cerevox 4.73.0 → 4.74.0

package/dist/utils/npc-card-tpl.js

@@ -0,0 +1,150 @@
+"use strict";
+Object.defineProperty(exports, "__esModule", { value: true });
+exports.buildNpcCardPrompt = buildNpcCardPrompt;
+/**
+ * 构建 NPC 群像设定卡提示词。
+ *
+ * @param params 模板参数，包含用户原始 NPC 群像描述。
+ * @returns 适合生成 NPC 卡片拼图的完整提示词。
+ *
+ * @example
+ * ```ts
+ * const prompt = buildNpcCardPrompt({
+ *   userPrompt: '古代市井中的杂货商、小贩、脚夫、说书人、巡街更夫等一群路人 NPC',
+ * });
+ * ```
+ */
+function buildNpcCardPrompt(params) {
+    const { userPrompt } = params;
+    return `基于用户指令，生成一张专业的 NPC 群像设定卡 / npc card。
+
+用户指令：
+${userPrompt}
+
+---
+
+这不是单个主角角色卡，而是一整组可供影视、动画、游戏或漫画场景反复调用的 NPC 群像设定板。
+整张图需要像 casting board、crowd character sheet、群演角色库 一样，把一批可复用 NPC 以卡片形式平铺在同一张图上。
+
+【核心目标】
+- 根据用户指令生成一群 NPC，而不是 1 个人
+- 在用户许可的范围内尽量提高多样性
+- 如果场景天然要求统一性，则统一中保留少量合理差异
+- 每个职业或角色类型至少有 1 个清晰的全身像
+- 每个角色类型旁边再配若干可替换的脸谱 / 头像小组，形成同类角色的变体池
+- 每张小卡片都要有简短中文说明和中文名字
+- 名字风格以普通 NPC 命名为主，例如：张三、李四、王五、赵六、路人甲、路人乙、店小二甲、巡街兵乙、伙夫丙 等
+
+【场景多样性规则】
+- 如果用户描述的是市井、街市、村落、码头、酒馆、客栈、集市、帮派外围、平民社区、难民营、工业工坊、校园、办公楼、医院走廊等开放人群环境，则尽量提高以下维度的差异：
+  - 年龄
+  - 性别
+  - 职业/分工
+  - 身高
+  - 胖瘦
+  - 发型
+  - 肤色与气质
+  - 着装层级与磨损状态
+  - 姿态习惯
+- 如果用户描述的是军队、警队、门派弟子、修会成员、公司制服员工、工厂班组、护士站、仪仗队、学校校服群体、服务行业标准制服群体等强调纪律和统一性的组织，则应：
+  - 保持整体制服、身份和气质相对统一
+  - 轮廓、配色、装备、站姿更整齐
+  - 年龄与体型差异收敛
+  - 但仍保留少量合理的人脸差异、身形差异、细节穿着差异，避免完全复制粘贴
+
+【人物辨识度规则】
+- 所有 NPC 都要有一定辨识度，但不要像主角或明星角色那样过分突出
+- 面部应当可区分，但整体趋于“平庸化、群像化、配角化”
+- 不要做夸张偶像脸、过强主角光环、过高时尚感或过于戏剧性的个人设计
+- 若用户没有明确指定人物风格，默认按真人写实风格生成
+- 默认人物样貌不能太帅、不能太美，不要有网红感、明星感或主角脸
+- 默认应呈现普通路人、普通群众、普通配角的自然外貌基础，但仍保留一定可区分的五官与气质差异
+- 识别度主要来自年龄层、职业气质、五官组合、体态和穿搭差异，而不是超级吸睛设定
+
+【版式要求】
+- 整体为一张大画面，浅色或中性干净背景
+- 所有 NPC 以卡片形式平铺在同一页中，排版整齐、清晰、可读
+- 卡片之间要有明确分组，方便一眼看出哪些属于同一职业、同一阵营或同一类群众
+- 每个职业分组至少包含：
+  - 1 个全身角色卡，展示服装、体态、职业特征和完整比例
+  - 2 到 6 个同组脸谱 / 头像 / 半身脸部小卡，作为替换脸模板
+- 如果用户描述的职业类型很多，可按空间合理压缩，但仍要优先保证“每类至少一个全身像”
+- 如果用户描述的是单一职业的大群体，也应在同职业下展示多个脸谱替换版本
+
+【全身像规则】
+- 每个职业角色至少有 1 个完整全身像
+- 全身像要明确展示这个 NPC 的站姿、服装轮廓、职业工具或身份特征
+- 全身像是该分组的主卡，不要被脸谱小图淹没
+- 不要求每个 NPC 都有全身像，但每种职业原型必须至少有 1 个
+
+【脸谱变体规则】
+- 每组全身像附近要搭配若干可替换脸谱
+- 脸谱变体应明显属于同一类职业/阵营，但不是完全一样的复制品
+- 变体可以调整：
+  - 脸型
+  - 五官组合
+  - 年龄层
+  - 发际线/发量
+  - 胡须
+  - 皱纹
+  - 神情细节
+  - 轻微伤痕、痣、雀斑、晒痕等普通特征
+- 变体不应改变该类 NPC 的核心世界观和职业身份
+
+【文字与标注规则】
+- 所有可见文字必须为中文
+- 每张角色卡都要有一个简短名字
+- 每张角色卡都要有一句极简中文说明
+- 说明不得默认写成一味正向、脸谱化的赞美标签
+- 说明应允许出现中性、负面、不完美、普通、笨拙、疲惫、胆怯、迟疑、圆滑、散漫、老练、麻木、敷衍、紧张、新兵气、混日子等真实群像特征
+- 尤其是军队、帮派、差役、学徒、店伙计、杂工等群体，不要默认所有人都英勇果敢、忠诚坚定、精神饱满
+- 不同 NPC 的说明应体现真实的人群差异，有人可靠，也可以有人胆小、偷懒、慌张、嘴碎、木讷、油滑、怕事或经验不足
+- 说明只写必要信息，例如：
+  - 卖鱼摊贩，凌晨出摊
+  - 巡街兵，夜班值守
+  - 酒馆伙计，跑堂熟练
+  - 门派外门弟子，新入行
+- 也可以是：
+  - 巡街兵，新兵蛋子
+  - 哨兵乙，眼神发虚
+  - 店伙计甲，嘴碎怕事
+  - 兵卒丙，混日子
+  - 学徒丁，手忙脚乱
+- 文字必须简洁、准确、无乱码、无错别字
+- 标注应像设定板上的手写批注或小标题，简短即可，不要长段说明文
+
+【命名规则】
+- 优先使用中国语境下的普通 NPC 命名方式
+- 如果是日常平民，可使用：张三、李四、王五、赵六、周七 等
+- 如果是匿名路人或批量群演，可使用：路人甲、路人乙、路人丙、杂工甲、伙计乙、兵卒丙、学徒丁 等
+- 如果有职业属性，可在名字中轻度体现身份，例如：更夫赵三、店小二甲、哨兵乙
+- 名字不要像主角，不要过度华丽，不要中二化
+
+【视觉风格规则】
+- 整体像专业的 NPC 角色库设定板
+- 适合游戏前期开发、影视美术、动画群演设计、漫画背景人物库
+- 各角色共享同一个世界观和美术风格
+- 若用户没有指定特定画风，默认使用真人写实风格，并保持同一批 NPC 的摄影语言、服装语言、材质语言和时代语境统一
+- 可以精致，但不要把任何一个 NPC 做成唯一主角
+- 画面重点是“群体可用性”和“替换扩展性”
+
+【一致性与差异平衡】
+- 同一阵营、同一职业组内部要有共性
+- 不同职业组之间要有足够差异
+- 若用户明确指定朝代、地域、世界观、时代、材质、风格、职业结构、阶层关系，必须严格遵守
+- 若用户未指定，可根据场景自动补足合理职业层次，但不要脱离用户原始需求
+- 即使追求多样性，也必须保证所有 NPC 像是生活在同一个世界观、同一地区、同一时代、同一制作体系中的人，不能出现画风、时代、审美和身份系统彼此割裂的混搭
+
+【禁止事项】
+- 不要把画面做成主角海报
+- 不要只给头像，不给职业原型全身像
+- 不要所有 NPC 都长得一模一样
+- 也不要为了多样性而完全破坏阵营统一性
+- 不要加入与用户场景无关的职业
+- 不要生成大段文本说明
+- 不要生成英文文字
+
+最终效果应是一张信息清晰、职业分组明确、可直接用于批量场景角色调用的 NPC 设定卡。
+它应该让人一眼看出：这是一组同世界观下、可替换组合使用的群众角色卡片，而不是若干随机肖像拼贴。`;
+}
+//# sourceMappingURL=npc-card-tpl.js.map

package/dist/utils/npc-card-tpl.js.map

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package/dist/utils/storyboard-sketch-tpl.d.ts.map

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package/dist/utils/storyboard-sketch-tpl.js

@@ -108,9 +108,11 @@ function storyboardSketchTemplate(params) {
 - no complex textures
 - use clear silhouettes, readable gestures, and simple environment blocking
 - preserve the feeling of fast previsualization sketches made by a film storyboard artist
-- human figures should stay rough, schematic, and non-specific
-- prefer stick-figure logic, mannequin blocks, radish-man bodies, silhouette masses, and gesture lines over detailed character drawing
-- avoid distinctive faces, hairstyles, costume rendering, anatomy detail, and any recognizable appearance traits unless absolutely necessary for basic role differentiation
+- human figures should stay rough and sketch-like, but still preserve enough character identity for shot continuity
+- prefer simplified storyboard character drawing rather than stick figures
+- keep recognizable character cues such as hairstyle silhouette, face shape, body proportion, costume outline, and signature props when they matter to the scene
+- faces may stay loosely drawn, but main characters should still be distinguishable from one another at a glance
+- avoid polished portrait rendering, beauty-detail drawing, or character-sheet level finish, but do not erase character identity into anonymous mannequins
 
 【Master Layout Requirements】
 - Output one complete storyboard draft sheet
@@ -172,10 +174,11 @@ ${videoDurationRule}
 - Use strong silhouette design so the action reads immediately even in rough sketch form
 - Reduce costume, texture, and prop detail to only what is necessary for recognition
 - Faces can be simplified, but expression and head direction should remain readable
-- Character depiction must remain one level rougher than a typical storyboard illustration
-- Use body direction, pose, negative space, limb gesture, and head angle to communicate action instead of detailed facial or costume information
-- Do not let character drawings become attractive concept art, character sheets, or identifiable portrait sketches
-- If a role must be distinguished, do it with very minimal shape coding or staging position, not with detailed appearance design
+- Character depiction must remain one level rougher than a polished concept illustration, while still functioning as a usable storyboard performance sketch
+- Use body direction, pose, negative space, limb gesture, head angle, and a small amount of key appearance information to communicate action
+- Main roles should preserve continuity traits across panels, including rough face proportion, hair mass, costume silhouette, and distinctive carried items when relevant
+- Do not let character drawings become finished concept art, character sheets, or glamour portraits
+- If a role must be distinguished, do it first through staging and silhouette, but retain enough recurring appearance cues so the same character is still recognizable across shots
 - Each row should include:
   - shot number
   - time range
@@ -292,7 +295,8 @@ ${intensityBlock}
 - Keep the image easy to parse as a storyboard draft sheet
 - Do not turn this into a finished comic page or a realistic movie still
 - Do not let text complexity overwhelm shot readability
-- Keep people rough and generic so they guide staging without polluting later visual creation
+- Keep people rough and sketchy, but not generic to the point of losing character identity
+- Preserve rough character continuity so the storyboard can still guide later image and video creation
 
 【User Input】
 ${userPrompt}

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package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "cerevox",
-  "version": "4.73.0",
+  "version": "4.74.0",
   "description": "TypeScript SDK for browser automation and secure command execution in highly available and scalable micro computer environments",
   "main": "dist/index.js",
   "types": "dist/index.d.ts",

package/dist/utils/environment-board-tpl.d.ts.map

@@ -1 +0,0 @@
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package/dist/utils/environment-board-tpl.js

@@ -1,225 +0,0 @@
-"use strict";
-Object.defineProperty(exports, "__esModule", { value: true });
-exports.environmentBoardTemplate = environmentBoardTemplate;
-const environmentIntensityMap = {
-    balanced: `【镜头变化强度】空间展示清晰克制，优先让场景结构、出入口和动线一目了然。`,
-    strong: `【镜头变化强度】在保持空间可读性的前提下，增加景别对比和导演感。`,
-    aggressive: `【镜头变化强度】镜头角度更戏剧化，允许更强的构图张力，但不能破坏空间连续性。`,
-};
-/**
- * 生成导演级 Environment Board 提示词，用于锁定同一拍摄场景的空间一致性，
- * 并输出带导演手册说明的环境设定板。
- *
- * @param params 模板参数，包括用户场景描述、画面比例、面板数量和镜头强度。
- * @returns 适合生成单页环境设定板加导演手册的完整提示词。
- *
- * @example
- * ```ts
- * const prompt = environmentBoardTemplate({
- *   userPrompt: '废弃地铁站月台，漏水、闪烁灯管、旧广告牌、冷蓝色夜景氛围',
- *   page_aspect_ratio: '16:9',
- *   maxPanels: 6,
- * });
- * ```
- */
-function environmentBoardTemplate(params) {
-    const { userPrompt, page_aspect_ratio = '16:9', maxPanels, cinematicIntensity = 'strong', } = params;
-    const safeMaxPanels = typeof maxPanels === 'number' && Number.isFinite(maxPanels)
-        ? Math.max(5, Math.min(8, Math.floor(maxPanels)))
-        : undefined;
-    const intensityBlock = environmentIntensityMap[cinematicIntensity] ??
-        environmentIntensityMap.strong;
-    const panelCountRule = safeMaxPanels
-        ? `
-【主环境画格数量规则】
-- 主环境空间图的画格数量不多于 ${safeMaxPanels}
-- 主环境空间图至少包含 5 个核心视角：全景、俯视全景、核心中景、近景、特写
-- 若有额外主画格，只能用于补充同一空间的反打、入口、光源、功能区或关键陈设视角
-- 时序全景图、四季图和导演手册说明区不计入主环境画格数量，可作为独立条带或附加模块
-`.trim()
-        : `
-【主环境画格数量规则】
-- 自动决定为 5~8 个主环境画格
-- 必须包含 5 个核心视角：全景、俯视全景、核心中景、近景、特写
-- 额外主画格只用于补充同一空间的反打、入口、光源、功能区或关键陈设视角
-- 时序全景图、四季图和导演手册说明区不计入主环境画格数量，可作为独立条带或附加模块
-`.trim();
-    const finalOutputRule = safeMaxPanels
-        ? `
-【最终输出】
-- 一张比例为 ${page_aspect_ratio} 的导演级环境设定板 + 导演手册页
-- 主环境空间图画格数量不多于 ${safeMaxPanels}
-- 所有空间图共同描述同一个拍摄场景，不得变成多个不同地点
-- 适合作为导演、美术、置景、摄影统一空间关系、光线逻辑与氛围节奏的参考板
-`.trim()
-        : `
-【最终输出】
-- 一张比例为 ${page_aspect_ratio} 的导演级环境设定板 + 导演手册页
-- 主环境空间图画格数量自动控制在 5~8 个
-- 所有空间图共同描述同一个拍摄场景，不得变成多个不同地点
-- 适合作为导演、美术、置景、摄影统一空间关系、光线逻辑与氛围节奏的参考板
-`.trim();
-    return `You are creating a single director-level Environment Board plus light handwritten shooting notes for one continuous filming location.
-
-【Core Goal】
-- Create one single composed environment board, not multiple separate images
-- The board must lock the spatial continuity of one location across multiple shot sizes
-- This is an environment board with a minimal director handbook feel, not a character sheet and not a story sequence
-- Show only the environment and static set dressing, with no actors, no people, and no living subjects
-- The page must primarily emphasize environment, atmosphere, color, lighting, and spatial continuity
-- Text must be minimal and secondary, only serving as small handwritten Chinese annotations
-
-【Environment Locking Rules】
-- All panels must depict the exact same location
-- Keep architecture, terrain, entrances, exits, windows, pathways, stairs, props, furniture, signage, and light sources spatially consistent
-- Time of day, weather, lighting direction, color temperature, atmosphere, and material language must remain consistent across all panels
-- If the user mentions multiple beats or actions, extract only the environment and spatial information, not human performance
-- If the user mentions people, treat them only as context for scale or usage of the space, but do not render any person, silhouette, reflection, shadow figure, hand, or body part
-
-【Mandatory Spatial Shot Language】
-- The board must contain these core views of the same environment:
-  - 全景: the master establishing view of the whole location
-  - 俯视全景: a top-down or high-angle spatial overview clarifying layout and movement paths
-  - 核心中景: the most important functional camera-facing area of the set
-  - 近景: a nearer view focusing on a key zone within the environment
-  - 特写: a close-up of a critical environmental detail, texture, prop cluster, signage, mechanism, or atmospheric cue anchored in the same space
-- If extra panels are available, use them for reverse angle, entrance axis, light-source direction, depth layering, or another supporting view of the same environment
-
-【Time Sequence Panorama Rules】
-- In addition to the main spatial shot panels, include a dedicated time-sequence panorama strip
-- If the location is clearly exterior, the time-sequence strip must contain 4 labeled panoramic views of the same location:
-  - 清晨
-  - 昼间
-  - 黄昏
-  - 夜间
-- These 4 exterior time panels must show the same viewpoint or a closely matched panoramic framing so the time-of-day change is easy to compare
-- If there are obvious seasonal differences, add a dedicated four-season strip showing the same exterior location in:
-  - 春
-  - 夏
-  - 秋
-  - 冬
-- The seasonal strip should only appear when seasonal variation is visually meaningful and clearly changes vegetation, weather, ground state, costume requirements of the set, or atmosphere
-- If the location is clearly interior, instead of the 4 exterior time panels, include 3 labeled interior lighting-state views of the same location:
-  - 昼间
-  - 夜晚灯下
-  - 夜晚无灯
-- These interior lighting-state panels must clearly demonstrate how practical lights, spill, darkness, and atmosphere change while the space itself stays identical
-- All time-sequence and seasonal panels must have visible Chinese labels
-
-【Director Handbook Requirements】
-- The page must include a light director-handbook layer in addition to the environment images
-- This handbook layer must be minimal, concise, and visually quiet
-- It should explain in Chinese what kind of condition should use which shot size
-- It should also briefly indicate professional lighting setup and intended environmental mood
-- The handbook layer should feel like handwritten director or cinematography notes, not dense printed documentation
-
-【Shot Size Usage Notes】
-- Include a concise Chinese handwritten note block explaining when to use:
-  - 全景: used when the audience must understand overall geography, scale, isolation, crowding, or full environmental relationship
-  - 俯视全景: used when the audience must understand layout, routes, spatial hierarchy, entrances, exits, or tactical overview
-  - 核心中景: used when the audience must focus on the main performance zone, key blocking area, or functional center of the set
-  - 近景: used when the audience must notice a specific area, object cluster, lighting pocket, or emotional environmental detail
-  - 特写: used when the audience must read a decisive prop, material, mechanism, weather trace, or atmosphere cue
-- These usage notes must be written in very short professional Chinese phrases
-- Use only brief labels or short note fragments, not paragraph explanations
-- These notes must be visually separated as light annotations and must never overpower the environment imagery
-
-【Professional Lighting Handbook】
-- Include a small professional lighting note block
-- The lighting note block should briefly indicate likely key light logic, fill strategy, rim light or backlight logic, practical light sources, ambient bounce, haze or volumetric conditions, and contrast tendencies
-- Use professional but concise Chinese terminology such as:
-  - 主光
-  - 辅光
-  - 轮廓光
-  - 逆光
-  - 实景灯源
-  - 环境反射
-  - 冷暖对比
-  - 氛围雾
-  - 体积光
-- The lighting plan must stay consistent with whether the scene is interior or exterior, and with each time-of-day panel
-- The board should visually demonstrate professional lighting more through color, value, shadow shape, and atmosphere than through text explanation
-
-【Environmental Atmosphere Handbook】
-- Include a small environmental mood block
-- Describe atmosphere in terms of weather, humidity, dust, haze, smoke, air density, temperature impression, material aging, soundless tension, liveliness, loneliness, sacredness, danger, decay, comfort, or grandeur
-- These atmosphere notes must feel cinematic and production-relevant, not literary or vague
-- Atmosphere notes must support both the static environment design and how it should be photographed
-- The environment itself must carry the mood visually through cinematic color design, tonal control, contrast structure, and light behavior
-
-【Composition Rules】
-- Output one complete board with a clean, readable, production-friendly layout
-- Overall page aspect ratio: ${page_aspect_ratio}
-- The board should read like a director + production designer + cinematographer environment continuity sheet
-- The upper or central main area should contain the main spatial shot panels
-- The lower or side handbook area should be lighter and smaller than before, containing only concise shot-size notes, lighting notes, atmosphere notes, and time-sequence strips
-- Each spatial panel must feel like a real camera angle from the same set
-- Vary shot size and angle, but do not break spatial logic
-- Make the viewer immediately understand where the camera is placed in relation to the space
-- The page must feel like one unified professional environment board, not a collage of unrelated concept sketches
-- The visual focus must remain on environment images, not on text blocks
-
-${panelCountRule}
-
-【Visual Rules】
-- No actors
-- No people
-- No crowd
-- No silhouette figures
-- No mannequins
-- No portraits
-- No floating character references
-- Static environmental objects are allowed only if they belong to the set and stay spatially grounded
-- Prioritize readable architecture, staging zones, object placement, atmosphere, lighting, and material continuity
-- The environment should feel cinematic, professional, and directly useful for production planning
-- The time-sequence and seasonal strips should still look like part of the same production document, not separate postcards
-- Use professional photography aesthetics that match the user-specified style
-- Push color palette, exposure control, shadow layering, practical light glow, atmospheric perspective, and cinematic contrast to a more advanced level
-- Make the board feel visually premium, with stronger cinematography and production-design sensibility
-- The handwritten notes should stay small, light, and unobtrusive
-
-【Style Rules】
-- If the user specifies a style, medium, era, architecture type, or visual mood, follow it strictly
-- If the user does not specify a style, default to: cinematic production design board, realistic environment concept art, strong photography aesthetics, controlled color script, refined shadow design, professional film set presentation
-- Maintain one unified visual language across the full board
-- The final image should feel closer to a high-end cinematography environment pitch board than a technical annotation sheet
-
-【Text Rules】
-- Any visible text inside the generated image must be Chinese only
-- Each main spatial panel should have only one small Chinese handwritten shot-size label, such as 全景, 俯视全景, 核心中景, 近景, 特写
-- Main spatial panels must not contain any other symbols, arrows, numbers, annotations, labels, notes, callouts, or extra text beyond the shot-size label itself
-- Do not place any handwritten notes inside the main spatial panels except the shot-size label
-- Time-sequence panels must have visible Chinese labels such as 清晨、昼间、黄昏、夜间
-- Four-season panels must have visible Chinese labels such as 春、夏、秋、冬
-- Interior lighting-state panels must have visible Chinese labels such as 昼间、夜晚灯下、夜晚无灯
-- All labels and notes should look like concise Chinese handwritten annotations
-- Simulate natural handwritten Chinese note style, clean and readable, not printed paragraph text
-- Labels must be concise, professional, and unobtrusive
-- Handbook note blocks must also be in Chinese and must stay very brief
-- Do not generate dialogue balloons or subtitles
-- Avoid large text blocks, long sentences, tables, and document-heavy layouts
-- Prefer tiny handwritten labels, short callouts, and brief note fragments
-
-【Spatial Continuity Requirements】
-- Camera angles may change, but the environment cannot drift
-- Preserve the same world orientation, same structural anchors, and same core prop positions
-- The top-down or high-angle overview must help explain how the other views belong to the same place
-- Near and close-up views must clearly feel extracted from the previously established environment, not from a new location
-- Time-sequence and seasonal panels must also preserve the same spatial anchors, even as light, weather, season, or practical lighting changes
-
-${intensityBlock}
-
-【Document Realism Rules】
-- Use a clean presentation layout, but keep it visually elegant and image-led rather than document-heavy
-- The page should look useful to directing, cinematography, lighting, art department, and VFX continuity teams
-- Do not make it look like a poster
-- Do not make it look like a text-dense manual sheet
-- Do not make it look like random environment thumbnails without explanation
-- It should look like a premium preproduction environment board with a few handwritten Chinese notes
-
-【User Input】
-${userPrompt}
-
-${finalOutputRule}`.trim();
-}
-//# sourceMappingURL=environment-board-tpl.js.map

package/dist/utils/environment-board-tpl.js.map

@@ -1 +0,0 @@
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