davinci-resolve-mcp 2.152.0 → 2.154.0

package/CHANGELOG.md

@@ -2,6 +2,40 @@
 
 Release history for the DaVinci Resolve MCP Server. The latest release is summarized in the root README; older entries live here to keep the README focused.
 
+## What's New in v2.154.0 — the QC loop learns retimes
+
+### Added
+
+- **`editorial.verify_roundtrip` is retime-aware.** A conform that lost its
+  retime is a wrong timeline that record/source geometry alone cannot catch
+  — the record extent is unchanged, only the playback rate. Speed and
+  reverse now compare pairwise (`kind: 'retime'` on drift).
+
+### Measured (good news, for once)
+
+- **`EXPORT_OTIO` carries an authored `Sm2TimeMap` back as
+  `LinearTimeWarp`**: a 50% M2 retime conformed offline reads back out of
+  Resolve's OTIO export as `time_scalar: 0.5`. The retime loop closes
+  losslessly through OTIO — live loop verified both ways (pass on the true
+  export, `retime` drift on a speed-stripped one).
+
+## What's New in v2.153.0 — the QC loop learns fades
+
+### Added
+
+- **`editorial.verify_roundtrip` is fade-aware.** A correct fade conform
+  used to fail QC three ways: the re-export's Solid Color legs mismatched
+  the EDL's BL reels, the leg counts differed, and the fade boundary-shift
+  moved picture edges by half the transition. Now BL/Solid-Color legs
+  canonicalize to BLACK and drop out of the pairwise compare (counted in
+  `blackSegments`), picture edges inside an input junction's fade window are
+  excused into `fadeReshapedBoundaries` — reported, never silently absorbed
+  — and the per-source TC offset is fitted net of the record shift so a
+  source cut both plain and faded doesn't read as source-frames drift.
+  Live loop verified: EDL fades → conform → import → OTIO re-export →
+  `pass: true` with the reshape named. Beyond-window shifts and shifts at
+  junction-free edges still fail as real record drift.
+
 ## What's New in v2.152.0 — AAF dissolves conform at last, and AAF fades join the family
 
 ### Fixed

package/README.md

@@ -2,7 +2,7 @@
 
 English | [简体中文](README.zh-CN.md)
 
-[![Version](https://img.shields.io/badge/version-2.152.0-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
+[![Version](https://img.shields.io/badge/version-2.154.0-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
 [![npm](https://img.shields.io/npm/v/davinci-resolve-mcp.svg?label=npm&color=CB3837)](https://www.npmjs.com/package/davinci-resolve-mcp)
 [![API Coverage](https://img.shields.io/badge/API%20Coverage-100%25-brightgreen.svg)](docs/reference/api-coverage.md)
 [![Tools](https://img.shields.io/badge/MCP%20Tools-36%20(353%20full)-blue.svg)](#server-modes)

package/README.zh-CN.md

@@ -2,7 +2,7 @@
 
 [English](README.md) | 简体中文
 
-[![Version](https://img.shields.io/badge/version-2.152.0-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
+[![Version](https://img.shields.io/badge/version-2.154.0-blue.svg)](https://github.com/samuelgursky/davinci-resolve-mcp/releases)
 [![npm](https://img.shields.io/npm/v/davinci-resolve-mcp.svg?label=npm&color=CB3837)](https://www.npmjs.com/package/davinci-resolve-mcp)
 [![API Coverage](https://img.shields.io/badge/API%20Coverage-100%25-brightgreen.svg)](docs/reference/api-coverage.md)
 [![Tools](https://img.shields.io/badge/MCP%20Tools-36%20(353%20full)-blue.svg)](#服务器模式)
@@ -12,7 +12,7 @@
 [![Python](https://img.shields.io/badge/python-3.10+-green.svg)](https://www.python.org/downloads/)
 [![License](https://img.shields.io/badge/license-MIT-blue.svg)](https://opensource.org/licenses/MIT)
 
-> 本翻译对应 v2.152.0 版 README。如与英文原版有出入，以 [英文原版](README.md) 为准。
+> 本翻译对应 v2.154.0 版 README。如与英文原版有出入，以 [英文原版](README.md) 为准。
 
 一个 Model Context Protocol (MCP) 服务器，让 AI 助手通过官方脚本 API 控制 DaVinci Resolve Studio（达芬奇）。它提供完整的 API 覆盖，外加带护栏的工作流助手，涵盖剪辑、媒体池整理、渲染设置、审阅标记、调色、Fusion、Fairlight、项目生命周期任务、扩展开发，以及不碰源媒体的媒体分析。
 

package/install.py

@@ -37,7 +37,7 @@ from src.utils.update_check import (
 
 # ─── Version ──────────────────────────────────────────────────────────────────
 
-VERSION = "2.152.0"
+VERSION = "2.154.0"
 # Only hard floor: mcp[cli] requires Python 3.10+. There is no upper bound —
 # Resolve's scripting bridge loads into newer interpreters on recent builds
 # (Python 3.14 verified against Resolve Studio 20.3.2). Older Resolve builds

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "davinci-resolve-mcp",
-  "version": "2.152.0",
+  "version": "2.154.0",
   "description": "NPM bootstrapper for the DaVinci Resolve MCP Server.",
   "license": "MIT",
   "author": "Samuel Gursky <samgursky@gmail.com>",

package/resolve-advanced/server/author-interchange.mjs

@@ -839,11 +839,32 @@ export function verifyRoundtrip(inputEvents, exportedEvents, opts = {}) {
     if (!v.length) return [];
     const off = Math.min(...v.map((e) => e.recIn));
     return v
-      .map((e) => ({ track: canonTrack(e.track), source: mapSource(canonSource(e.source)), recIn: e.recIn - off, recOut: e.recOut - off, srcIn: e.srcIn ?? 0 }))
+      .map((e) => ({ track: canonTrack(e.track), source: mapSource(canonSource(e.source)), recIn: e.recIn - off, recOut: e.recOut - off, srcIn: e.srcIn ?? 0, speed: e.speed ?? 100, reverse: Boolean(e.reverse) }))
       .sort((a, b) => a.track.localeCompare(b.track) || a.recIn - b.recIn);
   };
-  const a = norm(inputEvents);
-  const b = norm(exportedEvents);
+  const a0 = norm(inputEvents);
+  const b0 = norm(exportedEvents);
+  // FADES (E94): BL legs on the input side and the Solid Color generators a
+  // fade conform authors for them are the same thing — BLACK. Black segments
+  // are synthesized filler whose extents follow from the picture boundaries,
+  // so the pairwise compare runs over PICTURE legs only; black is counted
+  // informationally. And a fade's boundary-shift legitimately moves a
+  // picture edge by up to the transition duration (matching Resolve's own
+  // start-at-cut reshaping), so an edge within an input junction's fade
+  // window is excused — and reported, not silently absorbed.
+  const isBlackSeg = (e) => /^(bl|black|solid color)$/.test(e.source);
+  const a = a0.filter((e) => !isBlackSeg(e));
+  const b = b0.filter((e) => !isBlackSeg(e));
+  const blackSegments = { input: a0.length - a.length, exported: b0.length - b.length };
+  const rawVids = vids(inputEvents);
+  const inOff = rawVids.length ? Math.min(...rawVids.map((e) => e.recIn)) : 0;
+  const junctions = inputEvents
+    .filter((e) => /^V\d*$/.test(String(e.track)) && e.recIn != null && e.transition && e.transition.duration > 0)
+    .map((e) => ({ frame: e.recIn - inOff, d: e.transition.duration }));
+  const inFadeWindow = (edgeIn, edgeExp) => junctions.some(
+    (j) => Math.abs(edgeIn - j.frame) <= j.d && Math.abs(edgeExp - edgeIn) <= j.d,
+  );
+  const fadeReshapedBoundaries = [];
   const mismatches = [];
   if (a.length !== b.length) mismatches.push({ kind: 'count', input: a.length, exported: b.length });
   const srcOffsets = {};
@@ -852,11 +873,36 @@ export function verifyRoundtrip(inputEvents, exportedEvents, opts = {}) {
     const x = a[i], y = b[i];
     if (x.track !== y.track) { mismatches.push({ kind: 'track', at: i, input: x.track, exported: y.track }); continue; }
     if (x.source !== y.source) { mismatches.push({ kind: 'source', at: i, input: x.source, exported: y.source }); continue; }
-    if (Math.abs(x.recIn - y.recIn) > recTol || Math.abs(x.recOut - y.recOut) > recTol) {
-      mismatches.push({ kind: 'record', at: i, input: [x.recIn, x.recOut], exported: [y.recIn, y.recOut] });
+    const inBad = Math.abs(x.recIn - y.recIn) > recTol;
+    const outBad = Math.abs(x.recOut - y.recOut) > recTol;
+    if (inBad || outBad) {
+      const inExcused = !inBad || inFadeWindow(x.recIn, y.recIn);
+      const outExcused = !outBad || inFadeWindow(x.recOut, y.recOut);
+      if (inExcused && outExcused) {
+        fadeReshapedBoundaries.push({ at: i, source: x.source, input: [x.recIn, x.recOut], exported: [y.recIn, y.recOut] });
+      } else {
+        mismatches.push({ kind: 'record', at: i, input: [x.recIn, x.recOut], exported: [y.recIn, y.recOut] });
+        continue;
+      }
+    }
+    // RETIMES (E95): a conform that lost its retime is a wrong timeline that
+    // record/source geometry alone cannot catch (the record extent is
+    // unchanged; only the playback rate is). Resolve's EXPORT_OTIO carries
+    // an authored Sm2TimeMap back as LinearTimeWarp (measured live: 50%
+    // in → time_scalar 0.5 out), so a speed/reverse mismatch is real drift.
+    if (Math.abs((x.speed ?? 100) - (y.speed ?? 100)) > 0.5 || x.reverse !== y.reverse) {
+      mismatches.push({
+        kind: 'retime', at: i, source: x.source,
+        input: { speed: x.speed, reverse: x.reverse },
+        exported: { speed: y.speed, reverse: y.reverse },
+      });
       continue;
     }
-    const off = y.srcIn - x.srcIn;
+    // A fade-reshaped head trims record AND source together (source stays
+    // record-aligned), so the per-source constant offset is fitted net of
+    // the record shift — otherwise a source cut both plain and faded would
+    // read as a source-frames drift.
+    const off = (y.srcIn - (y.recIn - x.recIn)) - x.srcIn;
     if (srcOffsets[x.source] === undefined) srcOffsets[x.source] = off;
     else if (Math.abs(off - srcOffsets[x.source]) > srcTol) {
       mismatches.push({ kind: 'source-frames', at: i, source: x.source, expectedOffset: srcOffsets[x.source], gotOffset: off });
@@ -893,5 +939,10 @@ export function verifyRoundtrip(inputEvents, exportedEvents, opts = {}) {
     }
     mismatches.push(...markers.mismatches);
   }
-  return { pass: mismatches.length === 0, pairs: n, srcOffsets, mismatches, markers, ...(markersNotInExport ? { markersNotInExport } : {}) };
+  return {
+    pass: mismatches.length === 0, pairs: n, srcOffsets, mismatches, markers,
+    ...(markersNotInExport ? { markersNotInExport } : {}),
+    ...(blackSegments.input || blackSegments.exported ? { blackSegments } : {}),
+    ...(fadeReshapedBoundaries.length ? { fadeReshapedBoundaries } : {}),
+  };
 }

package/resolve-advanced/server/tools/editorial.mjs

@@ -86,7 +86,7 @@ const markerSchema = z.object({
 export const editorialTool = {
   name: 'editorial',
   description:
-    'Editorial integrity (Cluster E) — turnover interchange → normalized events → changelist + conform manifest with TIMING silent-lie guards (flattened retime / dropped J/L-cut audio / framerate-pulldown slip / reverse dropped / transition-handle starvation → flag, skip-not-fake). Report-only (gate: review). Actions: parse_interchange (EDL/OTIO/XMEML natively + AAF via pyaaf2 + PRPROJ via gunzip+XML → normalized events; for AAF/PRPROJ pass the file PATH as content; AAF also returns per-sequence startTimecode/startFrame — build the timeline at THAT start, not the Resolve 01:00:00:00 default — and per-clip `geometry` for Avid transform effects), list_sequences (ONE offline picker entry point across xml/edl/otio/drt/drp/aaf/prproj → [{id,name,eventCount}], plus startTimecode/startFrame for AAF), convert_to_interchange (author OTIO/EDL/DRT Resolve CAN import from events or a parsed source — the .prproj→Resolve conform bridge, no Premiere needed; editorial timing/transitions survive and per-clip effects/color do not. SPEED/REVERSE survive on the otio (LinearTimeWarp) and edl (M2) targets ONLY — this FLAT drt target flattens every retime to 100% forward and returns `flattened`/`flattenedCount` naming each event that lost one (`flattened` is always present on `drt`, empty when there were none); for a .drt that AUTHORS retimes/dissolves/multi-track/audio, use drt.assemble_from_interchange), turnover_changelist (diff old vs new → moved/retimed/replaced/new/gone + timing flags), conform_manifest (per-event assert: source resolved/handles/retime/reverse/TC-base), marker_roundtrip (markers with provenance tags), verify_roundtrip (input events vs re-export events -> pass/mismatches + fitted per-source TC offsets; the conform QC loop-closer). Offline (AAF needs pyaaf2; live AAF/DRP import is on the Python davinci-resolve MCP).',
+    'Editorial integrity (Cluster E) — turnover interchange → normalized events → changelist + conform manifest with TIMING silent-lie guards (flattened retime / dropped J/L-cut audio / framerate-pulldown slip / reverse dropped / transition-handle starvation → flag, skip-not-fake). Report-only (gate: review). Actions: parse_interchange (EDL/OTIO/XMEML natively + AAF via pyaaf2 + PRPROJ via gunzip+XML → normalized events; for AAF/PRPROJ pass the file PATH as content; AAF also returns per-sequence startTimecode/startFrame — build the timeline at THAT start, not the Resolve 01:00:00:00 default — and per-clip `geometry` for Avid transform effects), list_sequences (ONE offline picker entry point across xml/edl/otio/drt/drp/aaf/prproj → [{id,name,eventCount}], plus startTimecode/startFrame for AAF), convert_to_interchange (author OTIO/EDL/DRT Resolve CAN import from events or a parsed source — the .prproj→Resolve conform bridge, no Premiere needed; editorial timing/transitions survive and per-clip effects/color do not. SPEED/REVERSE survive on the otio (LinearTimeWarp) and edl (M2) targets ONLY — this FLAT drt target flattens every retime to 100% forward and returns `flattened`/`flattenedCount` naming each event that lost one (`flattened` is always present on `drt`, empty when there were none); for a .drt that AUTHORS retimes/dissolves/multi-track/audio, use drt.assemble_from_interchange), turnover_changelist (diff old vs new → moved/retimed/replaced/new/gone + timing flags), conform_manifest (per-event assert: source resolved/handles/retime/reverse/TC-base), marker_roundtrip (markers with provenance tags), verify_roundtrip (input events vs re-export events -> pass/mismatches + fitted per-source TC offsets + marker compare w/ markersNotInExport honesty flag; FADE-AWARE: BL/Solid-Color legs merge out as blackSegments and fade-window boundary reshapes are excused into fadeReshapedBoundaries instead of failing; RETIME-AWARE: speed/reverse compare pairwise — EXPORT_OTIO carries an authored Sm2TimeMap back as LinearTimeWarp (measured), so a flattened/lost retime fails as drift geometry alone cannot catch; the conform QC loop-closer). Offline (AAF needs pyaaf2; live AAF/DRP import is on the Python davinci-resolve MCP).',
   async handler({ action, args }) {
     if (action === 'parse_interchange') {
       const p = parseSchema.parse(args);

package/src/granular/common.py

@@ -87,7 +87,7 @@ if not logging.getLogger().handlers:
         handlers=[logging.StreamHandler()],
     )
 
-VERSION = "2.152.0"
+VERSION = "2.154.0"
 logger = logging.getLogger("davinci-resolve-mcp")
 logger.info(f"Starting DaVinci Resolve MCP Server v{VERSION}")
 logger.info(f"Detected platform: {get_platform()}")

package/src/server.py

@@ -11,7 +11,7 @@ Usage:
     python src/server.py --full       # Start the 353-tool granular server instead
 """
 
-VERSION = "2.152.0"
+VERSION = "2.154.0"
 
 import base64
 import os