paginar 0.1.0 → 0.1.1
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- package/README.md +5 -5
- package/demo/slot/slot-chapter1.html +40 -5
- package/demo/slot/slot-chapter2.html +7 -0
- package/demo/slot/slot-chapter3.html +6 -0
- package/demo/summary/_content/1chapter.html +5 -5
- package/demo/summary/_content/2chapter.html +2 -2
- package/demo/summary/index.html +25 -1
- package/dist/index.es.js +468 -268
- package/dist/index.es.js.map +1 -1
- package/dist/style.css +63 -46
- package/package.json +4 -2
- package/src/App.ce.vue +62 -52
- package/src/assets/main.css +279 -13
- package/src/components/BookContent.vue +23 -0
- package/src/components/EngineWrapper.vue +2 -10
- package/src/components/FooterSlot.vue +32 -0
- package/src/components/HeaderSlot/{HeaderSlot.ce.vue → HeaderSlot.vue} +30 -37
- package/src/components/HeaderSlot/OptionsButton/{OptionsButton.ce.vue → OptionsButton.vue} +7 -9
- package/src/components/HeaderSlot/OptionsButton/OptionsColor.vue +2 -2
- package/src/components/HeaderSlot/OptionsButton/OptionsColumns.vue +5 -5
- package/src/components/HeaderSlot/OptionsButton/OptionsFontFamily.vue +2 -2
- package/src/components/HeaderSlot/SummaryButton/{SummaryButton.ce.vue → SummaryButton.vue} +2 -7
- package/src/components/HeaderSlot/SummaryButton/SummaryDropdown.vue +30 -29
- package/src/components/{NavigationButton.ce.vue → NavigationButton.vue} +0 -0
- package/src/components/ReferencePopup.vue +31 -0
- package/src/composables/useFootnotes.js +27 -0
- package/src/composables/usePagination.js +9 -0
- package/src/composables/useReferences.js +61 -0
- package/src/composables/useTextContent.js +35 -4
- package/src/main.js +1 -3
- package/src/tailwind.css +63 -46
- package/src/components/FileContent.ce.vue +0 -20
- package/src/components/FooterSlot.ce.vue +0 -22
package/README.md
CHANGED
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@@ -4,11 +4,11 @@ W.I.P. far from complete
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You can check how it will look at the end in this [link](https://sabia.pub/book/okabayashi-uma-perspectiva-decolonial-para-o-design-no-brasil/read/haDxQvbtIIX4Hh5cOyee/content)
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- [
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- [X] Custom Component (or Web Component) to be used in any environment
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- [ ] Paginate html/markdown content
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- [ ] Auto-generate Summary
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- [
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- [X] Auto-recognize references and link accordingly
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- [ ] Navigate to specific point in content
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- [
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- [
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- [
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- [X] Customize options and summary menu
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- [X] Customize header
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- [X] CSS-theme structure
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@@ -9,6 +9,26 @@
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</head>
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<body>
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<style>
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#app {
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height: 100vh;
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}
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html {
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--bg-light-mode: #fff7e0;
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--bg-dark-mode: rgb(45,45,45);
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--theme-primary: rgb(45,45,45);
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--theme-primary-extralight: rgb(243 244 246);
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--theme-secondary: #cd2800;
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}
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#pagination-el *::selection {
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color: var(--theme-primary-extralight, #690000);
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background: var(--theme-secondary, #ffa03c);
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}
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</style>
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<div id="app">
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<paginate-content id="pagination-el" book-title="A Tale of Two Cities">
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<div slot="header">
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CHAPTER I.<br>The Period
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</h2>
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<p>
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It was the best of times, it was the worst of times, it was the age of
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It was the (LUGONES, 1978) best of times, it was the worst of times, it was the age of
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wisdom, it was the age of foolishness, it was the epoch of belief, it was
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the epoch of incredulity, it was the season of Light, it was the season
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of Darkness, it was the spring of hope, it was the winter of despair, we
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of Darkness, it was the spring of hope (GAMA, 2019), it was the winter of despair, we
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had everything before us, we had nothing before us, we were all going
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direct to Heaven, we were all going direct the other way—in short,
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the period was so far like the present period, that some of its noisiest
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the period was so far like the present period (GAMA, 2019), that some of its noisiest
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authorities insisted on its being received, for good or for evil, in the
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superlative degree of comparison only.
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</p>
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<p>
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There were a king with a large jaw and a queen with a plain face, on the
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throne of England; there were a king with a large jaw and a queen with a
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fair face, on the throne of France. In both countries it was clearer than
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throne of England; there were a king with (LEON, 2006) a large jaw and a queen with a
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fair face (LEON, 2006), on the throne of France (LUGONES, 1978). In both countries it was clearer than
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crystal to the lords of the State preserves of loaves and fishes, that
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things in general were settled for ever.
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</p>
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{ title: 'Chapter 1', link: '/demo/slot/slot-chapter1.html' },
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{ title: 'Chapter 2', link: '/demo/slot/slot-chapter2.html' },
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{ title: 'Chapter 3', link: '/demo/slot/slot-chapter3.html' }
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],
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references: [
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{
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"cit": "GAMA, 2019",
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"ref": "GAMA, Mara. <strong>As três rotas que trouxeram a centenária Bauhaus ao Brasil</strong>. Folha de São Paulo, São Paulo, 1 abr. 2019. Disponível em: https://www1.folha.uol.com.br/ilustrissima/2019/03/as-tres-rotas-que-trouxeram-a-centenaria-bauhaus-ao-brasil.shtml. Acesso em: 4 abr. 2019"
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},
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{
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"cit": "LEON, 2006",
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"ref": "LEON, Ethel. <strong>O Instituto de Arte Contemporânea do Museu de Arte Moderna (MAM) de São Paulo dos anos 1950</strong>. São Paulo, 2006."
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},
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{
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"cit": "LUGONES, 1978",
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"ref": "LUGONES, Maria. <strong>Colonialidad y género</strong>. Tábula Rasa, Bogotá, Colômbia, n. 9, p. 73-101, julho-dezembro de 1978."
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}
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]
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}
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CHAPTER I.<br>The Period
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</h2>
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<p>
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It was the best of times, it was the worst of times, it was the age of
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It was the (LUGONES, 1978) best of times, it was the worst of times, it was the age of
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wisdom, it was the age of foolishness, it was the epoch of belief, it was
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the epoch of incredulity, it was the season of Light, it was the season
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of Darkness, it was the spring of hope, it was the winter of despair, we
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of Darkness, it was the spring of hope (GAMA, 2019), it was the winter of despair, we
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had everything before us, we had nothing before us, we were all going
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direct to Heaven, we were all going direct the other way—in short,
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the period was so far like the present period, that some of its noisiest
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the period was so far like the present period (GAMA, 2019), that some of its noisiest
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authorities insisted on its being received, for good or for evil, in the
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superlative degree of comparison only.
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</p>
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<p>
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There were a king with a large jaw and a queen with a plain face, on the
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throne of England; there were a king with a large jaw and a queen with a
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fair face, on the throne of France. In both countries it was clearer than
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throne of England; there were a king with (LEON, 2006) a large jaw and a queen with a
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fair face (LEON, 2006), on the throne of France (LUGONES, 1978). In both countries it was clearer than
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crystal to the lords of the State preserves of loaves and fishes, that
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things in general were settled for ever.
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</p>
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CHAPTER II.<br>The Mail
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</h2>
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<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>t was the Dover road that lay, on a Friday
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night late in November, before
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night late in November, before (LUGONES, 1978)
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the first of the persons with whom this history has business. The Dover
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road lay, as to him, beyond the Dover mail, as it lumbered up Shooter’s
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Hill. He walked up hill in the mire by the side of the mail, as the rest
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of the passengers did; not because they had the least relish for walking
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exercise, under the circumstances, but because the hill, and the harness,
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and the mud, and the mail, were all so heavy, that the horses had three
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and the mud, and the mail, were all so heavy (LEON, 2006), that the horses had three
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times already come to a stop, besides once drawing the coach across the
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road, with the mutinous intent of taking it back to Blackheath. Reins and
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whip and coachman and guard, however, in combination, had read that
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package/demo/summary/index.html
CHANGED
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</head>
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<body>
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<style>
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#app {
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height: 100vh;
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}
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</style>
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<div id="app">
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<paginate-content
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<!-- <paginate-content
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id="pagination-el"
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book-title="A Tale of Two Cities"
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css-file="https://paginar-css.surge.sh/style.css"
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> -->
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<paginate-content
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id="pagination-el"
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book-title="A Tale of Two Cities"
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>
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<div slot="summaryTop">
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<a href="/" title="Catálogo" class="w-full text-left block text-black py-2 px-3 hover:bg-gray-100 rounded mb-2">
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{ title: 'Chapter 1', file: './_content/1chapter.html' },
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{ title: 'Chapter 2', file: './_content/2chapter.html' },
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{ title: 'Chapter 3', file: './_content/3chapter.html' }
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],
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references: [
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{
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"cit": "GAMA, 2019",
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"ref": "GAMA, Mara. <strong>As três rotas que trouxeram a centenária Bauhaus ao Brasil</strong>. Folha de São Paulo, São Paulo, 1 abr. 2019. Disponível em: https://www1.folha.uol.com.br/ilustrissima/2019/03/as-tres-rotas-que-trouxeram-a-centenaria-bauhaus-ao-brasil.shtml. Acesso em: 4 abr. 2019"
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},
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{
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"cit": "LEON, 2006",
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"ref": "LEON, Ethel. <strong>O Instituto de Arte Contemporânea do Museu de Arte Moderna (MAM) de São Paulo dos anos 1950</strong>. São Paulo, 2006."
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},
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{
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"cit": "LUGONES, 1978",
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"ref": "LUGONES, Maria. <strong>Colonialidad y género</strong>. Tábula Rasa, Bogotá, Colômbia, n. 9, p. 73-101, julho-dezembro de 1978."
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}
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]
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}
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