davinci-resolve-mcp 2.174.0 → 2.176.0

package/CHANGELOG.md

@@ -2,6 +2,40 @@
 
 Release history for the DaVinci Resolve MCP Server. The latest release is summarized in the root README; older entries live here to keep the README focused.
 
+## What's New in v2.176.0 — E122: frame QC never scores a compound clip as a false red
+
+### Fixed
+
+- **A flattened compound cut read as a conform error in frame QC.** The
+  lineage ingest of Resolve's FCP7 export read a compound's media-less
+  clipitem as a source named after the compound with an oracle frame of 0;
+  the sampler would then look for a source that does not exist and score
+  the cut WRONG. The geometry parser now flags a clipitem whose `<file>`
+  carries an explicitly empty `<pathurl>` as a compound, the lineage store
+  keeps `is_compound` (pre-E122 sidecars migrate in place), and `qc` never
+  samples such a cut: it reports `UNREADABLE` / review with a note naming
+  the compound and pointing at the OTIO export, where compounds keep their
+  inner content and flatten (E120). Picture cuts around it are judged as
+  before.
+
+## What's New in v2.175.0 — E121: a flattened XML compound is a named hole, not a refusal
+
+### Fixed
+
+- **An XML turnover with a compound clip refused to conform.** Resolve's FCP7
+  writer flattens a compound to ONE clipitem whose `<file>` carries an
+  explicitly empty `<pathurl>` and no inner content (measured on 19.1.3.7);
+  read as a source reel, `assemble_from_interchange` refused the whole
+  turnover as an unmapped reel. The walker now tags such clipitems
+  `compound`, and the bridge drops them with a reason in
+  `unresolvedCompounds` (name, track, record span) while the rest of the cut
+  conforms — unless the sourceMap maps the compound's name to a flattened
+  media file, in which case it authors like any clip. The reason points at
+  the OTIO export, where compounds keep their inner content and flatten
+  (E120).
+- `timeline.get_items` help notes that `generator` also covers Fusion titles
+  (Text+ enumerates with no media and no properties, like a generator).
+
 ## What's New in v2.174.0 — E120: compound clips in Resolve's OTIO exports flatten instead of vanishing
 
 ### Fixed

package/README.md

@@ -2,7 +2,7 @@
 
 English | [简体中文](README.zh-CN.md)
 
-[![Version](https://img.shields.io/badge/version-2.174.0-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
+[![Version](https://img.shields.io/badge/version-2.176.0-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
 [![npm](https://img.shields.io/npm/v/davinci-resolve-mcp.svg?label=npm&color=CB3837)](https://www.npmjs.com/package/davinci-resolve-mcp)
 [![API Coverage](https://img.shields.io/badge/API%20Coverage-100%25-brightgreen.svg)](docs/reference/api-coverage.md)
 [![Tools](https://img.shields.io/badge/MCP%20Tools-36%20(353%20full)-blue.svg)](#server-modes)

package/README.zh-CN.md

@@ -2,7 +2,7 @@
 
 [English](README.md) | 简体中文
 
-[![Version](https://img.shields.io/badge/version-2.174.0-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
+[![Version](https://img.shields.io/badge/version-2.176.0-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
 [![npm](https://img.shields.io/npm/v/davinci-resolve-mcp.svg?label=npm&color=CB3837)](https://www.npmjs.com/package/davinci-resolve-mcp)
 [![API Coverage](https://img.shields.io/badge/API%20Coverage-100%25-brightgreen.svg)](docs/reference/api-coverage.md)
 [![Tools](https://img.shields.io/badge/MCP%20Tools-36%20(353%20full)-blue.svg)](#服务器模式)
@@ -12,7 +12,7 @@
 [![Python](https://img.shields.io/badge/python-3.10+-green.svg)](https://www.python.org/downloads/)
 [![License](https://img.shields.io/badge/license-MIT-blue.svg)](https://opensource.org/licenses/MIT)
 
-> 本翻译对应 v2.174.0 版 README。如与英文原版有出入，以 [英文原版](README.md) 为准。
+> 本翻译对应 v2.176.0 版 README。如与英文原版有出入，以 [英文原版](README.md) 为准。
 
 一个 Model Context Protocol (MCP) 服务器，让 AI 助手通过官方脚本 API 控制 DaVinci Resolve Studio（达芬奇）。它提供完整的 API 覆盖，外加带护栏的工作流助手，涵盖剪辑、媒体池整理、渲染设置、审阅标记、调色、Fusion、Fairlight、项目生命周期任务、扩展开发，以及不碰源媒体的媒体分析。
 

package/install.py

@@ -37,7 +37,7 @@ from src.utils.update_check import (
 
 # ─── Version ──────────────────────────────────────────────────────────────────
 
-VERSION = "2.174.0"
+VERSION = "2.176.0"
 # Only hard floor: mcp[cli] requires Python 3.10+. There is no upper bound —
 # Resolve's scripting bridge loads into newer interpreters on recent builds
 # (Python 3.14 verified against Resolve Studio 20.3.2). Older Resolve builds

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "davinci-resolve-mcp",
-  "version": "2.174.0",
+  "version": "2.176.0",
   "description": "NPM bootstrapper for the DaVinci Resolve MCP Server.",
   "license": "MIT",
   "author": "Samuel Gursky <samgursky@gmail.com>",

package/resolve-advanced/server/author-interchange.mjs

@@ -281,6 +281,21 @@ export function eventsToAssembleSpec(events, opts = {}) {
   // the fade dissolves around it, measured E91); audio BL legs are silence,
   // which an empty track already is.
   const isBL = (srcName) => /^(BL|BLACK)$/i.test(String(srcName || '').trim());
+  // FLATTENED COMPOUNDS (E121): an XML clipitem that is a compound carries no
+  // inner content, so nothing can be authored for it unless the sourceMap
+  // points its name at a flattened media file. Unmapped ones are DROPPED
+  // with a reason — a hole in the conform the ledger names — rather than
+  // refusing the whole turnover as an unmapped reel.
+  const unresolvedCompounds = [];
+  for (const list of [vids, auds]) {
+    for (let i = list.length - 1; i >= 0; i -= 1) {
+      const e = list[i];
+      if (e.compound && !sourceMap[e.source]) {
+        unresolvedCompounds.push({ name: e.compound, track: e.track, recIn: e.recIn, recOut: e.recOut, reason: 'XML compound clipitem carries no inner content — re-export as OTIO (nested Stacks flatten) or map the compound name to a flattened media file in sourceMap' });
+        list.splice(i, 1);
+      }
+    }
+  }
   const unmapped = [...new Set([...vids, ...auds].map((e) => e.source).filter((srcName) => !isBL(srcName) && !sourceMap[srcName]))];
   if (unmapped.length) {
     throw new Error(
@@ -712,6 +727,7 @@ export function eventsToAssembleSpec(events, opts = {}) {
       // the ledger says which compounds became flat cuts.
       flattenedCompounds: [...new Set(events.filter((e) => e.fromCompound).map((e) => e.fromCompound))],
       flattenedCompoundEvents: events.filter((e) => e.fromCompound).length,
+      unresolvedCompounds,
       authoredAudioEvents: audioPlacements.length,
       audioRetimesSkipped,
       ...(elements.length || audioBlackLegsSkipped ? {

package/resolve-advanced/server/editorial.mjs

@@ -53,6 +53,7 @@ function evt(o) {
     ...(o.color !== undefined ? { color: o.color } : {}),
     ...(o.generatorName !== undefined ? { generatorName: o.generatorName } : {}),
     ...(o.fromCompound !== undefined ? { fromCompound: o.fromCompound } : {}),
+    ...(o.compound !== undefined ? { compound: o.compound } : {}),
     source: o.source || 'UNKNOWN',
     srcIn: o.srcIn ?? null,
     srcOut: o.srcOut ?? null,
@@ -458,7 +459,12 @@ export function parseXMEMLEvents(xml, opts = {}) {
         const itemMarkers = mks
           .filter((mk) => Number.isFinite(Number(mk.in)))
           .map((mk) => ({ frame: Number(mk.in) - inF, name: mk.name != null ? String(mk.name) : undefined, note: mk.comment != null ? String(mk.comment) : undefined }));
-        events.push(evt({ index: idx++, track, source: name, srcIn: Number.isFinite(inF) ? inF + inAdj : inF, srcOut: Number.isFinite(outF) ? outF + inAdj : outF, recIn: start, recOut: end, speed, reverse, itemMarkers: itemMarkers.length ? itemMarkers : undefined, color: it.__genColor || undefined, fps: seqRate }));
+        // Resolve's FCP7 writer flattens a COMPOUND CLIP to one clipitem whose
+        // <file> carries an explicitly EMPTY <pathurl> and no inner content
+        // (measured E120/E121). Tag it so the bridge can drop it with a
+        // reason instead of refusing the whole turnover as an unmapped reel.
+        const isCompound = !!(it.file && typeof it.file.pathurl === 'string' && it.file.pathurl.trim() === '' && !it.__genColor && name !== 'BL');
+        events.push(evt({ index: idx++, track, source: name, srcIn: Number.isFinite(inF) ? inF + inAdj : inF, srcOut: Number.isFinite(outF) ? outF + inAdj : outF, recIn: start, recOut: end, speed, reverse, itemMarkers: itemMarkers.length ? itemMarkers : undefined, color: it.__genColor || undefined, compound: isCompound ? name : undefined, fps: seqRate }));
       }
     }
   };

package/resolve-advanced/server/lineage-db.mjs

@@ -34,7 +34,7 @@ CREATE TABLE IF NOT EXISTS cuts (snapshot_id TEXT, cut_index INTEGER, record_sta
  source_basename TEXT, source_path TEXT, xml_in INTEGER, xml_out INTEGER,
  ppro_ticks_in INTEGER, oracle_source_frame INTEGER, is_subclip INTEGER,
  subclip_startoffset INTEGER, subclip_endoffset INTEGER, reverse INTEGER,
- scale_corrected REAL, pan_h REAL, pan_v REAL, rotation REAL, transition TEXT, speed REAL,
+ scale_corrected REAL, pan_h REAL, pan_v REAL, rotation REAL, transition TEXT, speed REAL, is_compound INTEGER,
  cut_hash TEXT, PRIMARY KEY (snapshot_id, cut_index));
 CREATE TABLE IF NOT EXISTS qc_verdicts (snapshot_id TEXT, cut_index INTEGER, reference_ref TEXT, reference_frame INTEGER,
  verdict TEXT, category TEXT, structure REAL, psnr REAL, dx INTEGER, dy INTEGER,
@@ -52,6 +52,7 @@ export function openStore(dbPath) {
   // cannot add a column, so migrate in place (idempotent).
   const cols = db.prepare('PRAGMA table_info(cuts)').all().map((c) => c.name);
   if (!cols.includes('speed')) db.exec('ALTER TABLE cuts ADD COLUMN speed REAL');
+  if (!cols.includes('is_compound')) db.exec('ALTER TABLE cuts ADD COLUMN is_compound INTEGER');
   return db;
 }
 
@@ -138,6 +139,7 @@ function buildCuts(xml, mediaFrames) {
         ? JSON.stringify({ in: c.transition_in || null, out: c.transition_out || null })
         : null,
       speed: c.speed ?? null,
+      is_compound: c.is_compound ? 1 : 0,
     };
     if (c.edges_resolved) resolvedEdges += 1;
     if (c.edges_unresolved) unresolvedEdges.push({ cut_index: i, source_basename: cut.source_basename });
@@ -160,8 +162,8 @@ function writeSnapshot(dbPath, cuts, meta) {
  (snapshot_id, reel, kind, source_ref, label, parent_id, content_hash, seq_w, seq_h, fps, cut_count, created_at, provenance)
  VALUES (@snapshot_id,@reel,@kind,@source_ref,@label,@parent_id,@content_hash,@seq_w,@seq_h,@fps,@cut_count,@created_at,@provenance)`);
     const insertCut = db.prepare(`INSERT INTO cuts
- (snapshot_id, cut_index, record_start, record_end, source_basename, source_path, xml_in, xml_out, ppro_ticks_in, oracle_source_frame, is_subclip, subclip_startoffset, subclip_endoffset, reverse, scale_corrected, pan_h, pan_v, rotation, transition, speed, cut_hash)
- VALUES (@snapshot_id,@cut_index,@record_start,@record_end,@source_basename,@source_path,@xml_in,@xml_out,@ppro_ticks_in,@oracle_source_frame,@is_subclip,@subclip_startoffset,@subclip_endoffset,@reverse,@scale_corrected,@pan_h,@pan_v,@rotation,@transition,@speed,@cut_hash)`);
+ (snapshot_id, cut_index, record_start, record_end, source_basename, source_path, xml_in, xml_out, ppro_ticks_in, oracle_source_frame, is_subclip, subclip_startoffset, subclip_endoffset, reverse, scale_corrected, pan_h, pan_v, rotation, transition, speed, is_compound, cut_hash)
+ VALUES (@snapshot_id,@cut_index,@record_start,@record_end,@source_basename,@source_path,@xml_in,@xml_out,@ppro_ticks_in,@oracle_source_frame,@is_subclip,@subclip_startoffset,@subclip_endoffset,@reverse,@scale_corrected,@pan_h,@pan_v,@rotation,@transition,@speed,@is_compound,@cut_hash)`);
     db.transaction(() => {
       insertSnap.run({
         snapshot_id: snapshotId,
@@ -295,6 +297,7 @@ export async function ingestLiveTimeline(dbPath, opts = {}) {
       rotation: t.rotation ?? null,
       transition: null,
       speed: null,
+      is_compound: 0,
     };
     cut.cut_hash = cutHash(cut);
     return cut;

package/resolve-advanced/server/qc-frame.mjs

@@ -177,11 +177,26 @@ export async function qcSnapshot(dbPath, snapshotId, opts = {}) {
     // read qc_record_frame / qc_source_frame when present.
     const pick = pickQcFrame(cut);
     const cutForSample = { ...cut, qc_record_frame: pick.recordFrame, qc_source_frame: pick.sourceFrame };
-    const conform = await opts.sampleConform(cutForSample);
-    const reference = await opts.sampleReference(cutForSample);
+    // A flattened COMPOUND cut (E122) has no flat source to sample: the XML
+    // writer left only its name. Judging it against the reference could only
+    // ever read WRONG — a false red — so it is review, with the reason.
+    const isCompoundCut = !!cut.is_compound;
+    const conform = isCompoundCut ? null : await opts.sampleConform(cutForSample);
+    const reference = isCompoundCut ? null : await opts.sampleReference(cutForSample);
     const refFrame = pick.recordFrame ?? cut.record_start;
     let v;
-    if (!reference) {
+    if (isCompoundCut) {
+      v = {
+        snapshot_id: snapshotId,
+        cut_index: cut.cut_index,
+        reference_ref: ref,
+        reference_frame: refFrame,
+        verdict: 'UNREADABLE',
+        category: 'review',
+        ran_at: opts.now ?? null,
+      };
+      pick.note = `compound clip "${cut.source_basename || ''}" — no flat source to sample; QC its inner cuts from an OTIO export (nested Stacks flatten)`;
+    } else if (!reference) {
       // can't sample the reference → can't verify → human review
       v = {
         snapshot_id: snapshotId,

package/resolve-advanced/server/tools/conform.mjs

@@ -90,7 +90,7 @@ const reportSchema = z.object({ meta: z.object({}).passthrough().optional(), cut
 export const conformTool = {
   name: 'conform',
   description:
-    'Conform/relink QC engine (offline core). Actions: parse_geometry, oracle_derive, list_targets, repair_ladder, build_manifest, analyze_media (ffprobe target media → res/aspect/codec/bitdepth/fps + quality rank), relink_scalefix (surgical: repoint proxy→highres pathurls + fix the scale double-count per clip, preserving retimes/tracks/audio byte-for-byte; index MULTIPLE footage roots via footageDirs, PROXY excluded; returns warnings.leftOnProxyOrTest + unresolvedSources so a source stuck on its proxy cannot slip through), report; verify (gated on optional sharp); fix_reverse_clip (LIVE DB patch — restore a reversed clip dropped on import: copy a generic reverse MediaTimemapBA blob + set the mirrored "In"; SQLite or PostgreSQL; project must be CLOSED; locate→probe→calibrate K→apply); snapshot (sequence LINEAGE store — ingest_xml/ingest_live an editorial-or-conform XML or a live timeline into one content-hashed schema, then list/diff/show/rollback_plan; the diff is the incremental frame-QC worklist; ingest_xml reads Resolve\'s OWN FCP7 export: `-1` clip edges resolve to the adjacent transition\'s junction in record order, each cut records the transition windows its edges sit in, and a missing pproTicksIn (Resolve writes none — measured) falls back to `<in>` for the oracle frame instead of losing it, reported as resolvedEdges/unresolvedEdges/ticksAbsent); qc (comprehensive per-cut frame diff vs the reference render → MATCH/OFFSET/WRONG/REF_OFFLINE/UNREADABLE cached per snapshot; each cut is compared at the first frame CLEAR of its transition windows — inside a window the reference is a blend, or black for a fade — with the source frame advanced at the cut\'s speed, and the result says where it sampled (sample_note); a flat/untextured frame is UNREADABLE (review), never a fake MATCH; conform frame is sampled at the oracle source frame AND scale-corrected to the edit framing before diffing, so reversed/scaled clips compare apples-to-apples; REF_OFFLINE = the reference is black/flat at that record position because the shot was offline upstream in editorial — inconclusive, NOT a conform error; op run [ffmpeg+sharp] / markers [red conform / yellow turnover / blue ref-offline / cyan review marker plan] / propagate [carry unchanged verdicts to a new snapshot]). Frame-math is the truth, not filename matches.',
+    'Conform/relink QC engine (offline core). Actions: parse_geometry, oracle_derive, list_targets, repair_ladder, build_manifest, analyze_media (ffprobe target media → res/aspect/codec/bitdepth/fps + quality rank), relink_scalefix (surgical: repoint proxy→highres pathurls + fix the scale double-count per clip, preserving retimes/tracks/audio byte-for-byte; index MULTIPLE footage roots via footageDirs, PROXY excluded; returns warnings.leftOnProxyOrTest + unresolvedSources so a source stuck on its proxy cannot slip through), report; verify (gated on optional sharp); fix_reverse_clip (LIVE DB patch — restore a reversed clip dropped on import: copy a generic reverse MediaTimemapBA blob + set the mirrored "In"; SQLite or PostgreSQL; project must be CLOSED; locate→probe→calibrate K→apply); snapshot (sequence LINEAGE store — ingest_xml/ingest_live an editorial-or-conform XML or a live timeline into one content-hashed schema, then list/diff/show/rollback_plan; the diff is the incremental frame-QC worklist; ingest_xml reads Resolve\'s OWN FCP7 export: `-1` clip edges resolve to the adjacent transition\'s junction in record order, each cut records the transition windows its edges sit in, and a missing pproTicksIn (Resolve writes none — measured) falls back to `<in>` for the oracle frame instead of losing it, reported as resolvedEdges/unresolvedEdges/ticksAbsent); qc (comprehensive per-cut frame diff vs the reference render → MATCH/OFFSET/WRONG/REF_OFFLINE/UNREADABLE cached per snapshot; each cut is compared at the first frame CLEAR of its transition windows — inside a window the reference is a blend, or black for a fade — with the source frame advanced at the cut\'s speed, and the result says where it sampled (sample_note); a flat/untextured frame is UNREADABLE (review), never a fake MATCH; a cut that is a FLATTENED COMPOUND (Resolve\'s XML writer leaves a media-less clipitem named after the compound — ingest tags is_compound) is never sampled: review with a note pointing at the OTIO export, never a false WRONG; conform frame is sampled at the oracle source frame AND scale-corrected to the edit framing before diffing, so reversed/scaled clips compare apples-to-apples; REF_OFFLINE = the reference is black/flat at that record position because the shot was offline upstream in editorial — inconclusive, NOT a conform error; op run [ffmpeg+sharp] / markers [red conform / yellow turnover / blue ref-offline / cyan review marker plan] / propagate [carry unchanged verdicts to a new snapshot]). Frame-math is the truth, not filename matches.',
   async handler({ action, args }) {
     if (action === 'parse_geometry') {
       const p = parseSchema.parse(args);

package/resolve-advanced/server/tools/editorial.mjs

@@ -86,7 +86,7 @@ const markerSchema = z.object({
 export const editorialTool = {
   name: 'editorial',
   description:
-    'Editorial integrity (Cluster E) — turnover interchange → normalized events → changelist + conform manifest with TIMING silent-lie guards (flattened retime / dropped J/L-cut audio / framerate-pulldown slip / reverse dropped / transition-handle starvation → flag, skip-not-fake). Report-only (gate: review). Actions: parse_interchange (EDL/OTIO/XMEML natively — incl. Resolve-written OTIO generator clips (a Solid Color is a Clip with a NULL media_reference; it walks as a BL leg with generatorName, and an OTIO GeneratorReference carries its colour) and nested OTIO Stacks (compound clips — Resolve\'s writer nests them with a trim window) FLATTEN into record time with fromCompound on each cut, so Resolve\'s own OTIO exports re-conform, Resolve-written FCP7 -1 junction edges (paired in record order) + Solid Color / Color Matte generators carrying their `fillcolor` (BL legs with `color` → fade-to-white and colour mattes author, E110), XMEML audio-track transitionitems as audio cross-fades on numbered lanes A/A2/…, and CMX FROM/TO CLIP NAME comments over the generic AX reel — + AAF via pyaaf2 (flat sound/picture slots number A/A2/… and V/V2/… in slot order so separate beds keep their lanes; NestedScope layers keep layer numbering) + PRPROJ via gunzip+XML → normalized events incl. span-explicit transitions, BL fade legs, and freezes as zero-speed events (OTIO FreezeFrame, XMEML timeremap 0, PrProj in==out, AAF 0% motion effects); for AAF/PRPROJ pass the file PATH as content; AAF also returns per-sequence startTimecode/startFrame — build the timeline at THAT start, not the Resolve 01:00:00:00 default — and per-clip `geometry` for Avid transform effects), list_sequences (ONE offline picker entry point across xml/edl/otio/drt/drp/aaf/prproj → [{id,name,eventCount}], plus startTimecode/startFrame for AAF), convert_to_interchange (author OTIO/EDL/DRT Resolve CAN import from events or a parsed source; the EDL target writes CMX transition pairs incl. BL fades — the .prproj→Resolve conform bridge, no Premiere needed; editorial timing/transitions survive and per-clip effects/color do not. SPEED/REVERSE survive on the otio (LinearTimeWarp) and edl (M2) targets ONLY — this FLAT drt target flattens every retime to 100% forward and returns `flattened`/`flattenedCount` naming each event that lost one (`flattened` is always present on `drt`, empty when there were none); for a .drt that AUTHORS retimes/dissolves/multi-track/audio, use drt.assemble_from_interchange), turnover_changelist (diff old vs new → moved/retimed/trimmed/replaced/new/gone PLUS the junction diff: transition_added/transition_dropped/transition_changed with fade in/out or dissolve, outgoing/incoming, span and duration/type/pre-roll deltas — zero-length CMX carrier lines and the BL legs that carry fades fold into the junction diff instead of reading as gone/new sources; events pair by closest record position, consumed once, so a source cut twice at two speeds compares instance to instance; + timing flags incl. transition_dropped and dropped_split_audio on any A-track), conform_manifest (per-event assert: source resolved/handles/retime/reverse/TC-base; BL-aware — black legs need no source, fades no black-side handles, and a fade-out tail requirement lands on the picture source), marker_roundtrip (markers with provenance tags), verify_roundtrip (input events vs re-export events -> pass/mismatches + fitted per-source TC offsets + marker compare w/ markersNotInExport honesty flag; FADE-AWARE: BL/Solid-Color legs merge out as blackSegments and fade-window boundary reshapes are excused into fadeReshapedBoundaries instead of failing; RETIME-AWARE: speed/reverse compare pairwise — EXPORT_OTIO carries an authored Sm2TimeMap back as LinearTimeWarp (measured), so a flattened/lost retime fails as drift geometry alone cannot catch; AUDIO-AWARE: declared audio events compare (a video-only export such as EXPORT_EDL flags audioNotInExport instead of failing) (channel legs deduped, mismatches tagged trackType audio) while the mirrored-A1 export of a video-only turnover stays informational; COLOUR-AWARE: an input generator leg carrying a fillcolor (fade-to-white, colour matte) must come back on the same track over its span with the same colour — Resolve\'s FCP7 writer emits it — else generator-colour fails (generatorColours reports the compare) — pass exportedFormat: an OTIO/EDL re-export cannot carry colour (measured) and reports generatorColourNotInExport instead of failing; the conform QC loop-closer). Offline (AAF needs pyaaf2; live AAF/DRP import is on the Python davinci-resolve MCP).',
+    'Editorial integrity (Cluster E) — turnover interchange → normalized events → changelist + conform manifest with TIMING silent-lie guards (flattened retime / dropped J/L-cut audio / framerate-pulldown slip / reverse dropped / transition-handle starvation → flag, skip-not-fake). Report-only (gate: review). Actions: parse_interchange (EDL/OTIO/XMEML natively — incl. Resolve-written OTIO generator clips (a Solid Color is a Clip with a NULL media_reference; it walks as a BL leg with generatorName, and an OTIO GeneratorReference carries its colour) and nested OTIO Stacks (compound clips — Resolve\'s writer nests them with a trim window) FLATTEN into record time with fromCompound on each cut, so Resolve\'s own OTIO exports re-conform (its FCP7 XML writer flattens a compound to ONE media-less clipitem instead — tagged `compound`, which the bridge drops with a reason in unresolvedCompounds unless the sourceMap maps the compound name to a flattened media file), Resolve-written FCP7 -1 junction edges (paired in record order) + Solid Color / Color Matte generators carrying their `fillcolor` (BL legs with `color` → fade-to-white and colour mattes author, E110), XMEML audio-track transitionitems as audio cross-fades on numbered lanes A/A2/…, and CMX FROM/TO CLIP NAME comments over the generic AX reel — + AAF via pyaaf2 (flat sound/picture slots number A/A2/… and V/V2/… in slot order so separate beds keep their lanes; NestedScope layers keep layer numbering) + PRPROJ via gunzip+XML → normalized events incl. span-explicit transitions, BL fade legs, and freezes as zero-speed events (OTIO FreezeFrame, XMEML timeremap 0, PrProj in==out, AAF 0% motion effects); for AAF/PRPROJ pass the file PATH as content; AAF also returns per-sequence startTimecode/startFrame — build the timeline at THAT start, not the Resolve 01:00:00:00 default — and per-clip `geometry` for Avid transform effects), list_sequences (ONE offline picker entry point across xml/edl/otio/drt/drp/aaf/prproj → [{id,name,eventCount}], plus startTimecode/startFrame for AAF), convert_to_interchange (author OTIO/EDL/DRT Resolve CAN import from events or a parsed source; the EDL target writes CMX transition pairs incl. BL fades — the .prproj→Resolve conform bridge, no Premiere needed; editorial timing/transitions survive and per-clip effects/color do not. SPEED/REVERSE survive on the otio (LinearTimeWarp) and edl (M2) targets ONLY — this FLAT drt target flattens every retime to 100% forward and returns `flattened`/`flattenedCount` naming each event that lost one (`flattened` is always present on `drt`, empty when there were none); for a .drt that AUTHORS retimes/dissolves/multi-track/audio, use drt.assemble_from_interchange), turnover_changelist (diff old vs new → moved/retimed/trimmed/replaced/new/gone PLUS the junction diff: transition_added/transition_dropped/transition_changed with fade in/out or dissolve, outgoing/incoming, span and duration/type/pre-roll deltas — zero-length CMX carrier lines and the BL legs that carry fades fold into the junction diff instead of reading as gone/new sources; events pair by closest record position, consumed once, so a source cut twice at two speeds compares instance to instance; + timing flags incl. transition_dropped and dropped_split_audio on any A-track), conform_manifest (per-event assert: source resolved/handles/retime/reverse/TC-base; BL-aware — black legs need no source, fades no black-side handles, and a fade-out tail requirement lands on the picture source), marker_roundtrip (markers with provenance tags), verify_roundtrip (input events vs re-export events -> pass/mismatches + fitted per-source TC offsets + marker compare w/ markersNotInExport honesty flag; FADE-AWARE: BL/Solid-Color legs merge out as blackSegments and fade-window boundary reshapes are excused into fadeReshapedBoundaries instead of failing; RETIME-AWARE: speed/reverse compare pairwise — EXPORT_OTIO carries an authored Sm2TimeMap back as LinearTimeWarp (measured), so a flattened/lost retime fails as drift geometry alone cannot catch; AUDIO-AWARE: declared audio events compare (a video-only export such as EXPORT_EDL flags audioNotInExport instead of failing) (channel legs deduped, mismatches tagged trackType audio) while the mirrored-A1 export of a video-only turnover stays informational; COLOUR-AWARE: an input generator leg carrying a fillcolor (fade-to-white, colour matte) must come back on the same track over its span with the same colour — Resolve\'s FCP7 writer emits it — else generator-colour fails (generatorColours reports the compare) — pass exportedFormat: an OTIO/EDL re-export cannot carry colour (measured) and reports generatorColourNotInExport instead of failing; the conform QC loop-closer). Offline (AAF needs pyaaf2; live AAF/DRP import is on the Python davinci-resolve MCP).',
   async handler({ action, args }) {
     if (action === 'parse_interchange') {
       const p = parseSchema.parse(args);

package/resolve-advanced/vendor/conform-qc/parse/xmeml-geometry.js

@@ -254,6 +254,10 @@ function parseGeometry(xml) {
       const fileNode = ci.file;
       const fileId = fileNode && fileNode['@_id'] != null ? String(fileNode['@_id']) : null;
       const def = fileId ? fileDefs[fileId] : null;
+      // Resolve's FCP7 writer flattens a COMPOUND CLIP to a clipitem whose
+      // <file> carries an explicitly EMPTY <pathurl> and no inner content
+      // (measured E120/E121). It has no flat source to sample.
+      const isCompound = !!(fileNode && typeof fileNode.pathurl === 'string' && fileNode.pathurl.trim() === '');
       const sub = ci.subclipinfo;
       const startoffset = sub ? num(sub.startoffset) : null;
       const endoffset = sub ? num(sub.endoffset) : null;
@@ -311,6 +315,7 @@ function parseGeometry(xml) {
         srcH: def ? def.srcH : null,
         edges_resolved: edgesResolved,
         edges_unresolved: unresolved,
+        is_compound: isCompound,
         transition_in: win(inWin),
         transition_out: win(outWin),
       });

package/src/granular/common.py

@@ -87,7 +87,7 @@ if not logging.getLogger().handlers:
         handlers=[logging.StreamHandler()],
     )
 
-VERSION = "2.174.0"
+VERSION = "2.176.0"
 logger = logging.getLogger("davinci-resolve-mcp")
 logger.info(f"Starting DaVinci Resolve MCP Server v{VERSION}")
 logger.info(f"Detected platform: {get_platform()}")

package/src/server.py

@@ -11,7 +11,7 @@ Usage:
     python src/server.py --full       # Start the 353-tool granular server instead
 """
 
-VERSION = "2.174.0"
+VERSION = "2.176.0"
 
 import base64
 import os
@@ -26250,7 +26250,7 @@ _ACTION_HELP: Dict[str, Dict[str, Dict[str, Any]]] = {
     },
     "timeline": {
         "get_items": {
-            "summary": "List items on one track as a summary (name/id/start/end/duration/kind). Transitions ARE items — a video Cross Dissolve by name, an AUDIO cross-fade with an EMPTY name — and generators/subtitles look identical to them by media-pool item and properties (all None), so `kind` (clip | transition | generator | subtitle) is decided by geometry: a transition straddles a cut.",
+            "summary": "List items on one track as a summary (name/id/start/end/duration/kind). Transitions ARE items — a video Cross Dissolve by name, an AUDIO cross-fade with an EMPTY name — and generators/subtitles look identical to them by media-pool item and properties (all None), so `kind` (clip | transition | generator | subtitle) is decided by geometry: a transition straddles a cut; `generator` also covers Fusion titles (Text+), which enumerate the same way.",
             "params": "track_type (video|audio|subtitle), index|track_index (1-based)",
             "returns": "{items: [{name, id, start, end, duration, kind}]}",
             "example": 'timeline(action="get_items", params={"track_type": "video", "index": 1})',