davinci-resolve-mcp 2.156.1 → 2.158.0

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package/CHANGELOG.md CHANGED
@@ -2,6 +2,44 @@
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  Release history for the DaVinci Resolve MCP Server. The latest release is summarized in the root README; older entries live here to keep the README focused.
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+ ## What's New in v2.158.0 — E100: the kitchen-sink certification
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+
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+ ### Verified (one turnover, everything at once)
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+
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+ - A single OTIO turnover carrying a fade-in, a V2 stack, a centered
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+ dissolve, a 50% retime, a retime-adjacent fade-out, two audio legs, two
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+ track markers, and a clip marker conformed, imported, and **rendered
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+ correct in all 32 measured windows** — including the previously unmeasured
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+ interactions (the boundary shift extending a retimed cut into its
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+ fade-out; an upper-track stack compositing over the fade region). The
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+ round-trip QC closed `pass: true` against Resolve's own re-export, and
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+ the fixture is now a permanent offline test.
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+
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+ ### Fixed
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+
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+ - `verify_roundtrip` compares sources by **basename**: an OTIO turnover
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+ names sources by `target_url` path while Resolve's re-export uses the file
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+ basename — the same file read as six spurious source mismatches.
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+
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+ ### Measured
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+
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+ - **Fairlight level law**: the template's A1 strip plays at source level
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+ while the added mono strips (A2–A16) play 3 dB down per channel (center
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+ pan law). Both render; it is mixer semantics, not a placement failure.
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+
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+ ## What's New in v2.157.0 — the conform manifest learns fades too
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+
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+ ### Fixed
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+
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+ - **`editorial.conform_manifest` failed every conformable fade EDL**: BL
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+ legs failed `source_resolved` ("no resolved path") and the fade-in failed
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+ `handles` — but BL is the EDL's built-in black (it conforms as a Solid
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+ Color generator, no source needed), and a fade from black needs no handle
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+ media at all (the boundary shift trims the picture head inside its own
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+ material). A fade-out's real requirement — outgoing tail on the PICTURE
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+ source — now lands on the right source: a starved tail still fails,
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+ named precisely.
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+
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  ## What's New in v2.156.1 — docs catch up with the fade + QC arc
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  ### Documentation
package/README.md CHANGED
@@ -2,7 +2,7 @@
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  English | [简体中文](README.zh-CN.md)
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- [![Version](https://img.shields.io/badge/version-2.156.1-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
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+ [![Version](https://img.shields.io/badge/version-2.158.0-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
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  [![npm](https://img.shields.io/npm/v/davinci-resolve-mcp.svg?label=npm&color=CB3837)](https://www.npmjs.com/package/davinci-resolve-mcp)
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  [![API Coverage](https://img.shields.io/badge/API%20Coverage-100%25-brightgreen.svg)](docs/reference/api-coverage.md)
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  [![Tools](https://img.shields.io/badge/MCP%20Tools-36%20(353%20full)-blue.svg)](#server-modes)
package/README.zh-CN.md CHANGED
@@ -2,7 +2,7 @@
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  [English](README.md) | 简体中文
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- [![Version](https://img.shields.io/badge/version-2.156.1-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
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+ [![Version](https://img.shields.io/badge/version-2.158.0-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
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  [![npm](https://img.shields.io/npm/v/davinci-resolve-mcp.svg?label=npm&color=CB3837)](https://www.npmjs.com/package/davinci-resolve-mcp)
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  [![API Coverage](https://img.shields.io/badge/API%20Coverage-100%25-brightgreen.svg)](docs/reference/api-coverage.md)
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  [![Tools](https://img.shields.io/badge/MCP%20Tools-36%20(353%20full)-blue.svg)](#服务器模式)
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  [![Python](https://img.shields.io/badge/python-3.10+-green.svg)](https://www.python.org/downloads/)
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  [![License](https://img.shields.io/badge/license-MIT-blue.svg)](https://opensource.org/licenses/MIT)
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- > 本翻译对应 v2.156.1 版 README。如与英文原版有出入,以 [英文原版](README.md) 为准。
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+ > 本翻译对应 v2.158.0 版 README。如与英文原版有出入,以 [英文原版](README.md) 为准。
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  一个 Model Context Protocol (MCP) 服务器,让 AI 助手通过官方脚本 API 控制 DaVinci Resolve Studio(达芬奇)。它提供完整的 API 覆盖,外加带护栏的工作流助手,涵盖剪辑、媒体池整理、渲染设置、审阅标记、调色、Fusion、Fairlight、项目生命周期任务、扩展开发,以及不碰源媒体的媒体分析。
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package/install.py CHANGED
@@ -37,7 +37,7 @@ from src.utils.update_check import (
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  # ─── Version ──────────────────────────────────────────────────────────────────
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- VERSION = "2.156.1"
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+ VERSION = "2.158.0"
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  # Only hard floor: mcp[cli] requires Python 3.10+. There is no upper bound —
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  # Resolve's scripting bridge loads into newer interpreters on recent builds
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  # (Python 3.14 verified against Resolve Studio 20.3.2). Older Resolve builds
package/package.json CHANGED
@@ -1,6 +1,6 @@
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  {
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  "name": "davinci-resolve-mcp",
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- "version": "2.156.1",
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+ "version": "2.158.0",
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  "description": "NPM bootstrapper for the DaVinci Resolve MCP Server.",
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  "license": "MIT",
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  "author": "Samuel Gursky <samgursky@gmail.com>",
@@ -826,7 +826,10 @@ export function verifyRoundtrip(inputEvents, exportedEvents, opts = {}) {
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  const m = /^([VA])(\d+)?$/.exec(String(t || ''));
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  return m ? `${m[1]}${m[2] || '1'}` : String(t);
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  };
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- const canonSource = (x) => String(x || '').replace(/\.[^.]+$/, '').toLowerCase();
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+ // Basename + extension-stripped + case-folded: an OTIO turnover names
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+ // sources by target_url PATH while Resolve's re-export names them by file
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+ // basename (measured E100) — same file, different spelling.
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+ const canonSource = (x) => String(x || '').split(/[\\/]/).pop().replace(/\.[^.]+$/, '').toLowerCase();
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  // Reel/tape aliases: an EDL names sources by REEL (CUTSRC) while the
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  // re-export names them by file basename (cut_src) — the sourceMap that
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  // drove the assemble is the authority linking the two. Keys and values
@@ -491,15 +491,44 @@ export function timingGuards(oldEvents, newEvents) {
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  */
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  export function conformManifest(events, resolution = {}, opts = {}) {
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  const minHandle = opts.minHandle ?? 0;
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+ const isBLsrc = (s) => /^(BL|BLACK)$/i.test(String(s || '').trim());
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  const rows = [];
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  for (const e of events) {
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  const res = resolution[e.source] || {};
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  const checks = [];
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  const add = (name, pass, detail) => checks.push({ name, pass, ...(detail ? { detail } : {}) });
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+ // BL/BLACK is the EDL's built-in black source: it needs no resolution
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+ // entry (it conforms as a Solid Color generator, E91), and its side of a
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+ // fade needs no handles (a generator extends freely). A fade-out's
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+ // outgoing tail requirement belongs to the PICTURE source, checked on
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+ // this BL event against the abutting predecessor.
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+ if (isBLsrc(e.source)) {
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+ add('source_resolved', true, 'built-in black (BL) — conforms as a Solid Color generator, no source needed');
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+ if (e.transition && (e.transition.duration || 0) > 0) {
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+ const half = Math.ceil(e.transition.duration / 2);
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+ const prev = events.find((o) => o !== e && o.track === e.track && o.recOut === e.recIn && !isBLsrc(o.source));
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+ if (prev) {
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+ const pres = resolution[prev.source] || {};
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+ const ok = (pres.handleOut ?? 0) >= half;
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+ add('handles', ok, ok
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+ ? `fade-out: ${prev.source} carries the outgoing tail`
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+ : `fade-out to black: outgoing ${prev.source} needs tail ≥${half}; has ${pres.handleOut ?? 0}`);
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+ }
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+ }
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+ const blPass = checks.every((c) => c.pass);
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+ rows.push({ index: e.index, source: e.source, track: e.track, pass: blPass, checks });
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+ continue;
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+ }
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  add('source_resolved', res.online !== false && !!(res.path || res.online), res.online === false ? 'offline' : res.path ? undefined : 'no resolved path');
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  // Handles — and transition-handle starvation (a dissolve needs handle ≥ half its duration each side).
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  const needHandle = Math.max(minHandle, e.transition ? Math.ceil((e.transition.duration || 0) / 2) : 0);
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- if (needHandle > 0) {
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+ const fadeInFromBlack = e.transition
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+ && events.some((o) => o !== e && o.track === e.track && o.recOut === e.recIn && isBLsrc(o.source));
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+ if (e.transition && fadeInFromBlack) {
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+ // Fade from black: the boundary shift trims the picture head inside
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+ // its own material — neither side needs handle media (E91, measured).
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+ add('handles', true, 'fade from black — no handles needed (the black side extends freely)');
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+ } else if (needHandle > 0) {
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  const ok = (res.handleIn ?? 0) >= needHandle && (res.handleOut ?? 0) >= needHandle;
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  add(
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  'handles',
@@ -86,7 +86,7 @@ const markerSchema = z.object({
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  export const editorialTool = {
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  name: 'editorial',
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  description:
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- 'Editorial integrity (Cluster E) — turnover interchange → normalized events → changelist + conform manifest with TIMING silent-lie guards (flattened retime / dropped J/L-cut audio / framerate-pulldown slip / reverse dropped / transition-handle starvation → flag, skip-not-fake). Report-only (gate: review). Actions: parse_interchange (EDL/OTIO/XMEML natively + AAF via pyaaf2 + PRPROJ via gunzip+XML → normalized events incl. span-explicit transitions and BL fade legs; for AAF/PRPROJ pass the file PATH as content; AAF also returns per-sequence startTimecode/startFrame — build the timeline at THAT start, not the Resolve 01:00:00:00 default — and per-clip `geometry` for Avid transform effects), list_sequences (ONE offline picker entry point across xml/edl/otio/drt/drp/aaf/prproj → [{id,name,eventCount}], plus startTimecode/startFrame for AAF), convert_to_interchange (author OTIO/EDL/DRT Resolve CAN import from events or a parsed source — the .prproj→Resolve conform bridge, no Premiere needed; editorial timing/transitions survive and per-clip effects/color do not. SPEED/REVERSE survive on the otio (LinearTimeWarp) and edl (M2) targets ONLY — this FLAT drt target flattens every retime to 100% forward and returns `flattened`/`flattenedCount` naming each event that lost one (`flattened` is always present on `drt`, empty when there were none); for a .drt that AUTHORS retimes/dissolves/multi-track/audio, use drt.assemble_from_interchange), turnover_changelist (diff old vs new → moved/retimed/replaced/new/gone + timing flags), conform_manifest (per-event assert: source resolved/handles/retime/reverse/TC-base), marker_roundtrip (markers with provenance tags), verify_roundtrip (input events vs re-export events -> pass/mismatches + fitted per-source TC offsets + marker compare w/ markersNotInExport honesty flag; FADE-AWARE: BL/Solid-Color legs merge out as blackSegments and fade-window boundary reshapes are excused into fadeReshapedBoundaries instead of failing; RETIME-AWARE: speed/reverse compare pairwise — EXPORT_OTIO carries an authored Sm2TimeMap back as LinearTimeWarp (measured), so a flattened/lost retime fails as drift geometry alone cannot catch; AUDIO-AWARE: declared audio events compare (channel legs deduped, mismatches tagged trackType audio) while the mirrored-A1 export of a video-only turnover stays informational; the conform QC loop-closer). Offline (AAF needs pyaaf2; live AAF/DRP import is on the Python davinci-resolve MCP).',
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+ 'Editorial integrity (Cluster E) — turnover interchange → normalized events → changelist + conform manifest with TIMING silent-lie guards (flattened retime / dropped J/L-cut audio / framerate-pulldown slip / reverse dropped / transition-handle starvation → flag, skip-not-fake). Report-only (gate: review). Actions: parse_interchange (EDL/OTIO/XMEML natively + AAF via pyaaf2 + PRPROJ via gunzip+XML → normalized events incl. span-explicit transitions and BL fade legs; for AAF/PRPROJ pass the file PATH as content; AAF also returns per-sequence startTimecode/startFrame — build the timeline at THAT start, not the Resolve 01:00:00:00 default — and per-clip `geometry` for Avid transform effects), list_sequences (ONE offline picker entry point across xml/edl/otio/drt/drp/aaf/prproj → [{id,name,eventCount}], plus startTimecode/startFrame for AAF), convert_to_interchange (author OTIO/EDL/DRT Resolve CAN import from events or a parsed source — the .prproj→Resolve conform bridge, no Premiere needed; editorial timing/transitions survive and per-clip effects/color do not. SPEED/REVERSE survive on the otio (LinearTimeWarp) and edl (M2) targets ONLY — this FLAT drt target flattens every retime to 100% forward and returns `flattened`/`flattenedCount` naming each event that lost one (`flattened` is always present on `drt`, empty when there were none); for a .drt that AUTHORS retimes/dissolves/multi-track/audio, use drt.assemble_from_interchange), turnover_changelist (diff old vs new → moved/retimed/replaced/new/gone + timing flags), conform_manifest (per-event assert: source resolved/handles/retime/reverse/TC-base; BL-aware — black legs need no source, fades no black-side handles, and a fade-out tail requirement lands on the picture source), marker_roundtrip (markers with provenance tags), verify_roundtrip (input events vs re-export events -> pass/mismatches + fitted per-source TC offsets + marker compare w/ markersNotInExport honesty flag; FADE-AWARE: BL/Solid-Color legs merge out as blackSegments and fade-window boundary reshapes are excused into fadeReshapedBoundaries instead of failing; RETIME-AWARE: speed/reverse compare pairwise — EXPORT_OTIO carries an authored Sm2TimeMap back as LinearTimeWarp (measured), so a flattened/lost retime fails as drift geometry alone cannot catch; AUDIO-AWARE: declared audio events compare (channel legs deduped, mismatches tagged trackType audio) while the mirrored-A1 export of a video-only turnover stays informational; the conform QC loop-closer). Offline (AAF needs pyaaf2; live AAF/DRP import is on the Python davinci-resolve MCP).',
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  async handler({ action, args }) {
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  if (action === 'parse_interchange') {
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  const p = parseSchema.parse(args);
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  handlers=[logging.StreamHandler()],
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  )
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- VERSION = "2.156.1"
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+ VERSION = "2.158.0"
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  logger = logging.getLogger("davinci-resolve-mcp")
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  logger.info(f"Starting DaVinci Resolve MCP Server v{VERSION}")
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  logger.info(f"Detected platform: {get_platform()}")
package/src/server.py CHANGED
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  python src/server.py --full # Start the 353-tool granular server instead
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  """
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- VERSION = "2.156.1"
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+ VERSION = "2.158.0"
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  import base64
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  import os