nixamp 0.77.2 → 0.78.1

package/dist/ai-label.js

@@ -1035,6 +1035,314 @@ export const ROSTER = {
         bio: "A band that plays like planets colliding in slow motion.",
         themes: "orbits, eclipses, observatories, abandoned space programs, deep time, the moment before impact",
     },
+    "mesa-furnace": {
+        name: "Mesa Furnace", genre: "Rock",
+        sound: "stoner desert rock, fuzz-drenched down-tuned guitars through cranked tube amps, hypnotic repeating riffs, round overdriven bass, loose heavy drums with big open hats, long jammed outros, dry live-room production, 70-100 BPM",
+        voice: "smoky male baritone, half-crooned and half-howled, unhurried and cool over the fuzz, doubled on the choruses",
+        bio: "Three friends who learned to play by running a generator out past the last streetlight and seeing how loud the canyon would let them get.",
+        themes: "heat shimmer on empty highways, generator parties, coyotes, broken-down vans, long nights under too many stars",
+    },
+    "corner-shop-royals": {
+        name: "Corner Shop Royals", genre: "Rock",
+        sound: "Britpop-style guitar pop, jangly and crunchy twin guitars, swaggering bass, Hammond organ swells, tambourine, terrace-chant singalong choruses, string section on the ballads, bright mid-90s production, 100-130 BPM",
+        voice: "cocky male tenor with a nasal working-class sneer, swaggering verses and soaring chant-along choruses",
+        bio: "They write songs about the high street like it is the center of the universe, and on a Friday night it is.",
+        themes: "Friday paydays, bus shelters, the chip shop after closing, mates who never left town, cheap lager and big dreams",
+    },
+    "skyline-engine": {
+        name: "Skyline Engine", genre: "Rock",
+        sound: "arena stadium rock, huge open-chord guitars, chiming delay leads, thundering reverb-heavy drums, synth pads under the chorus, piano intros, gang vocal stacks, key-change final choruses, polished widescreen production, 110-140 BPM",
+        voice: "soaring male tenor with a big clean belt, reaches for the high note on every chorus and lands it",
+        bio: "Every song is built to be sung back by fifty thousand people holding up their phones.",
+        themes: "hometown heroes, last chances, holding on through hard years, open highways, standing together under stadium lights",
+    },
+    "concrete-valentines": {
+        name: "Concrete Valentines", genre: "Rock",
+        sound: "post-punk revival, angular staccato guitars, choppy disco-punk hi-hats, melodic driving bass high in the mix, cold synth stabs, tight dry drums, dancefloor-ready rhythm with dark minor chords, 125-145 BPM",
+        voice: "detached cool male baritone, clipped deadpan delivery that cracks into a yelp on the chorus",
+        bio: "Sounds like a city at 2 a.m. dancing just to stay warm.",
+        themes: "tower blocks, last trains, cold romance, fluorescent office hours, nightclub queues, saying the wrong thing on purpose",
+    },
+    "hollerbone": {
+        name: "Hollerbone", genre: "Rock",
+        sound: "blues-rock power trio, overdriven Les Paul through a vintage amp, slide guitar, pentatonic solos, thick rocking bass, swinging heavy drums, shuffle and stomp grooves, live-off-the-floor analog production, 85-125 BPM",
+        voice: "gravelly male voice with a gospel-trained shout, bends notes like the guitar does",
+        bio: "A three-piece that plays every gig like the bar might burn down before last call.",
+        themes: "river towns, crooked card games, working the night shift, owing the wrong people, a woman who left with the truck",
+    },
+    "damp-cardigan": {
+        name: "Damp Cardigan", genre: "Rock",
+        sound: "early-90s grunge, quiet-verse loud-chorus dynamics, sludgy drop-D distorted guitars, chorus-pedal clean verses, grinding bass, pounding floor toms and crashing cymbals, raw garage production, 90-130 BPM",
+        voice: "hoarse male voice that mumbles the verses and tears itself open screaming the choruses",
+        bio: "Four flannel-wearing outcasts who turned a rainy town's boredom into feedback.",
+        themes: "rain that never stops, apathy, thrift-store jackets, parents who do not get it, dead-end jobs, wanting to feel anything",
+    },
+    "gilded-ramparts": {
+        name: "Gilded Ramparts", genre: "Metal",
+        sound: "European-style power metal, galloping double-kick drums, harmonized twin guitar leads, neoclassical shred solos, bombastic keyboard orchestration, choir-backed major-key anthems, triumphant key changes, 150-190 BPM",
+        voice: "operatic male tenor with soaring clean high notes and long vibrato, no harsh vocals",
+        bio: "A band that treats every chorus like the final charge of a war that has already been won.",
+        themes: "castle sieges, dragon-slaying oaths, banners at dawn, brotherhood of the sword, ancient prophecies, riding into the storm",
+    },
+    "bog-engine": {
+        name: "Bog Engine", genre: "Metal",
+        sound: "Southern sludge metal, crushingly slow detuned riffs, thick fuzz-and-feedback guitars, grinding bass, swampy groove drums that lurch into mid-tempo stomps, harsh noise swells, murky heavy production, 55-90 BPM",
+        voice: "bellowing male roar, throat-shredded and bluesy, sludgy shouts more than growls",
+        bio: "Plays riffs so heavy and slow they feel like wading through swamp mud in steel-toe boots.",
+        themes: "swamp heat, rusted machinery, hurricanes, flooded towns, bad whiskey, generational grudges",
+    },
+    "tippy-levee": {
+        name: "Tippy Levee", genre: "Hip-Hop",
+        sound: "Southern New Orleans bounce, chopped call-and-response chants, triggerman-style drum loop, booming 808 kicks, fast hi-hats, brass band horn stabs, shouted crowd hooks, party-ready mix, 98-105 BPM double-time feel",
+        voice: "loud, bubbly female MC with a thick Gulf Coast accent, rapid call-and-response flow made to make a crowd shout back",
+        bio: "Turns every block party into a parade and every parade into a block party.",
+        themes: "second-line Sundays, crawfish boils, hurricane season, dancing on porches, neighborhood pride, getting the whole room to move",
+    },
+    "sixgear-odell": {
+        name: "Sixgear Odell", genre: "Hip-Hop",
+        sound: "Midwest chopper rap, rapid-fire double-time verses, dark minor-key piano and string loops, tight snappy snares, rumbling 808s, eerie synth leads, polished punchy mix, 140-150 BPM with half-time grooves",
+        voice: "nimble male rapper with machine-gun precision, switches between blistering speed and a slow, menacing drawl",
+        bio: "Can fit a whole paragraph into one bar and still make you hear every word.",
+        themes: "cold winters on factory blocks, overtime, proving doubters wrong, outrunning bad luck, family kitchen tables",
+    },
+    "tess-dormer": {
+        name: "Tess Dormer", genre: "Pop",
+        sound: "bedroom pop, hazy lo-fi production, chorus-washed electric guitar, soft drum machine, warm wobbly synths, finger snaps, cassette tape saturation, intimate close-miked mix, 75-100 BPM",
+        voice: "soft, breathy female voice, close to the mic and half-whispered, gentle double-tracked harmonies",
+        bio: "Recorded her first songs under a duvet so her roommates would not hear, and that is exactly how they sound.",
+        themes: "crushes she never told, late-night texts, fairy lights, laundry piles, sunsets from the bus window, growing up a little at a time",
+    },
+    "saturday-detention": {
+        name: "Saturday Detention", genre: "Pop",
+        sound: "2000s teen pop-rock, crunchy power-chord guitars, bright clean verses, punchy pop-punk drums, singalong whoa-oh hooks, handclaps, polished radio-ready production, 140-170 BPM",
+        voice: "bright energetic female lead with a sassy spoken-word bridge and a big clear chorus belt",
+        bio: "Sounds like the soundtrack to a teen movie montage where somebody finally gets their revenge.",
+        themes: "high school hallways, prom night, ex-boyfriends, best friends forever, sneaking out, summer before senior year",
+    },
+    "wade-purcell": {
+        name: "Wade Purcell", genre: "Country",
+        sound: "1990s neotraditional country, twangy Telecaster, crying pedal steel, fiddle fills, shuffling two-step drums, walking bass, honky-tonk piano, clean bright Nashville production, 95-130 BPM",
+        voice: "warm, smooth male baritone with a gentle Texas twang, sincere and unhurried",
+        bio: "Wears a pressed hat to every show because his grandmother said a man should look like he means it.",
+        themes: "dancehall Saturdays, small-town romance, cattle auctions, keeping promises, Sunday supper, a jukebox that knows his heartbreak",
+    },
+    "cottonwood-steel-swingers": {
+        name: "Cottonwood Steel Swingers", genre: "Country",
+        sound: "Western swing dance band, twin fiddles, lap steel guitar, big-band horn section, jazzy upright bass, swinging brushed snare, boogie-woogie piano, hollering bandleader asides, warm vintage room sound, 120-180 BPM",
+        voice: "easygoing male crooner with a smile in his voice, plus playful band shouts between solos",
+        bio: "A ten-piece dance hall band that never met a two-step it could not turn into a jitterbug.",
+        themes: "Saturday dance halls, cowboy romance, cotton harvests, swinging partners, prairie sunsets, Texas towns with one stoplight",
+    },
+    "spare-key-funeral": {
+        name: "Spare Key Funeral", genre: "Emo",
+        sound: "Midwest emo, twinkly interlocking clean guitars in odd tunings, math-rock time changes, melodic busy bass, trumpet swells on the climaxes, quiet verses bursting into loud gang-shouted endings, 120-160 BPM",
+        voice: "cracking male tenor, half-spoken verses that strain into hoarse yells, a friend shouting harmony on the last chorus",
+        bio: "Four friends who still have keys to each other's parents' houses and write songs about why they never give them back.",
+        themes: "basement shows, friends moving away, porch lights, leaving the hometown, apologising late, borrowed hoodies, small-town winter",
+    },
+    "backseat-almanac": {
+        name: "Backseat Almanac", genre: "Emo",
+        sound: "2000s emo pop-punk crossover, crunchy palm-muted power chords, driving eighth-note bass, punchy double-time drums, big stacked choruses, a breakdown before the last hook, 150-185 BPM",
+        voice: "nasal yearning male lead with high harmonies, a second singer screaming answer lines on the bridge",
+        bio: "They keep a notebook in the glovebox of every car they have owned and every page became a song.",
+        themes: "late-night drives, prom regrets, mall parking lots, mixtapes, the girl who moved to the coast, insomnia, cell signal dead zones",
+    },
+    "carport-elegy": {
+        name: "Carport Elegy", genre: "Emo",
+        sound: "slow-burning acoustic-to-electric emo, fingerpicked nylon guitar and soft brushes that swell into walls of reverb guitar, cello, slowcore pacing, sudden quiet after the crescendo, 70-100 BPM",
+        voice: "soft confessional female alto, close and breathy, breaking into a ragged shout at the peak",
+        bio: "She recorded the first songs in her father's carport at night so the neighbours would think it was the radio.",
+        themes: "grief for a parent, the house being sold, voicemails saved for years, suburban summers, guilt, learning to drive alone",
+    },
+    "tangerine-postcode": {
+        name: "Tangerine Postcode", genre: "Indie Pop",
+        sound: "jangle-pop indie, chiming twelve-string guitars, melodic bass, upbeat tambourine and snare, handclaps, combo organ stabs, boy-girl harmonies, 120-140 BPM",
+        voice: "boy-girl duet, a bright female lead with a dry deadpan male voice trading lines",
+        bio: "A band from a seaside town that only exists in winter, writing summer songs to keep warm.",
+        themes: "seaside towns off-season, bike rides, library cards, crushes on the bus, holiday jobs, rain on the pier, postcard messages",
+    },
+    "holly-marchbank": {
+        name: "Holly Marchbank", genre: "Indie Pop",
+        sound: "bedroom indie pop, soft drum machine and finger snaps, warm detuned synths, clean chorus-pedal guitar, toy piano, intimate lo-fi warmth with a crisp low end, 85-110 BPM",
+        voice: "hushed close-miked female voice, double-tracked, playful and a little sleepy",
+        bio: "She writes every song between the hour her flatmates go to bed and the first bus starts running.",
+        themes: "flatshare life, text messages left on read, houseplants, slow Sunday mornings, overthinking, being twenty-four and fine-ish",
+    },
+    "lido-committee": {
+        name: "The Lido Committee", genre: "Indie Pop",
+        sound: "orchestral chamber indie pop, string quartet, brass section, glockenspiel, piano, sunny group choruses, baroque-pop arrangements with swelling builds, 100-128 BPM",
+        voice: "warm baritone lead with a ragged choir of bandmates singing every chorus together",
+        bio: "Eleven friends who formed a committee to save the town's outdoor pool and accidentally became a band.",
+        themes: "civic pride, public swimming pools, town fetes, community halls, saving lost causes, long summers, local heroes",
+    },
+    "ticket-gate-starlight": {
+        name: "Ticket Gate Starlight", genre: "J-Pop",
+        sound: "idol J-pop, sparkling synths, bright four-on-the-floor and driving rock drums, funky slap bass, glossy brass hits, unison group choruses, call-and-response chants, key change finale, 140-170 BPM",
+        voice: "five-member female group, bright energetic unison choruses, solo lines traded quickly, crowd chant ad-libs",
+        bio: "Five commuters who met at the same station gate every morning and decided to turn the ride into a stage.",
+        themes: "morning trains, school festivals, friendship promises, summer fireworks, first stage nerves, chasing a dream with your best friends",
+    },
+    "sayo-hanabira": {
+        name: "Sayo Hanabira", genre: "J-Pop",
+        sound: "anime-opening J-rock pop, fast crunchy guitars, pounding drums, piano runs, string stabs, soaring melody with dramatic stops and a huge key-changed final chorus, 165-190 BPM",
+        voice: "powerful clear female soprano, rapid-fire verses, a soaring belted chorus with long held notes",
+        bio: "Every song she sings sounds like the first episode of a story where the underdog wins.",
+        themes: "rising after defeat, rival friends, rooftop promises, sky and wind, believing in yourself, final battles, holding on to hope",
+    },
+    "vending-machine-moon": {
+        name: "Vending Machine Moon", genre: "J-Pop",
+        sound: "city pop revival, lush Rhodes, slap bass, glittering synth brass, jazzy chords, breezy bossa and disco grooves, smooth sax solos, sunset-drive gloss, 100-120 BPM",
+        voice: "male-female duo, airy smooth female lead with a soft crooning male harmony",
+        bio: "A duo who write love songs about the glow of a vending machine at 2 a.m. on an empty street.",
+        themes: "night drives along the bay, late convenience-store dates, city lights from the overpass, summer romance, missed last trains",
+    },
+    "hickory-switchback": {
+        name: "The Hickory Switchback", genre: "Bluegrass",
+        sound: "traditional hard-driving bluegrass, rolling three-finger banjo, fiddle breaks, mandolin chop, flatpicked guitar runs, upright bass, one-mic three-part harmonies, 110-160 BPM",
+        voice: "high lonesome male tenor lead with baritone and high tenor harmony on every chorus",
+        bio: "Five pickers from a hollow so deep the radio only got one station, and they learned every song it played.",
+        themes: "mine disasters, river floods, county fairs, mama's gospel, trains leaving town, moonshine stills, the old home place",
+    },
+    "opaline-teague": {
+        name: "Opaline Teague", genre: "Bluegrass",
+        sound: "progressive newgrass, clawhammer and three-finger banjo, dobro slides, crosspicked guitar, fiddle and cello, adventurous chord changes and jam-like instrumental breaks, 90-140 BPM",
+        voice: "clear crystalline female alto with a mountain lilt, close harmony from her fiddler",
+        bio: "A fiddler's daughter who left the holler for the city and brought every ghost story with her.",
+        themes: "leaving and coming home, Appalachian ghost stories, quilts and heirlooms, women who ran the farm, rivers, seasonal change",
+    },
+    "coal-tipple-brothers": {
+        name: "Coal Tipple Brothers", genre: "Bluegrass",
+        sound: "brother-duet bluegrass gospel, slow waltzes and murder ballads, mandolin tremolo, gentle guitar, sparse banjo, fiddle, tight sibling harmonies, 60-110 BPM",
+        voice: "two brothers in close blood harmony, a weathered baritone lead and a piercing tenor above it",
+        bio: "Two brothers who learned to harmonise over the roar of the coal tipple where their father worked.",
+        themes: "murder ballads, deathbed hymns, mining towns, brotherhood, Sunday meetings, lost sweethearts, judgement and mercy",
+    },
+    "desmond-lorne": {
+        name: "Desmond Lorne", genre: "Smooth Jazz",
+        sound: "quiet storm smooth jazz, breathy tenor saxophone lead, lush Rhodes chords, fretless bass, soft brushed and programmed drums, warm string pads, slow ballads and slinky mid-tempo grooves, 65-95 BPM",
+        voice: "instrumental: tenor saxophone, warm and breathy, long sustained melodies",
+        bio: "A tenor player whose ballads are built for the hour after the last guest has left.",
+        themes: "late nights, slow dances, candlelit dinners, rain on the window, anniversaries, the city after midnight",
+    },
+    "penthouse-weather": {
+        name: "Penthouse Weather", genre: "Smooth Jazz",
+        sound: "guitar-led smooth jazz fusion, clean octave-melody electric guitar, slap bass, crisp funky drums, glossy synth pads and piano comping, upbeat radio-ready grooves, 95-120 BPM",
+        voice: "instrumental: clean electric jazz guitar playing octave melodies and fluid solos",
+        bio: "A studio band that sounds like a sunny afternoon seen from the top floor of a glass tower.",
+        themes: "rooftop afternoons, coastal drives, summer weekends, city skylines, open-top cars, golden-hour sunsets",
+    },
+    "marlo-steadman": {
+        name: "Marlo Steadman", genre: "Smooth Jazz",
+        sound: "light bossa and Latin-tinged smooth jazz, bright soprano saxophone lead, nylon-string guitar, grand piano, congas and shakers, airy flute doubles, breezy swaying grooves, 85-110 BPM",
+        voice: "instrumental: bright singing soprano saxophone with nylon guitar answers",
+        bio: "She plays soprano sax like she is describing a holiday you have not taken yet.",
+        themes: "tropical holidays, beach cafes, sailing boats, morning coffee on a balcony, gentle romance, island breezes",
+    },
+    "faultline-bloom": {
+        name: "Faultline Bloom", genre: "Dubstep",
+        sound: "melodic dubstep, bright supersaw chords, emotional vocal chops, clean sub and singing reese bass drops, piano intros, cinematic risers, 140-150 BPM",
+        voice: "soaring female soprano, clear and vulnerable, breathy in the breakdowns and belting into each drop",
+        bio: "She writes heartbreak ballads, then lets the bass finish the sentence.",
+        themes: "love after the argument, hospital waiting rooms, rebuilding a city after the quake, holding on while the ground moves",
+    },
+    "tessa-grail": {
+        name: "Tessa Grail", genre: "Dubstep",
+        sound: "deep chillstep and dark dubstep, sparse half-time drums, rumbling sub bass, rain and vinyl crackle textures, minor-key pads, slow dubby delays, 140 BPM half-time",
+        voice: "low, smoky female alto, close-miked and hushed, almost whispered over the sub",
+        bio: "A night-shift singer whose songs sound like a city heard through a bedroom wall.",
+        themes: "insomnia, tower block windows, unsent texts, the 3 a.m. bus, loneliness in a crowded city",
+    },
+    "scrapyard-lullaby": {
+        name: "Scrapyard Lullaby", genre: "Dubstep",
+        sound: "heavy riddim and brostep, metallic growl basses, robotic screeches, crushing snare, aggressive sound-design drops with a sung pop hook in the build, 150 BPM",
+        voice: "gritty male tenor with a rock edge, raw on the hook, layered and pitched up before the drop",
+        bio: "A duo who build bass drops out of car crushers and then sing a lullaby on top.",
+        themes: "junkyard machines, rage turned into dancing, broken things that still run, losing control on purpose",
+    },
+    "halcyon-relay": {
+        name: "Halcyon Relay", genre: "Trance",
+        sound: "uplifting vocal trance, soaring supersaw leads, rolling offbeat bass, gated pads, long piano breakdowns and euphoric snare-roll builds, 136-140 BPM",
+        voice: "bright, crystalline female soprano, sincere and sustained, glowing reverb on long notes",
+        bio: "Sunrise sets for people who cried at the festival and are not ashamed of it.",
+        themes: "dawn over the festival field, long-distance love, flying home, the moment the whole crowd lifts its hands",
+    },
+    "aurelie-strand": {
+        name: "Aurelie Strand", genre: "Trance",
+        sound: "deep progressive trance, hypnotic plucked arpeggios, warm analog bass, slow-evolving pads, restrained drums, subtle builds instead of big drops, 128-132 BPM",
+        voice: "soft, intimate female mezzo, breathy and close, half-spoken verses blooming into a sung hook",
+        bio: "Her songs unfold like a coastline seen from a night train, slowly and all at once.",
+        themes: "coastlines, night trains, memory and distance, quiet devotion, the edge of sleep",
+    },
+    "parallel-ascent": {
+        name: "Parallel Ascent", genre: "Trance",
+        sound: "psytrance-tinged tech trance, galloping rolling basslines, acid 303 squelches, driving hypnotic loops, sharp stabs and a big vocal breakdown, 138-145 BPM",
+        voice: "commanding male baritone, chant-like and resonant, with a shimmering female harmony on the hook",
+        bio: "Two producers who treat a dance floor like a launch sequence.",
+        themes: "climbing toward the light, rockets and orbit, shared trance states, leaving the body, running out of night",
+    },
+    "torque-ward": {
+        name: "Torque Ward", genre: "Industrial",
+        sound: "industrial rock, distorted down-tuned guitars, pounding machine drums, sampled metal clangs, grinding synth bass, shouted gang choruses, 120-135 BPM",
+        voice: "harsh male baritone, distorted through a bullhorn, snarling verses and a clear shouted hook",
+        bio: "Factory-floor anthems for anyone who has been told to clock in and smile.",
+        themes: "the time clock, overtime, the body as a machine part, strikes and sabotage, being watched at work",
+    },
+    "pressure-hymnal": {
+        name: "Pressure Liturgy", genre: "Industrial",
+        sound: "EBM and electro-industrial, sequenced pulsing synth bass, stomping drum machines, cold metallic percussion, hissing samples, marching rhythms, 115-125 BPM",
+        voice: "deep, clipped male voice, half-sung and robotic, every line delivered like an order",
+        bio: "A body-music project that turns a dance floor into a drill yard.",
+        themes: "discipline and control, surveillance, crowds moving as one, propaganda broadcasts, breaking formation",
+    },
+    "odile-mercer": {
+        name: "Odile Mercer", genre: "Industrial",
+        sound: "slow cinematic industrial, crushing half-time beats, layered noise and power-tool textures, eerie music-box melodies, distorted strings, 85-100 BPM",
+        voice: "fragile female soprano that cracks into a distorted scream, intimate verses and a haunting hook",
+        bio: "She sings nursery melodies inside a steel mill and lets the machines answer.",
+        themes: "childhood in a company town, rust and inheritance, grief as machinery, a voice surviving the noise",
+    },
+    "hearse-waltz": {
+        name: "Hearse Waltz", genre: "Darkwave",
+        sound: "cold minimal darkwave, steady drum machine, pulsing analog bass sequence, icy synth pads, sparse bell lead, cavernous reverb, 105-118 BPM",
+        voice: "deep, mournful male baritone, steady and unhurried, lingering on the ends of lines",
+        bio: "Slow-dance music for the last two people left in the club at closing time.",
+        themes: "cemetery gates at dusk, dancing with the dead, faded photographs, winter streets, quiet devotion",
+    },
+    "sister-vesper": {
+        name: "Sister Vesper", genre: "Darkwave",
+        sound: "ethereal darkwave, chorus-drenched shimmering guitars, melodic lead bass, layered choir-like synths, gentle tribal drum machine, dreamy reverb, 95-110 BPM",
+        voice: "airy, otherworldly female soprano, layered harmonies, sung like a prayer in an empty chapel",
+        bio: "A candlelit voice that sounds like it is singing from the other side of the glass.",
+        themes: "candlelight vigils, ghosts in the house, sleepwalking, vanished sisters, the hour between dusk and night",
+    },
+    "candlewax-theory": {
+        name: "Candlewax Theory", genre: "Darkwave",
+        sound: "danceable gothic synth-pop, punchy drum machine, driving octave synth bass, sharp minor-key synth hooks, handclaps, cold dancefloor energy, 120-128 BPM",
+        voice: "cool, detached mixed-gender duet, flat deadpan male verses against a soaring female chorus",
+        bio: "A duo who make heartbreak sound like the best night out of the year.",
+        themes: "dancing alone in black, dead phone batteries, lovers who never call back, cold apartments, pretty sadness",
+    },
+    "telephone-pastel": {
+        name: "Telephone Pastel", genre: "New Wave",
+        sound: "jittery new wave pop, choppy clean guitars, bright analog synth riffs, busy melodic bass, tight snappy drums, group backing shouts, 135-150 BPM",
+        voice: "yelping, nervous male tenor, wry and theatrical, with sharp shouted backing vocals",
+        bio: "A quartet who write love songs to answering machines and office photocopiers.",
+        themes: "office parties, answering machines, shopping malls, awkward crushes, modern life that is slightly too fast",
+    },
+    "gemma-polaroid": {
+        name: "Gemma Polaroid", genre: "New Wave",
+        sound: "bright synth-led new wave pop, sparkling polysynth chords, catchy synth lead lines, punchy electronic drums, chiming guitars, glossy chorus, 118-128 BPM",
+        voice: "clear, cool female alto, cheeky and confident, hiccups and spoken asides between lines",
+        bio: "A suburban pop star who sings about the future like it is already a little dated.",
+        themes: "instant photos, roller rinks, suburban boredom, television dreams, first dates in the shopping arcade",
+    },
+    "strict-geometry": {
+        name: "Strict Geometry", genre: "New Wave",
+        sound: "angular art-wave and post-punk pop, rigid robotic drums, wiry staccato guitars, buzzing mono synths, funky clipped bass, odd stops and starts, 125-140 BPM",
+        voice: "flat, deadpan male voice, half-spoken and robotic, cracking into a shouted chorus",
+        bio: "A band that dances like a diagram and sings like an instruction manual.",
+        themes: "grids and floor plans, conformity, consumer manuals, robots at the dinner table, rules that make no sense",
+    },
 };
 const RAP_FORM = [
     "Rap structure: [Intro] of 1-2 ad-lib lines, [Verse 1] of 12-16 bars (one bar per line), [Hook] of 4 lines, [Verse 2] of 12-16 bars, [Hook] again, optional [Verse 3] or [Outro].",
@@ -1301,6 +1609,66 @@ const CRAFT = {
         production: "Wide live-room band recording with chiming reverb-soaked guitars, glockenspiel and strings, drums that start soft and end thunderous, and a dynamic range from near silence to a wall of sound.",
         avoid: "vocals, singing, spoken word, choir words, pop song structure, EDM drops, trap beats, autotune, short radio-length edits",
     },
+    "emo": {
+        delivery: "sung",
+        lyrics: "Emo: confessional first person addressed to one specific 'you', with verses of 4-6 uneven lines that read like a diary entry or an unsent text, a chorus that breaks open into a shouted or strained hook, and a bridge that repeats one raw line over and over until it cracks. Song titles are long and sentence-like or a wry joke. Make it hurt through detail (the porch light in a friend's parents' house, a borrowed hoodie, a cassette left in a car you sold, the exact exit number) rather than words like pain, broken or darkness; self-aware humour and slant rhymes beat neat couplets.",
+        production: "Live-room band with bright clean twinkly guitars that erupt into overdriven chords on the chorus, busy melodic bass, dynamic drums, and a vocal that is close, unpolished and allowed to strain.",
+        avoid: "autotune, trap hi-hats, EDM drops, polished pop gloss, synth pads, rapping, country twang, gothic organ, operatic vocals",
+    },
+    "indie-pop": {
+        delivery: "sung",
+        lyrics: "Indie Pop: a small, specific scene turned into a bright hook: verse, chorus, verse, chorus, a short bridge with a key detail that reframes the song, and a last chorus with a changed line. Lines are conversational, 6-10 syllables, with clever internal rhymes and one oddball image per verse (a library fine, a seaside town in February, a borrowed bike with a bent basket). Wry and tender at once; the title phrase should be a little strange and very singable, never a stock pop sentiment.",
+        production: "Jangly clean electric guitars, melodic bass, crisp unfussy drums, glockenspiel or vintage keys, and a warm upfront vocal with light double-tracking.",
+        avoid: "trap hi-hats, EDM drops, heavy distortion, autotune, rapping, stadium rock bombast, operatic vocals, maximal pop gloss",
+    },
+    "j-pop": {
+        delivery: "sung",
+        lyrics: "J-Pop: every word in English, with the bright Japanese pop shape carrying the flavour: intro hook, A-melody verse, B-melody pre-chorus that lifts, a big chorus, a second round, a quiet C-melody bridge, then a key change into the final chorus. Lines are short, rhythmic and packed with syllables on fast songs, with a 2-4 word English catchphrase hook that repeats and can be shouted at a live show. Paint everyday city and seasonal moments (the last train, a station platform at dusk, festival fireworks, cherry petals on a school bag, a convenience store at midnight) with earnest hope and sweet longing; no Japanese words, and never exoticise.",
+        production: "Bright, dense and polished: driving drums, busy slap or picked bass, sparkling synths and piano, crunchy guitars on the chorus, stacked harmonies, and a crisp key change.",
+        avoid: "Japanese-language lyrics, lo-fi tape hiss, trap 808s, mumbled vocals, rapping verses, country twang, slow blues tempo, muddy mix",
+    },
+    "bluegrass": {
+        delivery: "sung",
+        lyrics: "Bluegrass: strophic verses of 4 lines rhymed ABCB that tell a story in plain mountain speech (a flood, a mine whistle, a train out of the county, a sweetheart buried on the hill), a chorus sung in close three-part harmony that repeats the title line, and room after each chorus for instrumental breaks. Lines are 6-9 syllables and land squarely on the beat; one voice tells it, often an 'I' who lived it or a narrator who knew the family. Use real work, weather and place names, keep sentiment earned and spare, and let gospel or murder-ballad darkness sit next to fast joy.",
+        production: "Acoustic string band around one microphone: banjo rolls, flatpicked guitar, mandolin chop on the backbeat, fiddle, upright bass, no drums, high lonesome harmonies.",
+        avoid: "drums, drum kit, electric guitars, synthesizers, autotune, EDM, rapping, pop vocal runs, slick modern country production",
+    },
+    "smooth-jazz": {
+        delivery: "instrumental",
+        lyrics: "Smooth Jazz, no words: each track is a lead-instrument song form with a real melody: intro groove, head melody stated by the sax or guitar, a bridge, a short solo over the changes, then the head returning with a lift and a long fade or tag ending. Titles are evocative short phrases that suggest a time and a place, e.g. 'Seventh Floor Sunset', 'Late Checkout' or 'Rain on the Overpass'. An album is a mood sequence from afternoon drive to after-midnight ballads. Each style names the lead instrument, tempo, the groove (quiet storm, light funk, bossa) and where the melody peaks.",
+        production: "Clean, polished studio sound: smooth Rhodes and piano, warm fretless or slap bass, tight soft drums, light pads, a lead instrument mixed upfront with plush reverb.",
+        avoid: "vocals, singing, lyrics, rap, distorted guitars, heavy metal, aggressive drums, trap hi-hats, EDM drops, lo-fi hiss, free jazz chaos",
+    },
+    "dubstep": {
+        delivery: "sung",
+        lyrics: "Dubstep: a featured singer carries a short verse of 4 lines and a pre-drop hook of 4-7 words that hangs over a rising build, then the drop belongs to the bass with at most one chopped, pitched vocal fragment from the hook. Write in first or second person, present tense, about one charged moment (the fight in the car park, the last voicemail, the floor shaking under a tower block), with held vowels on the hook so it survives being stretched and stuttered. Two drops, a stripped second verse and a final hook repeat; never fill the drop with words.",
+        production: "Half-time drums at 140-150 BPM with a huge snare on the three, sub bass and growling or wobbling mid bass on the drop, filtered risers and a silent beat before each drop, the singer drenched in reverb in the breakdown.",
+        avoid: "four-on-the-floor house kick, rapped verses, country twang, acoustic folk arrangement, gospel choir, jazz swing, words over the drop, orchestral pomp",
+    },
+    "trance": {
+        delivery: "sung",
+        lyrics: "Trance: the vocal is a long-held, euphoric line over a 132-140 BPM pulse, so write few words with open vowels: a verse of 4 lines of 6-9 syllables, a hook of one sentence that becomes the anthem, and a breakdown where the hook is sung bare over pads before the build. Point of view is first person reaching for someone or something far away (a coastline at dawn, a voice on a bad line, the sky over the festival field), sincere and wide-eyed rather than ironic. Repeat the hook at least three times and let long instrumental passages carry the climax.",
+        production: "Driving four-on-the-floor kick with rolling offbeat bass, supersaw lead and arpeggiated plucks, a long breakdown with lush pads and the bare vocal, a snare-roll build and a euphoric full-power return.",
+        avoid: "rapped verses, half-time trap beats, dubstep wobble bass, distorted rock guitars, country twang, acoustic folk arrangement, short radio edit with no breakdown",
+    },
+    "industrial": {
+        delivery: "sung",
+        lyrics: "Industrial: lyrics are clipped, physical and confrontational: lines of 3-7 words, often commands or slogans, stacked in a verse of 4-8 lines and a chorus that is a single repeated phrase a crowd could shout. Write in first or second person about bodies, machines, work and control (the time clock, the conveyor, the surveillance camera, the overtime shift, the body as a tool), with blunt half-rhymes and repetition rather than ornate imagery. The vocal can be half-sung and distorted, but every chorus must be a clear hook, not just noise.",
+        production: "Pounding mechanical drum machines and metallic sampled percussion at 110-135 BPM, distorted synth bass, abrasive guitars or noise layers, a distorted or bullhorn-filtered lead vocal and cold, cavernous reverb.",
+        avoid: "acoustic guitars, country twang, gospel choir, jazz swing, smooth R&B vocals, tropical house, cheerful pop chords, trap 808 rolls",
+    },
+    "darkwave": {
+        delivery: "sung",
+        lyrics: "Darkwave: melancholy sung low and steady, verse-chorus with a bridge, lines of 6-9 syllables and simple full rhymes, the chorus a single mournful phrase repeated twice. First person, intimate, gothic but concrete (the wax on the windowsill, the dead phone in the coat pocket, the cemetery gate at closing time, the dance floor with only two people on it), longing and cold rather than theatrical horror. Let the synths and bass carry the hook and keep the words few and deliberate.",
+        production: "Cold analog synths and a steady drum machine at 100-125 BPM, a prominent melodic bass line, chorus-drenched guitar or bell-like synth leads, deep baritone or ethereal vocals with long reverb.",
+        avoid: "bright pop chords, rapped verses, country twang, acoustic folk arrangement, trap 808 rolls, EDM festival drops, gospel choir, heavy metal riffs",
+    },
+    "new-wave": {
+        delivery: "sung",
+        lyrics: "New Wave: smart, nervous, hook-first pop: verse, chorus, verse, chorus, a short odd bridge, chorus; lines of 5-9 syllables with crisp rhymes and one surprising word per chorus. Point of view is a wry first person observing modern life (the office party, the answering machine, the shopping mall escalator, the TV left on all night), funny and a little alienated rather than sentimental. Use short punchy phrases, a chorus that names the title, and room for a call-and-response or a spoken aside.",
+        production: "Jerky upbeat drums at 120-150 BPM, choppy clean guitars, bright analog synth riffs, a busy melodic bass line and dry, upfront vocals with group backing shouts.",
+        avoid: "trap beats, autotune, dubstep wobble bass, country twang, gospel choir, orchestral pomp, long guitar solos, heavy metal riffs",
+    },
     "yacht-rock": {
         delivery: "sung",
         lyrics: "Yacht rock: smooth, wry adult romance, marinas and late lunches, sophisticated chords mean sophisticated words, a falsetto-ready chorus.",