cerevox 4.71.1 → 4.72.0

package/dist/utils/storyboard-sketch-tpl.js

@@ -7,10 +7,10 @@ const sketchIntensityMap = {
     aggressive: `【镜头强度】镜头冲击力更强，节奏起伏更大，适合短视频感的草图分镜。`,
 };
 /**
- * 生成适合 gpt-image-2 的黑白手绘宫格草图提示词。
+ * 生成适合 gpt-image-2 的黑白手绘分镜草稿加导演手册提示词。
  *
  * @param params 模板参数，包括用户剧情、页宽高比、格数限制、参考视频时长和镜头强度。
- * @returns 适合用于生成单页黑白手绘分镜草图的英文主提示词。
+ * @returns 适合用于生成单页黑白手绘分镜草稿加导演手册的英文主提示词。
  *
  * @example
  * ```ts
@@ -23,7 +23,24 @@ const sketchIntensityMap = {
  * ```
  */
 function storyboardSketchTemplate(params) {
-    const { userPrompt, page_aspect_ratio = '1:1', maxPanels, forVideoDuration, cinematicIntensity = 'strong', } = params;
+    const { userPrompt, page_aspect_ratio = '1:1', maxPanels, forVideoDuration, maxVideoDuration = 15, cinematicIntensity = 'strong', } = params;
+    const normalizePositiveDuration = (value) => {
+        if (typeof value === 'number' && Number.isFinite(value) && value > 0) {
+            return value;
+        }
+        if (typeof value === 'string') {
+            const parsed = Number(value);
+            if (Number.isFinite(parsed) && parsed > 0) {
+                return parsed;
+            }
+        }
+        return undefined;
+    };
+    const safeMaxVideoDuration = normalizePositiveDuration(maxVideoDuration) ?? 15;
+    const normalizedTargetDuration = normalizePositiveDuration(forVideoDuration);
+    const effectiveTargetDuration = normalizedTargetDuration !== undefined
+        ? Math.min(normalizedTargetDuration, safeMaxVideoDuration)
+        : undefined;
     const safeMaxPanels = typeof maxPanels === 'number' && Number.isFinite(maxPanels)
         ? Math.max(3, Math.min(12, Math.floor(maxPanels)))
         : undefined;
@@ -41,37 +58,42 @@ function storyboardSketchTemplate(params) {
 - 最终画格数量通常控制在 3~12 格
 - 优先保证单页可读性和镜头节奏，不要使用过碎分格
 `.trim();
-    const videoDurationRule = forVideoDuration !== undefined && forVideoDuration !== null
+    const videoDurationRule = effectiveTargetDuration !== undefined
         ? `
 【参考目标视频时长】
-- 目标视频时长：${forVideoDuration} 秒
+- 目标视频时长：${effectiveTargetDuration} 秒
+- 允许的最大视频时长：${safeMaxVideoDuration} 秒
+- 如果用户要求超过 ${safeMaxVideoDuration} 秒，必须按 ${safeMaxVideoDuration} 秒处理，不得继续扩展更长版本
 - 结合该时长决定镜头密度与格数
 - 单镜头通常对应 2~5 秒，特殊情况下可更短或更长
 - 时长越短，越应压缩无效过渡；时长越长，可适度增加信息镜头
 `.trim()
         : `
 【节奏控制】
+- 该分镜草稿服务的视频最大时长不能超过 ${safeMaxVideoDuration} 秒
+- 如用户没有明确给出时长，请按不超过 ${safeMaxVideoDuration} 秒的预告片或短片节奏规划镜头
 - 根据剧情内容自动判断镜头密度，避免镜头过碎或叙事松散
 `.trim();
     const finalOutputRule = safeMaxPanels
         ? `
 【最终输出】
-- 一张比例为 ${page_aspect_ratio} 的黑白手绘分镜草图页
+- 一张比例为 ${page_aspect_ratio} 的黑白手绘分镜草稿 + 导演手册页
 - 画格数量不多于 ${safeMaxPanels}
-- 明确阅读顺序，适合作为导演草图和后续视频分镜参考
+- 明确阅读顺序，适合作为导演草图、镜头设计手册和后续视频分镜参考
 `.trim()
         : `
 【最终输出】
-- 一张比例为 ${page_aspect_ratio} 的黑白手绘分镜草图页
+- 一张比例为 ${page_aspect_ratio} 的黑白手绘分镜草稿 + 导演手册页
 - 画格数量由你根据剧情和节奏自动决定，通常控制在 3~12 格
-- 明确阅读顺序，适合作为导演草图和后续视频分镜参考
+- 明确阅读顺序，适合作为导演草图、镜头设计手册和后续视频分镜参考
 `.trim();
-    return `You are a professional film storyboard sketch artist creating a single page of black-and-white hand-drawn storyboard thumbnails for GPT Image 2.
+    return `You are a professional film storyboard sketch artist and director's handbook designer creating a single page of black-and-white storyboard thumbnails plus production notes for GPT Image 2.
 
 【Core Goal】
 - Create one single composed storyboard page, not multiple separate images
-- The page must read like a director's planning sketch, with clear sequential storytelling
-- Keep it simple, rough, readable, cinematic, and production-friendly
+- The page must read like a director's storyboard draft plus handbook sheet, with clear sequential storytelling and production notes
+- The result should feel close to a printed short-film previsualization manual page
+- Keep it readable, cinematic, structured, information-dense, and production-friendly
 
 【Visual Style Requirements】
 - monochrome black and white storyboard sketch
@@ -87,14 +109,53 @@ function storyboardSketchTemplate(params) {
 - use clear silhouettes, readable gestures, and simple environment blocking
 - preserve the feeling of fast previsualization sketches made by a film storyboard artist
 
-【Layout Requirements】
-- Output one complete storyboard sheet
+【Master Layout Requirements】
+- Output one complete storyboard handbook sheet
 - Overall page aspect ratio: ${page_aspect_ratio}
-- Use a clear comic-grid or storyboard-grid layout
+- The page should resemble an A3 or tabloid-style director handout
+- Use a highly structured editorial layout with clear boxes, dividers, column groups, header bars, numbering blocks, note fields, and bottom reference strips
 - Reading order must be obvious at a glance
-- Panels may vary in size, but the page must stay organized and readable
-- Reserve a clean horizontal area at the bottom of the page for director notes
-- The bottom note area must be visually separated from the storyboard panels and remain easy to read
+- The page must feel like one integrated document, not a collage of unrelated sketches
+- The upper area should contain project-level overview information
+- The middle area should contain the main storyboard shot blocks
+- The bottom area should contain supplementary director-manual sections
+
+【Top Header Bar Requirements】
+- Create a strong title area across the top of the page
+- The top bar should include:
+  - project or trailer title
+  - format label such as 分镜脚本 / 导演手册
+  - short genre or style notes
+  - very brief logline or story summary
+  - page metadata fields such as DATE, DIR, PAGE, or similar production-sheet labels
+- This top area should feel like a real printed storyboard document header
+- Use Chinese for main text, but small standard film-document abbreviations such as DATE, PAGE, DIR, WS, MCU, CU, ECU, OTS are allowed when helpful
+
+【Main Body Structure】
+- The middle area should be divided into 2 to 4 larger story sections or beats, like acts or story phases
+- Each section should have a bold section header bar
+- Each section should contain multiple numbered shot cards
+- Each shot card should include:
+  - a shot number block
+  - a timecode range or beat timing
+  - a shot-size label such as WS, MCU, CU, ECU, OTS when useful
+  - one main rough storyboard sketch
+  - a small adjacent note column or note area
+- Each shot card should feel like a documentary production cell, not just a loose thumbnail
+
+【Shot Card Layout Rules】
+- Inside each shot card, the sketch must be the visual center
+- Near the sketch, include compact Chinese director notes describing shot intent
+- The note area can include:
+  - shot description
+  - camera angle
+  - focal length or lens suggestion
+  - movement suggestion
+  - emotional beat
+  - action emphasis
+  - atmosphere cue
+- Different shot cards may vary in sketch size, but the page must remain disciplined and grid-like
+- The page should feel information-rich yet tidy, similar to a real director prep sheet
 
 ${panelCountRule}
 
@@ -112,23 +173,32 @@ ${videoDurationRule}
 - Use strong silhouette design so the action reads immediately even in rough sketch form
 - Reduce costume, texture, and prop detail to only what is necessary for recognition
 - Faces can be simplified, but expression and head direction should remain readable
-- Beside every panel, add a small Chinese annotation block
+- Beside every panel, add a compact Chinese annotation block or side note field
 - The annotation block should feel like professional storyboard notes written by a Chinese-speaking director or storyboard artist
-- Each annotation block should preferably follow this structure in Chinese:
+- Each annotation block should preferably contain:
   - panel number
+  - timecode or beat range
   - interior or exterior
   - scene/location
   - time of day
   - shot size
   - brief action description
   - emotional tone
-- Example structure in Chinese only:
-  - 1. 外景·废墟街道·夜
-  - 远景建立镜头
-  - 女孩直面远处逼近的异形轮廓
-  - 气氛紧张
+  - optional lens or movement note
 - Keep the annotation concise, readable, and placed beside or just outside the panel without blocking important drawing content
 
+【Document Realism Rules】
+- The page should feel like a real artifact from a film director's prep package
+- Use ruled lines, table boxes, small labels, separators, and modular blocks to simulate a genuine production handout
+- The three most important things are:
+  - clear shot progression
+  - believable handbook formatting
+  - immediately readable production notes
+- The result should not look like a comic page poster
+- The result should not look like a mood board
+- The result should not look like a random thumbnail sheet
+- It must look like a storyboard draft plus director manual page
+
 【Cinematic Rules】
 - Use meaningful variation in wide, medium, close-up, and extreme close-up shots
 - Build a clear progression: establish, develop, turn, react, resolve
@@ -137,37 +207,55 @@ ${videoDurationRule}
 
 ${intensityBlock}
 
-【Director Notes Area】
-- In the reserved bottom area, include concise professional director notes
-- The bottom area must include 2 to 3 highlighted key-shot mini sketches
-- These highlighted key-shot mini sketches can be simplified stick-figure or mannequin-style thumbnail sketches
+【Bottom Director Manual Area】
+- Reserve a clearly separated lower band across the page for supplementary manual content
+- This lower area should contain multiple boxed modules, not just one note strip
+- Include several of the following modules in a tidy editorial layout:
+  - visual style reference strip
+  - action or motion reference strip
+  - lens / tone / atmosphere notes
+  - color or grayscale rhythm guidance
+  - sound or music beat bar
+  - dialogue or line emphasis block
+  - director memo or overall shooting note
+- The bottom area must include 2 to 4 highlighted key-shot mini sketches
+- These highlighted mini sketches can be simplified stick-figure or mannequin-style thumbnails
 - Each highlighted mini sketch should correspond to one important cinematic beat from the main storyboard
-- The note area should describe:
-  - highlight shots
-  - key performance beats
-  - camera movement design
-  - lens language or staging emphasis when necessary
-- Camera movement descriptions should be professional and practical, and must be written in concise professional Chinese, such as 推近, 拉远, 跟拍, 手持跟随, 甩镜, 焦点转移, 俯拍揭示, 低机位推进, 横向移动
-- Each highlighted mini sketch should be paired with a short Chinese note describing the shot purpose and camera movement
+- Camera movement descriptions should be professional and practical, and should use concise Chinese such as 推近, 拉远, 跟拍, 手持跟随, 甩镜, 焦点转移, 俯拍揭示, 低机位推进, 横向移动
+- If a sound or rhythm module appears, it should feel like a simple hand-drawn timing chart with beats or second marks
+- If a dialogue block appears, it should feel like a key line excerpt, slogan, or emotional line from the trailer, set apart from the storyboard panels
 - Director notes must support the storyboard rather than replace it
 - Keep the notes compact, readable, and production-oriented
 
+【Reference Image Similarity Goal】
+- The overall layout should strongly resemble a polished storyboard draft plus director handbook sheet like a short-film previsualization sample
+- Emphasize:
+  - top title bar
+  - multi-column story sections
+  - numbered shot blocks
+  - side annotation fields
+  - lower handbook modules
+- The page should feel dense, professional, and printable
+- It should look like a page a director could hand to cinematography, art, and editing departments
+
 【Text Rules】
 - No dialogue balloons
 - No captions
-- No large text blocks
-- Only the bottom director notes area may contain brief professional instruction text
-- If panel labels are needed, keep them tiny and unobtrusive in the lower-right corner of each panel
-- Any visible text generated inside the image must be in Chinese only
-- Panel labels, shot annotations, and director notes must all use professional Chinese wording
-- Do not generate any English words, roman letters, or mixed-language labels inside the image
+- No prose paragraphs
+- Use many small professional text blocks instead of large essay-like text
+- If panel labels are needed, keep them tiny and unobtrusive
+- Visible text should be primarily Chinese
+- Standard film-document shorthand such as WS, MCU, CU, ECU, OTS, DATE, PAGE, DIR is allowed when useful
+- Panel labels, shot annotations, timing notes, and director notes must feel like professional preproduction notation
+- Avoid decorative typography or poster-like slogans except in a small dedicated line block if needed
 
 【Model Guidance For GPT Image 2】
-- Favor simple composition over excessive detail
-- Favor readable storyboard sketch language over beautiful final art
-- Favor black line clarity over rendering
-- Keep the image clean, flat, and easy to parse as a storyboard page
+- Favor document structure over painterly beauty
+- Favor readable shot design over excessive rendering
+- Favor black line clarity, white-page organization, and believable handbook layout
+- Keep the image easy to parse as a storyboard manual sheet
 - Do not turn this into a finished comic page or a realistic movie still
+- Do not let the extra handbook information overwhelm the shot readability
 
 【User Input】
 ${userPrompt}

package/dist/utils/storyboard-sketch-tpl.js.map

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package/dist/utils/subject-card-tpl.d.ts

@@ -5,7 +5,7 @@ export interface SubjectCardTemplateParams {
  * 构建角色卡拼图提示词。
  *
  * @param params 模板参数，包含用户原始角色描述。
- * @returns 适合角色卡与细节设定拼图的完整提示词。
+ * @returns 适合角色设定卡片拼图的完整提示词。
  *
  * @example
  * ```ts

package/dist/utils/subject-card-tpl.d.ts.map

@@ -1 +1 @@
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+{"version":3,"file":"subject-card-tpl.d.ts","sourceRoot":"","sources":["../../src/utils/subject-card-tpl.ts"],"names":[],"mappings":"AAAA,MAAM,WAAW,yBAAyB;IACxC,UAAU,EAAE,MAAM,CAAC;CACpB;AAED;;;;;;;;;;;;GAYG;AACH,wBAAgB,sBAAsB,CACpC,MAAM,EAAE,yBAAyB,GAChC,MAAM,CA+ER"}

package/dist/utils/subject-card-tpl.js

@@ -5,7 +5,7 @@ exports.buildSubjectCardPrompt = buildSubjectCardPrompt;
  * 构建角色卡拼图提示词。
  *
  * @param params 模板参数，包含用户原始角色描述。
- * @returns 适合角色卡与细节设定拼图的完整提示词。
+ * @returns 适合角色设定卡片拼图的完整提示词。
  *
  * @example
  * ```ts
@@ -16,53 +16,81 @@ exports.buildSubjectCardPrompt = buildSubjectCardPrompt;
  */
 function buildSubjectCardPrompt(params) {
     const { userPrompt } = params;
-    return `基于用户指令及人物参考图（如有），生成专业角色设定拼图。
+    return `基于用户指令及人物参考图（如有），生成专业角色设定卡片。
 
 用户指令：
 ${userPrompt}
 
 ---
 
-整体为左右布局，纯白背景，画面干净，无水印或多余元素
+整体是一张信息完整、平铺清晰、导演和美术都能直接使用的角色设定卡片。
+纯白或极浅色干净背景，画面整洁，无水印，无多余装饰元素。
+所有信息块需要合理平铺在整个画面上，版面均衡，不要只堆在某一侧，也不要过于拥挤。
 
-左侧：
-人物全身三视图（正面、侧面、背面）
-完整上色的立体角色（非灰模）
-自然站姿，比例准确，结构一致，无面部表情
-材质真实，光照柔和统一
-风格接近游戏角色设定图或高质量3D角色展示
+卡片必须包含以下模块，缺一不可：
 
-右侧（规则宫格布局，整齐排列）：
-展示关键细节特写，布局干净统一，每个模块为完整图块，不要碎片化：
+1. 角色信息卡
+- 在画面显著但不遮挡主体的位置，制作简洁专业的人物设定卡片
+- 至少包含：名字、外号、MBTI性格
+- 这些字段仅在用户提示词明确提到或可以直接合理判断时才填写；无法确定时可留空或弱化，不要胡编乱造
+- 设定卡文字风格要像专业角色设定页中的手写批注或设计笔记
+- 所有可见文字必须为中文，且检查正确无误，不允许错别字、乱码、错误字段或明显错误信息
 
-1. 一个完整清晰的面部特写（清晰展示五官与肤色）
-2. 一个后脑勺特写（重点表现发型结构与发色）
-3. 一套完整服装纹理（体现主要颜色、材质、结构）
-    - 每件主要服饰均分别展示
-4. 关键道具纹理（如有就展示，没有就忽略，不要凭空想象）
-5. 表情包（开心、生气、惊讶、好奇、难过、哭泣、愤怒，结合用户指令任选至少3个，不要重复）
+2. 角色45度脸部特写
+- 必须包含一个角色 45° 脸部特写
+- 特写要求超清晰、写实、五官准确、皮肤与面部结构真实可信
+- 发型、发色、瞳色、肤色、妆容、饰品与角色主体严格一致
+- 脸部特写要足够大，具备“主视觉”地位之一
 
-要求：
-- 每个宫格内容清晰、完整，不要重复
-- 不要拆分成多个小元素
-- 表情变化明显但保持角色一致性
-- 强调发色、肤色、服装颜色与材质一致
-- 每个宫格用黑色小字在下方标记说明一下纹理特征或用途，标记用英文
-- 左上角人物设定信息区的文字使用中文手写体，字段按有则写、无则省略，并确保文字正确无误
-- 画面信息密度合理，不杂乱
+3. 人物三视图
+- 必须包含人物全身正面、全身侧面、全身背面三视图
+- 三个视图使用统一比例、统一角色、统一服装基准款
+- 站姿自然，结构准确，角色年龄感、体型、发型长度、服装廓形前后一致
+- 三视图应清晰展示角色的整体轮廓、层次和服装关系
+
+4. 不同场景适用服装
+- 必须展示不同场景下适用的服装小图
+- 每套服装都是完整着装小图，不要只画局部布料碎片
+- 每套服装旁边都要用中文小字标注“启用条件”或“适用场景判断条件”
+- 例如但不限于：战斗时、潜入时、正式场合、日常出行、寒冷环境、雨天环境、节庆场景等
+- 启用条件应依据用户提示词和角色身份合理设计，不要脱离角色世界观
+
+5. 主要服装细节展示
+- 必须展示主要服装的关键细节
+- 重点可以包括：领口、肩部、胸甲、袖口、腰带、鞋靴、徽记、扣件、布料层次、材质拼接等
+- 展示方式要像设定板中的完整局部模块，不要碎片化得过细
+- 细节展示要服务于理解服装设计，不要变成杂乱的小零件墙
 
-人物设定：
-在图片空白处用中文手写体简洁清晰地标注人物设定，根据用户提示词撰写人物设定内容
-可写信息包括：角色姓名、种族、性别、年龄、职业、性格、身份背景、阵营、能力特征等
-这些信息仅在用户提示词中明确提到或可以直接确定时才写，未提到的不要编造，可以省略不写
-人物设定区文字必须使用中文手写体风格，呈现自然清晰的设定笔记质感
-人物设定区所有文字必须检查正确无误，不允许出现错别字、乱码、错误字段或明显错误信息
+6. 习惯性动作
+- 必须展示 1~3 个角色的习惯性动作
+- 这些动作为角色日常会自动触发的标志性小动作
+- 动作应从角色性格和身份自然推导，例如：整理袖口、摸下巴、抱臂、拨头发、轻敲武器、歪头观察、转笔等
+- 动作需要明显不同，但都必须符合角色本身，不要夸张到脱离人物设定
+
+7. 经典表情
+- 必须展示 3 个夸张但经典的表情
+- 表情应清晰体现角色情绪识别度和角色魅力
+- 三个表情必须明显不同，例如：得意、暴怒、无语、震惊、坏笑、委屈、冷笑等
+- 表情可以适度夸张，但角色五官和脸型仍要保持一致性
+
+要求：
+- 所有模块内容清晰、完整、互不重复
+- 各模块要像专业角色设定板一样被平铺组织在整个画面中，信息分区明确但整体统一
+- 不要拆分成过多零碎小元素，不要做成杂乱的素材墙
+- 角色在所有模块中的发型、发色、肤色、体型、服装逻辑、材质设定必须保持一致
+- 角色不同服装之间要看得出是同一个人，只是在不同场景切换穿搭
+- 服装启用条件、信息卡字段、功能标注等所有图中文字必须使用中文
+- 小标注可以使用黑色手写批注风格，但必须清楚、专业、正确
+- 画面必须只有角色设定内容，不出现其他无关人物或背景叙事
+- 允许轻微设计感排版，但重点永远是“角色设定信息完整且一眼能读懂”
 
 风格：
-高质量角色设定图，游戏或动画角色开发风格，
-干净、专业、结构清晰。
+- 高质量角色设定卡片
+- 游戏、动画或影视前期开发常用的人设板风格
+- 干净、专业、结构清晰、具备高级感
+- 既要有设计展示感，也要有真实可用的设定信息密度
 
 严格保持与原角色一致：
-发型、发色、肤色、服装设计、道具全部一致`;
+发型、发色、肤色、脸型、角色气质、服装体系、关键道具全部一致`;
 }
 //# sourceMappingURL=subject-card-tpl.js.map

package/dist/utils/subject-card-tpl.js.map

@@ -1 +1 @@
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+{"version":3,"file":"subject-card-tpl.js","sourceRoot":"","sources":["../../src/utils/subject-card-tpl.ts"],"names":[],"mappings":";;AAiBA,wDAiFC;AA9FD;;;;;;;;;;;;GAYG;AACH,SAAgB,sBAAsB,CACpC,MAAiC;IAEjC,MAAM,EAAE,UAAU,EAAE,GAAG,MAAM,CAAC;IAE9B,OAAO;;;EAGP,UAAU;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;+BAwEmB,CAAC;AAChC,CAAC"}

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "cerevox",
-  "version": "4.71.1",
+  "version": "4.72.0",
   "description": "TypeScript SDK for browser automation and secure command execution in highly available and scalable micro computer environments",
   "main": "dist/index.js",
   "types": "dist/index.d.ts",