like every other mount: what the file says is what gets allocated,
- * so an effect that emits none costs no slots and nobody pays for a cap they
- * did not ask for. Clamped rather than rejected, the same choice `@particles`
- * makes — an author asking for a hundred gets the most the engine will give and
- * a scene that still runs.
- */
-export declare function parseLightCount(wgsl: string, max: number): number;
 /**
  * The RzLight struct, declared in EVERY module a user's source is spliced into.
  *

package/dist/shaders/lights.d.ts.map

@@ -1 +1 @@
-{"version":3,"file":"lights.d.ts","sourceRoot":"","sources":["../../src/shaders/lights.ts"],"names":[],"mappings":"AAgCA;yEACyE;AACzE,eAAO,MAAM,YAAY,IAAI,CAAA;AAC7B,+CAA+C;AAC/C,eAAO,MAAM,YAAY,IAAI,CAAA;AAC7B;;;;;GAKG;AACH,eAAO,MAAM,UAAU,KAAK,CAAA;AAC5B,kCAAkC;AAClC,eAAO,MAAM,aAAa,QAA2C,CAAA;AAErE;;;;;;;;GAQG;AACH,wBAAgB,eAAe,CAAC,IAAI,EAAE,MAAM,EAAE,GAAG,EAAE,MAAM,GAAG,MAAM,CAIjE;AAED;;;;;;;;GAQG;AACH,eAAO,MAAM,oBAAoB,qJAQhC,CAAA;AAED;;;;;;;;GAQG;AACH,eAAO,MAAM,kBAAkB,idAa9B,CAAA;AAED,8CAA8C;AAC9C,wBAAgB,YAAY,CAAC,IAAI,EAAE,MAAM,GAAG,OAAO,CAElD;AAED;;;;;;;;;;;;;;;;;;;;;;;;;;GA0BG;AACH,wBAAgB,oBAAoB,CAClC,IAAI,EAAE,MAAM,EACZ,QAAQ,EAAE,MAAM,EAChB,IAAI,EAAE;IAAE,UAAU,EAAE,MAAM,CAAA;CAAE,GAC3B,MAAM,CAqER;AAED,6EAA6E;AAC7E,wBAAgB,SAAS,CAAC,KAAK,EAAE,MAAM,EAAE,OAAO,EAAE,MAAM,GAAG,MAAM,CAkEhE"}
+{"version":3,"file":"lights.d.ts","sourceRoot":"","sources":["../../src/shaders/lights.ts"],"names":[],"mappings":"AAgCA;yEACyE;AACzE,eAAO,MAAM,YAAY,IAAI,CAAA;AAC7B,+CAA+C;AAC/C,eAAO,MAAM,YAAY,IAAI,CAAA;AAC7B;;;;;GAKG;AACH,eAAO,MAAM,UAAU,KAAK,CAAA;AAC5B,kCAAkC;AAClC,eAAO,MAAM,aAAa,QAA2C,CAAA;AAErE;;;;;;;;GAQG;AACH,eAAO,MAAM,oBAAoB,qJAQhC,CAAA;AAED;;;;;;;;GAQG;AACH,eAAO,MAAM,kBAAkB,idAa9B,CAAA;AAED,8CAA8C;AAC9C,wBAAgB,YAAY,CAAC,IAAI,EAAE,MAAM,GAAG,OAAO,CAElD;AAED;;;;;;;;;;;;;;;;;;;;;;;;;;GA0BG;AACH,wBAAgB,oBAAoB,CAClC,IAAI,EAAE,MAAM,EACZ,QAAQ,EAAE,MAAM,EAChB,IAAI,EAAE;IAAE,UAAU,EAAE,MAAM,CAAA;CAAE,GAC3B,MAAM,CA4ER;AAED,6EAA6E;AAC7E,wBAAgB,SAAS,CAAC,KAAK,EAAE,MAAM,EAAE,OAAO,EAAE,MAAM,GAAG,MAAM,CAkEhE"}

package/dist/shaders/lights.js

@@ -42,21 +42,6 @@ export const LIGHT_STRIDE = 8;
 export const MAX_LIGHTS = 16;
 /** Floats in the whole buffer. */
 export const LIGHTS_FLOATS = LIGHT_HEADER + MAX_LIGHTS * LIGHT_STRIDE;
-/**
- * `// @lights 3` — how many lights this effect emits.
- *
- * Declared, like every other mount: what the file says is what gets allocated,
- * so an effect that emits none costs no slots and nobody pays for a cap they
- * did not ask for. Clamped rather than rejected, the same choice `@particles`
- * makes — an author asking for a hundred gets the most the engine will give and
- * a scene that still runs.
- */
-export function parseLightCount(wgsl, max) {
-    const m = /^\s*\/\/\s*@lights\s+(\d+)\s*$/m.exec(wgsl);
-    if (!m)
-        return 0;
-    return Math.max(1, Math.min(max, parseInt(m[1], 10)));
-}
 /**
  * The RzLight struct, declared in EVERY module a user's source is spliced into.
  *
@@ -134,8 +119,8 @@ export function buildLightEmitShader(wgsl, sceneApi, cast) {
 // read_write HERE and read-only in the material shaders. Different passes, so
 // the two never coexist: this compute runs before the scene pass that reads it.
 @group(0) @binding(0) var<storage, read_write> _rzLightsOut: array<f32>;
-// (time, base slot, count, _) — see buildLightEmitShader on why the base is
-// here and not in the text.
+// (time, base slot, count, weight) — see buildLightEmitShader on why the base
+// is here and not in the text.
 @group(0) @binding(1) var<uniform> _rzLightU: vec4f;
 // The camera block and the cast — the two buffers the scene API reads. Same
 // contents the field and grid modules bind, so an effect's lightEmit sees the
@@ -185,12 +170,19 @@ fn lightEmitMain(@builtin(global_invocation_id) gid: vec3u) {
   let finite = l.pos.x == l.pos.x && l.pos.y == l.pos.y && l.pos.z == l.pos.z &&
     l.radius == l.radius && l.intensity == l.intensity &&
     l.color.x == l.color.x && l.color.y == l.color.y && l.color.z == l.color.z;
-  let c = select(vec3f(0.0), max(l.color * l.intensity, vec3f(0.0)), finite);
+  // Weight rides along with the sanitisation, which is already the one place
+  // this buffer is written: a lamp at half weight is half as bright, and one
+  // at zero never reaches here because the dispatch is skipped.
+  let c = select(vec3f(0.0), max(l.color * l.intensity, vec3f(0.0)), finite) * _rzLightU.w;
   let b = ${LIGHT_HEADER}u + (u32(_rzLightU.y) + i) * ${LIGHT_STRIDE}u;
   _rzLightsOut[b] = select(0.0, l.pos.x, finite);
   _rzLightsOut[b + 1u] = select(0.0, l.pos.y, finite);
   _rzLightsOut[b + 2u] = select(0.0, l.pos.z, finite);
-  _rzLightsOut[b + 3u] = select(0.0, max(l.radius, 0.0), finite);
+  // Radius goes to zero when the effect is OFF, and is left alone at every
+  // weight above it. Scaling it with the fade would shrink a dimming lamp's
+  // reach, which is a different thing than dimming it; zeroing it at nothing
+  // is what lets a material's distance cull drop the slot entirely.
+  _rzLightsOut[b + 3u] = select(0.0, max(l.radius, 0.0), finite && _rzLightU.w > 0.0);
   // Colour carries intensity, exactly as the CPU writer stores it — one product,
   // one place, so the two producers cannot disagree about what a slot means.
   _rzLightsOut[b + 4u] = c.x;

package/dist/shaders/passes/composite.d.ts

@@ -34,13 +34,13 @@
 /**
  * The bones an effect asked for, in declaration order — the slots rzAnchor reads.
  *
- *     // @anchor 左手首 trail
- *     // @anchor 頭
+ *     #anchor 左手首 trail
+ *     #anchor 頭
  *
  * A declaration in the source, like the mounts: what a file names is what gets
  * resolved and uploaded, so naming none costs nothing and nobody pays for a
  * rig's other five hundred bones. Anchored to the start of a line so that
- * writing the word @anchor in ordinary prose does not silently add a slot —
+ * writing the word #anchor in ordinary prose does not silently add a slot —
  * which would shift every slot after it.
  *
  * `trail` additionally keeps that bone's recent PATH, for rzTrail. Opt-in
@@ -64,7 +64,7 @@ type CompositeEffectSource = {
     hasBackground: boolean;
     /** Defines `fn foreground(...)` — mount over the finished frame. */
     hasForeground: boolean;
-    /** Grid resolution when the effect declared `// @grid`, else 0. */
+    /** Grid resolution when the effect declared `#grid`, else 0. */
     gridSize: number;
     /** Whether the scene pass carries the id attachment, so the field module can
      *  bind it. False emits accessors that answer 0 rather than nothing at all. */
@@ -92,7 +92,7 @@ type CompositeEffectSource = {
  * Depends on `viewU` and `_rzCast` being declared by the including module, and
  * on nothing else: no textures, no samplers.
  */
-export declare const EFFECT_SCENE_API = "\n// \u2500\u2500 The effect API \u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\n//\n// Named rz*, for the engine. The prefix earns its place twice: user code is\n// concatenated into THIS module, so an unprefixed rzAnchor() would collide with\n// exactly the helper an author would write, and the old bg* prefix stopped being\n// true in 0.41.0 when effects gained a mount over the finished frame.\n//\n// The bg* names below are permanent aliases, not a deprecation with an end date.\n// A published link is immutable, so a scene pinned to a bg* effect has to keep\n// compiling forever. They are one-line and inlined; no new function gets one.\n\n/** Canvas size in pixels \u2014 for aspect correction. */\nfn rzResolution() -> vec2f { return viewU[6].zw; }\n\n/** The camera's world position. */\nfn rzCameraPos() -> vec3f { return viewU[10].xyz; }\n\n/** How many characters are in the scene, up to four. */\nfn rzSubjectCount() -> i32 { return i32(viewU[10].w); }\n\n/**\n * A world point as the camera sees it: xy the uv it lands on, z its distance\n * along the VIEW AXIS in metres.\n *\n * The exact inverse of the ray this pass builds per pixel, so it is the cheap way\n * to work with anything anchored in the world. Marching a curve or a trail in 3D\n * costs a distance evaluation per sample per pixel; projecting its points once\n * and measuring in 2D costs a subtraction, which is the difference between a\n * ribbon that runs at 4K and one that does not.\n *\n * z is directly comparable to the depth handed to foreground(), so occlusion is\n * a single test: draw where your z is nearer than the scene's. It is returned\n * SIGNED and unclamped \u2014 behind the camera is negative, and worth rejecting\n * before you use the uv, which is meaningless there.\n */\nfn rzProject(p: vec3f) -> vec3f {\n  let d = p - viewU[10].xyz;\n  let z = dot(d, viewU[5].xyz);\n  // Guard only the divide. z itself is returned as it is, so the caller can see\n  // the sign; clamping it here would put points behind the lens on the horizon.\n  let inv = 1.0 / select(z, 1e-4, z < 1e-4);\n  let ndc = vec2f(dot(d, viewU[3].xyz) * inv / viewU[3].w, dot(d, viewU[4].xyz) * inv / viewU[4].w);\n  return vec3f(ndc * 0.5 + 0.5, z);\n}\n\nfn rzCamPos() -> vec3f { return rzCameraPos(); }\nfn rzCameraRight() -> vec3f { return viewU[3].xyz; }\nfn rzCameraUp() -> vec3f { return viewU[4].xyz; }\nfn rzCameraForward() -> vec3f { return viewU[5].xyz; }\n\n// The cast \u2014 subjects, anchors, trails \u2014 is CAST_API, shared verbatim with the\n// particle and trail modules. It used to be written out here, a second time, and\n// the two copies had drifted: this one had rzAnchor and that one did not.\n\nconst RZ_SUBJECTS: i32 = 4;\nconst RZ_SAMPLES: i32 = 128;\n/** The anchor ADDRESS SPACE \u2014 how many an effect may declare, not how many it\n *  did. RZ_TRAIL_SLOTS is the per-effect number and is not this one; the two\n *  being one number was the old trail bug. */\nconst RZ_MAX_ANCHORS: i32 = 16;\nconst RZ_TRAIL_SAMPLES: i32 = 128;\n\nstruct RzSubject {\n  /** On the FLOOR, under the body \u2014 where a ring or a magic circle belongs. */\n  root: vec3f,\n  /** At the hips, the middle of the body \u2014 where an aura belongs. */\n  center: vec3f,\n  /** Bounding sphere: xyz centre, w radius. Deliberately generous \u2014 cull with it. */\n  bounds: vec4f,\n  /**\n   * How much of this character is still THERE: 1 whole, 0 gone.\n   *\n   * What setModelDissolve last set on them, which the material pass has already\n   * acted on by the time an effect runs \u2014 so an effect drawing what LEAVES a\n   * dissolving body (sparks, ash, a ghost) reads the same number the body was\n   * taken apart with, rather than keeping a clock of its own and hoping the two\n   * agree. 1 on a scene that never dissolves anybody.\n   */\n  dissolve: f32,\n  /** False past the end of the cast, and every field is then zero. */\n  valid: bool,\n}\n\nstruct RzAnchor {\n  pos: vec3f,\n  /** World units per second, from the previous frame. Direction for a trail,\n   *  magnitude for anything that should react to how hard someone is moving. */\n  vel: vec3f,\n  /** The bone's forward axis \u2014 which way a foot points, where a head looks. */\n  fwd: vec3f,\n  /** False when this rig has no such bone. Check it: the alternative is drawing\n   *  a hand effect at the world origin on every model that spells it differently. */\n  valid: bool,\n}\n\n/** Which model this is, stable across a scene \u2014 for per-subject variation. */\nfn rzSubjectId(i: i32) -> u32 {\n  if (i < 0 || i >= rzSubjectCount()) { return 0u; }\n  return u32(_rzCast[i * 3 + 1].w);\n}\n\nfn rzSubject(i: i32) -> RzSubject {\n  var s: RzSubject;\n  s.valid = i >= 0 && i < rzSubjectCount();\n  if (!s.valid) { return s; }\n  let b = i * 3;\n  s.root = _rzCast[b].xyz;\n  s.dissolve = _rzCast[b].w;\n  s.center = _rzCast[b + 1].xyz;\n  s.bounds = _rzCast[b + 2];\n  return s;\n}\n\n/**\n * Where a named bone is, this frame.\n *\n * The slot is the author's own: the Nth @anchor in their file, in the order\n * they wrote them. _rzSlot turns that into the scene's address, which is what\n * keeps two effects that both anchor to a wrist from reading each other's.\n */\nfn rzAnchor(subject: i32, slot: i32) -> RzAnchor {\n  var a: RzAnchor;\n  a.valid = false;\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return a; }\n  let b = 12 + (g * 4 + subject) * 3;\n  a.valid = _rzCast[b].w > 0.5;\n  a.pos = _rzCast[b].xyz;\n  a.vel = _rzCast[b + 1].xyz;\n  a.fwd = _rzCast[b + 2].xyz;\n  return a;\n}\n\n/**\n * How many samples of a path are recorded \u2014 0 for an anchor that asked for no\n * trail, and for one that has not moved yet.\n *\n * Bounded by the anchor cap, NOT by how many anchors asked for a trail. Those\n * are different index spaces: storage is addressed by anchor slot, so an\n * untrailed @anchor followed by a trailed one put the trail at index 1 with a\n * bound of 1 and rzTrail returned zero \u2014 a ribbon that silently did not draw.\n */\nfn rzTrailCount(subject: i32, slot: i32) -> i32 {\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return 0; }\n  return i32(_rzCast[12 + (g * 4 + subject) * 3 + 2].w);\n}\n\n/** Sample i of a path: xyz where it was, w how many seconds ago. i = 0 is now. */\nfn rzTrail(subject: i32, slot: i32, i: i32) -> vec4f {\n  let n = rzTrailCount(subject, slot);\n  if (i < 0 || i >= n) { return vec4f(0.0); }\n  let base = 204 + (_rzSlot(slot) * 4 + subject) * RZ_TRAIL_SAMPLES;\n  return _rzCast[base + i];\n}\n\n\n// The hashes, the noise and rzFalloff \u2014 EFFECT_MATH_API, the same text the\n// particle and trail modules get. The field module used to be missing most of\n// it, so a helper an author wrote for one mount failed to compile in another\n// for no reason visible in the file.\n\nfn rzHash11(x: f32) -> f32 {\n  var p = fract(x * 0.1031);\n  p = p * (p + 33.33);\n  return fract(p * (p + p));\n}\nfn rzHash21(p: vec2f) -> f32 {\n  var p3 = fract(vec3f(p.x, p.y, p.x) * 0.1031);\n  p3 = p3 + dot(p3, p3.yzx + 33.33);\n  return fract((p3.x + p3.y) * p3.z);\n}\n/** Three independent randoms from one seed \u2014 the usual need when spawning. */\nfn rzHash13(x: f32) -> vec3f {\n  return vec3f(rzHash11(x), rzHash11(x + 17.13), rzHash11(x + 41.71));\n}\n/**\n * Compact-support falloff: 1 at the centre, exactly 0 at r, smooth between.\n *\n * It reaches exactly zero rather than merely getting small, because a glow that\n * never quite ends has to be culled somewhere, and culling it wherever it looks\n * close enough is what put a visible hard edge on the first halo effect.\n */\nfn rzFalloff(d: f32, r: f32) -> f32 {\n  let x = clamp(d / max(r, 1e-6), 0.0, 1.0);\n  let f = 1.0 - x;\n  return f * f * f;\n}\nfn rzHash31(p: vec3f) -> f32 {\n  var p3 = fract(p * 0.1031);\n  p3 = p3 + dot(p3, p3.zyx + 31.32);\n  return fract((p3.x + p3.y) * p3.z);\n}\nfn rzValueNoise(p: vec3f) -> f32 {\n  let i = floor(p);\n  let f = fract(p);\n  let u = f * f * (3.0 - 2.0 * f);\n  let n000 = rzHash31(i);\n  let n100 = rzHash31(i + vec3f(1.0, 0.0, 0.0));\n  let n010 = rzHash31(i + vec3f(0.0, 1.0, 0.0));\n  let n110 = rzHash31(i + vec3f(1.0, 1.0, 0.0));\n  let n001 = rzHash31(i + vec3f(0.0, 0.0, 1.0));\n  let n101 = rzHash31(i + vec3f(1.0, 0.0, 1.0));\n  let n011 = rzHash31(i + vec3f(0.0, 1.0, 1.0));\n  let n111 = rzHash31(i + vec3f(1.0, 1.0, 1.0));\n  let x00 = mix(n000, n100, u.x);\n  let x10 = mix(n010, n110, u.x);\n  let x01 = mix(n001, n101, u.x);\n  let x11 = mix(n011, n111, u.x);\n  return mix(mix(x00, x10, u.y), mix(x01, x11, u.y), u.z);\n}\n/** Divergence-free flow \u2014 the field a wisp of smoke follows without a solver. */\nfn rzCurlNoise(p: vec3f) -> vec3f {\n  let e = 0.1;\n  let dx = vec3f(e, 0.0, 0.0);\n  let dy = vec3f(0.0, e, 0.0);\n  let dz = vec3f(0.0, 0.0, e);\n  let x0 = rzValueNoise(p - dx); let x1 = rzValueNoise(p + dx);\n  let y0 = rzValueNoise(p - dy); let y1 = rzValueNoise(p + dy);\n  let z0 = rzValueNoise(p - dz); let z1 = rzValueNoise(p + dz);\n  return normalize(vec3f((y1 - y0) - (z1 - z0), (z1 - z0) - (x1 - x0), (x1 - x0) - (y1 - y0)) + vec3f(1e-6));\n}\n\nstruct Particle {\n  pos: vec3f,\n  age: f32,\n  vel: vec3f,\n  life: f32,\n  size: f32,\n  rot: f32,\n  seed: f32,\n  // Aspect along the direction of travel. 1 or less is a square billboard; a\n  // raindrop is 10 or 20. Zero-initialised, so an effect that never sets it gets\n  // the square it expects.\n  stretch: f32,\n}\n\n\n\nfn bgResolution() -> vec2f { return rzResolution(); }\nfn bgCameraPos() -> vec3f { return rzCameraPos(); }\nfn bgSubjectCount() -> i32 { return rzSubjectCount(); }\n\n/**\n * Where a character IS, in world space \u2014 at the hips, not on the floor.\n *\n * An effect that wants to RESPOND to the cast \u2014 a glow that follows someone,\n * dust kicked up where they are \u2014 needs to know where they are, and the ray and\n * the depth cannot tell it: they describe the pixel, not the scene.\n *\n * The value is model.position + \u30BB\u30F3\u30BF\u30FC + \u5168\u3066\u306E\u89AA. \u30BB\u30F3\u30BF\u30FC sits at hip\n * height on every standard MMD rig, so this is a point in the middle of the\n * body. It is NOT the contact point: a ripple drawn here appears at the waist.\n * Ground effects want the .xz of this and their own floor height, which is what\n * the effects that shipped against it already do.\n *\n * The comment here used to claim it was \"between the feet on the floor\", which\n * is where that habit came from. Left as it is regardless of the name: a\n * published link is immutable, so every shared scene pinning an effect that\n * reads this depends on it meaning exactly what it has always meant.\n *\n * Clamped rather than bounds-checked: an effect looping past the count reads the\n * last subject instead of sampling whatever follows the array, which is a wrong\n * ripple rather than an undefined one.\n */\nfn rzSubjectHip(i: i32) -> vec3f { return viewU[11 + clamp(i, 0, 3)].xyz; }\n\nfn bgSubjectPos(i: i32) -> vec3f { return rzSubjectHip(i); }\n\n/** Where in the WORLD the scene drew this pixel \u2014 the depth handed to\n *  foreground() turned into a place. Without it an effect can only think in\n *  distances from the lens, which is no use to anything that belongs somewhere:\n *  fog lying on the ground has to know where the ground is.\n *\n *  depth measures along the VIEW AXIS, not along the ray, so it is divided by\n *  the ray's projection onto camera-forward before being walked out. At the far\n *  plane (nothing drawn) this lands a very long way off, which is what a sky\n *  should do to anything reading it. */\nfn rzWorldPos(ray: vec3f, depth: f32) -> vec3f {\n  let axis = max(dot(normalize(ray), viewU[5].xyz), 1e-4);\n  return rzCameraPos() + normalize(ray) * (depth / axis);\n}\n\nfn bgWorldPos(ray: vec3f, depth: f32) -> vec3f { return rzWorldPos(ray, depth); }\n\n/** What an effect returns for one of its lights. */\nstruct RzLight {\n  pos: vec3f,\n  color: vec3f,\n  intensity: f32,\n  radius: f32,\n}\n\n\n/** Color grading, applied to the tonemapped SCENE (not the background \u2014 see the\n *  call site). The core is ASC CDL, the film-industry interchange standard:\n *\n *      out = (in \u00B7 slope + offset) ^ power        then saturation  (SOP \u2192 SAT)\n *\n *  Using the real standard rather than invented controls means a look authored\n *  here maps onto any grading tool. slope/offset/power are derived on the CPU\n *  from the UI's shadow/midtone/highlight colors (see setColorGrading), so the\n *  per-pixel cost is one mul-add, one pow, one lerp. */\nfn grade(c: vec3f) -> vec3f {\n  var x = pow(max(c * viewU[9].xyz + viewU[7].xyz, vec3f(0.0)), viewU[8].xyz);\n  // Contrast pivots on 0.5 \u2014 display-referred midpoint, since we grade post-Filmic.\n  x = (x - vec3f(0.5)) * viewU[7].w + vec3f(0.5);\n  // Rec.709 luma, matching the ASC SAT node.\n  let luma = dot(x, vec3f(0.2126, 0.7152, 0.0722));\n  return max(mix(vec3f(luma), x, viewU[8].w), vec3f(0.0));\n}\n";
+export declare const EFFECT_SCENE_API = "\n// \u2500\u2500 The effect API \u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\n//\n// Named rz*, for the engine. The prefix earns its place twice: user code is\n// concatenated into THIS module, so an unprefixed rzAnchor() would collide with\n// exactly the helper an author would write, and the old bg* prefix stopped being\n// true in 0.41.0 when effects gained a mount over the finished frame.\n//\n// The bg* names below are permanent aliases, not a deprecation with an end date.\n// A published link is immutable, so a scene pinned to a bg* effect has to keep\n// compiling forever. They are one-line and inlined; no new function gets one.\n\n/** Canvas size in pixels \u2014 for aspect correction. */\nfn rzResolution() -> vec2f { return viewU[6].zw; }\n\n/** The camera's world position. */\nfn rzCameraPos() -> vec3f { return viewU[10].xyz; }\n\n/** How many characters are in the scene, up to four. */\nfn rzSubjectCount() -> i32 { return i32(viewU[10].w); }\n\n/**\n * A world point as the camera sees it: xy the uv it lands on, z its distance\n * along the VIEW AXIS in metres.\n *\n * The exact inverse of the ray this pass builds per pixel, so it is the cheap way\n * to work with anything anchored in the world. Marching a curve or a trail in 3D\n * costs a distance evaluation per sample per pixel; projecting its points once\n * and measuring in 2D costs a subtraction, which is the difference between a\n * ribbon that runs at 4K and one that does not.\n *\n * z is directly comparable to the depth handed to foreground(), so occlusion is\n * a single test: draw where your z is nearer than the scene's. It is returned\n * SIGNED and unclamped \u2014 behind the camera is negative, and worth rejecting\n * before you use the uv, which is meaningless there.\n */\nfn rzProject(p: vec3f) -> vec3f {\n  let d = p - viewU[10].xyz;\n  let z = dot(d, viewU[5].xyz);\n  // Guard only the divide. z itself is returned as it is, so the caller can see\n  // the sign; clamping it here would put points behind the lens on the horizon.\n  let inv = 1.0 / select(z, 1e-4, z < 1e-4);\n  let ndc = vec2f(dot(d, viewU[3].xyz) * inv / viewU[3].w, dot(d, viewU[4].xyz) * inv / viewU[4].w);\n  return vec3f(ndc * 0.5 + 0.5, z);\n}\n\nfn rzCamPos() -> vec3f { return rzCameraPos(); }\nfn rzCameraRight() -> vec3f { return viewU[3].xyz; }\nfn rzCameraUp() -> vec3f { return viewU[4].xyz; }\nfn rzCameraForward() -> vec3f { return viewU[5].xyz; }\n\n// The cast \u2014 subjects, anchors, trails \u2014 is CAST_API, shared verbatim with the\n// particle and trail modules. It used to be written out here, a second time, and\n// the two copies had drifted: this one had rzAnchor and that one did not.\n\nconst RZ_SUBJECTS: i32 = 4;\nconst RZ_SAMPLES: i32 = 128;\n/** The anchor ADDRESS SPACE \u2014 how many an effect may declare, not how many it\n *  did. RZ_TRAIL_SLOTS is the per-effect number and is not this one; the two\n *  being one number was the old trail bug. */\nconst RZ_MAX_ANCHORS: i32 = 16;\nconst RZ_TRAIL_SAMPLES: i32 = 128;\n\nstruct RzSubject {\n  /** On the FLOOR, under the body \u2014 where a ring or a magic circle belongs. */\n  root: vec3f,\n  /** At the hips, the middle of the body \u2014 where an aura belongs. */\n  center: vec3f,\n  /** Bounding sphere: xyz centre, w radius. Deliberately generous \u2014 cull with it. */\n  bounds: vec4f,\n  /**\n   * How much of this character is still THERE: 1 whole, 0 gone.\n   *\n   * What setModelDissolve last set on them, which the material pass has already\n   * acted on by the time an effect runs \u2014 so an effect drawing what LEAVES a\n   * dissolving body (sparks, ash, a ghost) reads the same number the body was\n   * taken apart with, rather than keeping a clock of its own and hoping the two\n   * agree. 1 on a scene that never dissolves anybody.\n   */\n  dissolve: f32,\n  /** False past the end of the cast, and every field is then zero. */\n  valid: bool,\n}\n\nstruct RzAnchor {\n  pos: vec3f,\n  /** World units per second, from the previous frame. Direction for a trail,\n   *  magnitude for anything that should react to how hard someone is moving. */\n  vel: vec3f,\n  /** The bone's forward axis \u2014 which way a foot points, where a head looks. */\n  fwd: vec3f,\n  /** False when this rig has no such bone. Check it: the alternative is drawing\n   *  a hand effect at the world origin on every model that spells it differently. */\n  valid: bool,\n}\n\n/** Which model this is, stable across a scene \u2014 for per-subject variation. */\nfn rzSubjectId(i: i32) -> u32 {\n  if (i < 0 || i >= rzSubjectCount()) { return 0u; }\n  return u32(_rzCast[i * 3 + 1].w);\n}\n\nfn rzSubject(i: i32) -> RzSubject {\n  var s: RzSubject;\n  s.valid = i >= 0 && i < rzSubjectCount();\n  if (!s.valid) { return s; }\n  let b = i * 3;\n  s.root = _rzCast[b].xyz;\n  s.dissolve = _rzCast[b].w;\n  s.center = _rzCast[b + 1].xyz;\n  s.bounds = _rzCast[b + 2];\n  return s;\n}\n\n/**\n * Where a named bone is, this frame.\n *\n * The slot is the author's own: the Nth #anchor in their file, in the order\n * they wrote them. _rzSlot turns that into the scene's address, which is what\n * keeps two effects that both anchor to a wrist from reading each other's.\n */\nfn rzAnchor(subject: i32, slot: i32) -> RzAnchor {\n  var a: RzAnchor;\n  a.valid = false;\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return a; }\n  let b = 12 + (g * 4 + subject) * 3;\n  a.valid = _rzCast[b].w > 0.5;\n  a.pos = _rzCast[b].xyz;\n  a.vel = _rzCast[b + 1].xyz;\n  a.fwd = _rzCast[b + 2].xyz;\n  return a;\n}\n\n/**\n * How many samples of a path are recorded \u2014 0 for an anchor that asked for no\n * trail, and for one that has not moved yet.\n *\n * Bounded by the anchor cap, NOT by how many anchors asked for a trail. Those\n * are different index spaces: storage is addressed by anchor slot, so an\n * untrailed #anchor followed by a trailed one put the trail at index 1 with a\n * bound of 1 and rzTrail returned zero \u2014 a ribbon that silently did not draw.\n */\nfn rzTrailCount(subject: i32, slot: i32) -> i32 {\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return 0; }\n  return i32(_rzCast[12 + (g * 4 + subject) * 3 + 2].w);\n}\n\n/** Sample i of a path: xyz where it was, w how many seconds ago. i = 0 is now. */\nfn rzTrail(subject: i32, slot: i32, i: i32) -> vec4f {\n  let n = rzTrailCount(subject, slot);\n  if (i < 0 || i >= n) { return vec4f(0.0); }\n  let base = 204 + (_rzSlot(slot) * 4 + subject) * RZ_TRAIL_SAMPLES;\n  return _rzCast[base + i];\n}\n\n\n// The hashes, the noise and rzFalloff \u2014 EFFECT_MATH_API, the same text the\n// particle and trail modules get. The field module used to be missing most of\n// it, so a helper an author wrote for one mount failed to compile in another\n// for no reason visible in the file.\n\nfn rzHash11(x: f32) -> f32 {\n  var p = fract(x * 0.1031);\n  p = p * (p + 33.33);\n  return fract(p * (p + p));\n}\nfn rzHash21(p: vec2f) -> f32 {\n  var p3 = fract(vec3f(p.x, p.y, p.x) * 0.1031);\n  p3 = p3 + dot(p3, p3.yzx + 33.33);\n  return fract((p3.x + p3.y) * p3.z);\n}\n/** Three independent randoms from one seed \u2014 the usual need when spawning. */\nfn rzHash13(x: f32) -> vec3f {\n  return vec3f(rzHash11(x), rzHash11(x + 17.13), rzHash11(x + 41.71));\n}\n/**\n * Compact-support falloff: 1 at the centre, exactly 0 at r, smooth between.\n *\n * It reaches exactly zero rather than merely getting small, because a glow that\n * never quite ends has to be culled somewhere, and culling it wherever it looks\n * close enough is what put a visible hard edge on the first halo effect.\n */\nfn rzFalloff(d: f32, r: f32) -> f32 {\n  let x = clamp(d / max(r, 1e-6), 0.0, 1.0);\n  let f = 1.0 - x;\n  return f * f * f;\n}\nfn rzHash31(p: vec3f) -> f32 {\n  var p3 = fract(p * 0.1031);\n  p3 = p3 + dot(p3, p3.zyx + 31.32);\n  return fract((p3.x + p3.y) * p3.z);\n}\nfn rzValueNoise(p: vec3f) -> f32 {\n  let i = floor(p);\n  let f = fract(p);\n  let u = f * f * (3.0 - 2.0 * f);\n  let n000 = rzHash31(i);\n  let n100 = rzHash31(i + vec3f(1.0, 0.0, 0.0));\n  let n010 = rzHash31(i + vec3f(0.0, 1.0, 0.0));\n  let n110 = rzHash31(i + vec3f(1.0, 1.0, 0.0));\n  let n001 = rzHash31(i + vec3f(0.0, 0.0, 1.0));\n  let n101 = rzHash31(i + vec3f(1.0, 0.0, 1.0));\n  let n011 = rzHash31(i + vec3f(0.0, 1.0, 1.0));\n  let n111 = rzHash31(i + vec3f(1.0, 1.0, 1.0));\n  let x00 = mix(n000, n100, u.x);\n  let x10 = mix(n010, n110, u.x);\n  let x01 = mix(n001, n101, u.x);\n  let x11 = mix(n011, n111, u.x);\n  return mix(mix(x00, x10, u.y), mix(x01, x11, u.y), u.z);\n}\n/** Divergence-free flow \u2014 the field a wisp of smoke follows without a solver. */\nfn rzCurlNoise(p: vec3f) -> vec3f {\n  let e = 0.1;\n  let dx = vec3f(e, 0.0, 0.0);\n  let dy = vec3f(0.0, e, 0.0);\n  let dz = vec3f(0.0, 0.0, e);\n  let x0 = rzValueNoise(p - dx); let x1 = rzValueNoise(p + dx);\n  let y0 = rzValueNoise(p - dy); let y1 = rzValueNoise(p + dy);\n  let z0 = rzValueNoise(p - dz); let z1 = rzValueNoise(p + dz);\n  return normalize(vec3f((y1 - y0) - (z1 - z0), (z1 - z0) - (x1 - x0), (x1 - x0) - (y1 - y0)) + vec3f(1e-6));\n}\n\nstruct Particle {\n  pos: vec3f,\n  age: f32,\n  vel: vec3f,\n  life: f32,\n  size: f32,\n  rot: f32,\n  seed: f32,\n  // Aspect along the direction of travel. 1 or less is a square billboard; a\n  // raindrop is 10 or 20. Zero-initialised, so an effect that never sets it gets\n  // the square it expects.\n  stretch: f32,\n}\n\n\n\nfn bgResolution() -> vec2f { return rzResolution(); }\nfn bgCameraPos() -> vec3f { return rzCameraPos(); }\nfn bgSubjectCount() -> i32 { return rzSubjectCount(); }\n\n/**\n * Where a character IS, in world space \u2014 at the hips, not on the floor.\n *\n * An effect that wants to RESPOND to the cast \u2014 a glow that follows someone,\n * dust kicked up where they are \u2014 needs to know where they are, and the ray and\n * the depth cannot tell it: they describe the pixel, not the scene.\n *\n * The value is model.position + \u30BB\u30F3\u30BF\u30FC + \u5168\u3066\u306E\u89AA. \u30BB\u30F3\u30BF\u30FC sits at hip\n * height on every standard MMD rig, so this is a point in the middle of the\n * body. It is NOT the contact point: a ripple drawn here appears at the waist.\n * Ground effects want the .xz of this and their own floor height, which is what\n * the effects that shipped against it already do.\n *\n * The comment here used to claim it was \"between the feet on the floor\", which\n * is where that habit came from. Left as it is regardless of the name: a\n * published link is immutable, so every shared scene pinning an effect that\n * reads this depends on it meaning exactly what it has always meant.\n *\n * Clamped rather than bounds-checked: an effect looping past the count reads the\n * last subject instead of sampling whatever follows the array, which is a wrong\n * ripple rather than an undefined one.\n */\nfn rzSubjectHip(i: i32) -> vec3f { return viewU[11 + clamp(i, 0, 3)].xyz; }\n\nfn bgSubjectPos(i: i32) -> vec3f { return rzSubjectHip(i); }\n\n/** Where in the WORLD the scene drew this pixel \u2014 the depth handed to\n *  foreground() turned into a place. Without it an effect can only think in\n *  distances from the lens, which is no use to anything that belongs somewhere:\n *  fog lying on the ground has to know where the ground is.\n *\n *  depth measures along the VIEW AXIS, not along the ray, so it is divided by\n *  the ray's projection onto camera-forward before being walked out. At the far\n *  plane (nothing drawn) this lands a very long way off, which is what a sky\n *  should do to anything reading it. */\nfn rzWorldPos(ray: vec3f, depth: f32) -> vec3f {\n  let axis = max(dot(normalize(ray), viewU[5].xyz), 1e-4);\n  return rzCameraPos() + normalize(ray) * (depth / axis);\n}\n\nfn bgWorldPos(ray: vec3f, depth: f32) -> vec3f { return rzWorldPos(ray, depth); }\n\n/** What an effect returns for one of its lights. */\nstruct RzLight {\n  pos: vec3f,\n  color: vec3f,\n  intensity: f32,\n  radius: f32,\n}\n\n\n/** Color grading, applied to the tonemapped SCENE (not the background \u2014 see the\n *  call site). The core is ASC CDL, the film-industry interchange standard:\n *\n *      out = (in \u00B7 slope + offset) ^ power        then saturation  (SOP \u2192 SAT)\n *\n *  Using the real standard rather than invented controls means a look authored\n *  here maps onto any grading tool. slope/offset/power are derived on the CPU\n *  from the UI's shadow/midtone/highlight colors (see setColorGrading), so the\n *  per-pixel cost is one mul-add, one pow, one lerp. */\nfn grade(c: vec3f) -> vec3f {\n  var x = pow(max(c * viewU[9].xyz + viewU[7].xyz, vec3f(0.0)), viewU[8].xyz);\n  // Contrast pivots on 0.5 \u2014 display-referred midpoint, since we grade post-Filmic.\n  x = (x - vec3f(0.5)) * viewU[7].w + vec3f(0.5);\n  // Rec.709 luma, matching the ASC SAT node.\n  let luma = dot(x, vec3f(0.2126, 0.7152, 0.0722));\n  return max(mix(vec3f(luma), x, viewU[8].w), vec3f(0.0));\n}\n";
 export declare function buildCompositeShader(effect?: CompositeEffectSource | null): string;
 export declare function buildFieldShader(effect: CompositeEffectSource): string;
 /** Kept for compatibility with existing imports (the base, no-effect shader). */

package/dist/shaders/passes/composite.d.ts.map

@@ -1 +1 @@
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