barua-ui 0.9.2 → 0.11.0
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- package/css/components/marketing.css +215 -6
- package/css/components/media.css +4 -1
- package/package.json +1 -1
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@@ -39,6 +39,20 @@
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border-block-end: 1px solid var(--b-hairline);
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}
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.b-marketing-nav__brand { font-weight: var(--b-weight-semibold); font-size: var(--b-text-subheadline); }
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/* The confident bar. A 2.75rem strip of caption type is right above an
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application, where the chrome should get out of the way; on a front page
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it reads as a browser toolbar somebody forgot to style. --lg gives it the
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height, the type size and the room that say this is the top of a company,
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and the action on the right is a filled pill rather than a link. */
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.b-marketing-nav--lg {
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height: 4rem;
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gap: var(--b-space-6);
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padding-inline: clamp(var(--b-space-4), 3vw, var(--b-space-10));
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font-size: var(--b-text-subheadline);
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}
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.b-marketing-nav--lg .b-marketing-nav__brand { font-size: var(--b-text-title3); }
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.b-marketing-nav--lg .b-marketing-nav__links { gap: clamp(var(--b-space-4), 2.4vw, var(--b-space-8)); }
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.b-marketing-nav--lg a { font-weight: var(--b-weight-medium); }
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.b-marketing-nav__links { display: flex; gap: var(--b-space-5); margin-inline: auto; }
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.b-marketing-nav a { color: var(--b-text-secondary); text-decoration: none; }
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.b-marketing-nav a:hover { color: var(--b-text); }
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@@ -183,28 +197,54 @@
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/* ---- Marquee: a row that keeps moving ------------------------------------
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For a line of marks too long to stand still: logos, integrations, the
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names a product works with.
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names a product works with.
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The track holds the list TWICE inside two .b-marquee__group elements and
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travels exactly half its width, which puts group two where group one
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started: that is what makes the loop seamless, and with one copy it
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visibly snaps.
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The groups exist because "twice" is not enough on its own. Half the track
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is one group, so the loop is only seamless if a group is at least as wide
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as the rail; seven short names in a 1280px row leave the second copy
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ending early and a hole travelling along behind it. Each group is
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therefore floored at the rail's own width and spaces its contents out to
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fill it, so the belt is solid at any width with any number of names, and
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when the list IS wider than the rail max-content wins and nothing changes.
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It pauses under the pointer so a name can be read, and it stops entirely
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for anyone who asked for less motion, where it becomes an ordinary
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scrolling row instead. --b-marquee-time is the pace. */
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.b-marquee {
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overflow: hidden;
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/* The floor a group measures itself against. */
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container-type: inline-size;
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-webkit-mask-image: linear-gradient(90deg, transparent, #000 6%, #000 94%, transparent);
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mask-image: linear-gradient(90deg, transparent, #000 6%, #000 94%, transparent);
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}
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.b-marquee__track {
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display: flex;
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align-items: center;
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gap: clamp(var(--b-space-6), 5vw, var(--b-space-12));
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width: max-content;
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animation: b-marquee var(--b-marquee-time, 40s) linear infinite;
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}
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.b-marquee__group {
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display: flex;
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flex: none;
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align-items: center;
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justify-content: space-around;
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gap: clamp(var(--b-space-6), 5vw, var(--b-space-12));
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min-width: 100cqi;
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/* Half the gap on each end, so the seam between the two groups is spaced
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exactly like the gaps inside one. */
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padding-inline: clamp(var(--b-space-3), 2.5vw, var(--b-space-6));
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}
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.b-marquee:hover .b-marquee__track { animation-play-state: paused; }
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@keyframes b-marquee { to { translate: -50% 0; } }
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@media (prefers-reduced-motion: reduce) {
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.b-marquee { overflow-x: auto; -webkit-mask-image: none; mask-image: none; }
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.b-marquee__track { animation: none; }
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.b-marquee__group { min-width: 0; }
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}
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/* ---- Quote card: a number, a sentence, and who said it -------------------
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@@ -377,18 +417,187 @@
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.b-feature-row { grid-template-columns: 1fr 1fr; }
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.b-feature-row--flip > :first-child { order: 2; }
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}
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/* Centred is right when the row is a picture beside prose, and wrong when it
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is a headline beside a list of ten things: the headline drifts to the
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middle of a tall column and stops looking like the title of what is next
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to it. --top puts both columns on the same line. */
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.b-feature-row--top { align-items: start; }
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.b-feature-row__title {
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font-size: clamp(1.5rem, 3vw, 2.25rem);
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font-weight: var(--b-weight-semibold);
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line-height: var(--b-leading-tight);
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letter-spacing: var(--b-tracking-tight);
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}
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/* A feature row's headline at section scale. The base size is a subhead for
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a row of three; when the row IS the chapter, it carries the chapter's
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weight. */
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.b-feature-row__title--lg {
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font-size: clamp(2.25rem, 4.6vw, 3.5rem);
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font-weight: var(--b-weight-bold);
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line-height: 1.06;
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}
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.b-feature-row__body {
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margin-block-start: var(--b-space-3);
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color: var(--b-text-secondary);
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line-height: var(--b-leading-body);
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}
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/* ---- The marketing page's louder half ------------------------------------
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Everything above this line is the quiet version of a product page. What
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follows is the confident one: type that is large enough to be read across
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a room, a ground that changes between chapters so the page has floors, and
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an accent used at full strength instead of apologetically. A landing page
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is not an application, and the restraint that makes a toolbar good makes a
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front page forgettable. */
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/* Highlight marker.
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The one word in a headline that carries the sentence, on a block of
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accent. It sits behind the letters rather than around them: a box-shadow
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spread gives the marker its bleed without the inline padding that would
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break the line's rhythm, and box-decoration-break keeps it whole when the
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phrase wraps to a second line. */
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.b-mark {
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color: var(--b-text);
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/* --b-color-accent-soft is a component's fill and reads as almost nothing
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at headline size; a marker has to be visible from across the room. */
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--b-mark-ground: color-mix(in srgb, var(--b-color-accent) 24%, var(--b-bg));
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background: var(--b-mark-ground);
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box-shadow: 0.24em 0 0 var(--b-mark-ground), -0.24em 0 0 var(--b-mark-ground);
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-webkit-box-decoration-break: clone;
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box-decoration-break: clone;
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border-radius: 0.08em;
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}
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/* A chapter on a tinted ground.
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Alternating white and a wash of the accent is what gives a long page
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floors you can feel without a single rule or border. The wash is mixed
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from the accent so it follows a brand colour, and it is deliberately
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weaker than --b-color-accent-soft, which is a component's fill, not a
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room's paint. */
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.b-chapter--tint { background: color-mix(in srgb, var(--b-color-accent) 7%, var(--b-bg)); }
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/* Showcase: the product on a panel, not on the page.
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A screenshot dropped on white reads as a document. Inside a large rounded
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panel of colour it reads as a product, because the panel gives it an edge
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and a shadow to sit against, and the page gets one block of brand at the
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point a visitor is deciding whether to keep reading. */
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.b-showcase {
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position: relative;
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display: grid;
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gap: var(--b-space-6);
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padding: clamp(var(--b-space-6), 4vw, var(--b-space-10));
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background: linear-gradient(135deg,
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var(--b-color-accent),
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color-mix(in srgb, var(--b-color-accent) 78%, var(--b-color-indigo, #4f46e5)));
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border-radius: clamp(var(--b-radius-lg), 2.5vw, 2rem);
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overflow: hidden;
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}
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/* The faint diamonds that stop a large flat panel from looking like a
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rectangle of paint. Two rotated gradients, nothing to load. */
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.b-showcase::before {
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content: "";
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position: absolute;
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inset: -20%;
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background:
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linear-gradient(135deg, transparent 38%, rgba(255, 255, 255, 0.07) 38% 62%, transparent 62%),
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linear-gradient(45deg, transparent 40%, rgba(255, 255, 255, 0.05) 40% 60%, transparent 60%);
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background-size: 46% 46%, 62% 62%;
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pointer-events: none;
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}
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.b-showcase > * { position: relative; }
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.b-showcase__shot {
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border-radius: var(--b-radius-lg);
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box-shadow: var(--b-shadow-lg);
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overflow: hidden;
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}
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.b-showcase__shot img { display: block; width: 100%; }
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@media (min-width: 900px) {
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/* Wide, the panel becomes a stage: the product takes the room and the card
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overlaps its right edge, which is the whole reason the panel is bigger
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than the picture it holds. */
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.b-showcase { grid-template-columns: minmax(0, 1.55fr) minmax(16rem, 0.85fr); align-items: center; }
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}
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/* The card that floats on the showcase: three numbers and what they mean. */
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.b-stat-card {
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padding: clamp(var(--b-space-5), 2.5vw, var(--b-space-8));
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background: var(--b-surface);
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border-radius: var(--b-radius-lg);
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box-shadow: var(--b-shadow-lg);
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}
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.b-stat-card__title {
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font-size: clamp(1.6rem, 2.6vw, 2.25rem);
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font-weight: var(--b-weight-bold);
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line-height: 1.1;
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letter-spacing: var(--b-tracking-tight);
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}
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.b-stat-card__rows { display: flex; flex-direction: column; margin-block-start: var(--b-space-5); }
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.b-stat-card__row {
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display: flex;
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align-items: flex-start;
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gap: var(--b-space-4);
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padding-block: var(--b-space-4);
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}
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.b-stat-card__row + .b-stat-card__row { border-block-start: 1px solid var(--b-separator); }
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.b-stat-card__figure {
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display: block;
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font-size: var(--b-text-title2);
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font-weight: var(--b-weight-bold);
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letter-spacing: var(--b-tracking-tight);
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line-height: 1.1;
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}
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.b-stat-card__label { display: block; font-size: var(--b-text-footnote); color: var(--b-text-secondary); }
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/* Logos on cards.
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A bare row of wordmarks reads as text. On individual white plates they
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read as the companies they stand for, which is the whole point of showing
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them. Same wall, one modifier. */
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.b-logo-wall--cards { gap: var(--b-space-4); }
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.b-logo-wall--cards .b-logo-wall__logo {
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height: auto;
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padding: var(--b-space-4) var(--b-space-6);
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font-size: var(--b-text-callout);
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color: var(--b-text);
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background: var(--b-surface);
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border-radius: var(--b-radius-md);
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box-shadow: var(--b-shadow-sm);
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opacity: 1;
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}
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/* An accordion with no box around it.
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The card version belongs in an application, where a group needs an edge to
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separate it from the rest of the screen. On a marketing page the questions
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are the only thing in their column, so the chrome is noise: hairlines
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between rows, a circled mark on the right, and the open row lifted onto a
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quiet fill so you can see where you are. */
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.b-accordion--plain { background: none; border: 0; border-radius: 0; overflow: visible; }
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.b-accordion--plain > .b-disclosure { border-block-end: 1px solid var(--b-separator); }
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.b-accordion--plain > .b-disclosure + .b-disclosure { border-top: 0; }
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.b-accordion--plain > .b-disclosure > summary {
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padding-inline: 0;
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padding-block: var(--b-space-5);
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font-size: var(--b-text-callout);
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font-weight: var(--b-weight-semibold);
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align-items: flex-start;
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}
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.b-accordion--plain > .b-disclosure > summary:hover { background: none; color: var(--b-color-accent-text); }
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.b-accordion--plain > .b-disclosure > summary::after {
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content: "+";
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display: grid;
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place-items: center;
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flex: none;
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width: 1.75rem;
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height: 1.75rem;
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font-size: var(--b-text-callout);
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font-weight: var(--b-weight-medium);
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color: var(--b-color-accent-text);
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border: 1px solid color-mix(in srgb, var(--b-color-accent) 40%, transparent);
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border-radius: var(--b-radius-full);
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rotate: none;
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}
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.b-accordion--plain > .b-disclosure[open] > summary::after { content: "\2212"; }
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.b-accordion--plain > .b-disclosure > :not(summary) { padding-inline: 0; padding-block-end: var(--b-space-5); }
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/* ---- Bento: tiles of unequal weight, one grid ---------------------------- */
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.b-bento {
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display: grid;
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package/css/components/media.css
CHANGED
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content: "";
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position: absolute;
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inset: 0;
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-
|
|
400
|
+
/* The knob is set per instance; without a fallback an unset --b-img-placeholder
|
|
401
|
+
makes the whole shorthand invalid and the layer disappears rather than
|
|
402
|
+
degrading to a plain tint. */
|
|
403
|
+
background: var(--b-img-placeholder, linear-gradient(var(--b-fill-tertiary), var(--b-fill-tertiary))) center / cover no-repeat;
|
|
401
404
|
/* Scaled up because a blur samples past the edges and would otherwise
|
|
402
405
|
leave a soft border all the way round. */
|
|
403
406
|
filter: blur(14px);
|