livepilot 1.4.4 → 1.4.5

package/plugin/skills/livepilot-core/references/device-atlas/plugins-synths.md

@@ -1,2012 +0,0 @@
-# AU/VST Plugin Synths & Instruments — Device Atlas
-
-> Third-party AU/VST/AUv3 synthesizers, samplers, drum machines, effects, and MIDI tools
-> available alongside Ableton Live 12 native devices. For LivePilot agent use.
-> Covers sonic character, key parameters, sweet spots, and decision guidance.
-
----
-
-## Table of Contents
-
-1. [Moog Model D](#moog-model-d)
-2. [Moog Model 15](#moog-model-15)
-3. [Moog Animoog Z](#moog-animoog-z)
-4. [Drambo](#drambo)
-5. [Burns Audio Spectrum](#burns-audio-spectrum)
-6. [Burns Audio Modal](#burns-audio-modal)
-7. [Burns Audio Resonator / ResonatorEffect](#burns-audio-resonator)
-8. [Burns Audio Granular](#burns-audio-granular)
-9. [Burns Audio ModalEffect](#burns-audio-modaleffect)
-10. [KQ Dixie](#kq-dixie)
-11. [Tardigrain](#tardigrain)
-12. [Rymdigare](#rymdigare)
-13. [AudioLayer](#audiolayer)
-14. [Sitala](#sitala)
-15. [Koala Sampler](#koala-sampler)
-16. [Koshiba](#koshiba)
-17. [Mellowsound](#mellowsound)
-18. [iDensity](#idensity)
-19. [BYOD](#byod)
-20. [ChowTapeModel](#chowtapemodel)
-21. [ChowKick](#chowkick)
-22. [ChowMatrix](#chowmatrix)
-23. [EG Pulse](#eg-pulse)
-24. [sEGments](#segments)
-25. [miRack](#mirack)
-26. [Physicle Bouncy](#physicle-bouncy)
-27. [Physicle Gravity](#physicle-gravity)
-28. [Bram Bos Salome](#bram-bos-salome)
-29. [WOOTT](#woott)
-30. [BABY Audio Magic Switch](#baby-audio-magic-switch)
-31. [BeepStreet Radio Unit](#beepstreet-radio-unit)
-32. [FPKT DigiStix](#fpkt-digistix)
-33. [FPKT SlowMoFX](#fpkt-slowmofx)
-34. [Blue Mangoo Parametric EQ](#blue-mangoo-parametric-eq)
-35. [Blue Mangoo Stereo Lag](#blue-mangoo-stereo-lag)
-36. [K-JEE AUVideoPlayer](#k-jee-auvideoplayer)
-37. [Uwyn MIDI Tape Recorder](#uwyn-midi-tape-recorder)
-38. [osci-render](#osci-render)
-39. [sosci](#sosci)
-40. [PAGE Autony](#page-autony)
-41. [PAGE Cality](#page-cality)
-42. [PAGE Ioniarics](#page-ioniarics)
-43. [Cem Olcay Bud Suite](#cem-olcay-bud-suite)
-44. [Laurent Colson QuantiChord](#laurent-colson-quantichord)
-45. [Laurent Colson StepPolyArp](#laurent-colson-steppolyarp)
-46. [Numerical Audio Harmonicer](#numerical-audio-harmonicer)
-47. [Audio Veek Atom Piano Roll 2](#audio-veek-atom-piano-roll-2)
-48. [axrt mLFO](#axrt-mlfo)
-49. [Quick Decision Matrix](#quick-decision-matrix)
-50. [Plugin vs Native Comparison](#plugin-vs-native-comparison)
-
----
-
-## Moog Model D
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** Moog Music
-- **Format:** AUv3, AUv2, VST3, Standalone
-- **What it does:** Authentic emulation of the 1970s Minimoog Model D -- the definitive monophonic analog synthesizer. Three oscillators through a legendary 24dB/oct transistor ladder filter. The app extends the original with optional 4-voice polyphony, an arpeggiator, stereo ping-pong delay, bender modulation, and a looper.
-- **Synthesis method:** Subtractive (analog-modeled) -- 3 oscillators + noise through a ladder low-pass filter
-- **Character:** Fat, warm, authoritative bass and leads. The ladder filter resonance diminishes as you play lower -- exactly like the hardware. One of the richest-sounding Minimoog emulations available. Unmistakably "Moog."
-
-### Signal Flow
-
-```
-Osc 1 (6 waveforms) ──┐
-Osc 2 (6 waveforms) ──┼─ Mixer ─→ Ladder Filter (24dB LP) ─→ Amp ─→ Output
-Osc 3 (6 waveforms) ──┤                                              ↓
-Noise ─────────────────┘                                      Delay / Looper
-External Audio ────────→ (can be mixed in)
-```
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Oscillator Range** | Octave selection per osc (Lo, 32', 16', 8', 4', 2') | Osc1 at 8', Osc2 at 16' for octave-doubled bass |
-| **Oscillator Waveform** | Triangle, shark-fin triangle, sawtooth, square, wide pulse, narrow pulse | Sawtooth for classic Moog bass/lead |
-| **Osc 2/3 Detune** | Fine tuning between oscillators | +2-5 cents for thickness, major intervals for chords |
-| **Mixer Levels** | Blend of each osc + noise + external | Drive into filter by pushing total above unity |
-| **Filter Cutoff** | Ladder filter frequency | 300-800 Hz for bass, sweep 200 Hz-4 kHz for leads |
-| **Filter Emphasis (Resonance)** | Ladder filter resonance / self-oscillation | 30-50% for warmth, 70%+ for acid squelch |
-| **Filter Contour Amount** | Envelope depth into filter | 40-70% for plucky bass, 80%+ for aggressive sweeps |
-| **Attack/Decay/Sustain** | Filter and amp envelopes | Short decay (100-200ms) for plucks, long for pads |
-| **Glide** | Portamento speed | 50-150ms for bass slides |
-| **Polyphony** | 1-4 voices | Mono for classic Moog character, 4-voice for pads |
-| **Arpeggiator** | Built-in arp with tempo sync | Great for sequenced patterns |
-| **Delay** | Stereo ping-pong with tempo sync | Subtle amounts for depth |
-
-### Sound Recipes
-
-- **Classic Moog Bass:** Osc1 saw 16', Osc2 saw 16' detuned +3 cents, filter cutoff ~400Hz, emphasis 30%, short decay, mono mode, glide 80ms.
-- **Screaming Lead:** Osc1 saw 8', Osc2 square 8' detuned +7 cents, filter cutoff 1.5kHz, emphasis 60%, contour amount 70%, mono, glide 60ms.
-- **4-Voice Pad:** Enable polyphony, Osc1 saw, Osc2 triangle detuned, filter cutoff 2kHz, slow attack (400ms), long release (3s).
-
-### Reach for This When
-
-- You need the definitive Moog bass or lead sound
-- Classic analog subtractive synthesis with that specific ladder filter character
-- Monophonic lines that cut through a mix with authority
-- Retro analog warmth that no native Ableton synth quite matches
-
-### Don't Use When
-
-- You need complex modulation routing (reach for Model 15 or Drambo)
-- You want wavetable/FM/granular textures
-- You need more than 4-voice polyphony
-- CPU budget is extremely tight (though it's quite efficient)
-
-### vs Alternatives
-
-- **vs Ableton Analog:** Model D has more authentic Moog character and that specific ladder filter. Analog has dual filters and more routing flexibility.
-- **vs Ableton Drift:** Drift is lighter on CPU with built-in per-voice instability. Model D has the unmistakable Moog tone.
-- **vs Model 15:** Model D is simpler and faster to use. Model 15 offers modular patching and deeper sound design.
-
----
-
-## Moog Model 15
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** Moog Music
-- **Format:** AUv3, Standalone
-- **What it does:** Full recreation of the Moog Model 15 modular synthesizer -- a semi-modular system with virtual patch cables connecting classic Moog modules. Extends the hardware with 4-voice polyphony and 160+ presets. Can also process external audio via AudioBridge Insert/Trunk.
-- **Synthesis method:** Modular subtractive -- patch-cable routing between discrete oscillator, filter, VCA, and modulation modules
-- **Character:** Deep, complex Moog tones with the flexibility of modular patching. Can produce everything from simple bass to evolving, otherworldly textures. More raw and unpredictable than the Model D due to the open patching architecture.
-
-### Modules
-
-| Module | Type | Function |
-|--------|------|----------|
-| **921 VCO** | Oscillator driver | Master oscillator with 6-octave range |
-| **921B Oscillator** (x2) | Oscillators | Triangle, saw, reverse-saw, sine, square outputs; independent per-osc |
-| **904A VCF** | Filter | 24dB/oct voltage-controlled low-pass with resonance |
-| **907A Fixed Filter Bank** | Filter | 8-band fixed filter for formant/vocal shaping |
-| **902 VCA** (x2) | Amplifiers | Linear or exponential CV response |
-| **911 Envelope** (x2) | Modulation | Attack-Decay-Sustain envelopes |
-| **923 Noise/Filter** | Noise source | White/pink noise with built-in filter |
-| **995 Attenuator** | Utility | Signal scaling for CV routing |
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Patch Cables** | Route any output to any input | Experiment: LFO-rate osc into filter CV for FM |
-| **921B Frequency** | Oscillator pitch with fine tune | Detune 2nd osc slightly for thickness |
-| **904A Cutoff** | Low-pass filter frequency | Patch envelope to this for classic plucks |
-| **904A Resonance** | Filter resonance to self-oscillation | 40-60% for character, 100% for sine-wave pings |
-| **907A Filter Bank** | 8 fixed frequency bands | Shape spectral character like a graphic EQ |
-| **911 Envelope Times** | Attack/Decay/Sustain per envelope | Fast attack + medium decay for percussive tones |
-| **AudioBridge** | Route external audio through modules | Process any Live track through the Moog filter |
-
-### Reach for This When
-
-- You want modular synthesis without leaving your DAW
-- Deep sound design sessions where you need to route signals freely
-- Processing external audio through authentic Moog modules
-- Learning modular synthesis concepts in an accessible environment
-
-### Don't Use When
-
-- You need a quick bass patch (use Model D instead)
-- You need more than ~10 modules (use miRack or Drambo)
-- Simplicity is the priority
-
-### vs Alternatives
-
-- **vs Model D:** Model 15 is far more flexible but slower to program. Model D is instant gratification.
-- **vs miRack:** miRack has hundreds of modules vs Model 15's fixed set. Model 15 has authentic Moog sound quality.
-- **vs Drambo:** Drambo is a full modular DAW with sequencing. Model 15 is focused on pure Moog synthesis.
-
----
-
-## Moog Animoog Z
-
-- **Type:** AU Plugin (Instrument + Effect)
-- **Developer:** Moog Music
-- **Format:** AUv3, AUv2, VST3, Standalone
-- **What it does:** 16-voice polyphonic synthesizer powered by Moog's Anisotropic Synth Engine (ASE). Navigates through a 3D space of wavetables (X = waveform position, Y = timbre selection, Z = waveshaping depth). "Comets" orbit through this space creating constantly evolving timbres. Also includes an Effect version for processing external audio through its effects and recording audio into the timbre editor.
-- **Synthesis method:** Anisotropic wavetable / vector synthesis with 3D orbit navigation
-- **Character:** Liquid, morphing, otherworldly. Unlike traditional wavetable synths, the orbit system creates organic, constantly-evolving textures. Can be warm and Moog-like or aggressively digital depending on waveshaping depth. Uniquely playable.
-
-### Signal Flow
-
-```
-Timbre Grid (8 timbres x 16 waveforms) ─→ Orbit Module (X/Y/Z navigation)
-    ↓
-Thick Module (bit crush / saturation / width)
-    ↓
-Filter ─→ Amp Envelope ─→ Effects Pedalboard (filters, echo, looper)
-    ↓
-Output (up to 16 voices)
-```
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **X Position** | Waveform position within current timbre | Automate for evolving textures |
-| **Y Position** | Timbre selection (switches between 8 timbres) | Set corners for contrast, sweep middle for blends |
-| **Z Depth** | Waveshaping / harmonic distortion depth | 20-40% for subtle warmth, 80%+ for aggressive digital |
-| **Orbit Rate X/Y/Z** | Speed of comet navigation per axis | Slow (0.1-0.5 Hz) for pads, fast for glitch |
-| **Orbit Path** | Shape and direction of comet movement | Add/remove points to create complex paths |
-| **Thick: Bit Crush** | Sample/bit rate reduction | Subtle amounts for lo-fi character |
-| **Thick: Drive** | Analog-style overdrive saturation | 20-40% for warmth |
-| **Thick: Width** | Stereo widening | 50-80% for immersive pads |
-| **Filter** | Classic Moog-style filter | LP for warmth, experiment with modulation |
-| **Effects** | Pedalboard: filter, echo, looper | Stack for ambient textures |
-
-### Sound Recipes
-
-- **Evolving Pad:** Slow orbit rate (0.2Hz) on all axes, Z depth 30%, Thick width 70%, long attack/release, LP filter at 3kHz.
-- **Aggressive Lead:** Fast X orbit, high Z depth, short envelope, Thick drive 60%, mono mode.
-- **Ambient Texture:** Record external audio into timbre editor, set slow orbit, heavy reverb/echo on effects board.
-
-### Reach for This When
-
-- You need evolving, morphing textures that no subtractive synth can produce
-- Cinematic pads and soundscapes
-- Unique sound design that doesn't sound like anything else
-- Processing external audio through Moog's waveshaping (Effect version)
-
-### Don't Use When
-
-- You need a quick, conventional synth sound (bass, lead, pluck)
-- The project needs predictable, static timbres
-- You need classic FM or subtractive sounds
-
-### vs Alternatives
-
-- **vs Ableton Wavetable:** Wavetable is more conventional and easier to program. Animoog Z's orbit system creates more organic, unpredictable movement.
-- **vs Ableton Drift:** Completely different character -- Drift is analog warmth, Animoog Z is liquid digital morphing.
-- **vs Model D:** Opposite ends of the Moog spectrum. Model D = classic mono, Animoog Z = futuristic poly.
-
----
-
-## Drambo
-
-- **Type:** AU Plugin (Instrument / Effect / MIDI Effect)
-- **Developer:** BeepStreet
-- **Format:** AUv3 (Instrument, FX, MFx, MIDI Fx), Standalone, 8-out variant
-- **What it does:** Full modular groovebox / DAW environment with 140+ modules including oscillators, samplers, physical modeling, filters, effects, sequencers, and math/logic modules. Cable-less drag-and-drop modular patching with audio-rate modulation. Built-in 16-track polyphonic sequencer with parameter locks, piano roll, and automation. Can host other AUv3 plugins inside itself.
-- **Synthesis method:** Modular (any method possible -- subtractive, FM, granular, physical modeling, additive, sample-based)
-- **Character:** Infinitely variable. Sound quality is praised for its filters, saturators, FM between oscillators, and built-in reverbs. The Plaits-based macro oscillator alone provides 24 synth engines.
-
-### Module Categories
-
-| Category | Examples | Count |
-|----------|----------|-------|
-| **Oscillators** | Analog osc, Macro osc (Plaits-based, 24 engines), FM osc, Noise, Wavetable | 10+ |
-| **Samplers** | Flexi sampler, Granular, Slice player | 5+ |
-| **Filters** | LP/HP/BP/Notch, Ladder, SVF, Comb, Formant | 15+ |
-| **Effects** | Reverb, Delay, Chorus, Phaser, Distortion, Compressor, Bitcrusher | 20+ |
-| **Modulation** | LFO, Envelope, Random, S&H, Sequencer, Math, Logic | 30+ |
-| **MIDI** | Note in/out, CC, Arp, Chord, Scale quantizer | 10+ |
-| **Routing** | Mixer, Splitter, Crossfade, Send/Return | 10+ |
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Macro Oscillator Model** | Select from 24 Plaits-based engines | Virtual Analog for classic, Speech for vocal textures |
-| **Flexi Sampler** | Multi-sample playback with slicing | Great for drum kits and one-shots |
-| **Sequencer Steps** | Up to 64 steps with parameter locks | 16 steps with probability for variation |
-| **Automation Curves** | Cubic Bezier curve automation | Smooth filter sweeps, complex modulations |
-| **AUv3 Hosting** | Load other plugins inside Drambo's rack | Chain multiple synths/effects modularly |
-
-### Reach for This When
-
-- You need a modular environment without the complexity of miRack
-- Building custom instruments/effects from scratch
-- Complex sequencing with parameter locks (Elektron-style)
-- Hosting and routing multiple AUv3 plugins in a modular chain
-- You want one tool that can do everything
-
-### Don't Use When
-
-- You need a quick preset-based sound (use a dedicated synth)
-- The learning curve is a concern (Drambo has significant depth)
-- You only need a simple effect (use a dedicated plugin)
-
-### vs Alternatives
-
-- **vs miRack:** Drambo is more streamlined with better sequencing. miRack has more modules and closer Eurorack authenticity.
-- **vs Ableton Operator:** Drambo can do everything Operator does plus infinitely more, but takes longer to set up.
-- **vs Max for Live:** Similar open-ended capability, but Drambo runs as AUv3 with lower CPU overhead for many tasks.
-
----
-
-## Burns Audio Spectrum
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** Burns Audio (Thomas Burns)
-- **Format:** AUv3 (free)
-- **What it does:** 8-voice polyphonic synthesizer built around a macro oscillator with 14 different synthesis models ported from Mutable Instruments' Plaits Eurorack module. Each model offers different timbral territory from virtual analog to noise, speech, and FM.
-- **Synthesis method:** Multi-model macro oscillator (virtual analog, FM, waveshaping, noise, particle, speech, string, modal)
-- **Character:** Varies dramatically per model. Can be lush analog-style tones, metallic FM, gritty noise, or organic speech-like textures. Remarkably high quality for a free plugin.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Engine Select** | Choose from 14 oscillator models | Virtual Analog for basics, Granular Cloud for textures |
-| **Timbre** | Primary tonal shaping per model | Sweep slowly for evolving sounds |
-| **Harmonics** | Harmonic content / brightness | 30-60% for most musical results |
-| **Morph** | Secondary tonal parameter (model-dependent) | Automate for movement |
-| **LFO Rate/Depth** | Built-in modulation | Route to Timbre or Harmonics |
-| **ADSR Envelope** | Amp/filter envelope | Short decay for plucks, long for pads |
-| **XY Touchpad** | 2D modulation control | Map to Timbre + Harmonics |
-| **Mod Matrix** | 2-source modulation routing | LFO to Timbre, Envelope to Harmonics |
-
-### Reach for This When
-
-- You want Mutable Instruments Plaits sounds in your DAW
-- Quick access to diverse synthesis models without building patches
-- Free, lightweight alternative to complex synths
-- Experimental timbres: speech synthesis, particle noise, modal resonance
-
-### Don't Use When
-
-- You need deep modulation / complex routing (use Drambo)
-- You need classic analog bass (use Model D or Ableton Analog)
-- You need sample playback
-
-### vs Alternatives
-
-- **vs Ableton Meld:** Similar multi-engine approach. Spectrum has the specific Mutable Instruments character.
-- **vs Drambo Macro Oscillator:** Same underlying Plaits code, but Spectrum is simpler to use standalone.
-
----
-
-## Burns Audio Modal
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** Burns Audio (Thomas Burns)
-- **Format:** AUv3 (free)
-- **What it does:** Modal synthesis instrument based on Mutable Instruments Rings. Simulates resonant structures (plates, strings, tubes) using a 64-band resonator bank. Three excitation modes: Bowed, Blown, and Struck. Three alternative modes: non-linear string, chord tuning, and 2-operator FM voice.
-- **Synthesis method:** Modal synthesis -- excites a bank of 64 tuned bandpass filters to simulate physical resonant bodies
-- **Character:** Metallic, bell-like, organic. Struck mode sounds like marimbas and bells. Bowed mode creates sustained string-like tones. Blown mode produces breathy, flute-like sounds. The chord mode creates beautiful harmonically-rich drones.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Excitation Mode** | Bowed / Blown / Struck | Struck for percussion, Bowed for sustains |
-| **Brightness** | Spectral brightness of resonator | 40-70% for musical tones |
-| **Damping** | How quickly resonance decays | Low for bells/drones, high for muted plucks |
-| **Structure** | Tunes the resonator bank | Sweep slowly for morphing harmonic content |
-| **Position** | Where the resonator is excited | Affects timbre like striking different parts of a bell |
-| **Polyphony** | 1-4 voices | 2-4 for chord mode drones |
-
-### Reach for This When
-
-- Metallic, bell-like, or mallet percussion sounds
-- Organic bowed/blown textures
-- Resonant body sounds (plates, strings, tubes)
-- Ambient drones using chord mode
-
-### Don't Use When
-
-- You need conventional subtractive or FM sounds
-- You need aggressive/distorted tones (Modal is inherently clean/organic)
-
-### vs Alternatives
-
-- **vs Ableton Collision:** Similar physical modeling territory. Modal has the specific Mutable Instruments Rings character and is free.
-- **vs Ableton Tension:** Tension is focused on bowed/plucked strings. Modal covers a wider range of resonant structures.
-
----
-
-## Burns Audio Resonator
-
-- **Type:** AU Plugin (Instrument + Effect)
-- **Developer:** Burns Audio (Thomas Burns)
-- **Format:** AUv3 (free), available as ResonatorEffect for audio processing
-- **What it does:** String synthesis instrument based on Mutable Instruments' Elements. Seven string generation algorithms create everything from plucked guitar strings to bowed orchestral textures. The Effect version processes incoming audio through the resonant string models.
-- **Synthesis method:** Physical modeling / string synthesis -- 7 algorithms for different string behaviors
-- **Character:** Organic, acoustic-adjacent string tones. More focused on string-like sounds than Modal's broader resonant structures.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Algorithm** | Select from 7 string models | Choose based on target instrument |
-| **Brightness** | Spectral content | 50% for natural string tone |
-| **Damping** | Decay time of string vibration | Low for sustained drones, high for pizzicato |
-| **Position** | Excitation point on string | Center for fundamental, edges for harmonics |
-| **Modulation** | Built-in LFO, envelope, XY pad | Subtle vibrato via LFO to pitch |
-
-### Reach for This When
-
-- Plucked or bowed string textures
-- Acoustic instrument emulation with a synthetic edge
-- Processing audio through physical string models (Effect version)
-
-### Don't Use When
-
-- You need realistic acoustic strings (use AudioLayer with samples instead)
-- You need non-string physical modeling (use Modal for plates/tubes)
-
----
-
-## Burns Audio Granular
-
-- **Type:** AU Plugin (Instrument / Effect)
-- **Developer:** Burns Audio (Thomas Burns)
-- **Format:** AUv3 (free)
-- **What it does:** Multi-mode granular processor based on Mutable Instruments Clouds. Functions as granular delay, pitch shifter, reverb, looper, and spectral processor. Records incoming audio into a buffer and plays it back as a cloud of tiny grains with control over size, density, position, pitch, and texture.
-- **Synthesis method:** Granular synthesis -- slices audio into micro-fragments and recombines them
-- **Character:** Ethereal, smeared, ambient. Can turn any sound into a shimmering cloud of particles. From subtle textural enhancement to completely obliterated abstract soundscapes.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Position** | Playback point in the buffer | Automate for scanning through recorded audio |
-| **Size** | Grain size | Small (< 20ms) for glitchy, large (100ms+) for smooth clouds |
-| **Density** | Number of simultaneous grains | High for dense textures, low for sparse particles |
-| **Texture** | Grain window shape / overlap | Higher = smoother, lower = more granular artifacts |
-| **Pitch** | Grain pitch shift | +/- octave for harmonics, slight shift for chorus |
-| **Feedback** | Recirculation | 40-60% for evolving textures, > 80% for building drones |
-| **Freeze** | Hold current buffer | Toggle for sustained textures |
-| **Dry/Wet** | Effect blend | 30-50% for subtle texture, 100% for ambient wash |
-
-### Reach for This When
-
-- Ambient washes and textural backgrounds
-- Transforming any audio into abstract soundscapes
-- Granular delay/reverb effects
-- Freeze effects for sustained drone textures
-
-### Don't Use When
-
-- You need clean, transparent effects
-- Precise, rhythmic delay/reverb (use native Delay or Echo)
-
-### vs Alternatives
-
-- **vs Ableton Grain Delay:** Granular is more feature-rich with multi-mode operation. Grain Delay is simpler and lighter.
-- **vs Ableton Spectral Time:** Different character -- Granular is particle-based, Spectral Time is FFT-based.
-
----
-
-## Burns Audio ModalEffect
-
-- **Type:** AU Plugin (Effect)
-- **Developer:** Burns Audio (Thomas Burns)
-- **Format:** AUv3 (free)
-- **What it does:** The effect version of Burns Audio Modal. Processes incoming audio through the 64-band modal resonator, exciting the resonant structure with external sound instead of the built-in exciter. Any audio passed through it takes on metallic, bell-like, or resonant body characteristics.
-- **Synthesis method:** Modal synthesis as audio effect -- incoming audio excites the resonator bank
-
-### Key Parameters
-
-Same as Burns Audio Modal, but the excitation source is your audio input rather than a built-in model.
-
-### Reach for This When
-
-- You want to make drums or vocals sound metallic/bell-like
-- Resonant body effects on any audio source
-- Creative sound design: run beats through a plate/string/tube resonator
-
-### Don't Use When
-
-- You want the sound to remain recognizable (heavy modal processing transforms audio dramatically)
-
----
-
-## KQ Dixie
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** Kira Q Tech (Ryouta Kira)
-- **Format:** AUv3, Standalone; multi-output variant available
-- **What it does:** 6-operator FM synthesizer faithfully emulating the Yamaha DX7. Supports 32 algorithms, 156 voice parameters, DX7 SysEx patch import (.syx files), multi-timbre, and unison. Can even manage hardware DX7 units via MIDI.
-- **Synthesis method:** FM synthesis -- 6 sine-wave operators modulating each other through 32 routing algorithms
-- **Character:** Classic 80s FM: glassy electric pianos, crystalline bells, metallic basses, breathy pads, and aggressive digital leads. The specific DX7 character that defined a decade of pop music.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Algorithm** | Operator routing topology (1-32) | Alg 1 for classic EP, Alg 5 for brass, Alg 32 for additive |
-| **Operator Ratio** | Frequency ratio of each operator | Integer ratios (1, 2, 3) for harmonic, non-integer for inharmonic |
-| **Operator Level** | Output level per operator | Modulator level = modulation depth |
-| **Operator Envelope** | 8-stage rate/level envelope per operator | Fast rates for plucky, slow for evolving |
-| **Feedback** | Self-modulation on specific operators | Low (1-3) for warmth, high for noise/distortion |
-| **Velocity Sensitivity** | Per-operator velocity response | Essential for expressive playing |
-| **Multi-Timbre** | Layer multiple patches | Stack two patches for complex timbres |
-| **Unison** | Detuned voice stacking | 2-4 voices for fatness |
-
-### Sound Recipes
-
-- **Classic DX7 E-Piano:** Algorithm 5, carrier ratios 1:1, modulator ratios 1:14, moderate modulator levels, velocity-sensitive mod depth.
-- **FM Bell:** Algorithm 1, carrier ratio 1, modulator ratio 3.5 (inharmonic), high mod level, fast decay.
-- **Metallic Bass:** Algorithm 4, low ratios, high feedback, short decay, mono mode.
-
-### Reach for This When
-
-- You need authentic DX7 sounds (electric piano, bells, basses)
-- You have DX7 SysEx patches you want to use
-- FM synthesis with full 6-operator control
-- 80s pop/synthwave production
-
-### Don't Use When
-
-- FM programming intimidates you (the learning curve is real)
-- You need analog warmth (FM is inherently digital/crystalline)
-- Quick preset browsing is the priority (limited presets vs dedicated rompler)
-
-### vs Alternatives
-
-- **vs Ableton Operator:** Operator has 4 operators with more modern features (filters, LFO, waveform options). KQ Dixie has 6 operators and exact DX7 compatibility.
-- **vs Ableton Drift:** Opposite territories -- Drift is analog warmth, KQ Dixie is digital crystalline.
-
----
-
-## Tardigrain
-
-- **Type:** AU Plugin (Instrument / Effect / MFx)
-- **Developer:** Humbletune (Erik Sigth)
-- **Format:** AUv3, Standalone
-- **What it does:** Granular synthesizer that takes fragments of samples and plays them back non-linearly with extensive control over grain parameters. Excels at turning any sample into sustained, pitched, playable instruments. Built-in effects (reverb, waveshaper, sample crush) and a sequencer/arpeggiator. Three variants: Instrument, FX, and MFX.
-- **Synthesis method:** Granular synthesis -- fragment-based sample playback with grain size, direction, step size, and density control
-- **Character:** Organic, textural, surprisingly melodic. Unlike many granular synths that sound abstract, Tardigrain excels at creating playable, pitched sounds from samples. The keyboard control is excellent for expressive pads and melodies.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Grain Size** | Length of each grain | 20-100ms for melodic, < 10ms for glitchy |
-| **Grain Step** | Distance between consecutive grain start points | Small for smooth, large for jumpy |
-| **Grain Direction** | Forward/reverse/random playback | Random for textural variety |
-| **Position** | Sample playback position | Automate for scanning through material |
-| **Pitch** | Grain pitch shift | Track keyboard for melodic playing |
-| **Density** | Grain overlap | High for dense sustained tones |
-| **Sequencer/Arp** | Built-in note sequencer | Use for rhythmic granular patterns |
-| **LFOs** (x4) | Modulation sources | Route to position and size for movement |
-| **Reverb** | Built-in reverb | Add space to granular textures |
-| **Waveshaper** | Distortion effect | Subtle warmth on granular output |
-
-### Reach for This When
-
-- Turning any sample into a playable, pitched instrument
-- Sustained pad textures from short recordings
-- Expressive granular performance with keyboard control
-- Granular processing of live audio (FX version)
-
-### Don't Use When
-
-- You need clean, transparent sample playback (use AudioLayer or Simpler)
-- Precise rhythmic chopping (use sEGments or Koala)
-
-### vs Alternatives
-
-- **vs Burns Audio Granular:** Tardigrain is more focused on playable, melodic granular. Burns Granular is more effect-oriented.
-- **vs Ableton Grain Delay:** Tardigrain is a full instrument with keyboard tracking. Grain Delay is a simple effect.
-- **vs iDensity:** iDensity has 6 granular streams and more parameters. Tardigrain has better playability and lower CPU.
-
----
-
-## Rymdigare
-
-- **Type:** AU Plugin (Effect)
-- **Developer:** Humbletune (Erik Sigth)
-- **Format:** AUv3, Standalone
-- **What it does:** Multi-effects processor combining reverb (5 reverberation boxes), octave shifting, resonant filtering, speed/level degradation, and waveshaping. Creates warm, atmospheric, lo-fi spaces. Part reverb, part noise/drone machine, part quality degrader.
-- **Synthesis method:** N/A (effect processor)
-- **Character:** Warm, cozy, atmospheric. Everything passed through Rymdigare sounds like it's been wrapped in a fuzzy blanket and beamed from space. Deliberately lo-fi and characterful -- the opposite of pristine.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Length** | Reverb tail length | Medium for ambience, max for drone washes |
-| **Ratio** | Reverb box size ratios | Experiment -- affects diffusion character |
-| **Tail** | Tail shape and decay | Long for ambient, short for room-like |
-| **Skew** | Asymmetric reverb response | Slight skew for organic character |
-| **Feedback** | Internal reverb feedback | 40-60% for swelling tails, > 80% for infinite |
-| **Octave Shift** | Pitch shift the reverb | Down 1 octave for deep sub-reverb textures |
-| **Filter Frequency** | Resonant filter on wet signal | Sweep for animated textures |
-| **Filter Resonance** | Filter emphasis | 40-60% for movement |
-| **Degrader** | Speed and level degradation | Subtle for vintage feel, heavy for lo-fi |
-| **LFOs** (x4) | Modulation including self-modulating speeds | Route to filter for movement |
-
-### Reach for This When
-
-- You need warm, characterful reverb with a lo-fi edge
-- Creating atmospheric, spacey textures
-- Drone and ambient sound design
-- Adding vintage/degraded quality to clean digital sources
-
-### Don't Use When
-
-- You need clean, transparent reverb (use Ableton Reverb or Hybrid Reverb)
-- Precise spatial placement (Rymdigare is impressionistic, not precise)
-- You need a utility reverb for mixing
-
-### vs Alternatives
-
-- **vs Ableton Reverb:** Rymdigare is far more characterful and creative. Ableton Reverb is cleaner and more controllable.
-- **vs Ableton Echo:** Similar creative territory. Echo is delay-focused with character, Rymdigare is reverb-focused with degradation.
-
----
-
-## AudioLayer
-
-- **Type:** AU Plugin (Instrument / MFx)
-- **Developer:** VirSyn
-- **Format:** AUv3 (Instrument + Music Effect), Standalone
-- **What it does:** Full-featured multi-sampler with streaming sample engine capable of playing huge multi-sampled instruments with hundreds of voices. Supports SFZ format, comes with Versilian Studio Chamber Orchestra (VSCO) free sample library. Multi-scope editor for layer/zone editing, sub-sample looping for unique sonic textures.
-- **Synthesis method:** Sample playback with multi-layer, multi-zone mapping
-- **Character:** Transparent and faithful to the source samples. Quality depends entirely on the loaded sample library. With the included VSCO library, it delivers credible orchestral strings, woodwinds, brass, and percussion.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Sample Browser** | Load SFZ/WAV multi-samples | VSCO library for orchestral, custom for everything else |
-| **Layer/Zone Editor** | Map samples across keyboard/velocity | Multi-velocity layers for realism |
-| **Filter** | Per-zone filtering | LP for warmth on bright samples |
-| **ADSR Envelope** | Amp envelope per zone | Adjust per instrument character |
-| **Sub-Sample Looping** | Loop within audible range | Creates unique timbres from sustained samples |
-| **Effects** | Built-in FX chain | Reverb for orchestral space |
-
-### Reach for This When
-
-- Playing multi-sampled instruments (orchestral, acoustic, keys)
-- Loading SFZ sample libraries
-- You need a lightweight rompler that can handle large libraries
-- Orchestral/cinematic work with the free VSCO library
-
-### Don't Use When
-
-- You need synthesis (this is purely sample playback)
-- Deep modulation or sound design (limited mod matrix)
-- You need a sampler with slicing/chopping (use Koala or sEGments)
-
-### vs Alternatives
-
-- **vs Ableton Sampler:** Sampler has deeper modulation, zone crossfading, and integration with Live. AudioLayer has streaming engine for larger libraries and SFZ support.
-- **vs Ableton Simpler:** Simpler is for single samples. AudioLayer handles full multi-sample instruments.
-
----
-
-## Sitala
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** Decomposer
-- **Format:** AU, VST, VST3, AAX, Standalone (cross-platform)
-- **What it does:** Lightweight 16-pad drum sampler focused on speed and simplicity. Six controls per pad: Shape (transient), Tune (2-octave range), Volume, Compression, Tone (brightness), and Pan. Auto-detects transients in audio files and slices them across pads. No sequencer -- purely a sound source.
-- **Synthesis method:** Sample playback with per-pad processing
-- **Character:** Clean, fast, no-nonsense. Designed to get drum kits built in seconds. The Shape control is uniquely useful for sculpting transients without reaching for a separate processor.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Shape** | Transient shaping / attack character | Positive for snap, negative for softer attack |
-| **Tune** | Pitch +/- 1 octave | Detune kicks slightly down, tune snares up |
-| **Volume** | Per-pad level | Balance kit internally |
-| **Compression** | Per-pad dynamics | Moderate for punch, heavy for crushed |
-| **Tone** | Brightness / high shelf | Darken boomy kicks, brighten dull snares |
-| **Pan** | Stereo placement | Spread hi-hats and percussion |
-
-### Reach for This When
-
-- Quick drum kit building from samples
-- Auto-slicing drum loops across pads
-- Lightweight drum triggering (very low CPU)
-- Simple, one-page workflow without menus
-
-### Don't Use When
-
-- You need built-in sequencing (use EG Pulse or DigiStix)
-- You need synthesis-based drum sounds (use Ableton Drum Synths)
-- You need per-pad effects beyond the basic six controls
-
-### vs Alternatives
-
-- **vs Ableton Drum Rack:** Drum Rack has unlimited effects per pad and deeper routing. Sitala is faster for basic kit building.
-- **vs EG Pulse:** EG Pulse has sequencing and more per-pad FX. Sitala is simpler and lighter.
-- **vs Koala Sampler:** Koala has recording, chopping, and performance features. Sitala is focused purely on drum triggering.
-
----
-
-## Koala Sampler
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** Elf Audio
-- **Format:** AUv3, Standalone
-- **What it does:** Full-featured sampling workstation with instant recording (from mic, audio input, or apps), auto/manual chopping, time stretching, per-pad EQ, 24 built-in effects, stem extraction, looping, resampling, and 64 performance pads across 4 banks. Known for its lo-fi character and joyful workflow.
-- **Synthesis method:** Sample playback with real-time recording, chopping, and processing
-- **Character:** Warm, lo-fi, immediate. Koala has a distinctive character -- samples sound slightly crunchy and characterful in a way that suits hip-hop, lo-fi, and experimental music. The workflow encourages spontaneous creativity.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Record** | Capture audio from any source | Mic, other apps, or line in |
-| **Chop Mode** | Transient / Equal / Manual slicing | Transients for drum breaks, Equal for loops |
-| **Time Stretch** | Sync sample to project tempo | Essential for loop-based work |
-| **Per-Pad EQ** | 3-band EQ on each pad | Scoop mids on samples to fit in mix |
-| **Effects** (24) | Distortion, filter, delay, reverb, bitcrush, tape, vinyl... | Stack 16 simultaneously per pad |
-| **Performance Pads** | Velocity-sensitive triggering | Finger drumming and live performance |
-| **Stem Extraction** | Separate drums/bass/vocals/other | Isolate elements from any recording |
-| **Loop Modes** | Forward, reverse, ping-pong | Ping-pong for textural variation |
-
-### Reach for This When
-
-- Sampling from the real world (mic recording) into beats
-- Lo-fi hip-hop and beat-making
-- Quick, spontaneous music creation
-- Chopping loops and drum breaks
-- Live sampling performance
-
-### Don't Use When
-
-- You need pristine, transparent sample playback (use AudioLayer)
-- Multi-sample instrument mapping (use Sampler or AudioLayer)
-- You need deep MIDI sequencing
-
-### vs Alternatives
-
-- **vs Ableton Simpler:** Simpler handles one sample elegantly within Live's ecosystem. Koala is a complete sampling workstation.
-- **vs sEGments:** sEGments is more precise for slice-based work. Koala has recording, effects, and performance features.
-- **vs Sitala:** Sitala is drum-focused and lightweight. Koala is a full creative sampler.
-
----
-
-## Koshiba
-
-- **Type:** AU Plugin (Effect)
-- **Developer:** iceGear Instruments
-- **Format:** AUv3, Standalone
-- **What it does:** 16-step gate sequencer effect that transforms sustained sounds into rhythmic phrases. Each step has individual controls for volume, pan, and filter (with resonance and drive). Includes a filtered delay for additional processing. Not a synthesizer -- it's a rhythmic gate processor.
-- **Synthesis method:** N/A (gate sequencer effect)
-- **Character:** Rhythmic, choppy, surgical. Transforms pads into arpeggiated patterns, sustained chords into stuttering rhythms, or drones into pulsing sequences. The per-step filter makes it far more expressive than a simple gate.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Step Volume** | Level per step | Create accents and ghost notes |
-| **Step Pan** | Pan position per step | Alternating L/R for stereo movement |
-| **Step Filter** | Filter cutoff per step | Sweep across steps for filter sequences |
-| **Step Resonance** | Filter resonance per step | Higher on accented steps |
-| **Step Drive** | Saturation per step | Subtle drive on downbeats |
-| **Delay** | Filtered delay with feedback | Short delays for doubling, long for echoes |
-| **Step Count** | 1-16 active steps | Odd numbers (5, 7) for polyrhythmic feel |
-
-### Reach for This When
-
-- Creating rhythmic patterns from sustained sounds (pads, drones, chords)
-- Trance gate effects with per-step tonal variation
-- Sidechain-style pumping with more control
-- Adding rhythmic interest to static sounds
-
-### Don't Use When
-
-- You need simple volume gating (use Ableton Auto Pan in gate mode)
-- You need a synthesizer (Koshiba makes no sound on its own)
-
-### vs Alternatives
-
-- **vs Ableton Auto Pan (gate mode):** Koshiba has per-step filter, pan, and drive. Auto Pan is simpler but less expressive.
-- **vs Ableton Beat Repeat:** Different approach -- Beat Repeat captures and repeats, Koshiba gates rhythmically.
-
----
-
-## Mellowsound
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** Fingerlab
-- **Format:** AUv3, Standalone
-- **What it does:** Virtual Mellotron emulation -- the legendary tape-based keyboard sampler from the 1960s used by The Beatles, David Bowie, Radiohead, and King Crimson. Plays back recordings of real instruments (strings, flutes, brass, choirs) with the characteristic wobbly, lo-fi quality of tape playback. 14 instruments with effects (tremolo, delay, reverb, chorus, pitch-shifter, tube amp).
-- **Synthesis method:** Tape sample playback (Mellotron emulation)
-- **Character:** Nostalgic, wobbly, hauntingly beautiful. The Mellotron sound is unmistakable -- orchestral textures with tape hiss, slight pitch instability, and limited sustain (original tapes were 8 seconds). Every note sounds slightly different, giving it an organic, human quality.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Instrument Select** | Choose from 14 sounds (Sad Strings, Electric Guitar, Vibraphone, etc.) | Sad Strings for classic Mellotron, Flute for prog rock |
-| **ADSR Envelope** | Shape the amplitude | Quick attack, medium sustain for authentic character |
-| **Tremolo** | Amplitude modulation | Slow rate for vintage warble |
-| **Chorus** | Stereo widening | Subtle for depth |
-| **Pitch Shifter** | Detune/transpose | Slight detune for eerie quality |
-| **Delay / Reverb** | Space effects | Medium reverb for cinematic depth |
-| **Tube Amp** | Warm saturation | Low drive for tape warmth |
-
-### Reach for This When
-
-- Classic Mellotron sounds (Strawberry Fields Forever strings, King Crimson flutes)
-- Vintage orchestral textures with lo-fi character
-- Indie/alternative productions needing organic warmth
-- Cinematic nostalgia
-
-### Don't Use When
-
-- You need realistic, clean orchestral sounds (use AudioLayer with VSCO)
-- You need sustained notes beyond tape-length limits
-- You need modern, pristine pads
-
-### vs Alternatives
-
-- **vs Ableton Sampler (with Mellotron samples):** Mellowsound has the specific character and workflow. Sampler requires sourcing and mapping samples yourself.
-- **vs AudioLayer:** AudioLayer is for clean sample playback. Mellowsound is for the specific Mellotron aesthetic.
-
----
-
-## iDensity
-
-- **Type:** AU Plugin (Instrument / Effect / MFx)
-- **Developer:** apeSoft
-- **Format:** AUv3, Standalone
-- **What it does:** Professional granular processor with 6 independent granular streams, high-density granulation, both sampled and live input modes, per-stream echo and ring modulation, snapshot morphing pad, and a post-FX chain (parametric EQ, high shelf, reverb, dynamics). The most powerful granular processor available on macOS/iOS.
-- **Synthesis method:** Asynchronous granular synthesis -- 6 independent streams with up to hundreds of simultaneous grains
-- **Character:** Ranges from subtle shimmer to complete sonic obliteration. The 6 independent streams allow layered granular textures of extraordinary density and complexity. Can create everything from gentle ambience to chaotic granular storms.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Stream Count** | 1-6 active granular streams | 2-3 for textural depth, 6 for maximum density |
-| **Grain Size** | Per-stream grain duration | 5-50ms for glitchy, 100-500ms for smooth |
-| **Grain Density** | Grains per second per stream | Low for sparse, high for dense clouds |
-| **Position** | Playback position in buffer | Automate for scanning |
-| **Pitch** | Per-stream pitch shift | Different per stream for harmonic complexity |
-| **Echo** | Per-stream delay | Short for doubling, long for rhythmic |
-| **Ring Mod** | Per-stream ring modulation | Subtle for metallic shimmer |
-| **Morphing Pad** | XY pad for snapshot interpolation | Morph between presets during performance |
-| **Post FX** | EQ, reverb, dynamics | Shape overall granular output |
-
-### Reach for This When
-
-- Maximum granular processing power and flexibility
-- Layered granular textures with independent stream control
-- Live granular performance with snapshot morphing
-- Sound design requiring 6 simultaneous granular processors
-
-### Don't Use When
-
-- You need simple granular effects (use Burns Audio Granular or Grain Delay)
-- Playable, melodic granular (use Tardigrain)
-- CPU is constrained (6 streams can be demanding)
-
-### vs Alternatives
-
-- **vs Tardigrain:** iDensity is more powerful (6 streams) but less playable. Tardigrain excels at melodic granular.
-- **vs Burns Audio Granular:** Burns Granular is simpler and free. iDensity is the professional option.
-- **vs Ableton Grain Delay:** Grain Delay is basic. iDensity is a full granular workstation.
-
----
-
-## BYOD
-
-- **Type:** AU Plugin (Effect)
-- **Developer:** Chowdhury DSP (chowdsp)
-- **Format:** AUv3, AU, VST3, VST, AAX, CLAP, LV2, Standalone (free core, paid add-on packs)
-- **What it does:** Build-Your-Own-Distortion -- a modular distortion/amp sim builder. Drag and drop from 16+ drive modules, 11+ tone modules, 9+ utility modules, and 7+ effect modules to create custom signal chains. Emulates various guitar distortion circuits, preamps, and tone-shaping stages.
-- **Synthesis method:** N/A (modular distortion effect)
-- **Character:** Varies enormously based on module chain. Can be subtle tube warmth, aggressive fuzz, surgical tone shaping, or complete destruction. The modular approach means every patch sounds different.
-
-### Key Modules
-
-| Module Category | Examples | Character |
-|----------------|----------|-----------|
-| **Drive** | Diode Clipper, Tube Screamer, Dirty Tube, MOSFET, Fuzz Machine, Mouse Drive | Soft clip to hard fuzz |
-| **Tone** | Baxandall EQ, Graphic EQ, High Cut, Tone filters | Shape frequency response |
-| **Utility** | Mixer, Frequency Splitter, Oscilloscope, DC Blocker | Routing and monitoring |
-| **Effects** | Chorus, Compressor, Delay, Spring Reverb, Ladder Filter | Post-drive processing |
-
-### Reach for This When
-
-- Building custom distortion/amp chains from components
-- Guitar amp simulation with precise control
-- Parallel distortion (use frequency splitter for multiband)
-- Creative distortion design (chain unusual combinations)
-
-### Don't Use When
-
-- You need quick, preset-based distortion (use Ableton Saturator or Amp)
-- The modular approach is overkill for your needs
-- You need latency-free real-time guitar monitoring
-
-### vs Alternatives
-
-- **vs Ableton Amp:** Amp is preset-based and simpler. BYOD lets you build the amp from components.
-- **vs Ableton Saturator:** Saturator is one-stage. BYOD chains multiple stages.
-- **vs Ableton Pedal:** Similar territory but BYOD is infinitely more flexible.
-
----
-
-## ChowTapeModel
-
-- **Type:** AU Plugin (Effect)
-- **Developer:** Chowdhury DSP (chowdsp)
-- **Format:** AUv3, AU, VST3, VST, AAX, CLAP, LV2, Standalone (free)
-- **What it does:** Physical model of analog reel-to-reel tape machines. Simulates hysteresis (magnetic tape saturation), wow and flutter (pitch instability), tape speed effects, degradation, and the specific harmonic character of tape recording. Originally modeled the Sony TC-260 but expanded to cover a wider range of tape machines.
-- **Synthesis method:** N/A (tape emulation effect)
-- **Character:** Warm, slightly compressed, with gentle harmonic saturation. The hysteresis model adds even-harmonic warmth that makes digital recordings feel more "analog." Wow/flutter adds organic pitch movement. Can go from subtle warmth to heavy tape degradation.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Input Gain** | Level into tape stage | Push for more saturation |
-| **Drive** | Hysteresis amplification (adds distortion) | 3-5 dB for warmth, 10+ for obvious saturation |
-| **Saturation** | Amount of hysteresis nonlinearity | 30-50% for subtle, 80%+ for heavy coloring |
-| **Bias** | Tape bias (wider = deadzone at low levels) | 50% for balanced, low for lo-fi compression |
-| **Tape Speed** | IPS emulation (affects frequency response) | 15 IPS for clean, 3.75 IPS for lo-fi |
-| **Wow Rate/Depth** | Slow pitch modulation | Rate 0.5-2 Hz, depth 10-20% for subtle movement |
-| **Flutter Rate/Depth** | Fast pitch modulation | Rate 5-15 Hz, depth 5-10% for tape warble |
-| **Degradation** | Additional tape aging effects | Subtle amounts for vintage character |
-| **Dry/Wet** | Mix control | 50-100% on bus, 30-50% on individual tracks |
-
-### Reach for This When
-
-- Adding analog warmth to digital recordings
-- Tape saturation on mix bus or individual tracks
-- Lo-fi aesthetic with wow/flutter
-- Subtle harmonic enrichment of sterile digital sources
-- Free alternative to paid tape emulations
-
-### Don't Use When
-
-- You need transparent processing
-- Precise, clean saturation (use Ableton Saturator in Soft mode)
-- You want zero latency
-
-### vs Alternatives
-
-- **vs Ableton Saturator:** Saturator is simpler and lighter. ChowTapeModel has authentic tape physics (wow, flutter, hysteresis).
-- **vs Ableton Amp (tape emulation):** Different character. ChowTapeModel is focused specifically on tape, not guitar amps.
-
----
-
-## ChowKick
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** Chowdhury DSP (chowdsp)
-- **Format:** AUv3, AU, VST3, VST, CLAP, LV2, Standalone (free)
-- **What it does:** Kick drum synthesizer based on creative modeling of old-school drum machine circuits. MIDI triggers a parameterizable pulse that passes through a resonant filter with multiple nonlinear modes. Can be tuned to specific frequencies or follow MIDI notes for 808-style bass.
-- **Synthesis method:** Physical/circuit modeling -- pulse shaper + noise generator + resonant filter
-- **Character:** Deep, punchy, tunable. Covers everything from tight acoustic-style kicks to massive 808 sub-bass. The nonlinear filter modes (Linear, Basic, Bouncy) give different flavors of resonance.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Pulse Shape** | Attack transient character | Short/sharp for tight kicks, long for boomy |
-| **Pulse Width** | Duration of initial pulse | Narrow for click, wide for body |
-| **Noise Level** | Noise mixed with pulse | Add for texture/attack |
-| **Filter Frequency** | Resonant body pitch | 40-60 Hz for sub kicks, 80-120 Hz for punchy |
-| **Filter Resonance Mode** | Linear / Basic / Bouncy | Linear for clean, Bouncy for analog circuit feel |
-| **MIDI Tracking** | Follow note pitch | Enable for 808 basslines |
-| **Voices** | Polyphony | Multi-voice for playing melodies |
-| **Decay** | Resonant tail length | Short for tight, long for 808-style |
-
-### Reach for This When
-
-- Synthesizing kicks from scratch with full control
-- 808-style sub-bass that follows MIDI notes
-- Layering a synthesized kick underneath sampled drums
-- Free kick synthesizer that rivals paid alternatives
-
-### Don't Use When
-
-- You need sampled acoustic kick sounds (use Sitala or Drum Rack)
-- You want a full drum machine (use EG Pulse or DigiStix)
-
-### vs Alternatives
-
-- **vs Ableton Drum Synths (Kick):** Live's built-in Kick is simpler. ChowKick's circuit modeling and resonance modes offer more character.
-- **vs Operator (kick synthesis):** Operator can synthesize kicks but requires more setup. ChowKick is purpose-built.
-
----
-
-## ChowMatrix
-
-- **Type:** AU Plugin (Effect)
-- **Developer:** Chowdhury DSP (chowdsp)
-- **Format:** AU, VST3, VST, AAX, LV2, Standalone (free)
-- **What it does:** Delay effect built from an infinitely growable tree of interconnected delay nodes. Each node has independent controls for delay time, filters, pitch shift, distortion, modulation, and panning. An "Insanity" parameter adds random parameter wandering. Both free and tempo-synced modes.
-- **Synthesis method:** N/A (delay network effect)
-- **Character:** Ranges from conventional multi-tap delay to chaotic, self-evolving delay networks. The tree structure creates rhythmically complex patterns that would be impossible with standard stereo delays. Can get very experimental very quickly.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Node Count** | Add/remove delay nodes | 3-5 for musical, 10+ for chaos |
-| **Delay Time** | Per-node delay length | Tempo-synced for rhythmic, free for textural |
-| **Feedback** | Per-node regeneration | 30-50% for controlled, 70%+ for building |
-| **HP/LP Filter** | Per-node filtering | Darken later nodes for natural decay |
-| **Pitch Shift** | Per-node pitch offset | Small shifts for chorus, octaves for shimmer |
-| **Distortion** | Per-node saturation | Subtle on feedback paths for analog feel |
-| **Pan Modulation** | Per-node stereo movement | Wide spread for immersive delays |
-| **Insanity** | Random parameter drift | 10-20% for subtle evolution, 50%+ for experimental |
-
-### Reach for This When
-
-- Complex multi-tap delay patterns
-- Experimental, evolving delay textures
-- Sound design requiring interconnected delay networks
-- Free alternative to expensive multi-tap delays
-
-### Don't Use When
-
-- You need a simple, predictable delay (use Ableton Delay)
-- Quick setup is the priority (ChowMatrix has a learning curve)
-- You need clean, transparent repeats
-
-### vs Alternatives
-
-- **vs Ableton Delay:** Delay is simple stereo. ChowMatrix is an infinite delay network.
-- **vs Ableton Echo:** Echo has character and modulation. ChowMatrix has structural complexity.
-- **vs Ableton Filter Delay:** Filter Delay has 3 bands. ChowMatrix has unlimited nodes with more per-node control.
-
----
-
-## EG Pulse
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** ElliottGarage
-- **Format:** AUv3, AUv3 Multi-out, Standalone
-- **What it does:** Full-featured drum machine/sampler with 16 pads, built-in sequencer (up to 64 beats, 256 patterns in song mode), 16-channel mixer, and extensive per-pad effects (delay, reverb, chorus/flanger, bit crunch, overdrive, 8-band EQ, HP/LP filters). Import samples via drag & drop with time stretch/loop sync.
-- **Synthesis method:** Sample playback with synthesis-grade per-pad processing
-- **Character:** Versatile drum machine that can handle everything from trap to acoustic kit emulation. The extensive per-pad effects chain means sounds can be heavily shaped without leaving the plugin.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **16 Pads** | Load samples per pad | Drag & drop from Files or other apps |
-| **Mute Groups** | Auto-mute related pads | Closed HH mutes Open HH |
-| **Sequencer** | Pattern-based step sequencer | 16-32 steps for standard patterns |
-| **Song Mode** | Chain up to 256 patterns | Full arrangement within the plugin |
-| **Per-Pad Mix** | Volume, pan, pitch, speed per pad | Fine-tune kit balance |
-| **Effects** | Delay, reverb, chorus, bit crunch, overdrive, EQ, filter | Per-pad for specific treatment |
-| **Multi-Out** | Route pads to separate outputs | Essential for mixing drums in Live |
-
-### Reach for This When
-
-- Self-contained drum production with sequencing
-- Multi-output drum routing for professional mixing in Live
-- Pattern-based composition with song arrangement
-- Per-pad effects processing
-
-### Don't Use When
-
-- You need synthesis-based drums (use Ableton Drum Synths)
-- Lightweight sample triggering is enough (use Sitala)
-- You prefer Live's clip/scene workflow for arrangement
-
-### vs Alternatives
-
-- **vs Ableton Drum Rack:** Drum Rack integrates with Live's clip system and has unlimited effect chains. EG Pulse has a self-contained sequencer and more streamlined drum workflow.
-- **vs DigiStix:** Similar capabilities. EG Pulse has a more modern interface and better song mode.
-- **vs Sitala:** Sitala is lighter and simpler. EG Pulse is a complete drum production tool.
-
----
-
-## sEGments
-
-- **Type:** AU Plugin (Instrument / Effect)
-- **Developer:** ElliottGarage
-- **Format:** AUv3 (Instrument, Multi-output, FX), Standalone
-- **What it does:** Slicer/sampler that imports audio files, automatically detects transients (or manual slice markers), and maps up to 16 slices to MIDI-playable pads or keyboard. Each slice has individual ADSR, polyphony (up to 12 voices), chromatic playback, and per-slice effects (delay, reverb, bitcrusher, filter). Auto-detects BPM and root key, adjusts tempo/pitch to host.
-- **Synthesis method:** Slice-based sample playback with per-slice processing
-- **Character:** Clean, precise, tempo-locked. Designed for sample manipulation where slices need to stay in sync with the project. Each slice can become its own chromatic instrument.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Transient Detection** | Auto-slice at transients | Great for drum loops and melodic phrases |
-| **Manual Markers** | Place slice points by hand | For precise control over slice boundaries |
-| **Per-Slice ADSR** | Individual amp envelope | Short for percussive, long for sustain |
-| **Chromatic Mode** | Play slices across keyboard chromatically | Turn drum slices into melodic instruments |
-| **Polyphony** | 1-12 voices per slice | Mono for drums, poly for melodic |
-| **Per-Slice FX** | Delay, reverb, bitcrusher, filter | Individual treatment per slice |
-| **Tempo Sync** | Auto-match project BPM | Essential for loop-based work |
-
-### Reach for This When
-
-- Slicing and remapping audio loops to MIDI
-- Tempo-synced sample playback that follows the project
-- Turning sliced audio into chromatic instruments
-- REX-file-style workflow
-
-### Don't Use When
-
-- You need full sampling (recording, chopping from mic) -- use Koala
-- Simple one-shot triggering -- use Sitala
-- Granular processing -- use Tardigrain or iDensity
-
-### vs Alternatives
-
-- **vs Ableton Simpler (Slice mode):** Similar concept. sEGments has per-slice effects and multi-output routing.
-- **vs Koala Sampler:** Koala is for creative sampling and beat-making. sEGments is for precise slice-based playback.
-
----
-
-## miRack
-
-- **Type:** AU Plugin (Instrument / Effect / MIDI Effect)
-- **Developer:** mifki
-- **Format:** AUv3 (Instrument, FX, MIDI FX, 16-channel variants), Standalone
-- **What it does:** Full Eurorack modular synthesizer emulator based on VCV Rack's open-source codebase. Hundreds of virtual modules from various Eurorack manufacturers (oscillators, filters, effects, sequencers, utilities). Virtual patch cables connect modules. Multi-channel audio I/O, MIDI support, Ableton Link sync, iCloud patch sharing.
-- **Synthesis method:** Fully modular -- any synthesis method possible depending on modules used
-- **Character:** Authentic Eurorack sound and workflow. The sound quality matches VCV Rack, which is widely considered indistinguishable from real Eurorack hardware for many modules. Can produce any sound imaginable given enough modules and patching.
-
-### Key Module Categories
-
-| Category | Notable Modules | Purpose |
-|----------|----------------|---------|
-| **VCOs** | Fundamental VCO, Macro Oscillator (Plaits) | Sound sources |
-| **VCFs** | Befaco, Vult, Lindenberg | Filtering |
-| **LFOs/Envelopes** | Bogaudio, Impromptu | Modulation |
-| **Sequencers** | Impromptu Clocked, Foundry | Sequencing |
-| **Effects** | Plateau Reverb, Spring Reverb, Delay | Processing |
-| **Utilities** | Mixers, VCAs, Quantizers, S&H | Signal routing |
-| **Logic** | Clocks, Dividers, Probability | Generative/algorithmic |
-
-### Reach for This When
-
-- Full Eurorack modular experience in software
-- Access to hundreds of community modules
-- Deep modular synthesis and generative music
-- Learning Eurorack concepts without hardware cost
-
-### Don't Use When
-
-- You need quick results (modular has a steep learning curve)
-- CPU is constrained (complex patches can be demanding)
-- Simple synthesis tasks (use a dedicated synth plugin)
-
-### vs Alternatives
-
-- **vs Drambo:** Drambo is more streamlined with integrated sequencing. miRack has more modules and authentic Eurorack workflow.
-- **vs Model 15:** Model 15 has fixed Moog modules with premium sound. miRack has unlimited modules from many manufacturers.
-- **vs Ableton + Max for Live:** Different paradigm. miRack is Eurorack; Max for Live is visual programming.
-
----
-
-## Physicle Bouncy
-
-- **Type:** AU Plugin (MIDI Generator)
-- **Developer:** rrc2soft (Rodrigo Roman)
-- **Format:** AUv3 (MIDI only -- no audio output)
-- **What it does:** Physics-based MIDI generator where multiple balls bounce inside a polygon following Newtonian physics (no gravity, perfect elasticity). MIDI notes are generated when balls collide with polygon walls. Ball velocity and direction can be individually adjusted. Creates unpredictable, evolving MIDI patterns driven by physics simulation.
-- **Synthesis method:** N/A (MIDI generator only -- requires a synth to produce sound)
-- **Character:** Generative, unpredictable, organic. The physics engine creates patterns that feel natural and non-repetitive, impossible to achieve with traditional step sequencers.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Ball Count** | Number of bouncing balls | 3-5 for sparse, 10+ for dense patterns |
-| **Ball Velocity** | Speed of each ball | Slow for ambient, fast for chaotic |
-| **Ball Direction** | Initial trajectory | Set different angles for variety |
-| **Polygon Shape** | Boundary geometry | More sides = more collision angles |
-| **Note Mapping** | Which notes trigger per wall | Pentatonic scale for safe harmonic results |
-
-### Reach for This When
-
-- Generative MIDI patterns that evolve unpredictably
-- Ambient/experimental music where randomness is desired
-- Visual + musical composition (the bouncing is fun to watch)
-- Breaking out of programmed pattern habits
-
-### Don't Use When
-
-- You need precise, repeatable MIDI patterns
-- The output needs to be rhythmically quantized
-- You need audio output (this is MIDI only)
-
----
-
-## Physicle Gravity
-
-- **Type:** AU Plugin (MIDI Generator)
-- **Developer:** rrc2soft (Rodrigo Roman)
-- **Format:** AUv3 (MIDI only)
-- **What it does:** Physics-based MIDI generator where ball generators spawn projectiles that fall under gravity and generate MIDI when they collide with user-drawn line segments. Tap to create generators, draw segments with pan gesture. Combines gravity simulation with hand-drawn geometry for unique generative patterns.
-- **Synthesis method:** N/A (MIDI generator only)
-- **Character:** Similar to Bouncy but with gravity adding directionality. Patterns tend to have more rhythmic regularity due to the consistent downward pull, while still being generative.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Generator Position** | Where balls spawn | Place at different heights for varied timing |
-| **Spawn Rate** | How often balls are generated | Sync to beat divisions |
-| **Segments** | Hand-drawn collision surfaces | Angle and position determine pitch and rhythm |
-| **Gravity** | Strength of downward pull | Lower for floaty, higher for rhythmic |
-| **Note Mapping** | Notes assigned to segments | Map to chord tones for harmonic results |
-
-### Reach for This When
-
-- Gravity-based generative sequences
-- Visual/gestural composition (draw your instrument)
-- More rhythmically grounded generative patterns than Bouncy
-
-### Don't Use When
-
-- Same limitations as Bouncy -- MIDI only, non-repeatable
-
----
-
-## Bram Bos Salome
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** Bram Bos
-- **Format:** AUv3, Standalone
-- **What it does:** Workflow-optimized MPE sampler designed for recording or importing sounds, turning them into seamless loops, and playing them polyphonically (up to 12 voices). Features a 12-mode filter based on the Oberheim Xpander design, built-in MPE keypads, latch mode with faders, and non-destructive crossfade looping.
-- **Synthesis method:** Sample playback with MPE expression and subtractive filtering
-- **Character:** Clean, expressive, immediate. Designed to turn any sound into a playable instrument as fast as possible. The Oberheim-style filter adds analog character to any sample.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Sample Record/Import** | Capture or load audio | Record directly from mic or import files |
-| **X-Fade Loop** | Non-destructive seamless looping | Essential for sustained playback |
-| **Filter (12 modes)** | Oberheim Xpander-style filter | LP for warmth, BP for vocal character |
-| **MPE Response** | Pressure, slide, glide | Map to filter cutoff and volume |
-| **Polyphony** | 1-12 voices | 4-8 for chord work |
-| **Latch Mode** | Sustain with fader control | Hands-free drone/pad layering |
-
-### Reach for This When
-
-- Quick sample-to-instrument conversion
-- MPE expression from sampled sounds
-- Minimal-workflow pad/drone creation
-- The Oberheim-style filter character
-
-### Don't Use When
-
-- You need multi-sample mapping (use AudioLayer)
-- Deep sample editing (use Koala or sEGments)
-- Non-MPE workflow with no expressive need
-
-### vs Alternatives
-
-- **vs Ableton Simpler:** Simpler integrates with Live and has more warp/slice modes. Salome has MPE and the Oberheim filter.
-- **vs Tardigrain:** Tardigrain is granular. Salome is clean sample playback with expression.
-
----
-
-## WOOTT
-
-- **Type:** AU Plugin (Effect)
-- **Developer:** Bram Bos
-- **Format:** AUv3, Standalone
-- **What it does:** Dynamic hype enhancer inspired by OTT (Over The Top) -- the legendary Ableton Multiband Dynamics preset turned free Xfer plugin. Combines downward compression of peaks with upward compression of quiet sections across three frequency bands. Essentially a multiband OTT processor with better visual feedback and additional controls.
-- **Synthesis method:** N/A (multiband dynamics effect)
-- **Character:** Loud, hyped, in-your-face. Makes everything punchier and more present. The "squash" control adds dynamics breathing room that OTT lacks. Electronic music staple for making synths cut through.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Amount** | Overall wet/dry | 30-50% for mix glue, 70-100% for EDM hype |
-| **Low/Mid/High Ratio** | Compression per band | Higher ratio = more squash per band |
-| **Low/Mid/High Time** | Attack/release per band | Fast for aggressive, slower for transparent |
-| **Low/Mid/High Gain** | Output per band | Balance spectral weight |
-| **Squash** | Dynamics breathing room | 20-40% to prevent over-compression |
-| **Threshold** | Per-band threshold adjustment | Visual display shows compression activity |
-| **Limiter** | Output limiter | Catch peaks from upward compression |
-| **Make-Up Gain** | Overall output level | Compensate for any level changes |
-
-### Reach for This When
-
-- EDM/electronic synth hype and presence
-- Making elements cut through a dense mix
-- Quick multiband compression with visual feedback
-- The OTT sound with more control
-
-### Don't Use When
-
-- You need transparent, surgical compression (use Ableton Compressor or Glue Compressor)
-- Acoustic/natural material that should stay dynamic
-- Subtle, unnoticeable processing
-
-### vs Alternatives
-
-- **vs Ableton Multiband Dynamics (OTT preset):** WOOTT is dedicated to this one task with better UI and the Squash control. Multiband Dynamics is more flexible for other tasks.
-- **vs Xfer OTT:** Similar concept. WOOTT has per-band controls and better visualization.
-
----
-
-## BABY Audio Magic Switch
-
-- **Type:** AU Plugin (Effect)
-- **Developer:** BABY Audio
-- **Format:** AUv3, AU, VST3, VST, AAX, Standalone (free)
-- **What it does:** One-button stereo chorus inspired by (but not emulating) the Roland Juno chorus circuit. Splits pitch/time differences between left and right channels for wide, dreamy stereo imaging. Intentionally darker and more detuned than the original Juno chorus.
-- **Synthesis method:** N/A (chorus effect)
-- **Character:** Wide, dreamy, 1980s. Darker and more lush than clinical modern choruses. Adds instant character and width to any source with minimal controls. The "magic" is in the fixed parameter tuning.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **On/Off** | Enable the chorus effect | Toggle for instant width |
-| **Dry/Wet** | Mix control | 30-50% for subtle, 100% for full effect |
-
-### Reach for This When
-
-- Instant 80s chorus character with zero tweaking
-- Quick stereo widening on synths, pads, guitars
-- You want the vibe without the decision fatigue
-- Free and lightweight
-
-### Don't Use When
-
-- You need adjustable rate, depth, or feedback (use Ableton Chorus-Ensemble)
-- You need transparent stereo widening (use Ableton Utility or Wider)
-- Fine control over chorus parameters is needed
-
-### vs Alternatives
-
-- **vs Ableton Chorus-Ensemble:** Chorus-Ensemble has full control. Magic Switch has zero controls but a curated sound.
-- **vs Ableton Chorus (legacy):** Both are simple but Magic Switch has a more characterful, darker tone.
-
----
-
-## BeepStreet Radio Unit
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** BeepStreet (makers of Drambo)
-- **Format:** AUv3, Standalone
-- **What it does:** Internet radio player available as an AUv3 instrument plugin. Streams from a library of 35,000+ radio stations searchable by name, tag, or location. Outputs the radio stream as audio within the AU host, allowing real-time processing with other effects plugins. 32 editable radio slots, MIDI triggerable, song identification.
-- **Synthesis method:** N/A (internet radio streaming)
-- **Character:** Whatever is on the radio. The creative value is in feeding radio audio into effects chains -- run talk radio through granular processors, layer radio static under ambient music, or use it as an unpredictable audio source.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Station Select** | Choose from 35,000+ stations | Search by genre tag for targeted content |
-| **Amp** | Output level | Match to your effects chain input |
-| **On/Off** | Stream toggle | MIDI triggerable (C3) |
-| **Favorites** | Save preferred stations | Quick access to go-to sources |
-
-### Reach for This When
-
-- Live radio as a sound source for processing
-- Ambient/experimental compositions using found audio
-- Radio static and broadcast textures
-- Unpredictable audio source for generative work
-
-### Don't Use When
-
-- You need reliable, repeatable audio sources
-- Internet connection is unavailable or unreliable
-
----
-
-## FPKT DigiStix
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** 4Pockets (FPKT)
-- **Format:** AUv3, Standalone; DigiStix 2 variant available
-- **What it does:** Full drum machine/sampler with 16 assignable pads, inbuilt sequencer (up to 64 beats per pattern, 256 patterns chainable into songs), 16-channel mixer, and extensive effects (delay, reverb, chorus/flanger, bit crunch, overdrive, 8-band EQ, HP/LP filters). Per-pad mute groups for realistic hi-hat behavior.
-- **Synthesis method:** Sample playback with extensive per-pad processing and sequencing
-- **Character:** Feature-rich and versatile. Handles everything from electronic drum programming to acoustic kit emulation with deep per-pad customization.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **16 Pads** | Assign samples per pad | Drag & drop or use built-in browser |
-| **Mute Groups** | Mutual pad muting | HH closed/open pairing |
-| **Sequencer** | Up to 64-beat patterns | 16-32 steps for standard grooves |
-| **Song Mode** | Chain 256 patterns | Full arrangement capability |
-| **Mixer** | 16-channel per-pad mixing | Balance and pan each element |
-| **Effects** | Per-pad delay, reverb, chorus, bit crunch, overdrive, EQ, filter | Shape each pad independently |
-
-### Reach for This When
-
-- Complete drum production workflow with sequencing
-- Deep per-pad effects processing
-- Song arrangement within the drum machine
-
-### Don't Use When
-
-- Lightweight triggering is enough (use Sitala)
-- You prefer Live's clip workflow for drums
-
-### vs Alternatives
-
-- **vs EG Pulse:** Very similar feature set. DigiStix has longer pattern length (64 vs EG Pulse's approach).
-- **vs Ableton Drum Rack + sequencer:** Drum Rack integrates with Live's workflow. DigiStix is self-contained.
-
----
-
-## FPKT SlowMoFX
-
-- **Type:** AU Plugin (Effect)
-- **Developer:** 4Pockets (FPKT)
-- **Format:** AUv3, Standalone
-- **What it does:** Time-stretching effect that mixes incoming audio with a slowed-down version in perfect tempo sync. Provides half-speed (2x), quarter-speed (4x), and 1.5x (triplet) modes. Includes delay, reverb, EQ, drive, phaser, pan, and pitch effects for smooth transitions. Ping-pong mode alternates forward/reverse playback.
-- **Synthesis method:** N/A (time-stretching effect)
-- **Character:** Dark, heavy, slowed-down. The half-speed effect creates that "chopped and screwed" vibe or the heavy, pitched-down transitions used by DJs. The 4x mode creates extremely dark, ambient textures.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Speed Mode** | 2x (half) / 4x (quarter) / 1.5x (triplet) | 2x for standard halftime, 4x for extreme |
-| **Dry/Wet** | Blend original with slowed version | Automate 0 to 100% for transitions |
-| **Delay** | Post-stretch delay | Add for spacious transitions |
-| **Reverb** | Post-stretch reverb | Smooth the slowed audio |
-| **Drive** | Saturation | Warm up the stretched signal |
-| **Pitch** | Additional pitch shift | Stack with speed for extreme effects |
-| **Ping Pong** | Forward/reverse alternation | Textural variation |
-| **Reverse** | Reverse playback | Soothing syncopated textures |
-
-### Reach for This When
-
-- DJ-style halftime/slowdown transitions
-- "Chopped and screwed" aesthetic
-- Dark, pitched-down atmospheric effects
-- Creating triplet-feel variations from straight patterns
-
-### Don't Use When
-
-- You need transparent time-stretching (use Live's warp)
-- Real-time pitch correction or formant preservation
-- Precise tempo manipulation
-
-### vs Alternatives
-
-- **vs Ableton's warp engine:** Live's warp is for offline/track-level stretching. SlowMoFX is a real-time effect.
-- **vs HalfTime (by Cableguys):** Similar concept. SlowMoFX adds the 1.5x triplet mode and extra effects.
-
----
-
-## Blue Mangoo Parametric EQ
-
-- **Type:** AU Plugin (Effect)
-- **Developer:** Blue Mangoo
-- **Format:** AUv3
-- **What it does:** 6-band parametric equalizer with visual frequency analyzer. Low cut and high cut with adjustable Q, two bell/peak filters with adjustable Q, and low/high shelf filters. Designed for usability in small windows (especially iPhone in portrait).
-- **Synthesis method:** N/A (EQ effect)
-- **Character:** Clean, transparent, utilitarian. No coloration -- just precise frequency shaping with excellent visual feedback.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Low Cut** | High-pass filter with Q | 80-120 Hz for most sources |
-| **High Cut** | Low-pass filter with Q | 12-16 kHz for taming brightness |
-| **Low Shelf** | Low-frequency boost/cut | +/- 3dB for body adjustment |
-| **High Shelf** | High-frequency boost/cut | +/- 2dB for air/presence |
-| **Bell 1/2** | Parametric peak/cut bands | Narrow Q for surgical cuts, wide for shaping |
-
-### Reach for This When
-
-- EQ on iOS when Ableton's EQ Eight isn't available
-- Visual frequency analysis in a lightweight package
-- Small-window EQ (iPhone portrait)
-
-### Don't Use When
-
-- You have access to Ableton EQ Eight (it's more capable)
-- You need more than 6 bands
-- You need mid-side or dynamic EQ
-
----
-
-## Blue Mangoo Stereo Lag
-
-- **Type:** AU Plugin (Effect)
-- **Developer:** Blue Mangoo
-- **Format:** AUv3
-- **What it does:** Single-knob stereo widening effect that introduces a small time delay between left and right channels (Haas effect). Creates stereo width from mono sources without distortion. One control only.
-- **Synthesis method:** N/A (stereo imaging effect)
-- **Character:** Subtle to wide stereo spread depending on delay amount. Natural-sounding widening that works especially well on mono synths and vocals.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Delay Amount** | Milliseconds of L/R offset | 5-15ms for natural width, 20-30ms for obvious widening |
-
-### Reach for This When
-
-- Quick stereo widening of mono sources
-- Haas effect without building a manual routing
-
-### Don't Use When
-
-- Mono compatibility matters (Haas effect cancels in mono)
-- You need Ableton Utility's width control (which is phase-safe)
-
----
-
-## K-JEE AUVideoPlayer
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** K-JEE (Hiroshi Kajihata)
-- **Format:** AUv3, Standalone
-- **What it does:** Video file player as an AUv3 instrument plugin. Plays MP4/MOV video files synchronized to the host transport, outputting the video's audio track. Supports local files, Photos, iCloud Drive. Features loop mode, sync mode for sample-accurate playback, Picture-in-Picture, and automatic sample rate conversion.
-- **Synthesis method:** N/A (video/audio playback)
-- **Character:** Utility tool for integrating video playback into audio production. Useful for scoring to picture, live AV performance, or extracting audio from video files.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Video File** | Load MP4/MOV | Drag from Files or Photos |
-| **Sync Mode** | Lock to host transport | Enable for scoring to picture |
-| **Loop Mode** | Repeat playback | On for performance, off for linear scoring |
-| **Mute** | Audio on/off | Mute when you only need the video reference |
-
-### Reach for This When
-
-- Scoring to video within your DAW
-- Live AV performance (synced video playback)
-- Extracting audio from video files in your session
-
-### Don't Use When
-
-- You need video editing (this is playback only)
-- You need frame-accurate video synchronization (limited precision)
-
----
-
-## Uwyn MIDI Tape Recorder
-
-- **Type:** AU Plugin (MIDI Utility)
-- **Developer:** Uwyn (Geert Bevin)
-- **Format:** AUv3 (MIDI only), Standalone
-- **What it does:** Sample-accurate MIDI recorder/player with 4 independent tracks. Records all MIDI channel voice messages with tape-machine simplicity -- no quantization, no note editing, no MIDI manipulation. Just record and play back exactly what was performed. Supports overdub, punch in/out, MIDI file import/export, host transport sync, and MPE.
-- **Synthesis method:** N/A (MIDI recorder -- no audio output)
-- **Character:** Transparent, faithful MIDI recording. The philosophy is treating MIDI like audio tape -- capture performance exactly as played, with no alteration. Multi-level undo/redo for safety.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Track 1-4** | Independent MIDI recording tracks | One instrument per track |
-| **Record** | Arm and capture MIDI | Hit record and play |
-| **Overdub** | Layer new MIDI on existing | Build up parts gradually |
-| **Punch In/Out** | Regional overdubbing | Fix specific sections |
-| **Loop** | Repeated playback with locators | Set loop region and iterate |
-| **Export** | MIDI file output | Export to Live's MIDI tracks |
-
-### Reach for This When
-
-- Capturing MIDI performances with zero alteration
-- MPE recording that preserves all expression data
-- Building up MIDI parts via overdub
-- MIDI looping/sketching before committing to DAW
-
-### Don't Use When
-
-- You need MIDI editing (this intentionally has none)
-- Quantization is needed (record into Live instead)
-- You need audio recording
-
----
-
-## osci-render
-
-- **Type:** AU Plugin (Instrument)
-- **Developer:** James Ball (jameshball)
-- **Format:** AU, VST, Standalone (open source)
-- **What it does:** Synthesizer that creates music by rendering 2D/3D objects, images (SVG), text, and Blender scenes as audio waveforms visible on an oscilloscope. The visual shape IS the sound -- what you see on an oscilloscope connected to the audio output matches the rendered shape. Fully programmable via Lua scripting.
-- **Synthesis method:** Oscilloscope synthesis -- visual shapes converted to audio waveforms
-- **Character:** Distinctive, buzzy, geometric. Sounds inherently connected to their visual representation. Circle = sine wave, complex shapes = complex harmonics. A unique intersection of visual art and audio synthesis.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Shape/File Input** | Load OBJ, SVG, TXT, or Blender scenes | SVG for 2D, OBJ for 3D |
-| **Rotation** | 3D rotation of objects | Automate for evolving timbres |
-| **Line Speed** | Drawing speed of the shape | Affects brightness on oscilloscope and timbre |
-| **Lua Scripts** | Custom programmable effects | Write your own visual/audio algorithms |
-| **MIDI Response** | Pitch tracking to keyboard | Play shapes as musical notes |
-
-### Reach for This When
-
-- Oscilloscope music / visual audio art
-- Unique synthesis textures derived from visual shapes
-- Experimental/avant-garde sound design
-- Audio-visual live performance
-
-### Don't Use When
-
-- You need conventional musical sounds
-- You don't have an oscilloscope or sosci for visualization
-- Traditional synthesis is what's needed
-
----
-
-## sosci
-
-- **Type:** AU Plugin (Utility / Visualizer)
-- **Developer:** James Ball (jameshball)
-- **Format:** AU, VST, Standalone
-- **What it does:** Super-realistic software oscilloscope that simulates the look and feel of a real analog oscilloscope. Renders audio as visual waveforms with authentic CRT phosphor glow, beam intensity, and persistence. Supports XYRGB color input, video recording to MP4, Syphon/Spout video sharing, and presets modeled on real oscilloscope hardware.
-- **Synthesis method:** N/A (visualization tool)
-- **Character:** Visual only -- no audio processing. The visual output is stunningly realistic, designed for oscilloscope music visualization and AV performance.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Brightness (Z)** | 3-channel brightness input | Connect to osci-render's Z output |
-| **Phosphor** | CRT persistence simulation | Higher for trails, lower for crisp |
-| **Color Mode** | Mono / XY / XYRGB | XYRGB for full color output |
-| **Recording** | Export to MP4 | Capture oscilloscope performances |
-| **Presets** | Real oscilloscope models | Match specific hardware looks |
-
-### Reach for This When
-
-- Visualizing oscilloscope music from osci-render
-- AV performance with realistic oscilloscope display
-- Recording oscilloscope visuals for video content
-
----
-
-## PAGE Autony
-
-- **Type:** AU Plugin (MIDI Generator)
-- **Developer:** PAGE
-- **Format:** AUv3 (MIDI only)
-- **What it does:** Generative MIDI sequence generator that creates evolving musical sequences via algorithmic mutation. Constrain output to scales and chords, transpose in real-time, and allow gentle mutation for evolving sequences. Outputs MIDI to drive synths or hardware. No sound on its own.
-- **Synthesis method:** N/A (generative MIDI)
-- **Character:** Evolving, unpredictable, musical. Unlike random generators, Autony creates sequences that feel musical due to scale/chord constraints, then gently mutates them for organic evolution.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Scale** | Constrain to musical scale | Pentatonic for safe, Dorian for jazzy |
-| **Chord** | Constrain to chord tones | Major/minor triads for harmonic focus |
-| **Mutation Rate** | How quickly sequence evolves | Low for subtle evolution, high for rapid change |
-| **Transpose** | Real-time pitch shift | Change root note during performance |
-| **Sequence Length** | Pattern length | 8-16 steps for musical phrases |
-
-### Reach for This When
-
-- Ambient generative sequences that evolve over time
-- Background melodic content that's never exactly the same
-- Breaking out of composition habits with algorithmic input
-
----
-
-## PAGE Cality
-
-- **Type:** AU Plugin (MIDI Effect)
-- **Developer:** PAGE
-- **Format:** AUv3 (MIDI only)
-- **What it does:** Applies granular synthesis concepts to MIDI notes -- adds clouds of tiny additional notes around your played notes, creating rhythmic accompaniment or dense note textures. Includes a quantizer with scale selection, transposer, and chord constraint. All parameters are MIDI/automation controllable.
-- **Synthesis method:** N/A (MIDI cloud generator)
-- **Character:** From subtle rhythmic embellishment to dense note clouds. Like granular synthesis for MIDI -- your input notes get surrounded by micro-notes at controllable density and spread.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Cloud Density** | Number of additional notes | Low for rhythmic, high for dense texture |
-| **Cloud Spread** | Pitch range of added notes | Narrow for unison-like, wide for harmonic |
-| **Scale Quantize** | Constrain cloud to scale | Always on for musical results |
-| **Transposer** | Shift cloud pitch | Match to song key |
-
-### Reach for This When
-
-- Adding rhythmic MIDI embellishment to played notes
-- Creating dense, granular-style MIDI textures
-- Transforming simple parts into complex arrangements
-
----
-
-## PAGE Ioniarics
-
-- **Type:** AU Plugin (MIDI Effect)
-- **Developer:** PAGE
-- **Format:** AUv3 (MIDI only)
-- **What it does:** Polyrhythmic arpeggiator that generates complex rhythmic patterns from played notes. Creates polyrhythms that are difficult to program with standard grid-based tools. Outputs MIDI for driving synths or hardware.
-- **Synthesis method:** N/A (polyrhythmic arpeggiator)
-- **Character:** Complex, layered rhythms. Excels at creating world-music-inspired polyrhythmic patterns, Afrobeat-style interlocking parts, and experimental rhythmic textures.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Rhythm Complexity** | Polyrhythmic density | Start simple, increase gradually |
-| **Pattern** | Rhythmic pattern selection | Experiment with non-standard divisions |
-| **Scale Constraint** | Keep output in key | Essential for musical results |
-
-### Reach for This When
-
-- Polyrhythmic arpeggiation that standard arps can't produce
-- World music-inspired rhythmic patterns
-- Experimental rhythmic MIDI generation
-
----
-
-## Cem Olcay Bud Suite
-
-- **Type:** AU Plugins (MIDI Tools)
-- **Developer:** Cem Olcay
-- **Format:** AUv3 (MIDI only), Standalone per app
-- **What it does:** Suite of MIDI generation and processing tools, each focused on one task. All are MIDI-only (no audio). Available individually or as the "Bud Bundle."
-
-### Apps in the Suite
-
-| App | Function | Key Use |
-|-----|----------|---------|
-| **ArpBud 2** | Flexible arpeggiator | Custom arp patterns with probability |
-| **ChordBud 2** | Chord progression generator | Scale-aware chord sequences |
-| **LoopBud** | MIDI looper | Layer MIDI phrases via looping |
-| **PolyBud** | Polyrhythmic sequencer | Multi-track polyrhythmic patterns with velocity, gate, ratchet, probability |
-| **RhythmBud** | Rhythmic MIDI transformer | Convert held notes into rhythmic patterns |
-| **ScaleBud** | Scale/chord constraint tool | Quantize any MIDI to scale, shared with other Bud apps via BrainBud |
-| **StepBud** | Step sequencer | Traditional step-based MIDI sequencing |
-| **Auto Bass** | Algorithmic bassline generator | Generate bass patterns with complexity, density, spread, swing, 100+ scales |
-| **MelodyBud** | Melodic sequence generator | Generative melodies |
-| **ShiftBud** | Generative sequence shifter | Evolving MIDI patterns |
-| **SnakeBud** | Snake-game-inspired sequencer | Playful, unpredictable sequences |
-| **PatternBud** | Pattern-based sequencer | Complex pattern programming |
-
-### Reach for This When
-
-- You need a specific MIDI tool for one task (arp, chord, rhythm, bass)
-- Algorithmic/generative MIDI composition
-- MIDI processing chain (stack multiple Bud apps)
-- Quick bass line generation (Auto Bass with 100+ scales)
-
-### Don't Use When
-
-- You need audio processing (these are MIDI only)
-- Live's built-in MIDI effects cover your needs
-- You want an all-in-one solution (each Bud app is specialized)
-
-### vs Alternatives
-
-- **vs Ableton Arpeggiator:** ArpBud 2 has probability and more pattern options. Live's Arp is simpler but integrated.
-- **vs Ableton Scale/Chord MIDI effects:** Bud apps offer more algorithms and inter-app communication (BrainBud).
-
----
-
-## Laurent Colson QuantiChord
-
-- **Type:** AU Plugin (MIDI Effect)
-- **Developer:** Laurent Colson
-- **Format:** AUv3, Standalone
-- **What it does:** MIDI chord generator that creates chords from incoming single notes. Generates up to 8 transposed notes per input note, quantized to a pre-defined scale. Functions as both a standalone app and AUv3 MIDI effect.
-- **Synthesis method:** N/A (MIDI processor)
-- **Character:** Precise, scale-aware chord generation. Every output note is guaranteed to be in-key thanks to the built-in quantizer.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Chord Intervals** | Up to 8 transposed notes | Triads (3 notes) for basic, 7ths for jazz |
-| **Scale Selection** | Quantize output to scale | Match to song key |
-| **Transposition** | Shift chord voicing | Spread voicings across octaves |
-
-### Reach for This When
-
-- Generating chords from single-note input (keyboard or sequencer)
-- Ensuring chords always stay in key
-- Quick harmonic sketching
-
----
-
-## Laurent Colson StepPolyArp
-
-- **Type:** AU Plugin (MIDI Effect)
-- **Developer:** Laurent Colson
-- **Format:** AUv3, Standalone
-- **What it does:** Real-time polyphonic and polyrhythmic MIDI step arpeggiator and sequencer. Creates patterns quickly with variations, randomization, and automations for velocity, modulation, volume, pan, aftertouch, and pitch bend. Highly regarded for ergonomic design and clear documentation.
-- **Synthesis method:** N/A (MIDI arpeggiator/sequencer)
-- **Character:** Polished, deep, professional. More capable than most built-in arpeggiators with full polyrhythmic support and extensive automation.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Pattern Editor** | Visual step sequencer | Draw patterns by touch |
-| **Polyrhythm** | Multiple simultaneous rhythms | Layer 3/4 against 4/4 |
-| **Randomization** | Per-step probability | 10-20% for subtle variation |
-| **Velocity Automation** | Per-step velocity patterns | Accent patterns for groove |
-| **CC Automation** | Modulation/pan/etc per step | Filter sweeps synced to arp |
-
-### Reach for This When
-
-- Complex polyrhythmic arpeggiation
-- Step-sequenced MIDI with per-step automation
-- Professional arpeggiator with deep control
-
-### vs Alternatives
-
-- **vs Ableton Arpeggiator:** StepPolyArp is far more capable with polyrhythm and automation. Live's Arp is simpler.
-- **vs ArpBud 2:** Different strengths. StepPolyArp has more automation; ArpBud has probability and Bud ecosystem.
-
----
-
-## Numerical Audio Harmonicer
-
-- **Type:** AU Plugin (MIDI Effect)
-- **Developer:** Numerical Audio
-- **Format:** AUv3, Standalone
-- **What it does:** Three-in-one MIDI processor combining Quantizer (20+ scales + custom), Harmonizer (up to 4 additional voices), and Arpeggiator (10 modes with ratchets and repeats). Each section works independently or in combination.
-- **Synthesis method:** N/A (MIDI processor)
-- **Character:** Versatile MIDI Swiss Army knife. The combination of quantize + harmonize + arpeggiate in one unit means complex MIDI transformations with a single plugin.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Quantizer** | Snap notes to scale (20+ presets + custom) | Always active for in-key guarantee |
-| **Harmonizer** | Add 1-4 harmony voices | 3rds and 5ths for basic harmony |
-| **Arpeggiator** | 10 arp modes with ratchets | Up/down for classic, random for variation |
-
-### Reach for This When
-
-- All-in-one MIDI quantize + harmonize + arpeggiate
-- Quick harmony generation from single lines
-- Scale-constrained arpeggiation
-
----
-
-## Audio Veek Atom Piano Roll 2
-
-- **Type:** AU Plugin (MIDI Tool)
-- **Developer:** Audio Veek
-- **Format:** AUv3, Standalone
-- **What it does:** The most advanced AUv3 MIDI note editor, modular sequencer, and clip launcher on iOS. Features piano roll editing with touch/Pencil/trackpad, MPE recording, 16-channel per instance, sustain/pitch/mod/automation, real-time performance capture, MIDI file import/export, clip launching, and Novation Launchpad integration. Custom scripts and themes supported.
-- **Synthesis method:** N/A (MIDI editor/sequencer)
-- **Character:** Professional, comprehensive, DAW-grade. The closest thing to a full piano roll editor available as an AUv3 plugin. Reached #1 on the App Store music charts.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **Piano Roll** | Visual note editing | Touch, Pencil, or step input |
-| **Clip Launcher** | Trigger patterns in performance | Build live sets for clip-based workflow |
-| **MPE** | Multi-dimensional expression recording | Essential for MPE instruments |
-| **Automation** | Per-note CC automation | Draw curves for expression |
-| **MIDI Export** | Export as .mid files | Transfer sequences to Live |
-| **Launchpad** | Hardware controller integration | Native script support |
-
-### Reach for This When
-
-- Full piano roll MIDI editing as an AUv3 plugin
-- Clip launching and live performance MIDI sequencing
-- MPE recording and editing
-- When Live's piano roll isn't accessible (AUv3 hosting scenario)
-
-### Don't Use When
-
-- You're already working in Ableton Live's piano roll (no need to duplicate)
-- Simple step sequencing is enough (use StepBud or similar)
-
----
-
-## axrt mLFO
-
-- **Type:** AU Plugin (MIDI Modulation Tool)
-- **Developer:** axrt (Achilleas Sourlas)
-- **Format:** AUv3, Standalone
-- **What it does:** 16 programmable MIDI LFOs with independent outputs and MIDI channels per LFO. 9 factory shapes + 16 user shapes + custom shapes (freehand and ADSR). 4 trigger modes including random retrigger. Rate range from 1/128 to 130,442 beats. Run multiple instances for 32, 48, or more LFOs.
-- **Synthesis method:** N/A (MIDI CC modulation generator)
-- **Character:** Deep, precise, programmable modulation. Fills the gap when synths don't have enough LFOs or when you need to modulate parameters across multiple plugins simultaneously.
-
-### Key Parameters
-
-| Parameter | What It Does | Sweet Spot |
-|-----------|-------------|------------|
-| **LFO Shape** | Waveform per LFO (sine, tri, square, custom, ADSR) | Sine for smooth, custom for complex |
-| **Rate** | Speed per LFO | Sync to tempo divisions |
-| **Output CC** | MIDI CC number per LFO | Match to target synth parameters |
-| **MIDI Channel** | Output channel per LFO | Different channels for different synths |
-| **Trigger Mode** | Free / Note / Beat / Random | Random retrigger for variation |
-| **Variability** | Per-LFO randomness | Subtle amounts for organic feel |
-
-### Reach for This When
-
-- Adding modulation to synths that lack LFOs
-- Cross-plugin parameter modulation via MIDI CC
-- Complex, multi-target modulation setups
-- Programmable custom modulation shapes
-
-### Don't Use When
-
-- Your synth already has sufficient LFO capability
-- You need audio-rate modulation (mLFO is MIDI-rate)
-
----
-
-## Quick Decision Matrix
-
-### By Use Case
-
-| Use Case | First Choice | Runner-Up | Why |
-|----------|-------------|-----------|-----|
-| **Classic analog bass** | Moog Model D | Ableton Analog | Authentic Moog ladder filter |
-| **FM electric piano / bells** | KQ Dixie | Ableton Operator | Full DX7 compatibility, 6 operators |
-| **Evolving pads** | Animoog Z | Ableton Wavetable | 3D orbit morphing is unique |
-| **Mellotron textures** | Mellowsound | Ableton Sampler + samples | Dedicated, authentic character |
-| **Orchestral instruments** | AudioLayer + VSCO | Ableton Sampler | Streaming engine for large libraries |
-| **Modular synthesis** | Drambo | miRack | Streamlined with sequencing |
-| **Eurorack emulation** | miRack | Drambo | Authentic module ecosystem |
-| **Granular (playable)** | Tardigrain | iDensity | Best keyboard playability |
-| **Granular (processing)** | iDensity | Burns Audio Granular | 6 independent streams |
-| **Mutable Instruments sounds** | Burns Audio Suite | Drambo Macro Osc | Free, all 4 modules |
-| **Quick drum kits** | Sitala | Koala Sampler | Fastest workflow, 6 controls |
-| **Drum production + sequencing** | EG Pulse | DigiStix | Full drum workstation |
-| **Lo-fi beat sampling** | Koala Sampler | sEGments | Recording + chopping + effects |
-| **Sample slicing** | sEGments | Koala Sampler | Precise slice-to-MIDI mapping |
-| **Kick synthesis** | ChowKick | Ableton Drum Synths | Circuit-modeled, free |
-| **Tape saturation** | ChowTapeModel | Ableton Saturator | Authentic hysteresis model, free |
-| **Custom distortion** | BYOD | Ableton Pedal/Amp | Modular distortion builder, free |
-| **Complex delays** | ChowMatrix | Ableton Echo | Infinite node network, free |
-| **Chorus (instant)** | Magic Switch | Ableton Chorus-Ensemble | One button, zero decisions |
-| **OTT / hype compression** | WOOTT | Ableton Multiband Dynamics | Dedicated UI with Squash control |
-| **Halftime effect** | SlowMoFX | -- | Real-time tempo-synced slowdown |
-| **Gate sequencer** | Koshiba | Ableton Auto Pan | Per-step filter/drive/pan |
-| **Reverb (creative/lo-fi)** | Rymdigare | Ableton Echo | Warm, characterful atmosphere |
-| **Stereo widening (simple)** | Blue Mangoo Stereo Lag | Ableton Utility | One-knob Haas effect |
-| **Generative MIDI** | Autony | Cem Olcay Bud Suite | Evolving algorithmic sequences |
-| **Polyrhythmic arp** | StepPolyArp | Ioniarics | Professional polyrhythmic arp |
-| **Chord generation** | QuantiChord | ChordBud 2 | Scale-quantized chord building |
-| **Bassline generation** | Auto Bass | -- | Algorithmic with 100+ scales |
-| **MIDI LFO modulation** | mLFO | Ableton LFO (M4L) | 16 programmable LFOs |
-| **Piano roll editing** | Atom Piano Roll 2 | -- | Full DAW-grade MIDI editor as AUv3 |
-| **MIDI recording** | MIDI Tape Recorder | -- | Sample-accurate, no quantization |
-| **Physics-based MIDI** | Physicle Bouncy/Gravity | -- | Unique physics simulation |
-| **Oscilloscope music** | osci-render + sosci | -- | The only option for this |
-| **Live radio as sound source** | Radio Unit | -- | 35K stations as AUv3 audio |
-| **Video sync playback** | AUVideoPlayer | -- | Only AUv3 video player |
-
-### By Budget (All Free Plugins)
-
-These plugins cost nothing:
-- **Burns Audio Suite** (Spectrum, Modal, Resonator, Granular, ModalEffect)
-- **BYOD** (core version)
-- **ChowTapeModel**
-- **ChowKick**
-- **ChowMatrix**
-- **Sitala** (v1)
-- **BABY Audio Magic Switch**
-- **MIDI Tape Recorder** (open source)
-- **Physicle Bouncy/Gravity**
-- **osci-render / sosci**
-- **Mellowsound** (base version, IAP for extra sounds)
-
----
-
-## Plugin vs Native Comparison
-
-### When Third-Party Plugins Beat Native Ableton
-
-| Domain | Plugin | Native Equivalent | Why the Plugin Wins |
-|--------|--------|-------------------|-------------------|
-| **Moog bass/lead** | Model D | Analog/Drift | Authentic ladder filter character that no modeling quite matches |
-| **DX7 FM** | KQ Dixie | Operator | 6 operators vs 4, exact DX7 patch compatibility |
-| **Wavetable morphing** | Animoog Z | Wavetable | 3D orbit system creates more organic, unpredictable evolution |
-| **Eurorack modular** | miRack | Max for Live | Hundreds of real Eurorack module clones |
-| **Granular density** | iDensity | Grain Delay | 6 independent streams, morphing pad, post-FX chain |
-| **Tape emulation** | ChowTapeModel | Saturator | Physical hysteresis model, wow/flutter, tape speed |
-| **Distortion building** | BYOD | Amp/Pedal/Saturator | Modular approach: build signal chain from components |
-| **Delay networks** | ChowMatrix | Delay/Echo | Infinite interconnected nodes with per-node processing |
-| **Mellotron** | Mellowsound | Sampler + samples | Dedicated interface and authentic character |
-| **Drum kit building** | Sitala | Drum Rack | Faster for simple kits with Shape control |
-| **Lo-fi sampling** | Koala Sampler | Simpler | Recording, chopping, effects, performance pads |
-| **Gate sequencing** | Koshiba | Auto Pan (gate) | Per-step filter, resonance, drive, and pan |
-| **OTT compression** | WOOTT | Multiband Dynamics | Dedicated UI, Squash control, visual feedback |
-
-### When Native Ableton Beats Third-Party
-
-| Domain | Native Device | Why Native Wins |
-|--------|---------------|----------------|
-| **General subtractive synth** | Analog, Drift | Deeper integration, more presets, CPU-efficient |
-| **Wavetable synthesis** | Wavetable | More wavetables, better mod matrix, integrated workflow |
-| **Sampling** | Simpler/Sampler | Warp modes, slice mode, zone editor, Live integration |
-| **Drum machine** | Drum Rack | Unlimited chains, macro controls, return chains, Live's clip system |
-| **EQ** | EQ Eight | 8 bands, mid-side, analyzer, oversampling |
-| **Compression** | Compressor/Glue | Sidechain, knee control, makeup gain, integration |
-| **Reverb (clean)** | Hybrid Reverb | Convolution + algorithm, IRs, 4-band EQ |
-| **Delay (simple)** | Delay/Echo | Zero-latency, host sync, filter, modulation |
-| **Chorus** | Chorus-Ensemble | Adjustable rate/depth/feedback |
-| **Arpeggiator** | Arpeggiator MIDI effect | Integrated with Live's MIDI system |
-| **Scale/chord tools** | Scale/Chord MIDI effects | Zero-latency, native integration |
-| **Physical modeling** | Tension, Collision, Electric | Deeper, more specialized, better presets |
-
-### Hybrid Approaches (Best of Both)
-
-- **Drum production:** Build kit in Sitala/Koala for speed, load into Drum Rack for Live integration and effects chains
-- **Synth layers:** Use Model D for bass foundation through Ableton's native effects chain
-- **Modular + DAW:** Use Drambo/miRack for sound generation, route into Live tracks for mixing/arrangement
-- **Granular + reverb:** Process audio through iDensity/Tardigrain, then into Hybrid Reverb for polished ambient textures
-- **MIDI generation + Live:** Use Bud apps/Autony/QuantiChord for MIDI, capture output in Live MIDI tracks
-- **Tape warmth on bus:** ChowTapeModel on group buses, Live's Glue Compressor on master