livepilot 1.1.0

package/plugin/skills/livepilot-core/references/midi-recipes.md

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+# MIDI Recipes — Patterns, Mappings & Techniques
+
+Timeless MIDI programming knowledge for LivePilot. These patterns work across any version of Ableton Live and any genre. Use them as starting points — adapt to context, never apply rigidly.
+
+## Drum Rack MIDI Mapping (General MIDI + Ableton Standard)
+
+Ableton's Drum Rack maps MIDI notes to pads. The default layout (and General MIDI standard):
+
+| Note | MIDI # | Element | Common Use |
+|------|--------|---------|------------|
+| C1 | 36 | Kick | Main kick drum |
+| C#1 | 37 | Rim/Side Stick | Accent, Latin percussion |
+| D1 | 38 | Snare | Main snare |
+| D#1 | 39 | Clap | Layer with snare, upbeats |
+| E1 | 40 | Snare (alt) | Ghost notes, rolls |
+| F1 | 41 | Low Tom | Fills |
+| F#1 | 42 | Closed Hi-Hat | Groove backbone |
+| G1 | 43 | Mid Tom | Fills |
+| G#1 | 44 | Pedal Hi-Hat | Foot splash |
+| A1 | 45 | High Tom | Fills |
+| A#1 | 46 | Open Hi-Hat | Off-beats, accents |
+| B1 | 47 | Mid Tom (alt) | Fills |
+| C2 | 48 | High Tom (alt) | Fills |
+| C#2 | 49 | Crash | Accents, section starts |
+| D2 | 50 | High Tom 2 | Fills |
+| D#2 | 51 | Ride | Ride patterns |
+| E2 | 52 | China | Effect crashes |
+| F2 | 53 | Ride Bell | Accent ride |
+| F#2 | 54 | Tambourine | Texture layer |
+| G2 | 55 | Splash | Quick crashes |
+| G#2 | 56 | Cowbell | Latin, accent |
+| A2 | 57 | Crash 2 | Variety |
+| B2 | 59 | Ride 2 | Variety |
+
+**Ableton 808/electronic kits** often remap — always check `get_device_parameters` after loading a Drum Rack.
+
+## Quantize Grid Values
+
+The `quantize_clip` tool uses a `grid` parameter in beats:
+
+| Grid | Value | Musical division |
+|------|-------|-----------------|
+| 1 bar | 4.0 | Whole note (at 4/4) |
+| 1/2 | 2.0 | Half note |
+| 1/4 | 1.0 | Quarter note |
+| 1/8 | 0.5 | Eighth note |
+| 1/16 | 0.25 | Sixteenth note |
+| 1/32 | 0.125 | Thirty-second note |
+| 1/4T | 0.667 | Quarter triplet |
+| 1/8T | 0.333 | Eighth triplet |
+| 1/16T | 0.167 | Sixteenth triplet |
+| 1/4D | 1.5 | Dotted quarter |
+| 1/8D | 0.75 | Dotted eighth |
+
+`amount` controls how far notes snap toward the grid (0.0 = no change, 1.0 = full snap). Use 0.5-0.75 to tighten timing while keeping human feel.
+
+## Beat Length Math (4/4 time)
+
+| Bars | Beats | Typical use |
+|------|-------|------------|
+| 1 | 4.0 | Single pattern |
+| 2 | 8.0 | Standard loop |
+| 4 | 16.0 | Verse/chorus section |
+| 8 | 32.0 | Extended section |
+| 16 | 64.0 | Full arrangement section |
+
+For other time signatures: bars × numerator = beats (e.g., 3/4 time: 4 bars = 12 beats).
+
+## Genre Drum Patterns
+
+### Four-on-the-floor (House, Techno, Disco)
+```
+Beat:    1    .    .    .    2    .    .    .    3    .    .    .    4    .    .    .
+Kick:    X    .    .    .    X    .    .    .    X    .    .    .    X    .    .    .
+Snare:   .    .    .    .    X    .    .    .    .    .    .    .    X    .    .    .
+CHH:     X    .    X    .    X    .    X    .    X    .    X    .    X    .    X    .
+OHH:     .    .    .    .    .    .    .    .    .    .    .    .    .    .    .    .
+```
+Notes (1 bar = 4.0 beats, 16th grid = 0.25):
+- Kick: 36 at 0.0, 1.0, 2.0, 3.0 — vel 100-127
+- Snare: 38 at 1.0, 3.0 — vel 100-120
+- CHH: 42 at 0.0, 0.5, 1.0, 1.5, 2.0, 2.5, 3.0, 3.5 — vel 80-100
+
+### Boom Bap (Hip-Hop)
+```
+Beat:    1    .    .    .    2    .    .    .    3    .    .    .    4    .    .    .
+Kick:    X    .    .    .    .    .    X    .    .    .    .    .    .    .    .    .
+Snare:   .    .    .    .    X    .    .    .    .    .    .    .    X    .    .    .
+CHH:     X    .    X    .    X    .    X    .    X    .    X    .    X    .    X    .
+```
+Notes:
+- Kick: 36 at 0.0, 1.5 — vel 110-127
+- Snare: 38 at 1.0, 3.0 — vel 100-120
+- CHH: 42 on eighth notes — vel 70-90, accent on beats
+
+### Trap
+```
+Beat:    1    .    .    .    2    .    .    .    3    .    .    .    4    .    .    .
+Kick:    X    .    .    .    .    .    X    X    .    .    .    .    .    .    X    .
+Snare:   .    .    .    .    X    .    .    .    .    .    .    .    X    .    .    .
+CHH:     XxXxXxXxXxXxXxXx    (rapid 16ths/32nds with velocity rolls)
+```
+Notes:
+- Kick: 36 at 0.0, 1.5, 1.75, 3.5 — vel 110-127
+- Snare/clap: 38+39 layered at 1.0, 3.0 — vel 100-127
+- CHH: 42 on every 16th or 32nd — velocity ramps create rolls (see hi-hat section)
+
+### Breakbeat (Drum & Bass, Jungle)
+```
+Beat:    1    .    .    .    2    .    .    .    3    .    .    .    4    .    .    .
+Kick:    X    .    .    .    .    .    .    .    .    .    X    .    .    .    .    .
+Snare:   .    .    .    .    X    .    .    .    .    .    .    .    .    .    X    .
+CHH:     X    .    X    .    X    .    X    .    X    .    X    .    X    .    X    .
+```
+Notes (at 170 BPM for DnB):
+- Kick: 36 at 0.0, 2.5 — vel 110-127
+- Snare: 38 at 1.0, 3.5 — vel 100-120
+- CHH: 42 on eighths — vel 70-90
+
+### Reggaeton / Dembow
+```
+Beat:    1    .    .    .    2    .    .    .    3    .    .    .    4    .    .    .
+Kick:    X    .    .    .    .    .    X    .    X    .    .    .    .    .    X    .
+Snare:   .    .    .    X    .    .    .    X    .    .    .    X    .    .    .    X
+CHH:     X    .    X    .    X    .    X    .    X    .    X    .    X    .    X    .
+```
+
+## Hi-Hat Techniques
+
+### Velocity Rolls (Trap Style)
+Create a ramp from low to high velocity over rapid notes:
+```python
+# 32nd note hi-hat roll building up over 1 beat
+notes = []
+for i in range(8):  # 8 x 32nd notes = 1 beat
+    notes.append({
+        "pitch": 42,
+        "start_time": start + (i * 0.125),
+        "duration": 0.1,
+        "velocity": 40 + int(i * 11),  # 40 → 117 ramp
+    })
+```
+
+### Open/Closed Alternation
+Open hi-hat (46) and closed (42) alternate — in a real Drum Rack, they're in a choke group so open cuts when closed hits:
+```
+CHH: X . X . X . X .
+OHH: . . . . . . . X    (open on the "and" of 4)
+```
+- Closed: vel 70-90, duration 0.1 (short)
+- Open: vel 90-110, duration 0.25-0.5 (longer, ring out)
+
+### Swing / Shuffle
+Delay every other 16th note by a small amount (0.02-0.04 beats):
+```python
+for i in range(16):
+    offset = 0.02 if i % 2 == 1 else 0.0  # swing the offbeats
+    notes.append({
+        "pitch": 42,
+        "start_time": (i * 0.25) + offset,
+        "duration": 0.1,
+        "velocity": 90 if i % 4 == 0 else 70,  # accent downbeats
+    })
+```
+
+## Ghost Notes
+
+Quiet notes that add groove texture. Typically snare ghosts on 16th notes adjacent to main hits:
+
+```python
+# Ghost notes around main snare hits at beats 2 and 4
+ghost_notes = [
+    {"pitch": 40, "start_time": 0.75, "duration": 0.15, "velocity": 30},  # before beat 2
+    {"pitch": 40, "start_time": 1.25, "duration": 0.15, "velocity": 25},  # after beat 2
+    {"pitch": 40, "start_time": 2.75, "duration": 0.15, "velocity": 30},  # before beat 4
+    {"pitch": 40, "start_time": 3.25, "duration": 0.15, "velocity": 25},  # after beat 4
+]
+```
+
+Key principles:
+- Velocity 20-50 (much quieter than main hits at 100-127)
+- Use alternate snare sound (pitch 40) or same snare (38) at low velocity
+- Place on 16th notes before/after main hits
+- Uneven velocities feel more natural
+
+## Humanization
+
+### Velocity Variation
+Add subtle randomness to velocity (±5-15 from base):
+```python
+import random
+base_vel = 100
+velocity = base_vel + random.randint(-10, 10)
+velocity = max(1, min(127, velocity))
+```
+
+### Timing Micro-shifts
+Shift note start times slightly off-grid (±0.005-0.02 beats):
+- Drag kicks slightly early (-0.005) for urgency
+- Delay snares slightly (+0.01) for laid-back feel
+- Keep hi-hats on grid as rhythmic anchor
+
+### Per-Note Probability (Live 12)
+Use `modify_notes` to set probability < 1.0:
+- Hi-hat fills: probability 0.5-0.7 (sometimes play, sometimes don't)
+- Ghost notes: probability 0.3-0.6 (sparse, evolving)
+- Main hits: probability 1.0 (always play)
+- Generative beats: mix probabilities across the pattern for evolving grooves
+
+## Chord Voicings (MIDI Pitch Values)
+
+Middle C = MIDI 60 (C3). Each semitone = +1.
+
+### Basic Triads (root position, root = C3/60)
+| Chord | Notes | MIDI pitches |
+|-------|-------|-------------|
+| C major | C E G | 60, 64, 67 |
+| C minor | C Eb G | 60, 63, 67 |
+| C diminished | C Eb Gb | 60, 63, 66 |
+| C augmented | C E G# | 60, 64, 68 |
+| C sus2 | C D G | 60, 62, 67 |
+| C sus4 | C F G | 60, 65, 67 |
+
+### Seventh Chords
+| Chord | Notes | Intervals from root |
+|-------|-------|-------------------|
+| Major 7 | 1 3 5 7 | +0, +4, +7, +11 |
+| Minor 7 | 1 b3 5 b7 | +0, +3, +7, +10 |
+| Dominant 7 | 1 3 5 b7 | +0, +4, +7, +10 |
+| Diminished 7 | 1 b3 b5 bb7 | +0, +3, +6, +9 |
+| Half-dim 7 | 1 b3 b5 b7 | +0, +3, +6, +10 |
+
+### Extended Chords
+| Chord | Intervals from root |
+|-------|-------------------|
+| Major 9 | +0, +4, +7, +11, +14 |
+| Minor 9 | +0, +3, +7, +10, +14 |
+| Dominant 9 | +0, +4, +7, +10, +14 |
+| Add 9 | +0, +4, +7, +14 |
+| 11th | +0, +4, +7, +10, +14, +17 |
+| 13th | +0, +4, +7, +10, +14, +21 |
+
+### Interval Quick Reference
+| Interval | Semitones | Example (from C) |
+|----------|-----------|------------------|
+| Minor 2nd | 1 | C → C# |
+| Major 2nd | 2 | C → D |
+| Minor 3rd | 3 | C → Eb |
+| Major 3rd | 4 | C → E |
+| Perfect 4th | 5 | C → F |
+| Tritone | 6 | C → F# |
+| Perfect 5th | 7 | C → G |
+| Minor 6th | 8 | C → Ab |
+| Major 6th | 9 | C → A |
+| Minor 7th | 10 | C → Bb |
+| Major 7th | 11 | C → B |
+| Octave | 12 | C → C |
+
+### Voicing Strategies
+- **Pads**: Spread voicings — wide intervals, notes across 2+ octaves. Start root low (C2/48), spread 3rd and 5th up.
+- **Stabs**: Tight voicings — notes within one octave, rhythmic impact.
+- **Bass + chord**: Root note on bass track (low octave), chord on separate track (mid octave).
+- **Inversions**: Move lowest note up an octave. 1st inversion = 3-5-1, 2nd inversion = 5-1-3. Smoother voice leading between chords.
+
+### Common Progressions (intervals from scale root)
+
+| Name | Chords | Feel |
+|------|--------|------|
+| I-V-vi-IV | C G Am F | Pop, uplifting |
+| ii-V-I | Dm7 G7 Cmaj7 | Jazz, sophisticated |
+| i-iv-VII-III | Am Dm G C | Minor, emotional |
+| I-vi-IV-V | C Am F G | Classic pop |
+| vi-IV-I-V | Am F C G | Modern pop/EDM |
+| i-III-VII-VI | Am C G F | Dark, driving |
+| I-IV | C F | Dance, house |
+| i-VII | Am G | Dark minimal |
+
+To transpose: add semitones to all MIDI values. E.g., C major → D major: add 2 to every pitch.
+
+## Bass Patterns
+
+### Sub Bass (sustained)
+```python
+# One note per bar, low octave
+{"pitch": 36, "start_time": 0.0, "duration": 3.75, "velocity": 100}
+```
+
+### Octave Bass (dance)
+```python
+# Alternating root and octave
+notes = [
+    {"pitch": 36, "start_time": 0.0, "duration": 0.4, "velocity": 110},
+    {"pitch": 48, "start_time": 0.5, "duration": 0.4, "velocity": 90},
+    {"pitch": 36, "start_time": 1.0, "duration": 0.4, "velocity": 110},
+    {"pitch": 48, "start_time": 1.5, "duration": 0.4, "velocity": 90},
+]
+```
+
+### Walking Bass
+Move through chord tones: root → 3rd → 5th → octave (or chromatic approach notes).
+
+### Staccato vs Legato
+- **Staccato**: duration 0.1-0.2 (tight, percussive)
+- **Legato**: duration fills gap to next note (smooth, flowing)
+- **Portamento**: overlapping notes (duration extends past next note start) — triggers glide on monophonic synths
+
+## Polymetric Patterns
+
+Create two clips with different lengths — they cycle at different rates creating evolving patterns:
+
+| Ratio | Clip A (beats) | Clip B (beats) | Realigns after |
+|-------|---------------|---------------|----------------|
+| 3:4 | 3.0 | 4.0 | 12 beats |
+| 5:4 | 5.0 | 4.0 | 20 beats |
+| 7:8 | 3.5 | 4.0 | 28 beats |
+| 3:2 | 3.0 | 2.0 | 6 beats |
+
+Create clips with `create_clip` using these lengths — Ableton loops them independently per track.
+
+## Scale Patterns
+
+### Common scales as semitone intervals from root
+| Scale | Pattern | Notes (from C) |
+|-------|---------|----------------|
+| Major | 0,2,4,5,7,9,11 | C D E F G A B |
+| Natural Minor | 0,2,3,5,7,8,10 | C D Eb F G Ab Bb |
+| Harmonic Minor | 0,2,3,5,7,8,11 | C D Eb F G Ab B |
+| Melodic Minor | 0,2,3,5,7,9,11 | C D Eb F G A B |
+| Dorian | 0,2,3,5,7,9,10 | C D Eb F G A Bb |
+| Mixolydian | 0,2,4,5,7,9,10 | C D E F G A Bb |
+| Pentatonic Major | 0,2,4,7,9 | C D E G A |
+| Pentatonic Minor | 0,3,5,7,10 | C Eb F G Bb |
+| Blues | 0,3,5,6,7,10 | C Eb F F# G Bb |
+| Whole Tone | 0,2,4,6,8,10 | C D E F# G# A# |
+| Chromatic | 0-11 | All notes |
+
+To generate notes in a scale: take root MIDI note + interval offsets, transpose to desired octave.
+
+## Arpeggio Patterns
+
+### Up pattern (C major triad)
+```python
+# 16th notes ascending
+root = 60  # C3
+intervals = [0, 4, 7, 12]  # root, 3rd, 5th, octave
+for i, interval in enumerate(intervals):
+    notes.append({
+        "pitch": root + interval,
+        "start_time": i * 0.25,
+        "duration": 0.2,
+        "velocity": 100 - (i * 5),  # slight decay
+    })
+```
+
+### Common arpeggio styles
+- **Up**: 1 → 3 → 5 → 8
+- **Down**: 8 → 5 → 3 → 1
+- **Up-Down**: 1 → 3 → 5 → 8 → 5 → 3
+- **Random**: random order (use probability for generative)
+- **Chord**: all notes simultaneously (stab)
+
+Rate determines speed: 1/8 = 0.5 beat spacing, 1/16 = 0.25 beat spacing.
+
+## Euclidean Rhythms
+
+Distribute `k` notes as evenly as possible across `n` steps. These are found in music traditions worldwide and create compelling grooves.
+
+| Notation | Steps | Hits | Pattern (x=hit, .=rest) | Association |
+|----------|-------|------|------------------------|-------------|
+| E(3,8) | 8 | 3 | x..x..x. | Cuban tresillo |
+| E(5,8) | 8 | 5 | x.xx.xx. | West African bell |
+| E(7,12) | 12 | 7 | x.xx.x.xx.x. | West African 12/8 |
+| E(5,16) | 16 | 5 | x..x..x..x..x.. | Bossa nova |
+| E(3,16) | 16 | 3 | x.....x.....x... | Sparse, ambient |
+| E(4,12) | 12 | 4 | x..x..x..x.. | Triplet groove |
+| E(7,16) | 16 | 7 | x.x.x.xx.x.x.xx | Complex groove |
+
+To convert to beat times: `step * (clip_length / total_steps)`. For a 4-beat clip with 16 steps, each step = 0.25 beats.
+
+## Live 12 MIDI Tools (Built-in Generators & Transformations)
+
+Live 12 includes powerful built-in MIDI tools accessible via the clip editor. These are relevant context for understanding what users may have already applied to their clips.
+
+### Generators
+- **Rhythm** — Up to 16 steps, density control, split probability (steps divide in half)
+- **Euclidean** — Up to 4 voices, per-voice pitch/velocity, rotation and density sliders
+- **Seed** — Random generator with pitch range, duration range, velocity range, voice count
+- **Shape** — Notes follow drawn shapes with pitch range, rate, tie probability
+- **Stacks** — Chord generator using Tonnetz visualization, scale-aware
+
+### Transformations
+- **Quantize** — Grid + triplet, amount 0-100% (partial quantize)
+- **Arpeggiate** — 18 styles, transposition by scale degrees or semitones
+- **Span** — Legato/tenuto/staccato articulation
+- **Chop** — Divide notes into up to 64 parts with gap patterns
+- **Strum** — Chord timing with low/high strum and tension
+- **Ornament** — Flam and grace notes
+- **Recombine** — Shuffle/mirror/rotate position, pitch, duration, or velocity
+- **Time Warp** — Accelerando/ritardando speed curves
+- **Humanize** — Variation up to 1/4 of grid division
+
+These tools operate on existing clip data — LivePilot's `add_notes`, `modify_notes`, and `quantize_clip` tools complement them for programmatic MIDI manipulation.