maverick-wave 5.7.0 → 5.10.0
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- package/.claude/skills/mw-maverick-wave/SKILL.md +22 -12
- package/.claude/skills/mw-maverick-wave/examples/angular-services.md +10 -1
- package/.claude/skills/mw-maverick-wave/examples/static-landing-page.md +4 -3
- package/.claude/skills/mw-maverick-wave/references/components.md +23 -9
- package/.claude/skills/mw-maverick-wave/references/javascript.md +1 -1
- package/.claude/skills/mw-maverick-wave/references/layout.md +8 -3
- package/.claude/skills/mw-maverick-wave/references/theming.md +57 -29
- package/CHANGELOG.md +19 -0
- package/README.md +43 -22
- package/index.html +395 -62
- package/maverick-wave.min.css +61 -5
- package/maverick-wave.min.js +1 -1
- package/package.json +2 -2
- package/scripts/verify.js +18 -2
- package/src/js/main.js +24 -5
- package/src/partials/header-container.html +7 -5
- package/src/partials/palette-container.html +176 -66
- package/src/partials/preview-container.html +136 -0
- package/src/partials/utilities-container.html +55 -4
- package/src/scss/abstracts/_functions.scss +31 -3
- package/src/scss/abstracts/_mixins.scss +62 -12
- package/src/scss/abstracts/_variables.scss +47 -21
- package/src/scss/base/_base.scss +101 -8
- package/src/scss/base/_reset.scss +2 -0
- package/src/scss/components/_badge.scss +1 -1
- package/src/scss/components/_buttons.scss +1 -1
- package/src/scss/components/_cards.scss +23 -14
- package/src/scss/components/_dropdown.scss +58 -1
- package/src/scss/components/_kanban.scss +10 -9
- package/src/scss/components/_lang-switch.scss +1 -1
- package/src/scss/components/_localhost-indicator.scss +1 -1
- package/src/scss/components/_modals.scss +13 -1
- package/src/scss/components/_pricing.scss +1 -1
- package/src/scss/components/_progress.scss +9 -5
- package/src/scss/components/_skeleton.scss +1 -1
- package/src/scss/components/_spinners.scss +5 -5
- package/src/scss/components/_stepper.scss +4 -1
- package/src/scss/components/_tabs.scss +28 -8
- package/src/scss/components/_tiles.scss +41 -16
- package/src/scss/components/_timelines.scss +12 -5
- package/src/scss/layout/_main.scss +1 -1
- package/src/scss/layout/_parallax.scss +10 -5
- package/src/scss/utilities/_elevation.scss +23 -0
- package/src/scss/utilities/_touch-targets.scss +1 -1
- package/src/scss/utilities/_variants.scss +115 -6
|
@@ -0,0 +1,136 @@
|
|
|
1
|
+
<!--
|
|
2
|
+
Showcase only: a page-shaped preview for the variant switches. The sections
|
|
3
|
+
above show one component at a time, which is the wrong lens for a switch that
|
|
4
|
+
retunes everything at once - here the parts sit next to each other the way
|
|
5
|
+
they would on a real page, and a change reads as a change of look. One column,
|
|
6
|
+
because the panel is fixed over the right half while any of this is in use.
|
|
7
|
+
-->
|
|
8
|
+
<div class="preview-page">
|
|
9
|
+
<div class="preview-head">
|
|
10
|
+
<div>
|
|
11
|
+
<h3 class="preview-title">Quarterly report</h3>
|
|
12
|
+
<p class="preview-lede">
|
|
13
|
+
Numbers for Q3 are in. The
|
|
14
|
+
<a href="#preview" class="mw-link">full breakdown</a> sits in the sheet,
|
|
15
|
+
the short version is below.
|
|
16
|
+
</p>
|
|
17
|
+
</div>
|
|
18
|
+
<span class="mw-badge mw-badge-info">Draft</span>
|
|
19
|
+
</div>
|
|
20
|
+
|
|
21
|
+
<div class="mw-alert mw-alert-info mw-mb-5">
|
|
22
|
+
<div class="mw-alert-icon">
|
|
23
|
+
<i class="fas fa-circle-info"></i>
|
|
24
|
+
</div>
|
|
25
|
+
<div class="mw-alert-content">
|
|
26
|
+
<span class="mw-alert-title">Two figures are still provisional</span>
|
|
27
|
+
<p>Finance signs off on Friday, the rest is final.</p>
|
|
28
|
+
</div>
|
|
29
|
+
</div>
|
|
30
|
+
|
|
31
|
+
<div class="mw-grid-3 mw-gap-4 mw-mb-5">
|
|
32
|
+
<div class="mw-card">
|
|
33
|
+
<div class="mw-card-badge mw-card-addon-success">Best</div>
|
|
34
|
+
<div class="mw-card-body">
|
|
35
|
+
<h4 class="mw-card-title">
|
|
36
|
+
<span class="mw-card-title-icon">
|
|
37
|
+
<i class="fas fa-arrow-trend-up"></i>
|
|
38
|
+
</span>
|
|
39
|
+
Revenue
|
|
40
|
+
</h4>
|
|
41
|
+
<hr class="mw-card-title-divider" />
|
|
42
|
+
<p class="mw-card-subtitle">EUR 4.2m, up 12 percent</p>
|
|
43
|
+
<p class="mw-card-text">
|
|
44
|
+
Carried by the two enterprise deals that closed in September.
|
|
45
|
+
</p>
|
|
46
|
+
<div class="mw-card-footer">
|
|
47
|
+
<span class="mw-text-muted mw-text-xs">Updated today</span>
|
|
48
|
+
<button type="button" class="mw-btn mw-btn-link">Details</button>
|
|
49
|
+
</div>
|
|
50
|
+
</div>
|
|
51
|
+
</div>
|
|
52
|
+
|
|
53
|
+
<div class="mw-card">
|
|
54
|
+
<div class="mw-card-body">
|
|
55
|
+
<h4 class="mw-card-title">
|
|
56
|
+
<span class="mw-card-title-icon">
|
|
57
|
+
<i class="fas fa-user-minus"></i>
|
|
58
|
+
</span>
|
|
59
|
+
Churn
|
|
60
|
+
</h4>
|
|
61
|
+
<hr class="mw-card-title-divider" />
|
|
62
|
+
<p class="mw-card-subtitle">1.8 percent, flat</p>
|
|
63
|
+
<p class="mw-card-text">
|
|
64
|
+
Both accounts that left cited the same missing integration.
|
|
65
|
+
</p>
|
|
66
|
+
<div class="mw-card-footer">
|
|
67
|
+
<span class="mw-text-muted mw-text-xs">Updated today</span>
|
|
68
|
+
<button type="button" class="mw-btn mw-btn-link">Details</button>
|
|
69
|
+
</div>
|
|
70
|
+
</div>
|
|
71
|
+
</div>
|
|
72
|
+
|
|
73
|
+
<div class="mw-card">
|
|
74
|
+
<div class="mw-card-body">
|
|
75
|
+
<h4 class="mw-card-title">
|
|
76
|
+
<span class="mw-card-title-icon">
|
|
77
|
+
<i class="fas fa-users"></i>
|
|
78
|
+
</span>
|
|
79
|
+
Headcount
|
|
80
|
+
</h4>
|
|
81
|
+
<hr class="mw-card-title-divider" />
|
|
82
|
+
<p class="mw-card-subtitle">41 people, four hires</p>
|
|
83
|
+
<p class="mw-card-text">
|
|
84
|
+
Two of them on the platform team. One open role left this quarter.
|
|
85
|
+
</p>
|
|
86
|
+
<div class="mw-card-footer">
|
|
87
|
+
<span class="mw-text-muted mw-text-xs">Updated today</span>
|
|
88
|
+
<button type="button" class="mw-btn mw-btn-link">Details</button>
|
|
89
|
+
</div>
|
|
90
|
+
</div>
|
|
91
|
+
</div>
|
|
92
|
+
</div>
|
|
93
|
+
|
|
94
|
+
<div class="preview-row mw-mb-5">
|
|
95
|
+
<input
|
|
96
|
+
type="text"
|
|
97
|
+
class="mw-input"
|
|
98
|
+
placeholder="Add a note"
|
|
99
|
+
aria-label="Add a note"
|
|
100
|
+
/>
|
|
101
|
+
<select class="mw-select" aria-label="Reviewer">
|
|
102
|
+
<option>Send to finance</option>
|
|
103
|
+
<option>Send to the board</option>
|
|
104
|
+
<option>Keep to myself</option>
|
|
105
|
+
</select>
|
|
106
|
+
<label class="mw-toggle">
|
|
107
|
+
<input type="checkbox" checked />
|
|
108
|
+
<div class="mw-toggle-track"></div>
|
|
109
|
+
<span class="mw-toggle-label">Notify the team</span>
|
|
110
|
+
</label>
|
|
111
|
+
</div>
|
|
112
|
+
|
|
113
|
+
<div class="preview-actions mw-mb-5">
|
|
114
|
+
<button type="button" class="mw-btn mw-btn-primary">Publish</button>
|
|
115
|
+
<button type="button" class="mw-btn mw-btn-secondary">Save draft</button>
|
|
116
|
+
<button type="button" class="mw-btn mw-btn-outline">Discard</button>
|
|
117
|
+
<button type="button" class="mw-btn mw-btn-ghost">Cancel</button>
|
|
118
|
+
</div>
|
|
119
|
+
|
|
120
|
+
<div class="preview-status">
|
|
121
|
+
<span class="mw-spinner-border mw-spinner-sm"></span>
|
|
122
|
+
<span>
|
|
123
|
+
<strong>Syncing with the finance sheet</strong>
|
|
124
|
+
<small>The two provisional figures update when it finishes.</small>
|
|
125
|
+
</span>
|
|
126
|
+
</div>
|
|
127
|
+
|
|
128
|
+
<div class="mw-tags">
|
|
129
|
+
<span class="mw-tags-item">
|
|
130
|
+
<i class="fas fa-tag mw-tags-icon"></i>
|
|
131
|
+
Q3
|
|
132
|
+
</span>
|
|
133
|
+
<span class="mw-tags-item">finance</span>
|
|
134
|
+
<span class="mw-tags-item">internal</span>
|
|
135
|
+
</div>
|
|
136
|
+
</div>
|
|
@@ -350,6 +350,44 @@
|
|
|
350
350
|
</div>
|
|
351
351
|
</div>
|
|
352
352
|
|
|
353
|
+
<h3 class="mw-mb-4 mw-mt-6">Glow</h3>
|
|
354
|
+
<p class="mw-text-muted mw-text-measure">
|
|
355
|
+
The other half of the lighting model: elevation says how far a surface floats
|
|
356
|
+
above the page, a glow says it is the thing giving off the light. Two layers
|
|
357
|
+
like elevation, and both without an offset - light does not fall downwards,
|
|
358
|
+
which is the whole difference between this and a coloured shadow. For the one
|
|
359
|
+
element on a screen that has to be looked at first, and for nothing else. Bare
|
|
360
|
+
<code>mw-glow</code> is the primary one.
|
|
361
|
+
</p>
|
|
362
|
+
<div class="mw-grid-3 mw-gap-6">
|
|
363
|
+
<div class="mw-card mw-card-simple mw-glow-primary">
|
|
364
|
+
<h4 class="mw-text-medium mw-mb-1">primary</h4>
|
|
365
|
+
<p class="mw-text-muted mw-text-sm mw-mb-0">The brand, and the default.</p>
|
|
366
|
+
</div>
|
|
367
|
+
<div class="mw-card mw-card-simple mw-glow-secondary">
|
|
368
|
+
<h4 class="mw-text-medium mw-mb-1">secondary</h4>
|
|
369
|
+
<p class="mw-text-muted mw-text-sm mw-mb-0">The second brand tone.</p>
|
|
370
|
+
</div>
|
|
371
|
+
<div class="mw-card mw-card-simple mw-glow-info">
|
|
372
|
+
<h4 class="mw-text-medium mw-mb-1">info</h4>
|
|
373
|
+
<p class="mw-text-muted mw-text-sm mw-mb-0">Something worth reading.</p>
|
|
374
|
+
</div>
|
|
375
|
+
<div class="mw-card mw-card-simple mw-glow-success">
|
|
376
|
+
<h4 class="mw-text-medium mw-mb-1">success</h4>
|
|
377
|
+
<p class="mw-text-muted mw-text-sm mw-mb-0">It worked - say so once.</p>
|
|
378
|
+
</div>
|
|
379
|
+
<div class="mw-card mw-card-simple mw-glow-warning">
|
|
380
|
+
<h4 class="mw-text-medium mw-mb-1">warning</h4>
|
|
381
|
+
<p class="mw-text-muted mw-text-sm mw-mb-0">Check this before going on.</p>
|
|
382
|
+
</div>
|
|
383
|
+
<div class="mw-card mw-card-simple mw-glow-danger">
|
|
384
|
+
<h4 class="mw-text-medium mw-mb-1">danger</h4>
|
|
385
|
+
<p class="mw-text-muted mw-text-sm mw-mb-0">
|
|
386
|
+
The one that cannot be undone.
|
|
387
|
+
</p>
|
|
388
|
+
</div>
|
|
389
|
+
</div>
|
|
390
|
+
|
|
353
391
|
<h3 class="mw-mb-4 mw-mt-6">Responsive Display</h3>
|
|
354
392
|
<p class="mw-text-muted mw-text-measure">
|
|
355
393
|
Mobile-first and min-width, like everything else here.
|
|
@@ -426,7 +464,7 @@
|
|
|
426
464
|
|
|
427
465
|
<h3 class="mw-mb-4 mw-mt-6">Site-wide Variants</h3>
|
|
428
466
|
<p class="mw-text-muted mw-text-measure">
|
|
429
|
-
|
|
467
|
+
Twelve classes on <code><html></code> retune the whole look without
|
|
430
468
|
touching markup. They stack, and the palette button in the corner switches all
|
|
431
469
|
of them live - the box at the bottom of that panel prints the setup a project
|
|
432
470
|
would carry, and reads it back: paste one in to see someone else's.
|
|
@@ -444,6 +482,10 @@
|
|
|
444
482
|
<code>mw-shadows-flat</code> - elevation 1-3 to <code>none</code>, dropdown
|
|
445
483
|
and modal keep theirs
|
|
446
484
|
</li>
|
|
485
|
+
<li>
|
|
486
|
+
<code>mw-surfaces-flush</code> - cards, panels and footer on the page
|
|
487
|
+
colour, held by their border
|
|
488
|
+
</li>
|
|
447
489
|
<li>
|
|
448
490
|
<code>mw-hover-static</code> - no hover travels; colour and border still
|
|
449
491
|
respond
|
|
@@ -461,13 +503,22 @@
|
|
|
461
503
|
<code>mw-btn-pill</code> - fully rounded buttons, form fields keep their
|
|
462
504
|
radius
|
|
463
505
|
</li>
|
|
506
|
+
<li>
|
|
507
|
+
<code>mw-btn-square</code> - the other end of that axis: buttons cut to a
|
|
508
|
+
hard corner while the page keeps its radius
|
|
509
|
+
</li>
|
|
510
|
+
<li>
|
|
511
|
+
<code>mw-btn-tactile</code> - filled buttons stand on a darker edge and sink
|
|
512
|
+
onto it when pressed
|
|
513
|
+
</li>
|
|
464
514
|
<li>
|
|
465
515
|
<code>mw-btn-glass</code> - filled buttons become tinted glass with a lit
|
|
466
516
|
top edge
|
|
467
517
|
</li>
|
|
468
518
|
</ul>
|
|
469
519
|
<p class="mw-text-muted mw-text-measure">
|
|
470
|
-
|
|
471
|
-
radius
|
|
472
|
-
<code>--mw-
|
|
520
|
+
Five properties do the rest: <code>--mw-radius-scale</code> multiplies every
|
|
521
|
+
radius and <code>--mw-root-font-size</code> the whole rem scale, plus
|
|
522
|
+
<code>--mw-font-family-heading</code>, <code>--mw-container-width</code> and
|
|
523
|
+
<code>--mw-section-padding-block</code>.
|
|
473
524
|
</p>
|
|
@@ -27,10 +27,16 @@
|
|
|
27
27
|
@return map.get(v.$breakpoints, $key);
|
|
28
28
|
}
|
|
29
29
|
|
|
30
|
+
// What --mw-radius-scale cannot take away, shared by both functions below: a
|
|
31
|
+
// page at scale 0 is meant to read as square, not as cut out of sheet metal.
|
|
32
|
+
// The smallest step the scale already has, so the hardest setting lands on it
|
|
33
|
+
// rather than off the end.
|
|
34
|
+
$_radius-floor: map.get(v.$radius, 'xs');
|
|
35
|
+
|
|
30
36
|
// Emitted through --mw-radius-scale, so one number retunes every rounded box in
|
|
31
37
|
// the framework at once - 0 squares them off, above 1 rounds them further, and
|
|
32
|
-
// the corner arc follows. 'none' and 'full' pass through:
|
|
33
|
-
// and a circle has to stay a circle.
|
|
38
|
+
// the corner arc follows. 'none' and 'full' pass through: an explicit 0 stays
|
|
39
|
+
// 0, and a circle has to stay a circle.
|
|
34
40
|
@function radius($key) {
|
|
35
41
|
$value: map.get(v.$radius, $key);
|
|
36
42
|
|
|
@@ -38,7 +44,29 @@
|
|
|
38
44
|
@return $value;
|
|
39
45
|
}
|
|
40
46
|
|
|
41
|
-
@return calc(#{$value} * var(--mw-radius-scale, 1));
|
|
47
|
+
@return max(#{$_radius-floor}, calc(#{$value} * var(--mw-radius-scale, 1)));
|
|
48
|
+
}
|
|
49
|
+
|
|
50
|
+
// The sharp pair of the surface signature, squared against the scale so the two
|
|
51
|
+
// halves of the silhouette keep their relationship. Linear, a page turned up to
|
|
52
|
+
// Round holds an 8.5px corner against a 34px arc and the pair stops reading as
|
|
53
|
+
// one shape; squared, the sharp side opens up with it.
|
|
54
|
+
@function radius-sharp() {
|
|
55
|
+
$scale: var(--mw-radius-scale, 1);
|
|
56
|
+
|
|
57
|
+
@return max(
|
|
58
|
+
#{$_radius-floor},
|
|
59
|
+
calc(#{map.get(v.$radius, 'sm')} * #{$scale} * #{$scale})
|
|
60
|
+
);
|
|
61
|
+
}
|
|
62
|
+
|
|
63
|
+
// For the animations that run on their own clock rather than off a state change
|
|
64
|
+
// - spinners, shimmers, the pulses. The duration tokens carry --mw-motion-scale
|
|
65
|
+
// already, but these name their own timing, and a motion setting that leaves
|
|
66
|
+
// the one thing on screen that is permanently moving at its old speed is not a
|
|
67
|
+
// motion setting. prefers-reduced-motion still overrides the result outright.
|
|
68
|
+
@function motion($duration) {
|
|
69
|
+
@return calc(#{$duration} * var(--mw-motion-scale, 1));
|
|
42
70
|
}
|
|
43
71
|
|
|
44
72
|
// Function to get a z-index value from the z-index map
|
|
@@ -2,17 +2,14 @@
|
|
|
2
2
|
@use 'variables' as v;
|
|
3
3
|
@use 'functions' as *;
|
|
4
4
|
|
|
5
|
-
// `media-down` stops 0.02px short, or both ranges match at exactly 768px - an
|
|
6
|
-
// iPad in portrait, where mw-hide-mobile and mw-hide-desktop would both hide.
|
|
7
|
-
// 0.02 and not 1, because a viewport can be fractional (zoom, scaled display).
|
|
8
5
|
@mixin media-up($breakpoint) {
|
|
9
|
-
@media (
|
|
6
|
+
@media (width >= #{map.get(v.$breakpoints, $breakpoint)}) {
|
|
10
7
|
@content;
|
|
11
8
|
}
|
|
12
9
|
}
|
|
13
10
|
|
|
14
11
|
@mixin media-down($breakpoint) {
|
|
15
|
-
@media (
|
|
12
|
+
@media (width < #{map.get(v.$breakpoints, $breakpoint)}) {
|
|
16
13
|
@content;
|
|
17
14
|
}
|
|
18
15
|
}
|
|
@@ -231,7 +228,7 @@
|
|
|
231
228
|
// the top arc where a fill already owns that corner.
|
|
232
229
|
@mixin surface($border-width: 1px, $corners: 'both') {
|
|
233
230
|
position: relative;
|
|
234
|
-
border-radius: radius(
|
|
231
|
+
border-radius: radius-sharp() radius('xl') radius-sharp() radius('xl');
|
|
235
232
|
|
|
236
233
|
&::after {
|
|
237
234
|
@include corner-accent($border-width, $corners);
|
|
@@ -245,27 +242,80 @@
|
|
|
245
242
|
border-radius: radius('md');
|
|
246
243
|
|
|
247
244
|
&::after {
|
|
248
|
-
|
|
245
|
+
@include corner-mark($border-width);
|
|
249
246
|
}
|
|
250
247
|
}
|
|
251
248
|
}
|
|
252
249
|
|
|
250
|
+
// Shared by both corner marks, which are meant to read as the same gesture at
|
|
251
|
+
// two volumes: how far the arc runs along the horizontal against the vertical,
|
|
252
|
+
// and where it stops being opaque. A percentage and not a length because the
|
|
253
|
+
// mask is an ellipse - see corner-accent() for what that costs.
|
|
254
|
+
$_corner-stretch: 1.5;
|
|
255
|
+
$_corner-opaque: 55%;
|
|
256
|
+
|
|
257
|
+
// What is left of the signature once the silhouette is switched off: the same
|
|
258
|
+
// arc, on one corner, thinner and over a shorter run. The two-corner shape is
|
|
259
|
+
// the loud half and mw-corners-even exists to turn it off - but a surface with
|
|
260
|
+
// nothing left of it could have come from any framework, and this is the mark
|
|
261
|
+
// that says otherwise. Deliberately quiet enough to read as a detail.
|
|
262
|
+
//
|
|
263
|
+
// Built from radius('md') because that is what the even box is drawn at, and
|
|
264
|
+
// it follows --mw-radius-scale down to a square, where the arc becomes a
|
|
265
|
+
// bracket in the corner rather than disappearing.
|
|
266
|
+
@mixin corner-mark($border-width: 1px) {
|
|
267
|
+
$r: max(0px, calc(#{radius('md')} - #{$border-width}));
|
|
268
|
+
|
|
269
|
+
content: '';
|
|
270
|
+
position: absolute;
|
|
271
|
+
inset: 0;
|
|
272
|
+
pointer-events: none;
|
|
273
|
+
border: 1.5px solid var(--mw-corner-accent);
|
|
274
|
+
border-radius: $r;
|
|
275
|
+
$reach: max(18px, calc(#{radius('md')} * 2.2));
|
|
276
|
+
|
|
277
|
+
mask-image: radial-gradient(
|
|
278
|
+
ellipse calc(#{$reach} * #{$_corner-stretch}) #{$reach} at 100% 0,
|
|
279
|
+
#000 $_corner-opaque,
|
|
280
|
+
transparent 100%
|
|
281
|
+
);
|
|
282
|
+
}
|
|
283
|
+
|
|
253
284
|
// The arc alone, for a variant that redraws it without restating the shape
|
|
254
285
|
@mixin corner-accent($border-width: 1px, $corners: 'both') {
|
|
255
286
|
// max(), not a bare subtraction: --mw-radius-scale can take the radius to 0,
|
|
256
287
|
// and while a negative border-radius is clamped for us, a negative circle in
|
|
257
288
|
// the mask below would throw the whole gradient away and lose the arc.
|
|
258
|
-
$sharp: max(0px, calc(#{radius(
|
|
289
|
+
$sharp: max(0px, calc(#{radius-sharp()} - #{$border-width}));
|
|
259
290
|
$round: max(0px, calc(#{radius('xl')} - #{$border-width}));
|
|
260
291
|
// Opaque to where the curve ends, fading from there, so the arc runs into the
|
|
261
292
|
// straight edge instead of stopping at the tangent. 1.8 is bounded by the
|
|
262
293
|
// shortest surface: past about 2 the two arcs meet on a 50px box and read as
|
|
263
294
|
// a frame.
|
|
264
|
-
|
|
265
|
-
|
|
295
|
+
//
|
|
296
|
+
// The floor is what keeps the mark alive at --mw-radius-scale: 0. The reach
|
|
297
|
+
// is derived from the radius, so a squared-off page took it to a zero-width
|
|
298
|
+
// circle and the accent vanished on every surface at once - the one setting
|
|
299
|
+
// where the framework has least else left to recognise it by. At zero radius
|
|
300
|
+
// there is no curve to trace and the 22px run reads as a bracket instead.
|
|
301
|
+
$reach: max(22px, calc(#{$round} * 1.8));
|
|
302
|
+
// An ellipse and not a circle: with equal reach on both axes the arc reads as
|
|
303
|
+
// a quarter circle, and the mark looks like a corner radius someone forgot to
|
|
304
|
+
// finish. Half again as far along the horizontal gives it a direction - it
|
|
305
|
+
// sits on the top edge and turns down, rather than cutting the corner.
|
|
306
|
+
//
|
|
307
|
+
// The stop is a percentage here where the circle could take a length: on an
|
|
308
|
+
// ellipse a length would be measured along one axis only and the fade would
|
|
309
|
+
// start at different points on the two. The default sits where $round fell.
|
|
310
|
+
$reach-x: calc(#{$reach} * #{$_corner-stretch});
|
|
311
|
+
$top: radial-gradient(
|
|
312
|
+
ellipse $reach-x $reach at 100% 0,
|
|
313
|
+
#000 $_corner-opaque,
|
|
314
|
+
transparent 100%
|
|
315
|
+
);
|
|
266
316
|
$bottom: radial-gradient(
|
|
267
|
-
|
|
268
|
-
#000 $
|
|
317
|
+
ellipse $reach-x $reach at 0 100%,
|
|
318
|
+
#000 $_corner-opaque,
|
|
269
319
|
transparent 100%
|
|
270
320
|
);
|
|
271
321
|
|
|
@@ -1,3 +1,4 @@
|
|
|
1
|
+
@use 'sass:math';
|
|
1
2
|
@use 'sass:string';
|
|
2
3
|
|
|
3
4
|
$mw-theme-mode: 'switchable' !default; // 'dark', 'light', or 'switchable'
|
|
@@ -162,17 +163,28 @@ $focus-halo-opacity: 28% !default;
|
|
|
162
163
|
);
|
|
163
164
|
}
|
|
164
165
|
|
|
165
|
-
// Darker
|
|
166
|
+
// Darker by a share of the color's own lightness, hue and chroma kept. OKLch and
|
|
167
|
+
// not `color-mix(..., black)`: mixing toward black in HSL takes the saturation
|
|
168
|
+
// down with the lightness, so one $amount reads as a different step on every hue
|
|
169
|
+
// - the yellow goes grey while the blue only dims. Here the six status colors
|
|
170
|
+
// move by the same perceived amount.
|
|
166
171
|
@function shade($name, $amount) {
|
|
172
|
+
$factor: math.div(100% - $amount, 100%);
|
|
173
|
+
|
|
167
174
|
@return string.unquote(
|
|
168
|
-
'
|
|
175
|
+
'oklch(from var(--mw-#{$name}) calc(l * #{$factor}) c h)'
|
|
169
176
|
);
|
|
170
177
|
}
|
|
171
178
|
|
|
172
|
-
//
|
|
179
|
+
// The other direction, toward white. Chroma is pulled back by the same share it
|
|
180
|
+
// is lightened by, because a color lifted at full chroma reads as neon rather
|
|
181
|
+
// than as a tint of itself - which is what the HSL mix did implicitly.
|
|
173
182
|
@function tint($name, $amount) {
|
|
183
|
+
$lift: math.div($amount, 100%);
|
|
184
|
+
$rest: math.div(100% - $amount, 100%);
|
|
185
|
+
|
|
174
186
|
@return string.unquote(
|
|
175
|
-
'
|
|
187
|
+
'oklch(from var(--mw-#{$name}) calc(l + (1 - l) * #{$lift}) calc(c * #{$rest}) h)'
|
|
176
188
|
);
|
|
177
189
|
}
|
|
178
190
|
|
|
@@ -183,8 +195,10 @@ $focus-halo-opacity: 28% !default;
|
|
|
183
195
|
);
|
|
184
196
|
}
|
|
185
197
|
|
|
186
|
-
// Darkened straight toward black, $amount being how much of the color survives
|
|
187
|
-
//
|
|
198
|
+
// Darkened straight toward black, $amount being how much of the color *survives*
|
|
199
|
+
// - not how far its lightness moves, which is what shade() above scales. The two
|
|
200
|
+
// part company at the deep end: at 14% shade() lands near L 0.05, where the hue
|
|
201
|
+
// is clipped out of gamut, while this keeps the channel ratios and stays blue.
|
|
188
202
|
@function deepen($name, $amount) {
|
|
189
203
|
@return string.unquote(
|
|
190
204
|
'color-mix(in srgb, var(--mw-#{$name}) #{$amount}, black)'
|
|
@@ -223,11 +237,16 @@ $focus-halo-opacity: 28% !default;
|
|
|
223
237
|
|
|
224
238
|
// Near is the contact shadow that pins the box down, far the ambient spread that
|
|
225
239
|
// says how high it floats. One layer alone reads as a blur, the pair as light.
|
|
226
|
-
//
|
|
227
|
-
|
|
240
|
+
//
|
|
241
|
+
// Built on the theme-resolved shadow tokens rather than a per-theme pair: the two
|
|
242
|
+
// themes only ever differed in the colour of those two layers, never in the
|
|
243
|
+
// geometry, so the ramp is one set of five and the theme reaches it through
|
|
244
|
+
// --mw-shadow-near/-far. That also makes .mw-shadows-flat a single-selector
|
|
245
|
+
// override again - it is no longer re-declared further down the tree.
|
|
246
|
+
@function elevation($y-near, $blur-near, $y-far, $blur-far) {
|
|
228
247
|
@return string.unquote(
|
|
229
|
-
'0 #{$y-near} #{$blur-near} var(--mw
|
|
230
|
-
' 0 #{$y-far} #{$blur-far} var(--mw
|
|
248
|
+
'0 #{$y-near} #{$blur-near} var(--mw-shadow-near),' +
|
|
249
|
+
' 0 #{$y-far} #{$blur-far} var(--mw-shadow-far)'
|
|
231
250
|
);
|
|
232
251
|
}
|
|
233
252
|
|
|
@@ -307,6 +326,10 @@ $semantic-colors: (
|
|
|
307
326
|
danger: var(--mw-danger-color),
|
|
308
327
|
);
|
|
309
328
|
|
|
329
|
+
// The theme keys that are not colors. light-dark() only takes <color>, so these
|
|
330
|
+
// keep the alias-per-theme route while everything else resolves in one line.
|
|
331
|
+
$theme-non-colors: ('hero-image-filter');
|
|
332
|
+
|
|
310
333
|
// Dark theme colors. Emitted as --mw-dark-<key>, hence the prefixed references.
|
|
311
334
|
$dark-theme-colors: (
|
|
312
335
|
'page-background': $dark-background,
|
|
@@ -317,17 +340,11 @@ $dark-theme-colors: (
|
|
|
317
340
|
'footer-background': surface('dark-page-background', $footer-surface-dark),
|
|
318
341
|
'border': surface('dark-page-background', 1.35),
|
|
319
342
|
'shadow': fade('dark-text-color', 30%),
|
|
320
|
-
// A component names a level instead of inventing another `0 5px 9px`
|
|
321
343
|
'shadow-near': alpha(
|
|
322
344
|
surface('dark-page-background', $shadow-cast-dark),
|
|
323
345
|
$shadow-near-dark
|
|
324
346
|
),
|
|
325
347
|
'shadow-far': fade('dark-text-color', $shadow-far-dark),
|
|
326
|
-
'elevation-1': elevation('dark', 1px, 2px, 1px, 4px),
|
|
327
|
-
'elevation-2': elevation('dark', 2px, 4px, 5px, 12px),
|
|
328
|
-
'elevation-3': elevation('dark', 3px, 6px, 10px, 24px),
|
|
329
|
-
'elevation-4': elevation('dark', 6px, 12px, 18px, 40px),
|
|
330
|
-
'elevation-5': elevation('dark', 10px, 20px, 30px, 64px),
|
|
331
348
|
'text-color': $dark-text-color,
|
|
332
349
|
'text-muted-color': muted(0.7),
|
|
333
350
|
// Derived, so overriding a root color yields a readable dark variant for free
|
|
@@ -355,11 +372,6 @@ $light-theme-colors: (
|
|
|
355
372
|
'shadow': fade('light-text-color', 30%),
|
|
356
373
|
'shadow-near': fade('light-text-color', $shadow-near-light),
|
|
357
374
|
'shadow-far': fade('light-text-color', $shadow-far-light),
|
|
358
|
-
'elevation-1': elevation('light', 1px, 2px, 1px, 4px),
|
|
359
|
-
'elevation-2': elevation('light', 2px, 4px, 5px, 12px),
|
|
360
|
-
'elevation-3': elevation('light', 3px, 6px, 10px, 24px),
|
|
361
|
-
'elevation-4': elevation('light', 6px, 12px, 18px, 40px),
|
|
362
|
-
'elevation-5': elevation('light', 10px, 20px, 30px, 64px),
|
|
363
375
|
'text-color': $light-text-color,
|
|
364
376
|
'text-muted-color': muted(0.5),
|
|
365
377
|
// Other direction: a color too light to read on paper is deepened
|
|
@@ -377,6 +389,17 @@ $light-theme-colors: (
|
|
|
377
389
|
'corner-accent-hover': token('light-primary-text-color'),
|
|
378
390
|
);
|
|
379
391
|
|
|
392
|
+
// The elevation ramp, shared by both themes - see elevation(). A component names
|
|
393
|
+
// a level instead of inventing another `0 5px 9px`.
|
|
394
|
+
// Emitted as --mw-<key>.
|
|
395
|
+
$elevations: (
|
|
396
|
+
'elevation-1': elevation(1px, 2px, 1px, 4px),
|
|
397
|
+
'elevation-2': elevation(2px, 4px, 5px, 12px),
|
|
398
|
+
'elevation-3': elevation(3px, 6px, 10px, 24px),
|
|
399
|
+
'elevation-4': elevation(6px, 12px, 18px, 40px),
|
|
400
|
+
'elevation-5': elevation(10px, 20px, 30px, 64px),
|
|
401
|
+
);
|
|
402
|
+
|
|
380
403
|
// Emitted as --mw-header-<key>. Built from the primary rather than a theme token,
|
|
381
404
|
// because the bar is dark in both themes - see $header-surface.
|
|
382
405
|
$header-colors: (
|
|
@@ -463,6 +486,9 @@ $spacing: (
|
|
|
463
486
|
// Breakpoints
|
|
464
487
|
// Shared by _cards.scss and _pricing.scss, which have to agree on it
|
|
465
488
|
$mw-card-narrow: 360px !default;
|
|
489
|
+
// The other end of the same axis: at this width a card has the room for the
|
|
490
|
+
// larger title and the roomier padding it used to get from a `md` viewport
|
|
491
|
+
$mw-card-wide: 420px !default;
|
|
466
492
|
|
|
467
493
|
$breakpoints: (
|
|
468
494
|
'xs': 375px,
|