pixi-effects 0.26.1 → 0.26.3

package/dist/music-4O367SPR.cjs.map

@@ -0,0 +1 @@
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* The voices of `music`: a handful of small synthesisers and drums, each rendering ONE note into a stereo buffer.\n * Pure DSP over Float32Array, seeded noise only, so the same score always gives the same samples. Ported from the\n * spike the owner approved by ear; the sample rate is set once per render (renders are synchronous).\n */\n\nexport interface Bus { L: Float32Array; R: Float32Array }\nexport type Rand = () => number;\n\n/** Per-track knobs an instrument may use. */\nexport interface VoiceOptions {\n  /** Seconds the sound fades in (pad, lead). */\n  attack?: number;\n  /** Seconds the sound fades out after the written length. */\n  release?: number;\n  /** Seconds a bell / music box keeps ringing. */\n  ring?: number;\n}\n\ntype Voice = (midi: number, dur: number, vel: number, out: Bus, start: number, rnd: Rand, o: VoiceOptions) => void;\n\nconst TAU = Math.PI * 2;\nlet SR = 44100;\n/** Set the sample rate for the render that follows. */\nexport function setSampleRate(sr: number): void { SR = sr; }\n\nconst mtof = (m: number): number => 440 * 2 ** ((m - 69) / 12);\n\nclass Biquad {\n  private b0 = 1; private b1 = 0; private b2 = 0; private a1 = 0; private a2 = 0;\n  private x1 = 0; private x2 = 0; private y1 = 0; private y2 = 0;\n  constructor(type: 'lp' | 'hp' | 'bp', fc: number, q = 0.707) { this.set(type, fc, q); }\n  /** Change the cutoff without clearing the state (so it can move while a sound plays). */\n  set(type: 'lp' | 'hp' | 'bp', fc: number, q = 0.707): void {\n    const w = (TAU * Math.min(fc, SR * 0.45)) / SR, c = Math.cos(w), s = Math.sin(w), al = s / (2 * q);\n    const a0 = 1 + al;\n    let b0: number, b1: number, b2: number;\n    if (type === 'lp') { b0 = (1 - c) / 2; b1 = 1 - c; b2 = b0; }\n    else if (type === 'hp') { b0 = (1 + c) / 2; b1 = -(1 + c); b2 = b0; }\n    else { b0 = al; b1 = 0; b2 = -al; }\n    this.b0 = b0 / a0; this.b1 = b1 / a0; this.b2 = b2 / a0; this.a1 = (-2 * c) / a0; this.a2 = (1 - al) / a0;\n  }\n  run(x: number): number {\n    const y = this.b0 * x + this.b1 * this.x1 + this.b2 * this.x2 - this.a1 * this.y1 - this.a2 * this.y2;\n    this.x2 = this.x1; this.x1 = x; this.y2 = this.y1; this.y1 = y;\n    return y;\n  }\n}\nexport { Biquad };\n\nconst polyblep = (t: number, dt: number): number => (t < dt ? ((t /= dt), t + t - t * t - 1) : t > 1 - dt ? ((t = (t - 1) / dt), t * t + t + t + 1) : 0);\nconst saw = (ph: number, dt: number): number => 2 * ph - 1 - polyblep(ph, dt);\nconst adsr = (t: number, dur: number, a: number, d: number, s: number, r: number): number => {\n  if (t < dur) return t < a ? t / a : t < a + d ? 1 - (1 - s) * ((t - a) / d) : s;\n  const base = dur < a ? dur / a : dur < a + d ? 1 - (1 - s) * ((dur - a) / d) : s;\n  return Math.max(0, base * (1 - (t - dur) / r));\n};\n\nfunction addTo(out: Bus, start: number, i: number, l: number, r: number): void {\n  const k = start + i;\n  if (k >= 0 && k < out.L.length) { out.L[k]! += l; out.R[k]! += r; }\n}\n\nexport const INSTRUMENTS = ['keys', 'pluck', 'pad', 'bass', 'sub', 'lead', 'bell', 'musicbox'] as const;\nexport type InstrumentName = (typeof INSTRUMENTS)[number];\n\nexport const VOICES: Record<InstrumentName, Voice> = {\n  // electric piano: two FM operators (tine + bell), a little stereo chorus\n  keys(m, dur, vel, out, start, rnd, o) {\n    const f = mtof(m), rel = o.release ?? 0.5, total = dur + rel + 1.2;\n    const n = Math.floor(Math.min(total, 6) * SR), idx = 1.1 + 2.2 * vel, det = 1 + (rnd() - 0.5) * 0.002;\n    for (let i = 0; i < n; i++) {\n      const t = i / SR;\n      const decay = Math.exp(-t * (1.1 + f / 1500));\n      const mod = Math.sin(TAU * f * 14 * t) * idx * 0.12 * Math.exp(-t * 18) + Math.sin(TAU * f * t) * idx * Math.exp(-t * 3.2);\n      const body = Math.sin(TAU * f * t + mod) * decay;\n      const body2 = Math.sin(TAU * f * det * t + mod * 0.9) * decay;\n      const env = t < dur ? 1 : Math.max(0, 1 - (t - dur) / rel);\n      const a = Math.min(1, t / 0.004) * env * 0.5 * vel;\n      addTo(out, start, i, a * (body * 0.7 + body2 * 0.3), a * (body * 0.3 + body2 * 0.7));\n    }\n  },\n  // plucked string (Karplus–Strong with a darker loss filter): guitar / harp / koto\n  pluck(m, dur, vel, out, start, rnd, o) {\n    const f = mtof(m), len = Math.max(2, Math.round(SR / f)), buf = new Float32Array(len);\n    const lp = new Biquad('lp', 2500 + 3500 * vel, 0.6);\n    for (let i = 0; i < len; i++) buf[i] = lp.run(rnd() * 2 - 1);\n    const rel = o.release ?? 0.25, total = Math.min(dur + rel + 0.4, 5), n = Math.floor(total * SR), loss = 0.9965 - 0.5 / (f + 100);\n    let p = 0, prev = 0;\n    const pan = (rnd() - 0.5) * 0.3;\n    for (let i = 0; i < n; i++) {\n      const cur = buf[p]!, nxt = buf[(p + 1) % len]!;\n      buf[p] = loss * 0.5 * (cur + nxt);\n      p = (p + 1) % len;\n      const t = i / SR, env = t < dur ? 1 : Math.max(0, 1 - (t - dur) / rel);\n      const y = (cur - prev * 0.2) * env * 0.55 * vel;\n      prev = cur;\n      addTo(out, start, i, y * (1 - pan), y * (1 + pan));\n    }\n  },\n  // warm pad: five detuned band-limited saws through a slow low-pass\n  pad(m, dur, vel, out, start, rnd, o) {\n    const f = mtof(m), A = o.attack ?? 0.7, R = o.release ?? 1.4, n = Math.floor((dur + R) * SR);\n    const voices = [-0.14, -0.07, 0, 0.07, 0.14].map((c, k) => ({ ph: rnd(), f: f * 2 ** ((c / 12) * 0.6), pan: (k - 2) / 2.5 }));\n    const cut = Math.min(1800, 500 + f * 1.5);\n    const lp = new Biquad('lp', cut, 0.6), lp2 = new Biquad('lp', cut, 0.6);\n    for (let i = 0; i < n; i++) {\n      const t = i / SR;\n      let l = 0, r = 0;\n      for (const v of voices) {\n        const dt = v.f / SR;\n        v.ph += dt; if (v.ph >= 1) v.ph -= 1;\n        const s = saw(v.ph, dt);\n        l += s * (1 - v.pan) * 0.5; r += s * (1 + v.pan) * 0.5;\n      }\n      const env = t < dur ? Math.min(1, t / A) : Math.max(0, Math.min(1, dur / A) * (1 - (t - dur) / R));\n      const g = env * 0.11 * vel;\n      addTo(out, start, i, lp.run(l) * g, lp2.run(r) * g);\n    }\n  },\n  // synth bass: saw + sine sub, filter envelope\n  bass(m, dur, vel, out, start, _rnd, o) {\n    const f = mtof(m), rel = o.release ?? 0.12, n = Math.floor((dur + rel) * SR);\n    let ph = 0, ph2 = 0;\n    const lp = new Biquad('lp', 400, 1.1);\n    for (let i = 0; i < n; i++) {\n      const t = i / SR, dt = f / SR;\n      ph = (ph + dt) % 1; ph2 = (ph2 + dt) % 1;\n      if (i % 64 === 0) lp.set('lp', Math.min(160 + 900 * Math.exp(-t * 7) * vel, 4000), 1.1);\n      const s = lp.run(saw(ph, dt)) * 0.55 + Math.sin(TAU * ph2) * 0.55;\n      const env = t < dur ? Math.min(1, t / 0.006) * (0.75 + 0.25 * Math.exp(-t * 4)) : Math.max(0, 1 - (t - dur) / rel) * 0.75;\n      const y = s * env * 0.5 * vel;\n      addTo(out, start, i, y, y);\n    }\n  },\n  // a pure sine bass: a soft heartbeat or sub (no filter sweep, hardly any upper harmonics)\n  sub(m, dur, vel, out, start, _rnd, o) {\n    const f = mtof(m), rel = o.release ?? 0.2, n = Math.floor((dur + rel) * SR);\n    let ph = 0;\n    for (let i = 0; i < n; i++) {\n      const t = i / SR;\n      ph += (TAU * f) / SR;\n      const env = t < dur ? Math.min(1, t / (o.attack ?? 0.012)) * (0.8 + 0.2 * Math.exp(-t * 5)) : Math.max(0, 1 - (t - dur) / rel) * 0.8;\n      const y = (Math.sin(ph) + 0.12 * Math.sin(2 * ph)) * env * 0.6 * vel;\n      addTo(out, start, i, y, y);\n    }\n  },\n  // lead: soft saw / triangle with a delayed vibrato\n  lead(m, dur, vel, out, start, rnd, o) {\n    const f = mtof(m), rel = o.release ?? 0.18, A = o.attack ?? 0.02, n = Math.floor((dur + rel) * SR);\n    let ph = rnd(), ph2 = rnd();\n    const lp = new Biquad('lp', 2600 + 1800 * vel, 0.8);\n    for (let i = 0; i < n; i++) {\n      const t = i / SR, vib = 1 + 0.0035 * Math.sin(TAU * 5.3 * t) * Math.min(1, Math.max(0, (t - 0.18) / 0.3));\n      const dt = (f * vib) / SR;\n      ph = (ph + dt) % 1; ph2 = (ph2 + dt * 1.003) % 1;\n      const tri = 4 * Math.abs(ph - 0.5) - 1;\n      const s = lp.run(saw(ph2, dt) * 0.35 + tri * 0.65);\n      const y = s * adsr(t, dur, A, 0.15, 0.7, rel) * 0.28 * vel;\n      addTo(out, start, i, y * 0.9, y * 1.1);\n    }\n  },\n  // bell / glockenspiel: inharmonic FM; `ring` is how many seconds it keeps sounding\n  bell(m, dur, vel, out, start, rnd, o) {\n    const f = mtof(m), ring = o.ring ?? 2.5, n = Math.floor(Math.min(dur + ring, 6) * SR), pan = (rnd() - 0.5) * 0.6;\n    const k = 1.5 * (2.5 / ring);\n    for (let i = 0; i < n; i++) {\n      const t = i / SR;\n      const mod = Math.sin(TAU * f * 3.5 * t) * 1.6 * Math.exp(-t * 5);\n      const s = Math.sin(TAU * f * t + mod) * Math.exp(-t * k) + Math.sin(TAU * f * 2.76 * t) * 0.25 * Math.exp(-t * 4);\n      const y = s * Math.min(1, t / 0.002) * 0.3 * vel;\n      addTo(out, start, i, y * (1 - pan), y * (1 + pan));\n    }\n  },\n  // music box: a bright tine with a strong upper partial and a short, dry ring\n  musicbox(m, dur, vel, out, start, rnd, o) {\n    const f = mtof(m), ring = o.ring ?? 1.3, n = Math.floor(Math.min(dur + ring, 4) * SR), pan = (rnd() - 0.5) * 0.4;\n    for (let i = 0; i < n; i++) {\n      const t = i / SR;\n      const s = Math.sin(TAU * f * t) * Math.exp(-t * (3.2 / ring * 1.3)) + Math.sin(TAU * f * 4.0 * t) * 0.22 * Math.exp(-t * (9 / ring)) + Math.sin(TAU * f * 6.8 * t) * 0.08 * Math.exp(-t * 18);\n      const y = s * Math.min(1, t / 0.0015) * 0.34 * vel;\n      addTo(out, start, i, y * (1 - pan), y * (1 + pan));\n    }\n  },\n};\n\nexport const DRUMS = ['kick', 'snare', 'hat', 'openhat', 'clap', 'rim', 'tom', 'crash', 'shaker', 'sleigh'] as const;\nexport type DrumName = (typeof DRUMS)[number];\n\nexport function hitDrum(kind: DrumName, vel: number, out: Bus, start: number, rnd: Rand): void {\n  const mono = (n: number, f: (t: number) => [number, number]): void => {\n    for (let i = 0; i < n; i++) { const [l, r] = f(i / SR); addTo(out, start, i, l, r); }\n  };\n  const len = (s: number) => Math.floor(s * SR);\n  if (kind === 'kick') {\n    let ph = 0;\n    mono(len(0.5), t => { ph += (TAU * (45 + 110 * Math.exp(-t * 28))) / SR; const o = (Math.sin(ph) * Math.exp(-t * 7.5) + (t < 0.004 ? (rnd() - 0.5) * 0.5 : 0)) * 0.95 * vel; return [o, o]; });\n  } else if (kind === 'snare') {\n    const bp = new Biquad('bp', 1900, 0.9), hp = new Biquad('hp', 700, 0.7);\n    let ph = 0;\n    mono(len(0.4), t => { ph += (TAU * (185 - 40 * t)) / SR; const nz = hp.run(bp.run(rnd() * 2 - 1)) * 2.2; const o = (nz * Math.exp(-t * 17) + Math.sin(ph) * Math.exp(-t * 26) * 0.6) * 0.6 * vel; return [o * 0.95, o * 1.05]; });\n  } else if (kind === 'clap') {\n    const bp = new Biquad('bp', 1500, 1.2);\n    mono(len(0.35), t => { const burst = t < 0.033 ? Math.exp(-((t * 1000) % 11) * 0.5) : Math.exp(-(t - 0.033) * 22); const o = bp.run(rnd() * 2 - 1) * 2.4 * burst * 0.5 * vel; return [o, o * 0.9]; });\n  } else if (kind === 'hat' || kind === 'openhat') {\n    const hp = new Biquad('hp', 7500, 0.8), dec = kind === 'hat' ? 55 : 9;\n    mono(len(kind === 'hat' ? 0.12 : 0.6), t => { const o = hp.run(rnd() * 2 - 1) * Math.exp(-t * dec) * 0.35 * vel; return [o * 0.8, o * 1.2]; });\n  } else if (kind === 'rim') {\n    let ph = 0;\n    const bp = new Biquad('bp', 3200, 4);\n    mono(len(0.1), t => { ph += (TAU * 1750) / SR; const o = (Math.sin(ph) * 0.5 + bp.run(rnd() * 2 - 1)) * Math.exp(-t * 70) * 0.5 * vel; return [o, o]; });\n  } else if (kind === 'tom') {\n    let ph = 0;\n    mono(len(0.5), t => { ph += (TAU * (95 + 70 * Math.exp(-t * 15))) / SR; const o = Math.sin(ph) * Math.exp(-t * 7) * 0.7 * vel; return [o, o]; });\n  } else if (kind === 'crash') {\n    const hp = new Biquad('hp', 5200, 0.7), bp = new Biquad('bp', 9000, 0.6);\n    mono(len(1.8), t => { const nz = rnd() * 2 - 1; const o = (hp.run(nz) * 0.7 + bp.run(nz) * 0.5) * (0.55 * Math.exp(-t * 2.6) + 0.45 * Math.exp(-t * 11)) * 0.5 * vel; return [o * 0.9, o * 1.1]; });\n  } else if (kind === 'shaker') {\n    const bp = new Biquad('bp', 6500, 1.4);\n    mono(len(0.16), t => { const env = (t < 0.018 ? t / 0.018 : 1) * Math.exp(-t * 28); const o = bp.run(rnd() * 2 - 1) * env * 1.4 * 0.3 * vel; return [o * 0.85, o * 1.15]; });\n  } else { // sleigh: a jingle of small bells (bright noise + a cluster of high partials with a fast flutter)\n    const bp = new Biquad('bp', 7800, 1.0);\n    const partials = [4200, 5630, 6900, 8350];\n    mono(len(0.5), t => {\n      let s = 0;\n      for (let k = 0; k < partials.length; k++) s += Math.sin(TAU * partials[k]! * t * (1 + k * 0.0007)) * (0.5 + 0.5 * Math.sin(TAU * (19 + k * 3.1) * t + k)) * Math.exp(-t * (7 + k * 2));\n      const o = (s * 0.11 + bp.run(rnd() * 2 - 1) * Math.exp(-t * 16) * 0.5) * Math.min(1, t / 0.003) * vel * 0.8;\n      return [o * 0.85, o * 1.15];\n    });\n  }\n}\n\n/** Freeverb-style reverb: sums the `send` bus to mono and adds its tail to `out` (the same bus works too). `wet` 0–1. */\nexport function reverb(send: Bus, out: Bus, wet: number, size = 0.8): void {\n  const L = out.L, R = out.R, sL = send.L, sR = send.R;\n  const scale = SR / 44100;\n  type Comb = { b: Float32Array; i: number; fb: number; d: number; damp: number };\n  const comb = (len: number): Comb => ({ b: new Float32Array(Math.max(8, Math.round(len * scale))), i: 0, fb: size, d: 0, damp: 0.35 });\n  const mk = (off: number) => ({\n    c: [1116, 1188, 1277, 1356, 1422, 1491].map(l => comb(l + off)),\n    a: [556, 441, 341].map(l => ({ b: new Float32Array(Math.max(8, Math.round((l + off) * scale))), i: 0 })),\n  });\n  const run = (x: number, ch: ReturnType<typeof mk>): number => {\n    let y = 0;\n    for (const c of ch.c) {\n      const o = c.b[c.i]!;\n      c.d = o * (1 - c.damp) + c.d * c.damp;\n      c.b[c.i] = x * 0.03 + c.d * c.fb;\n      c.i = (c.i + 1) % c.b.length;\n      y += o;\n    }\n    for (const a of ch.a) {\n      const o = a.b[a.i]!, inp = y;\n      a.b[a.i] = inp + o * 0.5;\n      a.i = (a.i + 1) % a.b.length;\n      y = o - inp;\n    }\n    return y;\n  };\n  const chL = mk(0), chR = mk(23);\n  for (let i = 0; i < L.length; i++) {\n    const m = (sL[i]! + sR[i]!) * 0.5;\n    L[i]! += run(m, chL) * wet; R[i]! += run(m, chR) * wet;\n  }\n}\n","/**\n * The text notation of `music`: notes, chords, rests and drum grids, and the tempo map. Pure functions, no audio.\n * Ported from the spike the owner approved by ear (a score of 8 lines of text → a lo-fi tune that sounds like one).\n */\n\nconst SEMI: Record<string, number> = { c: 0, d: 2, e: 4, f: 5, g: 7, a: 9, b: 11 };\nconst accidental = (s: string): number => (s === '#' ? 1 : s === 'b' ? -1 : 0);\n\n/** Chord kinds as semitones above the root (a ninth is 14, an eleventh 17, a thirteenth 21). Voiced close, around octave 3. */\nexport const CHORD_KINDS: Record<string, number[]> = {\n  '': [0, 4, 7], m: [0, 3, 7], 5: [0, 7], aug: [0, 4, 8], dim: [0, 3, 6], sus2: [0, 2, 7], sus4: [0, 5, 7],\n  6: [0, 4, 7, 9], m6: [0, 3, 7, 9], add9: [0, 4, 7, 14], madd9: [0, 3, 7, 14], add11: [0, 4, 7, 17],\n  7: [0, 4, 7, 10], maj7: [0, 4, 7, 11], m7: [0, 3, 7, 10], mMaj7: [0, 3, 7, 11], dim7: [0, 3, 6, 9], m7b5: [0, 3, 6, 10],\n  '7sus4': [0, 5, 7, 10], '7b9': [0, 4, 7, 10, 13], '7#9': [0, 4, 7, 10, 15],\n  9: [0, 4, 7, 10, 14], maj9: [0, 4, 7, 11, 14], m9: [0, 3, 7, 10, 14],\n  11: [0, 4, 7, 10, 14, 17], m11: [0, 3, 7, 10, 14, 17], 13: [0, 4, 7, 10, 14, 21], maj13: [0, 4, 7, 11, 14, 21], m13: [0, 3, 7, 10, 14, 21],\n  'maj7#11': [0, 4, 7, 11, 18],\n};\n\nexport const NOTE_FORMS = 'a note in lowercase like c4, f#3, bb2; a chord starting with a capital like Am7, G7, C@4, Am7/e; [c4 e4 g4]; _ for a rest; ~ to hold';\n\n/** Spellings people reach for that are not chord kinds here, and the kind they mean (`Cmin7` → `Cm7`). */\nconst KIND_SPELLINGS: Record<string, string> = {\n  maj: '', M: '', major: '', min: 'm', minor: 'm', mi: 'm', '-': 'm', min7: 'm7', mi7: 'm7', '-7': 'm7', minor7: 'm7', min9: 'm9', min6: 'm6', min11: 'm11',\n  M7: 'maj7', Maj7: 'maj7', ma7: 'maj7', major7: 'maj7', M9: 'maj9', Maj9: 'maj9', sus: 'sus4', dom7: '7', dom: '7', '+': 'aug', o: 'dim', o7: 'dim7',\n  'ø': 'm7b5', 'm7-5': 'm7b5', add: 'add9', '7sus': '7sus4', 'sus7': '7sus4', '9sus4': '7sus4', '6/9': '6', '69': '6',\n};\n\n/** Why a bare token that starts with a capital letter is not a chord, as one sentence with the fix (or null when it is something else). */\nfunction capitalHint(tok: string): string | null {\n  if (/^[A-G][#b]?-?\\d$/.test(tok)) return `it starts with a capital letter, so it is read as a chord; write the note in lowercase: ${tok.toLowerCase()}`;\n  const m = /^([A-G][#b]?)([^@/\\s]*)((?:@\\d)?(?:\\/[a-gA-G][#b]?)?)$/.exec(tok);\n  if (!m) return null;\n  const fix = KIND_SPELLINGS[m[2]!];\n  return fix === undefined ? null : `the chord kind \"${m[2]}\" is not known; did you mean \"${m[1]}${fix}${m[3]}\"?`;\n}\n\n/** `c4` / `f#3` / `Bb2` → MIDI number (c4 = 60), or null. */\nexport function noteToMidi(name: string): number | null {\n  const m = /^([a-gA-G])([#b]?)(-?\\d)$/.exec(name);\n  if (!m) return null;\n  return 12 * (Number(m[3]) + 1) + SEMI[m[1]!.toLowerCase()]! + accidental(m[2]!);\n}\n\n/** `Am7` → MIDI notes (root in octave 3); `C@4` puts the root in octave 4, `Am7/e` puts e in the bass. Null when it is not a chord. */\nexport function chordToMidi(sym: string): number[] | null {\n  const m = /^([A-G])([#b]?)([^@/\\s]*)(?:@(\\d))?(?:\\/([a-gA-G][#b]?))?$/.exec(sym);\n  if (!m) return null;\n  const kind = CHORD_KINDS[m[3]!];\n  if (!kind) return null;\n  const root = SEMI[m[1]!.toLowerCase()]! + accidental(m[2]!);\n  const oct = m[4] !== undefined ? Number(m[4]) : 3;\n  const notes = kind.map(i => 12 * (oct + 1) + root + i);\n  if (m[5]) notes.unshift(12 * oct + SEMI[m[5][0]!.toLowerCase()]! + accidental(m[5][1] ?? ''));\n  return notes;\n}\n\n/** One note or chord of a track: where (beats from the start), how long (beats), which MIDI notes, how hard (0–1). */\nexport interface MusicEvent { t: number; dur: number; midi: number[]; vel: number }\n\n/**\n * A track's `notes` string → events. Tokens are separated by spaces (`|` is ignored: use it for bars).\n * `c4`, `c4:2`, `c4:0.5`  a note (`:` = length in beats, default `step`) · `Am7:4`, `C@4:2`, `Am7/e:4`  a chord · `[c4 e4 g4]:2`  a chord note by note ·\n * `_`, `_:2`  a rest · `~`, `~:1`  hold (lengthens the note before) · `!` accent, `,` soft, before or after the length: `c4!:1`, `c4:1!`.\n * Throws an Error that names the token.\n */\nexport function parseNotes(str: string, step = 1): { events: MusicEvent[]; length: number } {\n  const events: MusicEvent[] = [];\n  let t = 0;\n  for (const raw of String(str).replace(/\\|/g, ' ').match(/\\[[^\\]]*\\](?::[\\d.]+)?[!,]?|\\S+/g) ?? []) {\n    let tok = raw, vel = 0.8;\n    const mark = (c: string) => { vel = c === '!' ? 1 : 0.55; };\n    if (/[!,]$/.test(tok)) { mark(tok.slice(-1)); tok = tok.slice(0, -1); }\n    let dur = step;\n    const dm = /:([\\d.]+)$/.exec(tok);\n    if (dm) { dur = Number(dm[1]); tok = tok.slice(0, dm.index); }\n    if (/[!,]$/.test(tok)) { mark(tok.slice(-1)); tok = tok.slice(0, -1); }\n    if (!(dur > 0) || !Number.isFinite(dur)) throw new Error(`\"${raw}\" has a length of ${dm?.[1]} beats; a length must be a positive number of beats (c4:2)`);\n    if (tok === '_') { t += dur; continue; }\n    if (tok === '~') { if (events.length) events[events.length - 1]!.dur += dur; t += dur; continue; }\n    let midi: Array<number | null> | null;\n    if (tok.startsWith('[')) midi = tok.slice(1, -1).trim().split(/\\s+/).map(noteToMidi);\n    else if (/^[A-G]/.test(tok)) midi = chordToMidi(tok);                 // a capital letter starts a chord (G7, C5, C6), a lowercase one a note (g7, c5, c6): never both\n    else midi = [noteToMidi(tok)];\n    if (!midi || midi.length === 0 || midi.some(x => x === null)) {\n      const hint = /^[A-G]/.test(tok) && !tok.startsWith('[') ? capitalHint(tok) : null;\n      throw new Error(`cannot read \"${raw}\"${hint ? `: ${hint}` : ''} (${NOTE_FORMS})`);\n    }\n    events.push({ t, dur, midi: midi as number[], vel });\n    t += dur;\n  }\n  return { events, length: t };\n}\n\n/** A drum pattern: `x` a hit, `o` a soft hit, `.` nothing (spaces and `|` are ignored). Step = 1/`grid` of a beat. */\nexport function parseDrumGrid(grid: string): { hits: Array<{ i: number; vel: number }>; steps: number } {\n  const hits: Array<{ i: number; vel: number }> = [];\n  let i = 0;\n  for (const ch of String(grid).replace(/[\\s|]/g, '')) {\n    if (ch === 'x' || ch === 'X') hits.push({ i, vel: 1 });\n    else if (ch === 'o' || ch === 'O') hits.push({ i, vel: 0.5 });\n    else if (ch !== '.' && ch !== '-' && ch !== '_') throw new Error(`\"${ch}\" in the drum pattern \"${grid}\": use x (hit), o (soft hit), . (nothing)`);\n    i++;\n  }\n  return { hits, steps: i };\n}\n\n/** Tempo as `[beat, bpm]` points; between two points the tempo changes linearly (a ritardando), before / after it holds. */\nexport type TempoPoints = Array<[number, number]>;\n\n/** Beats → seconds for a tempo map (exact integral of 60 / bpm). */\nexport class TempoMap {\n  private readonly points: TempoPoints;\n  private readonly secAt: number[] = [0];\n\n  constructor(bpm: number | TempoPoints) {\n    this.points = typeof bpm === 'number' ? [[0, bpm]] : [...bpm].sort((a, b) => a[0] - b[0]);\n    if (this.points[0]![0] > 0) this.points.unshift([0, this.points[0]![1]]);\n    for (let i = 1; i < this.points.length; i++) {\n      const [b0, t0] = this.points[i - 1]!, [b1, t1] = this.points[i]!;\n      this.secAt.push(this.secAt[i - 1]! + TempoMap.span(b1 - b0, t0, t1));\n    }\n  }\n\n  /** Seconds taken by `db` beats while the tempo goes from `t0` to `t1` bpm. */\n  private static span(db: number, t0: number, t1: number): number {\n    return Math.abs(t1 - t0) < 1e-9 ? (60 * db) / t0 : (60 * db * Math.log(t1 / t0)) / (t1 - t0);\n  }\n\n  seconds(beat: number): number {\n    if (beat <= 0) return (60 * beat) / this.points[0]![1];\n    let i = this.points.length - 1;\n    while (i > 0 && this.points[i]![0] > beat) i--;\n    const [b0, t0] = this.points[i]!;\n    const next = this.points[i + 1];\n    if (!next) return this.secAt[i]! + (60 * (beat - b0)) / t0;\n    const t = t0 + ((next[1] - t0) * (beat - b0)) / (next[0] - b0);\n    return this.secAt[i]! + TempoMap.span(beat - b0, t0, t);\n  }\n\n  /** The tempo at a beat. */\n  bpmAt(beat: number): number {\n    if (beat <= this.points[0]![0]) return this.points[0]![1];\n    for (let i = 1; i < this.points.length; i++) {\n      const [b0, t0] = this.points[i - 1]!, [b1, t1] = this.points[i]!;\n      if (beat < b1) return t0 + ((t1 - t0) * (beat - b0)) / (b1 - b0);\n    }\n    return this.points[this.points.length - 1]![1];\n  }\n}\n","import { suggestName, warnUnknownOptions } from '../../core/options';\nimport type { MusicOptions } from '../../types';\nimport { DRUMS, INSTRUMENTS, type DrumName, type InstrumentName, type VoiceOptions } from './instruments';\nimport { parseDrumGrid, parseNotes, TempoMap, type MusicEvent, type TempoPoints } from './notation';\n\nexport const MAX_TRACKS = 16;\nexport const MAX_SECONDS = 180;\nexport const MAX_NOTES = 20000;\nexport const DEFAULT_TAIL = 2.5;\n\nconst OPTION_KEYS = ['bpm', 'tracks', 'drums', 'grid', 'swing', 'reverb', 'humanize', 'drumVol', 'transpose', 'tail', 'seed'] as const;\nconst TRACK_KEYS = ['inst', 'notes', 'vol', 'pan', 'step', 'strum', 'legato', 'tone', 'reverb', 'attack', 'release', 'ring', 'transpose'] as const;\n/** Layer fields an author may put inside `music` by mistake. */\nconst LAYER_KEYS = ['duration', 'length', 'volume', 'at', 'loop'];\n\n/** Words authors reach for, mapped to the instrument that makes that sound. */\nconst INSTRUMENT_ALIASES: Record<string, InstrumentName> = {\n  piano: 'keys', ep: 'keys', rhodes: 'keys', epiano: 'keys', electricpiano: 'keys', keyboard: 'keys', organ: 'pad',\n  guitar: 'pluck', harp: 'pluck', koto: 'pluck', strings: 'pad', synth: 'lead', melody: 'lead', flute: 'lead',\n  glockenspiel: 'bell', glock: 'bell', chime: 'bell', vibes: 'bell', 'music-box': 'musicbox', music_box: 'musicbox', musicbox: 'musicbox',\n  sinebass: 'sub', '808': 'sub', bassline: 'bass',\n};\nconst DRUM_ALIASES: Record<string, DrumName> = {\n  bd: 'kick', bassdrum: 'kick', sd: 'snare', hihat: 'hat', hh: 'hat', closedhat: 'hat', oh: 'openhat', cymbal: 'crash', tambourine: 'shaker',\n  sleighbells: 'sleigh', jingle: 'sleigh', bells: 'sleigh',\n};\n\nexport interface ResolvedTrack {\n  inst: InstrumentName;\n  events: MusicEvent[];\n  length: number;\n  vol: number | Array<[number, number]>;\n  pan: number;\n  strum: number;\n  legato: number;\n  tone: number;\n  reverb: number;\n  transpose: number;\n  voice: VoiceOptions;\n}\nexport interface ResolvedDrums {\n  from: number;\n  to: number;\n  /** Beats one repeat of the pattern lasts. */\n  repeat: number;\n  drums: Array<{ kind: DrumName; hits: Array<{ i: number; vel: number }> }>;\n}\nexport interface ResolvedMusic {\n  tempo: TempoPoints;\n  swing: number;\n  reverb: number;\n  humanize: number;\n  drumVol: number;\n  grid: number;\n  tail: number;\n  seed: number;\n  tracks: ResolvedTrack[];\n  drums: ResolvedDrums[];\n  /** Length of the music in beats (the longest track; drums fill up to it). */\n  beats: number;\n  /** Length of the music in seconds, without the tail. */\n  seconds: number;\n}\n\ntype Warn = (message: string) => void;\nconst defaultWarn: Warn = m => console.warn(m);\nconst clamp = (x: number, lo: number, hi: number) => Math.min(hi, Math.max(lo, x));\nconst finite = (x: unknown): x is number => typeof x === 'number' && Number.isFinite(x);\n\n/** Check an author's `music` value, warn about everything that will not do what they meant, and return what to render (null: silent). */\nexport function resolveMusic(music: unknown, who: string, warn: Warn = defaultWarn): ResolvedMusic | null {\n  if (!music || typeof music !== 'object' || Array.isArray(music)) {\n    warn(`pixi-effects: ${who}: music must be an object like { bpm: 96, tracks: [{ inst: 'keys', notes: 'Cmaj7:4 Am7:4' }], drums: { kick: 'x...x...' } } (got ${JSON.stringify(music)}). The layer is silent.`);\n    return null;\n  }\n  const o = music as Record<string, unknown>;\n  const rest: Record<string, unknown> = {};\n  for (const [k, v] of Object.entries(o)) {\n    if (LAYER_KEYS.includes(k)) warn(`pixi-effects: ${who}: \"${k}\" goes on the audio layer, not inside music${k === 'duration' || k === 'length' ? ' (the music lasts as long as its notes; a shorter layer duration cuts it)' : ''}`);\n    else rest[k] = v;\n  }\n  warnUnknownOptions(`${who} music`, rest, OPTION_KEYS);\n\n  const num = (key: string, lo: number, hi: number, fallback: number): number => {\n    const v = o[key];\n    if (v === undefined) return fallback;\n    if (!finite(v)) { warn(`pixi-effects: ${who}: music.${key} must be a number (got ${JSON.stringify(v)}); using ${fallback}`); return fallback; }\n    if (v < lo || v > hi) { warn(`pixi-effects: ${who}: music.${key} ${v} is outside ${lo}–${hi}; using ${clamp(v, lo, hi)}`); return clamp(v, lo, hi); }\n    return v;\n  };\n\n  // tempo\n  let tempo: TempoPoints | null = null;\n  if (finite(o.bpm)) tempo = [[0, clamp(o.bpm, 20, 400)]];\n  else if (Array.isArray(o.bpm) && o.bpm.length > 0 && o.bpm.every(p => Array.isArray(p) && finite(p[0]) && finite(p[1]) && p[1] > 0)) {\n    tempo = (o.bpm as Array<[number, number]>).map(([b, t]) => [Math.max(0, b), clamp(t, 20, 400)] as [number, number]).sort((a, b) => a[0] - b[0]);\n  }\n  if (!tempo) {\n    warn(`pixi-effects: ${who}: music.bpm is required: beats per minute (96), or [beat, bpm] points for a tempo change ([[0, 96], [28, 96], [32, 60]]) (got ${JSON.stringify(o.bpm)}). The layer is silent.`);\n    return null;\n  }\n  if (finite(o.bpm) && (o.bpm < 20 || o.bpm > 400)) warn(`pixi-effects: ${who}: music.bpm ${o.bpm} is outside 20–400; using ${tempo[0]![1]}`);\n\n  const swing = num('swing', 0, 0.4, 0);\n  const reverbAmount = num('reverb', 0, 0.6, 0.22);\n  const humanize = num('humanize', 0, 0.06, 0.012);\n  const drumVol = num('drumVol', 0, 1, 0.8);\n  const grid = Math.round(num('grid', 1, 12, 4));\n  const tail = num('tail', 0, 10, DEFAULT_TAIL);\n  const transpose = num('transpose', -36, 36, 0);\n  const seed = Math.trunc(num('seed', -1e9, 1e9, 1));\n\n  // tracks\n  const rawTracks: unknown[] = o.tracks === undefined ? [] : Array.isArray(o.tracks) ? o.tracks : [];\n  if (o.tracks !== undefined && !Array.isArray(o.tracks)) warn(`pixi-effects: ${who}: music.tracks must be a list of { inst, notes } objects (got ${typeof o.tracks})`);\n  if (rawTracks.length > MAX_TRACKS) warn(`pixi-effects: ${who}: music has ${rawTracks.length} tracks; only the first ${MAX_TRACKS} play`);\n  const tracks: ResolvedTrack[] = [];\n  let notes = 0;\n  rawTracks.slice(0, MAX_TRACKS).forEach((raw, i) => {\n    const where = `${who} music.tracks[${i}]`;\n    if (!raw || typeof raw !== 'object' || Array.isArray(raw)) { warn(`pixi-effects: ${where} must be an object like { inst: 'keys', notes: 'c4 e4 g4' }. The track is skipped.`); return; }\n    const t = raw as Record<string, unknown>;\n    warnUnknownOptions(where, t, TRACK_KEYS);\n    const name = String(t.inst);\n    let inst = (INSTRUMENTS as readonly string[]).includes(name) ? (name as InstrumentName) : null;\n    if (!inst) {\n      const guess = INSTRUMENT_ALIASES[name.toLowerCase().replace(/\\s+/g, '')] ?? (suggestName(name, INSTRUMENTS) as InstrumentName | null);\n      warn(`pixi-effects: ${where}: unknown instrument \"${name}\"${guess ? ` — did you mean \"${guess}\"?` : ''} (instruments: ${INSTRUMENTS.join(', ')}). The track is skipped.`);\n      return;\n    }\n    if (typeof t.notes !== 'string') { warn(`pixi-effects: ${where} (${inst}): notes must be a string like 'c4 e4 g4:2 _ Am7:4' (got ${JSON.stringify(t.notes)}). The track is skipped.`); return; }\n    const knob = (key: string, lo: number, hi: number, fallback: number): number => {\n      const v = t[key];\n      if (v === undefined) return fallback;\n      if (!finite(v)) { warn(`pixi-effects: ${where}: ${key} must be a number (got ${JSON.stringify(v)}); using ${fallback}`); return fallback; }\n      if (v < lo || v > hi) { warn(`pixi-effects: ${where}: ${key} ${v} is outside ${lo}–${hi}; using ${clamp(v, lo, hi)}`); return clamp(v, lo, hi); }\n      return v;\n    };\n    let parsed;\n    try { parsed = parseNotes(t.notes, knob('step', 0.0625, 16, 1)); } catch (e) { warn(`pixi-effects: ${where} (${inst}): ${(e as Error).message}. The track is skipped.`); return; }\n    notes += parsed.events.length;\n    let vol: ResolvedTrack['vol'] = 0.8;\n    if (t.vol !== undefined) {\n      if (finite(t.vol)) vol = clamp(t.vol, 0, 1.5);\n      else if (Array.isArray(t.vol) && t.vol.length > 0 && t.vol.every(p => Array.isArray(p) && finite(p[0]) && finite(p[1]))) {\n        vol = (t.vol as Array<[number, number]>).map(([b, v]) => [b, clamp(v, 0, 1.5)] as [number, number]).sort((a, b) => a[0] - b[0]);\n      } else warn(`pixi-effects: ${where}: vol must be a number (0.8) or [beat, level] points ([[0, 0], [8, 0.8]]) (got ${JSON.stringify(t.vol)}); using 0.8`);\n    }\n    const voice: VoiceOptions = {};\n    for (const k of ['attack', 'release', 'ring'] as const) if (t[k] !== undefined) voice[k] = knob(k, k === 'ring' ? 0.1 : 0.001, k === 'ring' ? 6 : 8, 0.5);\n    tracks.push({\n      inst, events: parsed.events, length: parsed.length, vol, pan: knob('pan', -1, 1, 0), strum: knob('strum', 0, 0.2, 0), legato: knob('legato', 0.1, 1, 0.96),\n      tone: knob('tone', 0, 1, 1), reverb: knob('reverb', 0, 1, 1), transpose: transpose + knob('transpose', -36, 36, 0), voice,\n    });\n  });\n  if (notes > MAX_NOTES) { warn(`pixi-effects: ${who}: music has ${notes} notes; the limit is ${MAX_NOTES}. The layer is silent.`); return null; }\n\n  // drums\n  const sections: ResolvedDrums[] = [];\n  const rawDrums: unknown[] = o.drums === undefined ? [] : Array.isArray(o.drums) ? o.drums : [o.drums];\n  rawDrums.forEach((raw, i) => {\n    const where = `${who} music.drums${Array.isArray(o.drums) ? `[${i}]` : ''}`;\n    if (!raw || typeof raw !== 'object') { warn(`pixi-effects: ${where} must be an object like { kick: 'x...x...', snare: '....x...' } (steps: x hit, o soft hit, . nothing). It is skipped.`); return; }\n    const d = raw as Record<string, unknown>;\n    const drums: ResolvedDrums['drums'] = [];\n    let steps = 0;\n    for (const [key, pattern] of Object.entries(d)) {\n      if (key === 'from' || key === 'to') continue;\n      const kind = (DRUMS as readonly string[]).includes(key) ? (key as DrumName) : null;\n      if (!kind) {\n        const guess = DRUM_ALIASES[key.toLowerCase()] ?? (suggestName(key, DRUMS) as DrumName | null);\n        warn(`pixi-effects: ${where}: unknown drum \"${key}\"${guess ? ` — did you mean \"${guess}\"?` : ''} (drums: ${DRUMS.join(', ')}, and from / to). It is skipped.`);\n        continue;\n      }\n      if (typeof pattern !== 'string') { warn(`pixi-effects: ${where}.${key} must be a string of steps like 'x...x...' (got ${JSON.stringify(pattern)}). It is skipped.`); continue; }\n      try {\n        const g = parseDrumGrid(pattern);\n        drums.push({ kind, hits: g.hits });\n        steps = Math.max(steps, g.steps);\n      } catch (e) { warn(`pixi-effects: ${where}.${key}: ${(e as Error).message}. It is skipped.`); }\n    }\n    if (drums.length === 0 || steps === 0) return;\n    const from = finite(d.from) ? Math.max(0, d.from) : 0, to = finite(d.to) ? d.to : Infinity;\n    if (d.from !== undefined && !finite(d.from)) warn(`pixi-effects: ${where}.from must be a beat number (got ${JSON.stringify(d.from)}); using 0`);\n    sections.push({ from, to, repeat: steps / grid, drums });\n  });\n\n  const beats = Math.max(0, ...tracks.map(t => t.length), ...sections.map(s => (Number.isFinite(s.to) ? s.to : 0)));\n  const map = new TempoMap(tempo);\n  const seconds = map.seconds(beats);\n  if (beats === 0) {\n    warn(`pixi-effects: ${who}: music has no notes${sections.length ? ' (drums alone do not set the length: add a track, or a rest such as notes: \\'_:16\\')' : ''}. The layer is silent.`);\n    return null;\n  }\n  if (seconds > MAX_SECONDS) { warn(`pixi-effects: ${who}: the music lasts ${Math.round(seconds)} s; the limit is ${MAX_SECONDS} s. The layer is silent.`); return null; }\n  return { tempo, swing, reverb: reverbAmount, humanize, drumVol, grid, tail, seed, tracks, drums: sections, beats, seconds };\n}\n\n/** Cache key: equal keys render equal samples (the score is plain data, so its JSON is the key). */\nexport function musicKey(m: ResolvedMusic, length: number, loop: boolean): string {\n  return `music|${JSON.stringify([m.tempo, m.swing, m.reverb, m.humanize, m.drumVol, m.grid, m.tail, m.seed, m.tracks, m.drums, length, loop])}`;\n}\n","import { Biquad, hitDrum, reverb, setSampleRate, VOICES, type Bus } from './instruments';\nimport { TempoMap } from './notation';\nimport type { ResolvedMusic, ResolvedTrack } from './resolve';\n\n/** The loudest sample of music at `volume: 1` (−6 dBFS), so it sits under speech and sound effects (sfx peak at −12 dBFS). */\nexport const MUSIC_PEAK = 0.5;\nconst RMS_CAP = 0.12;\n\n/** Seeded random numbers (mulberry32): the same seed always gives the same music. */\nfunction rng(seed: number): () => number {\n  let a = seed >>> 0;\n  return () => {\n    a = (a + 0x6d2b79f5) >>> 0;\n    let t = a;\n    t = Math.imul(t ^ (t >>> 15), t | 1);\n    t ^= t + Math.imul(t ^ (t >>> 7), t | 61);\n    return ((t ^ (t >>> 14)) >>> 0) / 4294967296;\n  };\n}\n\n/** How long the music plays, in seconds: its notes plus the tail of the reverb. */\nexport function musicLength(m: ResolvedMusic): number {\n  return m.seconds + m.tail;\n}\n\n/** The beats of a score as times in seconds (the kick hits when there are drums with a kick, otherwise every beat): what `react()` pulses on. */\nexport function musicBeatTimes(m: ResolvedMusic, until = m.seconds): number[] {\n  const map = new TempoMap(m.tempo);\n  const times: number[] = [];\n  if (m.drums.some(s => s.drums.some(d => d.kind === 'kick'))) {\n    for (const s of m.drums) {\n      const kick = s.drums.find(d => d.kind === 'kick');\n      if (!kick) continue;\n      const end = Math.min(s.to, m.beats);\n      for (let rep = 0; s.from + rep * s.repeat < end; rep++) for (const h of kick.hits) {\n        const b = s.from + rep * s.repeat + h.i / m.grid;\n        if (b < end) times.push(map.seconds(b));\n      }\n    }\n    times.sort((a, b) => a - b);\n  } else {\n    for (let b = 0; b < m.beats; b++) times.push(map.seconds(b));\n  }\n  return times.filter(t => t < until);\n}\n\n/**\n * Stereo samples `[left, right]` of the music at `sampleRate`, `length` seconds long: cut (with a short fade) if shorter than the music,\n * silent after it if longer, or repeated from the start with `loop`. Same music, same samples.\n */\nexport function renderMusic(m: ResolvedMusic, sampleRate: number, length: number, loop = false): [Float32Array, Float32Array] {\n  setSampleRate(sampleRate);\n  const total = Math.max(2, Math.round(length * sampleRate));\n  const rnd = rng(m.seed);\n  const map = new TempoMap(m.tempo);\n  const loopSec = map.seconds(m.beats);\n  const repeats = loop ? Math.max(1, Math.ceil(length / Math.max(0.1, loopSec))) : 1;\n  const bus = (): Bus => ({ L: new Float32Array(total), R: new Float32Array(total) });\n  const out = bus(), send = bus(), scratch = bus();\n  const swingShift = (beat: number): number => {\n    const frac = beat - Math.floor(beat);\n    return beat + (Math.abs(frac - 0.5) < 1e-6 ? m.swing * 0.5 : Math.abs(frac - 0.75) < 1e-6 ? m.swing * 0.25 : 0);\n  };\n\n  const levelAt = (vol: ResolvedTrack['vol']): ((sec: number) => number) => {\n    if (typeof vol === 'number') return () => vol;\n    const pts = vol.map(([b, v]) => [map.seconds(b), v] as const);\n    return sec => {\n      const t = loop && loopSec > 0 ? sec % loopSec : sec;\n      if (t <= pts[0]![0]) return pts[0]![1];\n      for (let i = 1; i < pts.length; i++) {\n        if (t < pts[i]![0]) return pts[i - 1]![1] + ((pts[i]![1] - pts[i - 1]![1]) * (t - pts[i - 1]![0])) / (pts[i]![0] - pts[i - 1]![0]);\n      }\n      return pts[pts.length - 1]![1];\n    };\n  };\n\n  for (const tr of m.tracks) {\n    const inst = VOICES[tr.inst];\n    scratch.L.fill(0); scratch.R.fill(0);\n    for (let r = 0; r < repeats; r++) {\n      const offset = r * loopSec;\n      for (const e of tr.events) {\n        const strum = e.midi.length > 1 ? tr.strum : 0;\n        const startBeat = swingShift(e.t);\n        const lenSec = Math.max(0.05, (map.seconds(e.t + e.dur) - map.seconds(e.t)) * tr.legato);\n        e.midi.forEach((midi, k) => {\n          const t0 = offset + map.seconds(startBeat) + (rnd() - 0.5) * m.humanize + k * strum;\n          const vel = Math.min(1, e.vel * (0.93 + rnd() * 0.14));\n          if (t0 * sampleRate >= total) return;\n          inst(midi + tr.transpose, lenSec, vel, scratch, Math.max(0, Math.round(t0 * sampleRate)), rnd, tr.voice);\n        });\n      }\n    }\n    if (tr.tone < 1) {\n      const fc = 400 * 50 ** tr.tone;\n      const a = [new Biquad('lp', fc, 0.7), new Biquad('lp', fc, 0.7)], b = [new Biquad('lp', fc, 0.7), new Biquad('lp', fc, 0.7)];\n      for (let i = 0; i < total; i++) {\n        scratch.L[i] = a[1]!.run(a[0]!.run(scratch.L[i]!));\n        scratch.R[i] = b[1]!.run(b[0]!.run(scratch.R[i]!));\n      }\n    }\n    const level = levelAt(tr.vol), pan = Math.max(-1, Math.min(1, tr.pan));\n    const gl = Math.cos(((pan + 1) * Math.PI) / 4) * 1.3, gr = Math.sin(((pan + 1) * Math.PI) / 4) * 1.3;\n    const constant = typeof tr.vol === 'number';\n    let g = constant ? level(0) : 0;\n    for (let i = 0; i < total; i++) {\n      if (!constant) g = level(i / sampleRate);\n      const l = scratch.L[i]! * g * gl, r = scratch.R[i]! * g * gr;\n      out.L[i]! += l; out.R[i]! += r;\n      send.L[i]! += l * tr.reverb; send.R[i]! += r * tr.reverb;\n    }\n  }\n\n  if (m.drums.length) {\n    scratch.L.fill(0); scratch.R.fill(0);\n    for (let r = 0; r < repeats; r++) {\n      const offset = r * loopSec;\n      for (const s of m.drums) {\n        const end = Math.min(s.to, m.beats);\n        for (let rep = 0; s.from + rep * s.repeat < end - 1e-6; rep++) for (const d of s.drums) for (const h of d.hits) {\n          const beat = s.from + rep * s.repeat + h.i / m.grid;\n          if (beat >= end) continue;\n          const vel = h.vel * (0.9 + rnd() * 0.2);\n          const t0 = offset + map.seconds(swingShift(beat)) + (rnd() - 0.5) * m.humanize * 0.5;\n          if (t0 * sampleRate >= total) continue;\n          hitDrum(d.kind, vel, scratch, Math.max(0, Math.round(t0 * sampleRate)), rnd);\n        }\n      }\n    }\n    for (let i = 0; i < total; i++) {\n      const l = scratch.L[i]! * m.drumVol, r = scratch.R[i]! * m.drumVol;\n      out.L[i]! += l; out.R[i]! += r; send.L[i]! += l; send.R[i]! += r;\n    }\n  }\n\n  reverb(send, out, m.reverb, 0.8);\n  let peak = 0, sum = 0;\n  for (let i = 0; i < total; i++) {\n    const l = (out.L[i] = Math.tanh(out.L[i]! * 0.9)), r = (out.R[i] = Math.tanh(out.R[i]! * 0.9));\n    peak = Math.max(peak, Math.abs(l), Math.abs(r));\n    sum += l * l + r * r;\n  }\n  const rms = Math.sqrt(sum / (2 * total));\n  const gain = peak > 0 ? Math.min(MUSIC_PEAK / peak, RMS_CAP / Math.max(rms, 1e-9)) : 0;\n  const fade = Math.min(Math.floor(0.4 * sampleRate), total >> 2);\n  for (let i = 0; i < total; i++) {\n    const f = i >= total - fade ? (total - 1 - i) / fade : 1;\n    out.L[i]! *= gain * f; out.R[i]! *= gain * f;\n  }\n  return [out.L, out.R];\n}\n"]}

package/dist/three.cjs

@@ -1,12 +1,12 @@
 'use strict';
 
-var chunkEABL3UKJ_cjs = require('./chunk-EABL3UKJ.cjs');
+var chunkA225HYSY_cjs = require('./chunk-A225HYSY.cjs');
 require('./chunk-ECA2WNRX.cjs');
 require('./chunk-TWZNOUM7.cjs');
 var pixi_js = require('pixi.js');
 var three$1 = require('three');
 
-var ThreeSequence = class extends chunkEABL3UKJ_cjs.Sequence {
+var ThreeSequence = class extends chunkA225HYSY_cjs.Sequence {
   _renderer = null;
   _scene = null;
   _camera = null;
@@ -25,7 +25,7 @@ var ThreeSequence = class extends chunkEABL3UKJ_cjs.Sequence {
     if (this.duration === void 0) {
       this.duration = this.parent?.duration ?? this.root.duration;
     }
-    const scope = chunkEABL3UKJ_cjs.buildScope(this, this.parent, this.root);
+    const scope = chunkA225HYSY_cjs.buildScope(this, this.parent, this.root);
     const width = resolveDim(spec.width, scope) ?? this.parent?.width ?? this.root.width;
     const height = resolveDim(spec.height, scope) ?? this.parent?.height ?? this.root.height;
     const resolution = spec.resolution ?? 1;
@@ -145,12 +145,12 @@ var ThreeSequence = class extends chunkEABL3UKJ_cjs.Sequence {
 function resolveDim(v, scope) {
   if (v === void 0) return void 0;
   if (typeof v === "number") return v;
-  return chunkEABL3UKJ_cjs.evaluateExpr(v, scope);
+  return chunkA225HYSY_cjs.evaluateExpr(v, scope);
 }
 
 // src/three/index.ts
 function registerThree() {
-  chunkEABL3UKJ_cjs.registerSequenceType("three", ThreeSequence);
+  chunkA225HYSY_cjs.registerSequenceType("three", ThreeSequence);
 }
 function three(spec) {
   return spec;

package/dist/three.js

@@ -1,4 +1,4 @@
-import { Sequence, buildScope, evaluateExpr, registerSequenceType } from './chunk-JHJNEIDI.js';
+import { Sequence, buildScope, evaluateExpr, registerSequenceType } from './chunk-FXAHNPBP.js';
 import './chunk-TLYTYBWX.js';
 import './chunk-BXOCEZ4U.js';
 import { Texture, Sprite } from 'pixi.js';

package/docs/api.md

@@ -155,14 +155,16 @@ Renders the entire timeline to a single video file. Pauses playback first.
 
 ```ts
 interface RenderOptions {
-  format?: 'mp4' | 'mov' | 'webm' | 'mkv';   // default 'mp4'
+  format?: 'mp4' | 'mov' | 'webm' | 'mkv' | 'wav' | 'ogg';   // default 'mp4'; wav / ogg: ONLY the movie's sound (an error when it has none)
   video?: {
-    codec?:   string;   // default per format (mp4/mov→avc, webm/mkv→vp9)
-    bitrate?: 'very-low' | 'low' | 'medium' | 'high' | 'very-high';   // default 'high'
+    codec?:   string;   // 'avc' (H.264) | 'hevc' | 'vp9' | 'av1' | 'vp8'; default per format (mp4/mov→avc, webm→vp9, mkv→vp9)
+    bitrate?: 'very-low' | 'low' | 'medium' | 'high' | 'very-high' | number | string;   // default 'high'; or bits a second: 8_000_000, '8M', '800k'
+    hardware?: 'no-preference' | 'prefer-hardware' | 'prefer-software';   // where to encode (default 'no-preference')
+    keyFrameInterval?: number;   // seconds between keyframes (default 2): shorter seeks faster, a bigger file
   };
   audio?: {
-    codec?:   string;   // default per format (mp4/mov→aac, webm/mkv→opus)
-    bitrate?: 'very-low' | 'low' | 'medium' | 'high' | 'very-high';   // default 'high'
+    codec?:   string;   // default per format (mp4/mov→aac, webm/mkv/ogg→opus, wav→pcm-s16)
+    bitrate?: 'very-low' | 'low' | 'medium' | 'high' | 'very-high' | number | string;   // default 'high' (not for wav: it is not compressed)
   };
   motionBlur?: boolean | number | { samples?: number; shutter?: number };   // overrides movie.init's; false turns it off
 }
@@ -177,6 +179,10 @@ interface RenderOptions {
 - After a blurred snapshot, contact sheet or render the playhead and the stage are on an exact frame again, not a sample.
 - `pixi-effects-render --motion-blur 8 [--shutter 0.5]` sets it for one file.
 
+**Video codec:** unless you name `video.codec`, the usual one for the format is used (mp4 / mov: `avc`; webm: `vp9`); if this browser cannot encode it, the next that works is used and a warning says so. A codec you name is never swapped: it is used, or the error names the one that would work (`"av1" ... "avc" would work: render({ format: 'mp4', video: { codec: 'avc' } })`). `hevc` and `av1` make smaller files at the same quality but play in fewer places than `avc`; `hardware: 'prefer-hardware'` asks the GPU's encoder.
+
+**Sound only:** `render({ format: 'wav' })` (16-bit PCM, no loss) or `render({ format: 'ogg' })` (Opus) writes the movie's mixed sound without drawing a frame: a tune written as `music` becomes an audio file. `range` cuts it like a video. `pixi-effects render page.html -o mix.wav` does the same from a script. `mp3` and `flac` are not offered: browsers cannot encode them.
+
 **Audio codec fallback:** unless you name `audio.codec`, the first codec this browser can actually encode is used (mp4: `aac`, then `opus`, `mp3`, `flac`; webm: `opus`, `vorbis`). Chrome on Linux has no AAC encoder, so there an mp4 with sound carries Opus and a warning says so (before, the export failed with a message about encoder configurations). A codec you name is never swapped: if it cannot be encoded the error says which one would work.
 
 Returns a `Blob` whose `type` is the container's MIME (e.g. `video/mp4`). Emits `'progress'` repeatedly during the render.

package/docs/dsl.md

@@ -264,8 +264,8 @@ A tune with no audio file: notes, chords and drum patterns written as strings, p
 
 | Token | Meaning |
 |---|---|
-| `c4` `f#3` `Bb2` | a note (c4 = middle C); `:2` after it is its length in beats (`c4:0.5` an eighth), default `step` |
-| `Am7` `F#m` `Bbmaj7` `C@4` `Am7/e` | a chord, voiced close around octave 3 (`@4` puts the root in octave 4; `/e` puts e in the bass). Kinds: none, `m`, `5`, `aug`, `dim`, `sus2`, `sus4`, `6`, `m6`, `add9`, `madd9`, `add11`, `7`, `maj7`, `m7`, `mMaj7`, `dim7`, `m7b5`, `7sus4`, `7b9`, `7#9`, `9`, `maj9`, `m9`, `11`, `m11`, `13`, `maj13`, `m13`, `maj7#11` |
+| `c4` `f#3` `bb2` | a note, **always lowercase** (c4 = middle C; `bb2` is B flat); `:2` after it is its length in beats (`c4:0.5` an eighth), default `step` |
+| `Am7` `F#m` `Bbmaj7` `G7` `C5` `C@4` `Am7/e` | a chord, **always starting with a capital letter** (`G7` is G dominant seventh, `g7` a very high note); voiced close around octave 3 (`@4` puts the root in octave 4; `/e` puts e in the bass). Kinds: none, `m`, `5`, `aug`, `dim`, `sus2`, `sus4`, `6`, `m6`, `add9`, `madd9`, `add11`, `7`, `maj7`, `m7`, `mMaj7`, `dim7`, `m7b5`, `7sus4`, `7b9`, `7#9`, `9`, `maj9`, `m9`, `11`, `m11`, `13`, `maj13`, `m13`, `maj7#11` |
 | `[c4 e4 g4]:2` | a chord written out note by note (exact voicings) |
 | `_` `_:2` | a rest |
 | `~` `~:1` | hold: lengthens the note before |
@@ -932,6 +932,8 @@ interface Keyframe {
 }
 ```
 
+**Relative values.** A number in `to`, `from` or `set` may be written `'+=36'` or `'-=36'`: it is measured from where the property stands when the keyframe starts (GSAP's own relative values), and the right side is an expression (`'-=GW*0.1'`). `from: { x: '-=36' }` starts 36 px to the left of where the layer is and arrives there (the usual slide-in); `to: { y: '+=40' }` moves 40 px further. Several keyframes one after another stack, whatever order you seek in; with `repeat` the same move plays again from the same start (it does not stack). A relative value in `initial`, a style, or the start side of a `from` + `to` keyframe has nothing to be measured from: it warns and is read as the number.
+
 The four kinds are mutually exclusive per keyframe:
 
 - **`set`** — instantaneous property assignment at `at`.

package/llms-full.txt

@@ -6,7 +6,7 @@ Concatenation of the skill, cheatsheet, pitfalls, recipes and the DSL / API refe
 
 <!-- ===== skills/pixi-effects/SKILL.md ===== -->
 
-> Written for pixi-effects 0.26.1. Update this skill with `npx skills update`; the newest docs are at https://yjmtmtk.github.io/pixi-effects/
+> Written for pixi-effects 0.26.3. Update this skill with `npx skills update`; the newest docs are at https://yjmtmtk.github.io/pixi-effects/
 
 # pixi-effects — write a video as data
 
@@ -75,7 +75,7 @@ A video is **data**: a tree of plain objects. Everything below is a JS object yo
 | Canvas | pixels, origin top-left, `+x` right, `+y` down. Typical: 1280×720 @ 30 fps |
 | Angles | **degrees**: `rotation`, `skew*`, `rotationX`, `rotationY` |
 | Depth (`z`) | `+z` toward the viewer (bigger, nearer) |
-| Numbers | any number may be an **expression string**: `'GW/2 - w/2'`, `'min(W,H)*0.4'` (build-time only; no per-frame time variable). Functions: `min max abs floor ceil round sqrt pow sin cos tan lerp clamp smoothstep mod step`, `PI`, and **seeded** `rand(seed)` (0…1) / `noise(x, seed)` (−1…1): give each layer its own seed, never `Math.random()`. **No relative values** (`'+=36'` does not exist: write the absolute start, `from: { x: 'GW/2 - 36' }`). Expressions work in layer `x y` and the other numeric props, **not** in `line.from / to`, `polygon.points` or `path.d`: compute those in JS (`const W = 1920`) |
+| Numbers | any number may be an **expression string**: `'GW/2 - w/2'`, `'min(W,H)*0.4'` (build-time only; no per-frame time variable). Functions: `min max abs floor ceil round sqrt pow sin cos tan lerp clamp smoothstep mod step`, `PI`, and **seeded** `rand(seed)` (0…1) / `noise(x, seed)` (−1…1): give each layer its own seed, never `Math.random()`. **Relative values** work in a keyframe's `to` / `from` / `set` (not in `initial`, a style, or the start of a `from`+`to`): `'+=36'` / `'-=36'` are measured from where the layer stands, and the right side is an expression (`'-=GW*0.1'`). A slide-in is `from: { x: '-=36' }`, a nudge `to: { y: '+=40' }`; keyframes one after another stack; with `repeat` the same move replays from the same start (it does not stack). Expressions work in layer `x y` and the other numeric props, **not** in `line.from / to`, `polygon.points` or `path.d`: compute those in JS (`const W = 1920`) |
 | Colours | `'#rrggbb'` strings or numbers; text colour is `style.fill`, shape colour is `fillColor`/`strokeColor`, image colour is `tint` |
 | Z-order | **array order**, later = on top. A layer is hidden (not removed) outside `[at, at+duration)` and keeps its last values |
 | Time of a sequence's `at` | seconds from the start of its **parent composition** (default 0) |
@@ -111,7 +111,7 @@ blendMode: 'normal' | 'add' | 'screen' | 'multiply' | 'overlay' | 'soft-light' |
 
 Animatable props (`initial` / keyframes): `x y alpha rotation scale scaleX scaleY pivotX pivotY anchorX anchorY skewX skewY tint width height visible autoAlpha`, plus for shapes their style/geometry, for text `fill`, for audio `volume`, for 3D `z rotationX rotationY`, filter params as `'filters.<name>.<param>'`, three objects as `'three.<obj>.<path>'`. **These go in `initial` / keyframes, never at the top level of a shape or text layer** (top-level `x`, `rotation`, `strokeColor`, `fillAlpha` each warn "is not a … key"): the top level of a shape holds its geometry (`width height radius d startAngle endAngle cornerRadius anchorX anchorY`), `trimStart` / `trimEnd`, `strokeCap` / `strokeJoin`, `fillGradient`.
 
-Keyframe kinds: `set` (jump at `at`; undone when you seek back), `to` (animate to), `from` (animate from), `from`+`to`. `from` / `from+to` show their start value from the layer's start, so a delayed fade-in needs no `initial.alpha`. `repeat` (finite extra plays), `yoyo`, `repeatDelay` loop any of them (endless repeats are not allowed). `ease` = any GSAP ease (`'none'`, `'power2.out'`, `'expo.out'`, `'back.out(1.7)'`, `'elastic.out(1,0.5)'`, `'sine.inOut'`, `'bounce.out'`, **`'cubic-bezier(.4, 0, .2, 1)'`** (CSS syntax, x1 and x2 in 0…1; `.4, 0, .2, 1` is a gentle in-out; `.2, .8, .2, 1` is FRONT-LOADED, not slow motion: half of the change in the first 13 % of the time, 90 % by 39 %, 99 % by 74 %, then a long settle, so what sits at the END of the content gets the glide; `.2, .8, .5, 1` has a shorter tail). GSAP's `power1…4` are the powers 2…5: `power2` is a cubic, `power2.in` has done only 12.5 % at half time (42 % at three quarters)… and springs: `'spring(mass, stiffness, damping)'` or `'spring.gentle' | 'snappy' | 'bouncy' | 'wobbly' | 'slow'`; **`duration: 'auto'` = the time the spring takes to settle** (presets, settle time / highest value reached as a multiple of the target: `snappy` 0.42 s / 1.01, `gentle` 0.72 s / 1.02, `bouncy` 1.08 s / 1.28, `slow` 1.29 s / 1.00, `wobbly` 1.61 s / 1.40: time the next beat from these) (real physics; with a number `duration` is the settle time and only the damping ratio shapes it; a damping ratio of 1 or more never overshoots, so `spring(1,170,26)` does not bounce: use damping below 20 at stiffness 170; `'auto'` works on keyframes only, not in `animateText` / `orbit` tweens; a `stagger` ease may be a spring, its delays are held inside the spread). Default ease is linear.
+Keyframe kinds: `set` (jump at `at`; undone when you seek back), `to` (animate to), `from` (animate from), `from`+`to`; a value may be relative to where the layer stands (`from: { x: '-=36' }` slides in from 36 px to the left of its place). `from` / `from+to` show their start value from the layer's start, so a delayed fade-in needs no `initial.alpha`. `repeat` (finite extra plays), `yoyo`, `repeatDelay` loop any of them (endless repeats are not allowed). `ease` = any GSAP ease (`'none'`, `'power2.out'`, `'expo.out'`, `'back.out(1.7)'`, `'elastic.out(1,0.5)'`, `'sine.inOut'`, `'bounce.out'`, **`'cubic-bezier(.4, 0, .2, 1)'`** (CSS syntax, x1 and x2 in 0…1; `.4, 0, .2, 1` is a gentle in-out; `.2, .8, .2, 1` is FRONT-LOADED, not slow motion: half of the change in the first 13 % of the time, 90 % by 39 %, 99 % by 74 %, then a long settle, so what sits at the END of the content gets the glide; `.2, .8, .5, 1` has a shorter tail). GSAP's `power1…4` are the powers 2…5: `power2` is a cubic, `power2.in` has done only 12.5 % at half time (42 % at three quarters)… and springs: `'spring(mass, stiffness, damping)'` or `'spring.gentle' | 'snappy' | 'bouncy' | 'wobbly' | 'slow'`; **`duration: 'auto'` = the time the spring takes to settle** (presets, settle time / highest value reached as a multiple of the target: `snappy` 0.42 s / 1.01, `gentle` 0.72 s / 1.02, `bouncy` 1.08 s / 1.28, `slow` 1.29 s / 1.00, `wobbly` 1.61 s / 1.40: time the next beat from these) (real physics; with a number `duration` is the settle time and only the damping ratio shapes it; a damping ratio of 1 or more never overshoots, so `spring(1,170,26)` does not bounce: use damping below 20 at stiffness 170; `'auto'` works on keyframes only, not in `animateText` / `orbit` tweens; a `stagger` ease may be a spring, its delays are held inside the spread). Default ease is linear.
 
 ## Layer types
 
@@ -123,7 +123,7 @@ Keyframe kinds: `set` (jump at `at`; undone when you seek back), `to` (animate t
 
 **audio** — a file: `asset`, `loop`, `volume`, `speed` (the pitch follows; `time` keyframes work as for video; not for `sfx` / `music`: change an sfx's `pitch` instead, or put it in a composition and remap that); `volume` (top level, or in `initial` like every other layer's starting values); fade with volume keyframes (`{ at: -2, to: { volume: 0 }, duration: 2 }` fades the last 2 s). Omit `duration` for a one-shot clip: it lasts exactly as long as the clip. With `loop: true` and no `duration` it lasts until the composition ends. An explicit `duration` longer than the clip goes silent after the clip unless `loop: true`.
 **Or a sound effect with no file — `sfx`:** `{ type: 'audio', sfx: 'swoosh', at: 2 }` is the whole thing. Presets, default length in s: `click` 0.04 · `pop` 0.12 · `swoosh` 0.5 (loudest 0.16 s in, moves left → right) · `swipe` 0.22 · `hit` 0.7 · `riser` 1 (loudest at its END: `at = hit − duration`) · `chime` 1.4 · `beep` 0.16 · `coin` 0.4 · `glitch` 0.35 · `typewriter` 0.06. Knobs: `sfx: { preset, pitch /* semitones ±24 */, brightness /* −1 dark … 1 bright */, seed /* another take */ }`. **The layer's `duration` IS the sound's length** (omit it; set it to stretch, e.g. a riser; at most 10 s); `volume` is its level (1 = the preset's standard level, peaking at −12 … −18 dBFS by preset; above 1 is allowed: a sparse track of clicks measured −32 LUFS at 0.5 and needed about 2 to reach −24 LUFS). No `loop`: one layer per hit (a JS loop). Custom sound: `sfx: { voices: [{ wave: 'noise' | 'sine' | 'square' | 'saw' | 'triangle', freq: 440 | [from, to], filter: { type: 'lowpass' | 'highpass' | 'bandpass', freq: [from, to] }, envelope: 'fall' | 'bell' | 'swell' | 'hold', pan: [-1, 1] }] }`. The export (mp4 / webm / mov) encodes this same mix (lossy AAC / Opus), on time within a few ms.
-**Or music with no file — `music`:** `{ type: 'audio', music: { bpm: 96, tracks: [{ inst: 'keys', notes: 'Cmaj7:4 Am7:4 Dm7:4 G7:4' }, { inst: 'bass', notes: 'c2:2 g1:2 …' }], drums: { kick: 'x...x...', snare: '....x...', hat: 'x.x.x.x.' } } }` — a tune written as text (notes `c4:2` in beats, chords `Am7` `C@4` `Am7/e`, `[c4 e4 g4]`, rest `_`, hold `~`, `!` accent; `|` ignored). Instruments `keys pluck pad bass sub lead bell musicbox`; drums `kick snare hat openhat clap rim tom crash shaker sleigh` as 16th-note step strings (`x` hit, `o` soft, `.` none; a list of `{ from, to, … }` for sections). Score options `bpm` (or `[[beat, bpm], …]` for a ritardando) `swing reverb (0–0.6) humanize drumVol grid transpose tail seed`; track options `vol` (or `[[beat, level], …]` for a fade) `pan step strum legato tone reverb attack release ring transpose`. Lasts its notes + tail, ends with the movie, `loop: true` repeats; peaks −6 dBFS at `volume: 1`. `await musicEnvelope(music, { frameRate })` → an envelope for `react()`; `await musicBuffer(music)` → a Web Audio `AudioBuffer` to play yourself.
+**Or music with no file — `music`:** `{ type: 'audio', music: { bpm: 96, tracks: [{ inst: 'keys', notes: 'Cmaj7:4 Am7:4 Dm7:4 G7:4' }, { inst: 'bass', notes: 'c2:2 g1:2 …' }], drums: { kick: 'x...x...', snare: '....x...', hat: 'x.x.x.x.' } } }` — a tune written as text (notes in LOWERCASE `c4:2` in beats, chords start with a CAPITAL `Am7` `G7` `C@4` `Am7/e` (`g7` is a very high note, not G7), `[c4 e4 g4]`, rest `_`, hold `~`, `!` accent; `|` ignored). Instruments `keys pluck pad bass sub lead bell musicbox`; drums `kick snare hat openhat clap rim tom crash shaker sleigh` as 16th-note step strings (`x` hit, `o` soft, `.` none; a list of `{ from, to, … }` for sections). Score options `bpm` (or `[[beat, bpm], …]` for a ritardando) `swing reverb (0–0.6) humanize drumVol grid transpose tail seed`; track options `vol` (or `[[beat, level], …]` for a fade) `pan step strum legato tone reverb attack release ring transpose`. Lasts its notes + tail, ends with the movie, `loop: true` repeats; peaks −6 dBFS at `volume: 1`. `await musicEnvelope(music, { frameRate })` → an envelope for `react()`; `await musicBuffer(music)` → a Web Audio `AudioBuffer` to play yourself.
 
 **shape** — `shape: 'rect' | 'circle' | 'ellipse' | 'arc' | 'line' | 'polygon' | 'path'`:
 
@@ -233,7 +233,7 @@ const movie = new Movie();
 await movie.init({ canvas, width, height, duration, frameRate, background, assets, composition });
 movie.play(); movie.pause();
 await movie.gotoFrame(n, true);                 // seek (frames; 30 fps => t = n/30)
-const blob = await movie.render({ format: 'mp4' });   // 'mp4' | 'webm' | 'mov' | 'mkv'; ~real-time. Part of it: `range: [2, 5]` (seconds) or `range: 'title'` (a top-level layer's span; picture and sound); `scale: 0.5` / `draft: true` (half size, low quality, no motion blur: a smaller file, not a faster drawing). Fast motion: `movie.init({ motionBlur: true })` (8 samples, 180° shutter; or a number / { samples: 2–64, shutter: 0–1 }) blurs render / snapshot / contactSheet, not live playback; a render takes `samples`× as long
+const blob = await movie.render({ format: 'mp4' });   // 'mp4' | 'webm' | 'mov' | 'mkv'; ~real-time. `format: 'wav'` / `'ogg'` writes only the movie's SOUND (a `music` score as an audio file). `video: { codec: 'hevc' | 'av1' | 'vp9' | 'avc', bitrate: '8M', hardware, keyFrameInterval }` (a codec this browser cannot encode names the one that works). Part of it: `range: [2, 5]` (seconds) or `range: 'title'` (a top-level layer's span; picture and sound); `scale: 0.5` / `draft: true` (half size, low quality, no motion blur: a smaller file, not a faster drawing). Fast motion: `movie.init({ motionBlur: true })` (8 samples, 180° shutter; or a number / { samples: 2–64, shutter: 0–1 }) blurs render / snapshot / contactSheet, not live playback; a render takes `samples`× as long
 movie.on('progress', e => e.progress /* 0–100 */);
 movie.audioBuffer                                // mixed audio (after init), if any audio layers
 await movie.contactSheet({ count: 6, as: 'dataURL' })   // ONE image of several labelled frames — look at it. Options: frames | times | count, columns, cellWidth, as
@@ -378,6 +378,7 @@ A good habit that catches most of these: after `init`, read `window.__logs` (see
 96. **A filter option that is a point (`rgbSplit.red`, `glitch` offsets) cannot be tweened as a whole**, but a scalar can: `set: { 'filters.tear.seed': n }` steps `glitch.seed` (a `set` keyframe works on filter options; no warning, visible tearing). To switch between looks on one subject, put the subject in time-windowed `composition` copies, each carrying the filters of its look.
 97. **A deck inside your own composition loses its `transitions` and `stops`** unless you take them across: `const d = deck({ width: 1920, height: 1080, pages })`, then `{ type: 'composition', sequences: d.composition.sequences, transitions: d.composition.transitions }`. Pass `width` / `height` yourself for a page that is not the movie's own size.
 98. **A matte layer needs a fill.** A named matte (`mask: 'glass'`) that is a shape with no `fillColor` / `fillGradient` (or a text with no fill) cuts everything away and nothing warns: the layers it should show simply vanish. Give the matte a fill (white for `alpha`, a gradient for `luma`).
+99. **In a `music` score a capital letter is a chord and a lowercase one a note.** `G7` is G dominant seventh, `C5` a power chord, `C6` a sixth chord; `g7`, `c5`, `c6` are notes (octave 7 is a very high note: it used to be what `G7` meant, silently). A bare note in capitals (`Bb2`) is refused with the lowercase spelling (`bb2`); inside brackets (`[C4 E4 G4]`) any case is a note. An unknown chord kind suggests the nearest (`Cmin7` → `Cm7`, `Csus` → `Csus4`, `CM7` → `Cmaj7`).
 
 
 <!-- ===== skills/pixi-effects/reference/recipes.md ===== -->
@@ -1784,8 +1785,8 @@ A tune with no audio file: notes, chords and drum patterns written as strings, p
 
 | Token | Meaning |
 |---|---|
-| `c4` `f#3` `Bb2` | a note (c4 = middle C); `:2` after it is its length in beats (`c4:0.5` an eighth), default `step` |
-| `Am7` `F#m` `Bbmaj7` `C@4` `Am7/e` | a chord, voiced close around octave 3 (`@4` puts the root in octave 4; `/e` puts e in the bass). Kinds: none, `m`, `5`, `aug`, `dim`, `sus2`, `sus4`, `6`, `m6`, `add9`, `madd9`, `add11`, `7`, `maj7`, `m7`, `mMaj7`, `dim7`, `m7b5`, `7sus4`, `7b9`, `7#9`, `9`, `maj9`, `m9`, `11`, `m11`, `13`, `maj13`, `m13`, `maj7#11` |
+| `c4` `f#3` `bb2` | a note, **always lowercase** (c4 = middle C; `bb2` is B flat); `:2` after it is its length in beats (`c4:0.5` an eighth), default `step` |
+| `Am7` `F#m` `Bbmaj7` `G7` `C5` `C@4` `Am7/e` | a chord, **always starting with a capital letter** (`G7` is G dominant seventh, `g7` a very high note); voiced close around octave 3 (`@4` puts the root in octave 4; `/e` puts e in the bass). Kinds: none, `m`, `5`, `aug`, `dim`, `sus2`, `sus4`, `6`, `m6`, `add9`, `madd9`, `add11`, `7`, `maj7`, `m7`, `mMaj7`, `dim7`, `m7b5`, `7sus4`, `7b9`, `7#9`, `9`, `maj9`, `m9`, `11`, `m11`, `13`, `maj13`, `m13`, `maj7#11` |
 | `[c4 e4 g4]:2` | a chord written out note by note (exact voicings) |
 | `_` `_:2` | a rest |
 | `~` `~:1` | hold: lengthens the note before |
@@ -2452,6 +2453,8 @@ interface Keyframe {
 }
 ```
 
+**Relative values.** A number in `to`, `from` or `set` may be written `'+=36'` or `'-=36'`: it is measured from where the property stands when the keyframe starts (GSAP's own relative values), and the right side is an expression (`'-=GW*0.1'`). `from: { x: '-=36' }` starts 36 px to the left of where the layer is and arrives there (the usual slide-in); `to: { y: '+=40' }` moves 40 px further. Several keyframes one after another stack, whatever order you seek in; with `repeat` the same move plays again from the same start (it does not stack). A relative value in `initial`, a style, or the start side of a `from` + `to` keyframe has nothing to be measured from: it warns and is read as the number.
+
 The four kinds are mutually exclusive per keyframe:
 
 - **`set`** — instantaneous property assignment at `at`.
@@ -3346,14 +3349,16 @@ Renders the entire timeline to a single video file. Pauses playback first.
 
 ```ts
 interface RenderOptions {
-  format?: 'mp4' | 'mov' | 'webm' | 'mkv';   // default 'mp4'
+  format?: 'mp4' | 'mov' | 'webm' | 'mkv' | 'wav' | 'ogg';   // default 'mp4'; wav / ogg: ONLY the movie's sound (an error when it has none)
   video?: {
-    codec?:   string;   // default per format (mp4/mov→avc, webm/mkv→vp9)
-    bitrate?: 'very-low' | 'low' | 'medium' | 'high' | 'very-high';   // default 'high'
+    codec?:   string;   // 'avc' (H.264) | 'hevc' | 'vp9' | 'av1' | 'vp8'; default per format (mp4/mov→avc, webm→vp9, mkv→vp9)
+    bitrate?: 'very-low' | 'low' | 'medium' | 'high' | 'very-high' | number | string;   // default 'high'; or bits a second: 8_000_000, '8M', '800k'
+    hardware?: 'no-preference' | 'prefer-hardware' | 'prefer-software';   // where to encode (default 'no-preference')
+    keyFrameInterval?: number;   // seconds between keyframes (default 2): shorter seeks faster, a bigger file
   };
   audio?: {
-    codec?:   string;   // default per format (mp4/mov→aac, webm/mkv→opus)
-    bitrate?: 'very-low' | 'low' | 'medium' | 'high' | 'very-high';   // default 'high'
+    codec?:   string;   // default per format (mp4/mov→aac, webm/mkv/ogg→opus, wav→pcm-s16)
+    bitrate?: 'very-low' | 'low' | 'medium' | 'high' | 'very-high' | number | string;   // default 'high' (not for wav: it is not compressed)
   };
   motionBlur?: boolean | number | { samples?: number; shutter?: number };   // overrides movie.init's; false turns it off
 }
@@ -3368,6 +3373,10 @@ interface RenderOptions {
 - After a blurred snapshot, contact sheet or render the playhead and the stage are on an exact frame again, not a sample.
 - `pixi-effects-render --motion-blur 8 [--shutter 0.5]` sets it for one file.
 
+**Video codec:** unless you name `video.codec`, the usual one for the format is used (mp4 / mov: `avc`; webm: `vp9`); if this browser cannot encode it, the next that works is used and a warning says so. A codec you name is never swapped: it is used, or the error names the one that would work (`"av1" ... "avc" would work: render({ format: 'mp4', video: { codec: 'avc' } })`). `hevc` and `av1` make smaller files at the same quality but play in fewer places than `avc`; `hardware: 'prefer-hardware'` asks the GPU's encoder.
+
+**Sound only:** `render({ format: 'wav' })` (16-bit PCM, no loss) or `render({ format: 'ogg' })` (Opus) writes the movie's mixed sound without drawing a frame: a tune written as `music` becomes an audio file. `range` cuts it like a video. `pixi-effects render page.html -o mix.wav` does the same from a script. `mp3` and `flac` are not offered: browsers cannot encode them.
+
 **Audio codec fallback:** unless you name `audio.codec`, the first codec this browser can actually encode is used (mp4: `aac`, then `opus`, `mp3`, `flac`; webm: `opus`, `vorbis`). Chrome on Linux has no AAC encoder, so there an mp4 with sound carries Opus and a warning says so (before, the export failed with a message about encoder configurations). A codec you name is never swapped: if it cannot be encoded the error says which one would work.
 
 Returns a `Blob` whose `type` is the container's MIME (e.g. `video/mp4`). Emits `'progress'` repeatedly during the render.

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "pixi-effects",
-  "version": "0.26.1",
+  "version": "0.26.3",
   "description": "Declarative composition and video rendering for the web. Built on PixiJS v8.",
   "type": "module",
   "exports": {

package/skills/pixi-effects/SKILL.md

@@ -3,7 +3,7 @@ name: pixi-effects
 description: Use when asked to make, animate, preview or export a video, motion graphics, an animated title, a lower third, kinetic type, a promo, a slideshow with transitions, an animated chart or data story, a social clip, a 2.5D / depth scene, or music and sound for a video, written as code in JavaScript or HTML. pixi-effects is a JS library where a video is a plain-object composition (text, shape, image, video, audio and file-free sfx / music, camera, light and shader layers with keyframes) that plays in the browser, is checked by a tool the agent can run, and exports MP4 / WebM / MOV with no server. Not for a project that already uses another video tool (Remotion, Motion Canvas, ffmpeg); follow that tool instead.
 ---
 
-> Written for pixi-effects 0.26.1. Update this skill with `npx skills update`; the newest docs are at https://yjmtmtk.github.io/pixi-effects/
+> Written for pixi-effects 0.26.3. Update this skill with `npx skills update`; the newest docs are at https://yjmtmtk.github.io/pixi-effects/
 
 # pixi-effects — write a video as data
 

package/skills/pixi-effects/reference/cheatsheet.md

@@ -9,7 +9,7 @@ A video is **data**: a tree of plain objects. Everything below is a JS object yo
 | Canvas | pixels, origin top-left, `+x` right, `+y` down. Typical: 1280×720 @ 30 fps |
 | Angles | **degrees**: `rotation`, `skew*`, `rotationX`, `rotationY` |
 | Depth (`z`) | `+z` toward the viewer (bigger, nearer) |
-| Numbers | any number may be an **expression string**: `'GW/2 - w/2'`, `'min(W,H)*0.4'` (build-time only; no per-frame time variable). Functions: `min max abs floor ceil round sqrt pow sin cos tan lerp clamp smoothstep mod step`, `PI`, and **seeded** `rand(seed)` (0…1) / `noise(x, seed)` (−1…1): give each layer its own seed, never `Math.random()`. **No relative values** (`'+=36'` does not exist: write the absolute start, `from: { x: 'GW/2 - 36' }`). Expressions work in layer `x y` and the other numeric props, **not** in `line.from / to`, `polygon.points` or `path.d`: compute those in JS (`const W = 1920`) |
+| Numbers | any number may be an **expression string**: `'GW/2 - w/2'`, `'min(W,H)*0.4'` (build-time only; no per-frame time variable). Functions: `min max abs floor ceil round sqrt pow sin cos tan lerp clamp smoothstep mod step`, `PI`, and **seeded** `rand(seed)` (0…1) / `noise(x, seed)` (−1…1): give each layer its own seed, never `Math.random()`. **Relative values** work in a keyframe's `to` / `from` / `set` (not in `initial`, a style, or the start of a `from`+`to`): `'+=36'` / `'-=36'` are measured from where the layer stands, and the right side is an expression (`'-=GW*0.1'`). A slide-in is `from: { x: '-=36' }`, a nudge `to: { y: '+=40' }`; keyframes one after another stack; with `repeat` the same move replays from the same start (it does not stack). Expressions work in layer `x y` and the other numeric props, **not** in `line.from / to`, `polygon.points` or `path.d`: compute those in JS (`const W = 1920`) |
 | Colours | `'#rrggbb'` strings or numbers; text colour is `style.fill`, shape colour is `fillColor`/`strokeColor`, image colour is `tint` |
 | Z-order | **array order**, later = on top. A layer is hidden (not removed) outside `[at, at+duration)` and keeps its last values |
 | Time of a sequence's `at` | seconds from the start of its **parent composition** (default 0) |
@@ -45,7 +45,7 @@ blendMode: 'normal' | 'add' | 'screen' | 'multiply' | 'overlay' | 'soft-light' |
 
 Animatable props (`initial` / keyframes): `x y alpha rotation scale scaleX scaleY pivotX pivotY anchorX anchorY skewX skewY tint width height visible autoAlpha`, plus for shapes their style/geometry, for text `fill`, for audio `volume`, for 3D `z rotationX rotationY`, filter params as `'filters.<name>.<param>'`, three objects as `'three.<obj>.<path>'`. **These go in `initial` / keyframes, never at the top level of a shape or text layer** (top-level `x`, `rotation`, `strokeColor`, `fillAlpha` each warn "is not a … key"): the top level of a shape holds its geometry (`width height radius d startAngle endAngle cornerRadius anchorX anchorY`), `trimStart` / `trimEnd`, `strokeCap` / `strokeJoin`, `fillGradient`.
 
-Keyframe kinds: `set` (jump at `at`; undone when you seek back), `to` (animate to), `from` (animate from), `from`+`to`. `from` / `from+to` show their start value from the layer's start, so a delayed fade-in needs no `initial.alpha`. `repeat` (finite extra plays), `yoyo`, `repeatDelay` loop any of them (endless repeats are not allowed). `ease` = any GSAP ease (`'none'`, `'power2.out'`, `'expo.out'`, `'back.out(1.7)'`, `'elastic.out(1,0.5)'`, `'sine.inOut'`, `'bounce.out'`, **`'cubic-bezier(.4, 0, .2, 1)'`** (CSS syntax, x1 and x2 in 0…1; `.4, 0, .2, 1` is a gentle in-out; `.2, .8, .2, 1` is FRONT-LOADED, not slow motion: half of the change in the first 13 % of the time, 90 % by 39 %, 99 % by 74 %, then a long settle, so what sits at the END of the content gets the glide; `.2, .8, .5, 1` has a shorter tail). GSAP's `power1…4` are the powers 2…5: `power2` is a cubic, `power2.in` has done only 12.5 % at half time (42 % at three quarters)… and springs: `'spring(mass, stiffness, damping)'` or `'spring.gentle' | 'snappy' | 'bouncy' | 'wobbly' | 'slow'`; **`duration: 'auto'` = the time the spring takes to settle** (presets, settle time / highest value reached as a multiple of the target: `snappy` 0.42 s / 1.01, `gentle` 0.72 s / 1.02, `bouncy` 1.08 s / 1.28, `slow` 1.29 s / 1.00, `wobbly` 1.61 s / 1.40: time the next beat from these) (real physics; with a number `duration` is the settle time and only the damping ratio shapes it; a damping ratio of 1 or more never overshoots, so `spring(1,170,26)` does not bounce: use damping below 20 at stiffness 170; `'auto'` works on keyframes only, not in `animateText` / `orbit` tweens; a `stagger` ease may be a spring, its delays are held inside the spread). Default ease is linear.
+Keyframe kinds: `set` (jump at `at`; undone when you seek back), `to` (animate to), `from` (animate from), `from`+`to`; a value may be relative to where the layer stands (`from: { x: '-=36' }` slides in from 36 px to the left of its place). `from` / `from+to` show their start value from the layer's start, so a delayed fade-in needs no `initial.alpha`. `repeat` (finite extra plays), `yoyo`, `repeatDelay` loop any of them (endless repeats are not allowed). `ease` = any GSAP ease (`'none'`, `'power2.out'`, `'expo.out'`, `'back.out(1.7)'`, `'elastic.out(1,0.5)'`, `'sine.inOut'`, `'bounce.out'`, **`'cubic-bezier(.4, 0, .2, 1)'`** (CSS syntax, x1 and x2 in 0…1; `.4, 0, .2, 1` is a gentle in-out; `.2, .8, .2, 1` is FRONT-LOADED, not slow motion: half of the change in the first 13 % of the time, 90 % by 39 %, 99 % by 74 %, then a long settle, so what sits at the END of the content gets the glide; `.2, .8, .5, 1` has a shorter tail). GSAP's `power1…4` are the powers 2…5: `power2` is a cubic, `power2.in` has done only 12.5 % at half time (42 % at three quarters)… and springs: `'spring(mass, stiffness, damping)'` or `'spring.gentle' | 'snappy' | 'bouncy' | 'wobbly' | 'slow'`; **`duration: 'auto'` = the time the spring takes to settle** (presets, settle time / highest value reached as a multiple of the target: `snappy` 0.42 s / 1.01, `gentle` 0.72 s / 1.02, `bouncy` 1.08 s / 1.28, `slow` 1.29 s / 1.00, `wobbly` 1.61 s / 1.40: time the next beat from these) (real physics; with a number `duration` is the settle time and only the damping ratio shapes it; a damping ratio of 1 or more never overshoots, so `spring(1,170,26)` does not bounce: use damping below 20 at stiffness 170; `'auto'` works on keyframes only, not in `animateText` / `orbit` tweens; a `stagger` ease may be a spring, its delays are held inside the spread). Default ease is linear.
 
 ## Layer types
 
@@ -57,7 +57,7 @@ Keyframe kinds: `set` (jump at `at`; undone when you seek back), `to` (animate t
 
 **audio** — a file: `asset`, `loop`, `volume`, `speed` (the pitch follows; `time` keyframes work as for video; not for `sfx` / `music`: change an sfx's `pitch` instead, or put it in a composition and remap that); `volume` (top level, or in `initial` like every other layer's starting values); fade with volume keyframes (`{ at: -2, to: { volume: 0 }, duration: 2 }` fades the last 2 s). Omit `duration` for a one-shot clip: it lasts exactly as long as the clip. With `loop: true` and no `duration` it lasts until the composition ends. An explicit `duration` longer than the clip goes silent after the clip unless `loop: true`.
 **Or a sound effect with no file — `sfx`:** `{ type: 'audio', sfx: 'swoosh', at: 2 }` is the whole thing. Presets, default length in s: `click` 0.04 · `pop` 0.12 · `swoosh` 0.5 (loudest 0.16 s in, moves left → right) · `swipe` 0.22 · `hit` 0.7 · `riser` 1 (loudest at its END: `at = hit − duration`) · `chime` 1.4 · `beep` 0.16 · `coin` 0.4 · `glitch` 0.35 · `typewriter` 0.06. Knobs: `sfx: { preset, pitch /* semitones ±24 */, brightness /* −1 dark … 1 bright */, seed /* another take */ }`. **The layer's `duration` IS the sound's length** (omit it; set it to stretch, e.g. a riser; at most 10 s); `volume` is its level (1 = the preset's standard level, peaking at −12 … −18 dBFS by preset; above 1 is allowed: a sparse track of clicks measured −32 LUFS at 0.5 and needed about 2 to reach −24 LUFS). No `loop`: one layer per hit (a JS loop). Custom sound: `sfx: { voices: [{ wave: 'noise' | 'sine' | 'square' | 'saw' | 'triangle', freq: 440 | [from, to], filter: { type: 'lowpass' | 'highpass' | 'bandpass', freq: [from, to] }, envelope: 'fall' | 'bell' | 'swell' | 'hold', pan: [-1, 1] }] }`. The export (mp4 / webm / mov) encodes this same mix (lossy AAC / Opus), on time within a few ms.
-**Or music with no file — `music`:** `{ type: 'audio', music: { bpm: 96, tracks: [{ inst: 'keys', notes: 'Cmaj7:4 Am7:4 Dm7:4 G7:4' }, { inst: 'bass', notes: 'c2:2 g1:2 …' }], drums: { kick: 'x...x...', snare: '....x...', hat: 'x.x.x.x.' } } }` — a tune written as text (notes `c4:2` in beats, chords `Am7` `C@4` `Am7/e`, `[c4 e4 g4]`, rest `_`, hold `~`, `!` accent; `|` ignored). Instruments `keys pluck pad bass sub lead bell musicbox`; drums `kick snare hat openhat clap rim tom crash shaker sleigh` as 16th-note step strings (`x` hit, `o` soft, `.` none; a list of `{ from, to, … }` for sections). Score options `bpm` (or `[[beat, bpm], …]` for a ritardando) `swing reverb (0–0.6) humanize drumVol grid transpose tail seed`; track options `vol` (or `[[beat, level], …]` for a fade) `pan step strum legato tone reverb attack release ring transpose`. Lasts its notes + tail, ends with the movie, `loop: true` repeats; peaks −6 dBFS at `volume: 1`. `await musicEnvelope(music, { frameRate })` → an envelope for `react()`; `await musicBuffer(music)` → a Web Audio `AudioBuffer` to play yourself.
+**Or music with no file — `music`:** `{ type: 'audio', music: { bpm: 96, tracks: [{ inst: 'keys', notes: 'Cmaj7:4 Am7:4 Dm7:4 G7:4' }, { inst: 'bass', notes: 'c2:2 g1:2 …' }], drums: { kick: 'x...x...', snare: '....x...', hat: 'x.x.x.x.' } } }` — a tune written as text (notes in LOWERCASE `c4:2` in beats, chords start with a CAPITAL `Am7` `G7` `C@4` `Am7/e` (`g7` is a very high note, not G7), `[c4 e4 g4]`, rest `_`, hold `~`, `!` accent; `|` ignored). Instruments `keys pluck pad bass sub lead bell musicbox`; drums `kick snare hat openhat clap rim tom crash shaker sleigh` as 16th-note step strings (`x` hit, `o` soft, `.` none; a list of `{ from, to, … }` for sections). Score options `bpm` (or `[[beat, bpm], …]` for a ritardando) `swing reverb (0–0.6) humanize drumVol grid transpose tail seed`; track options `vol` (or `[[beat, level], …]` for a fade) `pan step strum legato tone reverb attack release ring transpose`. Lasts its notes + tail, ends with the movie, `loop: true` repeats; peaks −6 dBFS at `volume: 1`. `await musicEnvelope(music, { frameRate })` → an envelope for `react()`; `await musicBuffer(music)` → a Web Audio `AudioBuffer` to play yourself.
 
 **shape** — `shape: 'rect' | 'circle' | 'ellipse' | 'arc' | 'line' | 'polygon' | 'path'`:
 
@@ -167,7 +167,7 @@ const movie = new Movie();
 await movie.init({ canvas, width, height, duration, frameRate, background, assets, composition });
 movie.play(); movie.pause();
 await movie.gotoFrame(n, true);                 // seek (frames; 30 fps => t = n/30)
-const blob = await movie.render({ format: 'mp4' });   // 'mp4' | 'webm' | 'mov' | 'mkv'; ~real-time. Part of it: `range: [2, 5]` (seconds) or `range: 'title'` (a top-level layer's span; picture and sound); `scale: 0.5` / `draft: true` (half size, low quality, no motion blur: a smaller file, not a faster drawing). Fast motion: `movie.init({ motionBlur: true })` (8 samples, 180° shutter; or a number / { samples: 2–64, shutter: 0–1 }) blurs render / snapshot / contactSheet, not live playback; a render takes `samples`× as long
+const blob = await movie.render({ format: 'mp4' });   // 'mp4' | 'webm' | 'mov' | 'mkv'; ~real-time. `format: 'wav'` / `'ogg'` writes only the movie's SOUND (a `music` score as an audio file). `video: { codec: 'hevc' | 'av1' | 'vp9' | 'avc', bitrate: '8M', hardware, keyFrameInterval }` (a codec this browser cannot encode names the one that works). Part of it: `range: [2, 5]` (seconds) or `range: 'title'` (a top-level layer's span; picture and sound); `scale: 0.5` / `draft: true` (half size, low quality, no motion blur: a smaller file, not a faster drawing). Fast motion: `movie.init({ motionBlur: true })` (8 samples, 180° shutter; or a number / { samples: 2–64, shutter: 0–1 }) blurs render / snapshot / contactSheet, not live playback; a render takes `samples`× as long
 movie.on('progress', e => e.progress /* 0–100 */);
 movie.audioBuffer                                // mixed audio (after init), if any audio layers
 await movie.contactSheet({ count: 6, as: 'dataURL' })   // ONE image of several labelled frames — look at it. Options: frames | times | count, columns, cellWidth, as

package/skills/pixi-effects/reference/pitfalls.md

@@ -126,3 +126,4 @@ A good habit that catches most of these: after `init`, read `window.__logs` (see
 96. **A filter option that is a point (`rgbSplit.red`, `glitch` offsets) cannot be tweened as a whole**, but a scalar can: `set: { 'filters.tear.seed': n }` steps `glitch.seed` (a `set` keyframe works on filter options; no warning, visible tearing). To switch between looks on one subject, put the subject in time-windowed `composition` copies, each carrying the filters of its look.
 97. **A deck inside your own composition loses its `transitions` and `stops`** unless you take them across: `const d = deck({ width: 1920, height: 1080, pages })`, then `{ type: 'composition', sequences: d.composition.sequences, transitions: d.composition.transitions }`. Pass `width` / `height` yourself for a page that is not the movie's own size.
 98. **A matte layer needs a fill.** A named matte (`mask: 'glass'`) that is a shape with no `fillColor` / `fillGradient` (or a text with no fill) cuts everything away and nothing warns: the layers it should show simply vanish. Give the matte a fill (white for `alpha`, a gradient for `luma`).
+99. **In a `music` score a capital letter is a chord and a lowercase one a note.** `G7` is G dominant seventh, `C5` a power chord, `C6` a sixth chord; `g7`, `c5`, `c6` are notes (octave 7 is a very high note: it used to be what `G7` meant, silently). A bare note in capitals (`Bb2`) is refused with the lowercase spelling (`bb2`); inside brackets (`[C4 E4 G4]`) any case is a note. An unknown chord kind suggests the nearest (`Cmin7` → `Cm7`, `Csus` → `Csus4`, `CM7` → `Cmaj7`).

package/skills/pixi-effects/template.html

@@ -4,7 +4,7 @@
   <meta charset="UTF-8" />
   <meta name="viewport" content="width=device-width, initial-scale=1" />
   <title>pixi-effects video</title>
-  <link rel="stylesheet" href="https://cdn.jsdelivr.net/npm/pixi-effects@0.26.1/dist/loader.css" />   <!-- the loader: HTML + CSS only, so it is on screen at once and keeps moving while the page builds the video -->
+  <link rel="stylesheet" href="https://cdn.jsdelivr.net/npm/pixi-effects@0.26.3/dist/loader.css" />   <!-- the loader: HTML + CSS only, so it is on screen at once and keeps moving while the page builds the video -->
   <style>
     body { background: #0d1220; margin: 0; padding: 16px; }
     .stage { position: relative; width: min(960px, 100%); }                 /* the player and the loader both sit inside this box */
@@ -39,16 +39,16 @@
       "gsap":                    "https://esm.sh/gsap@3.12.5",
       "gsap/PixiPlugin":         "https://esm.sh/gsap@3.12.5/PixiPlugin",
       "mediabunny":              "https://esm.sh/mediabunny",
-      "pixi-effects":            "https://cdn.jsdelivr.net/npm/pixi-effects@0.26.1/dist/index.js",
-      "pixi-effects/controller": "https://cdn.jsdelivr.net/npm/pixi-effects@0.26.1/dist/Controller.js",
-      "pixi-effects/presenter":  "https://cdn.jsdelivr.net/npm/pixi-effects@0.26.1/dist/Presenter.js",
-      "pixi-effects/three":      "https://cdn.jsdelivr.net/npm/pixi-effects@0.26.1/dist/three.js",
+      "pixi-effects":            "https://cdn.jsdelivr.net/npm/pixi-effects@0.26.3/dist/index.js",
+      "pixi-effects/controller": "https://cdn.jsdelivr.net/npm/pixi-effects@0.26.3/dist/Controller.js",
+      "pixi-effects/presenter":  "https://cdn.jsdelivr.net/npm/pixi-effects@0.26.3/dist/Presenter.js",
+      "pixi-effects/three":      "https://cdn.jsdelivr.net/npm/pixi-effects@0.26.3/dist/three.js",
       "pixi-filters":            "https://esm.sh/pixi-filters@6.1.5?external=pixi.js",
       "three":                   "https://esm.sh/three@0.178.0"
     }
   }
   </script>
-  <link rel="modulepreload" href="https://cdn.jsdelivr.net/npm/pixi-effects@0.26.1/dist/index.js" />   <!-- after the import map: the library downloads while the page is parsed -->
+  <link rel="modulepreload" href="https://cdn.jsdelivr.net/npm/pixi-effects@0.26.3/dist/index.js" />   <!-- after the import map: the library downloads while the page is parsed -->
 
   <script type="module">
     import { Movie, kenBurns, withFade } from 'pixi-effects';