pixi-effects 0.47.1 → 0.47.2

package/dist/{chunk-53DXJEO7.cjs → chunk-DQVUKP5G.cjs}

@@ -1,6 +1,6 @@
 'use strict';
 
-var chunkNEMWRJQS_cjs = require('./chunk-NEMWRJQS.cjs');
+var chunk2YV7ISX6_cjs = require('./chunk-2YV7ISX6.cjs');
 var chunkTWZNOUM7_cjs = require('./chunk-TWZNOUM7.cjs');
 
 // src/core/blend.ts
@@ -40,7 +40,7 @@ function usesAdvancedBlend(spec) {
   };
   return visit(spec);
 }
-var sayNow = (message, spec) => console.warn(`pixi-effects: ${chunkNEMWRJQS_cjs.describeLayer(spec)}: ${message}`);
+var sayNow = (message, spec) => console.warn(`pixi-effects: ${chunk2YV7ISX6_cjs.describeLayer(spec)}: ${message}`);
 function blendUnavailableMessage(mode) {
   return `blendMode "${mode}" could not be set up (the blend filters are not registered); the layer is drawn normal`;
 }
@@ -85,7 +85,7 @@ function blendFilterFor(mode) {
 }
 async function enableAdvancedBlend(renderer) {
   try {
-    const { registerBlendModes } = await import('./blendModes-ONOPMMAB.cjs');
+    const { registerBlendModes } = await import('./blendModes-JUISKPCA.cjs');
     registerBlendModes();
   } catch (e) {
     const why = e instanceof Error ? e.message : String(e);
@@ -137,5 +137,5 @@ exports.isAdvancedBlend = isAdvancedBlend;
 exports.maxConcurrentAdvanced = maxConcurrentAdvanced;
 exports.setBlendFilterFactory = setBlendFilterFactory;
 exports.usesAdvancedBlend = usesAdvancedBlend;
-//# sourceMappingURL=chunk-53DXJEO7.cjs.map
-//# sourceMappingURL=chunk-53DXJEO7.cjs.map
+//# sourceMappingURL=chunk-DQVUKP5G.cjs.map
+//# sourceMappingURL=chunk-DQVUKP5G.cjs.map

package/dist/{chunk-53DXJEO7.cjs.map → chunk-DQVUKP5G.cjs.map}

@@ -1 +1 @@
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cjs","sourcesContent":["import { describeLayer } from './lint';\nimport { suggestName } from './options';\n\n/** The modes Pixi draws itself (`add`, `screen`, `multiply`) and `normal`. */\nexport const BASIC_BLEND_MODES = ['normal', 'add', 'screen', 'multiply'] as const;\n/** The modes that need the backdrop: our own `BlendModeFilter`s (`src/filters/blendModes.ts`), loaded only when a movie uses one. */\nexport const ADVANCED_BLEND_MODES = [\n  'overlay', 'soft-light', 'hard-light', 'color-dodge', 'color-burn', 'darken', 'lighten', 'difference', 'exclusion',\n  'hue', 'saturation', 'color', 'luminosity', 'linear-burn',\n] as const;\n/** Every `blendMode` there is (the one table the warnings, the types and the docs check against). */\nexport const BLEND_MODES: readonly string[] = [...BASIC_BLEND_MODES, ...ADVANCED_BLEND_MODES];\n\nexport function isAdvancedBlend(mode: unknown): boolean {\n  return typeof mode === 'string' && (ADVANCED_BLEND_MODES as readonly string[]).includes(mode);\n}\n\n/** Why `mode` is not a blend mode, with the likely name and the choices; null when it is one. */\nexport function blendProblem(mode: unknown): string | null {\n  if (typeof mode === 'string' && BLEND_MODES.includes(mode)) return null;\n  const guess = typeof mode === 'string' ? suggestName(mode, BLEND_MODES) : null;\n  const shown = typeof mode === 'string' ? `\"${mode}\"` : String(mode);\n  return `blendMode ${shown} is not supported${guess ? `; did you mean \"${guess}\"?` : ''} (use ${BLEND_MODES.join(', ')})`;\n}\n\n/** Does any layer of this composition (or one nested in it, or a mask layer) use an advanced blend? */\nexport function usesAdvancedBlend(spec: unknown): boolean {\n  const visit = (n: unknown): boolean => {\n    if (!n || typeof n !== 'object') return false;\n    if (Array.isArray(n)) return n.some(visit);\n    const o = n as Record<string, unknown>;\n    return isAdvancedBlend(o.blendMode) || visit(o.sequences) || visit(o.mask) || visit(o.layer);       // (`layer`: a mask written as { layer: <spec>, invert })\n  };\n  return visit(spec);\n}\n\n/** What to say about a layer's blend mode: `Composition` collects these per build, so the same mistake in 300 particle layers is said once. */\nexport type BlendReport = (message: string, spec: { name?: string; type: string }) => void;\nconst sayNow: BlendReport = (message, spec) => console.warn(`pixi-effects: ${describeLayer(spec)}: ${message}`);\n\n/** The blend filters of an advanced mode were not registered (a movie registers them in `Movie.init`, or loading them failed): the layer is drawn normal. */\nexport function blendUnavailableMessage(mode: string): string {\n  return `blendMode \"${mode}\" could not be set up (the blend filters are not registered); the layer is drawn normal`;\n}\n\n/**\n * Apply a layer's `blendMode` to its display object; an unknown mode, or an advanced mode while the blend filters are not registered, says so\n * and the layer is drawn normal. Returns the blend filter it added to the layer's filter chain (the caller destroys it with the layer), if any.\n */\nexport function applyBlendMode(\n  spec: { blendMode?: string; name?: string; type: string },\n  display: { blendMode?: unknown; filters?: unknown },\n  report: BlendReport = sayNow,\n): BlendFilterLike | null {\n  const mode = spec.blendMode;\n  if (mode === undefined) return null;\n  const problem = blendProblem(mode);\n  if (problem) { report(problem, spec); return null; }\n  if (isAdvancedBlend(mode) && !blendRegistered()) { report(blendUnavailableMessage(mode), spec); return null; }\n  // A container's blend mode applies INSIDE a filter's offscreen pass (against transparent black: multiply gave\n  // solid black) and not to the filtered result. With filters, the pass that draws onto the backdrop is the last\n  // filter's, so the mode goes there; the container stays normal.\n  const filters = display.filters;\n  if (Array.isArray(filters) && filters.length > 0) {\n    if (isAdvancedBlend(mode)) {\n      // an advanced mode is a filter of its own (it reads the backdrop): it joins the chain as the last pass\n      const blend = blendFilterFor(mode);\n      if (!blend) { report(blendUnavailableMessage(mode), spec); return null; }\n      display.filters = [...filters, blend];\n      return blend;\n    }\n    (filters[filters.length - 1] as { blendMode?: unknown }).blendMode = mode;\n    return null;\n  }\n  display.blendMode = mode;\n  return null;\n}\n\n/** What blend.ts needs of a blend filter (the real ones are Pixi filters; tests use plain objects). */\nexport type BlendFilterLike = { blendMode?: unknown; destroy(): void };\nlet factory: ((mode: string) => BlendFilterLike | null) | null = null;\n\n/** `filters/blendModes.ts` hands its filter maker here when it registers, so this file never imports Pixi. */\nexport function setBlendFilterFactory(f: ((mode: string) => BlendFilterLike | null) | null): void {\n  factory = f;\n}\n\n/** Are the blend filters registered (a movie that uses an advanced mode registers them in `Movie.init`)? */\nexport function blendRegistered(): boolean {\n  return factory !== null;\n}\n\n/** A fresh blend filter for an advanced mode, or null when the blends are not registered (or the mode is not an advanced one). */\nexport function blendFilterFor(mode: string): BlendFilterLike | null {\n  return isAdvancedBlend(mode) && factory ? factory(mode) : null;\n}\n\n/**\n * Called by `Movie.init` when a layer uses an advanced mode, and only then: loads our blend filters (a separate chunk), registers them on\n * the pixi the movie runs on, and on WebGL turns the back buffer on (an advanced blend reads what is already drawn; WebGPU copies the\n * backdrop by itself, and has no such switch). A movie that uses none never reaches this, so nothing about it changes.\n */\nexport async function enableAdvancedBlend(renderer: unknown): Promise<void> {\n  try {\n    const { registerBlendModes } = await import('../filters/blendModes');\n    registerBlendModes();\n  } catch (e) {\n    // a page that serves dist/index.js without its chunk, a CDN hiccup: the movie still plays, its advanced blends drawn normal\n    const why = e instanceof Error ? e.message : String(e);\n    console.warn(`pixi-effects: the blend filters could not be loaded (${why}); layers with an advanced blendMode are drawn normal. Serve the whole dist/ folder (the filters are the blendModes-*.js file next to index.js)`);\n    return;\n  }\n  const bb = (renderer as { backBuffer?: { useBackBuffer: boolean } }).backBuffer;\n  if (bb) bb.useBackBuffer = true;\n}\n\n/** This many layers with an advanced blend on screen at once is slow: each is a full-frame pass (measured on WebGL: about 1.5–2 ms each at 1080p). */\nexport const MANY_ADVANCED = 10;\n\ntype Counted = { at?: number; duration?: number; blendMode?: unknown; type?: string; sequences?: unknown };\n\n/** The layers a composition draws (its children each blend one by one when it has a mode): null, camera and audio layers draw nothing; nested compositions are walked. */\nfunction drawnLeaves(sequences: unknown): number {\n  if (!Array.isArray(sequences)) return 0;\n  let n = 0;\n  for (const s of sequences as Counted[]) {\n    if (!s || s.type === 'null' || s.type === 'camera' || s.type === 'audio') continue;\n    n += s.type === 'composition' ? drawnLeaves(s.sequences) : 1;\n  }\n  return n;\n}\n\n/**\n * The full-frame passes one layer costs while it is on screen: 1 for a layer with an advanced mode; for a composition with one, one for each\n * drawn layer inside it (its children inherit the mode and blend one by one); for a composition without, the most that its own layers add\n * at one instant (a card with three blends in it, on screen with four other cards, is twelve).\n */\nfunction passesOf(l: Counted, span: number): number {\n  const isComposition = l.type === 'composition';\n  if (isAdvancedBlend(l.blendMode)) return isComposition ? Math.max(1, drawnLeaves(l.sequences)) : 1;\n  return isComposition && Array.isArray(l.sequences) ? maxConcurrentAdvanced(l.sequences as Counted[], l.duration ?? span) : 0;\n}\n\n/** The most full-frame advanced-blend passes on screen at one instant, from the layers' `at` and `duration` (a layer with no duration lasts to the end). */\nexport function maxConcurrentAdvanced(layers: ReadonlyArray<Counted>, span: number): number {\n  const events: Array<[number, number]> = [];\n  for (const l of layers) {\n    const w = passesOf(l, span);\n    if (w === 0) continue;\n    const at = l.at ?? 0;\n    const end = l.duration === undefined ? span : at + l.duration;\n    const start = Math.max(0, at);                                     // a negative `at` starts before the composition: only what is after 0 is on screen\n    if (end > start) events.push([start, w], [end, -w]);\n  }\n  events.sort((a, b) => a[0] - b[0] || a[1] - b[1]);                  // at one instant, the layers that end go before the ones that start\n  let now = 0, most = 0;\n  for (const [, d] of events) { now += d; most = Math.max(most, now); }\n  return most;\n}\n"]}
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cjs","sourcesContent":["import { describeLayer } from './lint';\nimport { suggestName } from './options';\n\n/** The modes Pixi draws itself (`add`, `screen`, `multiply`) and `normal`. */\nexport const BASIC_BLEND_MODES = ['normal', 'add', 'screen', 'multiply'] as const;\n/** The modes that need the backdrop: our own `BlendModeFilter`s (`src/filters/blendModes.ts`), loaded only when a movie uses one. */\nexport const ADVANCED_BLEND_MODES = [\n  'overlay', 'soft-light', 'hard-light', 'color-dodge', 'color-burn', 'darken', 'lighten', 'difference', 'exclusion',\n  'hue', 'saturation', 'color', 'luminosity', 'linear-burn',\n] as const;\n/** Every `blendMode` there is (the one table the warnings, the types and the docs check against). */\nexport const BLEND_MODES: readonly string[] = [...BASIC_BLEND_MODES, ...ADVANCED_BLEND_MODES];\n\nexport function isAdvancedBlend(mode: unknown): boolean {\n  return typeof mode === 'string' && (ADVANCED_BLEND_MODES as readonly string[]).includes(mode);\n}\n\n/** Why `mode` is not a blend mode, with the likely name and the choices; null when it is one. */\nexport function blendProblem(mode: unknown): string | null {\n  if (typeof mode === 'string' && BLEND_MODES.includes(mode)) return null;\n  const guess = typeof mode === 'string' ? suggestName(mode, BLEND_MODES) : null;\n  const shown = typeof mode === 'string' ? `\"${mode}\"` : String(mode);\n  return `blendMode ${shown} is not supported${guess ? `; did you mean \"${guess}\"?` : ''} (use ${BLEND_MODES.join(', ')})`;\n}\n\n/** Does any layer of this composition (or one nested in it, or a mask layer) use an advanced blend? */\nexport function usesAdvancedBlend(spec: unknown): boolean {\n  const visit = (n: unknown): boolean => {\n    if (!n || typeof n !== 'object') return false;\n    if (Array.isArray(n)) return n.some(visit);\n    const o = n as Record<string, unknown>;\n    return isAdvancedBlend(o.blendMode) || visit(o.sequences) || visit(o.mask) || visit(o.layer);       // (`layer`: a mask written as { layer: <spec>, invert })\n  };\n  return visit(spec);\n}\n\n/** What to say about a layer's blend mode: `Composition` collects these per build, so the same mistake in 300 particle layers is said once. */\nexport type BlendReport = (message: string, spec: { name?: string; type: string }) => void;\nconst sayNow: BlendReport = (message, spec) => console.warn(`pixi-effects: ${describeLayer(spec)}: ${message}`);\n\n/** The blend filters of an advanced mode were not registered (a movie registers them in `Movie.init`, or loading them failed): the layer is drawn normal. */\nexport function blendUnavailableMessage(mode: string): string {\n  return `blendMode \"${mode}\" could not be set up (the blend filters are not registered); the layer is drawn normal`;\n}\n\n/**\n * Apply a layer's `blendMode` to its display object; an unknown mode, or an advanced mode while the blend filters are not registered, says so\n * and the layer is drawn normal. Returns the blend filter it added to the layer's filter chain (the caller destroys it with the layer), if any.\n */\nexport function applyBlendMode(\n  spec: { blendMode?: string; name?: string; type: string },\n  display: { blendMode?: unknown; filters?: unknown },\n  report: BlendReport = sayNow,\n): BlendFilterLike | null {\n  const mode = spec.blendMode;\n  if (mode === undefined) return null;\n  const problem = blendProblem(mode);\n  if (problem) { report(problem, spec); return null; }\n  if (isAdvancedBlend(mode) && !blendRegistered()) { report(blendUnavailableMessage(mode), spec); return null; }\n  // A container's blend mode applies INSIDE a filter's offscreen pass (against transparent black: multiply gave\n  // solid black) and not to the filtered result. With filters, the pass that draws onto the backdrop is the last\n  // filter's, so the mode goes there; the container stays normal.\n  const filters = display.filters;\n  if (Array.isArray(filters) && filters.length > 0) {\n    if (isAdvancedBlend(mode)) {\n      // an advanced mode is a filter of its own (it reads the backdrop): it joins the chain as the last pass\n      const blend = blendFilterFor(mode);\n      if (!blend) { report(blendUnavailableMessage(mode), spec); return null; }\n      display.filters = [...filters, blend];\n      return blend;\n    }\n    (filters[filters.length - 1] as { blendMode?: unknown }).blendMode = mode;\n    return null;\n  }\n  display.blendMode = mode;\n  return null;\n}\n\n/** What blend.ts needs of a blend filter (the real ones are Pixi filters; tests use plain objects). */\nexport type BlendFilterLike = { blendMode?: unknown; destroy(): void };\nlet factory: ((mode: string) => BlendFilterLike | null) | null = null;\n\n/** `filters/blendModes.ts` hands its filter maker here when it registers, so this file never imports Pixi. */\nexport function setBlendFilterFactory(f: ((mode: string) => BlendFilterLike | null) | null): void {\n  factory = f;\n}\n\n/** Are the blend filters registered (a movie that uses an advanced mode registers them in `Movie.init`)? */\nexport function blendRegistered(): boolean {\n  return factory !== null;\n}\n\n/** A fresh blend filter for an advanced mode, or null when the blends are not registered (or the mode is not an advanced one). */\nexport function blendFilterFor(mode: string): BlendFilterLike | null {\n  return isAdvancedBlend(mode) && factory ? factory(mode) : null;\n}\n\n/**\n * Called by `Movie.init` when a layer uses an advanced mode, and only then: loads our blend filters (a separate chunk), registers them on\n * the pixi the movie runs on, and on WebGL turns the back buffer on (an advanced blend reads what is already drawn; WebGPU copies the\n * backdrop by itself, and has no such switch). A movie that uses none never reaches this, so nothing about it changes.\n */\nexport async function enableAdvancedBlend(renderer: unknown): Promise<void> {\n  try {\n    const { registerBlendModes } = await import('../filters/blendModes');\n    registerBlendModes();\n  } catch (e) {\n    // a page that serves dist/index.js without its chunk, a CDN hiccup: the movie still plays, its advanced blends drawn normal\n    const why = e instanceof Error ? e.message : String(e);\n    console.warn(`pixi-effects: the blend filters could not be loaded (${why}); layers with an advanced blendMode are drawn normal. Serve the whole dist/ folder (the filters are the blendModes-*.js file next to index.js)`);\n    return;\n  }\n  const bb = (renderer as { backBuffer?: { useBackBuffer: boolean } }).backBuffer;\n  if (bb) bb.useBackBuffer = true;\n}\n\n/** This many layers with an advanced blend on screen at once is slow: each is a full-frame pass (measured on WebGL: about 1.5–2 ms each at 1080p). */\nexport const MANY_ADVANCED = 10;\n\ntype Counted = { at?: number; duration?: number; blendMode?: unknown; type?: string; sequences?: unknown };\n\n/** The layers a composition draws (its children each blend one by one when it has a mode): null, camera and audio layers draw nothing; nested compositions are walked. */\nfunction drawnLeaves(sequences: unknown): number {\n  if (!Array.isArray(sequences)) return 0;\n  let n = 0;\n  for (const s of sequences as Counted[]) {\n    if (!s || s.type === 'null' || s.type === 'camera' || s.type === 'audio') continue;\n    n += s.type === 'composition' ? drawnLeaves(s.sequences) : 1;\n  }\n  return n;\n}\n\n/**\n * The full-frame passes one layer costs while it is on screen: 1 for a layer with an advanced mode; for a composition with one, one for each\n * drawn layer inside it (its children inherit the mode and blend one by one); for a composition without, the most that its own layers add\n * at one instant (a card with three blends in it, on screen with four other cards, is twelve).\n */\nfunction passesOf(l: Counted, span: number): number {\n  const isComposition = l.type === 'composition';\n  if (isAdvancedBlend(l.blendMode)) return isComposition ? Math.max(1, drawnLeaves(l.sequences)) : 1;\n  return isComposition && Array.isArray(l.sequences) ? maxConcurrentAdvanced(l.sequences as Counted[], l.duration ?? span) : 0;\n}\n\n/** The most full-frame advanced-blend passes on screen at one instant, from the layers' `at` and `duration` (a layer with no duration lasts to the end). */\nexport function maxConcurrentAdvanced(layers: ReadonlyArray<Counted>, span: number): number {\n  const events: Array<[number, number]> = [];\n  for (const l of layers) {\n    const w = passesOf(l, span);\n    if (w === 0) continue;\n    const at = l.at ?? 0;\n    const end = l.duration === undefined ? span : at + l.duration;\n    const start = Math.max(0, at);                                     // a negative `at` starts before the composition: only what is after 0 is on screen\n    if (end > start) events.push([start, w], [end, -w]);\n  }\n  events.sort((a, b) => a[0] - b[0] || a[1] - b[1]);                  // at one instant, the layers that end go before the ones that start\n  let now = 0, most = 0;\n  for (const [, d] of events) { now += d; most = Math.max(most, now); }\n  return most;\n}\n"]}

package/dist/{chunk-7IDEWQPH.js → chunk-G4PXCV2B.js}

@@ -327,6 +327,7 @@ function analyzeAudio(mix, sources, stats, movieDuration, opts = {}) {
     return measure(Array.from({ length: b.numberOfChannels }, (_, c) => b.getChannelData(c)), b.sampleRate);
   };
   const scoreNotes = [];
+  const normGain = stats?.loudness?.gainDb ?? 0;
   const buried = [];
   const list = [...sources].sort((a, b) => a.start - b.start).map((s) => {
     const layer = s.layer ?? "an audio layer";
@@ -356,18 +357,21 @@ function analyzeAudio(mix, sources, stats, movieDuration, opts = {}) {
       if (over > 2 && over / s.music.seconds > 0.15) scoreNotes.push(`${layer} (${source}): the score is ${Math.round(s.music.seconds * 10) / 10}s long but only ${Math.round(plays * 100) / 100}s of it play, so it is cut off mid-phrase. Write fewer bars (or a faster tempo) so it ends with the movie`);
     }
     if (s.music && s.music.tracks.length > 1) {
-      const short = s.music.tracks.filter((t) => t.beats <= s.music.beats - s.music.meter);
+      const longest = Math.max(...s.music.tracks.map((t) => t.beats));
+      const short = s.music.tracks.filter((t) => t.beats <= longest - s.music.meter);
       if (short.length > 0) {
-        scoreNotes.push(`${layer} (${source}): ${short.slice(0, 3).map((t) => `the ${t.inst} track is ${Math.round(t.beats * 100) / 100} beats long against ${s.music.beats} for the longest and falls silent from beat ${Math.round(t.beats * 100) / 100} (bar ${Math.floor(t.beats / s.music.meter) + 1})`).join("; ")}. If that is a miscount, add its missing beats (a rest is \`_:4\`); if it is on purpose, ignore this`);
+        scoreNotes.push(`${layer} (${source}): ${short.slice(0, 3).map((t) => `the ${t.inst} track is ${Math.round(t.beats * 100) / 100} beats long against ${longest} for the longest and falls silent from beat ${Math.round(t.beats * 100) / 100} (bar ${Math.floor(t.beats / s.music.meter) + 1})`).join("; ")}. If that is a miscount, add its missing beats (a rest is \`_:4\`); if it is on purpose, ignore this`);
+      } else if (s.music.beats >= longest + s.music.meter) {
+        scoreNotes.push(`${layer} (${source}): the drums run to beat ${s.music.beats}, past the end of every track at beat ${longest}: from there only the drums play`);
       }
     }
     let belowMixDb;
     if (!clock && !s.sourceMap && s.start < movieDuration && ownDb > INAUDIBLE_DB) {
       const at = s.start + sound.loudestAt;
       const around = db(peakIn(Math.max(0, at - 0.05), Math.min(movieDuration, at + 0.05)));
-      belowMixDb = Math.max(0, Math.round((around - ownDb) * 10) / 10);
+      belowMixDb = Math.max(0, Math.round((around - (ownDb + normGain)) * 10) / 10);
       if (!s.music && source.startsWith("sfx") && sound.length <= 4 && belowMixDb >= BURIED_DB) {
-        buried.push({ layer, source, ownDb, topVolume, around, belowMixDb, at: Math.round(at * 100) / 100 });
+        buried.push({ layer, source, ownDb: Math.round((ownDb + normGain) * 10) / 10, topVolume, around, belowMixDb, at: Math.round(at * 100) / 100 });
       }
     }
     return { layer, source, start: s.start, end: s.end, peakDb, sound, ...belowMixDb !== void 0 ? { belowMixDb } : {}, ...s.music ? { music: s.music } : {} };
@@ -383,7 +387,7 @@ function analyzeAudio(mix, sources, stats, movieDuration, opts = {}) {
   if (whole.truePeakDb > 0) issues.push(`the mix's true peak is ${whole.truePeakDb} dBTP: it will distort when the video is encoded \u2014 lower the volume`);
   const notes = [...scoreNotes];
   if (whole.integratedLufs !== null) {
-    if (whole.integratedLufs < LOUDNESS_NOTES.quietBelow) notes.push(`the mix is quiet for web video: ${whole.integratedLufs} LUFS (typical \u221214 to \u221216); raise the volume, or ask for a loudness: movie.init({ loudness: -16 }), if that is not on purpose`);
+    if (whole.integratedLufs < LOUDNESS_NOTES.quietBelow && !stats?.loudness) notes.push(`the mix is quiet for web video: ${whole.integratedLufs} LUFS (typical \u221214 to \u221216); raise the volume, or ask for a loudness: movie.init({ loudness: -16 }), if that is not on purpose`);
     else if (whole.integratedLufs > LOUDNESS_NOTES.loudAbove) notes.push(`the mix is loud: ${whole.integratedLufs} LUFS (typical web video \u221214 to \u221216)`);
   }
   if (whole.truePeakDb > LOUDNESS_NOTES.headroomDb && whole.truePeakDb <= 0) notes.push(`the true peak is ${whole.truePeakDb} dBTP: little headroom left for encoding (keep it below ${LOUDNESS_NOTES.headroomDb} dBTP)`);
@@ -393,7 +397,7 @@ function analyzeAudio(mix, sources, stats, movieDuration, opts = {}) {
       const at = sources.filter((x) => x.start <= t && t < Math.min(x.end, movieDuration)).map((x) => x.layer && x.layer !== "an audio layer" ? `${x.layer}${x.source ? ` (${x.source})` : ""}` : x.source ?? "audio");
       return [...new Set(at)].slice(0, 6).join(", ") || "nothing that is listed";
     };
-    if (asked.gainDb !== 0) notes.push(`the whole mix was ${asked.gainDb > 0 ? "raised" : "lowered"} by ${Math.abs(asked.gainDb)} dB to reach ${asked.target} LUFS (init({ loudness: ${asked.target} }))`);
+    if (asked.gainDb !== 0) notes.push(`the whole mix was ${asked.gainDb > 0 ? "raised" : "lowered"} by ${Math.abs(asked.gainDb)} dB ${asked.limited ? "toward" : "to reach"} ${asked.target} LUFS (init({ loudness: ${asked.target} }))`);
     if (asked.limited) {
       notes.push(`the mix could not reach ${asked.target} LUFS: it stopped at ${asked.reachedLufs} LUFS because its loudest moment${asked.limiterAt !== void 0 ? ` (at ${asked.limiterAt} s, where ${playingAt(asked.limiterAt)} play)` : ""} would need more than ${asked.limiterDb ?? 10} dB of limiting to stay under -1 dBTP; lower the sound that peaks there (a click or hit on top of a quiet bed), or ask for less`);
     } else if (asked.limiterDb !== void 0 && asked.limiterDb >= 3) {
@@ -440,5 +444,5 @@ function inspectSound(pcm, opts = {}) {
 }
 
 export { analyzeAudio, fft, inspectSound, measureLoudness, playSpan, resampleThrough };
-//# sourceMappingURL=chunk-7IDEWQPH.js.map
-//# sourceMappingURL=chunk-7IDEWQPH.js.map
+//# sourceMappingURL=chunk-G4PXCV2B.js.map
+//# sourceMappingURL=chunk-G4PXCV2B.js.map

package/dist/chunk-G4PXCV2B.js.map

@@ -0,0 +1 @@
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type { AudioDescriptor } from '../types';\n\ntype RemapFields = Pick<AudioDescriptor, 'start' | 'end' | 'loop' | 'initialVolume' | 'volumeKeyframes' | 'warp' | 'sourceMap'>;\n\n/** The gain of a sound at its own time `u`: `initialVolume` from `start`, then straight lines to each point (what the Web Audio ramps did). */\nfunction gainAt(a: RemapFields, u: number): number {\n  let prevT = a.start, prevV = a.initialVolume ?? 1;\n  if (u <= prevT) return prevV;\n  for (const kf of a.volumeKeyframes ?? []) {\n    if (u <= kf.time) return kf.time === prevT ? kf.value : prevV + (kf.value - prevV) * ((u - prevT) / (kf.time - prevT));\n    prevT = kf.time; prevV = kf.value;\n  }\n  return prevV;\n}\n\nconst CELL = 1 / 1000;\n\n/**\n * Render a sound through its time maps. For every output sample T: u = warp(T) (sampled every millisecond, interpolated), the position\n * in the sound is sourceMap(u) (or u - start), and the sample is read with linear interpolation. Where the position hardly moves (a\n * freeze) it fades to silence rather than hold one sample as a DC offset. Returns null when it is never audible. `at` is where in the\n * mix the returned samples begin. Pitch follows speed (a resample, like a tape).\n */\nexport function resampleThrough(\n  a: RemapFields, left: Float32Array, right: Float32Array, srcRate: number, outRate: number, total: number,\n): { L: Float32Array; R: Float32Array; at: number } | null {\n  const nCell = Math.ceil(total / CELL) + 2;\n  const U = new Float64Array(nCell);\n  let first = -1, last = -1;\n  for (let k = 0; k < nCell; k++) {\n    const u = a.warp ? a.warp(k * CELL) : k * CELL;\n    U[k] = u;\n    if (Number.isFinite(u) && u >= a.start && u < a.end) { if (first < 0) first = k; last = k; }\n  }\n  if (first < 0) return null;\n  const lo = Math.max(0, (first - 1) * CELL), hi = Math.min(total, (last + 2) * CELL);\n  const n = Math.max(1, Math.ceil((hi - lo) * outRate));\n  const L = new Float32Array(n), R = new Float32Array(n);\n  const dur = left.length / srcRate;\n  let prevPos = NaN;\n  for (let i = 0; i < n; i++) {\n    const T = lo + i / outRate;\n    const x = T / CELL, k = Math.min(Math.floor(x), nCell - 2), f = x - k;\n    const u0 = U[k]!, u1 = U[k + 1]!;\n    if (!(Number.isFinite(u0) && Number.isFinite(u1))) { prevPos = NaN; continue; }\n    const u = u0 * (1 - f) + u1 * f;\n    if (u < a.start || u >= a.end) { prevPos = NaN; continue; }\n    const raw = a.sourceMap ? a.sourceMap(u) : u - a.start;\n    let pos = raw;\n    if (a.loop) pos = ((pos % dur) + dur) % dur;\n    const rate = Number.isNaN(prevPos) ? 1 : Math.abs(raw - prevPos) * outRate;\n    prevPos = raw;\n    if (pos < 0 || pos >= dur) continue;\n    const g = gainAt(a, u) * Math.min(1, rate / 0.02);\n    const sp = pos * srcRate, j = Math.floor(sp), fr = sp - j, j1 = Math.min(j + 1, left.length - 1);\n    L[i] = (left[j]! * (1 - fr) + left[j1]! * fr) * g;\n    R[i] = (right[j]! * (1 - fr) + right[j1]! * fr) * g;\n  }\n  return { L, R, at: lo };\n}\n\n/**\n * When a sound plays, in the MOVIE's time. Without a `warp` that is `start`..`end`; with one (the sound sits in a remapped composition)\n * `start` / `end` are the composition's local times, so the span is where the warp lands inside them. `total` is the movie's length.\n */\nexport function playSpan(a: Pick<AudioDescriptor, 'start' | 'end' | 'warp'>, total: number): { start: number; end: number } {\n  if (!a.warp) return { start: a.start, end: a.end };\n  let first = -1, last = -1;\n  const n = Math.ceil(total / CELL) + 1;\n  for (let k = 0; k <= n; k++) {\n    const u = a.warp(k * CELL);\n    if (Number.isFinite(u) && u >= a.start && u < a.end) { if (first < 0) first = k; last = k; }\n  }\n  return first < 0 ? { start: total, end: total } : { start: first * CELL, end: (last + 1) * CELL };\n}\n\n/**\n * The farthest local time the warp (the clock of the composition the sound sits in) reaches during the movie. A sound whose local `end` is\n * beyond it is cut short by that clock (it stops or stands still) — a different cause than the end of the movie.\n */\nexport function clockReach(a: Pick<AudioDescriptor, 'warp'>, total: number): number {\n  let reach = -Infinity;\n  const n = Math.ceil(total / CELL) + 1;\n  for (let k = 0; k <= n; k++) {\n    const u = a.warp ? a.warp(k * CELL) : k * CELL;\n    if (Number.isFinite(u) && u > reach) reach = u;\n  }\n  return reach;\n}\n","/** In-place radix-2 FFT (re/im arrays of the same power-of-two length). */\nexport function fft(re: Float64Array, im: Float64Array): void {\n  const n = re.length;\n  for (let i = 1, j = 0; i < n; i++) {\n    let bit = n >> 1;\n    for (; j & bit; bit >>= 1) j ^= bit;\n    j ^= bit;\n    if (i < j) { [re[i], re[j]] = [re[j]!, re[i]!]; [im[i], im[j]] = [im[j]!, im[i]!]; }\n  }\n  for (let len = 2; len <= n; len <<= 1) {\n    const ang = (-2 * Math.PI) / len;\n    for (let i = 0; i < n; i += len) {\n      for (let k = 0; k < len / 2; k++) {\n        const wr = Math.cos(ang * k), wi = Math.sin(ang * k);\n        const a = i + k, b = a + len / 2;\n        const xr = re[b]! * wr - im[b]! * wi, xi = re[b]! * wi + im[b]! * wr;\n        re[b] = re[a]! - xr; im[b] = im[a]! - xi;\n        re[a] = re[a]! + xr; im[a] = im[a]! + xi;\n      }\n    }\n  }\n}\n\nconst FRAME = 2048;\n\n/**\n * Spectral centroid (\"brightness\") in Hz of `samples[from, to)`: the power-weighted mean frequency\n * over Hann-windowed 2048-sample frames (louder frames count more). 0 for silence.\n * Rough guide: < 500 Hz dark / boomy, 1–3 kHz mid, > 4 kHz bright / airy.\n */\nexport function spectralCentroid(samples: Float32Array, sampleRate: number, from = 0, to = samples.length): number {\n  let num = 0;\n  let den = 0;\n  const re = new Float64Array(FRAME);\n  const im = new Float64Array(FRAME);\n  const end = Math.min(to, samples.length);\n  for (let start = Math.max(0, from); start < end; start += FRAME / 2) {\n    for (let i = 0; i < FRAME; i++) {\n      const k = start + i;\n      const w = 0.5 - 0.5 * Math.cos((2 * Math.PI * i) / (FRAME - 1));\n      re[i] = k < end ? samples[k]! * w : 0;\n      im[i] = 0;\n    }\n    fft(re, im);\n    for (let b = 1; b < FRAME / 2; b++) {\n      const power = re[b]! * re[b]! + im[b]! * im[b]!;\n      num += power * ((b * sampleRate) / FRAME);\n      den += power;\n    }\n  }\n  return den > 1e-9 ? Math.round(num / den / 10) * 10 : 0;\n}\n","/** Loudness of a mix, ITU-R BS.1770-4 / EBU R128, without a dependency. Pure: takes channels, returns numbers. */\nexport interface LoudnessReport { integratedLufs: number | null; truePeakDb: number | null; samplePeakDb: number; clippedSamples: number }\n\n/** Where the advice in `inspectAudio().notes` starts: one place, so the docs can point at it. */\nexport const LOUDNESS_NOTES = { quietBelow: -18, loudAbove: -9, headroomDb: -1 } as const;\n\ninterface Biquad { b: [number, number, number]; a: [number, number, number] }\n\n/** The K-weighting of BS.1770-4: a high shelf, then a 38 Hz high-pass, as biquads for any sample rate (bilinear transform). */\nfunction kWeighting(fs: number): [Biquad, Biquad] {\n  const f0 = 1681.974450955533, G = 3.999843853973347, Q = 0.7071752369554196;\n  const K = Math.tan(Math.PI * f0 / fs), Vh = 10 ** (G / 20), Vb = Vh ** 0.4996667741545416;\n  const a0 = 1 + K / Q + K * K;\n  const shelf: Biquad = {\n    b: [(Vh + Vb * K / Q + K * K) / a0, 2 * (K * K - Vh) / a0, (Vh - Vb * K / Q + K * K) / a0],\n    a: [1, 2 * (K * K - 1) / a0, (1 - K / Q + K * K) / a0],\n  };\n  const f1 = 38.13547087602444, Q1 = 0.5003270373238773, K1 = Math.tan(Math.PI * f1 / fs), a1 = 1 + K1 / Q1 + K1 * K1;\n  const high: Biquad = { b: [1, -2, 1], a: [1, 2 * (K1 * K1 - 1) / a1, (1 - K1 / Q1 + K1 * K1) / a1] };\n  return [shelf, high];\n}\n\nfunction filter(x: Float32Array, stages: Biquad[]): Float32Array {\n  let cur = x;\n  for (const { b, a } of stages) {\n    const out = new Float32Array(cur.length);                            // Float32 between stages: half the memory, far below the measurement's resolution\n    let x1 = 0, x2 = 0, y1 = 0, y2 = 0;\n    for (let i = 0; i < cur.length; i++) {\n      const xi = cur[i]!, y = b[0] * xi + b[1] * x1 + b[2] * x2 - a[1] * y1 - a[2] * y2;\n      x2 = x1; x1 = xi; y2 = y1; y1 = y; out[i] = y;\n    }\n    cur = out;\n  }\n  return cur;\n}\n\nconst toDb = (x: number): number => Math.round(200 * Math.log10(Math.max(x, 1e-6))) / 10;       // 0.1 dB, floor -120\n\nconst TP_HALF = 12, TP_BLOCK = 32;\nconst TP_KERNELS = [0.25, 0.5, 0.75].map(p => Float64Array.from({ length: 2 * TP_HALF }, (_, j) => {\n  const k = j - TP_HALF + 1, x = k - p, s = x === 0 ? 1 : Math.sin(Math.PI * x) / (Math.PI * x);\n  return s * (0.5 + 0.5 * Math.cos(Math.PI * x / (TP_HALF + 1)));\n}));\n/** No interpolated value can exceed (the loudest sample around it) x this: where that cannot beat the peak so far, skip the sums. */\nconst TP_GAIN = Math.max(...TP_KERNELS.map(k => k.reduce((a, v) => a + Math.abs(v), 0)));\n\n/** 4x oversampled peak (windowed-sinc interpolation, 12 samples either side): catches peaks between samples. Equal to checking every phase of every sample, only faster. */\nfunction truePeak(chans: Float32Array[]): number {\n  let peak = 0;\n  for (const c of chans) {\n    const n = c.length;\n    const blocks = Math.ceil(n / TP_BLOCK), blockMax = new Float32Array(blocks + 2);          // [b + 1] is block b; the ends stay 0\n    for (let i = 0; i < n; i++) { const a = Math.abs(c[i]!), b = (i / TP_BLOCK | 0) + 1; if (a > blockMax[b]!) blockMax[b] = a; if (a > peak) peak = a; }\n    const padded = new Float32Array(n + 2 * TP_HALF);                                          // zeros around, so the sums need no bounds check\n    padded.set(c, TP_HALF);\n    for (let i = 0; i < n; i++) {\n      const b = (i / TP_BLOCK | 0) + 1;\n      const local = Math.max(blockMax[b - 1]!, blockMax[b]!, blockMax[b + 1]!);                // the 24 samples around i lie in these three blocks\n      if (local * TP_GAIN <= peak) continue;\n      for (let pi = 0; pi < 3; pi++) {\n        const k = TP_KERNELS[pi]!;\n        let v = 0;\n        for (let j = 0; j < 2 * TP_HALF; j++) v += padded[i + 1 + j]! * k[j]!;\n        const a = Math.abs(v);\n        if (a > peak) peak = a;\n      }\n    }\n  }\n  return peak;\n}\n\nexport function measureLoudness(channels: Float32Array[], sampleRate: number, opts: { truePeak?: boolean } = {}): LoudnessReport {\n  let samplePeak = 0, clipped = 0;\n  for (const c of channels) for (let i = 0; i < c.length; i++) { const a = Math.abs(c[i]!); if (a > samplePeak) samplePeak = a; if (a >= 1) clipped++; }\n  const stages = kWeighting(sampleRate);\n  const weighted = channels.map(c => filter(c, stages));\n  const block = Math.round(0.4 * sampleRate), hop = Math.round(0.1 * sampleRate);\n  const energies: number[] = [];\n  for (let s = 0; s + block <= (weighted[0]?.length ?? 0); s += hop) {\n    let sum = 0;\n    for (const w of weighted) { let z = 0; for (let i = s; i < s + block; i++) z += w[i]! * w[i]!; sum += z / block; }       // the weight is 1 for L, R and mono\n    energies.push(sum);\n  }\n  const lufs = (e: number): number => -0.691 + 10 * Math.log10(e);\n  const absolute = energies.filter(e => e > 0 && lufs(e) > -70);\n  let integrated: number | null = null;\n  if (absolute.length) {\n    const relative = lufs(absolute.reduce((a, b) => a + b, 0) / absolute.length) - 10;\n    const gated = absolute.filter(e => lufs(e) > relative);\n    if (gated.length) integrated = Math.round(10 * lufs(gated.reduce((a, b) => a + b, 0) / gated.length)) / 10;\n  }\n  return { integratedLufs: integrated, truePeakDb: opts.truePeak === false ? null : toDb(truePeak(channels)), samplePeakDb: toDb(samplePeak), clippedSamples: clipped };\n}\n\n/** Runs of at least `minLength` seconds where every channel stays below `thresholdDb` (default -60 dBFS). */\nexport function findSilences(channels: Float32Array[], sampleRate: number, opts: { minLength?: number; thresholdDb?: number } = {}): Array<{ from: number; to: number }> {\n  const min = Math.round((opts.minLength ?? 1) * sampleRate), limit = 10 ** ((opts.thresholdDb ?? -60) / 20);\n  const n = channels[0]?.length ?? 0, out: Array<{ from: number; to: number }> = [];\n  let start = -1;\n  const quiet = (i: number): boolean => channels.every(c => Math.abs(c[i]!) < limit);\n  for (let i = 0; i <= n; i++) {\n    const q = i < n && quiet(i);\n    if (q && start < 0) start = i;\n    if (!q && start >= 0) { if (i - start >= min) out.push({ from: Math.round(start / sampleRate * 1000) / 1000, to: Math.round(i / sampleRate * 1000) / 1000 }); start = -1; }\n  }\n  return out;\n}\n","import type { AudioDescriptor } from '../types';\nimport type { MusicSummary } from '../audio/music/events';\nimport { playSpan, clockReach } from './audioRemap';\nimport type { MixStats } from './AudioMixer';\nimport { spectralCentroid } from './spectrum';\nimport { findSilences, LOUDNESS_NOTES, measureLoudness } from '../audio/loudness';\n\nexport interface AudioInspectOptions {\n  /** Width of each loudness window in seconds. Default 0.1. */\n  window?: number;\n  /** The scenes to measure one by one (`movie.inspectAudio()` fills this from the movie's named top-level compositions). Default: the whole movie as one. */\n  scenes?: Array<{ name: string; start: number; end: number }>;\n}\n\n/** One sound measured ON ITS OWN (not mixed), so overlapping layers do not blur it. */\nexport interface SoundMeasure {\n  /** Seconds of audio the source has (an sfx: its length; a file: the file's length). */\n  length: number;\n  /** Its own loudest sample, dBFS (before the layer's volume). */\n  peakDb: number;\n  /** Seconds from its start to its loudest sample — the moment to line up with the picture. */\n  loudestAt: number;\n  /** Spectral centroid in Hz: < 500 dark / boomy, 1–4 k mid, > 8 k airy / hissy. */\n  brightnessHz: number;\n}\n\nexport interface AudioSourceReport {\n  /** `layer \"pop-1\"` (or `unnamed audio layer`). */\n  layer: string;\n  /** `sfx \"pop\"`, `asset \"bgm\"`, `video \"green\"`. */\n  source: string;\n  /** Movie time, seconds. */\n  start: number;\n  end: number;\n  /** Loudest sample of the MIX while this source plays, dBFS (−120 = silence). */\n  peakDb: number;\n  sound: SoundMeasure;\n  /**\n   * How far below the loudest sample of the MIX around its own loudest moment this source is, dB (0 = it is the loudest thing there; 20 = the mix is 20 dB louder, so\n   * the source is hardly heard). Absent for a sound inside a remapped composition (its time is not the movie's).\n   */\n  belowMixDb?: number;\n  /** For a `music` layer: its score read back (bars per track, what starts in each bar, the drum spans). */\n  music?: MusicSummary;\n}\n\nexport interface AudioReport {\n  duration: number;\n  sampleRate: number;\n  /** Loudest sample of the mix before limiting, dBFS. Above 0 the mix was limited. */\n  peakDb: number;\n  peakAt: number;\n  /** Every audio layer / video soundtrack in the mix, in start order. */\n  sources: AudioSourceReport[];\n  /** The mix over time: one row per window, `t` = window start. */\n  windows: Array<{ t: number; rmsDb: number; peakDb: number; brightnessHz: number }>;\n  /** Problems worth fixing: limiting, clipping, a true peak above 0 dBTP, inaudible layers, sounds cut off by the end of the movie. Read this first. */\n  issues: string[];\n  /** The mix as a whole (ITU-R BS.1770 loudness; `integratedLufs` is null for a mix shorter than 0.4 s or with nothing above −70 LUFS). */\n  loudness: { integratedLufs: number | null; truePeakDb: number; clippedSamples: number; silences: Array<{ from: number; to: number }> };\n  /** The same measure for each scene (`silent`: nothing above −60 dBFS). */\n  scenes: Array<{ name: string; from: number; to: number; lufs: number | null; peakDb: number; silent: boolean }>;\n  /** When each sound starts: what a waveform marks. */\n  cues: Array<{ t: number; name: string }>;\n  /** Advice, not faults: a mix that is quiet or loud for web video, little headroom, silent stretches. */\n  notes: string[];\n}\n\ninterface PcmLike {\n  numberOfChannels: number;\n  sampleRate: number;\n  length: number;\n  getChannelData(ch: number): Float32Array;\n}\n\n/** A short sound effect this many dB under the loudest sample of the mix around its loudest moment is hardly heard. */\nconst BURIED_DB = 12;\n/** Below this a source counts as inaudible. */\nconst INAUDIBLE_DB = -50;\n\nconst db = (x: number): number => Math.round(10 * Math.max(-120, 20 * Math.log10(x))) / 10;\nconst mono = (chans: Float32Array[]): Float32Array => {\n  if (chans.length === 1) return chans[0]!;\n  const out = new Float32Array(chans[0]!.length);\n  for (const d of chans) for (let i = 0; i < out.length; i++) out[i] = out[i]! + d[i]! / chans.length;\n  return out;\n};\n\nfunction measure(chans: Float32Array[], sampleRate: number): SoundMeasure {\n  let peak = 0;\n  let at = 0;\n  for (const d of chans) for (let i = 0; i < d.length; i++) if (Math.abs(d[i]!) > peak) { peak = Math.abs(d[i]!); at = i; }\n  return {\n    length: Math.round((chans[0]!.length / sampleRate) * 1000) / 1000,\n    peakDb: db(peak),\n    loudestAt: Math.round((at / sampleRate) * 1000) / 1000,\n    brightnessHz: spectralCentroid(mono(chans), sampleRate),\n  };\n}\n\n/**\n * Measure the soundtrack so an author who cannot listen can still check it: every sound on its own\n * (length, level, loudest moment, brightness), when it plays and how loud the mix is there, the mix over\n * time, and issues. Pure: takes the mix and the list of sources that went into it.\n */\nexport function analyzeAudio(\n  mix: PcmLike | null, sources: AudioDescriptor[], stats: MixStats | null, movieDuration: number, opts: AudioInspectOptions = {},\n): AudioReport {\n  // A sound inside a remapped composition has `start` / `end` in that composition's local time: report when it plays in the MOVIE's time.\n  const warped = new Map<AudioDescriptor, { localEnd: number; reach: number }>();\n  sources = sources.map(s => {\n    if (!s.warp) return s;\n    const moved = { ...s, ...playSpan(s, movieDuration) };\n    warped.set(moved, { localEnd: s.end, reach: clockReach(s, movieDuration) });\n    return moved;\n  });\n  if (!mix) {\n    return { duration: movieDuration, sampleRate: 0, peakDb: -120, peakAt: 0, sources: [], windows: [],\n      loudness: { integratedLufs: null, truePeakDb: -120, clippedSamples: 0, silences: [] }, scenes: [], cues: [], notes: [], issues: ['no audio: the movie has no audio layers (sound effects need no files: { type: \"audio\", sfx: \"pop\", at: 1 })'] };\n  }\n  const sr = mix.sampleRate;\n  const chans = Array.from({ length: mix.numberOfChannels }, (_, c) => mix.getChannelData(c));\n  const mixMono = mono(chans);\n  const peakIn = (t0: number, t1: number): number => {\n    let p = 0;\n    const i1 = Math.min(mix.length, Math.ceil(t1 * sr));\n    for (const d of chans) for (let i = Math.max(0, Math.floor(t0 * sr)); i < i1; i++) p = Math.max(p, Math.abs(d[i]!));\n    return p;\n  };\n\n  // at least 10 ms: a smaller window would ask for a spectrum per sample\n  const win = opts.window && opts.window > 0 ? Math.max(0.01, opts.window) : 0.1;\n  const windows: AudioReport['windows'] = [];\n  for (let t = 0; t < movieDuration - 1e-9; t += win) {\n    const i0 = Math.floor(t * sr);\n    const i1 = Math.min(mix.length, Math.floor((t + win) * sr));\n    let sum = 0;\n    let peak = 0;\n    for (const d of chans) {\n      for (let i = i0; i < i1; i++) {\n        sum += d[i]! * d[i]!;\n        peak = Math.max(peak, Math.abs(d[i]!));\n      }\n    }\n    const n = Math.max(1, (i1 - i0) * chans.length);\n    windows.push({ t: Math.round(t * 1000) / 1000, rmsDb: db(Math.sqrt(sum / n)), peakDb: db(peak), brightnessHz: spectralCentroid(mixMono, sr, i0, i1) });\n  }\n\n  const issues: string[] = [];\n  if (stats && stats.peak > 1) {\n    issues.push(`the mix peaks at ${db(stats.peak)} dBFS at ${stats.peakAt.toFixed(2)}s and was limited — lower the volume of the layers playing there`);\n  }\n  const rendered = new Map<string, SoundMeasure>();\n  const soundOf = (s: AudioDescriptor): SoundMeasure => {\n    if (s.synth) {\n      let m = rendered.get(s.synth.key);\n      if (!m) rendered.set(s.synth.key, (m = measure(s.synth.render(sr), sr)));\n      return m;\n    }\n    const b = s.buffer!;\n    return measure(Array.from({ length: b.numberOfChannels }, (_, c) => b.getChannelData(c)), b.sampleRate);\n  };\n  const scoreNotes: string[] = [];\n  const normGain = stats?.loudness?.gainDb ?? 0;\n  const buried: Array<{ layer: string; source: string; ownDb: number; topVolume: number; around: number; belowMixDb: number; at: number }> = [];\n  const list = [...sources].sort((a, b) => a.start - b.start).map(s => {\n    const layer = s.layer ?? 'an audio layer';\n    const source = s.source ?? 'audio';\n    const peakDb = db(peakIn(s.start, Math.min(s.end, movieDuration)));\n    const sound = soundOf(s);\n    // The layer's OWN level: the sound's peak at the loudest volume it ever has. Judging the mix instead would\n    // hide a nearly silent layer under a loud one.\n    const topVolume = Math.max(s.initialVolume ?? 1, ...(s.volumeKeyframes ?? []).map(k => k.value));\n    const ownDb = db(Math.pow(10, sound.peakDb / 20) * Math.max(0, topVolume));\n    if (s.start >= movieDuration) {\n      issues.push(`${layer} (${source}) starts at ${s.start.toFixed(2)}s, after the movie ends (${movieDuration}s)`);\n    } else if (ownDb < INAUDIBLE_DB || peakDb < INAUDIBLE_DB) {\n      issues.push(`${layer} (${source}) is inaudible from ${s.start.toFixed(2)}s to ${s.end.toFixed(2)}s (its own peak ${ownDb} dBFS at volume ${topVolume}; mix peak there ${peakDb} dBFS) — check its volume`);\n    }\n    const clock = warped.get(s);\n    if (s.synth && s.start < movieDuration) {\n      if (clock) {\n        // inside a remapped composition: it is cut short when the composition's clock never gets to the end of the sound\n        if (clock.reach < clock.localEnd - 1e-3) {\n          issues.push(`${layer} (${source}) is cut off: its composition's clock only reaches ${clock.reach.toFixed(2)}s (the sound is ${clock.localEnd.toFixed(2)}s long), because the clock stops or the movie ends first — give the layer a shorter duration, or let the clock run on`);\n        }\n      } else if (s.end > movieDuration + 1e-6) {\n        issues.push(`${layer} (${source}) is cut off by the end of the movie at ${movieDuration}s (it runs to ${s.end.toFixed(2)}s)`);\n      }\n    }\n    // A written score (`music`) much longer than what plays: said as a NOTE (a trial: 19.2 s of music under a 10 s film; the read-back showed it but nothing said it).\n    // Not a fault: music that outlasts the movie ends with it (see Audio.ts). A tail under 2 s or 15 % over is only the reverb tail; a looping layer is meant to be cut.\n    if (s.music && !s.loop && s.start < movieDuration && !clock) {\n      const plays = Math.min(s.end, movieDuration) - s.start;\n      const over = s.music.seconds - plays;\n      if (over > 2 && over / s.music.seconds > 0.15) scoreNotes.push(`${layer} (${source}): the score is ${Math.round(s.music.seconds * 10) / 10}s long but only ${Math.round(plays * 100) / 100}s of it play, so it is cut off mid-phrase. Write fewer bars (or a faster tempo) so it ends with the movie`);\n    }\n    // A track a bar or more shorter than the longest one is silent from its end on: usually a miscount of the beats (a trial: three agents; only the read-back showed it). A note, not a fault: a bell may come and go on purpose.\n    if (s.music && s.music.tracks.length > 1) {\n      const longest = Math.max(...s.music.tracks.map(t => t.beats));\n      const short = s.music.tracks.filter(t => t.beats <= longest - s.music!.meter);\n      if (short.length > 0) {\n        scoreNotes.push(`${layer} (${source}): ${short.slice(0, 3).map(t => `the ${t.inst} track is ${Math.round(t.beats * 100) / 100} beats long against ${longest} for the longest and falls silent from beat ${Math.round(t.beats * 100) / 100} (bar ${Math.floor(t.beats / s.music!.meter) + 1})`).join('; ')}. If that is a miscount, add its missing beats (a rest is \\`_:4\\`); if it is on purpose, ignore this`);\n      } else if (s.music.beats >= longest + s.music.meter) {\n        scoreNotes.push(`${layer} (${source}): the drums run to beat ${s.music.beats}, past the end of every track at beat ${longest}: from there only the drums play`);\n      }\n    }\n    // Buried: the sound's own peak against the mix around its loudest moment. A short sound effect 12 dB or more under what plays with it is a hit nobody hears.\n    // (A layer with its own speed or `time` plays the sound at another pace: its loudest moment is not at start + loudestAt, so it is left out.)\n    let belowMixDb: number | undefined;\n    if (!clock && !s.sourceMap && s.start < movieDuration && ownDb > INAUDIBLE_DB) {\n      const at = s.start + sound.loudestAt;\n      const around = db(peakIn(Math.max(0, at - 0.05), Math.min(movieDuration, at + 0.05)));\n      belowMixDb = Math.max(0, Math.round((around - (ownDb + normGain)) * 10) / 10);                  // (the mix may have been raised to a loudness target: the sound's own peak is read before that, so it gets the same gain)\n      if (!s.music && source.startsWith('sfx') && sound.length <= 4 && belowMixDb >= BURIED_DB) {\n        buried.push({ layer, source, ownDb: Math.round((ownDb + normGain) * 10) / 10, topVolume, around, belowMixDb, at: Math.round(at * 100) / 100 });\n      }\n    }\n    return { layer, source, start: s.start, end: s.end, peakDb, sound, ...(belowMixDb !== undefined ? { belowMixDb } : {}), ...(s.music ? { music: s.music } : {}) };\n  });\n\n  // ONE note for the movie (an accent that is meant to be subtle is common: the numbers are in every source's `belowMixDb`): how many, and the worst\n  if (buried.length > 0) {\n    const worst = buried.reduce((a, b) => (b.belowMixDb > a.belowMixDb ? b : a));\n    // layers with no name all carry the same label, so they are counted one by one; a named layer that plays many times counts once\n    const distinct = new Set(buried.map(x => (x.layer === 'an audio layer' ? `#${buried.indexOf(x)}` : x.layer) + x.source)).size;\n    scoreNotes.push(`${distinct === 1 ? '1 sound effect is' : `${distinct} sound effects are`} buried (${BURIED_DB} dB or more under the loudest sample of the mix around its loudest moment${buried.length > distinct ? `, ${buried.length} times in all` : ''}): the worst is ${worst.layer} (${worst.source}), its own peak ${worst.ownDb} dBFS at volume ${Math.round(worst.topVolume * 100) / 100} against ${worst.around} dBFS at ${worst.at} s, ${worst.belowMixDb} dB louder. If it is meant to be heard, raise its volume (this one to about ${Math.round(Math.min(4, worst.topVolume * 10 ** ((worst.belowMixDb - 3) / 20)) * 10) / 10}, which puts it about 3 dB under the mix; an accent over music needs 2 to 3) or lower what plays there; every source's belowMixDb has its own number`);\n  }\n  // the mix as a whole, scene by scene, and the advice\n  const whole = measureLoudness(chans, sr);\n  const silences = findSilences(chans, sr, { minLength: 1 });\n  if (whole.clippedSamples > 0) issues.push(`${whole.clippedSamples} sample(s) of the mix are at full scale (clipped) — lower the volume of the layers that play loudest`);\n  if (whole.truePeakDb! > 0) issues.push(`the mix's true peak is ${whole.truePeakDb} dBTP: it will distort when the video is encoded — lower the volume`);\n  const notes: string[] = [...scoreNotes];\n  if (whole.integratedLufs !== null) {\n    if (whole.integratedLufs < LOUDNESS_NOTES.quietBelow && !stats?.loudness) notes.push(`the mix is quiet for web video: ${whole.integratedLufs} LUFS (typical −14 to −16); raise the volume, or ask for a loudness: movie.init({ loudness: -16 }), if that is not on purpose`);\n    else if (whole.integratedLufs > LOUDNESS_NOTES.loudAbove) notes.push(`the mix is loud: ${whole.integratedLufs} LUFS (typical web video −14 to −16)`);\n  }\n  if (whole.truePeakDb! > LOUDNESS_NOTES.headroomDb && whole.truePeakDb! <= 0) notes.push(`the true peak is ${whole.truePeakDb} dBTP: little headroom left for encoding (keep it below ${LOUDNESS_NOTES.headroomDb} dBTP)`);\n  const asked = stats?.loudness;\n  if (asked) {\n    // which layers play at a moment (the ones a peak there is made of); an unnamed layer is told by what it plays\n    const playingAt = (t: number): string => {\n      const at = sources.filter(x => x.start <= t && t < Math.min(x.end, movieDuration)).map(x => (x.layer && x.layer !== 'an audio layer' ? `${x.layer}${x.source ? ` (${x.source})` : ''}` : x.source ?? 'audio'));\n      return [...new Set(at)].slice(0, 6).join(', ') || 'nothing that is listed';\n    };\n    if (asked.gainDb !== 0) notes.push(`the whole mix was ${asked.gainDb > 0 ? 'raised' : 'lowered'} by ${Math.abs(asked.gainDb)} dB ${asked.limited ? 'toward' : 'to reach'} ${asked.target} LUFS (init({ loudness: ${asked.target} }))`);\n    if (asked.limited) {\n      notes.push(`the mix could not reach ${asked.target} LUFS: it stopped at ${asked.reachedLufs} LUFS because its loudest moment${asked.limiterAt !== undefined ? ` (at ${asked.limiterAt} s, where ${playingAt(asked.limiterAt)} play)` : ''} would need more than ${asked.limiterDb ?? 10} dB of limiting to stay under -1 dBTP; lower the sound that peaks there (a click or hit on top of a quiet bed), or ask for less`);\n    } else if (asked.limiterDb !== undefined && asked.limiterDb >= 3) {\n      notes.push(`a limiter took up to ${asked.limiterDb} dB off the loudest peak (at ${asked.limiterAt} s, where ${playingAt(asked.limiterAt ?? 0)} play) so that the mix reaches ${asked.target} LUFS without passing -1 dBTP: if that sound should hit harder, lower what plays under it`);\n    }\n  }\n  for (const q of silences.slice(0, 3)) notes.push(`the mix is silent from ${q.from} s to ${q.to} s (${Math.round((q.to - q.from) * 10) / 10} s)`);\n  if (silences.length > 3) notes.push(`and ${silences.length - 3} more silent stretch(es) (loudness.silences lists them all)`);\n  const sceneList = (opts.scenes && opts.scenes.length ? opts.scenes : [{ name: 'movie', start: 0, end: movieDuration }]).map(sc => {\n    const a = Math.max(0, Math.round(sc.start * sr)), b = Math.min(mix.length, Math.round(sc.end * sr));\n    const part = chans.map(c => c.subarray(a, Math.max(a, b)));\n    const m = measureLoudness(part, sr, { truePeak: false });                    // the true peak is the slow part and is only wanted for the whole mix\n    return { name: sc.name, from: sc.start, to: sc.end, lufs: m.integratedLufs, peakDb: m.samplePeakDb, silent: m.samplePeakDb < -60 };\n  });\n\n  return {\n    duration: movieDuration,\n    sampleRate: sr,\n    peakDb: db(stats?.peak ?? peakIn(0, movieDuration)),\n    peakAt: stats?.peakAt ?? 0,\n    sources: list,\n    windows,\n    issues,\n    loudness: { integratedLufs: whole.integratedLufs, truePeakDb: whole.truePeakDb ?? -120, clippedSamples: whole.clippedSamples, silences },\n    scenes: sceneList,\n    cues: list.map(s => ({ t: s.start, name: `${s.layer} (${s.source})` })),\n    notes,\n  };\n}\n\n/** What `inspectSound` says about a sound. */\nexport interface SoundReport {\n  /** Seconds, the sample rate and the number of channels of what was measured. */\n  duration: number;\n  sampleRate: number;\n  channels: number;\n  /** The loudest sample, dBFS. */\n  peakDb: number;\n  /** ITU-R BS.1770 loudness, true peak, samples at full scale and silences, as `check` reports them for a movie's mix. */\n  loudness: AudioReport['loudness'];\n  /** The level over time: the RMS of each window (`window` seconds, 0.1 by default), dBFS. */\n  windows: Array<{ t: number; rmsDb: number }>;\n  /** Advice (quiet or loud for web video, little headroom, silent stretches) and what would distort when encoded. */\n  notes: string[];\n}\n\n/**\n * Measure the sound of any file, not only a movie's mix: its loudness, peak, clipping, silences and level over time, with the same code `movie.inspectAudio()` uses, so\n * `check` and the `pixi-effects sound` command give the same numbers for the same samples. Takes decoded PCM (an AudioBuffer works).\n */\nexport function inspectSound(pcm: PcmLike, opts: { window?: number } = {}): SoundReport {\n  const duration = pcm.length / pcm.sampleRate;\n  const r = analyzeAudio(pcm, [], null, duration, opts.window ? { window: opts.window } : {});\n  // a file that ends a few ms into a window would show that sliver as a row (a 36 ms tail of encoder padding reads as −90 dBFS): a last window under half the width is dropped\n  const width = opts.window ?? 0.1;\n  let windows = r.windows;\n  if (windows.length > 1 && duration - windows[windows.length - 1]!.t < width / 2) windows = windows.slice(0, -1);\n  return {\n    duration: Math.round(duration * 1000) / 1000, sampleRate: pcm.sampleRate, channels: pcm.numberOfChannels, peakDb: r.peakDb,\n    loudness: r.loudness, windows: windows.map(w => ({ t: w.t, rmsDb: w.rmsDb })), notes: [...r.notes, ...r.issues],\n  };\n}\n\n"]}