polyphon 0.0.0-stage → 0.1.0

package/dist/index.d.ts.map

@@ -0,0 +1 @@
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package/dist/index.js

@@ -0,0 +1,25 @@
+// Polyphon: music for the browser, written as code.
+//
+//   Write    melody, rhythm, chords, pad, arpeggio, bassline, roots, strum, and the part transforms
+//   Declare  defineSong: tempo, room, tracks (instrument + part), mixing and mastering
+//   Play     Jukebox: crossfades, preloading, ducking, pause and seek
+//   Export   renderSong + encodeWav
+//   Import   songFromMidi, and transcribe for a sung melody
+//   Extend   registerInstrument
+export { melody, rhythm } from './notation/melody.js';
+export { formatMelody } from './notation/format.js';
+export { chords, chordsDuration, pad, arpeggio, roots, bassline, strum } from './notation/harmony.js';
+export { sequence, stack, repeat, rest, transpose, mapPitch, scaleVelocity, slice, pedal } from './notation/transform.js';
+export { stepsPerBar, VELOCITY } from './notation/part.js';
+export { midi, frequency, noteName, parseChord, voiceChord, scaleDegree, remapToMode, romanChord, MODES } from './theory.js';
+export { defineSong, songDuration, DEFAULT_REVERB } from './song.js';
+export { tempoClock } from './tempo.js';
+export { Jukebox } from './engine/jukebox.js';
+export { Playback } from './engine/playback.js';
+export { prepareSong, prepareSongSync } from './engine/prepare.js';
+export { renderSong, encodeWav } from './engine/render.js';
+export { compileSection } from './engine/compile.js';
+export { songFromMidi } from './midi.js';
+export { PitchTracker, transcribe } from './transcribe.js';
+export { registerInstrument, instrumentNames } from './instruments/registry.js';
+//# sourceMappingURL=index.js.map

package/dist/index.js.map

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package/dist/instruments/bowed.d.ts

@@ -0,0 +1,357 @@
+/** Body: a spectral envelope ([Hz, dB] polyline, the average radiated response) plus narrow modes scattered according to it */
+export interface BodyDef {
+    seed: number;
+    env: [number, number][];
+    /** The lowest mode (the air resonance A0 sits just above it: nothing radiates below) and the highest */
+    lo: number;
+    hi: number;
+    /** Modes per octave at lo; the count grows with frequency */
+    density: number;
+    /** Q of the modes: low end, high end */
+    q: [number, number];
+    /** How far each mode jumps above and below the envelope (dB): the larger it is, the more uneven the body */
+    rand: number;
+}
+export interface BowDef {
+    /** Number of players: 1 is a solo */
+    players: number;
+    /** Fixed intonation offset between players (cents, standard deviation) */
+    spread: number;
+    /** Intonation that each player slowly drifts (cents) */
+    drift: number;
+    /** Vibrato speed (Hz): each note, and each player in a section, varies around it */
+    vibRate: number;
+    /** Vibrato depth once it has grown in (cents, up and down from the note) */
+    vibDepth: number;
+    /** How long after the bow starts the vibrato begins (seconds) */
+    vibDelay: number;
+    /** Range of the bowing point (fraction of the string length): each player sits somewhere in it */
+    beta: [number, number];
+    /** Bow force: the partial number where the rounded Helmholtz corner has cut the partials by 6 dB, [soft, hard] */
+    corner: [number, number];
+    /** Sustained bow noise (relative to the string tone) */
+    noise: number;
+    /** Attack scrape sound */
+    scrape: number;
+    /** Attack time (seconds), [soft, hard] */
+    attack: [number, number];
+    /** Time offset at which players come in (seconds) */
+    onset: number;
+    /** How many cents below the note the attack slides up from */
+    scoop: number;
+    body: BodyDef;
+    /** Loop section length (seconds); a solo's is adjusted to hold a whole number of its vibrato cycles */
+    loop: number;
+    /** The top string, where it is unlike the others (see topString); notes from its open pitch up are played on it */
+    top?: TopString;
+}
+/**
+ * The top string's own bowing: its open pitch (Hz); the bowing point as a fraction of the open string (the bow keeps its distance from the
+ * bridge as a finger shortens the string, so a stopped note's bowing point is that times f / open, and the comb's notches stay put in hertz);
+ * and its corner and bow noise as factors of the other strings'
+ */
+export interface TopString {
+    open: number;
+    beta: number;
+    corner: number;
+    noise: number;
+}
+export interface Bowed {
+    /** The sample; it runs on a little past the loop's end, with the loop's start repeated (see GUARD) */
+    data: Float32Array;
+    /** Loop section: [start, end] (samples) */
+    loop: [number, number];
+}
+/**
+ * Desks: tracks of one section that share a bowed instrument are different players. Two tracks on one sample are one player twice as loud:
+ * the same tuning, a vibrato moving in lockstep, heard as one violin slightly flanged. Each desk after the first has its own players: a fresh
+ * seed (vibrato wobble, drift, bow noise, scoop), and these differences from the first desk, kept inside what players in one section measure:
+ *   - intonation: unison violins in an orchestra measured 0-13 cents apart (σ per note, two players; 0.6-8.6 with three or four), each with a
+ *     steady tendency, one "generally a bit sharp", another "consistently flat" (Ioannou & Kob, ISMA 2019); listeners prefer a unison scatter
+ *     of 0-5 cents and tolerate 5-14 (Ternström & Sundberg, JASA 1988). A desk leans 3 cents sharp or flat, ±2 from note to note: 1-5 cents
+ *     from the first desk, 2-10 from each other, before the slow drift every player has;
+ *   - vibrato: violinists' rates run from about 5.5 Hz (students, Geringer & Allen, JRME 2004) to 6.3 (recorded soloists, Cheslock 1931,
+ *     Small 1937) and the extent is around 30 cents, 10-60 (Fletcher & Sanders, JASA 1967). A desk is 6% slower or faster (a violin's 6.2 Hz
+ *     becomes 5.8 or 6.6) and 10% narrower or wider, and starts a note 0.3 of a cycle or more away in phase from the other desks, so two desks
+ *     drift through and out of step instead of moving together;
+ *   - the bow: a desk grips the string a little slower or quicker, and lands a little behind the first desk (`lag`, see play.ts). Ensembles
+ *     measure 24-28 ms (string quartets, Wing et al. 2014) to 30-50 ms (trios, Rasch 1979) of onset scatter between parts; players of one part
+ *     following the same leader are tighter, so a desk lags 8-12 ms on average, never more than 18 ms on top of the usual humanize.
+ */
+export interface Desk {
+    /** Intonation (cents) from the first desk's mean pitch: a tendency, plus or minus 2 from note to note */
+    cents: number;
+    /** Vibrato speed and depth, as a factor of the first desk's */
+    rate: number;
+    depth: number;
+    /** Vibrato phase at the start of a note, from the first desk's (fraction of a cycle) */
+    phase: number;
+    /** How long the bow takes to grip the string, as a factor of the first desk's */
+    attack: number;
+    /** How far behind the first desk the bow lands on average (seconds); each note lands at half to one and a half times this */
+    lag: number;
+}
+/** The first desk plays the samples as they always were; a fourth track on an instrument sits at the first desk again, and so on round */
+export declare const DESKS: readonly Desk[];
+/**
+ * Compute one bowed-string sample. f is the pitch (Hz), loud decides bow pressure (brightness, bow noise, attack), and seed makes the players different for every note.
+ * desk picks the players (see DESKS): 0 is the first desk.
+ * The returned sample can loop seamlessly across the loop interval.
+ */
+export declare function bowSample(sr: number, f: number, d: BowDef, loud: boolean, seed: number, desk?: number): Bowed;
+/** How a bowed instrument is sampled and played */
+export interface BowInst {
+    def: BowDef;
+    /** One sample every how many semitones; the notes in between are made up with a rate change */
+    zone: number;
+    /** What fraction of the device sample rate to compute at (strings have almost nothing above 12 kHz, and bass instruments even less; saves memory and time) */
+    rate: number;
+    /** Attack and release at playback (seconds); a song's params.attack / release can override them */
+    attack: number;
+    release: number;
+    /** Velocity (times params.bright) above this value uses the hard-bow layer */
+    loudAt: number;
+    /** Glide time constant (seconds) */
+    glide: number;
+    level: number;
+    /** Share another instrument's samples (the same group of players, only played differently) */
+    share?: string;
+}
+export declare const BOWS: {
+    /** String section: seven players */
+    strings: {
+        def: BowDef;
+        zone: number;
+        rate: number;
+        attack: number;
+        release: number;
+        loudAt: number;
+        glide: number;
+        level: number;
+    };
+    /** The slow version of the string section (soft, long): the same samples */
+    strPad: {
+        def: BowDef;
+        zone: number;
+        rate: number;
+        attack: number;
+        release: number;
+        loudAt: number;
+        glide: number;
+        level: number;
+        share: string;
+    };
+    violin: {
+        def: BowDef;
+        zone: number;
+        rate: number;
+        attack: number;
+        release: number;
+        loudAt: number;
+        glide: number;
+        level: number;
+    };
+    cello: {
+        def: {
+            /** Number of players: 1 is a solo */
+            players: number;
+            /** Fixed intonation offset between players (cents, standard deviation) */
+            spread: number;
+            /** Intonation that each player slowly drifts (cents) */
+            drift: number;
+            /** Vibrato speed (Hz): each note, and each player in a section, varies around it */
+            vibRate: number;
+            /** Vibrato depth once it has grown in (cents, up and down from the note) */
+            vibDepth: number;
+            /** How long after the bow starts the vibrato begins (seconds) */
+            vibDelay: number;
+            /** Range of the bowing point (fraction of the string length): each player sits somewhere in it */
+            beta: [number, number];
+            /** Bow force: the partial number where the rounded Helmholtz corner has cut the partials by 6 dB, [soft, hard] */
+            corner: [number, number];
+            /** Sustained bow noise (relative to the string tone) */
+            noise: number;
+            /** Attack scrape sound */
+            scrape: number;
+            /** Attack time (seconds), [soft, hard] */
+            attack: [number, number];
+            /** Time offset at which players come in (seconds) */
+            onset: number;
+            /** How many cents below the note the attack slides up from */
+            scoop: number;
+            body: BodyDef;
+            /** Loop section length (seconds); a solo's is adjusted to hold a whole number of its vibrato cycles */
+            loop: number;
+            top: TopString;
+        };
+        zone: number;
+        rate: number;
+        attack: number;
+        release: number;
+        loudAt: number;
+        glide: number;
+        level: number;
+    };
+    /** Folk fiddle: brighter, with a faster, narrower vibrato that comes in later */
+    fiddle: {
+        def: {
+            /** Number of players: 1 is a solo */
+            players: number;
+            /** Fixed intonation offset between players (cents, standard deviation) */
+            spread: number;
+            /** Intonation that each player slowly drifts (cents) */
+            drift: number;
+            /** Vibrato speed (Hz): each note, and each player in a section, varies around it */
+            vibRate: number;
+            /** Vibrato depth once it has grown in (cents, up and down from the note) */
+            vibDepth: number;
+            /** Range of the bowing point (fraction of the string length): each player sits somewhere in it */
+            beta: [number, number];
+            /** Bow force: the partial number where the rounded Helmholtz corner has cut the partials by 6 dB, [soft, hard] */
+            corner: [number, number];
+            /** Sustained bow noise (relative to the string tone) */
+            noise: number;
+            /** Attack scrape sound */
+            scrape: number;
+            /** Attack time (seconds), [soft, hard] */
+            attack: [number, number];
+            /** Time offset at which players come in (seconds) */
+            onset: number;
+            /** How many cents below the note the attack slides up from */
+            scoop: number;
+            body: BodyDef;
+            /** Loop section length (seconds); a solo's is adjusted to hold a whole number of its vibrato cycles */
+            loop: number;
+            /** The top string, where it is unlike the others (see topString); notes from its open pitch up are played on it */
+            top?: TopString;
+            vibDelay: number;
+        };
+        zone: number;
+        rate: number;
+        attack: number;
+        release: number;
+        loudAt: number;
+        glide: number;
+        level: number;
+    };
+    /** Morin khuur: horsehair bow, lots of breath noise, wide slow vibrato that comes in later */
+    morin: {
+        def: {
+            /** Number of players: 1 is a solo */
+            players: number;
+            /** Fixed intonation offset between players (cents, standard deviation) */
+            spread: number;
+            /** Intonation that each player slowly drifts (cents) */
+            drift: number;
+            /** Vibrato speed (Hz): each note, and each player in a section, varies around it */
+            vibRate: number;
+            /** Vibrato depth once it has grown in (cents, up and down from the note) */
+            vibDepth: number;
+            /** Range of the bowing point (fraction of the string length): each player sits somewhere in it */
+            beta: [number, number];
+            /** Bow force: the partial number where the rounded Helmholtz corner has cut the partials by 6 dB, [soft, hard] */
+            corner: [number, number];
+            /** Sustained bow noise (relative to the string tone) */
+            noise: number;
+            /** Attack scrape sound */
+            scrape: number;
+            /** Attack time (seconds), [soft, hard] */
+            attack: [number, number];
+            /** Time offset at which players come in (seconds) */
+            onset: number;
+            /** How many cents below the note the attack slides up from */
+            scoop: number;
+            body: BodyDef;
+            /** Loop section length (seconds); a solo's is adjusted to hold a whole number of its vibrato cycles */
+            loop: number;
+            /** The top string, where it is unlike the others (see topString); notes from its open pitch up are played on it */
+            top?: TopString;
+            vibDelay: number;
+        };
+        zone: number;
+        rate: number;
+        attack: number;
+        release: number;
+        loudAt: number;
+        glide: number;
+        level: number;
+    };
+    /** Cello section: five players, for sustained notes and harmony in the low-mid register (use cello for solos) */
+    celli: {
+        def: {
+            /** Number of players: 1 is a solo */
+            players: number;
+            /** Fixed intonation offset between players (cents, standard deviation) */
+            spread: number;
+            /** Intonation that each player slowly drifts (cents) */
+            drift: number;
+            /** How long after the bow starts the vibrato begins (seconds) */
+            vibDelay: number;
+            /** Range of the bowing point (fraction of the string length): each player sits somewhere in it */
+            beta: [number, number];
+            /** Attack scrape sound */
+            scrape: number;
+            /** Attack time (seconds), [soft, hard] */
+            attack: [number, number];
+            /** Time offset at which players come in (seconds) */
+            onset: number;
+            /** How many cents below the note the attack slides up from */
+            scoop: number;
+            body: BodyDef;
+            /** Loop section length (seconds); a solo's is adjusted to hold a whole number of its vibrato cycles */
+            loop: number;
+            vibRate: number;
+            vibDepth: number;
+            corner: [number, number];
+            noise: number;
+            top: TopString;
+        };
+        zone: number;
+        rate: number;
+        attack: number;
+        release: number;
+        loudAt: number;
+        glide: number;
+        level: number;
+    };
+    /** Double bass section: three players, with a slower vibrato */
+    contrabass: {
+        def: {
+            /** Number of players: 1 is a solo */
+            players: number;
+            /** Intonation that each player slowly drifts (cents) */
+            drift: number;
+            /** How long after the bow starts the vibrato begins (seconds) */
+            vibDelay: number;
+            /** Range of the bowing point (fraction of the string length): each player sits somewhere in it */
+            beta: [number, number];
+            /** Sustained bow noise (relative to the string tone) */
+            noise: number;
+            /** Attack scrape sound */
+            scrape: number;
+            /** Attack time (seconds), [soft, hard] */
+            attack: [number, number];
+            /** Time offset at which players come in (seconds) */
+            onset: number;
+            /** How many cents below the note the attack slides up from */
+            scoop: number;
+            body: BodyDef;
+            /** Loop section length (seconds); a solo's is adjusted to hold a whole number of its vibrato cycles */
+            loop: number;
+            /** The top string, where it is unlike the others (see topString); notes from its open pitch up are played on it */
+            top?: TopString;
+            vibRate: number;
+            vibDepth: number;
+            corner: [number, number];
+            spread: number;
+        };
+        zone: number;
+        rate: number;
+        attack: number;
+        release: number;
+        loudAt: number;
+        glide: number;
+        level: number;
+    };
+};
+//# sourceMappingURL=bowed.d.ts.map

package/dist/instruments/bowed.d.ts.map

@@ -0,0 +1 @@
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