reze-engine 0.50.12 → 0.52.0

package/dist/shaders/passes/composite.d.ts

@@ -34,13 +34,13 @@
 /**
  * The bones an effect asked for, in declaration order — the slots rzAnchor reads.
  *
- *     // @anchor 左手首 trail
- *     // @anchor 頭
+ *     #anchor 左手首 trail
+ *     #anchor 頭
  *
  * A declaration in the source, like the mounts: what a file names is what gets
  * resolved and uploaded, so naming none costs nothing and nobody pays for a
  * rig's other five hundred bones. Anchored to the start of a line so that
- * writing the word @anchor in ordinary prose does not silently add a slot —
+ * writing the word #anchor in ordinary prose does not silently add a slot —
  * which would shift every slot after it.
  *
  * `trail` additionally keeps that bone's recent PATH, for rzTrail. Opt-in
@@ -64,7 +64,7 @@ type CompositeEffectSource = {
     hasBackground: boolean;
     /** Defines `fn foreground(...)` — mount over the finished frame. */
     hasForeground: boolean;
-    /** Grid resolution when the effect declared `// @grid`, else 0. */
+    /** Grid resolution when the effect declared `#grid`, else 0. */
     gridSize: number;
     /** Whether the scene pass carries the id attachment, so the field module can
      *  bind it. False emits accessors that answer 0 rather than nothing at all. */
@@ -92,7 +92,7 @@ type CompositeEffectSource = {
  * Depends on `viewU` and `_rzCast` being declared by the including module, and
  * on nothing else: no textures, no samplers.
  */
-export declare const EFFECT_SCENE_API = "\n// \u2500\u2500 The effect API \u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\n//\n// Named rz*, for the engine. The prefix earns its place twice: user code is\n// concatenated into THIS module, so an unprefixed rzAnchor() would collide with\n// exactly the helper an author would write, and the old bg* prefix stopped being\n// true in 0.41.0 when effects gained a mount over the finished frame.\n//\n// The bg* names below are permanent aliases, not a deprecation with an end date.\n// A published link is immutable, so a scene pinned to a bg* effect has to keep\n// compiling forever. They are one-line and inlined; no new function gets one.\n\n/** Canvas size in pixels \u2014 for aspect correction. */\nfn rzResolution() -> vec2f { return viewU[6].zw; }\n\n/** The camera's world position. */\nfn rzCameraPos() -> vec3f { return viewU[10].xyz; }\n\n/** How many characters are in the scene, up to four. */\nfn rzSubjectCount() -> i32 { return i32(viewU[10].w); }\n\n/**\n * A world point as the camera sees it: xy the uv it lands on, z its distance\n * along the VIEW AXIS in metres.\n *\n * The exact inverse of the ray this pass builds per pixel, so it is the cheap way\n * to work with anything anchored in the world. Marching a curve or a trail in 3D\n * costs a distance evaluation per sample per pixel; projecting its points once\n * and measuring in 2D costs a subtraction, which is the difference between a\n * ribbon that runs at 4K and one that does not.\n *\n * z is directly comparable to the depth handed to foreground(), so occlusion is\n * a single test: draw where your z is nearer than the scene's. It is returned\n * SIGNED and unclamped \u2014 behind the camera is negative, and worth rejecting\n * before you use the uv, which is meaningless there.\n */\nfn rzProject(p: vec3f) -> vec3f {\n  let d = p - viewU[10].xyz;\n  let z = dot(d, viewU[5].xyz);\n  // Guard only the divide. z itself is returned as it is, so the caller can see\n  // the sign; clamping it here would put points behind the lens on the horizon.\n  let inv = 1.0 / select(z, 1e-4, z < 1e-4);\n  let ndc = vec2f(dot(d, viewU[3].xyz) * inv / viewU[3].w, dot(d, viewU[4].xyz) * inv / viewU[4].w);\n  return vec3f(ndc * 0.5 + 0.5, z);\n}\n\nfn rzCamPos() -> vec3f { return rzCameraPos(); }\nfn rzCameraRight() -> vec3f { return viewU[3].xyz; }\nfn rzCameraUp() -> vec3f { return viewU[4].xyz; }\nfn rzCameraForward() -> vec3f { return viewU[5].xyz; }\n\n// The cast \u2014 subjects, anchors, trails \u2014 is CAST_API, shared verbatim with the\n// particle and trail modules. It used to be written out here, a second time, and\n// the two copies had drifted: this one had rzAnchor and that one did not.\n\nconst RZ_SUBJECTS: i32 = 4;\nconst RZ_SAMPLES: i32 = 128;\n/** The anchor ADDRESS SPACE \u2014 how many an effect may declare, not how many it\n *  did. RZ_TRAIL_SLOTS is the per-effect number and is not this one; the two\n *  being one number was the old trail bug. */\nconst RZ_MAX_ANCHORS: i32 = 16;\nconst RZ_TRAIL_SAMPLES: i32 = 128;\n\nstruct RzSubject {\n  /** On the FLOOR, under the body \u2014 where a ring or a magic circle belongs. */\n  root: vec3f,\n  /** At the hips, the middle of the body \u2014 where an aura belongs. */\n  center: vec3f,\n  /** Bounding sphere: xyz centre, w radius. Deliberately generous \u2014 cull with it. */\n  bounds: vec4f,\n  /**\n   * How much of this character is still THERE: 1 whole, 0 gone.\n   *\n   * What setModelDissolve last set on them, which the material pass has already\n   * acted on by the time an effect runs \u2014 so an effect drawing what LEAVES a\n   * dissolving body (sparks, ash, a ghost) reads the same number the body was\n   * taken apart with, rather than keeping a clock of its own and hoping the two\n   * agree. 1 on a scene that never dissolves anybody.\n   */\n  dissolve: f32,\n  /** False past the end of the cast, and every field is then zero. */\n  valid: bool,\n}\n\nstruct RzAnchor {\n  pos: vec3f,\n  /** World units per second, from the previous frame. Direction for a trail,\n   *  magnitude for anything that should react to how hard someone is moving. */\n  vel: vec3f,\n  /** The bone's forward axis \u2014 which way a foot points, where a head looks. */\n  fwd: vec3f,\n  /** False when this rig has no such bone. Check it: the alternative is drawing\n   *  a hand effect at the world origin on every model that spells it differently. */\n  valid: bool,\n}\n\n/** Which model this is, stable across a scene \u2014 for per-subject variation. */\nfn rzSubjectId(i: i32) -> u32 {\n  if (i < 0 || i >= rzSubjectCount()) { return 0u; }\n  return u32(_rzCast[i * 3 + 1].w);\n}\n\nfn rzSubject(i: i32) -> RzSubject {\n  var s: RzSubject;\n  s.valid = i >= 0 && i < rzSubjectCount();\n  if (!s.valid) { return s; }\n  let b = i * 3;\n  s.root = _rzCast[b].xyz;\n  s.dissolve = _rzCast[b].w;\n  s.center = _rzCast[b + 1].xyz;\n  s.bounds = _rzCast[b + 2];\n  return s;\n}\n\n/**\n * Where a named bone is, this frame.\n *\n * The slot is the author's own: the Nth @anchor in their file, in the order\n * they wrote them. _rzSlot turns that into the scene's address, which is what\n * keeps two effects that both anchor to a wrist from reading each other's.\n */\nfn rzAnchor(subject: i32, slot: i32) -> RzAnchor {\n  var a: RzAnchor;\n  a.valid = false;\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return a; }\n  let b = 12 + (g * 4 + subject) * 3;\n  a.valid = _rzCast[b].w > 0.5;\n  a.pos = _rzCast[b].xyz;\n  a.vel = _rzCast[b + 1].xyz;\n  a.fwd = _rzCast[b + 2].xyz;\n  return a;\n}\n\n/**\n * How many samples of a path are recorded \u2014 0 for an anchor that asked for no\n * trail, and for one that has not moved yet.\n *\n * Bounded by the anchor cap, NOT by how many anchors asked for a trail. Those\n * are different index spaces: storage is addressed by anchor slot, so an\n * untrailed @anchor followed by a trailed one put the trail at index 1 with a\n * bound of 1 and rzTrail returned zero \u2014 a ribbon that silently did not draw.\n */\nfn rzTrailCount(subject: i32, slot: i32) -> i32 {\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return 0; }\n  return i32(_rzCast[12 + (g * 4 + subject) * 3 + 2].w);\n}\n\n/** Sample i of a path: xyz where it was, w how many seconds ago. i = 0 is now. */\nfn rzTrail(subject: i32, slot: i32, i: i32) -> vec4f {\n  let n = rzTrailCount(subject, slot);\n  if (i < 0 || i >= n) { return vec4f(0.0); }\n  let base = 204 + (_rzSlot(slot) * 4 + subject) * RZ_TRAIL_SAMPLES;\n  return _rzCast[base + i];\n}\n\n\n// The hashes, the noise and rzFalloff \u2014 EFFECT_MATH_API, the same text the\n// particle and trail modules get. The field module used to be missing most of\n// it, so a helper an author wrote for one mount failed to compile in another\n// for no reason visible in the file.\n\nfn rzHash11(x: f32) -> f32 {\n  var p = fract(x * 0.1031);\n  p = p * (p + 33.33);\n  return fract(p * (p + p));\n}\nfn rzHash21(p: vec2f) -> f32 {\n  var p3 = fract(vec3f(p.x, p.y, p.x) * 0.1031);\n  p3 = p3 + dot(p3, p3.yzx + 33.33);\n  return fract((p3.x + p3.y) * p3.z);\n}\n/** Three independent randoms from one seed \u2014 the usual need when spawning. */\nfn rzHash13(x: f32) -> vec3f {\n  return vec3f(rzHash11(x), rzHash11(x + 17.13), rzHash11(x + 41.71));\n}\n/**\n * Compact-support falloff: 1 at the centre, exactly 0 at r, smooth between.\n *\n * It reaches exactly zero rather than merely getting small, because a glow that\n * never quite ends has to be culled somewhere, and culling it wherever it looks\n * close enough is what put a visible hard edge on the first halo effect.\n */\nfn rzFalloff(d: f32, r: f32) -> f32 {\n  let x = clamp(d / max(r, 1e-6), 0.0, 1.0);\n  let f = 1.0 - x;\n  return f * f * f;\n}\nfn rzHash31(p: vec3f) -> f32 {\n  var p3 = fract(p * 0.1031);\n  p3 = p3 + dot(p3, p3.zyx + 31.32);\n  return fract((p3.x + p3.y) * p3.z);\n}\nfn rzValueNoise(p: vec3f) -> f32 {\n  let i = floor(p);\n  let f = fract(p);\n  let u = f * f * (3.0 - 2.0 * f);\n  let n000 = rzHash31(i);\n  let n100 = rzHash31(i + vec3f(1.0, 0.0, 0.0));\n  let n010 = rzHash31(i + vec3f(0.0, 1.0, 0.0));\n  let n110 = rzHash31(i + vec3f(1.0, 1.0, 0.0));\n  let n001 = rzHash31(i + vec3f(0.0, 0.0, 1.0));\n  let n101 = rzHash31(i + vec3f(1.0, 0.0, 1.0));\n  let n011 = rzHash31(i + vec3f(0.0, 1.0, 1.0));\n  let n111 = rzHash31(i + vec3f(1.0, 1.0, 1.0));\n  let x00 = mix(n000, n100, u.x);\n  let x10 = mix(n010, n110, u.x);\n  let x01 = mix(n001, n101, u.x);\n  let x11 = mix(n011, n111, u.x);\n  return mix(mix(x00, x10, u.y), mix(x01, x11, u.y), u.z);\n}\n/** Divergence-free flow \u2014 the field a wisp of smoke follows without a solver. */\nfn rzCurlNoise(p: vec3f) -> vec3f {\n  let e = 0.1;\n  let dx = vec3f(e, 0.0, 0.0);\n  let dy = vec3f(0.0, e, 0.0);\n  let dz = vec3f(0.0, 0.0, e);\n  let x0 = rzValueNoise(p - dx); let x1 = rzValueNoise(p + dx);\n  let y0 = rzValueNoise(p - dy); let y1 = rzValueNoise(p + dy);\n  let z0 = rzValueNoise(p - dz); let z1 = rzValueNoise(p + dz);\n  return normalize(vec3f((y1 - y0) - (z1 - z0), (z1 - z0) - (x1 - x0), (x1 - x0) - (y1 - y0)) + vec3f(1e-6));\n}\n\nstruct Particle {\n  pos: vec3f,\n  age: f32,\n  vel: vec3f,\n  life: f32,\n  size: f32,\n  rot: f32,\n  seed: f32,\n  // Aspect along the direction of travel. 1 or less is a square billboard; a\n  // raindrop is 10 or 20. Zero-initialised, so an effect that never sets it gets\n  // the square it expects.\n  stretch: f32,\n}\n\n\n\nfn bgResolution() -> vec2f { return rzResolution(); }\nfn bgCameraPos() -> vec3f { return rzCameraPos(); }\nfn bgSubjectCount() -> i32 { return rzSubjectCount(); }\n\n/**\n * Where a character IS, in world space \u2014 at the hips, not on the floor.\n *\n * An effect that wants to RESPOND to the cast \u2014 a glow that follows someone,\n * dust kicked up where they are \u2014 needs to know where they are, and the ray and\n * the depth cannot tell it: they describe the pixel, not the scene.\n *\n * The value is model.position + \u30BB\u30F3\u30BF\u30FC + \u5168\u3066\u306E\u89AA. \u30BB\u30F3\u30BF\u30FC sits at hip\n * height on every standard MMD rig, so this is a point in the middle of the\n * body. It is NOT the contact point: a ripple drawn here appears at the waist.\n * Ground effects want the .xz of this and their own floor height, which is what\n * the effects that shipped against it already do.\n *\n * The comment here used to claim it was \"between the feet on the floor\", which\n * is where that habit came from. Left as it is regardless of the name: a\n * published link is immutable, so every shared scene pinning an effect that\n * reads this depends on it meaning exactly what it has always meant.\n *\n * Clamped rather than bounds-checked: an effect looping past the count reads the\n * last subject instead of sampling whatever follows the array, which is a wrong\n * ripple rather than an undefined one.\n */\nfn rzSubjectHip(i: i32) -> vec3f { return viewU[11 + clamp(i, 0, 3)].xyz; }\n\nfn bgSubjectPos(i: i32) -> vec3f { return rzSubjectHip(i); }\n\n/** Where in the WORLD the scene drew this pixel \u2014 the depth handed to\n *  foreground() turned into a place. Without it an effect can only think in\n *  distances from the lens, which is no use to anything that belongs somewhere:\n *  fog lying on the ground has to know where the ground is.\n *\n *  depth measures along the VIEW AXIS, not along the ray, so it is divided by\n *  the ray's projection onto camera-forward before being walked out. At the far\n *  plane (nothing drawn) this lands a very long way off, which is what a sky\n *  should do to anything reading it. */\nfn rzWorldPos(ray: vec3f, depth: f32) -> vec3f {\n  let axis = max(dot(normalize(ray), viewU[5].xyz), 1e-4);\n  return rzCameraPos() + normalize(ray) * (depth / axis);\n}\n\nfn bgWorldPos(ray: vec3f, depth: f32) -> vec3f { return rzWorldPos(ray, depth); }\n\n/** What an effect returns for one of its lights. */\nstruct RzLight {\n  pos: vec3f,\n  color: vec3f,\n  intensity: f32,\n  radius: f32,\n}\n\n\n/** Color grading, applied to the tonemapped SCENE (not the background \u2014 see the\n *  call site). The core is ASC CDL, the film-industry interchange standard:\n *\n *      out = (in \u00B7 slope + offset) ^ power        then saturation  (SOP \u2192 SAT)\n *\n *  Using the real standard rather than invented controls means a look authored\n *  here maps onto any grading tool. slope/offset/power are derived on the CPU\n *  from the UI's shadow/midtone/highlight colors (see setColorGrading), so the\n *  per-pixel cost is one mul-add, one pow, one lerp. */\nfn grade(c: vec3f) -> vec3f {\n  var x = pow(max(c * viewU[9].xyz + viewU[7].xyz, vec3f(0.0)), viewU[8].xyz);\n  // Contrast pivots on 0.5 \u2014 display-referred midpoint, since we grade post-Filmic.\n  x = (x - vec3f(0.5)) * viewU[7].w + vec3f(0.5);\n  // Rec.709 luma, matching the ASC SAT node.\n  let luma = dot(x, vec3f(0.2126, 0.7152, 0.0722));\n  return max(mix(vec3f(luma), x, viewU[8].w), vec3f(0.0));\n}\n";
+export declare const EFFECT_SCENE_API = "\n// \u2500\u2500 The effect API \u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\n//\n// Named rz*, for the engine. The prefix earns its place twice: user code is\n// concatenated into THIS module, so an unprefixed rzAnchor() would collide with\n// exactly the helper an author would write, and the old bg* prefix stopped being\n// true in 0.41.0 when effects gained a mount over the finished frame.\n//\n// The bg* names below are permanent aliases, not a deprecation with an end date.\n// A published link is immutable, so a scene pinned to a bg* effect has to keep\n// compiling forever. They are one-line and inlined; no new function gets one.\n\n/** Canvas size in pixels \u2014 for aspect correction. */\nfn rzResolution() -> vec2f { return viewU[6].zw; }\n\n/** The camera's world position. */\nfn rzCameraPos() -> vec3f { return viewU[10].xyz; }\n\n/** How many characters are in the scene, up to four. */\nfn rzSubjectCount() -> i32 { return i32(viewU[10].w); }\n\n/**\n * A world point as the camera sees it: xy the uv it lands on, z its distance\n * along the VIEW AXIS in metres.\n *\n * The exact inverse of the ray this pass builds per pixel, so it is the cheap way\n * to work with anything anchored in the world. Marching a curve or a trail in 3D\n * costs a distance evaluation per sample per pixel; projecting its points once\n * and measuring in 2D costs a subtraction, which is the difference between a\n * ribbon that runs at 4K and one that does not.\n *\n * z is directly comparable to the depth handed to foreground(), so occlusion is\n * a single test: draw where your z is nearer than the scene's. It is returned\n * SIGNED and unclamped \u2014 behind the camera is negative, and worth rejecting\n * before you use the uv, which is meaningless there.\n */\nfn rzProject(p: vec3f) -> vec3f {\n  let d = p - viewU[10].xyz;\n  let z = dot(d, viewU[5].xyz);\n  // Guard only the divide. z itself is returned as it is, so the caller can see\n  // the sign; clamping it here would put points behind the lens on the horizon.\n  let inv = 1.0 / select(z, 1e-4, z < 1e-4);\n  let ndc = vec2f(dot(d, viewU[3].xyz) * inv / viewU[3].w, dot(d, viewU[4].xyz) * inv / viewU[4].w);\n  return vec3f(ndc * 0.5 + 0.5, z);\n}\n\nfn rzCamPos() -> vec3f { return rzCameraPos(); }\nfn rzCameraRight() -> vec3f { return viewU[3].xyz; }\nfn rzCameraUp() -> vec3f { return viewU[4].xyz; }\nfn rzCameraForward() -> vec3f { return viewU[5].xyz; }\n\n// The cast \u2014 subjects, anchors, trails \u2014 is CAST_API, shared verbatim with the\n// particle and trail modules. It used to be written out here, a second time, and\n// the two copies had drifted: this one had rzAnchor and that one did not.\n\nconst RZ_SUBJECTS: i32 = 4;\nconst RZ_SAMPLES: i32 = 128;\n/** The anchor ADDRESS SPACE \u2014 how many an effect may declare, not how many it\n *  did. RZ_TRAIL_SLOTS is the per-effect number and is not this one; the two\n *  being one number was the old trail bug. */\nconst RZ_MAX_ANCHORS: i32 = 16;\nconst RZ_TRAIL_SAMPLES: i32 = 128;\n\nstruct RzSubject {\n  /** On the FLOOR, under the body \u2014 where a ring or a magic circle belongs. */\n  root: vec3f,\n  /** At the hips, the middle of the body \u2014 where an aura belongs. */\n  center: vec3f,\n  /** Bounding sphere: xyz centre, w radius. Deliberately generous \u2014 cull with it. */\n  bounds: vec4f,\n  /**\n   * How much of this character is still THERE: 1 whole, 0 gone.\n   *\n   * What setModelDissolve last set on them, which the material pass has already\n   * acted on by the time an effect runs \u2014 so an effect drawing what LEAVES a\n   * dissolving body (sparks, ash, a ghost) reads the same number the body was\n   * taken apart with, rather than keeping a clock of its own and hoping the two\n   * agree. 1 on a scene that never dissolves anybody.\n   */\n  dissolve: f32,\n  /** False past the end of the cast, and every field is then zero. */\n  valid: bool,\n}\n\nstruct RzAnchor {\n  pos: vec3f,\n  /** World units per second, from the previous frame. Direction for a trail,\n   *  magnitude for anything that should react to how hard someone is moving. */\n  vel: vec3f,\n  /** The bone's forward axis \u2014 which way a foot points, where a head looks. */\n  fwd: vec3f,\n  /** False when this rig has no such bone. Check it: the alternative is drawing\n   *  a hand effect at the world origin on every model that spells it differently. */\n  valid: bool,\n}\n\n/** Which model this is, stable across a scene \u2014 for per-subject variation. */\nfn rzSubjectId(i: i32) -> u32 {\n  if (i < 0 || i >= rzSubjectCount()) { return 0u; }\n  return u32(_rzCast[i * 3 + 1].w);\n}\n\nfn rzSubject(i: i32) -> RzSubject {\n  var s: RzSubject;\n  s.valid = i >= 0 && i < rzSubjectCount();\n  if (!s.valid) { return s; }\n  let b = i * 3;\n  s.root = _rzCast[b].xyz;\n  s.dissolve = _rzCast[b].w;\n  s.center = _rzCast[b + 1].xyz;\n  s.bounds = _rzCast[b + 2];\n  return s;\n}\n\n/**\n * Where a named bone is, this frame.\n *\n * The slot is the author's own: the Nth #anchor in their file, in the order\n * they wrote them. _rzSlot turns that into the scene's address, which is what\n * keeps two effects that both anchor to a wrist from reading each other's.\n */\nfn rzAnchor(subject: i32, slot: i32) -> RzAnchor {\n  var a: RzAnchor;\n  a.valid = false;\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return a; }\n  let b = 12 + (g * 4 + subject) * 3;\n  a.valid = _rzCast[b].w > 0.5;\n  a.pos = _rzCast[b].xyz;\n  a.vel = _rzCast[b + 1].xyz;\n  a.fwd = _rzCast[b + 2].xyz;\n  return a;\n}\n\n/**\n * How many samples of a path are recorded \u2014 0 for an anchor that asked for no\n * trail, and for one that has not moved yet.\n *\n * Bounded by the anchor cap, NOT by how many anchors asked for a trail. Those\n * are different index spaces: storage is addressed by anchor slot, so an\n * untrailed #anchor followed by a trailed one put the trail at index 1 with a\n * bound of 1 and rzTrail returned zero \u2014 a ribbon that silently did not draw.\n */\nfn rzTrailCount(subject: i32, slot: i32) -> i32 {\n  let g = _rzSlot(slot);\n  if (subject < 0 || subject >= rzSubjectCount() || g < 0 || g >= RZ_MAX_ANCHORS) { return 0; }\n  return i32(_rzCast[12 + (g * 4 + subject) * 3 + 2].w);\n}\n\n/** Sample i of a path: xyz where it was, w how many seconds ago. i = 0 is now. */\nfn rzTrail(subject: i32, slot: i32, i: i32) -> vec4f {\n  let n = rzTrailCount(subject, slot);\n  if (i < 0 || i >= n) { return vec4f(0.0); }\n  let base = 204 + (_rzSlot(slot) * 4 + subject) * RZ_TRAIL_SAMPLES;\n  return _rzCast[base + i];\n}\n\n\n// The hashes, the noise and rzFalloff \u2014 EFFECT_MATH_API, the same text the\n// particle and trail modules get. The field module used to be missing most of\n// it, so a helper an author wrote for one mount failed to compile in another\n// for no reason visible in the file.\n\nfn rzHash11(x: f32) -> f32 {\n  var p = fract(x * 0.1031);\n  p = p * (p + 33.33);\n  return fract(p * (p + p));\n}\nfn rzHash21(p: vec2f) -> f32 {\n  var p3 = fract(vec3f(p.x, p.y, p.x) * 0.1031);\n  p3 = p3 + dot(p3, p3.yzx + 33.33);\n  return fract((p3.x + p3.y) * p3.z);\n}\n/** Three independent randoms from one seed \u2014 the usual need when spawning. */\nfn rzHash13(x: f32) -> vec3f {\n  return vec3f(rzHash11(x), rzHash11(x + 17.13), rzHash11(x + 41.71));\n}\n/**\n * Compact-support falloff: 1 at the centre, exactly 0 at r, smooth between.\n *\n * It reaches exactly zero rather than merely getting small, because a glow that\n * never quite ends has to be culled somewhere, and culling it wherever it looks\n * close enough is what put a visible hard edge on the first halo effect.\n */\nfn rzFalloff(d: f32, r: f32) -> f32 {\n  let x = clamp(d / max(r, 1e-6), 0.0, 1.0);\n  let f = 1.0 - x;\n  return f * f * f;\n}\nfn rzHash31(p: vec3f) -> f32 {\n  var p3 = fract(p * 0.1031);\n  p3 = p3 + dot(p3, p3.zyx + 31.32);\n  return fract((p3.x + p3.y) * p3.z);\n}\nfn rzValueNoise(p: vec3f) -> f32 {\n  let i = floor(p);\n  let f = fract(p);\n  let u = f * f * (3.0 - 2.0 * f);\n  let n000 = rzHash31(i);\n  let n100 = rzHash31(i + vec3f(1.0, 0.0, 0.0));\n  let n010 = rzHash31(i + vec3f(0.0, 1.0, 0.0));\n  let n110 = rzHash31(i + vec3f(1.0, 1.0, 0.0));\n  let n001 = rzHash31(i + vec3f(0.0, 0.0, 1.0));\n  let n101 = rzHash31(i + vec3f(1.0, 0.0, 1.0));\n  let n011 = rzHash31(i + vec3f(0.0, 1.0, 1.0));\n  let n111 = rzHash31(i + vec3f(1.0, 1.0, 1.0));\n  let x00 = mix(n000, n100, u.x);\n  let x10 = mix(n010, n110, u.x);\n  let x01 = mix(n001, n101, u.x);\n  let x11 = mix(n011, n111, u.x);\n  return mix(mix(x00, x10, u.y), mix(x01, x11, u.y), u.z);\n}\n/** Divergence-free flow \u2014 the field a wisp of smoke follows without a solver. */\nfn rzCurlNoise(p: vec3f) -> vec3f {\n  let e = 0.1;\n  let dx = vec3f(e, 0.0, 0.0);\n  let dy = vec3f(0.0, e, 0.0);\n  let dz = vec3f(0.0, 0.0, e);\n  let x0 = rzValueNoise(p - dx); let x1 = rzValueNoise(p + dx);\n  let y0 = rzValueNoise(p - dy); let y1 = rzValueNoise(p + dy);\n  let z0 = rzValueNoise(p - dz); let z1 = rzValueNoise(p + dz);\n  return normalize(vec3f((y1 - y0) - (z1 - z0), (z1 - z0) - (x1 - x0), (x1 - x0) - (y1 - y0)) + vec3f(1e-6));\n}\n\nstruct Particle {\n  pos: vec3f,\n  age: f32,\n  vel: vec3f,\n  life: f32,\n  size: f32,\n  rot: f32,\n  seed: f32,\n  // Aspect along the direction of travel. 1 or less is a square billboard; a\n  // raindrop is 10 or 20. Zero-initialised, so an effect that never sets it gets\n  // the square it expects.\n  stretch: f32,\n}\n\n\n\nfn bgResolution() -> vec2f { return rzResolution(); }\nfn bgCameraPos() -> vec3f { return rzCameraPos(); }\nfn bgSubjectCount() -> i32 { return rzSubjectCount(); }\n\n/**\n * Where a character IS, in world space \u2014 at the hips, not on the floor.\n *\n * An effect that wants to RESPOND to the cast \u2014 a glow that follows someone,\n * dust kicked up where they are \u2014 needs to know where they are, and the ray and\n * the depth cannot tell it: they describe the pixel, not the scene.\n *\n * The value is model.position + \u30BB\u30F3\u30BF\u30FC + \u5168\u3066\u306E\u89AA. \u30BB\u30F3\u30BF\u30FC sits at hip\n * height on every standard MMD rig, so this is a point in the middle of the\n * body. It is NOT the contact point: a ripple drawn here appears at the waist.\n * Ground effects want the .xz of this and their own floor height, which is what\n * the effects that shipped against it already do.\n *\n * The comment here used to claim it was \"between the feet on the floor\", which\n * is where that habit came from. Left as it is regardless of the name: a\n * published link is immutable, so every shared scene pinning an effect that\n * reads this depends on it meaning exactly what it has always meant.\n *\n * Clamped rather than bounds-checked: an effect looping past the count reads the\n * last subject instead of sampling whatever follows the array, which is a wrong\n * ripple rather than an undefined one.\n */\nfn rzSubjectHip(i: i32) -> vec3f { return viewU[11 + clamp(i, 0, 3)].xyz; }\n\nfn bgSubjectPos(i: i32) -> vec3f { return rzSubjectHip(i); }\n\n/** Where in the WORLD the scene drew this pixel \u2014 the depth handed to\n *  foreground() turned into a place. Without it an effect can only think in\n *  distances from the lens, which is no use to anything that belongs somewhere:\n *  fog lying on the ground has to know where the ground is.\n *\n *  depth measures along the VIEW AXIS, not along the ray, so it is divided by\n *  the ray's projection onto camera-forward before being walked out. At the far\n *  plane (nothing drawn) this lands a very long way off, which is what a sky\n *  should do to anything reading it. */\nfn rzWorldPos(ray: vec3f, depth: f32) -> vec3f {\n  let axis = max(dot(normalize(ray), viewU[5].xyz), 1e-4);\n  return rzCameraPos() + normalize(ray) * (depth / axis);\n}\n\nfn bgWorldPos(ray: vec3f, depth: f32) -> vec3f { return rzWorldPos(ray, depth); }\n\n/** What an effect returns for one of its lights. */\nstruct RzLight {\n  pos: vec3f,\n  color: vec3f,\n  intensity: f32,\n  radius: f32,\n}\n\n\n/** Color grading, applied to the tonemapped SCENE (not the background \u2014 see the\n *  call site). The core is ASC CDL, the film-industry interchange standard:\n *\n *      out = (in \u00B7 slope + offset) ^ power        then saturation  (SOP \u2192 SAT)\n *\n *  Using the real standard rather than invented controls means a look authored\n *  here maps onto any grading tool. slope/offset/power are derived on the CPU\n *  from the UI's shadow/midtone/highlight colors (see setColorGrading), so the\n *  per-pixel cost is one mul-add, one pow, one lerp. */\nfn grade(c: vec3f) -> vec3f {\n  var x = pow(max(c * viewU[9].xyz + viewU[7].xyz, vec3f(0.0)), viewU[8].xyz);\n  // Contrast pivots on 0.5 \u2014 display-referred midpoint, since we grade post-Filmic.\n  x = (x - vec3f(0.5)) * viewU[7].w + vec3f(0.5);\n  // Rec.709 luma, matching the ASC SAT node.\n  let luma = dot(x, vec3f(0.2126, 0.7152, 0.0722));\n  return max(mix(vec3f(luma), x, viewU[8].w), vec3f(0.0));\n}\n";
 export declare function buildCompositeShader(effect?: CompositeEffectSource | null): string;
 export declare function buildFieldShader(effect: CompositeEffectSource): string;
 /** Kept for compatibility with existing imports (the base, no-effect shader). */

package/dist/shaders/passes/composite.d.ts.map

@@ -1 +1 @@
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+{"version":3,"file":"composite.d.ts","sourceRoot":"","sources":["../../../src/shaders/passes/composite.ts"],"names":[],"mappings":"AAwBA;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;+BAgC+B;AAC/B;;;;;;;;;;;;;;;;;;GAkBG;AACH,wBAAgB,kBAAkB,CAAC,IAAI,EAAE,MAAM,EAAE,GAAG,EAAE,MAAM,GAAG;IAAE,IAAI,EAAE,MAAM,CAAC;IAAC,KAAK,EAAE,OAAO,CAAA;CAAE,EAAE,CAIhG;AAID,OAAO,EAAE,cAAc,EAAE,eAAe,EAAE,iBAAiB,EAAE,oBAAoB,EAAE,MAAM,gBAAgB,CAAA;AAEzG,KAAK,qBAAqB,GAAG;IAC3B,gFAAgF;IAChF,IAAI,EAAE,MAAM,CAAA;IACZ,kFAAkF;IAClF,UAAU,EAAE,MAAM,CAAA;IAClB,4DAA4D;IAC5D,aAAa,EAAE,OAAO,CAAA;IACtB,oEAAoE;IACpE,aAAa,EAAE,OAAO,CAAA;IACtB,gEAAgE;IAChE,QAAQ,EAAE,MAAM,CAAA;IAChB;mFAC+E;IAC/E,GAAG,CAAC,EAAE,OAAO,CAAA;IACb;;;yEAGqE;IACrE,UAAU,EAAE,MAAM,CAAA;IAClB;;8EAE0E;IAC1E,KAAK,CAAC,EAAE,MAAM,EAAE,CAAA;CACjB,CAAA;AA6LD;;;;;;;;;;;;GAYG;AACH,eAAO,MAAM,gBAAgB,yqaA+H5B,CAAA;AA4LD,wBAAgB,oBAAoB,CAAC,MAAM,CAAC,EAAE,qBAAqB,GAAG,IAAI,GAAG,MAAM,CAQlF;AAuDD,wBAAgB,gBAAgB,CAAC,MAAM,EAAE,qBAAqB,GAAG,MAAM,CA4EtE;AAED,iFAAiF;AACjF,eAAO,MAAM,qBAAqB,QAA6B,CAAA"}

package/dist/shaders/passes/composite.js

@@ -56,13 +56,13 @@ import { gridReadApi } from "./grid";
 /**
  * The bones an effect asked for, in declaration order — the slots rzAnchor reads.
  *
- *     // @anchor 左手首 trail
- *     // @anchor 頭
+ *     #anchor 左手首 trail
+ *     #anchor 頭
  *
  * A declaration in the source, like the mounts: what a file names is what gets
  * resolved and uploaded, so naming none costs nothing and nobody pays for a
  * rig's other five hundred bones. Anchored to the start of a line so that
- * writing the word @anchor in ordinary prose does not silently add a slot —
+ * writing the word #anchor in ordinary prose does not silently add a slot —
  * which would shift every slot after it.
  *
  * `trail` additionally keeps that bone's recent PATH, for rzTrail. Opt-in
@@ -73,7 +73,7 @@ import { gridReadApi } from "./grid";
  * not have simply reports invalid.
  */
 export function parseEffectAnchors(wgsl, max) {
-    return [...wgsl.matchAll(/^[ \t]*\/\/[ \t]*@anchor[ \t]+(\S+)([ \t]+trail)?[ \t]*$/gm)]
+    return [...wgsl.matchAll(/^[ \t]*\/\/[ \t]*#anchor[ \t]+(\S+)([ \t]+trail)?[ \t]*$/gm)]
         .map((m) => ({ bone: m[1], trail: m[2] !== undefined }))
         .slice(0, max);
 }
@@ -691,7 +691,7 @@ export function buildFieldShader(effect) {
  * whose lightEmit read its own epoch disagreed with its own background()
  * about what time it was. One buffer per effect, one answer.
  */
-@group(0) @binding(22) var<uniform> _rzFieldClock: vec4f;
+@group(0) @binding(22) var<uniform> _rzFieldClock: vec4f;   // (time, weight, _, _)
 
 @vertex fn fieldVs(@builtin(vertex_index) vi: u32) -> @builtin(position) vec4f {
   let x = f32((vi & 1u) << 2u) - 1.0;
@@ -715,6 +715,13 @@ struct FieldOut {
   out.fg = vec4f(0.0);
   ${bgLine}
   ${fgLine}
+  // WEIGHT, applied where the author cannot decline it.
+  //
+  // Alpha only: both field blends multiply the fragment's colour by src-alpha,
+  // so this is the fade for the alpha-over layer and the additive one alike.
+  // Scaling colour as well would fade as the square.
+  out.bg.a *= _rzFieldClock.y;
+  out.fg.a *= _rzFieldClock.y;
   return out;
 }
 `);

package/dist/shaders/passes/grid.d.ts

@@ -2,8 +2,6 @@ import { type CastLayout } from "./particles";
 export declare const GRID_MAX = 1024;
 /** rgba16float, ping-ponged. Two of these is the whole memory cost. */
 export declare const SIM_FORMAT: GPUTextureFormat;
-/** `// @grid 256` — the grid's resolution, in texels per side. */
-export declare function parseGridSize(wgsl: string, max: number): number;
 /** Whether this effect drives a grid at all. */
 export declare function gridEntryPoint(wgsl: string): boolean;
 /**

package/dist/shaders/passes/grid.d.ts.map

@@ -1 +1 @@
-{"version":3,"file":"grid.d.ts","sourceRoot":"","sources":["../../../src/shaders/passes/grid.ts"],"names":[],"mappings":"AAKA,OAAO,EAAE,KAAK,UAAU,EAAE,MAAM,aAAa,CAAA;AAiC7C,eAAO,MAAM,QAAQ,OAAO,CAAA;AAC5B,uEAAuE;AACvE,eAAO,MAAM,UAAU,EAAE,gBAAgC,CAAA;AAEzD,kEAAkE;AAClE,wBAAgB,aAAa,CAAC,IAAI,EAAE,MAAM,EAAE,GAAG,EAAE,MAAM,GAAG,MAAM,CAM/D;AAED,gDAAgD;AAChD,wBAAgB,cAAc,CAAC,IAAI,EAAE,MAAM,GAAG,OAAO,CAEpD;AAED;;;;;;GAMG;AACH,wBAAgB,WAAW,CAAC,KAAK,EAAE,MAAM,EAAE,GAAG,EAAE,MAAM,EAAE,IAAI,EAAE,MAAM,EAAE,IAAI,EAAE,MAAM,GAAG,MAAM,CA6B1F;AAWD;;;;;;;;;;;;GAYG;AACH,wBAAgB,cAAc,CAAC,IAAI,EAAE,MAAM,EAAE,IAAI,EAAE,MAAM,EAAE,IAAI,EAAE,UAAU,GAAG,MAAM,CA6DnF"}
+{"version":3,"file":"grid.d.ts","sourceRoot":"","sources":["../../../src/shaders/passes/grid.ts"],"names":[],"mappings":"AAKA,OAAO,EAAE,KAAK,UAAU,EAAE,MAAM,aAAa,CAAA;AAiC7C,eAAO,MAAM,QAAQ,OAAO,CAAA;AAC5B,uEAAuE;AACvE,eAAO,MAAM,UAAU,EAAE,gBAAgC,CAAA;AAEzD,gDAAgD;AAChD,wBAAgB,cAAc,CAAC,IAAI,EAAE,MAAM,GAAG,OAAO,CAEpD;AAED;;;;;;GAMG;AACH,wBAAgB,WAAW,CAAC,KAAK,EAAE,MAAM,EAAE,GAAG,EAAE,MAAM,EAAE,IAAI,EAAE,MAAM,EAAE,IAAI,EAAE,MAAM,GAAG,MAAM,CA6B1F;AAWD;;;;;;;;;;;;GAYG;AACH,wBAAgB,cAAc,CAAC,IAAI,EAAE,MAAM,EAAE,IAAI,EAAE,MAAM,EAAE,IAAI,EAAE,UAAU,GAAG,MAAM,CA6DnF"}

package/dist/shaders/passes/grid.js

@@ -36,15 +36,6 @@ import { clockApi, trailSlotsApi, viewportApi } from "./hosted-api";
 export const GRID_MAX = 1024;
 /** rgba16float, ping-ponged. Two of these is the whole memory cost. */
 export const SIM_FORMAT = "rgba16float";
-/** `// @grid 256` — the grid's resolution, in texels per side. */
-export function parseGridSize(wgsl, max) {
-    const m = /^\s*\/\/\s*@grid\s+(\d+)\s*$/m.exec(wgsl);
-    if (!m)
-        return 0;
-    // Clamped rather than rejected, as the particle count is: an author asking for
-    // 4096 gets the most the engine will give and a scene that still runs.
-    return Math.max(8, Math.min(max, parseInt(m[1], 10)));
-}
 /** Whether this effect drives a grid at all. */
 export function gridEntryPoint(wgsl) {
     return /\bfn\s+gridStep\s*\(/.test(wgsl);

package/dist/shaders/passes/particles.d.ts

@@ -26,12 +26,6 @@ type ParticleSource = {
 };
 /** Bytes per particle. Explicitly padded — see the struct below. */
 export declare const PARTICLE_STRIDE = 48;
-/** `// @particles 4096` — how many live at once. */
-export declare function parseParticleCount(wgsl: string, max: number): number;
-/** `// @bloom` — opt in to the bloom pyramid. Sparks want it; rain does not. */
-export declare function parseParticleBloom(wgsl: string): boolean;
-/** `// @blend additive` — default is straight alpha. */
-export declare function parseParticleBlend(wgsl: string): ParticleBlend;
 /** Does the source define the particle contract? All three are required together. */
 export declare function particleEntryPoints(wgsl: string): {
     init: boolean;

package/dist/shaders/passes/particles.d.ts.map

@@ -1 +1 @@
-{"version":3,"file":"particles.d.ts","sourceRoot":"","sources":["../../../src/shaders/passes/particles.ts"],"names":[],"mappings":"AAyBA,sEAAsE;AACtE,MAAM,MAAM,UAAU,GAAG;IACvB,QAAQ,EAAE,MAAM,CAAA;IAChB,OAAO,EAAE,MAAM,CAAA;IACf,IAAI,EAAE,MAAM,CAAA;IACZ,SAAS,EAAE,MAAM,CAAA;IACjB,iFAAiF;IACjF,KAAK,EAAE,MAAM,CAAA;IACb;;mFAE+E;IAC/E,UAAU,EAAE,MAAM,CAAA;IAClB,+EAA+E;IAC/E,KAAK,EAAE,MAAM,EAAE,CAAA;CAChB,CAAA;AAiCD,qDAAqD;AACrD,KAAK,aAAa,GAAG,OAAO,GAAG,UAAU,CAAA;AAEzC,KAAK,cAAc,GAAG;IACpB,kCAAkC;IAClC,IAAI,EAAE,MAAM,CAAA;IACZ,qFAAqF;IACrF,KAAK,EAAE,MAAM,CAAA;IACb,KAAK,EAAE,aAAa,CAAA;IACpB,qEAAqE;IACrE,KAAK,EAAE,OAAO,CAAA;CACf,CAAA;AAED,oEAAoE;AACpE,eAAO,MAAM,eAAe,KAAK,CAAA;AAkDjC,oDAAoD;AACpD,wBAAgB,kBAAkB,CAAC,IAAI,EAAE,MAAM,EAAE,GAAG,EAAE,MAAM,GAAG,MAAM,CAOpE;AAED,gFAAgF;AAChF,wBAAgB,kBAAkB,CAAC,IAAI,EAAE,MAAM,GAAG,OAAO,CAExD;AAED,wDAAwD;AACxD,wBAAgB,kBAAkB,CAAC,IAAI,EAAE,MAAM,GAAG,aAAa,CAE9D;AAED,qFAAqF;AACrF,wBAAgB,mBAAmB,CAAC,IAAI,EAAE,MAAM,GAAG;IAAE,IAAI,EAAE,OAAO,CAAC;IAAC,IAAI,EAAE,OAAO,CAAC;IAAC,KAAK,EAAE,OAAO,CAAA;CAAE,CAMlG;AAED;;;;;;;;GAQG;AACH,wBAAgB,0BAA0B,CAAC,GAAG,EAAE,cAAc,EAAE,IAAI,EAAE,UAAU,GAAG,MAAM,CA0CxF;AAED;;;;;;;;;;;;GAYG;AACH,wBAAgB,yBAAyB,CAAC,GAAG,EAAE,cAAc,EAAE,IAAI,EAAE,UAAU,GAAG,MAAM,CAgHvF"}
+{"version":3,"file":"particles.d.ts","sourceRoot":"","sources":["../../../src/shaders/passes/particles.ts"],"names":[],"mappings":"AAyBA,sEAAsE;AACtE,MAAM,MAAM,UAAU,GAAG;IACvB,QAAQ,EAAE,MAAM,CAAA;IAChB,OAAO,EAAE,MAAM,CAAA;IACf,IAAI,EAAE,MAAM,CAAA;IACZ,SAAS,EAAE,MAAM,CAAA;IACjB,iFAAiF;IACjF,KAAK,EAAE,MAAM,CAAA;IACb;;mFAE+E;IAC/E,UAAU,EAAE,MAAM,CAAA;IAClB,+EAA+E;IAC/E,KAAK,EAAE,MAAM,EAAE,CAAA;CAChB,CAAA;AAiCD,qDAAqD;AACrD,KAAK,aAAa,GAAG,OAAO,GAAG,UAAU,CAAA;AAEzC,KAAK,cAAc,GAAG;IACpB,kCAAkC;IAClC,IAAI,EAAE,MAAM,CAAA;IACZ,qFAAqF;IACrF,KAAK,EAAE,MAAM,CAAA;IACb,KAAK,EAAE,aAAa,CAAA;IACpB,qEAAqE;IACrE,KAAK,EAAE,OAAO,CAAA;CACf,CAAA;AAED,oEAAoE;AACpE,eAAO,MAAM,eAAe,KAAK,CAAA;AAuDjC,qFAAqF;AACrF,wBAAgB,mBAAmB,CAAC,IAAI,EAAE,MAAM,GAAG;IAAE,IAAI,EAAE,OAAO,CAAC;IAAC,IAAI,EAAE,OAAO,CAAC;IAAC,KAAK,EAAE,OAAO,CAAA;CAAE,CAMlG;AAED;;;;;;;;GAQG;AACH,wBAAgB,0BAA0B,CAAC,GAAG,EAAE,cAAc,EAAE,IAAI,EAAE,UAAU,GAAG,MAAM,CA0CxF;AAED;;;;;;;;;;;;GAYG;AACH,wBAAgB,yBAAyB,CAAC,GAAG,EAAE,cAAc,EAAE,IAAI,EAAE,UAAU,GAAG,MAAM,CAyHvF"}

package/dist/shaders/passes/particles.js

@@ -51,6 +51,11 @@ struct ParticleU {
   dt: f32,
   count: u32,
   frame: u32,
+  /** The effect's evaluated influence, applied at the one output site below. */
+  weight: f32,
+  _pad0: f32,
+  _pad1: f32,
+  _pad2: f32,
 }
 `;
 /**
@@ -81,24 +86,6 @@ fn rzProject(p: vec3f) -> vec3f {
 }
 fn rzCamPos() -> vec3f { return cam.camPos; }
 `;
-/** `// @particles 4096` — how many live at once. */
-export function parseParticleCount(wgsl, max) {
-    const m = /^\s*\/\/\s*@particles\s+(\d+)\s*$/m.exec(wgsl);
-    if (!m)
-        return 0;
-    // Clamped rather than rejected: an author asking for a million gets the most
-    // the engine will give and a scene that still runs, which is a better failure
-    // than a compile error naming a number they had no way to know.
-    return Math.max(1, Math.min(max, parseInt(m[1], 10)));
-}
-/** `// @bloom` — opt in to the bloom pyramid. Sparks want it; rain does not. */
-export function parseParticleBloom(wgsl) {
-    return /^\s*\/\/\s*@bloom\s*$/m.test(wgsl);
-}
-/** `// @blend additive` — default is straight alpha. */
-export function parseParticleBlend(wgsl) {
-    return /^\s*\/\/\s*@blend\s+additive\s*$/m.test(wgsl) ? "additive" : "alpha";
-}
 /** Does the source define the particle contract? All three are required together. */
 export function particleEntryPoints(wgsl) {
     return {
@@ -256,7 +243,16 @@ ${sceneIdFieldWgsl()}}
 @fragment
 fn fs(in: VSOut) -> FSOut {
   let p = particles[in.id];
-  let c = particleShade(p, in.uv);
+  // WEIGHT IS APPLIED HERE, on the author's result, before anything reads it.
+  //
+  // Alpha alone, and that is not a shortcut: this fragment is premultiplied
+  // two lines down, so scaling alpha scales the colour with it — and where the
+  // target blends additively the premultiply is what carries the fade. One
+  // multiply is the correct fade for both particle targets.
+  var c = particleShade(p, in.uv);
+  c.a *= pu.weight;
+  // Weight 0 therefore discards every fragment, so an effect faded out costs
+  // nothing past the vertex stage even on the frame the draw is still issued.
   if (c.a <= 0.0) { discard; }
   var out: FSOut;
   // PREMULTIPLIED: the scene's colour target blends with srcFactor \"one\", so a

package/dist/shaders/passes/scene-contract.d.ts

@@ -61,7 +61,7 @@ type SceneRenderClass =
  | "outline"
 /** Particles and ribbons in their default, non-additive mode. */
  | "particle"
-/** Particles declaring `// @blend additive` — LIGHT rather than matter, so
+/** Particles declaring `#blend additive` — LIGHT rather than matter, so
  *  colour sums and alpha is left alone: a glow must not claim coverage it
  *  never occluded. The aux target sums with it, which is what lets an
  *  additive effect reach the bloom gate at all. */

package/dist/shaders/passes/trails.d.ts.map

@@ -1 +1 @@
-{"version":3,"file":"trails.d.ts","sourceRoot":"","sources":["../../../src/shaders/passes/trails.ts"],"names":[],"mappings":"AAyBA,KAAK,WAAW,GAAG;IACjB,kCAAkC;IAClC,IAAI,EAAE,MAAM,CAAA;IACZ,yDAAyD;IACzD,KAAK,EAAE,MAAM,CAAA;IACb;oEACgE;IAChE,WAAW,EAAE,MAAM,EAAE,CAAA;IACrB,8DAA8D;IAC9D,KAAK,EAAE,OAAO,GAAG,UAAU,CAAA;IAC3B,KAAK,EAAE,OAAO,CAAA;CACf,CAAA;AAED;;;;;;;;;GASG;AACH,eAAO,MAAM,kBAAkB,IAAI,CAAA;AAEnC,6EAA6E;AAC7E,wBAAgB,gBAAgB,CAAC,IAAI,EAAE,MAAM,GAAG;IAAE,KAAK,EAAE,OAAO,CAAC;IAAC,KAAK,EAAE,OAAO,CAAA;CAAE,CAKjF;AAED;;;;;;;;;;;;;;GAcG;AACH,wBAAgB,gBAAgB,CAC9B,GAAG,EAAE,WAAW,EAChB,IAAI,EAAE;IACJ,QAAQ,EAAE,MAAM,CAAA;IAChB,OAAO,EAAE,MAAM,CAAA;IACf,IAAI,EAAE,MAAM,CAAA;IACZ,SAAS,EAAE,MAAM,CAAA;IACjB,KAAK,EAAE,MAAM,CAAA;IACb,KAAK,EAAE,MAAM,EAAE,CAAA;IACf;;;;kFAI8E;IAC9E,SAAS,EAAE,OAAO,CAAA;CACnB,GACA,MAAM,CAwUR"}
+{"version":3,"file":"trails.d.ts","sourceRoot":"","sources":["../../../src/shaders/passes/trails.ts"],"names":[],"mappings":"AAyBA,KAAK,WAAW,GAAG;IACjB,kCAAkC;IAClC,IAAI,EAAE,MAAM,CAAA;IACZ,yDAAyD;IACzD,KAAK,EAAE,MAAM,CAAA;IACb;oEACgE;IAChE,WAAW,EAAE,MAAM,EAAE,CAAA;IACrB,8DAA8D;IAC9D,KAAK,EAAE,OAAO,GAAG,UAAU,CAAA;IAC3B,KAAK,EAAE,OAAO,CAAA;CACf,CAAA;AAED;;;;;;;;;GASG;AACH,eAAO,MAAM,kBAAkB,IAAI,CAAA;AAEnC,6EAA6E;AAC7E,wBAAgB,gBAAgB,CAAC,IAAI,EAAE,MAAM,GAAG;IAAE,KAAK,EAAE,OAAO,CAAC;IAAC,KAAK,EAAE,OAAO,CAAA;CAAE,CAKjF;AAED;;;;;;;;;;;;;;GAcG;AACH,wBAAgB,gBAAgB,CAC9B,GAAG,EAAE,WAAW,EAChB,IAAI,EAAE;IACJ,QAAQ,EAAE,MAAM,CAAA;IAChB,OAAO,EAAE,MAAM,CAAA;IACf,IAAI,EAAE,MAAM,CAAA;IACZ,SAAS,EAAE,MAAM,CAAA;IACjB,KAAK,EAAE,MAAM,CAAA;IACb,KAAK,EAAE,MAAM,EAAE,CAAA;IACf;;;;kFAI8E;IAC9E,SAAS,EAAE,OAAO,CAAA;CACnB,GACA,MAAM,CA6UR"}

package/dist/shaders/passes/trails.js

@@ -83,7 +83,8 @@ struct TrailU {
   // model is added or removed, and recompiling every trail shader for that
   // would be absurd.
   subjects: f32,
-  _pad1: f32,
+  /** The effect's evaluated influence, applied at the one output site below. */
+  weight: f32,
   _pad2: f32,
 }
 @group(0) @binding(0) var<storage, read> _rzCast: array<vec4f>;
@@ -353,15 +354,19 @@ fn fs(in: VSOut) -> TrailFSOut {
   // hardware does it, correctly and for free, and the reversed-Z trap that
   // needed its own regression test goes with it.
   let c = trailShade(in.uv.x, in.uv.y, in.age, in.weight, i32(in.slot));
-  if (c.a <= 0.0) { discard; }
+  // THE EFFECT'S weight, not the ribbon's — in.weight above is the strand's
+  // own taper and belongs to the author. This one is the scheduler's, and it
+  // scales alpha because the target below multiplies colour by src-alpha.
+  let a = c.a * tu.weight;
+  if (a <= 0.0) { discard; }
   var o: TrailFSOut;
   // STRAIGHT colour into an ADDITIVE target, which reverses the old MAX rule
   // deliberately: max existed so parallel strands could not double into bright
   // dashes on a layer composited after tone mapping. In HDR before bloom,
   // overlapping light SHOULD sum — that is what neon does — and the tone
   // mapper is what keeps the sum from clipping.
-  o.color = vec4f(c.rgb, c.a);
-  o.aux = vec4f(${src.bloom ? "1.0" : "0.0"}, 1.0, 0.0, c.a);
+  o.color = vec4f(c.rgb, a);
+  o.aux = vec4f(${src.bloom ? "1.0" : "0.0"}, 1.0, 0.0, a);
 ${sceneIdPadWgsl("o")}  return o;
 }
 `);

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "reze-engine",
-  "version": "0.50.12",
+  "version": "0.52.0",
   "description": "A lightweight WebGPU engine for real-time 3D MMD/PMX model rendering",
   "main": "./dist/index.js",
   "types": "./dist/index.d.ts",
@@ -41,4 +41,4 @@
     "@types/node": "^20",
     "typescript": "^5"
   }
-}
+}

package/src/effect-schedule.ts

@@ -0,0 +1,120 @@
+/**
+ * WHEN an effect is on, and how much of it.
+ *
+ * The engine evaluates this, not the app, and that is not an arbitrary split.
+ * Everything time-driven that lives above the engine has to be ticked by every
+ * loop that renders — playback, offline export, a warm-up pass — and the export
+ * loop already carries a scar about it: a score-driven effect once exported a
+ * still keyboard while the rest of the scene animated, because that loop
+ * advanced the audio clock and forgot the score's. A schedule evaluated where
+ * the scene clock advances cannot be forgotten by anyone.
+ *
+ * It is also where the three references put it. Unity's Timeline evaluates clip
+ * ease in its playable graph, Unreal's Sequencer evaluates section easing, and
+ * Blender's NLA evaluates strip influence — in all three the editor only edits
+ * the data. This is that.
+ *
+ * SECONDS, because that is the engine's clock. The document above works in
+ * MMD's 30fps frames and converts on the way in; nothing here knows the render
+ * rate, which is what lets a 60Hz preview and a 30 or 60fps export agree about
+ * which beat an effect lands on.
+ *
+ * The model is Blender's NLA strip, minus what needs a strip STACK: no
+ * extrapolation modes (outside a window is off, always), no auto-blend (it
+ * derives from neighbouring strips, and effects have a lane each), no repeat or
+ * scale (an author who wants a cycle can wrap their own clock).
+ *
+ * PURE, in its own file, for the reason param-track.ts is: everything else in
+ * this feature needs a GPU and this needs one number, so the edge cases can be
+ * tested exhaustively. They are where it goes wrong, and a wrong one is a beat
+ * missed in a video someone posts.
+ */
+
+/** One strip on an effect's LANE — and a lane holds as many as you place.
+ *  Seconds throughout. */
+export type EffectWindow = {
+  /** When it comes alive, and where its own clock reads zero. */
+  start: number
+  /** When it stops. Omitted = it runs to the end of the scene. */
+  end?: number
+  /** Ramp up over this long from `start`. Omitted or 0 is a HARD CUT, which is
+   *  the right answer for a flash and the wrong one for a glow. */
+  blendIn?: number
+  /** Ramp down over this long back from `end`. Needs an `end` to measure from:
+   *  an effect with no end has nothing to ramp toward. */
+  blendOut?: number
+}
+
+/** What an effect is doing at one instant: a weight for its mounts, and where
+ *  its own clock has reached. */
+export type EffectState = { weight: number; time: number }
+
+/** Off, and stopped at its own beginning. */
+const SILENT: EffectState = { weight: 0, time: 0 }
+
+const clamp01 = (n: number) => (n < 0 ? 0 : n > 1 ? 1 : Number.isFinite(n) ? n : 0)
+
+/**
+ * One effect's state at one moment of the scene.
+ *
+ * `influence` is the level it reaches INSIDE the window — Blender's word and
+ * Blender's meaning. The blends ramp toward it rather than toward 1, so a
+ * permanently half-strength effect and a scheduled one are the same dial
+ * instead of two that can disagree.
+ *
+ * LINEAR ramps, matching the NLA's. A curve is a better default for light and a
+ * worse one for everything else, and there is no control to shape it with — a
+ * curve nobody asked for is worse than a plain one. If eased blends are ever
+ * wanted they belong as a property ON the window, which is the same call
+ * param-track.ts made about bezier keys.
+ */
+export function effectState(
+  windows: readonly EffectWindow[] | null,
+  influence: number,
+  sceneTime: number,
+): EffectState {
+  const level = clamp01(influence)
+  // UNSCHEDULED RUNS WITH THE SCENE, on the scene's own clock — so an effect
+  // nobody has scheduled behaves exactly as it did before windows existed.
+  if (!windows || windows.length === 0) return { weight: level, time: sceneTime }
+
+  // A LANE HOLDS MANY STRIPS, which is what lets one effect fire more than
+  // once. Each entry restarts the effect's own clock at its own start, so a hit
+  // placed at bar 8 and again at bar 24 plays its opening both times rather
+  // than resuming halfway through itself.
+  //
+  // The LATEST start that contains the time wins. Strips on one lane are not
+  // meant to overlap — that is the rule every NLE enforces within a track, and
+  // it keeps "which strip am I in" a question with one answer — but a document
+  // can be hand-edited, and "the one most recently entered" is the reading that
+  // matches what you would see if they were laid down in order.
+  let window: EffectWindow | null = null
+  for (const w of windows) {
+    if (sceneTime < w.start) continue
+    if (w.end !== undefined && (w.end <= w.start || sceneTime > w.end)) continue
+    if (!window || w.start > window.start) window = w
+  }
+  if (!window) return SILENT
+
+  const { start, end } = window
+  // The picker above already rejected an empty strip (an end at or before the
+  // start, reachable by dragging one edge past the other) and anything the
+  // time is outside of, so from here the strip is live and has a real length.
+
+  // ITS OWN CLOCK, from its entry. This is the reason the window owns the clock
+  // rather than being a visibility flag beside it: an effect entering at bar 33
+  // should play its own opening, not join the scene four minutes in.
+  const time = sceneTime - start
+
+  let ramp = 1
+  const fadeIn = window.blendIn ?? 0
+  if (fadeIn > 0) ramp = Math.min(ramp, time / fadeIn)
+  const fadeOut = end !== undefined ? (window.blendOut ?? 0) : 0
+  if (fadeOut > 0) ramp = Math.min(ramp, (end! - sceneTime) / fadeOut)
+
+  // The MINIMUM of the two ramps, so blends that overlap degrade instead of
+  // break: set both longer than the strip and it becomes a triangle — dimmer
+  // than asked for, still smooth, never out of range. Multiplying them would
+  // dip toward zero in the middle of a short strip, which is not a fade.
+  return { weight: level * clamp01(ramp), time }
+}