cerevox 4.72.0 → 4.73.0

package/dist/utils/environment-board-tpl.js

@@ -7,10 +7,11 @@ const environmentIntensityMap = {
     aggressive: `【镜头变化强度】镜头角度更戏剧化，允许更强的构图张力，但不能破坏空间连续性。`,
 };
 /**
- * 生成导演级 Environment Board 提示词，用于锁定同一拍摄场景的空间一致性。
+ * 生成导演级 Environment Board 提示词，用于锁定同一拍摄场景的空间一致性，
+ * 并输出带导演手册说明的环境设定板。
  *
  * @param params 模板参数，包括用户场景描述、画面比例、面板数量和镜头强度。
- * @returns 适合生成单页环境设定板的完整提示词。
+ * @returns 适合生成单页环境设定板加导演手册的完整提示词。
  *
  * @example
  * ```ts
@@ -30,39 +31,43 @@ function environmentBoardTemplate(params) {
         environmentIntensityMap.strong;
     const panelCountRule = safeMaxPanels
         ? `
-【面板数量规则】
-- 输出画格数量不多于 ${safeMaxPanels}
-- 至少包含 5 个核心视角：全景、俯视全景、核心中景、近景、特写
-- 若有额外画格，只能用于补充同一空间的反打、入口、光源、功能区或关键陈设视角
+【主环境画格数量规则】
+- 主环境空间图的画格数量不多于 ${safeMaxPanels}
+- 主环境空间图至少包含 5 个核心视角：全景、俯视全景、核心中景、近景、特写
+- 若有额外主画格，只能用于补充同一空间的反打、入口、光源、功能区或关键陈设视角
+- 时序全景图、四季图和导演手册说明区不计入主环境画格数量，可作为独立条带或附加模块
 `.trim()
         : `
-【面板数量规则】
-- 自动决定为 5~8 个画格
+【主环境画格数量规则】
+- 自动决定为 5~8 个主环境画格
 - 必须包含 5 个核心视角：全景、俯视全景、核心中景、近景、特写
-- 额外画格只用于补充同一空间的反打、入口、光源、功能区或关键陈设视角
+- 额外主画格只用于补充同一空间的反打、入口、光源、功能区或关键陈设视角
+- 时序全景图、四季图和导演手册说明区不计入主环境画格数量，可作为独立条带或附加模块
 `.trim();
     const finalOutputRule = safeMaxPanels
         ? `
 【最终输出】
-- 一张比例为 ${page_aspect_ratio} 的导演级环境设定板
-- 画格数量不多于 ${safeMaxPanels}
-- 所有画格共同描述同一个拍摄场景，不得变成多个不同地点
-- 适合作为导演、美术、置景、摄影统一空间关系的参考板
+- 一张比例为 ${page_aspect_ratio} 的导演级环境设定板 + 导演手册页
+- 主环境空间图画格数量不多于 ${safeMaxPanels}
+- 所有空间图共同描述同一个拍摄场景，不得变成多个不同地点
+- 适合作为导演、美术、置景、摄影统一空间关系、光线逻辑与氛围节奏的参考板
 `.trim()
         : `
 【最终输出】
-- 一张比例为 ${page_aspect_ratio} 的导演级环境设定板
-- 画格数量自动控制在 5~8 个
-- 所有画格共同描述同一个拍摄场景，不得变成多个不同地点
-- 适合作为导演、美术、置景、摄影统一空间关系的参考板
+- 一张比例为 ${page_aspect_ratio} 的导演级环境设定板 + 导演手册页
+- 主环境空间图画格数量自动控制在 5~8 个
+- 所有空间图共同描述同一个拍摄场景，不得变成多个不同地点
+- 适合作为导演、美术、置景、摄影统一空间关系、光线逻辑与氛围节奏的参考板
 `.trim();
-    return `You are creating a single director-level Environment Board for one continuous filming location.
+    return `You are creating a single director-level Environment Board plus light handwritten shooting notes for one continuous filming location.
 
 【Core Goal】
 - Create one single composed environment board, not multiple separate images
 - The board must lock the spatial continuity of one location across multiple shot sizes
-- This is an environment board, not a character sheet and not a story sequence
+- This is an environment board with a minimal director handbook feel, not a character sheet and not a story sequence
 - Show only the environment and static set dressing, with no actors, no people, and no living subjects
+- The page must primarily emphasize environment, atmosphere, color, lighting, and spatial continuity
+- Text must be minimal and secondary, only serving as small handwritten Chinese annotations
 
 【Environment Locking Rules】
 - All panels must depict the exact same location
@@ -71,7 +76,7 @@ function environmentBoardTemplate(params) {
 - If the user mentions multiple beats or actions, extract only the environment and spatial information, not human performance
 - If the user mentions people, treat them only as context for scale or usage of the space, but do not render any person, silhouette, reflection, shadow figure, hand, or body part
 
-【Mandatory Shot Language】
+【Mandatory Spatial Shot Language】
 - The board must contain these core views of the same environment:
   - 全景: the master establishing view of the whole location
   - 俯视全景: a top-down or high-angle spatial overview clarifying layout and movement paths
@@ -80,13 +85,79 @@ function environmentBoardTemplate(params) {
   - 特写: a close-up of a critical environmental detail, texture, prop cluster, signage, mechanism, or atmospheric cue anchored in the same space
 - If extra panels are available, use them for reverse angle, entrance axis, light-source direction, depth layering, or another supporting view of the same environment
 
+【Time Sequence Panorama Rules】
+- In addition to the main spatial shot panels, include a dedicated time-sequence panorama strip
+- If the location is clearly exterior, the time-sequence strip must contain 4 labeled panoramic views of the same location:
+  - 清晨
+  - 昼间
+  - 黄昏
+  - 夜间
+- These 4 exterior time panels must show the same viewpoint or a closely matched panoramic framing so the time-of-day change is easy to compare
+- If there are obvious seasonal differences, add a dedicated four-season strip showing the same exterior location in:
+  - 春
+  - 夏
+  - 秋
+  - 冬
+- The seasonal strip should only appear when seasonal variation is visually meaningful and clearly changes vegetation, weather, ground state, costume requirements of the set, or atmosphere
+- If the location is clearly interior, instead of the 4 exterior time panels, include 3 labeled interior lighting-state views of the same location:
+  - 昼间
+  - 夜晚灯下
+  - 夜晚无灯
+- These interior lighting-state panels must clearly demonstrate how practical lights, spill, darkness, and atmosphere change while the space itself stays identical
+- All time-sequence and seasonal panels must have visible Chinese labels
+
+【Director Handbook Requirements】
+- The page must include a light director-handbook layer in addition to the environment images
+- This handbook layer must be minimal, concise, and visually quiet
+- It should explain in Chinese what kind of condition should use which shot size
+- It should also briefly indicate professional lighting setup and intended environmental mood
+- The handbook layer should feel like handwritten director or cinematography notes, not dense printed documentation
+
+【Shot Size Usage Notes】
+- Include a concise Chinese handwritten note block explaining when to use:
+  - 全景: used when the audience must understand overall geography, scale, isolation, crowding, or full environmental relationship
+  - 俯视全景: used when the audience must understand layout, routes, spatial hierarchy, entrances, exits, or tactical overview
+  - 核心中景: used when the audience must focus on the main performance zone, key blocking area, or functional center of the set
+  - 近景: used when the audience must notice a specific area, object cluster, lighting pocket, or emotional environmental detail
+  - 特写: used when the audience must read a decisive prop, material, mechanism, weather trace, or atmosphere cue
+- These usage notes must be written in very short professional Chinese phrases
+- Use only brief labels or short note fragments, not paragraph explanations
+- These notes must be visually separated as light annotations and must never overpower the environment imagery
+
+【Professional Lighting Handbook】
+- Include a small professional lighting note block
+- The lighting note block should briefly indicate likely key light logic, fill strategy, rim light or backlight logic, practical light sources, ambient bounce, haze or volumetric conditions, and contrast tendencies
+- Use professional but concise Chinese terminology such as:
+  - 主光
+  - 辅光
+  - 轮廓光
+  - 逆光
+  - 实景灯源
+  - 环境反射
+  - 冷暖对比
+  - 氛围雾
+  - 体积光
+- The lighting plan must stay consistent with whether the scene is interior or exterior, and with each time-of-day panel
+- The board should visually demonstrate professional lighting more through color, value, shadow shape, and atmosphere than through text explanation
+
+【Environmental Atmosphere Handbook】
+- Include a small environmental mood block
+- Describe atmosphere in terms of weather, humidity, dust, haze, smoke, air density, temperature impression, material aging, soundless tension, liveliness, loneliness, sacredness, danger, decay, comfort, or grandeur
+- These atmosphere notes must feel cinematic and production-relevant, not literary or vague
+- Atmosphere notes must support both the static environment design and how it should be photographed
+- The environment itself must carry the mood visually through cinematic color design, tonal control, contrast structure, and light behavior
+
 【Composition Rules】
 - Output one complete board with a clean, readable, production-friendly layout
 - Overall page aspect ratio: ${page_aspect_ratio}
-- The board should read like a director + production designer environment continuity sheet
-- Each panel must feel like a real camera angle from the same set
+- The board should read like a director + production designer + cinematographer environment continuity sheet
+- The upper or central main area should contain the main spatial shot panels
+- The lower or side handbook area should be lighter and smaller than before, containing only concise shot-size notes, lighting notes, atmosphere notes, and time-sequence strips
+- Each spatial panel must feel like a real camera angle from the same set
 - Vary shot size and angle, but do not break spatial logic
 - Make the viewer immediately understand where the camera is placed in relation to the space
+- The page must feel like one unified professional environment board, not a collage of unrelated concept sketches
+- The visual focus must remain on environment images, not on text blocks
 
 ${panelCountRule}
 
@@ -101,26 +172,51 @@ ${panelCountRule}
 - Static environmental objects are allowed only if they belong to the set and stay spatially grounded
 - Prioritize readable architecture, staging zones, object placement, atmosphere, lighting, and material continuity
 - The environment should feel cinematic, professional, and directly useful for production planning
+- The time-sequence and seasonal strips should still look like part of the same production document, not separate postcards
+- Use professional photography aesthetics that match the user-specified style
+- Push color palette, exposure control, shadow layering, practical light glow, atmospheric perspective, and cinematic contrast to a more advanced level
+- Make the board feel visually premium, with stronger cinematography and production-design sensibility
+- The handwritten notes should stay small, light, and unobtrusive
 
 【Style Rules】
 - If the user specifies a style, medium, era, architecture type, or visual mood, follow it strictly
-- If the user does not specify a style, default to: cinematic production design board, realistic environment concept art, clean composition, strong spatial readability, professional film set design presentation
+- If the user does not specify a style, default to: cinematic production design board, realistic environment concept art, strong photography aesthetics, controlled color script, refined shadow design, professional film set presentation
 - Maintain one unified visual language across the full board
+- The final image should feel closer to a high-end cinematography environment pitch board than a technical annotation sheet
 
 【Text Rules】
 - Any visible text inside the generated image must be Chinese only
-- Each panel should have a small Chinese label indicating its shot role, such as 全景, 俯视全景, 核心中景, 近景, 特写
+- Each main spatial panel should have only one small Chinese handwritten shot-size label, such as 全景, 俯视全景, 核心中景, 近景, 特写
+- Main spatial panels must not contain any other symbols, arrows, numbers, annotations, labels, notes, callouts, or extra text beyond the shot-size label itself
+- Do not place any handwritten notes inside the main spatial panels except the shot-size label
+- Time-sequence panels must have visible Chinese labels such as 清晨、昼间、黄昏、夜间
+- Four-season panels must have visible Chinese labels such as 春、夏、秋、冬
+- Interior lighting-state panels must have visible Chinese labels such as 昼间、夜晚灯下、夜晚无灯
+- All labels and notes should look like concise Chinese handwritten annotations
+- Simulate natural handwritten Chinese note style, clean and readable, not printed paragraph text
 - Labels must be concise, professional, and unobtrusive
-- Do not generate dialogue balloons, subtitles, or large paragraphs
+- Handbook note blocks must also be in Chinese and must stay very brief
+- Do not generate dialogue balloons or subtitles
+- Avoid large text blocks, long sentences, tables, and document-heavy layouts
+- Prefer tiny handwritten labels, short callouts, and brief note fragments
 
 【Spatial Continuity Requirements】
 - Camera angles may change, but the environment cannot drift
 - Preserve the same world orientation, same structural anchors, and same core prop positions
 - The top-down or high-angle overview must help explain how the other views belong to the same place
 - Near and close-up views must clearly feel extracted from the previously established environment, not from a new location
+- Time-sequence and seasonal panels must also preserve the same spatial anchors, even as light, weather, season, or practical lighting changes
 
 ${intensityBlock}
 
+【Document Realism Rules】
+- Use a clean presentation layout, but keep it visually elegant and image-led rather than document-heavy
+- The page should look useful to directing, cinematography, lighting, art department, and VFX continuity teams
+- Do not make it look like a poster
+- Do not make it look like a text-dense manual sheet
+- Do not make it look like random environment thumbnails without explanation
+- It should look like a premium preproduction environment board with a few handwritten Chinese notes
+
 【User Input】
 ${userPrompt}
 

package/dist/utils/environment-board-tpl.js.map

@@ -1 +1 @@
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package/dist/utils/storyboard-sketch-tpl.d.ts

@@ -8,10 +8,10 @@ export interface StoryboardSketchTemplateParams {
     cinematicIntensity?: CinematicIntensity;
 }
 /**
- * 生成适合 gpt-image-2 的黑白手绘分镜草稿加导演手册提示词。
+ * 生成适合 gpt-image-2 的简洁表格式黑白手绘分镜草稿提示词。
  *
  * @param params 模板参数，包括用户剧情、页宽高比、格数限制、参考视频时长和镜头强度。
- * @returns 适合用于生成单页黑白手绘分镜草稿加导演手册的英文主提示词。
+ * @returns 适合用于生成单页表格式分镜草稿的英文主提示词。
  *
  * @example
  * ```ts

package/dist/utils/storyboard-sketch-tpl.d.ts.map

@@ -1 +1 @@
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package/dist/utils/storyboard-sketch-tpl.js

@@ -7,10 +7,10 @@ const sketchIntensityMap = {
     aggressive: `【镜头强度】镜头冲击力更强，节奏起伏更大，适合短视频感的草图分镜。`,
 };
 /**
- * 生成适合 gpt-image-2 的黑白手绘分镜草稿加导演手册提示词。
+ * 生成适合 gpt-image-2 的简洁表格式黑白手绘分镜草稿提示词。
  *
  * @param params 模板参数，包括用户剧情、页宽高比、格数限制、参考视频时长和镜头强度。
- * @returns 适合用于生成单页黑白手绘分镜草稿加导演手册的英文主提示词。
+ * @returns 适合用于生成单页表格式分镜草稿的英文主提示词。
  *
  * @example
  * ```ts
@@ -47,16 +47,16 @@ function storyboardSketchTemplate(params) {
     const intensityBlock = sketchIntensityMap[cinematicIntensity] ?? sketchIntensityMap.strong;
     const panelCountRule = safeMaxPanels
         ? `
-【画格数量基本规则】
+【镜头数量规则】
 - 实际可识别的叙事画格数量不多于 ${safeMaxPanels}
 - 可以少于 ${safeMaxPanels}，但不要多于 ${safeMaxPanels}
-- 根据剧情节奏自然分格，不要为了凑数而平均切分
+- 根据剧情节奏自然分镜，不要为了凑数而平均切分
 `.trim()
         : `
-【画格数量基本规则】
+【镜头数量规则】
 - 根据剧情信息量、动作复杂度和阅读清晰度自动决定画格数量
 - 最终画格数量通常控制在 3~12 格
-- 优先保证单页可读性和镜头节奏，不要使用过碎分格
+- 优先保证单页可读性和镜头节奏，不要使用过碎分镜
 `.trim();
     const videoDurationRule = effectiveTargetDuration !== undefined
         ? `
@@ -77,23 +77,23 @@ function storyboardSketchTemplate(params) {
     const finalOutputRule = safeMaxPanels
         ? `
 【最终输出】
-- 一张比例为 ${page_aspect_ratio} 的黑白手绘分镜草稿 + 导演手册页
-- 画格数量不多于 ${safeMaxPanels}
-- 明确阅读顺序，适合作为导演草图、镜头设计手册和后续视频分镜参考
+- 一张比例为 ${page_aspect_ratio} 的黑白手绘表格式分镜草稿页
+- 镜头数量不多于 ${safeMaxPanels}
+- 明确阅读顺序，像简洁的分镜表，不要做复杂导演手册
 `.trim()
         : `
 【最终输出】
-- 一张比例为 ${page_aspect_ratio} 的黑白手绘分镜草稿 + 导演手册页
-- 画格数量由你根据剧情和节奏自动决定，通常控制在 3~12 格
-- 明确阅读顺序，适合作为导演草图、镜头设计手册和后续视频分镜参考
+- 一张比例为 ${page_aspect_ratio} 的黑白手绘表格式分镜草稿页
+- 镜头数量由你根据剧情和节奏自动决定，通常控制在 3~12 格
+- 明确阅读顺序，像简洁的分镜表，不要做复杂导演手册
 `.trim();
-    return `You are a professional film storyboard sketch artist and director's handbook designer creating a single page of black-and-white storyboard thumbnails plus production notes for GPT Image 2.
+    return `You are a professional film storyboard sketch artist creating a single page of clean black-and-white tabular storyboard draft for GPT Image 2.
 
 【Core Goal】
 - Create one single composed storyboard page, not multiple separate images
-- The page must read like a director's storyboard draft plus handbook sheet, with clear sequential storytelling and production notes
-- The result should feel close to a printed short-film previsualization manual page
-- Keep it readable, cinematic, structured, information-dense, and production-friendly
+- The page must read like a simple storyboard draft sheet with table columns
+- The result should feel close to a clear production storyboard table, not a dense manual page
+- Keep it readable, cinematic, structured, and easy to scan at a glance
 
 【Visual Style Requirements】
 - monochrome black and white storyboard sketch
@@ -108,54 +108,53 @@ function storyboardSketchTemplate(params) {
 - no complex textures
 - use clear silhouettes, readable gestures, and simple environment blocking
 - preserve the feeling of fast previsualization sketches made by a film storyboard artist
+- human figures should stay rough, schematic, and non-specific
+- prefer stick-figure logic, mannequin blocks, radish-man bodies, silhouette masses, and gesture lines over detailed character drawing
+- avoid distinctive faces, hairstyles, costume rendering, anatomy detail, and any recognizable appearance traits unless absolutely necessary for basic role differentiation
 
 【Master Layout Requirements】
-- Output one complete storyboard handbook sheet
+- Output one complete storyboard draft sheet
 - Overall page aspect ratio: ${page_aspect_ratio}
-- The page should resemble an A3 or tabloid-style director handout
-- Use a highly structured editorial layout with clear boxes, dividers, column groups, header bars, numbering blocks, note fields, and bottom reference strips
+- The page should resemble a clean printed storyboard worksheet
+- Use a simple structured table layout with clear boxes, dividers, rows, and column headers
 - Reading order must be obvious at a glance
 - The page must feel like one integrated document, not a collage of unrelated sketches
-- The upper area should contain project-level overview information
-- The middle area should contain the main storyboard shot blocks
-- The bottom area should contain supplementary director-manual sections
+- The upper area should contain only a simple title block
+- The middle area should contain the main storyboard rows
+- The bottom area should contain only a brief director guidance box
 
-【Top Header Bar Requirements】
-- Create a strong title area across the top of the page
-- The top bar should include:
-  - project or trailer title
-  - format label such as 分镜脚本 / 导演手册
-  - short genre or style notes
-  - very brief logline or story summary
-  - page metadata fields such as DATE, DIR, PAGE, or similar production-sheet labels
-- This top area should feel like a real printed storyboard document header
-- Use Chinese for main text, but small standard film-document abbreviations such as DATE, PAGE, DIR, WS, MCU, CU, ECU, OTS are allowed when helpful
+【Top Title Block Requirements】
+- Create a simple title area at the top of the page
+- The top area should include:
+  - project or trailer title in Chinese
+  - short style note in Chinese
+  - target duration in Chinese
+- Keep the top area clean and compact
+- Do not add dense metadata fields or complicated production header bars
 
-【Main Body Structure】
-- The middle area should be divided into 2 to 4 larger story sections or beats, like acts or story phases
-- Each section should have a bold section header bar
-- Each section should contain multiple numbered shot cards
-- Each shot card should include:
-  - a shot number block
-  - a timecode range or beat timing
-  - a shot-size label such as WS, MCU, CU, ECU, OTS when useful
-  - one main rough storyboard sketch
-  - a small adjacent note column or note area
-- Each shot card should feel like a documentary production cell, not just a loose thumbnail
+【Main Table Structure】
+- The main body should be one simple table
+- Each storyboard row should correspond to one shot
+- The table should feel similar to a storyboard worksheet, not a magazine spread
+- Use clear column headers in Chinese
+- Recommended columns are:
+  - 镜头
+  - 时间
+  - 画面内容（草图）
+  - 机位与运动
+  - 动作与表现
+  - 声音与氛围
+- Keep the table compact, neat, and easy to read
+- Each row should have one sketch image cell and several short text cells
 
-【Shot Card Layout Rules】
-- Inside each shot card, the sketch must be the visual center
-- Near the sketch, include compact Chinese director notes describing shot intent
-- The note area can include:
-  - shot description
-  - camera angle
-  - focal length or lens suggestion
-  - movement suggestion
-  - emotional beat
-  - action emphasis
-  - atmosphere cue
-- Different shot cards may vary in sketch size, but the page must remain disciplined and grid-like
-- The page should feel information-rich yet tidy, similar to a real director prep sheet
+【Row Rules】
+- The sketch cell should be the widest column in each row
+- Each sketch should be a black-and-white storyboard thumbnail
+- Text cells should use short Chinese phrases, not long explanations
+- Keep every row visually consistent
+- Do not create complex section headers, sidebars, reference strips, or multi-module handbook layouts
+- The overall result should look simple, clean, and practical
+- In the 机位与运动 column, use concrete professional camera language instead of vague wording
 
 ${panelCountRule}
 
@@ -173,31 +172,78 @@ ${videoDurationRule}
 - Use strong silhouette design so the action reads immediately even in rough sketch form
 - Reduce costume, texture, and prop detail to only what is necessary for recognition
 - Faces can be simplified, but expression and head direction should remain readable
-- Beside every panel, add a compact Chinese annotation block or side note field
-- The annotation block should feel like professional storyboard notes written by a Chinese-speaking director or storyboard artist
-- Each annotation block should preferably contain:
-  - panel number
-  - timecode or beat range
-  - interior or exterior
-  - scene/location
-  - time of day
-  - shot size
-  - brief action description
-  - emotional tone
-  - optional lens or movement note
-- Keep the annotation concise, readable, and placed beside or just outside the panel without blocking important drawing content
+- Character depiction must remain one level rougher than a typical storyboard illustration
+- Use body direction, pose, negative space, limb gesture, and head angle to communicate action instead of detailed facial or costume information
+- Do not let character drawings become attractive concept art, character sheets, or identifiable portrait sketches
+- If a role must be distinguished, do it with very minimal shape coding or staging position, not with detailed appearance design
+- Each row should include:
+  - shot number
+  - time range
+  - one storyboard sketch
+  - camera position and movement
+  - action and performance
+  - sound and mood
+- Keep all notes concise and table-like
+- Do not add floating notes outside the table
+
+【Camera Movement Guidance】
+- The 机位与运动 column must provide practical professional shot design that can directly guide image generation
+- Every shot should choose one main camera strategy and, if needed, one supporting movement only
+- Do not stack too many camera tricks in the same shot
+- Camera choice must match story purpose, emotional beat, and shot duration
+- Use short Chinese phrases such as 中近景推进, 手持跟拍, 低机位环绕, 俯拍下压, 慢速拉远, 甩镜转场, 希区柯克变焦
+
+【Common Camera Moves】
+- 固定机位: use for clear exposition, stable dialogue, or dramatic pause
+- 推近: use to strengthen focus, emotional pressure, realization, or threat
+- 拉远: use to release emotion, reveal environment, or create aftermath feeling
+- 平移: use to reveal information sideways, connect subjects, or guide attention
+- 摇镜: use to follow gaze, reveal targets, or shift dramatic focus
+- 俯仰: use to reveal vertical scale, danger, or psychological pressure
+- 跟拍: use for pursuit, urgency, movement continuity, and embodied presence
+- 手持跟随: use for instability, panic, realism, combat, or impact
+- 环绕: use for heroic emphasis, emotional climax, transformation, or standoff
+- 升降: use to reveal status change, spatial hierarchy, or epic feeling
+- 甩镜: use for violent transition, sudden reaction, or rhythm accent
+- 变焦: use sparingly for attention shift, comic punch, or stylized emphasis
+- 焦点转移: use when dramatic attention moves between foreground and background
+
+【Advanced Camera Techniques】
+- 希区柯克变焦: combine push-in with zoom-out, or pull-out with zoom-in, for vertigo, shock, realization, fear, or spatial distortion
+- 压迫式低机位推进: use low angle push-in for domination, threat, heroic rise, or power surge
+- 高机位俯压: use high angle compression to show vulnerability, isolation, or tactical disadvantage
+- 前景遮挡过镜: use moving foreground objects to add realism, voyeur feeling, layering, and transition energy
+- 弧形包围运动: use curved move around subject to intensify confrontation, intimacy, or unstable emotion
+- 长焦压缩跟移: use for battlefield chaos, crowd pressure, and compressed spatial tension
+- 广角贴近推进: use when impact, speed, distortion, and proximity must feel aggressive
+- 主观镜头推进: use when the audience should temporarily enter a character's perception or attack line
+
+【Camera Selection Logic】
+- Use stable moves for exposition, orientation, and calm beats
+- Use dynamic moves for conflict, chase, transformation, and impact moments
+- Use stylized advanced techniques only when the story beat truly needs them
+- If the shot duration is short, prefer one clear movement over complex combined movement
+- If the beat is the emotional highlight of the sequence, choose the most expressive but still readable camera move
+- The camera move must remain drawable in storyboard form and visually obvious in the sketch
+
+【Camera Language Quality Bar】
+- Avoid generic wording like 运动镜头, 有动感, 镜头变化
+- Prefer specific phrases like 低机位推进, 手持跟拍, 中景横移揭示, 特写慢推, 高机位拉远, 希区柯克变焦
+- The movement note should feel like a real director or cinematographer instruction
+- Keep the wording short, precise, and production-usable
 
 【Document Realism Rules】
-- The page should feel like a real artifact from a film director's prep package
-- Use ruled lines, table boxes, small labels, separators, and modular blocks to simulate a genuine production handout
+- The page should feel like a real simple storyboard worksheet
+- Use table boxes, clean row separators, and practical column headers
 - The three most important things are:
   - clear shot progression
-  - believable handbook formatting
-  - immediately readable production notes
+  - clean table formatting
+  - immediately readable shot information
 - The result should not look like a comic page poster
 - The result should not look like a mood board
-- The result should not look like a random thumbnail sheet
-- It must look like a storyboard draft plus director manual page
+- The result should not look like a dense director manual
+- It must look like a simple storyboard draft sheet
+- It must not look like a polished character illustration sheet
 
 【Cinematic Rules】
 - Use meaningful variation in wide, medium, close-up, and extreme close-up shots
@@ -207,55 +253,46 @@ ${videoDurationRule}
 
 ${intensityBlock}
 
-【Bottom Director Manual Area】
-- Reserve a clearly separated lower band across the page for supplementary manual content
-- This lower area should contain multiple boxed modules, not just one note strip
-- Include several of the following modules in a tidy editorial layout:
-  - visual style reference strip
-  - action or motion reference strip
-  - lens / tone / atmosphere notes
-  - color or grayscale rhythm guidance
-  - sound or music beat bar
-  - dialogue or line emphasis block
-  - director memo or overall shooting note
-- The bottom area must include 2 to 4 highlighted key-shot mini sketches
-- These highlighted mini sketches can be simplified stick-figure or mannequin-style thumbnails
-- Each highlighted mini sketch should correspond to one important cinematic beat from the main storyboard
-- Camera movement descriptions should be professional and practical, and should use concise Chinese such as 推近, 拉远, 跟拍, 手持跟随, 甩镜, 焦点转移, 俯拍揭示, 低机位推进, 横向移动
-- If a sound or rhythm module appears, it should feel like a simple hand-drawn timing chart with beats or second marks
-- If a dialogue block appears, it should feel like a key line excerpt, slogan, or emotional line from the trailer, set apart from the storyboard panels
-- Director notes must support the storyboard rather than replace it
-- Keep the notes compact, readable, and production-oriented
+【Bottom Guidance Area】
+- Reserve one simple bottom box for brief director guidance
+- This bottom box may include 3 to 5 short Chinese bullet-style notes
+- Notes can briefly mention:
+  - visual tone
+  - pacing
+  - camera language
+  - sound design
+- Keep it concise and simple
+- Do not add mini sketches, rhythm bars, or extra handbook modules
 
 【Reference Image Similarity Goal】
-- The overall layout should strongly resemble a polished storyboard draft plus director handbook sheet like a short-film previsualization sample
+- The overall layout should strongly resemble a simple storyboard draft table like the reference image
 - Emphasize:
-  - top title bar
-  - multi-column story sections
-  - numbered shot blocks
-  - side annotation fields
-  - lower handbook modules
-- The page should feel dense, professional, and printable
-- It should look like a page a director could hand to cinematography, art, and editing departments
+  - simple title block
+  - tabular rows
+  - numbered shots
+  - one sketch column
+  - short text columns
+  - one brief bottom guidance box
+- The page should feel clean, professional, and printable
+- It should look like a simple planning sheet a director can use quickly
 
 【Text Rules】
 - No dialogue balloons
 - No captions
 - No prose paragraphs
-- Use many small professional text blocks instead of large essay-like text
-- If panel labels are needed, keep them tiny and unobtrusive
 - Visible text should be primarily Chinese
-- Standard film-document shorthand such as WS, MCU, CU, ECU, OTS, DATE, PAGE, DIR is allowed when useful
-- Panel labels, shot annotations, timing notes, and director notes must feel like professional preproduction notation
-- Avoid decorative typography or poster-like slogans except in a small dedicated line block if needed
+- Use short table-cell text only
+- Panel labels, timing notes, and director notes must feel like practical preproduction notation
+- Avoid decorative typography, poster-style headers, and excessive abbreviations
 
 【Model Guidance For GPT Image 2】
 - Favor document structure over painterly beauty
 - Favor readable shot design over excessive rendering
-- Favor black line clarity, white-page organization, and believable handbook layout
-- Keep the image easy to parse as a storyboard manual sheet
+- Favor black line clarity, white-page organization, and believable table layout
+- Keep the image easy to parse as a storyboard draft sheet
 - Do not turn this into a finished comic page or a realistic movie still
-- Do not let the extra handbook information overwhelm the shot readability
+- Do not let text complexity overwhelm shot readability
+- Keep people rough and generic so they guide staging without polluting later visual creation
 
 【User Input】
 ${userPrompt}

package/dist/utils/storyboard-sketch-tpl.js.map

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package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "cerevox",
-  "version": "4.72.0",
+  "version": "4.73.0",
   "description": "TypeScript SDK for browser automation and secure command execution in highly available and scalable micro computer environments",
   "main": "dist/index.js",
   "types": "dist/index.d.ts",