aws-sdk 2.1421.0 → 2.1423.0

package/clients/mediaconvert.d.ts

@@ -248,7 +248,7 @@ declare namespace MediaConvert {
      */
     AudioDescriptionBroadcasterMix?: AacAudioDescriptionBroadcasterMix;
     /**
-     * Specify the average bitrate in bits per second. The set of valid values for this setting is: 6000, 8000, 10000, 12000, 14000, 16000, 20000, 24000, 28000, 32000, 40000, 48000, 56000, 64000, 80000, 96000, 112000, 128000, 160000, 192000, 224000, 256000, 288000, 320000, 384000, 448000, 512000, 576000, 640000, 768000, 896000, 1024000. The value you set is also constrained by the values that you choose for Profile (codecProfile), Bitrate control mode (codingMode), and Sample rate (sampleRate). Default values depend on Bitrate control mode and Profile.
+     * Specify the average bitrate in bits per second. The set of valid values for this setting is: 6000, 8000, 10000, 12000, 14000, 16000, 20000, 24000, 28000, 32000, 40000, 48000, 56000, 64000, 80000, 96000, 112000, 128000, 160000, 192000, 224000, 256000, 288000, 320000, 384000, 448000, 512000, 576000, 640000, 768000, 896000, 1024000. The value you set is also constrained by the values that you choose for Profile, Bitrate control mode, and Sample rate. Default values depend on Bitrate control mode and Profile.
      */
     Bitrate?: __integerMin6000Max1024000;
     /**
@@ -307,15 +307,15 @@ declare namespace MediaConvert {
      */
     Dialnorm?: __integerMin1Max31;
     /**
-     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the line operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile (DynamicRangeCompressionProfile). For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the line operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile. For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionLine?: Ac3DynamicRangeCompressionLine;
     /**
-     * When you want to add Dolby dynamic range compression (DRC) signaling to your output stream, we recommend that you use the mode-specific settings instead of Dynamic range compression profile (DynamicRangeCompressionProfile). The mode-specific settings are Dynamic range compression profile, line mode (dynamicRangeCompressionLine) and Dynamic range compression profile, RF mode (dynamicRangeCompressionRf). Note that when you specify values for all three settings, MediaConvert ignores the value of this setting in favor of the mode-specific settings. If you do use this setting instead of the mode-specific settings, choose None (NONE) to leave out DRC signaling. Keep the default Film standard (FILM_STANDARD) to set the profile to Dolby's film standard profile for all operating modes.
+     * When you want to add Dolby dynamic range compression (DRC) signaling to your output stream, we recommend that you use the mode-specific settings instead of Dynamic range compression profile. The mode-specific settings are Dynamic range compression profile, line mode and Dynamic range compression profile, RF mode. Note that when you specify values for all three settings, MediaConvert ignores the value of this setting in favor of the mode-specific settings. If you do use this setting instead of the mode-specific settings, choose None to leave out DRC signaling. Keep the default Film standard to set the profile to Dolby's film standard profile for all operating modes.
      */
     DynamicRangeCompressionProfile?: Ac3DynamicRangeCompressionProfile;
     /**
-     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the RF operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile (DynamicRangeCompressionProfile). For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the RF operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile. For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionRf?: Ac3DynamicRangeCompressionRf;
     /**
@@ -355,7 +355,7 @@ declare namespace MediaConvert {
   export type AfdSignaling = "NONE"|"AUTO"|"FIXED"|string;
   export interface AiffSettings {
     /**
-     * Specify Bit depth (BitDepth), in bits per sample, to choose the encoding quality for this audio track.
+     * Specify Bit depth, in bits per sample, to choose the encoding quality for this audio track.
      */
     BitDepth?: __integerMin16Max24;
     /**
@@ -385,7 +385,7 @@ declare namespace MediaConvert {
   export type AncillaryConvert608To708 = "UPCONVERT"|"DISABLED"|string;
   export interface AncillarySourceSettings {
     /**
-     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert (UPCONVERT), MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
+     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert, MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
      */
     Convert608To708?: AncillaryConvert608To708;
     /**
@@ -417,31 +417,31 @@ declare namespace MediaConvert {
   export type AudioCodec = "AAC"|"MP2"|"MP3"|"WAV"|"AIFF"|"AC3"|"EAC3"|"EAC3_ATMOS"|"VORBIS"|"OPUS"|"PASSTHROUGH"|string;
   export interface AudioCodecSettings {
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode (rateControlMode) to "VBR" or "CBR". In VBR mode, you control the audio quality with the setting VBR quality (vbrQuality). In CBR mode, you use the setting Bitrate (bitrate). Defaults and valid values depend on the rate control mode.
+     * Required when you set Codec to the value AAC. The service accepts one of two mutually exclusive groups of AAC settings--VBR and CBR. To select one of these modes, set the value of Bitrate control mode to "VBR" or "CBR". In VBR mode, you control the audio quality with the setting VBR quality. In CBR mode, you use the setting Bitrate. Defaults and valid values depend on the rate control mode.
      */
     AacSettings?: AacSettings;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AC3.
+     * Required when you set Codec to the value AC3.
      */
     Ac3Settings?: Ac3Settings;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AIFF.
+     * Required when you set Codec to the value AIFF.
      */
     AiffSettings?: AiffSettings;
     /**
-     * Choose the audio codec for this output. Note that the option Dolby Digital passthrough (PASSTHROUGH) applies only to Dolby Digital and Dolby Digital Plus audio inputs. Make sure that you choose a codec that's supported with your output container: https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers.html#reference-codecs-containers-output-audio For audio-only outputs, make sure that both your input audio codec and your output audio codec are supported for audio-only workflows. For more information, see: https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers-input.html#reference-codecs-containers-input-audio-only and https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers.html#audio-only-output
+     * Choose the audio codec for this output. Note that the option Dolby Digital passthrough applies only to Dolby Digital and Dolby Digital Plus audio inputs. Make sure that you choose a codec that's supported with your output container: https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers.html#reference-codecs-containers-output-audio For audio-only outputs, make sure that both your input audio codec and your output audio codec are supported for audio-only workflows. For more information, see: https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers-input.html#reference-codecs-containers-input-audio-only and https://docs.aws.amazon.com/mediaconvert/latest/ug/reference-codecs-containers.html#audio-only-output
      */
     Codec?: AudioCodec;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3_ATMOS.
+     * Required when you set Codec to the value EAC3_ATMOS.
      */
     Eac3AtmosSettings?: Eac3AtmosSettings;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3.
+     * Required when you set Codec to the value EAC3.
      */
     Eac3Settings?: Eac3Settings;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value MP2.
+     * Required when you set Codec to the value MP2.
      */
     Mp2Settings?: Mp2Settings;
     /**
@@ -457,7 +457,7 @@ declare namespace MediaConvert {
      */
     VorbisSettings?: VorbisSettings;
     /**
-     * Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value WAV.
+     * Required when you set Codec to the value WAV.
      */
     WavSettings?: WavSettings;
   }
@@ -488,7 +488,7 @@ declare namespace MediaConvert {
      */
     CodecSettings?: AudioCodecSettings;
     /**
-     * Specify the language for this audio output track. The service puts this language code into your output audio track when you set Language code control (AudioLanguageCodeControl) to Use configured (USE_CONFIGURED). The service also uses your specified custom language code when you set Language code control (AudioLanguageCodeControl) to Follow input (FOLLOW_INPUT), but your input file doesn't specify a language code. For all outputs, you can use an ISO 639-2 or ISO 639-3 code. For streaming outputs, you can also use any other code in the full RFC-5646 specification. Streaming outputs are those that are in one of the following output groups: CMAF, DASH ISO, Apple HLS, or Microsoft Smooth Streaming.
+     * Specify the language for this audio output track. The service puts this language code into your output audio track when you set Language code control to Use configured. The service also uses your specified custom language code when you set Language code control to Follow input, but your input file doesn't specify a language code. For all outputs, you can use an ISO 639-2 or ISO 639-3 code. For streaming outputs, you can also use any other code in the full RFC-5646 specification. Streaming outputs are those that are in one of the following output groups: CMAF, DASH ISO, Apple HLS, or Microsoft Smooth Streaming.
      */
     CustomLanguageCode?: __stringPatternAZaZ23AZaZ;
     /**
@@ -496,7 +496,7 @@ declare namespace MediaConvert {
      */
     LanguageCode?: LanguageCode;
     /**
-     * Specify which source for language code takes precedence for this audio track. When you choose Follow input (FOLLOW_INPUT), the service uses the language code from the input track if it's present. If there's no languge code on the input track, the service uses the code that you specify in the setting Language code (languageCode or customLanguageCode). When you choose Use configured (USE_CONFIGURED), the service uses the language code that you specify.
+     * Specify which source for language code takes precedence for this audio track. When you choose Follow input, the service uses the language code from the input track if it's present. If there's no languge code on the input track, the service uses the code that you specify in the setting Language code. When you choose Use configured, the service uses the language code that you specify.
      */
     LanguageCodeControl?: AudioLanguageCodeControl;
     /**
@@ -536,7 +536,7 @@ declare namespace MediaConvert {
      */
     PeakCalculation?: AudioNormalizationPeakCalculation;
     /**
-     * When you use Audio normalization (AudioNormalizationSettings), optionally use this setting to specify a target loudness. If you don't specify a value here, the encoder chooses a value for you, based on the algorithm that you choose for Algorithm (algorithm). If you choose algorithm 1770-1, the encoder will choose -24 LKFS; otherwise, the encoder will choose -23 LKFS.
+     * When you use Audio normalization, optionally use this setting to specify a target loudness. If you don't specify a value here, the encoder chooses a value for you, based on the algorithm that you choose for Algorithm. If you choose algorithm 1770-1, the encoder will choose -24 LKFS; otherwise, the encoder will choose -23 LKFS.
      */
     TargetLkfs?: __doubleMinNegative59Max0;
     /**
@@ -578,7 +578,7 @@ declare namespace MediaConvert {
      */
     Pids?: __listOf__integerMin1Max2147483647;
     /**
-     * Use this setting for input streams that contain Dolby E, to have the service extract specific program data from the track. To select multiple programs, create multiple selectors with the same Track and different Program numbers. In the console, this setting is visible when you set Selector type to Track. Choose the program number from the dropdown list. If you are sending a JSON file, provide the program ID, which is part of the audio metadata. If your input file has incorrect metadata, you can choose All channels instead of a program number to have the service ignore the program IDs and include all the programs in the track.
+     * Use this setting for input streams that contain Dolby E, to have the service extract specific program data from the track. To select multiple programs, create multiple selectors with the same Track and different Program numbers. In the console, this setting is visible when you set Selector type to Track. Choose the program number from the dropdown list. If your input file has incorrect metadata, you can choose All channels instead of a program number to have the service ignore the program IDs and include all the programs in the track.
      */
     ProgramSelection?: __integerMin0Max8;
     /**
@@ -590,7 +590,7 @@ declare namespace MediaConvert {
      */
     SelectorType?: AudioSelectorType;
     /**
-     * Identify a track from the input audio to include in this selector by entering the track index number. To include several tracks in a single audio selector, specify multiple tracks as follows. Using the console, enter a comma-separated list. For examle, type "1,2,3" to include tracks 1 through 3. Specifying directly in your JSON job file, provide the track numbers in an array. For example, "tracks": [1,2,3].
+     * Identify a track from the input audio to include in this selector by entering the track index number. To include several tracks in a single audio selector, specify multiple tracks as follows. Using the console, enter a comma-separated list. For example, type "1,2,3" to include tracks 1 through 3.
      */
     Tracks?: __listOf__integerMin1Max2147483647;
   }
@@ -654,7 +654,7 @@ declare namespace MediaConvert {
   export type Av1FramerateConversionAlgorithm = "DUPLICATE_DROP"|"INTERPOLATE"|"FRAMEFORMER"|string;
   export interface Av1QvbrSettings {
     /**
-     * Use this setting only when you set Rate control mode (RateControlMode) to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
+     * Use this setting only when you set Rate control mode to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
      */
     QvbrQualityLevel?: __integerMin1Max10;
     /**
@@ -665,15 +665,15 @@ declare namespace MediaConvert {
   export type Av1RateControlMode = "QVBR"|string;
   export interface Av1Settings {
     /**
-     * Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to Spatial adaptive quantization (spatialAdaptiveQuantization).
+     * Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to Spatial adaptive quantization.
      */
     AdaptiveQuantization?: Av1AdaptiveQuantization;
     /**
-     * Specify the Bit depth (Av1BitDepth). You can choose 8-bit (BIT_8) or 10-bit (BIT_10).
+     * Specify the Bit depth. You can choose 8-bit or 10-bit.
      */
     BitDepth?: Av1BitDepth;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * Use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: Av1FramerateControl;
     /**
@@ -701,7 +701,7 @@ declare namespace MediaConvert {
      */
     NumberBFramesBetweenReferenceFrames?: __integerMin0Max15;
     /**
-     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode (RateControlMode).
+     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode.
      */
     QvbrSettings?: Av1QvbrSettings;
     /**
@@ -713,7 +713,7 @@ declare namespace MediaConvert {
      */
     Slices?: __integerMin1Max32;
     /**
-     * Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (adaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
+     * Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
      */
     SpatialAdaptiveQuantization?: Av1SpatialAdaptiveQuantization;
   }
@@ -735,11 +735,11 @@ declare namespace MediaConvert {
      */
     AvcIntraClass?: AvcIntraClass;
     /**
-     * Optional when you set AVC-Intra class (avcIntraClass) to Class 4K/2K (CLASS_4K_2K). When you set AVC-Intra class to a different value, this object isn't allowed.
+     * Optional when you set AVC-Intra class to Class 4K/2K. When you set AVC-Intra class to a different value, this object isn't allowed.
      */
     AvcIntraUhdSettings?: AvcIntraUhdSettings;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: AvcIntraFramerateControl;
     /**
@@ -755,19 +755,19 @@ declare namespace MediaConvert {
      */
     FramerateNumerator?: __integerMin24Max60000;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: AvcIntraInterlaceMode;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: AvcIntraScanTypeConversionMode;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25.
      */
     SlowPal?: AvcIntraSlowPal;
     /**
-     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
+     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine to create a smoother picture. When you keep the default value, None, MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
      */
     Telecine?: AvcIntraTelecine;
   }
@@ -776,7 +776,7 @@ declare namespace MediaConvert {
   export type AvcIntraUhdQualityTuningLevel = "SINGLE_PASS"|"MULTI_PASS"|string;
   export interface AvcIntraUhdSettings {
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how many transcoding passes MediaConvert does with your video. When you choose Multi-pass (MULTI_PASS), your video quality is better and your output bitrate is more accurate. That is, the actual bitrate of your output is closer to the target bitrate defined in the specification. When you choose Single-pass (SINGLE_PASS), your encoding time is faster. The default behavior is Single-pass (SINGLE_PASS).
+     * Optional. Use Quality tuning level to choose how many transcoding passes MediaConvert does with your video. When you choose Multi-pass, your video quality is better and your output bitrate is more accurate. That is, the actual bitrate of your output is closer to the target bitrate defined in the specification. When you choose Single-pass, your encoding time is faster. The default behavior is Single-pass.
      */
     QualityTuningLevel?: AvcIntraUhdQualityTuningLevel;
   }
@@ -800,23 +800,23 @@ declare namespace MediaConvert {
      */
     Alignment?: BurninSubtitleAlignment;
     /**
-     * Ignore this setting unless Style passthrough (StylePassthrough) is set to Enabled and Font color (FontColor) set to Black, Yellow, Red, Green, Blue, or Hex. Use Apply font color (ApplyFontColor) for additional font color controls. When you choose White text only (WHITE_TEXT_ONLY), or leave blank, your font color setting only applies to white text in your input captions. For example, if your font color setting is Yellow, and your input captions have red and white text, your output captions will have red and yellow text. When you choose ALL_TEXT, your font color setting applies to all of your output captions text.
+     * Ignore this setting unless Style passthrough is set to Enabled and Font color set to Black, Yellow, Red, Green, Blue, or Hex. Use Apply font color for additional font color controls. When you choose White text only, or leave blank, your font color setting only applies to white text in your input captions. For example, if your font color setting is Yellow, and your input captions have red and white text, your output captions will have red and yellow text. When you choose ALL_TEXT, your font color setting applies to all of your output captions text.
      */
     ApplyFontColor?: BurninSubtitleApplyFontColor;
     /**
-     * Specify the color of the rectangle behind the captions. Leave background color (BackgroundColor) blank and set Style passthrough (StylePassthrough) to enabled to use the background color data from your input captions, if present.
+     * Specify the color of the rectangle behind the captions. Leave background color blank and set Style passthrough to enabled to use the background color data from your input captions, if present.
      */
     BackgroundColor?: BurninSubtitleBackgroundColor;
     /**
-     * Specify the opacity of the background rectangle. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough (StylePassthrough) is set to enabled, leave blank to pass through the background style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all backgrounds from your output captions.
+     * Specify the opacity of the background rectangle. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to enabled, leave blank to pass through the background style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all backgrounds from your output captions.
      */
     BackgroundOpacity?: __integerMin0Max255;
     /**
-     * Specify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support. When you set Fallback font (FallbackFont) to best match (BEST_MATCH), or leave blank, MediaConvert uses a supported font that most closely matches the font that your input captions specify. When there are multiple unsupported fonts in your input captions, MediaConvert matches each font with the supported font that matches best. When you explicitly choose a replacement font, MediaConvert uses that font to replace all unsupported fonts from your input.
+     * Specify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support. When you set Fallback font to best match, or leave blank, MediaConvert uses a supported font that most closely matches the font that your input captions specify. When there are multiple unsupported fonts in your input captions, MediaConvert matches each font with the supported font that matches best. When you explicitly choose a replacement font, MediaConvert uses that font to replace all unsupported fonts from your input.
      */
     FallbackFont?: BurninSubtitleFallbackFont;
     /**
-     * Specify the color of the burned-in captions text. Leave Font color (FontColor) blank and set Style passthrough (StylePassthrough) to enabled to use the font color data from your input captions, if present.
+     * Specify the color of the burned-in captions text. Leave Font color blank and set Style passthrough to enabled to use the font color data from your input captions, if present.
      */
     FontColor?: BurninSubtitleFontColor;
     /**
@@ -824,15 +824,15 @@ declare namespace MediaConvert {
      */
     FontOpacity?: __integerMin0Max255;
     /**
-     * Specify the Font resolution (FontResolution) in DPI (dots per inch).
+     * Specify the Font resolution in DPI (dots per inch).
      */
     FontResolution?: __integerMin96Max600;
     /**
-     * Set Font script (FontScript) to Automatically determined (AUTOMATIC), or leave blank, to automatically determine the font script in your input captions. Otherwise, set to Simplified Chinese (HANS) or Traditional Chinese (HANT) if your input font script uses Simplified or Traditional Chinese.
+     * Set Font script to Automatically determined, or leave blank, to automatically determine the font script in your input captions. Otherwise, set to Simplified Chinese (HANS) or Traditional Chinese (HANT) if your input font script uses Simplified or Traditional Chinese.
      */
     FontScript?: FontScript;
     /**
-     * Specify the Font size (FontSize) in pixels. Must be a positive integer. Set to 0, or leave blank, for automatic font size.
+     * Specify the Font size in pixels. Must be a positive integer. Set to 0, or leave blank, for automatic font size.
      */
     FontSize?: __integerMin0Max96;
     /**
@@ -840,19 +840,19 @@ declare namespace MediaConvert {
      */
     HexFontColor?: __stringMin6Max8Pattern09aFAF609aFAF2;
     /**
-     * Specify font outline color. Leave Outline color (OutlineColor) blank and set Style passthrough (StylePassthrough) to enabled to use the font outline color data from your input captions, if present.
+     * Specify font outline color. Leave Outline color blank and set Style passthrough to enabled to use the font outline color data from your input captions, if present.
      */
     OutlineColor?: BurninSubtitleOutlineColor;
     /**
-     * Specify the Outline size (OutlineSize) of the caption text, in pixels. Leave Outline size blank and set Style passthrough (StylePassthrough) to enabled to use the outline size data from your input captions, if present.
+     * Specify the Outline size of the caption text, in pixels. Leave Outline size blank and set Style passthrough to enabled to use the outline size data from your input captions, if present.
      */
     OutlineSize?: __integerMin0Max10;
     /**
-     * Specify the color of the shadow cast by the captions. Leave Shadow color (ShadowColor) blank and set Style passthrough (StylePassthrough) to enabled to use the shadow color data from your input captions, if present.
+     * Specify the color of the shadow cast by the captions. Leave Shadow color blank and set Style passthrough to enabled to use the shadow color data from your input captions, if present.
      */
     ShadowColor?: BurninSubtitleShadowColor;
     /**
-     * Specify the opacity of the shadow. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough (StylePassthrough) is set to Enabled, leave Shadow opacity (ShadowOpacity) blank to pass through the shadow style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all shadows from your output captions.
+     * Specify the opacity of the shadow. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to Enabled, leave Shadow opacity blank to pass through the shadow style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all shadows from your output captions.
      */
     ShadowOpacity?: __integerMin0Max255;
     /**
@@ -860,23 +860,23 @@ declare namespace MediaConvert {
      */
     ShadowXOffset?: __integerMinNegative2147483648Max2147483647;
     /**
-     * Specify the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. Leave Shadow y-offset (ShadowYOffset) blank and set Style passthrough (StylePassthrough) to enabled to use the shadow y-offset data from your input captions, if present.
+     * Specify the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. Leave Shadow y-offset blank and set Style passthrough to enabled to use the shadow y-offset data from your input captions, if present.
      */
     ShadowYOffset?: __integerMinNegative2147483648Max2147483647;
     /**
-     * Set Style passthrough (StylePassthrough) to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use default settings: white text with black outlining, bottom-center positioning, and automatic sizing. Whether you set Style passthrough to enabled or not, you can also choose to manually override any of the individual style and position settings.
+     * Set Style passthrough to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use default settings: white text with black outlining, bottom-center positioning, and automatic sizing. Whether you set Style passthrough to enabled or not, you can also choose to manually override any of the individual style and position settings.
      */
     StylePassthrough?: BurnInSubtitleStylePassthrough;
     /**
-     * Specify whether the text spacing (TeletextSpacing) in your captions is set by the captions grid, or varies depending on letter width. Choose fixed grid (FIXED_GRID) to conform to the spacing specified in the captions file more accurately. Choose proportional (PROPORTIONAL) to make the text easier to read for closed captions.
+     * Specify whether the text spacing in your captions is set by the captions grid, or varies depending on letter width. Choose fixed grid to conform to the spacing specified in the captions file more accurately. Choose proportional to make the text easier to read for closed captions.
      */
     TeletextSpacing?: BurninSubtitleTeletextSpacing;
     /**
-     * Specify the horizontal position (XPosition) of the captions, relative to the left side of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the left of the output. If no explicit x_position is provided, the horizontal caption position will be determined by the alignment parameter.
+     * Specify the horizontal position of the captions, relative to the left side of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the left of the output. If no explicit x_position is provided, the horizontal caption position will be determined by the alignment parameter.
      */
     XPosition?: __integerMin0Max2147483647;
     /**
-     * Specify the vertical position (YPosition) of the captions, relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output.
+     * Specify the vertical position of the captions, relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output.
      */
     YPosition?: __integerMin0Max2147483647;
   }
@@ -906,7 +906,7 @@ declare namespace MediaConvert {
      */
     CustomLanguageCode?: __stringPatternAZaZ23AZaZ;
     /**
-     * Settings related to one captions tab on the MediaConvert console. In your job JSON, an instance of captions DestinationSettings is equivalent to one captions tab in the console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.
+     * Settings related to one captions tab on the MediaConvert console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.
      */
     DestinationSettings?: CaptionDestinationSettings;
     /**
@@ -924,7 +924,7 @@ declare namespace MediaConvert {
      */
     CustomLanguageCode?: __stringPatternAZaZ23AZaZ;
     /**
-     * Settings related to one captions tab on the MediaConvert console. In your job JSON, an instance of captions DestinationSettings is equivalent to one captions tab in the console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.
+     * Settings related to one captions tab on the MediaConvert console. Usually, one captions tab corresponds to one output captions track. Depending on your output captions format, one tab might correspond to a set of output captions tracks. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/including-captions.html.
      */
     DestinationSettings?: CaptionDestinationSettings;
     /**
@@ -938,43 +938,43 @@ declare namespace MediaConvert {
   }
   export interface CaptionDestinationSettings {
     /**
-     * Burn-in is a captions delivery method, rather than a captions format. Burn-in writes the captions directly on your video frames, replacing pixels of video content with the captions. Set up burn-in captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/burn-in-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to BURN_IN.
+     * Burn-in is a captions delivery method, rather than a captions format. Burn-in writes the captions directly on your video frames, replacing pixels of video content with the captions. Set up burn-in captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/burn-in-output-captions.html.
      */
     BurninDestinationSettings?: BurninDestinationSettings;
     /**
-     * Specify the format for this set of captions on this output. The default format is embedded without SCTE-20. Note that your choice of video output container constrains your choice of output captions format. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/captions-support-tables.html. If you are using SCTE-20 and you want to create an output that complies with the SCTE-43 spec, choose SCTE-20 plus embedded (SCTE20_PLUS_EMBEDDED). To create a non-compliant output where the embedded captions come first, choose Embedded plus SCTE-20 (EMBEDDED_PLUS_SCTE20).
+     * Specify the format for this set of captions on this output. The default format is embedded without SCTE-20. Note that your choice of video output container constrains your choice of output captions format. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/captions-support-tables.html. If you are using SCTE-20 and you want to create an output that complies with the SCTE-43 spec, choose SCTE-20 plus embedded. To create a non-compliant output where the embedded captions come first, choose Embedded plus SCTE-20.
      */
     DestinationType?: CaptionDestinationType;
     /**
-     * Settings related to DVB-Sub captions. Set up DVB-Sub captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/dvb-sub-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to DVB_SUB.
+     * Settings related to DVB-Sub captions. Set up DVB-Sub captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/dvb-sub-output-captions.html.
      */
     DvbSubDestinationSettings?: DvbSubDestinationSettings;
     /**
-     * Settings related to CEA/EIA-608 and CEA/EIA-708 (also called embedded or ancillary) captions. Set up embedded captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/embedded-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to EMBEDDED, EMBEDDED_PLUS_SCTE20, or SCTE20_PLUS_EMBEDDED.
+     * Settings related to CEA/EIA-608 and CEA/EIA-708 (also called embedded or ancillary) captions. Set up embedded captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/embedded-output-captions.html.
      */
     EmbeddedDestinationSettings?: EmbeddedDestinationSettings;
     /**
-     * Settings related to IMSC captions. IMSC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to IMSC.
+     * Settings related to IMSC captions. IMSC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.
      */
     ImscDestinationSettings?: ImscDestinationSettings;
     /**
-     * Settings related to SCC captions. SCC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/scc-srt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to SCC.
+     * Settings related to SCC captions. SCC is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/scc-srt-output-captions.html.
      */
     SccDestinationSettings?: SccDestinationSettings;
     /**
-     * Settings related to SRT captions. SRT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to SRT.
+     * Settings related to SRT captions. SRT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video.
      */
     SrtDestinationSettings?: SrtDestinationSettings;
     /**
-     * Settings related to teletext captions. Set up teletext captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/teletext-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to TELETEXT.
+     * Settings related to teletext captions. Set up teletext captions in the same output as your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/teletext-output-captions.html.
      */
     TeletextDestinationSettings?: TeletextDestinationSettings;
     /**
-     * Settings related to TTML captions. TTML is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to TTML.
+     * Settings related to TTML captions. TTML is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.
      */
     TtmlDestinationSettings?: TtmlDestinationSettings;
     /**
-     * Settings related to WebVTT captions. WebVTT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html. When you work directly in your JSON job specification, include this object and any required children when you set destinationType to WebVTT.
+     * Settings related to WebVTT captions. WebVTT is a sidecar format that holds captions in a file that is separate from the video container. Set up sidecar captions in the same output group, but different output from your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/ttml-and-webvtt-output-captions.html.
      */
     WebvttDestinationSettings?: WebvttDestinationSettings;
   }
@@ -996,11 +996,11 @@ declare namespace MediaConvert {
   export type CaptionSourceConvertPaintOnToPopOn = "ENABLED"|"DISABLED"|string;
   export interface CaptionSourceFramerate {
     /**
-     * Specify the denominator of the fraction that represents the frame rate for the setting Caption source frame rate (CaptionSourceFramerate). Use this setting along with the setting Framerate numerator (framerateNumerator).
+     * Specify the denominator of the fraction that represents the frame rate for the setting Caption source frame rate. Use this setting along with the setting Framerate numerator.
      */
     FramerateDenominator?: __integerMin1Max1001;
     /**
-     * Specify the numerator of the fraction that represents the frame rate for the setting Caption source frame rate (CaptionSourceFramerate). Use this setting along with the setting Framerate denominator (framerateDenominator).
+     * Specify the numerator of the fraction that represents the frame rate for the setting Caption source frame rate. Use this setting along with the setting Framerate denominator.
      */
     FramerateNumerator?: __integerMin1Max60000;
   }
@@ -1022,7 +1022,7 @@ declare namespace MediaConvert {
      */
     FileSourceSettings?: FileSourceSettings;
     /**
-     * Use Source (SourceType) to identify the format of your input captions. The service cannot auto-detect caption format.
+     * Use Source to identify the format of your input captions. The service cannot auto-detect caption format.
      */
     SourceType?: CaptionSourceType;
     /**
@@ -1081,7 +1081,7 @@ declare namespace MediaConvert {
      */
     ConstantInitializationVector?: __stringMin32Max32Pattern09aFAF32;
     /**
-     * Specify the encryption scheme that you want the service to use when encrypting your CMAF segments. Choose AES-CBC subsample (SAMPLE-AES) or AES_CTR (AES-CTR).
+     * Specify the encryption scheme that you want the service to use when encrypting your CMAF segments. Choose AES-CBC subsample or AES_CTR.
      */
     EncryptionMethod?: CmafEncryptionType;
     /**
@@ -1112,7 +1112,7 @@ declare namespace MediaConvert {
      */
     BaseUrl?: __string;
     /**
-     * Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag. Otherwise, keep the default value Enabled (ENABLED) and control caching in your video distribution set up. For example, use the Cache-Control http header.
+     * Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag. Otherwise, keep the default value Enabled and control caching in your video distribution set up. For example, use the Cache-Control http header.
      */
     ClientCache?: CmafClientCache;
     /**
@@ -1124,7 +1124,7 @@ declare namespace MediaConvert {
      */
     DashManifestStyle?: DashManifestStyle;
     /**
-     * Use Destination (Destination) to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
+     * Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
      */
     Destination?: __stringPatternS3;
     /**
@@ -1136,11 +1136,11 @@ declare namespace MediaConvert {
      */
     Encryption?: CmafEncryptionSettings;
     /**
-     * Specify the length, in whole seconds, of the mp4 fragments. When you don't specify a value, MediaConvert defaults to 2. Related setting: Use Fragment length control (FragmentLengthControl) to specify whether the encoder enforces this value strictly.
+     * Specify the length, in whole seconds, of the mp4 fragments. When you don't specify a value, MediaConvert defaults to 2. Related setting: Use Fragment length control to specify whether the encoder enforces this value strictly.
      */
     FragmentLength?: __integerMin1Max2147483647;
     /**
-     * Specify whether MediaConvert generates images for trick play. Keep the default value, None (NONE), to not generate any images. Choose Thumbnail (THUMBNAIL) to generate tiled thumbnails. Choose Thumbnail and full frame (THUMBNAIL_AND_FULLFRAME) to generate tiled thumbnails and full-resolution images of single frames. When you enable Write HLS manifest (WriteHlsManifest), MediaConvert creates a child manifest for each set of images that you generate and adds corresponding entries to the parent manifest. When you enable Write DASH manifest (WriteDashManifest), MediaConvert adds an entry in the .mpd manifest for each set of images that you generate. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
+     * Specify whether MediaConvert generates images for trick play. Keep the default value, None, to not generate any images. Choose Thumbnail to generate tiled thumbnails. Choose Thumbnail and full frame to generate tiled thumbnails and full-resolution images of single frames. When you enable Write HLS manifest, MediaConvert creates a child manifest for each set of images that you generate and adds corresponding entries to the parent manifest. When you enable Write DASH manifest, MediaConvert adds an entry in the .mpd manifest for each set of images that you generate. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
      */
     ImageBasedTrickPlay?: CmafImageBasedTrickPlay;
     /**
@@ -1168,11 +1168,11 @@ declare namespace MediaConvert {
      */
     MpdManifestBandwidthType?: CmafMpdManifestBandwidthType;
     /**
-     * Specify whether your DASH profile is on-demand or main. When you choose Main profile (MAIN_PROFILE), the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand (ON_DEMAND_PROFILE), the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control (SegmentControl) to Single file (SINGLE_FILE).
+     * Specify whether your DASH profile is on-demand or main. When you choose Main profile, the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand, the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control to Single file.
      */
     MpdProfile?: CmafMpdProfile;
     /**
-     * Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS). Specify how MediaConvert handles PTS when writing time stamps in output DASH manifests. Choose Match initial PTS (MATCH_INITIAL_PTS) when you want MediaConvert to use the initial PTS as the first time stamp in the manifest. Choose Zero-based (ZERO_BASED) to have MediaConvert ignore the initial PTS in the video stream and instead write the initial time stamp as zero in the manifest. For outputs that don't have B-frames, the time stamps in your DASH manifests start at zero regardless of your choice here.
+     * Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS). Specify how MediaConvert handles PTS when writing time stamps in output DASH manifests. Choose Match initial PTS when you want MediaConvert to use the initial PTS as the first time stamp in the manifest. Choose Zero-based to have MediaConvert ignore the initial PTS in the video stream and instead write the initial time stamp as zero in the manifest. For outputs that don't have B-frames, the time stamps in your DASH manifests start at zero regardless of your choice here.
      */
     PtsOffsetHandlingForBFrames?: CmafPtsOffsetHandlingForBFrames;
     /**
@@ -1180,11 +1180,11 @@ declare namespace MediaConvert {
      */
     SegmentControl?: CmafSegmentControl;
     /**
-     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 10. Related settings: Use Segment length control (SegmentLengthControl) to specify whether the encoder enforces this value strictly. Use Segment control (CmafSegmentControl) to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
+     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 10. Related settings: Use Segment length control to specify whether the encoder enforces this value strictly. Use Segment control to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
      */
     SegmentLength?: __integerMin1Max2147483647;
     /**
-     * Specify how you want MediaConvert to determine the segment length. Choose Exact (EXACT) to have the encoder use the exact length that you specify with the setting Segment length (SegmentLength). This might result in extra I-frames. Choose Multiple of GOP (GOP_MULTIPLE) to have the encoder round up the segment lengths to match the next GOP boundary.
+     * Specify how you want MediaConvert to determine the segment length. Choose Exact to have the encoder use the exact length that you specify with the setting Segment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.
      */
     SegmentLengthControl?: CmafSegmentLengthControl;
     /**
@@ -1208,7 +1208,7 @@ declare namespace MediaConvert {
      */
     WriteHlsManifest?: CmafWriteHLSManifest;
     /**
-     * When you enable Precise segment duration in DASH manifests (writeSegmentTimelineInRepresentation), your DASH manifest shows precise segment durations. The segment duration information appears inside the SegmentTimeline element, inside SegmentTemplate at the Representation level. When this feature isn't enabled, the segment durations in your DASH manifest are approximate. The segment duration information appears in the duration attribute of the SegmentTemplate element.
+     * When you enable Precise segment duration in DASH manifests, your DASH manifest shows precise segment durations. The segment duration information appears inside the SegmentTimeline element, inside SegmentTemplate at the Representation level. When this feature isn't enabled, the segment durations in your DASH manifest are approximate. The segment duration information appears in the duration attribute of the SegmentTemplate element.
      */
     WriteSegmentTimelineInRepresentation?: CmafWriteSegmentTimelineInRepresentation;
   }
@@ -1265,27 +1265,27 @@ declare namespace MediaConvert {
   export type CmfcScte35Source = "PASSTHROUGH"|"NONE"|string;
   export interface CmfcSettings {
     /**
-     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
+     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration. In all other cases, keep the default value, Default codec duration. When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
      */
     AudioDuration?: CmfcAudioDuration;
     /**
-     * Specify the audio rendition group for this audio rendition. Specify up to one value for each audio output in your output group. This value appears in your HLS parent manifest in the EXT-X-MEDIA tag of TYPE=AUDIO, as the value for the GROUP-ID attribute. For example, if you specify "audio_aac_1" for Audio group ID, it appears in your manifest like this: #EXT-X-MEDIA:TYPE=AUDIO,GROUP-ID="audio_aac_1". Related setting: To associate the rendition group that this audio track belongs to with a video rendition, include the same value that you provide here for that video output's setting Audio rendition sets (audioRenditionSets).
+     * Specify the audio rendition group for this audio rendition. Specify up to one value for each audio output in your output group. This value appears in your HLS parent manifest in the EXT-X-MEDIA tag of TYPE=AUDIO, as the value for the GROUP-ID attribute. For example, if you specify "audio_aac_1" for Audio group ID, it appears in your manifest like this: #EXT-X-MEDIA:TYPE=AUDIO,GROUP-ID="audio_aac_1". Related setting: To associate the rendition group that this audio track belongs to with a video rendition, include the same value that you provide here for that video output's setting Audio rendition sets.
      */
     AudioGroupId?: __string;
     /**
-     * List the audio rendition groups that you want included with this video rendition. Use a comma-separated list. For example, say you want to include the audio rendition groups that have the audio group IDs "audio_aac_1" and "audio_dolby". Then you would specify this value: "audio_aac_1,audio_dolby". Related setting: The rendition groups that you include in your comma-separated list should all match values that you specify in the setting Audio group ID (AudioGroupId) for audio renditions in the same output group as this video rendition. Default behavior: If you don't specify anything here and for Audio group ID, MediaConvert puts each audio variant in its own audio rendition group and associates it with every video variant. Each value in your list appears in your HLS parent manifest in the EXT-X-STREAM-INF tag as the value for the AUDIO attribute. To continue the previous example, say that the file name for the child manifest for your video rendition is "amazing_video_1.m3u8". Then, in your parent manifest, each value will appear on separate lines, like this: #EXT-X-STREAM-INF:AUDIO="audio_aac_1"... amazing_video_1.m3u8 #EXT-X-STREAM-INF:AUDIO="audio_dolby"... amazing_video_1.m3u8
+     * List the audio rendition groups that you want included with this video rendition. Use a comma-separated list. For example, say you want to include the audio rendition groups that have the audio group IDs "audio_aac_1" and "audio_dolby". Then you would specify this value: "audio_aac_1,audio_dolby". Related setting: The rendition groups that you include in your comma-separated list should all match values that you specify in the setting Audio group ID for audio renditions in the same output group as this video rendition. Default behavior: If you don't specify anything here and for Audio group ID, MediaConvert puts each audio variant in its own audio rendition group and associates it with every video variant. Each value in your list appears in your HLS parent manifest in the EXT-X-STREAM-INF tag as the value for the AUDIO attribute. To continue the previous example, say that the file name for the child manifest for your video rendition is "amazing_video_1.m3u8". Then, in your parent manifest, each value will appear on separate lines, like this: #EXT-X-STREAM-INF:AUDIO="audio_aac_1"... amazing_video_1.m3u8 #EXT-X-STREAM-INF:AUDIO="audio_dolby"... amazing_video_1.m3u8
      */
     AudioRenditionSets?: __string;
     /**
-     * Use this setting to control the values that MediaConvert puts in your HLS parent playlist to control how the client player selects which audio track to play. The other options for this setting determine the values that MediaConvert writes for the DEFAULT and AUTOSELECT attributes of the EXT-X-MEDIA entry for the audio variant. For more information about these attributes, see the Apple documentation article https://developer.apple.com/documentation/http_live_streaming/example_playlists_for_http_live_streaming/adding_alternate_media_to_a_playlist. Choose Alternate audio, auto select, default (ALTERNATE_AUDIO_AUTO_SELECT_DEFAULT) to set DEFAULT=YES and AUTOSELECT=YES. Choose this value for only one variant in your output group. Choose Alternate audio, auto select, not default (ALTERNATE_AUDIO_AUTO_SELECT) to set DEFAULT=NO and AUTOSELECT=YES. Choose Alternate Audio, Not Auto Select to set DEFAULT=NO and AUTOSELECT=NO. When you don't specify a value for this setting, MediaConvert defaults to Alternate audio, auto select, default. When there is more than one variant in your output group, you must explicitly choose a value for this setting.
+     * Use this setting to control the values that MediaConvert puts in your HLS parent playlist to control how the client player selects which audio track to play. The other options for this setting determine the values that MediaConvert writes for the DEFAULT and AUTOSELECT attributes of the EXT-X-MEDIA entry for the audio variant. For more information about these attributes, see the Apple documentation article https://developer.apple.com/documentation/http_live_streaming/example_playlists_for_http_live_streaming/adding_alternate_media_to_a_playlist. Choose Alternate audio, auto select, default to set DEFAULT=YES and AUTOSELECT=YES. Choose this value for only one variant in your output group. Choose Alternate audio, auto select, not default to set DEFAULT=NO and AUTOSELECT=YES. Choose Alternate Audio, Not Auto Select to set DEFAULT=NO and AUTOSELECT=NO. When you don't specify a value for this setting, MediaConvert defaults to Alternate audio, auto select, default. When there is more than one variant in your output group, you must explicitly choose a value for this setting.
      */
     AudioTrackType?: CmfcAudioTrackType;
     /**
-     * Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest. When you choose Flag (FLAG), MediaConvert includes the parameter CHARACTERISTICS="public.accessibility.describes-video" in the EXT-X-MEDIA entry for this track. When you keep the default choice, Don't flag (DONT_FLAG), MediaConvert leaves this parameter out. The DVS flag can help with accessibility on Apple devices. For more information, see the Apple documentation.
+     * Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest. When you choose Flag, MediaConvert includes the parameter CHARACTERISTICS="public.accessibility.describes-video" in the EXT-X-MEDIA entry for this track. When you keep the default choice, Don't flag, MediaConvert leaves this parameter out. The DVS flag can help with accessibility on Apple devices. For more information, see the Apple documentation.
      */
     DescriptiveVideoServiceFlag?: CmfcDescriptiveVideoServiceFlag;
     /**
-     * Choose Include (INCLUDE) to have MediaConvert generate an HLS child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition. You might use this manifest as part of a workflow that creates preview functions for your video. MediaConvert adds both the I-frame only child manifest and the regular child manifest to the parent manifest. When you don't need the I-frame only child manifest, keep the default value Exclude (EXCLUDE).
+     * Choose Include to have MediaConvert generate an HLS child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition. You might use this manifest as part of a workflow that creates preview functions for your video. MediaConvert adds both the I-frame only child manifest and the regular child manifest to the parent manifest. When you don't need the I-frame only child manifest, keep the default value Exclude.
      */
     IFrameOnlyManifest?: CmfcIFrameOnlyManifest;
     /**
@@ -1293,34 +1293,34 @@ declare namespace MediaConvert {
      */
     KlvMetadata?: CmfcKlvMetadata;
     /**
-     * To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata signaling to Enabled. For ID3 event messages, the InbandEventStream element schemeIdUri will be same value that you specify for ID3 metadata scheme ID URI. For SCTE35 event messages, the InbandEventStream element schemeIdUri will be "urn:scte:scte35:2013:bin". To leave these elements out of your output MPD manifest, set Manifest metadata signaling to Disabled. To enable Manifest metadata signaling, you must also set SCTE-35 source to Passthrough, ESAM SCTE-35 to insert, or ID3 metadata (TimedMetadata) to Passthrough.
+     * To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata signaling to Enabled. For ID3 event messages, the InbandEventStream element schemeIdUri will be same value that you specify for ID3 metadata scheme ID URI. For SCTE35 event messages, the InbandEventStream element schemeIdUri will be "urn:scte:scte35:2013:bin". To leave these elements out of your output MPD manifest, set Manifest metadata signaling to Disabled. To enable Manifest metadata signaling, you must also set SCTE-35 source to Passthrough, ESAM SCTE-35 to insert, or ID3 metadata to Passthrough.
      */
     ManifestMetadataSignaling?: CmfcManifestMetadataSignaling;
     /**
-     * Use this setting only when you specify SCTE-35 markers from ESAM. Choose INSERT to put SCTE-35 markers in this output at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML (sccXml).
+     * Use this setting only when you specify SCTE-35 markers from ESAM. Choose INSERT to put SCTE-35 markers in this output at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML.
      */
     Scte35Esam?: CmfcScte35Esam;
     /**
-     * Ignore this setting unless you have SCTE-35 markers in your input video file. Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don't want those SCTE-35 markers in this output.
+     * Ignore this setting unless you have SCTE-35 markers in your input video file. Choose Passthrough if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None if you don't want those SCTE-35 markers in this output.
      */
     Scte35Source?: CmfcScte35Source;
     /**
-     * To include ID3 metadata in this output: Set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH). Specify this ID3 metadata in Custom ID3 metadata inserter (timedMetadataInsertion). MediaConvert writes each instance of ID3 metadata in a separate Event Message (eMSG) box. To exclude this ID3 metadata: Set ID3 metadata to None (NONE) or leave blank.
+     * To include ID3 metadata in this output: Set ID3 metadata to Passthrough. Specify this ID3 metadata in Custom ID3 metadata inserter. MediaConvert writes each instance of ID3 metadata in a separate Event Message (eMSG) box. To exclude this ID3 metadata: Set ID3 metadata to None or leave blank.
      */
     TimedMetadata?: CmfcTimedMetadata;
     /**
      * Specify the event message box (eMSG) version for ID3 timed metadata in your output.
 For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.3 Syntax.
 Leave blank to use the default value Version 0.
-When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Passthrough.
+When you specify Version 1, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataBoxVersion?: CmfcTimedMetadataBoxVersion;
     /**
-     * Specify the event message box (eMSG) scheme ID URI (scheme_id_uri) for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. Leave blank to use the default value: https://aomedia.org/emsg/ID3 When you specify a value for ID3 metadata scheme ID URI, you must also set ID3 metadata (timedMetadata) to Passthrough.
+     * Specify the event message box (eMSG) scheme ID URI for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. Leave blank to use the default value: https://aomedia.org/emsg/ID3 When you specify a value for ID3 metadata scheme ID URI, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataSchemeIdUri?: __stringMax1000;
     /**
-     * Specify the event message box (eMSG) value for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. When you specify a value for ID3 Metadata Value, you must also set ID3 metadata (timedMetadata) to Passthrough.
+     * Specify the event message box (eMSG) value for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. When you specify a value for ID3 Metadata Value, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataValue?: __stringMax1000;
   }
@@ -1349,7 +1349,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Contrast?: __integerMin1Max100;
     /**
-     * Use these settings when you convert to the HDR 10 color space. Specify the SMPTE ST 2086 Mastering Display Color Volume static metadata that you want signaled in the output. These values don't affect the pixel values that are encoded in the video stream. They are intended to help the downstream video player display content in a way that reflects the intentions of the the content creator. When you set Color space conversion (ColorSpaceConversion) to HDR 10 (FORCE_HDR10), these settings are required. You must set values for Max frame average light level (maxFrameAverageLightLevel) and Max content light level (maxContentLightLevel); these settings don't have a default value. The default values for the other HDR 10 metadata settings are defined by the P3D65 color space. For more information about MediaConvert HDR jobs, see https://docs.aws.amazon.com/console/mediaconvert/hdr.
+     * Use these settings when you convert to the HDR 10 color space. Specify the SMPTE ST 2086 Mastering Display Color Volume static metadata that you want signaled in the output. These values don't affect the pixel values that are encoded in the video stream. They are intended to help the downstream video player display content in a way that reflects the intentions of the the content creator. When you set Color space conversion to HDR 10, these settings are required. You must set values for Max frame average light level and Max content light level; these settings don't have a default value. The default values for the other HDR 10 metadata settings are defined by the P3D65 color space. For more information about MediaConvert HDR jobs, see https://docs.aws.amazon.com/console/mediaconvert/hdr.
      */
     Hdr10Metadata?: Hdr10Metadata;
     /**
@@ -1392,7 +1392,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     F4vSettings?: F4vSettings;
     /**
-     * MPEG-2 TS container settings. These apply to outputs in a File output group when the output's container (ContainerType) is MPEG-2 Transport Stream (M2TS). In these assets, data is organized by the program map table (PMT). Each transport stream program contains subsets of data, including audio, video, and metadata. Each of these subsets of data has a numerical label called a packet identifier (PID). Each transport stream program corresponds to one MediaConvert output. The PMT lists the types of data in a program along with their PID. Downstream systems and players use the program map table to look up the PID for each type of data it accesses and then uses the PIDs to locate specific data within the asset.
+     * MPEG-2 TS container settings. These apply to outputs in a File output group when the output's container is MPEG-2 Transport Stream (M2TS). In these assets, data is organized by the program map table (PMT). Each transport stream program contains subsets of data, including audio, video, and metadata. Each of these subsets of data has a numerical label called a packet identifier (PID). Each transport stream program corresponds to one MediaConvert output. The PMT lists the types of data in a program along with their PID. Downstream systems and players use the program map table to look up the PID for each type of data it accesses and then uses the PIDs to locate specific data within the asset.
      */
     M2tsSettings?: M2tsSettings;
     /**
@@ -1598,7 +1598,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   }
   export interface DashIsoEncryptionSettings {
     /**
-     * This setting can improve the compatibility of your output with video players on obsolete devices. It applies only to DASH H.264 outputs with DRM encryption. Choose Unencrypted SEI (UNENCRYPTED_SEI) only to correct problems with playback on older devices. Otherwise, keep the default setting CENC v1 (CENC_V1). If you choose Unencrypted SEI, for that output, the service will exclude the access unit delimiter and will leave the SEI NAL units unencrypted.
+     * This setting can improve the compatibility of your output with video players on obsolete devices. It applies only to DASH H.264 outputs with DRM encryption. Choose Unencrypted SEI only to correct problems with playback on older devices. Otherwise, keep the default setting CENC v1. If you choose Unencrypted SEI, for that output, the service will exclude the access unit delimiter and will leave the SEI NAL units unencrypted.
      */
     PlaybackDeviceCompatibility?: DashIsoPlaybackDeviceCompatibility;
     /**
@@ -1613,7 +1613,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     AdditionalManifests?: __listOfDashAdditionalManifest;
     /**
-     * Use this setting only when your audio codec is a Dolby one (AC3, EAC3, or Atmos) and your downstream workflow requires that your DASH manifest use the Dolby channel configuration tag, rather than the MPEG one. For example, you might need to use this to make dynamic ad insertion work. Specify which audio channel configuration scheme ID URI MediaConvert writes in your DASH manifest. Keep the default value, MPEG channel configuration (MPEG_CHANNEL_CONFIGURATION), to have MediaConvert write this: urn:mpeg:mpegB:cicp:ChannelConfiguration. Choose Dolby channel configuration (DOLBY_CHANNEL_CONFIGURATION) to have MediaConvert write this instead: tag:dolby.com,2014:dash:audio_channel_configuration:2011.
+     * Use this setting only when your audio codec is a Dolby one (AC3, EAC3, or Atmos) and your downstream workflow requires that your DASH manifest use the Dolby channel configuration tag, rather than the MPEG one. For example, you might need to use this to make dynamic ad insertion work. Specify which audio channel configuration scheme ID URI MediaConvert writes in your DASH manifest. Keep the default value, MPEG channel configuration, to have MediaConvert write this: urn:mpeg:mpegB:cicp:ChannelConfiguration. Choose Dolby channel configuration to have MediaConvert write this instead: tag:dolby.com,2014:dash:audio_channel_configuration:2011.
      */
     AudioChannelConfigSchemeIdUri?: DashIsoGroupAudioChannelConfigSchemeIdUri;
     /**
@@ -1625,7 +1625,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     DashManifestStyle?: DashManifestStyle;
     /**
-     * Use Destination (Destination) to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
+     * Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
      */
     Destination?: __stringPatternS3;
     /**
@@ -1645,7 +1645,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     HbbtvCompliance?: DashIsoHbbtvCompliance;
     /**
-     * Specify whether MediaConvert generates images for trick play. Keep the default value, None (NONE), to not generate any images. Choose Thumbnail (THUMBNAIL) to generate tiled thumbnails. Choose Thumbnail and full frame (THUMBNAIL_AND_FULLFRAME) to generate tiled thumbnails and full-resolution images of single frames. MediaConvert adds an entry in the .mpd manifest for each set of images that you generate. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
+     * Specify whether MediaConvert generates images for trick play. Keep the default value, None, to not generate any images. Choose Thumbnail to generate tiled thumbnails. Choose Thumbnail and full frame to generate tiled thumbnails and full-resolution images of single frames. MediaConvert adds an entry in the .mpd manifest for each set of images that you generate. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
      */
     ImageBasedTrickPlay?: DashIsoImageBasedTrickPlay;
     /**
@@ -1665,11 +1665,11 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     MpdManifestBandwidthType?: DashIsoMpdManifestBandwidthType;
     /**
-     * Specify whether your DASH profile is on-demand or main. When you choose Main profile (MAIN_PROFILE), the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand (ON_DEMAND_PROFILE), the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control (SegmentControl) to Single file (SINGLE_FILE).
+     * Specify whether your DASH profile is on-demand or main. When you choose Main profile, the service signals urn:mpeg:dash:profile:isoff-main:2011 in your .mpd DASH manifest. When you choose On-demand, the service signals urn:mpeg:dash:profile:isoff-on-demand:2011 in your .mpd. When you choose On-demand, you must also set the output group setting Segment control to Single file.
      */
     MpdProfile?: DashIsoMpdProfile;
     /**
-     * Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS). Specify how MediaConvert handles PTS when writing time stamps in output DASH manifests. Choose Match initial PTS (MATCH_INITIAL_PTS) when you want MediaConvert to use the initial PTS as the first time stamp in the manifest. Choose Zero-based (ZERO_BASED) to have MediaConvert ignore the initial PTS in the video stream and instead write the initial time stamp as zero in the manifest. For outputs that don't have B-frames, the time stamps in your DASH manifests start at zero regardless of your choice here.
+     * Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp (PTS) to be offset from the initial decode time stamp (DTS). Specify how MediaConvert handles PTS when writing time stamps in output DASH manifests. Choose Match initial PTS when you want MediaConvert to use the initial PTS as the first time stamp in the manifest. Choose Zero-based to have MediaConvert ignore the initial PTS in the video stream and instead write the initial time stamp as zero in the manifest. For outputs that don't have B-frames, the time stamps in your DASH manifests start at zero regardless of your choice here.
      */
     PtsOffsetHandlingForBFrames?: DashIsoPtsOffsetHandlingForBFrames;
     /**
@@ -1677,11 +1677,11 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     SegmentControl?: DashIsoSegmentControl;
     /**
-     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 30. Related settings: Use Segment length control (SegmentLengthControl) to specify whether the encoder enforces this value strictly. Use Segment control (DashIsoSegmentControl) to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
+     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 30. Related settings: Use Segment length control to specify whether the encoder enforces this value strictly. Use Segment control to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
      */
     SegmentLength?: __integerMin1Max2147483647;
     /**
-     * Specify how you want MediaConvert to determine the segment length. Choose Exact (EXACT) to have the encoder use the exact length that you specify with the setting Segment length (SegmentLength). This might result in extra I-frames. Choose Multiple of GOP (GOP_MULTIPLE) to have the encoder round up the segment lengths to match the next GOP boundary.
+     * Specify how you want MediaConvert to determine the segment length. Choose Exact to have the encoder use the exact length that you specify with the setting Segment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.
      */
     SegmentLengthControl?: DashIsoSegmentLengthControl;
     /**
@@ -1743,7 +1743,10 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Control?: DeinterlacerControl;
     /**
-     * Use Deinterlacer (DeinterlaceMode) to choose how the service will do deinterlacing. Default is Deinterlace. - Deinterlace converts interlaced to progressive. - Inverse telecine converts Hard Telecine 29.97i to progressive 23.976p. - Adaptive auto-detects and converts to progressive.
+     * Use Deinterlacer to choose how the service will do deinterlacing. Default is Deinterlace.
+- Deinterlace converts interlaced to progressive.
+- Inverse telecine converts Hard Telecine 29.97i to progressive 23.976p.
+- Adaptive auto-detects and converts to progressive.
      */
     Mode?: DeinterlacerMode;
   }
@@ -1886,15 +1889,15 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Alignment?: DvbSubtitleAlignment;
     /**
-     * Ignore this setting unless Style Passthrough (StylePassthrough) is set to Enabled and Font color (FontColor) set to Black, Yellow, Red, Green, Blue, or Hex. Use Apply font color (ApplyFontColor) for additional font color controls. When you choose White text only (WHITE_TEXT_ONLY), or leave blank, your font color setting only applies to white text in your input captions. For example, if your font color setting is Yellow, and your input captions have red and white text, your output captions will have red and yellow text. When you choose ALL_TEXT, your font color setting applies to all of your output captions text.
+     * Ignore this setting unless Style Passthrough is set to Enabled and Font color set to Black, Yellow, Red, Green, Blue, or Hex. Use Apply font color for additional font color controls. When you choose White text only, or leave blank, your font color setting only applies to white text in your input captions. For example, if your font color setting is Yellow, and your input captions have red and white text, your output captions will have red and yellow text. When you choose ALL_TEXT, your font color setting applies to all of your output captions text.
      */
     ApplyFontColor?: DvbSubtitleApplyFontColor;
     /**
-     * Specify the color of the rectangle behind the captions. Leave background color (BackgroundColor) blank and set Style passthrough (StylePassthrough) to enabled to use the background color data from your input captions, if present.
+     * Specify the color of the rectangle behind the captions. Leave background color blank and set Style passthrough to enabled to use the background color data from your input captions, if present.
      */
     BackgroundColor?: DvbSubtitleBackgroundColor;
     /**
-     * Specify the opacity of the background rectangle. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough (StylePassthrough) is set to enabled, leave blank to pass through the background style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all backgrounds from your output captions. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the opacity of the background rectangle. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to enabled, leave blank to pass through the background style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all backgrounds from your output captions. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     BackgroundOpacity?: __integerMin0Max255;
     /**
@@ -1902,19 +1905,19 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     DdsHandling?: DvbddsHandling;
     /**
-     * Use this setting, along with DDS y-coordinate (ddsYCoordinate), to specify the upper left corner of the display definition segment (DDS) display window. With this setting, specify the distance, in pixels, between the left side of the frame and the left side of the DDS display window. Keep the default value, 0, to have MediaConvert automatically choose this offset. Related setting: When you use this setting, you must set DDS handling (ddsHandling) to a value other than None (NONE). MediaConvert uses these values to determine whether to write page position data to the DDS or to the page composition segment (PCS). All burn-in and DVB-Sub font settings must match.
+     * Use this setting, along with DDS y-coordinate, to specify the upper left corner of the display definition segment (DDS) display window. With this setting, specify the distance, in pixels, between the left side of the frame and the left side of the DDS display window. Keep the default value, 0, to have MediaConvert automatically choose this offset. Related setting: When you use this setting, you must set DDS handling to a value other than None. MediaConvert uses these values to determine whether to write page position data to the DDS or to the page composition segment. All burn-in and DVB-Sub font settings must match.
      */
     DdsXCoordinate?: __integerMin0Max2147483647;
     /**
-     * Use this setting, along with DDS x-coordinate (ddsXCoordinate), to specify the upper left corner of the display definition segment (DDS) display window. With this setting, specify the distance, in pixels, between the top of the frame and the top of the DDS display window. Keep the default value, 0, to have MediaConvert automatically choose this offset. Related setting: When you use this setting, you must set DDS handling (ddsHandling) to a value other than None (NONE). MediaConvert uses these values to determine whether to write page position data to the DDS or to the page composition segment (PCS). All burn-in and DVB-Sub font settings must match.
+     * Use this setting, along with DDS x-coordinate, to specify the upper left corner of the display definition segment (DDS) display window. With this setting, specify the distance, in pixels, between the top of the frame and the top of the DDS display window. Keep the default value, 0, to have MediaConvert automatically choose this offset. Related setting: When you use this setting, you must set DDS handling to a value other than None. MediaConvert uses these values to determine whether to write page position data to the DDS or to the page composition segment (PCS). All burn-in and DVB-Sub font settings must match.
      */
     DdsYCoordinate?: __integerMin0Max2147483647;
     /**
-     * Specify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support. When you set Fallback font (FallbackFont) to best match (BEST_MATCH), or leave blank, MediaConvert uses a supported font that most closely matches the font that your input captions specify. When there are multiple unsupported fonts in your input captions, MediaConvert matches each font with the supported font that matches best. When you explicitly choose a replacement font, MediaConvert uses that font to replace all unsupported fonts from your input.
+     * Specify the font that you want the service to use for your burn in captions when your input captions specify a font that MediaConvert doesn't support. When you set Fallback font to best match, or leave blank, MediaConvert uses a supported font that most closely matches the font that your input captions specify. When there are multiple unsupported fonts in your input captions, MediaConvert matches each font with the supported font that matches best. When you explicitly choose a replacement font, MediaConvert uses that font to replace all unsupported fonts from your input.
      */
     FallbackFont?: DvbSubSubtitleFallbackFont;
     /**
-     * Specify the color of the captions text. Leave Font color (FontColor) blank and set Style passthrough (StylePassthrough) to enabled to use the font color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the color of the captions text. Leave Font color blank and set Style passthrough to enabled to use the font color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     FontColor?: DvbSubtitleFontColor;
     /**
@@ -1923,20 +1926,20 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     FontOpacity?: __integerMin0Max255;
     /**
-     * Specify the Font resolution (FontResolution) in DPI (dots per inch).
+     * Specify the Font resolution in DPI (dots per inch).
 Within your job settings, all of your DVB-Sub settings must be identical.
      */
     FontResolution?: __integerMin96Max600;
     /**
-     * Set Font script (FontScript) to Automatically determined (AUTOMATIC), or leave blank, to automatically determine the font script in your input captions. Otherwise, set to Simplified Chinese (HANS) or Traditional Chinese (HANT) if your input font script uses Simplified or Traditional Chinese. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Set Font script to Automatically determined, or leave blank, to automatically determine the font script in your input captions. Otherwise, set to Simplified Chinese (HANS) or Traditional Chinese (HANT) if your input font script uses Simplified or Traditional Chinese. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     FontScript?: FontScript;
     /**
-     * Specify the Font size (FontSize) in pixels. Must be a positive integer. Set to 0, or leave blank, for automatic font size. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the Font size in pixels. Must be a positive integer. Set to 0, or leave blank, for automatic font size. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     FontSize?: __integerMin0Max96;
     /**
-     * Specify the height, in pixels, of this set of DVB-Sub captions. The default value is 576 pixels. Related setting: When you use this setting, you must set DDS handling (ddsHandling) to a value other than None (NONE). All burn-in and DVB-Sub font settings must match.
+     * Specify the height, in pixels, of this set of DVB-Sub captions. The default value is 576 pixels. Related setting: When you use this setting, you must set DDS handling to a value other than None. All burn-in and DVB-Sub font settings must match.
      */
     Height?: __integerMin1Max2147483647;
     /**
@@ -1944,19 +1947,19 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     HexFontColor?: __stringMin6Max8Pattern09aFAF609aFAF2;
     /**
-     * Specify font outline color. Leave Outline color (OutlineColor) blank and set Style passthrough (StylePassthrough) to enabled to use the font outline color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify font outline color. Leave Outline color blank and set Style passthrough to enabled to use the font outline color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     OutlineColor?: DvbSubtitleOutlineColor;
     /**
-     * Specify the Outline size (OutlineSize) of the caption text, in pixels. Leave Outline size blank and set Style passthrough (StylePassthrough) to enabled to use the outline size data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the Outline size of the caption text, in pixels. Leave Outline size blank and set Style passthrough to enabled to use the outline size data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     OutlineSize?: __integerMin0Max10;
     /**
-     * Specify the color of the shadow cast by the captions. Leave Shadow color (ShadowColor) blank and set Style passthrough (StylePassthrough) to enabled to use the shadow color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the color of the shadow cast by the captions. Leave Shadow color blank and set Style passthrough to enabled to use the shadow color data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ShadowColor?: DvbSubtitleShadowColor;
     /**
-     * Specify the opacity of the shadow. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough (StylePassthrough) is set to Enabled, leave Shadow opacity (ShadowOpacity) blank to pass through the shadow style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all shadows from your output captions. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the opacity of the shadow. Enter a value from 0 to 255, where 0 is transparent and 255 is opaque. If Style passthrough is set to Enabled, leave Shadow opacity blank to pass through the shadow style information in your input captions to your output captions. If Style passthrough is set to disabled, leave blank to use a value of 0 and remove all shadows from your output captions. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ShadowOpacity?: __integerMin0Max255;
     /**
@@ -1964,11 +1967,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ShadowXOffset?: __integerMinNegative2147483648Max2147483647;
     /**
-     * Specify the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. Leave Shadow y-offset (ShadowYOffset) blank and set Style passthrough (StylePassthrough) to enabled to use the shadow y-offset data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the vertical offset of the shadow relative to the captions in pixels. A value of -2 would result in a shadow offset 2 pixels above the text. Leave Shadow y-offset blank and set Style passthrough to enabled to use the shadow y-offset data from your input captions, if present. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ShadowYOffset?: __integerMinNegative2147483648Max2147483647;
     /**
-     * Set Style passthrough (StylePassthrough) to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use default settings: white text with black outlining, bottom-center positioning, and automatic sizing. Whether you set Style passthrough to enabled or not, you can also choose to manually override any of the individual style and position settings.
+     * Set Style passthrough to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use default settings: white text with black outlining, bottom-center positioning, and automatic sizing. Whether you set Style passthrough to enabled or not, you can also choose to manually override any of the individual style and position settings.
      */
     StylePassthrough?: DvbSubtitleStylePassthrough;
     /**
@@ -1976,19 +1979,19 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     SubtitlingType?: DvbSubtitlingType;
     /**
-     * Specify whether the Text spacing (TeletextSpacing) in your captions is set by the captions grid, or varies depending on letter width. Choose fixed grid (FIXED_GRID) to conform to the spacing specified in the captions file more accurately. Choose proportional (PROPORTIONAL) to make the text easier to read for closed captions. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify whether the Text spacing in your captions is set by the captions grid, or varies depending on letter width. Choose fixed grid to conform to the spacing specified in the captions file more accurately. Choose proportional to make the text easier to read for closed captions. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     TeletextSpacing?: DvbSubtitleTeletextSpacing;
     /**
-     * Specify the width, in pixels, of this set of DVB-Sub captions. The default value is 720 pixels. Related setting: When you use this setting, you must set DDS handling (ddsHandling) to a value other than None (NONE). All burn-in and DVB-Sub font settings must match.
+     * Specify the width, in pixels, of this set of DVB-Sub captions. The default value is 720 pixels. Related setting: When you use this setting, you must set DDS handling to a value other than None. All burn-in and DVB-Sub font settings must match.
      */
     Width?: __integerMin1Max2147483647;
     /**
-     * Specify the horizontal position (XPosition) of the captions, relative to the left side of the outputin pixels. A value of 10 would result in the captions starting 10 pixels from the left ofthe output. If no explicit x_position is provided, the horizontal caption position will bedetermined by the alignment parameter. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the horizontal position of the captions, relative to the left side of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the left of the output. If no explicit x_position is provided, the horizontal caption position will be determined by the alignment parameter. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     XPosition?: __integerMin0Max2147483647;
     /**
-     * Specify the vertical position (YPosition) of the captions, relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output. Within your job settings, all of your DVB-Sub settings must be identical.
+     * Specify the vertical position of the captions, relative to the top of the output in pixels. A value of 10 would result in the captions starting 10 pixels from the top of the output. If no explicit y_position is provided, the caption will be positioned towards the bottom of the output. Within your job settings, all of your DVB-Sub settings must be identical.
      */
     YPosition?: __integerMin0Max2147483647;
   }
@@ -2041,35 +2044,35 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     DialogueIntelligence?: Eac3AtmosDialogueIntelligence;
     /**
-     * Specify whether MediaConvert should use any downmix metadata from your input file. Keep the default value, Custom (SPECIFIED) to provide downmix values in your job settings. Choose Follow source (INITIALIZE_FROM_SOURCE) to use the metadata from your input. Related settings--Use these settings to specify your downmix values: Left only/Right only surround (LoRoSurroundMixLevel), Left total/Right total surround (LtRtSurroundMixLevel), Left total/Right total center (LtRtCenterMixLevel), Left only/Right only center (LoRoCenterMixLevel), and Stereo downmix (StereoDownmix). When you keep Custom (SPECIFIED) for Downmix control (DownmixControl) and you don't specify values for the related settings, MediaConvert uses default values for those settings.
+     * Specify whether MediaConvert should use any downmix metadata from your input file. Keep the default value, Custom to provide downmix values in your job settings. Choose Follow source to use the metadata from your input. Related settings--Use these settings to specify your downmix values: Left only/Right only surround, Left total/Right total surround, Left total/Right total center, Left only/Right only center, and Stereo downmix. When you keep Custom for Downmix control and you don't specify values for the related settings, MediaConvert uses default values for those settings.
      */
     DownmixControl?: Eac3AtmosDownmixControl;
     /**
-     * Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the line operating mode. Default value: Film light (ATMOS_STORAGE_DDP_COMPR_FILM_LIGHT) Related setting: To have MediaConvert use the value you specify here, keep the default value, Custom (SPECIFIED) for the setting Dynamic range control (DynamicRangeControl). Otherwise, MediaConvert ignores Dynamic range compression line (DynamicRangeCompressionLine). For information about the Dolby DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the line operating mode. Default value: Film light Related setting: To have MediaConvert use the value you specify here, keep the default value, Custom for the setting Dynamic range control. Otherwise, MediaConvert ignores Dynamic range compression line. For information about the Dolby DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionLine?: Eac3AtmosDynamicRangeCompressionLine;
     /**
-     * Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the RF operating mode. Default value: Film light (ATMOS_STORAGE_DDP_COMPR_FILM_LIGHT) Related setting: To have MediaConvert use the value you specify here, keep the default value, Custom (SPECIFIED) for the setting Dynamic range control (DynamicRangeControl). Otherwise, MediaConvert ignores Dynamic range compression RF (DynamicRangeCompressionRf). For information about the Dolby DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby stream for the RF operating mode. Default value: Film light Related setting: To have MediaConvert use the value you specify here, keep the default value, Custom for the setting Dynamic range control. Otherwise, MediaConvert ignores Dynamic range compression RF. For information about the Dolby DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionRf?: Eac3AtmosDynamicRangeCompressionRf;
     /**
-     * Specify whether MediaConvert should use any dynamic range control metadata from your input file. Keep the default value, Custom (SPECIFIED), to provide dynamic range control values in your job settings. Choose Follow source (INITIALIZE_FROM_SOURCE) to use the metadata from your input. Related settings--Use these settings to specify your dynamic range control values: Dynamic range compression line (DynamicRangeCompressionLine) and Dynamic range compression RF (DynamicRangeCompressionRf). When you keep the value Custom (SPECIFIED) for Dynamic range control (DynamicRangeControl) and you don't specify values for the related settings, MediaConvert uses default values for those settings.
+     * Specify whether MediaConvert should use any dynamic range control metadata from your input file. Keep the default value, Custom, to provide dynamic range control values in your job settings. Choose Follow source to use the metadata from your input. Related settings--Use these settings to specify your dynamic range control values: Dynamic range compression line and Dynamic range compression RF. When you keep the value Custom for Dynamic range control and you don't specify values for the related settings, MediaConvert uses default values for those settings.
      */
     DynamicRangeControl?: Eac3AtmosDynamicRangeControl;
     /**
-     * Specify a value for the following Dolby Atmos setting: Left only/Right only center mix (Lo/Ro center). MediaConvert uses this value for downmixing. Default value: -3 dB (ATMOS_STORAGE_DDP_MIXLEV_MINUS_3_DB). Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Related setting: To have MediaConvert use this value, keep the default value, Custom (SPECIFIED) for the setting Downmix control (DownmixControl). Otherwise, MediaConvert ignores Left only/Right only center (LoRoCenterMixLevel).
+     * Specify a value for the following Dolby Atmos setting: Left only/Right only center mix (Lo/Ro center). MediaConvert uses this value for downmixing. Default value: -3 dB. Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Left only/Right only center.
      */
     LoRoCenterMixLevel?: __doubleMinNegative6Max3;
     /**
-     * Specify a value for the following Dolby Atmos setting: Left only/Right only (Lo/Ro surround). MediaConvert uses this value for downmixing. Default value: -3 dB (ATMOS_STORAGE_DDP_MIXLEV_MINUS_3_DB). Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Related setting: To have MediaConvert use this value, keep the default value, Custom (SPECIFIED) for the setting Downmix control (DownmixControl). Otherwise, MediaConvert ignores Left only/Right only surround (LoRoSurroundMixLevel).
+     * Specify a value for the following Dolby Atmos setting: Left only/Right only. MediaConvert uses this value for downmixing. Default value: -3 dB. Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Left only/Right only surround.
      */
     LoRoSurroundMixLevel?: __doubleMinNegative60MaxNegative1;
     /**
-     * Specify a value for the following Dolby Atmos setting: Left total/Right total center mix (Lt/Rt center). MediaConvert uses this value for downmixing. Default value: -3 dB (ATMOS_STORAGE_DDP_MIXLEV_MINUS_3_DB) Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Related setting: To have MediaConvert use this value, keep the default value, Custom (SPECIFIED) for the setting Downmix control (DownmixControl). Otherwise, MediaConvert ignores Left total/Right total center (LtRtCenterMixLevel).
+     * Specify a value for the following Dolby Atmos setting: Left total/Right total center mix (Lt/Rt center). MediaConvert uses this value for downmixing. Default value: -3 dB Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, and -6.0. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Left total/Right total center.
      */
     LtRtCenterMixLevel?: __doubleMinNegative6Max3;
     /**
-     * Specify a value for the following Dolby Atmos setting: Left total/Right total surround mix (Lt/Rt surround). MediaConvert uses this value for downmixing. Default value: -3 dB (ATMOS_STORAGE_DDP_MIXLEV_MINUS_3_DB) Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix (Eac3AtmosStereoDownmix). Related setting: To have MediaConvert use this value, keep the default value, Custom (SPECIFIED) for the setting Downmix control (DownmixControl). Otherwise, the service ignores Left total/Right total surround (LtRtSurroundMixLevel).
+     * Specify a value for the following Dolby Atmos setting: Left total/Right total surround mix (Lt/Rt surround). MediaConvert uses this value for downmixing. Default value: -3 dB Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. Related setting: How the service uses this value depends on the value that you choose for Stereo downmix. Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, the service ignores Left total/Right total surround.
      */
     LtRtSurroundMixLevel?: __doubleMinNegative60MaxNegative1;
     /**
@@ -2085,7 +2088,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     SpeechThreshold?: __integerMin0Max100;
     /**
-     * Choose how the service does stereo downmixing. Default value: Not indicated (ATMOS_STORAGE_DDP_DMIXMOD_NOT_INDICATED) Related setting: To have MediaConvert use this value, keep the default value, Custom (SPECIFIED) for the setting Downmix control (DownmixControl). Otherwise, MediaConvert ignores Stereo downmix (StereoDownmix).
+     * Choose how the service does stereo downmixing. Default value: Not indicated Related setting: To have MediaConvert use this value, keep the default value, Custom for the setting Downmix control. Otherwise, MediaConvert ignores Stereo downmix.
      */
     StereoDownmix?: Eac3AtmosStereoDownmix;
     /**
@@ -2132,11 +2135,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Dialnorm?: __integerMin1Max31;
     /**
-     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the line operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile (DynamicRangeCompressionProfile). For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the line operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile. For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionLine?: Eac3DynamicRangeCompressionLine;
     /**
-     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the RF operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile (DynamicRangeCompressionProfile). For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
+     * Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the Dolby Digital stream for the RF operating mode. Related setting: When you use this setting, MediaConvert ignores any value you provide for Dynamic range compression profile. For information about the Dolby Digital DRC operating modes and profiles, see the Dynamic Range Control chapter of the Dolby Metadata Guide at https://developer.dolby.com/globalassets/professional/documents/dolby-metadata-guide.pdf.
      */
     DynamicRangeCompressionRf?: Eac3DynamicRangeCompressionRf;
     /**
@@ -2148,19 +2151,19 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     LfeFilter?: Eac3LfeFilter;
     /**
-     * Specify a value for the following Dolby Digital Plus setting: Left only/Right only center mix (Lo/Ro center). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left only/Right only center (loRoCenterMixLevel).
+     * Specify a value for the following Dolby Digital Plus setting: Left only/Right only center mix. MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix. Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs for the setting Coding mode. If you choose a different value for Coding mode, the service ignores Left only/Right only center.
      */
     LoRoCenterMixLevel?: __doubleMinNegative60Max3;
     /**
-     * Specify a value for the following Dolby Digital Plus setting: Left only/Right only (Lo/Ro surround). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left only/Right only surround (loRoSurroundMixLevel).
+     * Specify a value for the following Dolby Digital Plus setting: Left only/Right only. MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix. Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs for the setting Coding mode. If you choose a different value for Coding mode, the service ignores Left only/Right only surround.
      */
     LoRoSurroundMixLevel?: __doubleMinNegative60MaxNegative1;
     /**
-     * Specify a value for the following Dolby Digital Plus setting: Left total/Right total center mix (Lt/Rt center). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left total/Right total center (ltRtCenterMixLevel).
+     * Specify a value for the following Dolby Digital Plus setting: Left total/Right total center mix. MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix. Valid values: 3.0, 1.5, 0.0, -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs for the setting Coding mode. If you choose a different value for Coding mode, the service ignores Left total/Right total center.
      */
     LtRtCenterMixLevel?: __doubleMinNegative60Max3;
     /**
-     * Specify a value for the following Dolby Digital Plus setting: Left total/Right total surround mix (Lt/Rt surround). MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix (Eac3StereoDownmix). Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Left total/Right total surround (ltRtSurroundMixLevel).
+     * Specify a value for the following Dolby Digital Plus setting: Left total/Right total surround mix. MediaConvert uses this value for downmixing. How the service uses this value depends on the value that you choose for Stereo downmix. Valid values: -1.5, -3.0, -4.5, -6.0, and -60. The value -60 mutes the channel. This setting applies only if you keep the default value of 3/2 - L, R, C, Ls, Rs for the setting Coding mode. If you choose a different value for Coding mode, the service ignores Left total/Right total surround.
      */
     LtRtSurroundMixLevel?: __doubleMinNegative60MaxNegative1;
     /**
@@ -2180,7 +2183,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     SampleRate?: __integerMin48000Max48000;
     /**
-     * Choose how the service does stereo downmixing. This setting only applies if you keep the default value of 3/2 - L, R, C, Ls, Rs (CODING_MODE_3_2) for the setting Coding mode (Eac3CodingMode). If you choose a different value for Coding mode, the service ignores Stereo downmix (Eac3StereoDownmix).
+     * Choose how the service does stereo downmixing. This setting only applies if you keep the default value of 3/2 - L, R, C, Ls, Rs for the setting Coding mode. If you choose a different value for Coding mode, the service ignores Stereo downmix.
      */
     StereoDownmix?: Eac3StereoDownmix;
     /**
@@ -2202,13 +2205,13 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Destination608ChannelNumber?: __integerMin1Max4;
     /**
-     * Ignore this setting unless your input captions are SCC format and you want both 608 and 708 captions embedded in your output stream. Optionally, specify the 708 service number for each output captions channel. Choose a different number for each channel. To use this setting, also set Force 608 to 708 upconvert (Convert608To708) to Upconvert (UPCONVERT) in your input captions selector settings. If you choose to upconvert but don't specify a 708 service number, MediaConvert uses the number that you specify for CC channel number (destination608ChannelNumber) for the 708 service number. For more information, see https://docs.aws.amazon.com/console/mediaconvert/dual-scc-to-embedded.
+     * Ignore this setting unless your input captions are SCC format and you want both 608 and 708 captions embedded in your output stream. Optionally, specify the 708 service number for each output captions channel. Choose a different number for each channel. To use this setting, also set Force 608 to 708 upconvert to Upconvert in your input captions selector settings. If you choose to upconvert but don't specify a 708 service number, MediaConvert uses the number that you specify for CC channel number for the 708 service number. For more information, see https://docs.aws.amazon.com/console/mediaconvert/dual-scc-to-embedded.
      */
     Destination708ServiceNumber?: __integerMin1Max6;
   }
   export interface EmbeddedSourceSettings {
     /**
-     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert (UPCONVERT), MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
+     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert, MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
      */
     Convert608To708?: EmbeddedConvert608To708;
     /**
@@ -2240,7 +2243,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
   }
   export interface EsamSettings {
     /**
-     * Specifies an ESAM ManifestConfirmConditionNotification XML as per OC-SP-ESAM-API-I03-131025. The transcoder uses the manifest conditioning instructions that you provide in the setting MCC XML (mccXml).
+     * Specifies an ESAM ManifestConfirmConditionNotification XML as per OC-SP-ESAM-API-I03-131025. The transcoder uses the manifest conditioning instructions that you provide in the setting MCC XML.
      */
     ManifestConfirmConditionNotification?: EsamManifestConfirmConditionNotification;
     /**
@@ -2248,13 +2251,13 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ResponseSignalPreroll?: __integerMin0Max30000;
     /**
-     * Specifies an ESAM SignalProcessingNotification XML as per OC-SP-ESAM-API-I03-131025. The transcoder uses the signal processing instructions that you provide in the setting SCC XML (sccXml).
+     * Specifies an ESAM SignalProcessingNotification XML as per OC-SP-ESAM-API-I03-131025. The transcoder uses the signal processing instructions that you provide in the setting SCC XML.
      */
     SignalProcessingNotification?: EsamSignalProcessingNotification;
   }
   export interface EsamSignalProcessingNotification {
     /**
-     * Provide your ESAM SignalProcessingNotification XML document inside your JSON job settings. Form the XML document as per OC-SP-ESAM-API-I03-131025. The transcoder will use the signal processing instructions in the message that you supply. Provide your ESAM SignalProcessingNotification XML document inside your JSON job settings. For your MPEG2-TS file outputs, if you want the service to place SCTE-35 markers at the insertion points you specify in the XML document, you must also enable SCTE-35 ESAM (scte35Esam). Note that you can either specify an ESAM XML document or enable SCTE-35 passthrough. You can't do both.
+     * Provide your ESAM SignalProcessingNotification XML document inside your JSON job settings. Form the XML document as per OC-SP-ESAM-API-I03-131025. The transcoder will use the signal processing instructions in the message that you supply. For your MPEG2-TS file outputs, if you want the service to place SCTE-35 markers at the insertion points you specify in the XML document, you must also enable SCTE-35 ESAM. Note that you can either specify an ESAM XML document or enable SCTE-35 passthrough. You can't do both.
      */
     SccXml?: __stringPatternSNSignalProcessingNotificationNS;
   }
@@ -2277,7 +2280,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
   }
   export interface FileGroupSettings {
     /**
-     * Use Destination (Destination) to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
+     * Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
      */
     Destination?: __stringPatternS3;
     /**
@@ -2288,7 +2291,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
   export type FileSourceConvert608To708 = "UPCONVERT"|"DISABLED"|string;
   export interface FileSourceSettings {
     /**
-     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert (UPCONVERT), MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
+     * Specify whether this set of input captions appears in your outputs in both 608 and 708 format. If you choose Upconvert, MediaConvert includes the captions data in two ways: it passes the 608 data through using the 608 compatibility bytes fields of the 708 wrapper, and it also translates the 608 data into 708.
      */
     Convert608To708?: FileSourceConvert608To708;
     /**
@@ -2296,7 +2299,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ConvertPaintToPop?: CaptionSourceConvertPaintOnToPopOn;
     /**
-     * Ignore this setting unless your input captions format is SCC. To have the service compensate for differing frame rates between your input captions and input video, specify the frame rate of the captions file. Specify this value as a fraction. When you work directly in your JSON job specification, use the settings framerateNumerator and framerateDenominator. For example, you might specify 24 / 1 for 24 fps, 25 / 1 for 25 fps, 24000 / 1001 for 23.976 fps, or 30000 / 1001 for 29.97 fps.
+     * Ignore this setting unless your input captions format is SCC. To have the service compensate for differing frame rates between your input captions and input video, specify the frame rate of the captions file. Specify this value as a fraction. For example, you might specify 24 / 1 for 24 fps, 25 / 1 for 25 fps, 24000 / 1001 for 23.976 fps, or 30000 / 1001 for 29.97 fps.
      */
     Framerate?: CaptionSourceFramerate;
     /**
@@ -2304,11 +2307,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     SourceFile?: __stringMin14PatternS3SccSCCTtmlTTMLDfxpDFXPStlSTLSrtSRTXmlXMLSmiSMIVttVTTWebvttWEBVTTHttpsSccSCCTtmlTTMLDfxpDFXPStlSTLSrtSRTXmlXMLSmiSMIVttVTTWebvttWEBVTT;
     /**
-     * Optional. Use this setting when you need to adjust the sync between your sidecar captions and your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/time-delta-use-cases.html. Enter a positive or negative number to modify the times in the captions file. For example, type 15 to add 15 seconds to all the times in the captions file. Type -5 to subtract 5 seconds from the times in the captions file. You can optionally specify your time delta in milliseconds instead of seconds. When you do so, set the related setting, Time delta units (TimeDeltaUnits) to Milliseconds (MILLISECONDS). Note that, when you specify a time delta for timecode-based caption sources, such as SCC and STL, and your time delta isn't a multiple of the input frame rate, MediaConvert snaps the captions to the nearest frame. For example, when your input video frame rate is 25 fps and you specify 1010ms for time delta, MediaConvert delays your captions by 1000 ms.
+     * Optional. Use this setting when you need to adjust the sync between your sidecar captions and your video. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/time-delta-use-cases.html. Enter a positive or negative number to modify the times in the captions file. For example, type 15 to add 15 seconds to all the times in the captions file. Type -5 to subtract 5 seconds from the times in the captions file. You can optionally specify your time delta in milliseconds instead of seconds. When you do so, set the related setting, Time delta units to Milliseconds. Note that, when you specify a time delta for timecode-based caption sources, such as SCC and STL, and your time delta isn't a multiple of the input frame rate, MediaConvert snaps the captions to the nearest frame. For example, when your input video frame rate is 25 fps and you specify 1010ms for time delta, MediaConvert delays your captions by 1000 ms.
      */
     TimeDelta?: __integerMinNegative2147483648Max2147483647;
     /**
-     * When you use the setting Time delta (TimeDelta) to adjust the sync between your sidecar captions and your video, use this setting to specify the units for the delta that you specify. When you don't specify a value for Time delta units (TimeDeltaUnits), MediaConvert uses seconds by default.
+     * When you use the setting Time delta to adjust the sync between your sidecar captions and your video, use this setting to specify the units for the delta that you specify. When you don't specify a value for Time delta units, MediaConvert uses seconds by default.
      */
     TimeDeltaUnits?: FileSourceTimeDeltaUnits;
   }
@@ -2418,7 +2421,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     MaxAverageBitrate?: __integerMin1000Max1152000000;
     /**
-     * Use this setting only when you set Rate control mode (RateControlMode) to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
+     * Use this setting only when you set Rate control mode to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
      */
     QvbrQualityLevel?: __integerMin1Max10;
     /**
@@ -2432,7 +2435,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
   export type H264SceneChangeDetect = "DISABLED"|"ENABLED"|"TRANSITION_DETECTION"|string;
   export interface H264Settings {
     /**
-     * Keep the default value, Auto (AUTO), for this setting to have MediaConvert automatically apply the best types of quantization for your video content. When you want to apply your quantization settings manually, you must set H264AdaptiveQuantization to a value other than Auto (AUTO). Use this setting to specify the strength of any adaptive quantization filters that you enable. If you don't want MediaConvert to do any adaptive quantization in this transcode, set Adaptive quantization (H264AdaptiveQuantization) to Off (OFF). Related settings: The value that you choose here applies to the following settings: H264FlickerAdaptiveQuantization, H264SpatialAdaptiveQuantization, and H264TemporalAdaptiveQuantization.
+     * Keep the default value, Auto, for this setting to have MediaConvert automatically apply the best types of quantization for your video content. When you want to apply your quantization settings manually, you must set H264AdaptiveQuantization to a value other than Auto. Use this setting to specify the strength of any adaptive quantization filters that you enable. If you don't want MediaConvert to do any adaptive quantization in this transcode, set Adaptive quantization to Off. Related settings: The value that you choose here applies to the following settings: H264FlickerAdaptiveQuantization, H264SpatialAdaptiveQuantization, and H264TemporalAdaptiveQuantization.
      */
     AdaptiveQuantization?: H264AdaptiveQuantization;
     /**
@@ -2444,7 +2447,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Bitrate?: __integerMin1000Max1152000000;
     /**
-     * Specify an H.264 level that is consistent with your output video settings. If you aren't sure what level to specify, choose Auto (AUTO).
+     * Specify an H.264 level that is consistent with your output video settings. If you aren't sure what level to specify, choose Auto.
      */
     CodecLevel?: H264CodecLevel;
     /**
@@ -2460,15 +2463,15 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     EntropyEncoding?: H264EntropyEncoding;
     /**
-     * The video encoding method for your MPEG-4 AVC output. Keep the default value, PAFF, to have MediaConvert use PAFF encoding for interlaced outputs. Choose Force field (FORCE_FIELD) to disable PAFF encoding and create separate interlaced fields. Choose MBAFF to disable PAFF and have MediaConvert use MBAFF encoding for interlaced outputs.
+     * The video encoding method for your MPEG-4 AVC output. Keep the default value, PAFF, to have MediaConvert use PAFF encoding for interlaced outputs. Choose Force field to disable PAFF encoding and create separate interlaced fields. Choose MBAFF to disable PAFF and have MediaConvert use MBAFF encoding for interlaced outputs.
      */
     FieldEncoding?: H264FieldEncoding;
     /**
-     * Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264FlickerAdaptiveQuantization is Disabled (DISABLED). Change this value to Enabled (ENABLED) to reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. To manually enable or disable H264FlickerAdaptiveQuantization, you must set Adaptive quantization (H264AdaptiveQuantization) to a value other than AUTO.
+     * Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264FlickerAdaptiveQuantization is Disabled. Change this value to Enabled to reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. To manually enable or disable H264FlickerAdaptiveQuantization, you must set Adaptive quantization to a value other than AUTO.
      */
     FlickerAdaptiveQuantization?: H264FlickerAdaptiveQuantization;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: H264FramerateControl;
     /**
@@ -2488,15 +2491,15 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     GopBReference?: H264GopBReference;
     /**
-     * Specify the relative frequency of open to closed GOPs in this output. For example, if you want to allow four open GOPs and then require a closed GOP, set this value to 5. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, keep the default value by leaving this setting out of your JSON job specification. In the console, do this by keeping the default empty value. If you do explicitly specify a value, for segmented outputs, don't set this value to 0.
+     * Specify the relative frequency of open to closed GOPs in this output. For example, if you want to allow four open GOPs and then require a closed GOP, set this value to 5. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. In the console, do this by keeping the default empty value. If you do explicitly specify a value, for segmented outputs, don't set this value to 0.
      */
     GopClosedCadence?: __integerMin0Max2147483647;
     /**
-     * Use this setting only when you set GOP mode control (GopSizeUnits) to Specified, frames (FRAMES) or Specified, seconds (SECONDS). Specify the GOP length using a whole number of frames or a decimal value of seconds. MediaConvert will interpret this value as frames or seconds depending on the value you choose for GOP mode control (GopSizeUnits). If you want to allow MediaConvert to automatically determine GOP size, leave GOP size blank and set GOP mode control to Auto (AUTO). If your output group specifies HLS, DASH, or CMAF, leave GOP size blank and set GOP mode control to Auto in each output in your output group.
+     * Use this setting only when you set GOP mode control to Specified, frames or Specified, seconds. Specify the GOP length using a whole number of frames or a decimal value of seconds. MediaConvert will interpret this value as frames or seconds depending on the value you choose for GOP mode control. If you want to allow MediaConvert to automatically determine GOP size, leave GOP size blank and set GOP mode control to Auto. If your output group specifies HLS, DASH, or CMAF, leave GOP size blank and set GOP mode control to Auto in each output in your output group.
      */
     GopSize?: __doubleMin0;
     /**
-     * Specify how the transcoder determines GOP size for this output. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, choose Auto (AUTO) and and leave GOP size (GopSize) blank. By default, if you don't specify GOP mode control (GopSizeUnits), MediaConvert will use automatic behavior. If your output group specifies HLS, DASH, or CMAF, set GOP mode control to Auto and leave GOP size blank in each output in your output group. To explicitly specify the GOP length, choose Specified, frames (FRAMES) or Specified, seconds (SECONDS) and then provide the GOP length in the related setting GOP size (GopSize).
+     * Specify how the transcoder determines GOP size for this output. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, choose Auto and and leave GOP size blank. By default, if you don't specify GOP mode control, MediaConvert will use automatic behavior. If your output group specifies HLS, DASH, or CMAF, set GOP mode control to Auto and leave GOP size blank in each output in your output group. To explicitly specify the GOP length, choose Specified, frames or Specified, seconds and then provide the GOP length in the related setting GOP size.
      */
     GopSizeUnits?: H264GopSizeUnits;
     /**
@@ -2512,7 +2515,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     HrdBufferSize?: __integerMin0Max1152000000;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: H264InterlaceMode;
     /**
@@ -2520,7 +2523,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     MaxBitrate?: __integerMin1000Max1152000000;
     /**
-     * Use this setting only when you also enable Scene change detection (SceneChangeDetect). This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, keep the default value by leaving this setting out of your JSON job specification. In the console, do this by keeping the default empty value. When you explicitly specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval (minIInterval) to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
+     * Use this setting only when you also enable Scene change detection. This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, do this by keeping the default empty value. When you explicitly specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
      */
     MinIInterval?: __integerMin0Max30;
     /**
@@ -2532,15 +2535,15 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     NumberReferenceFrames?: __integerMin1Max6;
     /**
-     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
+     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source, uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
      */
     ParControl?: H264ParControl;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: __integerMin1Max2147483647;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: __integerMin1Max2147483647;
     /**
@@ -2548,7 +2551,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     QualityTuningLevel?: H264QualityTuningLevel;
     /**
-     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode (RateControlMode).
+     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode.
      */
     QvbrSettings?: H264QvbrSettings;
     /**
@@ -2560,11 +2563,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     RepeatPps?: H264RepeatPps;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: H264ScanTypeConversionMode;
     /**
-     * Enable this setting to insert I-frames at scene changes that the service automatically detects. This improves video quality and is enabled by default. If this output uses QVBR, choose Transition detection (TRANSITION_DETECTION) for further video quality improvement. For more information about QVBR, see https://docs.aws.amazon.com/console/mediaconvert/cbr-vbr-qvbr.
+     * Enable this setting to insert I-frames at scene changes that the service automatically detects. This improves video quality and is enabled by default. If this output uses QVBR, choose Transition detection for further video quality improvement. For more information about QVBR, see https://docs.aws.amazon.com/console/mediaconvert/cbr-vbr-qvbr.
      */
     SceneChangeDetect?: H264SceneChangeDetect;
     /**
@@ -2572,15 +2575,15 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Slices?: __integerMin1Max32;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25.
      */
     SlowPal?: H264SlowPal;
     /**
-     * Ignore this setting unless you need to comply with a specification that requires a specific value. If you don't have a specification requirement, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness (sharpness) or by enabling a noise reducer filter (noiseReducerFilter). The Softness (softness) setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, for flat quantization. Choose the value 1 or 16 to use the default JVT softening quantization matricies from the H.264 specification. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
+     * Ignore this setting unless you need to comply with a specification that requires a specific value. If you don't have a specification requirement, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness or by enabling a noise reducer filter. The Softness setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, for flat quantization. Choose the value 1 or 16 to use the default JVT softening quantization matricies from the H.264 specification. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
      */
     Softness?: __integerMin0Max128;
     /**
-     * Only use this setting when you change the default value, Auto (AUTO), for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264SpatialAdaptiveQuantization is Enabled (ENABLED). Keep this default value to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to set H264SpatialAdaptiveQuantization to Disabled (DISABLED). Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (H264AdaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher. To manually enable or disable H264SpatialAdaptiveQuantization, you must set Adaptive quantization (H264AdaptiveQuantization) to a value other than AUTO.
+     * Only use this setting when you change the default value, Auto, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264SpatialAdaptiveQuantization is Enabled. Keep this default value to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to set H264SpatialAdaptiveQuantization to Disabled. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher. To manually enable or disable H264SpatialAdaptiveQuantization, you must set Adaptive quantization to a value other than AUTO.
      */
     SpatialAdaptiveQuantization?: H264SpatialAdaptiveQuantization;
     /**
@@ -2588,11 +2591,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Syntax?: H264Syntax;
     /**
-     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture. Hard telecine (HARD) produces a 29.97i output. Soft telecine (SOFT) produces an output with a 23.976 output that signals to the video player device to do the conversion during play back. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
+     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture. Hard telecine produces a 29.97i output. Soft telecine produces an output with a 23.976 output that signals to the video player device to do the conversion during play back. When you keep the default value, None, MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
      */
     Telecine?: H264Telecine;
     /**
-     * Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264TemporalAdaptiveQuantization is Enabled (ENABLED). Keep this default value to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to set H264TemporalAdaptiveQuantization to Disabled (DISABLED). Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization (adaptiveQuantization). To manually enable or disable H264TemporalAdaptiveQuantization, you must set Adaptive quantization (H264AdaptiveQuantization) to a value other than AUTO.
+     * Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization. When you keep all defaults, excluding H264AdaptiveQuantization and all other adaptive quantization from your JSON job specification, MediaConvert automatically applies the best types of quantization for your video content. When you set H264AdaptiveQuantization to a value other than AUTO, the default value for H264TemporalAdaptiveQuantization is Enabled. Keep this default value to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to set H264TemporalAdaptiveQuantization to Disabled. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization. To manually enable or disable H264TemporalAdaptiveQuantization, you must set Adaptive quantization to a value other than AUTO.
      */
     TemporalAdaptiveQuantization?: H264TemporalAdaptiveQuantization;
     /**
@@ -2625,7 +2628,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     MaxAverageBitrate?: __integerMin1000Max1466400000;
     /**
-     * Use this setting only when you set Rate control mode (RateControlMode) to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
+     * Use this setting only when you set Rate control mode to QVBR. Specify the target quality level for this output. MediaConvert determines the right number of bits to use for each part of the video to maintain the video quality that you specify. When you keep the default value, AUTO, MediaConvert picks a quality level for you, based on characteristics of your input video. If you prefer to specify a quality level, specify a number from 1 through 10. Use higher numbers for greater quality. Level 10 results in nearly lossless compression. The quality level for most broadcast-quality transcodes is between 6 and 9. Optionally, to specify a value between whole numbers, also provide a value for the setting qvbrQualityLevelFineTune. For example, if you want your QVBR quality level to be 7.33, set qvbrQualityLevel to 7 and set qvbrQualityLevelFineTune to .33.
      */
     QvbrQualityLevel?: __integerMin1Max10;
     /**
@@ -2639,7 +2642,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
   export type H265SceneChangeDetect = "DISABLED"|"ENABLED"|"TRANSITION_DETECTION"|string;
   export interface H265Settings {
     /**
-     * When you set Adaptive Quantization (H265AdaptiveQuantization) to Auto (AUTO), or leave blank, MediaConvert automatically applies quantization to improve the video quality of your output. Set Adaptive Quantization to Low (LOW), Medium (MEDIUM), High (HIGH), Higher (HIGHER), or Max (MAX) to manually control the strength of the quantization filter. When you do, you can specify a value for Spatial Adaptive Quantization (H265SpatialAdaptiveQuantization), Temporal Adaptive Quantization (H265TemporalAdaptiveQuantization), and Flicker Adaptive Quantization (H265FlickerAdaptiveQuantization), to further control the quantization filter. Set Adaptive Quantization to Off (OFF) to apply no quantization to your output.
+     * When you set Adaptive Quantization to Auto, or leave blank, MediaConvert automatically applies quantization to improve the video quality of your output. Set Adaptive Quantization to Low, Medium, High, Higher, or Max to manually control the strength of the quantization filter. When you do, you can specify a value for Spatial Adaptive Quantization, Temporal Adaptive Quantization, and Flicker Adaptive Quantization, to further control the quantization filter. Set Adaptive Quantization to Off to apply no quantization to your output.
      */
     AdaptiveQuantization?: H265AdaptiveQuantization;
     /**
@@ -2667,11 +2670,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     DynamicSubGop?: H265DynamicSubGop;
     /**
-     * Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set adaptiveQuantization to a value other than Off (OFF).
+     * Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set adaptiveQuantization to a value other than Off.
      */
     FlickerAdaptiveQuantization?: H265FlickerAdaptiveQuantization;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * Use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: H265FramerateControl;
     /**
@@ -2691,15 +2694,15 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     GopBReference?: H265GopBReference;
     /**
-     * Specify the relative frequency of open to closed GOPs in this output. For example, if you want to allow four open GOPs and then require a closed GOP, set this value to 5. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, keep the default value by leaving this setting out of your JSON job specification. In the console, do this by keeping the default empty value. If you do explicitly specify a value, for segmented outputs, don't set this value to 0.
+     * Specify the relative frequency of open to closed GOPs in this output. For example, if you want to allow four open GOPs and then require a closed GOP, set this value to 5. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, do this by keeping the default empty value. If you do explicitly specify a value, for segmented outputs, don't set this value to 0.
      */
     GopClosedCadence?: __integerMin0Max2147483647;
     /**
-     * Use this setting only when you set GOP mode control (GopSizeUnits) to Specified, frames (FRAMES) or Specified, seconds (SECONDS). Specify the GOP length using a whole number of frames or a decimal value of seconds. MediaConvert will interpret this value as frames or seconds depending on the value you choose for GOP mode control (GopSizeUnits). If you want to allow MediaConvert to automatically determine GOP size, leave GOP size blank and set GOP mode control to Auto (AUTO). If your output group specifies HLS, DASH, or CMAF, leave GOP size blank and set GOP mode control to Auto in each output in your output group.
+     * Use this setting only when you set GOP mode control to Specified, frames or Specified, seconds. Specify the GOP length using a whole number of frames or a decimal value of seconds. MediaConvert will interpret this value as frames or seconds depending on the value you choose for GOP mode control. If you want to allow MediaConvert to automatically determine GOP size, leave GOP size blank and set GOP mode control to Auto. If your output group specifies HLS, DASH, or CMAF, leave GOP size blank and set GOP mode control to Auto in each output in your output group.
      */
     GopSize?: __doubleMin0;
     /**
-     * Specify how the transcoder determines GOP size for this output. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, choose Auto (AUTO) and and leave GOP size (GopSize) blank. By default, if you don't specify GOP mode control (GopSizeUnits), MediaConvert will use automatic behavior. If your output group specifies HLS, DASH, or CMAF, set GOP mode control to Auto and leave GOP size blank in each output in your output group. To explicitly specify the GOP length, choose Specified, frames (FRAMES) or Specified, seconds (SECONDS) and then provide the GOP length in the related setting GOP size (GopSize).
+     * Specify how the transcoder determines GOP size for this output. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, choose Auto and and leave GOP size blank. By default, if you don't specify GOP mode control, MediaConvert will use automatic behavior. If your output group specifies HLS, DASH, or CMAF, set GOP mode control to Auto and leave GOP size blank in each output in your output group. To explicitly specify the GOP length, choose Specified, frames or Specified, seconds and then provide the GOP length in the related setting GOP size.
      */
     GopSizeUnits?: H265GopSizeUnits;
     /**
@@ -2715,7 +2718,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     HrdBufferSize?: __integerMin0Max1466400000;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: H265InterlaceMode;
     /**
@@ -2723,7 +2726,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     MaxBitrate?: __integerMin1000Max1466400000;
     /**
-     * Use this setting only when you also enable Scene change detection (SceneChangeDetect). This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, keep the default value by leaving this setting out of your JSON job specification. In the console, do this by keeping the default empty value. When you explicitly specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval (minIInterval) to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
+     * Use this setting only when you also enable Scene change detection. This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. We recommend that you have the transcoder automatically choose this value for you based on characteristics of your input video. To enable this automatic behavior, do this by keeping the default empty value. When you explicitly specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
      */
     MinIInterval?: __integerMin0Max30;
     /**
@@ -2735,23 +2738,23 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     NumberReferenceFrames?: __integerMin1Max6;
     /**
-     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
+     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source, uses the PAR from your input video for your output. To specify a different PAR, choose any value other than Follow source. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
      */
     ParControl?: H265ParControl;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: __integerMin1Max2147483647;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: __integerMin1Max2147483647;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
      */
     QualityTuningLevel?: H265QualityTuningLevel;
     /**
-     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode (RateControlMode).
+     * Settings for quality-defined variable bitrate encoding with the H.265 codec. Use these settings only when you set QVBR for Rate control mode.
      */
     QvbrSettings?: H265QvbrSettings;
     /**
@@ -2763,11 +2766,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     SampleAdaptiveOffsetFilterMode?: H265SampleAdaptiveOffsetFilterMode;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: H265ScanTypeConversionMode;
     /**
-     * Enable this setting to insert I-frames at scene changes that the service automatically detects. This improves video quality and is enabled by default. If this output uses QVBR, choose Transition detection (TRANSITION_DETECTION) for further video quality improvement. For more information about QVBR, see https://docs.aws.amazon.com/console/mediaconvert/cbr-vbr-qvbr.
+     * Enable this setting to insert I-frames at scene changes that the service automatically detects. This improves video quality and is enabled by default. If this output uses QVBR, choose Transition detection for further video quality improvement. For more information about QVBR, see https://docs.aws.amazon.com/console/mediaconvert/cbr-vbr-qvbr.
      */
     SceneChangeDetect?: H265SceneChangeDetect;
     /**
@@ -2775,19 +2778,19 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Slices?: __integerMin1Max32;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25.
      */
     SlowPal?: H265SlowPal;
     /**
-     * Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (adaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
+     * Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
      */
     SpatialAdaptiveQuantization?: H265SpatialAdaptiveQuantization;
     /**
-     * This field applies only if the Streams > Advanced > Framerate (framerate) field is set to 29.970. This field works with the Streams > Advanced > Preprocessors > Deinterlacer field (deinterlace_mode) and the Streams > Advanced > Interlaced Mode field (interlace_mode) to identify the scan type for the output: Progressive, Interlaced, Hard Telecine or Soft Telecine. - Hard: produces 29.97i output from 23.976 input. - Soft: produces 23.976; the player converts this output to 29.97i.
+     * This field applies only if the Streams > Advanced > Framerate field is set to 29.970. This field works with the Streams > Advanced > Preprocessors > Deinterlacer field and the Streams > Advanced > Interlaced Mode field to identify the scan type for the output: Progressive, Interlaced, Hard Telecine or Soft Telecine. - Hard: produces 29.97i output from 23.976 input. - Soft: produces 23.976; the player converts this output to 29.97i.
      */
     Telecine?: H265Telecine;
     /**
-     * Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization (adaptiveQuantization).
+     * Keep the default value, Enabled, to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization.
      */
     TemporalAdaptiveQuantization?: H265TemporalAdaptiveQuantization;
     /**
@@ -2955,7 +2958,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     AdditionalManifests?: __listOfHlsAdditionalManifest;
     /**
-     * Ignore this setting unless you are using FairPlay DRM with Verimatrix and you encounter playback issues. Keep the default value, Include (INCLUDE), to output audio-only headers. Choose Exclude (EXCLUDE) to remove the audio-only headers from your audio segments.
+     * Ignore this setting unless you are using FairPlay DRM with Verimatrix and you encounter playback issues. Keep the default value, Include, to output audio-only headers. Choose Exclude to remove the audio-only headers from your audio segments.
      */
     AudioOnlyHeader?: HlsAudioOnlyHeader;
     /**
@@ -2971,11 +2974,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     CaptionLanguageSetting?: HlsCaptionLanguageSetting;
     /**
-     * Set Caption segment length control (CaptionSegmentLengthControl) to Match video (MATCH_VIDEO) to create caption segments that align with the video segments from the first video output in this output group. For example, if the video segments are 2 seconds long, your WebVTT segments will also be 2 seconds long. Keep the default setting, Large segments (LARGE_SEGMENTS) to create caption segments that are 300 seconds long.
+     * Set Caption segment length control to Match video to create caption segments that align with the video segments from the first video output in this output group. For example, if the video segments are 2 seconds long, your WebVTT segments will also be 2 seconds long. Keep the default setting, Large segments to create caption segments that are 300 seconds long.
      */
     CaptionSegmentLengthControl?: HlsCaptionSegmentLengthControl;
     /**
-     * Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag. Otherwise, keep the default value Enabled (ENABLED) and control caching in your video distribution set up. For example, use the Cache-Control http header.
+     * Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag. Otherwise, keep the default value Enabled and control caching in your video distribution set up. For example, use the Cache-Control http header.
      */
     ClientCache?: HlsClientCache;
     /**
@@ -2983,7 +2986,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     CodecSpecification?: HlsCodecSpecification;
     /**
-     * Use Destination (Destination) to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
+     * Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
      */
     Destination?: __stringPatternS3;
     /**
@@ -2999,7 +3002,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Encryption?: HlsEncryptionSettings;
     /**
-     * Specify whether MediaConvert generates images for trick play. Keep the default value, None (NONE), to not generate any images. Choose Thumbnail (THUMBNAIL) to generate tiled thumbnails. Choose Thumbnail and full frame (THUMBNAIL_AND_FULLFRAME) to generate tiled thumbnails and full-resolution images of single frames. MediaConvert creates a child manifest for each set of images that you generate and adds corresponding entries to the parent manifest. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
+     * Specify whether MediaConvert generates images for trick play. Keep the default value, None, to not generate any images. Choose Thumbnail to generate tiled thumbnails. Choose Thumbnail and full frame to generate tiled thumbnails and full-resolution images of single frames. MediaConvert creates a child manifest for each set of images that you generate and adds corresponding entries to the parent manifest. A common application for these images is Roku trick mode. The thumbnails and full-frame images that MediaConvert creates with this feature are compatible with this Roku specification: https://developer.roku.com/docs/developer-program/media-playback/trick-mode/hls-and-dash.md
      */
     ImageBasedTrickPlay?: HlsImageBasedTrickPlay;
     /**
@@ -3043,15 +3046,15 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     SegmentControl?: HlsSegmentControl;
     /**
-     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 10. Related settings: Use Segment length control (SegmentLengthControl) to specify whether the encoder enforces this value strictly. Use Segment control (HlsSegmentControl) to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
+     * Specify the length, in whole seconds, of each segment. When you don't specify a value, MediaConvert defaults to 10. Related settings: Use Segment length control to specify whether the encoder enforces this value strictly. Use Segment control to specify whether MediaConvert creates separate segment files or one content file that has metadata to mark the segment boundaries.
      */
     SegmentLength?: __integerMin1Max2147483647;
     /**
-     * Specify how you want MediaConvert to determine the segment length. Choose Exact (EXACT) to have the encoder use the exact length that you specify with the setting Segment length (SegmentLength). This might result in extra I-frames. Choose Multiple of GOP (GOP_MULTIPLE) to have the encoder round up the segment lengths to match the next GOP boundary.
+     * Specify how you want MediaConvert to determine the segment length. Choose Exact to have the encoder use the exact length that you specify with the setting Segment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.
      */
     SegmentLengthControl?: HlsSegmentLengthControl;
     /**
-     * Specify the number of segments to write to a subdirectory before starting a new one. You  must also set Directory structure to Subdirectory per stream for this setting to have an effect.
+     * Specify the number of segments to write to a subdirectory before starting a new one. You must also set Directory structure to Subdirectory per stream for this setting to have an effect.
      */
     SegmentsPerSubdirectory?: __integerMin1Max2147483647;
     /**
@@ -3063,11 +3066,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     TargetDurationCompatibilityMode?: HlsTargetDurationCompatibilityMode;
     /**
-     * Specify the type of the ID3 frame (timedMetadataId3Frame) to use for ID3 timestamps (timedMetadataId3Period) in your output. To include ID3 timestamps: Specify PRIV (PRIV) or TDRL (TDRL) and set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH). To exclude ID3 timestamps: Set ID3 timestamp frame type to None (NONE).
+     * Specify the type of the ID3 frame to use for ID3 timestamps in your output. To include ID3 timestamps: Specify PRIV or TDRL and set ID3 metadata to Passthrough. To exclude ID3 timestamps: Set ID3 timestamp frame type to None.
      */
     TimedMetadataId3Frame?: HlsTimedMetadataId3Frame;
     /**
-     * Specify the interval in seconds to write ID3 timestamps in your output. The first timestamp starts at the output timecode and date, and increases incrementally with each ID3 timestamp. To use the default interval of 10 seconds: Leave blank. To include this metadata in your output: Set ID3 timestamp frame type (timedMetadataId3Frame) to PRIV (PRIV) or TDRL (TDRL), and set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH).
+     * Specify the interval in seconds to write ID3 timestamps in your output. The first timestamp starts at the output timecode and date, and increases incrementally with each ID3 timestamp. To use the default interval of 10 seconds: Leave blank. To include this metadata in your output: Set ID3 timestamp frame type to PRIV or TDRL, and set ID3 metadata to Passthrough.
      */
     TimedMetadataId3Period?: __integerMinNegative2147483648Max2147483647;
     /**
@@ -3134,7 +3137,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     AudioGroupId?: __string;
     /**
-     * Use this setting only in audio-only outputs. Choose MPEG-2 Transport Stream (M2TS) to create a file in an MPEG2-TS container. Keep the default value Automatic (AUTOMATIC) to create an audio-only file in a raw container. Regardless of the value that you specify here, if this output has video, the service will place the output into an MPEG2-TS container.
+     * Use this setting only in audio-only outputs. Choose MPEG-2 Transport Stream (M2TS) to create a file in an MPEG2-TS container. Keep the default value Automatic to create an audio-only file in a raw container. Regardless of the value that you specify here, if this output has video, the service will place the output into an MPEG2-TS container.
      */
     AudioOnlyContainer?: HlsAudioOnlyContainer;
     /**
@@ -3146,11 +3149,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     AudioTrackType?: HlsAudioTrackType;
     /**
-     * Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest. When you choose Flag (FLAG), MediaConvert includes the parameter CHARACTERISTICS="public.accessibility.describes-video" in the EXT-X-MEDIA entry for this track. When you keep the default choice, Don't flag (DONT_FLAG), MediaConvert leaves this parameter out. The DVS flag can help with accessibility on Apple devices. For more information, see the Apple documentation.
+     * Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest. When you choose Flag, MediaConvert includes the parameter CHARACTERISTICS="public.accessibility.describes-video" in the EXT-X-MEDIA entry for this track. When you keep the default choice, Don't flag, MediaConvert leaves this parameter out. The DVS flag can help with accessibility on Apple devices. For more information, see the Apple documentation.
      */
     DescriptiveVideoServiceFlag?: HlsDescriptiveVideoServiceFlag;
     /**
-     * Choose Include (INCLUDE) to have MediaConvert generate a child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition. You might use this manifest as part of a workflow that creates preview functions for your video. MediaConvert adds both the I-frame only child manifest and the regular child manifest to the parent manifest. When you don't need the I-frame only child manifest, keep the default value Exclude (EXCLUDE).
+     * Choose Include to have MediaConvert generate a child manifest that lists only the I-frames for this rendition, in addition to your regular manifest for this rendition. You might use this manifest as part of a workflow that creates preview functions for your video. MediaConvert adds both the I-frame only child manifest and the regular child manifest to the parent manifest. When you don't need the I-frame only child manifest, keep the default value Exclude.
      */
     IFrameOnlyManifest?: HlsIFrameOnlyManifest;
     /**
@@ -3177,11 +3180,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
   }
   export interface Id3Insertion {
     /**
-     * Use ID3 tag (Id3) to provide a fully formed ID3 tag in base64-encode format.
+     * Use ID3 tag to provide a fully formed ID3 tag in base64-encode format.
      */
     Id3?: __stringPatternAZaZ0902;
     /**
-     * Provide a Timecode (TimeCode) in HH:MM:SS:FF or HH:MM:SS;FF format.
+     * Provide a Timecode in HH:MM:SS:FF or HH:MM:SS;FF format.
      */
     Timecode?: __stringPattern010920405090509092;
   }
@@ -3217,11 +3220,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     AdvancedInputFilterSettings?: AdvancedInputFilterSettings;
     /**
-     * Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab (AudioDescription). Note that, if you're working with embedded audio, it's simpler to assign multiple input tracks into a single audio selector rather than use an audio selector group.
+     * Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab. Note that, if you're working with embedded audio, it's simpler to assign multiple input tracks into a single audio selector rather than use an audio selector group.
      */
     AudioSelectorGroups?: __mapOfAudioSelectorGroup;
     /**
-     * Use Audio selectors (AudioSelectors) to specify a track or set of tracks from the input that you will use in your outputs. You can use multiple Audio selectors per input.
+     * Use Audio selectors to specify a track or set of tracks from the input that you will use in your outputs. You can use multiple Audio selectors per input.
      */
     AudioSelectors?: __mapOfAudioSelector;
     /**
@@ -3229,11 +3232,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     CaptionSelectors?: __mapOfCaptionSelector;
     /**
-     * Use Cropping selection (crop) to specify the video area that the service will include in the output video frame. If you specify a value here, it will override any value that you specify in the output setting Cropping selection (crop).
+     * Use Cropping selection to specify the video area that the service will include in the output video frame. If you specify a value here, it will override any value that you specify in the output setting Cropping selection.
      */
     Crop?: Rectangle;
     /**
-     * Enable Deblock (InputDeblockFilter) to produce smoother motion in the output. Default is disabled. Only manually controllable for MPEG2 and uncompressed video inputs.
+     * Enable Deblock to produce smoother motion in the output. Default is disabled. Only manually controllable for MPEG2 and uncompressed video inputs.
      */
     DeblockFilter?: InputDeblockFilter;
     /**
@@ -3241,7 +3244,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     DecryptionSettings?: InputDecryptionSettings;
     /**
-     * Enable Denoise (InputDenoiseFilter) to filter noise from the input. Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
+     * Enable Denoise to filter noise from the input. Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
      */
     DenoiseFilter?: InputDenoiseFilter;
     /**
@@ -3249,7 +3252,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     DolbyVisionMetadataXml?: __stringMin14PatternS3XmlXMLHttpsXmlXML;
     /**
-     * Specify the source file for your transcoding job. You can use multiple inputs in a single job. The service concatenates these inputs, in the order that you specify them in the job, to create the outputs. If your input format is IMF, specify your input by providing the path to your CPL. For example, "s3://bucket/vf/cpl.xml". If the CPL is in an incomplete IMP, make sure to use *Supplemental IMPs* (SupplementalImps) to specify any supplemental IMPs that contain assets referenced by the CPL.
+     * Specify the source file for your transcoding job. You can use multiple inputs in a single job. The service concatenates these inputs, in the order that you specify them in the job, to create the outputs. If your input format is IMF, specify your input by providing the path to your CPL. For example, "s3://bucket/vf/cpl.xml". If the CPL is in an incomplete IMP, make sure to use *Supplemental IMPs* to specify any supplemental IMPs that contain assets referenced by the CPL.
      */
     FileInput?: __stringPatternS3Https;
     /**
@@ -3265,23 +3268,25 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ImageInserter?: ImageInserter;
     /**
-     * (InputClippings) contains sets of start and end times that together specify a portion of the input to be used in the outputs. If you provide only a start time, the clip will be the entire input from that point to the end. If you provide only an end time, it will be the entire input up to that point. When you specify more than one input clip, the transcoding service creates the job outputs by stringing the clips together in the order you specify them.
+     * Contains sets of start and end times that together specify a portion of the input to be used in the outputs. If you provide only a start time, the clip will be the entire input from that point to the end. If you provide only an end time, it will be the entire input up to that point. When you specify more than one input clip, the transcoding service creates the job outputs by stringing the clips together in the order you specify them.
      */
     InputClippings?: __listOfInputClipping;
     /**
-     * When you have a progressive segmented frame (PsF) input, use this setting to flag the input as PsF. MediaConvert doesn't automatically detect PsF. Therefore, flagging your input as PsF results in better preservation of video quality when you do deinterlacing and frame rate conversion. If you don't specify, the default value is Auto (AUTO). Auto is the correct setting for all inputs that are not PsF. Don't set this value to PsF when your input is interlaced. Doing so creates horizontal interlacing artifacts.
+     * When you have a progressive segmented frame (PsF) input, use this setting to flag the input as PsF. MediaConvert doesn't automatically detect PsF. Therefore, flagging your input as PsF results in better preservation of video quality when you do deinterlacing and frame rate conversion. If you don't specify, the default value is Auto. Auto is the correct setting for all inputs that are not PsF. Don't set this value to PsF when your input is interlaced. Doing so creates horizontal interlacing artifacts.
      */
     InputScanType?: InputScanType;
     /**
-     * Use Selection placement (position) to define the video area in your output frame. The area outside of the rectangle that you specify here is black. If you specify a value here, it will override any value that you specify in the output setting Selection placement (position). If you specify a value here, this will override any AFD values in your input, even if you set Respond to AFD (RespondToAfd) to Respond (RESPOND). If you specify a value here, this will ignore anything that you specify for the setting Scaling Behavior (scalingBehavior).
+     * Use Selection placement to define the video area in your output frame. The area outside of the rectangle that you specify here is black. If you specify a value here, it will override any value that you specify in the output setting Selection placement. If you specify a value here, this will override any AFD values in your input, even if you set Respond to AFD to Respond. If you specify a value here, this will ignore anything that you specify for the setting Scaling Behavior.
      */
     Position?: Rectangle;
     /**
-     * Use Program (programNumber) to select a specific program from within a multi-program transport stream. Note that Quad 4K is not currently supported. Default is the first program within the transport stream. If the program you specify doesn't exist, the transcoding service will use this default.
+     * Use Program to select a specific program from within a multi-program transport stream. Note that Quad 4K is not currently supported. Default is the first program within the transport stream. If the program you specify doesn't exist, the transcoding service will use this default.
      */
     ProgramNumber?: __integerMin1Max2147483647;
     /**
-     * Set PSI control (InputPsiControl) for transport stream inputs to specify which data the demux process to scans. * Ignore PSI - Scan all PIDs for audio and video. * Use PSI - Scan only PSI data.
+     * Set PSI control for transport stream inputs to specify which data the demux process to scans.
+* Ignore PSI - Scan all PIDs for audio and video.
+* Use PSI - Scan only PSI data.
      */
     PsiControl?: InputPsiControl;
     /**
@@ -3289,11 +3294,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     SupplementalImps?: __listOf__stringPatternS3ASSETMAPXml;
     /**
-     * Use this Timecode source setting, located under the input settings (InputTimecodeSource), to specify how the service counts input video frames. This input frame count affects only the behavior of features that apply to a single input at a time, such as input clipping and synchronizing some captions formats. Choose Embedded (EMBEDDED) to use the timecodes in your input video. Choose Start at zero (ZEROBASED) to start the first frame at zero. Choose Specified start (SPECIFIEDSTART) to start the first frame at the timecode that you specify in the setting Start timecode (timecodeStart). If you don't specify a value for Timecode source, the service will use Embedded by default. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
+     * Use this Timecode source setting, located under the input settings, to specify how the service counts input video frames. This input frame count affects only the behavior of features that apply to a single input at a time, such as input clipping and synchronizing some captions formats. Choose Embedded to use the timecodes in your input video. Choose Start at zero to start the first frame at zero. Choose Specified start to start the first frame at the timecode that you specify in the setting Start timecode. If you don't specify a value for Timecode source, the service will use Embedded by default. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
      */
     TimecodeSource?: InputTimecodeSource;
     /**
-     * Specify the timecode that you want the service to use for this input's initial frame. To use this setting, you must set the Timecode source setting, located under the input settings (InputTimecodeSource), to Specified start (SPECIFIEDSTART). For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
+     * Specify the timecode that you want the service to use for this input's initial frame. To use this setting, you must set the Timecode source setting, located under the input settings, to Specified start. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
      */
     TimecodeStart?: __stringMin11Max11Pattern01D20305D205D;
     /**
@@ -3307,11 +3312,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
   }
   export interface InputClipping {
     /**
-     * Set End timecode (EndTimecode) to the end of the portion of the input you are clipping. The frame corresponding to the End timecode value is included in the clip. Start timecode or End timecode may be left blank, but not both. Use the format HH:MM:SS:FF or HH:MM:SS;FF, where HH is the hour, MM is the minute, SS is the second, and FF is the frame number. When choosing this value, take into account your setting for timecode source under input settings (InputTimecodeSource). For example, if you have embedded timecodes that start at 01:00:00:00 and you want your clip to end six minutes into the video, use 01:06:00:00.
+     * Set End timecode to the end of the portion of the input you are clipping. The frame corresponding to the End timecode value is included in the clip. Start timecode or End timecode may be left blank, but not both. Use the format HH:MM:SS:FF or HH:MM:SS;FF, where HH is the hour, MM is the minute, SS is the second, and FF is the frame number. When choosing this value, take into account your setting for timecode source under input settings. For example, if you have embedded timecodes that start at 01:00:00:00 and you want your clip to end six minutes into the video, use 01:06:00:00.
      */
     EndTimecode?: __stringPattern010920405090509092;
     /**
-     * Set Start timecode (StartTimecode) to the beginning of the portion of the input you are clipping. The frame corresponding to the Start timecode value is included in the clip. Start timecode or End timecode may be left blank, but not both. Use the format HH:MM:SS:FF or HH:MM:SS;FF, where HH is the hour, MM is the minute, SS is the second, and FF is the frame number. When choosing this value, take into account your setting for Input timecode source. For example, if you have embedded timecodes that start at 01:00:00:00 and you want your clip to begin five minutes into the video, use 01:05:00:00.
+     * Set Start timecode to the beginning of the portion of the input you are clipping. The frame corresponding to the Start timecode value is included in the clip. Start timecode or End timecode may be left blank, but not both. Use the format HH:MM:SS:FF or HH:MM:SS;FF, where HH is the hour, MM is the minute, SS is the second, and FF is the frame number. When choosing this value, take into account your setting for Input timecode source. For example, if you have embedded timecodes that start at 01:00:00:00 and you want your clip to begin five minutes into the video, use 01:05:00:00.
      */
     StartTimecode?: __stringPattern010920405090509092;
   }
@@ -3351,11 +3356,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     AdvancedInputFilterSettings?: AdvancedInputFilterSettings;
     /**
-     * Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab (AudioDescription). Note that, if you're working with embedded audio, it's simpler to assign multiple input tracks into a single audio selector rather than use an audio selector group.
+     * Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output audio tab. Note that, if you're working with embedded audio, it's simpler to assign multiple input tracks into a single audio selector rather than use an audio selector group.
      */
     AudioSelectorGroups?: __mapOfAudioSelectorGroup;
     /**
-     * Use Audio selectors (AudioSelectors) to specify a track or set of tracks from the input that you will use in your outputs. You can use multiple Audio selectors per input.
+     * Use Audio selectors to specify a track or set of tracks from the input that you will use in your outputs. You can use multiple Audio selectors per input.
      */
     AudioSelectors?: __mapOfAudioSelector;
     /**
@@ -3363,15 +3368,15 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     CaptionSelectors?: __mapOfCaptionSelector;
     /**
-     * Use Cropping selection (crop) to specify the video area that the service will include in the output video frame. If you specify a value here, it will override any value that you specify in the output setting Cropping selection (crop).
+     * Use Cropping selection to specify the video area that the service will include in the output video frame. If you specify a value here, it will override any value that you specify in the output setting Cropping selection.
      */
     Crop?: Rectangle;
     /**
-     * Enable Deblock (InputDeblockFilter) to produce smoother motion in the output. Default is disabled. Only manually controllable for MPEG2 and uncompressed video inputs.
+     * Enable Deblock to produce smoother motion in the output. Default is disabled. Only manually controllable for MPEG2 and uncompressed video inputs.
      */
     DeblockFilter?: InputDeblockFilter;
     /**
-     * Enable Denoise (InputDenoiseFilter) to filter noise from the input. Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
+     * Enable Denoise to filter noise from the input. Default is disabled. Only applicable to MPEG2, H.264, H.265, and uncompressed video inputs.
      */
     DenoiseFilter?: InputDenoiseFilter;
     /**
@@ -3391,31 +3396,33 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ImageInserter?: ImageInserter;
     /**
-     * (InputClippings) contains sets of start and end times that together specify a portion of the input to be used in the outputs. If you provide only a start time, the clip will be the entire input from that point to the end. If you provide only an end time, it will be the entire input up to that point. When you specify more than one input clip, the transcoding service creates the job outputs by stringing the clips together in the order you specify them.
+     * Contains sets of start and end times that together specify a portion of the input to be used in the outputs. If you provide only a start time, the clip will be the entire input from that point to the end. If you provide only an end time, it will be the entire input up to that point. When you specify more than one input clip, the transcoding service creates the job outputs by stringing the clips together in the order you specify them.
      */
     InputClippings?: __listOfInputClipping;
     /**
-     * When you have a progressive segmented frame (PsF) input, use this setting to flag the input as PsF. MediaConvert doesn't automatically detect PsF. Therefore, flagging your input as PsF results in better preservation of video quality when you do deinterlacing and frame rate conversion. If you don't specify, the default value is Auto (AUTO). Auto is the correct setting for all inputs that are not PsF. Don't set this value to PsF when your input is interlaced. Doing so creates horizontal interlacing artifacts.
+     * When you have a progressive segmented frame (PsF) input, use this setting to flag the input as PsF. MediaConvert doesn't automatically detect PsF. Therefore, flagging your input as PsF results in better preservation of video quality when you do deinterlacing and frame rate conversion. If you don't specify, the default value is Auto. Auto is the correct setting for all inputs that are not PsF. Don't set this value to PsF when your input is interlaced. Doing so creates horizontal interlacing artifacts.
      */
     InputScanType?: InputScanType;
     /**
-     * Use Selection placement (position) to define the video area in your output frame. The area outside of the rectangle that you specify here is black. If you specify a value here, it will override any value that you specify in the output setting Selection placement (position). If you specify a value here, this will override any AFD values in your input, even if you set Respond to AFD (RespondToAfd) to Respond (RESPOND). If you specify a value here, this will ignore anything that you specify for the setting Scaling Behavior (scalingBehavior).
+     * Use Selection placement to define the video area in your output frame. The area outside of the rectangle that you specify here is black. If you specify a value here, it will override any value that you specify in the output setting Selection placement. If you specify a value here, this will override any AFD values in your input, even if you set Respond to AFD to Respond. If you specify a value here, this will ignore anything that you specify for the setting Scaling Behavior.
      */
     Position?: Rectangle;
     /**
-     * Use Program (programNumber) to select a specific program from within a multi-program transport stream. Note that Quad 4K is not currently supported. Default is the first program within the transport stream. If the program you specify doesn't exist, the transcoding service will use this default.
+     * Use Program to select a specific program from within a multi-program transport stream. Note that Quad 4K is not currently supported. Default is the first program within the transport stream. If the program you specify doesn't exist, the transcoding service will use this default.
      */
     ProgramNumber?: __integerMin1Max2147483647;
     /**
-     * Set PSI control (InputPsiControl) for transport stream inputs to specify which data the demux process to scans. * Ignore PSI - Scan all PIDs for audio and video. * Use PSI - Scan only PSI data.
+     * Set PSI control for transport stream inputs to specify which data the demux process to scans.
+* Ignore PSI - Scan all PIDs for audio and video.
+* Use PSI - Scan only PSI data.
      */
     PsiControl?: InputPsiControl;
     /**
-     * Use this Timecode source setting, located under the input settings (InputTimecodeSource), to specify how the service counts input video frames. This input frame count affects only the behavior of features that apply to a single input at a time, such as input clipping and synchronizing some captions formats. Choose Embedded (EMBEDDED) to use the timecodes in your input video. Choose Start at zero (ZEROBASED) to start the first frame at zero. Choose Specified start (SPECIFIEDSTART) to start the first frame at the timecode that you specify in the setting Start timecode (timecodeStart). If you don't specify a value for Timecode source, the service will use Embedded by default. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
+     * Use this Timecode source setting, located under the input settings, to specify how the service counts input video frames. This input frame count affects only the behavior of features that apply to a single input at a time, such as input clipping and synchronizing some captions formats. Choose Embedded to use the timecodes in your input video. Choose Start at zero to start the first frame at zero. Choose Specified start to start the first frame at the timecode that you specify in the setting Start timecode. If you don't specify a value for Timecode source, the service will use Embedded by default. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
      */
     TimecodeSource?: InputTimecodeSource;
     /**
-     * Specify the timecode that you want the service to use for this input's initial frame. To use this setting, you must set the Timecode source setting, located under the input settings (InputTimecodeSource), to Specified start (SPECIFIEDSTART). For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
+     * Specify the timecode that you want the service to use for this input's initial frame. To use this setting, you must set the Timecode source setting, located under the input settings, to Specified start. For more information about timecodes, see https://docs.aws.amazon.com/console/mediaconvert/timecode.
      */
     TimecodeStart?: __stringMin11Max11Pattern01D20305D205D;
     /**
@@ -3464,7 +3471,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Layer?: __integerMin0Max99;
     /**
-     * Use Opacity (Opacity) to specify how much of the underlying video shows through the inserted image. 0 is transparent and 100 is fully opaque. Default is 50.
+     * Use Opacity to specify how much of the underlying video shows through the inserted image. 0 is transparent and 100 is fully opaque. Default is 50.
      */
     Opacity?: __integerMin0Max100;
     /**
@@ -3615,7 +3622,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ExtendedDataServices?: ExtendedDataServices;
     /**
-     * Use Inputs (inputs) to define source file used in the transcode job. There can be multiple inputs add in a job. These inputs will be concantenated together to create the output.
+     * Use Inputs to define source file used in the transcode job. There can be multiple inputs add in a job. These inputs will be concantenated together to create the output.
      */
     Inputs?: __listOfInput;
     /**
@@ -3627,7 +3634,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     MotionImageInserter?: MotionImageInserter;
     /**
-     * Settings for your Nielsen configuration. If you don't do Nielsen measurement and analytics, ignore these settings. When you enable Nielsen configuration (nielsenConfiguration), MediaConvert enables PCM to ID3 tagging for all outputs in the job. To enable Nielsen configuration programmatically, include an instance of nielsenConfiguration in your JSON job specification. Even if you don't include any children of nielsenConfiguration, you still enable the setting.
+     * Settings for your Nielsen configuration. If you don't do Nielsen measurement and analytics, ignore these settings. When you enable Nielsen configuration, MediaConvert enables PCM to ID3 tagging for all outputs in the job.
      */
     NielsenConfiguration?: NielsenConfiguration;
     /**
@@ -3635,7 +3642,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     NielsenNonLinearWatermark?: NielsenNonLinearWatermarkSettings;
     /**
-     * (OutputGroups) contains one group of settings for each set of outputs that share a common package type. All unpackaged files (MPEG-4, MPEG-2 TS, Quicktime, MXF, and no container) are grouped in a single output group as well. Required in (OutputGroups) is a group of settings that apply to the whole group. This required object depends on the value you set for (Type) under (OutputGroups)>(OutputGroupSettings). Type, settings object pairs are as follows. * FILE_GROUP_SETTINGS, FileGroupSettings * HLS_GROUP_SETTINGS, HlsGroupSettings * DASH_ISO_GROUP_SETTINGS, DashIsoGroupSettings * MS_SMOOTH_GROUP_SETTINGS, MsSmoothGroupSettings * CMAF_GROUP_SETTINGS, CmafGroupSettings
+     * Contains one group of settings for each set of outputs that share a common package type. All unpackaged files (MPEG-4, MPEG-2 TS, Quicktime, MXF, and no container) are grouped in a single output group as well. Required in is a group of settings that apply to the whole group. This required object depends on the value you set for Type. Type, settings object pairs are as follows. * FILE_GROUP_SETTINGS, FileGroupSettings * HLS_GROUP_SETTINGS, HlsGroupSettings * DASH_ISO_GROUP_SETTINGS, DashIsoGroupSettings * MS_SMOOTH_GROUP_SETTINGS, MsSmoothGroupSettings * CMAF_GROUP_SETTINGS, CmafGroupSettings
      */
     OutputGroups?: __listOfOutputGroup;
     /**
@@ -3643,7 +3650,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     TimecodeConfig?: TimecodeConfig;
     /**
-     * Insert user-defined custom ID3 metadata (id3) at timecodes (timecode) that you specify. In each output that you want to include this metadata, you must set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH).
+     * Insert user-defined custom ID3 metadata at timecodes that you specify. In each output that you want to include this metadata, you must set ID3 metadata to Passthrough.
      */
     TimedMetadataInsertion?: TimedMetadataInsertion;
   }
@@ -3721,7 +3728,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     ExtendedDataServices?: ExtendedDataServices;
     /**
-     * Use Inputs (inputs) to define the source file used in the transcode job. There can only be one input in a job template. Using the API, you can include multiple inputs when referencing a job template.
+     * Use Inputs to define the source file used in the transcode job. There can only be one input in a job template. Using the API, you can include multiple inputs when referencing a job template.
      */
     Inputs?: __listOfInputTemplate;
     /**
@@ -3733,7 +3740,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     MotionImageInserter?: MotionImageInserter;
     /**
-     * Settings for your Nielsen configuration. If you don't do Nielsen measurement and analytics, ignore these settings. When you enable Nielsen configuration (nielsenConfiguration), MediaConvert enables PCM to ID3 tagging for all outputs in the job. To enable Nielsen configuration programmatically, include an instance of nielsenConfiguration in your JSON job specification. Even if you don't include any children of nielsenConfiguration, you still enable the setting.
+     * Settings for your Nielsen configuration. If you don't do Nielsen measurement and analytics, ignore these settings. When you enable Nielsen configuration, MediaConvert enables PCM to ID3 tagging for all outputs in the job.
      */
     NielsenConfiguration?: NielsenConfiguration;
     /**
@@ -3741,7 +3748,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     NielsenNonLinearWatermark?: NielsenNonLinearWatermarkSettings;
     /**
-     * (OutputGroups) contains one group of settings for each set of outputs that share a common package type. All unpackaged files (MPEG-4, MPEG-2 TS, Quicktime, MXF, and no container) are grouped in a single output group as well. Required in (OutputGroups) is a group of settings that apply to the whole group. This required object depends on the value you set for (Type) under (OutputGroups)>(OutputGroupSettings). Type, settings object pairs are as follows. * FILE_GROUP_SETTINGS, FileGroupSettings * HLS_GROUP_SETTINGS, HlsGroupSettings * DASH_ISO_GROUP_SETTINGS, DashIsoGroupSettings * MS_SMOOTH_GROUP_SETTINGS, MsSmoothGroupSettings * CMAF_GROUP_SETTINGS, CmafGroupSettings
+     * Contains one group of settings for each set of outputs that share a common package type. All unpackaged files (MPEG-4, MPEG-2 TS, Quicktime, MXF, and no container) are grouped in a single output group as well. Required in is a group of settings that apply to the whole group. This required object depends on the value you set for Type. Type, settings object pairs are as follows. * FILE_GROUP_SETTINGS, FileGroupSettings * HLS_GROUP_SETTINGS, HlsGroupSettings * DASH_ISO_GROUP_SETTINGS, DashIsoGroupSettings * MS_SMOOTH_GROUP_SETTINGS, MsSmoothGroupSettings * CMAF_GROUP_SETTINGS, CmafGroupSettings
      */
     OutputGroups?: __listOfOutputGroup;
     /**
@@ -3749,7 +3756,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     TimecodeConfig?: TimecodeConfig;
     /**
-     * Insert user-defined custom ID3 metadata (id3) at timecodes (timecode) that you specify. In each output that you want to include this metadata, you must set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH).
+     * Insert user-defined custom ID3 metadata at timecodes that you specify. In each output that you want to include this metadata, you must set ID3 metadata to Passthrough.
      */
     TimedMetadataInsertion?: TimedMetadataInsertion;
   }
@@ -3971,7 +3978,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     AudioBufferModel?: M2tsAudioBufferModel;
     /**
-     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
+     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration. In all other cases, keep the default value, Default codec duration. When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
      */
     AudioDuration?: M2tsAudioDuration;
     /**
@@ -3991,15 +3998,15 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     BufferModel?: M2tsBufferModel;
     /**
-     * If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS values). Keep the default value (AUTO) to allow all PTS values.
+     * If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS values). Keep the default value to allow all PTS values.
      */
     DataPTSControl?: M2tsDataPtsControl;
     /**
-     * Use these settings to insert a DVB Network Information Table (NIT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
+     * Use these settings to insert a DVB Network Information Table (NIT) in the transport stream of this output.
      */
     DvbNitSettings?: DvbNitSettings;
     /**
-     * Use these settings to insert a DVB Service Description Table (SDT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
+     * Use these settings to insert a DVB Service Description Table (SDT) in the transport stream of this output.
      */
     DvbSdtSettings?: DvbSdtSettings;
     /**
@@ -4007,7 +4014,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     DvbSubPids?: __listOf__integerMin32Max8182;
     /**
-     * Use these settings to insert a DVB Time and Date Table (TDT) in the transport stream of this output. When you work directly in your JSON job specification, include this object only when your job has a transport stream output and the container settings contain the object M2tsSettings.
+     * Use these settings to insert a DVB Time and Date Table (TDT) in the transport stream of this output.
      */
     DvbTdtSettings?: DvbTdtSettings;
     /**
@@ -4027,7 +4034,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     EsRateInPes?: M2tsEsRateInPes;
     /**
-     * Keep the default value (DEFAULT) unless you know that your audio EBP markers are incorrectly appearing before your video EBP markers. To correct this problem, set this value to Force (FORCE).
+     * Keep the default value unless you know that your audio EBP markers are incorrectly appearing before your video EBP markers. To correct this problem, set this value to Force.
      */
     ForceTsVideoEbpOrder?: M2tsForceTsVideoEbpOrder;
     /**
@@ -4063,7 +4070,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     PcrControl?: M2tsPcrControl;
     /**
-     * Specify the packet identifier (PID) for the program clock reference (PCR) in this output. If you do not specify a value, the service will use the value for Video PID (VideoPid).
+     * Specify the packet identifier (PID) for the program clock reference (PCR) in this output. If you do not specify a value, the service will use the value for Video PID.
      */
     PcrPid?: __integerMin32Max8182;
     /**
@@ -4079,7 +4086,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     PrivateMetadataPid?: __integerMin32Max8182;
     /**
-     * Use Program number (programNumber) to specify the program number used in the program map table (PMT) for this output. Default is 1. Program numbers and program map tables are parts of MPEG-2 transport stream containers, used for organizing data.
+     * Use Program number to specify the program number used in the program map table (PMT) for this output. Default is 1. Program numbers and program map tables are parts of MPEG-2 transport stream containers, used for organizing data.
      */
     ProgramNumber?: __integerMin0Max65535;
     /**
@@ -4087,7 +4094,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     RateMode?: M2tsRateMode;
     /**
-     * Include this in your job settings to put SCTE-35 markers in your HLS and transport stream outputs at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML (sccXml).
+     * Include this in your job settings to put SCTE-35 markers in your HLS and transport stream outputs at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML.
      */
     Scte35Esam?: M2tsScte35Esam;
     /**
@@ -4095,7 +4102,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Scte35Pid?: __integerMin32Max8182;
     /**
-     * For SCTE-35 markers from your input-- Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don't want SCTE-35 markers in this output. For SCTE-35 markers from an ESAM XML document-- Choose None (NONE). Also provide the ESAM XML as a string in the setting Signal processing notification XML (sccXml). Also enable ESAM SCTE-35 (include the property scte35Esam).
+     * For SCTE-35 markers from your input-- Choose Passthrough if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None if you don't want SCTE-35 markers in this output. For SCTE-35 markers from an ESAM XML document-- Choose None. Also provide the ESAM XML as a string in the setting Signal processing notification XML. Also enable ESAM SCTE-35 (include the property scte35Esam).
      */
     Scte35Source?: M2tsScte35Source;
     /**
@@ -4130,7 +4137,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
   export type M3u8Scte35Source = "PASSTHROUGH"|"NONE"|string;
   export interface M3u8Settings {
     /**
-     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
+     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration. In all other cases, keep the default value, Default codec duration. When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
      */
     AudioDuration?: M3u8AudioDuration;
     /**
@@ -4142,7 +4149,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     AudioPids?: __listOf__integerMin32Max8182;
     /**
-     * If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS values). Keep the default value (AUTO) to allow all PTS values.
+     * If you select ALIGN_TO_VIDEO, MediaConvert writes captions and data packets with Presentation Timestamp (PTS) values greater than or equal to the first video packet PTS (MediaConvert drops captions and data packets with lesser PTS values). Keep the default value AUTO to allow all PTS values.
      */
     DataPTSControl?: M3u8DataPtsControl;
     /**
@@ -4186,11 +4193,11 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Scte35Pid?: __integerMin32Max8182;
     /**
-     * For SCTE-35 markers from your input-- Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don't want SCTE-35 markers in this output. For SCTE-35 markers from an ESAM XML document-- Choose None (NONE) if you don't want manifest conditioning. Choose Passthrough (PASSTHROUGH) and choose Ad markers (adMarkers) if you do want manifest conditioning. In both cases, also provide the ESAM XML as a string in the setting Signal processing notification XML (sccXml).
+     * For SCTE-35 markers from your input-- Choose Passthrough if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None if you don't want SCTE-35 markers in this output. For SCTE-35 markers from an ESAM XML document-- Choose None if you don't want manifest conditioning. Choose Passthrough and choose Ad markers if you do want manifest conditioning. In both cases, also provide the ESAM XML as a string in the setting Signal processing notification XML.
      */
     Scte35Source?: M3u8Scte35Source;
     /**
-     * Set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH) to include ID3 metadata in this output. This includes ID3 metadata from the following features: ID3 timestamp period (timedMetadataId3Period), and Custom ID3 metadata inserter (timedMetadataInsertion). To exclude this ID3 metadata in this output: set ID3 metadata to None (NONE) or leave blank.
+     * Set ID3 metadata to Passthrough to include ID3 metadata in this output. This includes ID3 metadata from the following features: ID3 timestamp period, and Custom ID3 metadata inserter. To exclude this ID3 metadata in this output: set ID3 metadata to None or leave blank.
      */
     TimedMetadata?: TimedMetadata;
     /**
@@ -4248,7 +4255,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Playback?: MotionImagePlayback;
     /**
-     * Specify when the motion overlay begins. Use timecode format (HH:MM:SS:FF or HH:MM:SS;FF). Make sure that the timecode you provide here takes into account how you have set up your timecode configuration under both job settings and input settings. The simplest way to do that is to set both to start at 0. If you need to set up your job to follow timecodes embedded in your source that don't start at zero, make sure that you specify a start time that is after the first embedded timecode. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/setting-up-timecode.html Find job-wide and input timecode configuration settings in your JSON job settings specification at settings>timecodeConfig>source and settings>inputs>timecodeSource.
+     * Specify when the motion overlay begins. Use timecode format (HH:MM:SS:FF or HH:MM:SS;FF). Make sure that the timecode you provide here takes into account how you have set up your timecode configuration under both job settings and input settings. The simplest way to do that is to set both to start at 0. If you need to set up your job to follow timecodes embedded in your source that don't start at zero, make sure that you specify a start time that is after the first embedded timecode. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/setting-up-timecode.html
      */
     StartTime?: __stringMin11Max11Pattern01D20305D205D;
   }
@@ -4307,7 +4314,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Bitrate?: __integerMin32000Max384000;
     /**
-     * Set Channels to specify the number of channels in this output audio track. Choosing Mono in the console will give you 1 output channel; choosing Stereo will give you 2. In the API, valid values are 1 and 2.
+     * Set Channels to specify the number of channels in this output audio track. Choosing Mono in will give you 1 output channel; choosing Stereo will give you 2. In the API, valid values are 1 and 2.
      */
     Channels?: __integerMin1Max2;
     /**
@@ -4322,7 +4329,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     Bitrate?: __integerMin16000Max320000;
     /**
-     * Specify the number of channels in this output audio track. Choosing Mono on the console gives you 1 output channel; choosing Stereo gives you 2. In the API, valid values are 1 and 2.
+     * Specify the number of channels in this output audio track. Choosing Mono gives you 1 output channel; choosing Stereo gives you 2. In the API, valid values are 1 and 2.
      */
     Channels?: __integerMin1Max2;
     /**
@@ -4334,7 +4341,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     SampleRate?: __integerMin22050Max48000;
     /**
-     * Required when you set Bitrate control mode (rateControlMode) to VBR. Specify the audio quality of this MP3 output from 0 (highest quality) to 9 (lowest quality).
+     * Required when you set Bitrate control mode to VBR. Specify the audio quality of this MP3 output from 0 (highest quality) to 9 (lowest quality).
      */
     VbrQuality?: __integerMin0Max9;
   }
@@ -4343,7 +4350,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
   export type Mp4MoovPlacement = "PROGRESSIVE_DOWNLOAD"|"NORMAL"|string;
   export interface Mp4Settings {
     /**
-     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
+     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration. In all other cases, keep the default value, Default codec duration. When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
      */
     AudioDuration?: CmfcAudioDuration;
     /**
@@ -4351,7 +4358,7 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     CslgAtom?: Mp4CslgAtom;
     /**
-     * Ignore this setting unless compliance to the CTTS box version specification matters in your workflow. Specify a value of 1 to set your CTTS box version to 1 and make your output compliant with the specification. When you specify a value of 1, you must also set CSLG atom (cslgAtom) to the value INCLUDE. Keep the default value 0 to set your CTTS box version to 0. This can provide backward compatibility for some players and packagers.
+     * Ignore this setting unless compliance to the CTTS box version specification matters in your workflow. Specify a value of 1 to set your CTTS box version to 1 and make your output compliant with the specification. When you specify a value of 1, you must also set CSLG atom to the value INCLUDE. Keep the default value 0 to set your CTTS box version to 0. This can provide backward compatibility for some players and packagers.
      */
     CttsVersion?: __integerMin0Max1;
     /**
@@ -4376,15 +4383,15 @@ Within your job settings, all of your DVB-Sub settings must be identical.
   export type MpdScte35Source = "PASSTHROUGH"|"NONE"|string;
   export interface MpdSettings {
     /**
-     * Optional. Choose Include (INCLUDE) to have MediaConvert mark up your DASH manifest with  elements for embedded 608 captions. This markup isn't generally required, but some video players require it to discover and play embedded 608 captions. Keep the default value, Exclude (EXCLUDE), to leave these elements out. When you enable this setting, this is the markup that MediaConvert includes in your manifest: 
+     * Optional. Choose Include to have MediaConvert mark up your DASH manifest with  elements for embedded 608 captions. This markup isn't generally required, but some video players require it to discover and play embedded 608 captions. Keep the default value, Exclude, to leave these elements out. When you enable this setting, this is the markup that MediaConvert includes in your manifest: 
      */
     AccessibilityCaptionHints?: MpdAccessibilityCaptionHints;
     /**
-     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration (MATCH_VIDEO_DURATION). In all other cases, keep the default value, Default codec duration (DEFAULT_CODEC_DURATION). When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
+     * Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to very small duration differences between video and audio. For this situation, choose Match video duration. In all other cases, keep the default value, Default codec duration. When you choose Match video duration, MediaConvert pads the output audio streams with silence or trims them to ensure that the total duration of each audio stream is at least as long as the total duration of the video stream. After padding or trimming, the audio stream duration is no more than one frame longer than the video stream. MediaConvert applies audio padding or trimming only to the end of the last segment of the output. For unsegmented outputs, MediaConvert adds padding only to the end of the file. When you keep the default value, any minor discrepancies between audio and video duration will depend on your output audio codec.
      */
     AudioDuration?: MpdAudioDuration;
     /**
-     * Use this setting only in DASH output groups that include sidecar TTML or IMSC captions. You specify sidecar captions in a separate output from your audio and video. Choose Raw (RAW) for captions in a single XML file in a raw container. Choose Fragmented MPEG-4 (FRAGMENTED_MP4) for captions in XML format contained within fragmented MP4 files. This set of fragmented MP4 files is separate from your video and audio fragmented MP4 files.
+     * Use this setting only in DASH output groups that include sidecar TTML or IMSC captions. You specify sidecar captions in a separate output from your audio and video. Choose Raw for captions in a single XML file in a raw container. Choose Fragmented MPEG-4 for captions in XML format contained within fragmented MP4 files. This set of fragmented MP4 files is separate from your video and audio fragmented MP4 files.
      */
     CaptionContainerType?: MpdCaptionContainerType;
     /**
@@ -4392,34 +4399,34 @@ Within your job settings, all of your DVB-Sub settings must be identical.
      */
     KlvMetadata?: MpdKlvMetadata;
     /**
-     * To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata signaling to Enabled. For ID3 event messages, the InbandEventStream element schemeIdUri will be same value that you specify for ID3 metadata scheme ID URI. For SCTE35 event messages, the InbandEventStream element schemeIdUri will be "urn:scte:scte35:2013:bin". To leave these elements out of your output MPD manifest, set Manifest metadata signaling to Disabled. To enable Manifest metadata signaling, you must also set SCTE-35 source to Passthrough, ESAM SCTE-35 to insert, or ID3 metadata (TimedMetadata) to Passthrough.
+     * To add an InbandEventStream element in your output MPD manifest for each type of event message, set Manifest metadata signaling to Enabled. For ID3 event messages, the InbandEventStream element schemeIdUri will be same value that you specify for ID3 metadata scheme ID URI. For SCTE35 event messages, the InbandEventStream element schemeIdUri will be "urn:scte:scte35:2013:bin". To leave these elements out of your output MPD manifest, set Manifest metadata signaling to Disabled. To enable Manifest metadata signaling, you must also set SCTE-35 source to Passthrough, ESAM SCTE-35 to insert, or ID3 metadata to Passthrough.
      */
     ManifestMetadataSignaling?: MpdManifestMetadataSignaling;
     /**
-     * Use this setting only when you specify SCTE-35 markers from ESAM. Choose INSERT to put SCTE-35 markers in this output at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML (sccXml).
+     * Use this setting only when you specify SCTE-35 markers from ESAM. Choose INSERT to put SCTE-35 markers in this output at the insertion points that you specify in an ESAM XML document. Provide the document in the setting SCC XML.
      */
     Scte35Esam?: MpdScte35Esam;
     /**
-     * Ignore this setting unless you have SCTE-35 markers in your input video file. Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None (NONE) if you don't want those SCTE-35 markers in this output.
+     * Ignore this setting unless you have SCTE-35 markers in your input video file. Choose Passthrough if you want SCTE-35 markers that appear in your input to also appear in this output. Choose None if you don't want those SCTE-35 markers in this output.
      */
     Scte35Source?: MpdScte35Source;
     /**
-     * To include ID3 metadata in this output: Set ID3 metadata (timedMetadata) to Passthrough (PASSTHROUGH). Specify this ID3 metadata in Custom ID3 metadata inserter (timedMetadataInsertion). MediaConvert writes each instance of ID3 metadata in a separate Event Message (eMSG) box. To exclude this ID3 metadata: Set ID3 metadata to None (NONE) or leave blank.
+     * To include ID3 metadata in this output: Set ID3 metadata to Passthrough. Specify this ID3 metadata in Custom ID3 metadata inserter. MediaConvert writes each instance of ID3 metadata in a separate Event Message (eMSG) box. To exclude this ID3 metadata: Set ID3 metadata to None or leave blank.
      */
     TimedMetadata?: MpdTimedMetadata;
     /**
      * Specify the event message box (eMSG) version for ID3 timed metadata in your output.
 For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.3 Syntax.
 Leave blank to use the default value Version 0.
-When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Passthrough.
+When you specify Version 1, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataBoxVersion?: MpdTimedMetadataBoxVersion;
     /**
-     * Specify the event message box (eMSG) scheme ID URI (scheme_id_uri) for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. Leave blank to use the default value: https://aomedia.org/emsg/ID3 When you specify a value for ID3 metadata scheme ID URI, you must also set ID3 metadata (timedMetadata) to Passthrough.
+     * Specify the event message box (eMSG) scheme ID URI for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. Leave blank to use the default value: https://aomedia.org/emsg/ID3 When you specify a value for ID3 metadata scheme ID URI, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataSchemeIdUri?: __stringMax1000;
     /**
-     * Specify the event message box (eMSG) value for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. When you specify a value for ID3 Metadata Value, you must also set ID3 metadata (timedMetadata) to Passthrough.
+     * Specify the event message box (eMSG) value for ID3 timed metadata in your output. For more information, see ISO/IEC 23009-1:2022 section 5.10.3.3.4 Semantics. When you specify a value for ID3 Metadata Value, you must also set ID3 metadata to Passthrough.
      */
     TimedMetadataValue?: __stringMax1000;
   }
@@ -4441,7 +4448,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   export type Mpeg2SceneChangeDetect = "DISABLED"|"ENABLED"|string;
   export interface Mpeg2Settings {
     /**
-     * Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to the following settings: Spatial adaptive quantization (spatialAdaptiveQuantization), and Temporal adaptive quantization (temporalAdaptiveQuantization).
+     * Specify the strength of any adaptive quantization filters that you enable. The value that you choose here applies to the following settings: Spatial adaptive quantization, and Temporal adaptive quantization.
      */
     AdaptiveQuantization?: Mpeg2AdaptiveQuantization;
     /**
@@ -4449,19 +4456,19 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Bitrate?: __integerMin1000Max288000000;
     /**
-     * Use Level (Mpeg2CodecLevel) to set the MPEG-2 level for the video output.
+     * Use Level to set the MPEG-2 level for the video output.
      */
     CodecLevel?: Mpeg2CodecLevel;
     /**
-     * Use Profile (Mpeg2CodecProfile) to set the MPEG-2 profile for the video output.
+     * Use Profile to set the MPEG-2 profile for the video output.
      */
     CodecProfile?: Mpeg2CodecProfile;
     /**
-     * Choose Adaptive to improve subjective video quality for high-motion content. This will cause the service to use fewer B-frames (which infer information based on other frames) for high-motion portions of the video and more B-frames for low-motion portions. The maximum number of B-frames is limited by the value you provide for the setting B frames between reference frames (numberBFramesBetweenReferenceFrames).
+     * Choose Adaptive to improve subjective video quality for high-motion content. This will cause the service to use fewer B-frames (which infer information based on other frames) for high-motion portions of the video and more B-frames for low-motion portions. The maximum number of B-frames is limited by the value you provide for the setting B frames between reference frames.
      */
     DynamicSubGop?: Mpeg2DynamicSubGop;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: Mpeg2FramerateControl;
     /**
@@ -4481,11 +4488,11 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     GopClosedCadence?: __integerMin0Max2147483647;
     /**
-     * Specify the interval between keyframes, in seconds or frames, for this output. Default: 12 Related settings: When you specify the GOP size in seconds, set GOP mode control (GopSizeUnits) to Specified, seconds (SECONDS). The default value for GOP mode control (GopSizeUnits) is Frames (FRAMES).
+     * Specify the interval between keyframes, in seconds or frames, for this output. Default: 12 Related settings: When you specify the GOP size in seconds, set GOP mode control to Specified, seconds. The default value for GOP mode control is Frames.
      */
     GopSize?: __doubleMin0;
     /**
-     * Specify the units for GOP size (GopSize). If you don't specify a value here, by default the encoder measures GOP size in frames.
+     * Specify the units for GOP size. If you don't specify a value here, by default the encoder measures GOP size in frames.
      */
     GopSizeUnits?: Mpeg2GopSizeUnits;
     /**
@@ -4501,11 +4508,11 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     HrdBufferSize?: __integerMin0Max47185920;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: Mpeg2InterlaceMode;
     /**
-     * Use Intra DC precision (Mpeg2IntraDcPrecision) to set quantization precision for intra-block DC coefficients. If you choose the value auto, the service will automatically select the precision based on the per-frame compression ratio.
+     * Use Intra DC precision to set quantization precision for intra-block DC coefficients. If you choose the value auto, the service will automatically select the precision based on the per-frame compression ratio.
      */
     IntraDcPrecision?: Mpeg2IntraDcPrecision;
     /**
@@ -4513,7 +4520,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     MaxBitrate?: __integerMin1000Max300000000;
     /**
-     * Use this setting only when you also enable Scene change detection (SceneChangeDetect). This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. When you specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval (minIInterval) to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
+     * Use this setting only when you also enable Scene change detection. This setting determines how the encoder manages the spacing between I-frames that it inserts as part of the I-frame cadence and the I-frames that it inserts for Scene change detection. When you specify a value for this setting, the encoder determines whether to skip a cadence-driven I-frame by the value you set. For example, if you set Min I interval to 5 and a cadence-driven I-frame would fall within 5 frames of a scene-change I-frame, then the encoder skips the cadence-driven I-frame. In this way, one GOP is shrunk slightly and one GOP is stretched slightly. When the cadence-driven I-frames are farther from the scene-change I-frame than the value you set, then the encoder leaves all I-frames in place and the GOPs surrounding the scene change are smaller than the usual cadence GOPs.
      */
     MinIInterval?: __integerMin0Max30;
     /**
@@ -4521,27 +4528,27 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     NumberBFramesBetweenReferenceFrames?: __integerMin0Max7;
     /**
-     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
+     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source, uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
      */
     ParControl?: Mpeg2ParControl;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: __integerMin1Max2147483647;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: __integerMin1Max2147483647;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
      */
     QualityTuningLevel?: Mpeg2QualityTuningLevel;
     /**
-     * Use Rate control mode (Mpeg2RateControlMode) to specify whether the bitrate is variable (vbr) or constant (cbr).
+     * Use Rate control mode to specify whether the bitrate is variable (vbr) or constant (cbr).
      */
     RateControlMode?: Mpeg2RateControlMode;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: Mpeg2ScanTypeConversionMode;
     /**
@@ -4549,27 +4556,27 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     SceneChangeDetect?: Mpeg2SceneChangeDetect;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25.
      */
     SlowPal?: Mpeg2SlowPal;
     /**
-     * Ignore this setting unless you need to comply with a specification that requires a specific value. If you don't have a specification requirement, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness (sharpness) or by enabling a noise reducer filter (noiseReducerFilter). The Softness (softness) setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, to use the AWS Elemental default matrices. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
+     * Ignore this setting unless you need to comply with a specification that requires a specific value. If you don't have a specification requirement, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness or by enabling a noise reducer filter. The Softness setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, to use the AWS Elemental default matrices. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
      */
     Softness?: __integerMin0Max128;
     /**
-     * Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (adaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
+     * Keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
      */
     SpatialAdaptiveQuantization?: Mpeg2SpatialAdaptiveQuantization;
     /**
-     * Specify whether this output's video uses the D10 syntax. Keep the default value to not use the syntax. Related settings: When you choose D10 (D_10) for your MXF profile (profile), you must also set this value to D10 (D_10).
+     * Specify whether this output's video uses the D10 syntax. Keep the default value to not use the syntax. Related settings: When you choose D10 for your MXF profile, you must also set this value to D10.
      */
     Syntax?: Mpeg2Syntax;
     /**
-     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture. Hard telecine (HARD) produces a 29.97i output. Soft telecine (SOFT) produces an output with a 23.976 output that signals to the video player device to do the conversion during play back. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
+     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard or soft telecine to create a smoother picture. Hard telecine produces a 29.97i output. Soft telecine produces an output with a 23.976 output that signals to the video player device to do the conversion during play back. When you keep the default value, None, MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
      */
     Telecine?: Mpeg2Telecine;
     /**
-     * Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization (adaptiveQuantization).
+     * Keep the default value, Enabled, to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal quantization, adjust the strength of the filter with the setting Adaptive quantization.
      */
     TemporalAdaptiveQuantization?: Mpeg2TemporalAdaptiveQuantization;
   }
@@ -4606,7 +4613,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     AudioDeduplication?: MsSmoothAudioDeduplication;
     /**
-     * Use Destination (Destination) to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
+     * Use Destination to specify the S3 output location and the output filename base. Destination accepts format identifiers. If you do not specify the base filename in the URI, the service will use the filename of the input file. If your job has multiple inputs, the service uses the filename of the first input file.
      */
     Destination?: __stringPatternS3;
     /**
@@ -4614,19 +4621,19 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     DestinationSettings?: DestinationSettings;
     /**
-     * If you are using DRM, set DRM System (MsSmoothEncryptionSettings) to specify the value SpekeKeyProvider.
+     * If you are using DRM, set DRM System to specify the value SpekeKeyProvider.
      */
     Encryption?: MsSmoothEncryptionSettings;
     /**
-     * Specify how you want MediaConvert to determine the fragment length. Choose Exact (EXACT) to have the encoder use the exact length that you specify with the setting Fragment length (FragmentLength). This might result in extra I-frames. Choose Multiple of GOP (GOP_MULTIPLE) to have the encoder round up the segment lengths to match the next GOP boundary.
+     * Specify how you want MediaConvert to determine the fragment length. Choose Exact to have the encoder use the exact length that you specify with the setting Fragment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.
      */
     FragmentLength?: __integerMin1Max2147483647;
     /**
-     * Specify how you want MediaConvert to determine the fragment length. Choose Exact (EXACT) to have the encoder use the exact length that you specify with the setting Fragment length (FragmentLength). This might result in extra I-frames. Choose Multiple of GOP (GOP_MULTIPLE) to have the encoder round up the segment lengths to match the next GOP boundary.
+     * Specify how you want MediaConvert to determine the fragment length. Choose Exact to have the encoder use the exact length that you specify with the setting Fragment length. This might result in extra I-frames. Choose Multiple of GOP to have the encoder round up the segment lengths to match the next GOP boundary.
      */
     FragmentLengthControl?: MsSmoothFragmentLengthControl;
     /**
-     * Use Manifest encoding (MsSmoothManifestEncoding) to specify the encoding format for the server and client manifest. Valid options are utf8 and utf16.
+     * Use Manifest encoding to specify the encoding format for the server and client manifest. Valid options are utf8 and utf16.
      */
     ManifestEncoding?: MsSmoothManifestEncoding;
   }
@@ -4635,7 +4642,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   export type MxfProfile = "D_10"|"XDCAM"|"OP1A"|"XAVC"|"XDCAM_RDD9"|string;
   export interface MxfSettings {
     /**
-     * Optional. When you have AFD signaling set up in your output video stream, use this setting to choose whether to also include it in the MXF wrapper. Choose Don't copy (NO_COPY) to exclude AFD signaling from the MXF wrapper. Choose Copy from video stream (COPY_FROM_VIDEO) to copy the AFD values from the video stream for this output to the MXF wrapper. Regardless of which option you choose, the AFD values remain in the video stream. Related settings: To set up your output to include or exclude AFD values, see AfdSignaling, under VideoDescription. On the console, find AFD signaling under the output's video encoding settings.
+     * Optional. When you have AFD signaling set up in your output video stream, use this setting to choose whether to also include it in the MXF wrapper. Choose Don't copy to exclude AFD signaling from the MXF wrapper. Choose Copy from video stream to copy the AFD values from the video stream for this output to the MXF wrapper. Regardless of which option you choose, the AFD values remain in the video stream. Related settings: To set up your output to include or exclude AFD values, see AfdSignaling, under VideoDescription. On the console, find AFD signaling under the output's video encoding settings.
      */
     AfdSignaling?: MxfAfdSignaling;
     /**
@@ -4650,25 +4657,25 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   export type MxfXavcDurationMode = "ALLOW_ANY_DURATION"|"DROP_FRAMES_FOR_COMPLIANCE"|string;
   export interface MxfXavcProfileSettings {
     /**
-     * To create an output that complies with the XAVC file format guidelines for interoperability, keep the default value, Drop frames for compliance (DROP_FRAMES_FOR_COMPLIANCE). To include all frames from your input in this output, keep the default setting, Allow any duration (ALLOW_ANY_DURATION). The number of frames that MediaConvert excludes when you set this to Drop frames for compliance depends on the output frame rate and duration.
+     * To create an output that complies with the XAVC file format guidelines for interoperability, keep the default value, Drop frames for compliance. To include all frames from your input in this output, keep the default setting, Allow any duration. The number of frames that MediaConvert excludes when you set this to Drop frames for compliance depends on the output frame rate and duration.
      */
     DurationMode?: MxfXavcDurationMode;
     /**
-     * Specify a value for this setting only for outputs that you set up with one of these two XAVC profiles: XAVC HD Intra CBG (XAVC_HD_INTRA_CBG) or XAVC 4K Intra CBG (XAVC_4K_INTRA_CBG). Specify the amount of space in each frame that the service reserves for ancillary data, such as teletext captions. The default value for this setting is 1492 bytes per frame. This should be sufficient to prevent overflow unless you have multiple pages of teletext captions data. If you have a large amount of teletext data, specify a larger number.
+     * Specify a value for this setting only for outputs that you set up with one of these two XAVC profiles: XAVC HD Intra CBG or XAVC 4K Intra CBG. Specify the amount of space in each frame that the service reserves for ancillary data, such as teletext captions. The default value for this setting is 1492 bytes per frame. This should be sufficient to prevent overflow unless you have multiple pages of teletext captions data. If you have a large amount of teletext data, specify a larger number.
      */
     MaxAncDataSize?: __integerMin0Max2147483647;
   }
   export interface NexGuardFileMarkerSettings {
     /**
-     * Use the base64 license string that Nagra provides you. Enter it directly in your JSON job specification or in the console. Required when you include Nagra NexGuard File Marker watermarking (NexGuardWatermarkingSettings) in your job.
+     * Use the base64 license string that Nagra provides you. Enter it directly in your JSON job specification or in the console. Required when you include Nagra NexGuard File Marker watermarking in your job.
      */
     License?: __stringMin1Max100000;
     /**
-     * Specify the payload ID that you want associated with this output. Valid values vary depending on your Nagra NexGuard forensic watermarking workflow. Required when you include Nagra NexGuard File Marker watermarking (NexGuardWatermarkingSettings) in your job. For PreRelease Content (NGPR/G2), specify an integer from 1 through 4,194,303. You must generate a unique ID for each asset you watermark, and keep a record of which ID you have assigned to each asset. Neither Nagra nor MediaConvert keep track of the relationship between output files and your IDs. For OTT Streaming, create two adaptive bitrate (ABR) stacks for each asset. Do this by setting up two output groups. For one output group, set the value of Payload ID (payload) to 0 in every output. For the other output group, set Payload ID (payload) to 1 in every output.
+     * Specify the payload ID that you want associated with this output. Valid values vary depending on your Nagra NexGuard forensic watermarking workflow. Required when you include Nagra NexGuard File Marker watermarking in your job. For PreRelease Content (NGPR/G2), specify an integer from 1 through 4,194,303. You must generate a unique ID for each asset you watermark, and keep a record of which ID you have assigned to each asset. Neither Nagra nor MediaConvert keep track of the relationship between output files and your IDs. For OTT Streaming, create two adaptive bitrate (ABR) stacks for each asset. Do this by setting up two output groups. For one output group, set the value of Payload ID to 0 in every output. For the other output group, set Payload ID to 1 in every output.
      */
     Payload?: __integerMin0Max4194303;
     /**
-     * Enter one of the watermarking preset strings that Nagra provides you. Required when you include Nagra NexGuard File Marker watermarking (NexGuardWatermarkingSettings) in your job.
+     * Enter one of the watermarking preset strings that Nagra provides you. Required when you include Nagra NexGuard File Marker watermarking in your job.
      */
     Preset?: __stringMin1Max256;
     /**
@@ -4683,17 +4690,17 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     BreakoutCode?: __integerMin0Max0;
     /**
-     * Use Distributor ID (DistributorID) to specify the distributor ID that is assigned to your organization by Neilsen.
+     * Use Distributor ID to specify the distributor ID that is assigned to your organization by Nielsen.
      */
     DistributorId?: __string;
   }
   export interface NielsenNonLinearWatermarkSettings {
     /**
-     * Choose the type of Nielsen watermarks that you want in your outputs. When you choose NAES 2 and NW (NAES2_AND_NW), you must provide a value for the setting SID (sourceId). When you choose CBET (CBET), you must provide a value for the setting CSID (cbetSourceId). When you choose NAES 2, NW, and CBET (NAES2_AND_NW_AND_CBET), you must provide values for both of these settings.
+     * Choose the type of Nielsen watermarks that you want in your outputs. When you choose NAES 2 and NW, you must provide a value for the setting SID. When you choose CBET, you must provide a value for the setting CSID. When you choose NAES 2, NW, and CBET, you must provide values for both of these settings.
      */
     ActiveWatermarkProcess?: NielsenActiveWatermarkProcessType;
     /**
-     * Optional. Use this setting when you want the service to include an ADI file in the Nielsen metadata .zip file. To provide an ADI file, store it in Amazon S3 and provide a URL to it here. The URL should be in the following format: S3://bucket/path/ADI-file. For more information about the metadata .zip file, see the setting Metadata destination (metadataDestination).
+     * Optional. Use this setting when you want the service to include an ADI file in the Nielsen metadata .zip file. To provide an ADI file, store it in Amazon S3 and provide a URL to it here. The URL should be in the following format: S3://bucket/path/ADI-file. For more information about the metadata .zip file, see the setting Metadata destination.
      */
     AdiFilename?: __stringPatternS3;
     /**
@@ -4705,7 +4712,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     AssetName?: __stringMin1Max50;
     /**
-     * Use the CSID that Nielsen provides to you. This CBET source ID should be unique to your Nielsen account but common to all of your output assets that have CBET watermarking. Required when you choose a value for the setting Watermark types (ActiveWatermarkProcess) that includes CBET.
+     * Use the CSID that Nielsen provides to you. This CBET source ID should be unique to your Nielsen account but common to all of your output assets that have CBET watermarking. Required when you choose a value for the setting Watermark types that includes CBET.
      */
     CbetSourceId?: __stringPattern0xAFaF0908190908;
     /**
@@ -4713,7 +4720,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     EpisodeId?: __stringMin1Max20;
     /**
-     * Specify the Amazon S3 location where you want MediaConvert to save your Nielsen non-linear metadata .zip file. This Amazon S3 bucket must be in the same Region as the one where you do your MediaConvert transcoding. If you want to include an ADI file in this .zip file, use the setting ADI file (adiFilename) to specify it. MediaConvert delivers the Nielsen metadata .zip files only to your metadata destination Amazon S3 bucket. It doesn't deliver the .zip files to Nielsen. You are responsible for delivering the metadata .zip files to Nielsen.
+     * Specify the Amazon S3 location where you want MediaConvert to save your Nielsen non-linear metadata .zip file. This Amazon S3 bucket must be in the same Region as the one where you do your MediaConvert transcoding. If you want to include an ADI file in this .zip file, use the setting ADI file to specify it. MediaConvert delivers the Nielsen metadata .zip files only to your metadata destination Amazon S3 bucket. It doesn't deliver the .zip files to Nielsen. You are responsible for delivering the metadata .zip files to Nielsen.
      */
     MetadataDestination?: __stringPatternS3;
     /**
@@ -4721,7 +4728,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     SourceId?: __integerMin0Max65534;
     /**
-     * Required. Specify whether your source content already contains Nielsen non-linear watermarks. When you set this value to Watermarked (WATERMARKED), the service fails the job. Nielsen requires that you add non-linear watermarking to only clean content that doesn't already have non-linear Nielsen watermarks.
+     * Required. Specify whether your source content already contains Nielsen non-linear watermarks. When you set this value to Watermarked, the service fails the job. Nielsen requires that you add non-linear watermarking to only clean content that doesn't already have non-linear Nielsen watermarks.
      */
     SourceWatermarkStatus?: NielsenSourceWatermarkStatusType;
     /**
@@ -4729,7 +4736,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     TicServerUrl?: __stringPatternHttps;
     /**
-     * To create assets that have the same TIC values in each audio track, keep the default value Share TICs (SAME_TICS_PER_TRACK). To create assets that have unique TIC values for each audio track, choose Use unique TICs (RESERVE_UNIQUE_TICS_PER_TRACK).
+     * To create assets that have the same TIC values in each audio track, keep the default value Share TICs. To create assets that have unique TIC values for each audio track, choose Use unique TICs.
      */
     UniqueTicPerAudioTrack?: NielsenUniqueTicPerAudioTrackType;
   }
@@ -4739,7 +4746,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   export type NoiseFilterPostTemporalSharpeningStrength = "LOW"|"MEDIUM"|"HIGH"|string;
   export interface NoiseReducer {
     /**
-     * Use Noise reducer filter (NoiseReducerFilter) to select one of the following spatial image filtering functions. To use this setting, you must also enable Noise reducer (NoiseReducer). * Bilateral preserves edges while reducing noise. * Mean (softest), Gaussian, Lanczos, and Sharpen (sharpest) do convolution filtering. * Conserve does min/max noise reduction. * Spatial does frequency-domain filtering based on JND principles. * Temporal optimizes video quality for complex motion.
+     * Use Noise reducer filter to select one of the following spatial image filtering functions. To use this setting, you must also enable Noise reducer. * Bilateral preserves edges while reducing noise. * Mean (softest), Gaussian, Lanczos, and Sharpen (sharpest) do convolution filtering. * Conserve does min/max noise reduction. * Spatial does frequency-domain filtering based on JND principles. * Temporal optimizes video quality for complex motion.
      */
     Filter?: NoiseReducerFilter;
     /**
@@ -4782,11 +4789,11 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     AggressiveMode?: __integerMin0Max4;
     /**
-     * When you set Noise reducer (noiseReducer) to Temporal (TEMPORAL), the bandwidth and sharpness of your output is reduced. You can optionally use Post temporal sharpening (postTemporalSharpening) to apply sharpening to the edges of your output. Note that Post temporal sharpening will also make the bandwidth reduction from the Noise reducer smaller. The default behavior, Auto (AUTO), allows the transcoder to determine whether to apply sharpening, depending on your input type and quality. When you set Post temporal sharpening to Enabled (ENABLED), specify how much sharpening is applied using Post temporal sharpening strength (postTemporalSharpeningStrength). Set Post temporal sharpening to Disabled (DISABLED) to not apply sharpening.
+     * When you set Noise reducer to Temporal, the bandwidth and sharpness of your output is reduced. You can optionally use Post temporal sharpening to apply sharpening to the edges of your output. Note that Post temporal sharpening will also make the bandwidth reduction from the Noise reducer smaller. The default behavior, Auto, allows the transcoder to determine whether to apply sharpening, depending on your input type and quality. When you set Post temporal sharpening to Enabled, specify how much sharpening is applied using Post temporal sharpening strength. Set Post temporal sharpening to Disabled to not apply sharpening.
      */
     PostTemporalSharpening?: NoiseFilterPostTemporalSharpening;
     /**
-     * Use Post temporal sharpening strength (postTemporalSharpeningStrength) to define the amount of sharpening the transcoder applies to your output. Set Post temporal sharpening strength to Low (LOW), Medium (MEDIUM), or High (HIGH) to indicate the amount of sharpening.
+     * Use Post temporal sharpening strength to define the amount of sharpening the transcoder applies to your output. Set Post temporal sharpening strength to Low, Medium, or High to indicate the amount of sharpening.
      */
     PostTemporalSharpeningStrength?: NoiseFilterPostTemporalSharpeningStrength;
     /**
@@ -4804,7 +4811,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Bitrate?: __integerMin32000Max192000;
     /**
-     * Specify the number of channels in this output audio track. Choosing Mono on the console gives you 1 output channel; choosing Stereo gives you 2. In the API, valid values are 1 and 2.
+     * Specify the number of channels in this output audio track. Choosing Mono on gives you 1 output channel; choosing Stereo gives you 2. In the API, valid values are 1 and 2.
      */
     Channels?: __integerMin1Max2;
     /**
@@ -4815,11 +4822,11 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   export type Order = "ASCENDING"|"DESCENDING"|string;
   export interface Output {
     /**
-     * (AudioDescriptions) contains groups of audio encoding settings organized by audio codec. Include one instance of (AudioDescriptions) per output. (AudioDescriptions) can contain multiple groups of encoding settings.
+     * Contains groups of audio encoding settings organized by audio codec. Include one instance of per output. Can contain multiple groups of encoding settings.
      */
     AudioDescriptions?: __listOfAudioDescription;
     /**
-     * (CaptionDescriptions) contains groups of captions settings. For each output that has captions, include one instance of (CaptionDescriptions). (CaptionDescriptions) can contain multiple groups of captions settings.
+     * Contains groups of captions settings. For each output that has captions, include one instance of CaptionDescriptions. Can contain multiple groups of captions settings.
      */
     CaptionDescriptions?: __listOfCaptionDescription;
     /**
@@ -4827,11 +4834,11 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     ContainerSettings?: ContainerSettings;
     /**
-     * Use Extension (Extension) to specify the file extension for outputs in File output groups. If you do not specify a value, the service will use default extensions by container type as follows * MPEG-2 transport stream, m2ts * Quicktime, mov * MXF container, mxf * MPEG-4 container, mp4 * WebM container, webm * No Container, the service will use codec extensions (e.g. AAC, H265, H265, AC3)
+     * Use Extension to specify the file extension for outputs in File output groups. If you do not specify a value, the service will use default extensions by container type as follows * MPEG-2 transport stream, m2ts * Quicktime, mov * MXF container, mxf * MPEG-4 container, mp4 * WebM container, webm * No Container, the service will use codec extensions (e.g. AAC, H265, H265, AC3)
      */
     Extension?: __string;
     /**
-     * Use Name modifier (NameModifier) to have the service add a string to the end of each output filename. You specify the base filename as part of your destination URI. When you create multiple outputs in the same output group, Name modifier (NameModifier) is required. Name modifier also accepts format identifiers. For DASH ISO outputs, if you use the format identifiers $Number$ or $Time$ in one output, you must use them in the same way in all outputs of the output group.
+     * Use Name modifier to have the service add a string to the end of each output filename. You specify the base filename as part of your destination URI. When you create multiple outputs in the same output group, Name modifier is required. Name modifier also accepts format identifiers. For DASH ISO outputs, if you use the format identifiers $Number$ or $Time$ in one output, you must use them in the same way in all outputs of the output group.
      */
     NameModifier?: __stringMin1;
     /**
@@ -4839,7 +4846,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     OutputSettings?: OutputSettings;
     /**
-     * Use Preset (Preset) to specify a preset for your transcoding settings. Provide the system or custom preset name. You can specify either Preset (Preset) or Container settings (ContainerSettings), but not both.
+     * Use Preset to specify a preset for your transcoding settings. Provide the system or custom preset name. You can specify either Preset or Container settings, but not both.
      */
     Preset?: __stringMin0;
     /**
@@ -4873,7 +4880,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     AutomatedEncodingSettings?: AutomatedEncodingSettings;
     /**
-     * Use Custom Group Name (CustomName) to specify a name for the output group. This value is displayed on the console and can make your job settings JSON more human-readable. It does not affect your outputs. Use up to twelve characters that are either letters, numbers, spaces, or underscores.
+     * Use Custom Group Name to specify a name for the output group. This value is displayed on the console and can make your job settings JSON more human-readable. It does not affect your outputs. Use up to twelve characters that are either letters, numbers, spaces, or underscores.
      */
     CustomName?: __string;
     /**
@@ -4897,23 +4904,23 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   }
   export interface OutputGroupSettings {
     /**
-     * Settings related to your CMAF output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to CMAF_GROUP_SETTINGS.
+     * Settings related to your CMAF output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
      */
     CmafGroupSettings?: CmafGroupSettings;
     /**
-     * Settings related to your DASH output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to DASH_ISO_GROUP_SETTINGS.
+     * Settings related to your DASH output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
      */
     DashIsoGroupSettings?: DashIsoGroupSettings;
     /**
-     * Settings related to your File output group. MediaConvert uses this group of settings to generate a single standalone file, rather than a streaming package. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to FILE_GROUP_SETTINGS.
+     * Settings related to your File output group. MediaConvert uses this group of settings to generate a single standalone file, rather than a streaming package.
      */
     FileGroupSettings?: FileGroupSettings;
     /**
-     * Settings related to your HLS output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to HLS_GROUP_SETTINGS.
+     * Settings related to your HLS output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
      */
     HlsGroupSettings?: HlsGroupSettings;
     /**
-     * Settings related to your Microsoft Smooth Streaming output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html. When you work directly in your JSON job specification, include this object and any required children when you set Type, under OutputGroupSettings, to MS_SMOOTH_GROUP_SETTINGS.
+     * Settings related to your Microsoft Smooth Streaming output package. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/outputs-file-ABR.html.
      */
     MsSmoothGroupSettings?: MsSmoothGroupSettings;
     /**
@@ -4987,7 +4994,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   export type PresetListBy = "NAME"|"CREATION_DATE"|"SYSTEM"|string;
   export interface PresetSettings {
     /**
-     * (AudioDescriptions) contains groups of audio encoding settings organized by audio codec. Include one instance of (AudioDescriptions) per output. (AudioDescriptions) can contain multiple groups of encoding settings.
+     * Contains groups of audio encoding settings organized by audio codec. Include one instance of per output. Can contain multiple groups of encoding settings.
      */
     AudioDescriptions?: __listOfAudioDescription;
     /**
@@ -5013,15 +5020,15 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   export type ProresScanTypeConversionMode = "INTERLACED"|"INTERLACED_OPTIMIZE"|string;
   export interface ProresSettings {
     /**
-     * This setting applies only to ProRes 4444 and ProRes 4444 XQ outputs that you create from inputs that use 4:4:4 chroma sampling. Set Preserve 4:4:4 sampling (PRESERVE_444_SAMPLING) to allow outputs to also use 4:4:4 chroma sampling. You must specify a value for this setting when your output codec profile supports 4:4:4 chroma sampling. Related Settings: For Apple ProRes outputs with 4:4:4 chroma sampling: Choose Preserve 4:4:4 sampling. Use when your input has 4:4:4 chroma sampling and your output codec Profile is Apple ProRes 4444 or 4444 XQ. Note that when you choose Preserve 4:4:4 sampling, you cannot include any of the following Preprocessors: Dolby Vision, HDR10+, or Noise reducer.
+     * This setting applies only to ProRes 4444 and ProRes 4444 XQ outputs that you create from inputs that use 4:4:4 chroma sampling. Set Preserve 4:4:4 sampling to allow outputs to also use 4:4:4 chroma sampling. You must specify a value for this setting when your output codec profile supports 4:4:4 chroma sampling. Related Settings: For Apple ProRes outputs with 4:4:4 chroma sampling: Choose Preserve 4:4:4 sampling. Use when your input has 4:4:4 chroma sampling and your output codec Profile is Apple ProRes 4444 or 4444 XQ. Note that when you choose Preserve 4:4:4 sampling, you cannot include any of the following Preprocessors: Dolby Vision, HDR10+, or Noise reducer.
      */
     ChromaSampling?: ProresChromaSampling;
     /**
-     * Use Profile (ProResCodecProfile) to specify the type of Apple ProRes codec to use for this output.
+     * Use Profile to specify the type of Apple ProRes codec to use for this output.
      */
     CodecProfile?: ProresCodecProfile;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: ProresFramerateControl;
     /**
@@ -5037,31 +5044,31 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     FramerateNumerator?: __integerMin1Max2147483647;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: ProresInterlaceMode;
     /**
-     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
+     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source, uses the PAR from your input video for your output. To specify a different PAR, choose any value other than Follow source. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
      */
     ParControl?: ProresParControl;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: __integerMin1Max2147483647;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: __integerMin1Max2147483647;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: ProresScanTypeConversionMode;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output. When you enable slow PAL, MediaConvert relabels the video frames to 25 fps and resamples your audio to keep it synchronized with the video. Note that enabling this setting will slightly reduce the duration of your video. Required settings: You must also set Framerate to 25.
      */
     SlowPal?: ProresSlowPal;
     /**
-     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
+     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine to create a smoother picture. When you keep the default value, None, MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
      */
     Telecine?: ProresTelecine;
   }
@@ -5161,7 +5168,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   }
   export interface RemixSettings {
     /**
-     * Channel mapping (ChannelMapping) contains the group of fields that hold the remixing value for each channel, in dB. Specify remix values to indicate how much of the content from your input audio channel you want in your output audio channels. Each instance of the InputChannels or InputChannelsFineTune array specifies these values for one output channel. Use one instance of this array for each output channel. In the console, each array corresponds to a column in the graphical depiction of the mapping matrix. The rows of the graphical matrix correspond to input channels. Valid values are within the range from -60 (mute) through 6. A setting of 0 passes the input channel unchanged to the output channel (no attenuation or amplification). Use InputChannels or InputChannelsFineTune to specify your remix values. Don't use both.
+     * Channel mapping contains the group of fields that hold the remixing value for each channel, in dB. Specify remix values to indicate how much of the content from your input audio channel you want in your output audio channels. Each instance of the InputChannels or InputChannelsFineTune array specifies these values for one output channel. Use one instance of this array for each output channel. In the console, each array corresponds to a column in the graphical depiction of the mapping matrix. The rows of the graphical matrix correspond to input channels. Valid values are within the range from -60 (mute) through 6. A setting of 0 passes the input channel unchanged to the output channel (no attenuation or amplification). Use InputChannels or InputChannelsFineTune to specify your remix values. Don't use both.
      */
     ChannelMapping?: ChannelMapping;
     /**
@@ -5246,15 +5253,15 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   }
   export interface S3EncryptionSettings {
     /**
-     * Specify how you want your data keys managed. AWS uses data keys to encrypt your content. AWS also encrypts the data keys themselves, using a customer master key (CMK), and then stores the encrypted data keys alongside your encrypted content. Use this setting to specify which AWS service manages the CMK. For simplest set up, choose Amazon S3 (SERVER_SIDE_ENCRYPTION_S3). If you want your master key to be managed by AWS Key Management Service (KMS), choose AWS KMS (SERVER_SIDE_ENCRYPTION_KMS). By default, when you choose AWS KMS, KMS uses the AWS managed customer master key (CMK) associated with Amazon S3 to encrypt your data keys. You can optionally choose to specify a different, customer managed CMK. Do so by specifying the Amazon Resource Name (ARN) of the key for the setting KMS ARN (kmsKeyArn).
+     * Specify how you want your data keys managed. AWS uses data keys to encrypt your content. AWS also encrypts the data keys themselves, using a customer master key (CMK), and then stores the encrypted data keys alongside your encrypted content. Use this setting to specify which AWS service manages the CMK. For simplest set up, choose Amazon S3. If you want your master key to be managed by AWS Key Management Service (KMS), choose AWS KMS. By default, when you choose AWS KMS, KMS uses the AWS managed customer master key (CMK) associated with Amazon S3 to encrypt your data keys. You can optionally choose to specify a different, customer managed CMK. Do so by specifying the Amazon Resource Name (ARN) of the key for the setting KMS ARN.
      */
     EncryptionType?: S3ServerSideEncryptionType;
     /**
-     * Optionally, specify the encryption context that you want to use alongside your KMS key. AWS KMS uses this encryption context as additional authenticated data (AAD) to support authenticated encryption. This value must be a base64-encoded UTF-8 string holding JSON which represents a string-string map. To use this setting, you must also set Server-side encryption (S3ServerSideEncryptionType) to AWS KMS (SERVER_SIDE_ENCRYPTION_KMS). For more information about encryption context, see: https://docs.aws.amazon.com/kms/latest/developerguide/concepts.html#encrypt_context.
+     * Optionally, specify the encryption context that you want to use alongside your KMS key. AWS KMS uses this encryption context as additional authenticated data (AAD) to support authenticated encryption. This value must be a base64-encoded UTF-8 string holding JSON which represents a string-string map. To use this setting, you must also set Server-side encryption to AWS KMS. For more information about encryption context, see: https://docs.aws.amazon.com/kms/latest/developerguide/concepts.html#encrypt_context.
      */
     KmsEncryptionContext?: __stringPatternAZaZ0902;
     /**
-     * Optionally, specify the customer master key (CMK) that you want to use to encrypt the data key that AWS uses to encrypt your output content. Enter the Amazon Resource Name (ARN) of the CMK. To use this setting, you must also set Server-side encryption (S3ServerSideEncryptionType) to AWS KMS (SERVER_SIDE_ENCRYPTION_KMS). If you set Server-side encryption to AWS KMS but don't specify a CMK here, AWS uses the AWS managed CMK associated with Amazon S3.
+     * Optionally, specify the customer master key (CMK) that you want to use to encrypt the data key that AWS uses to encrypt your output content. Enter the Amazon Resource Name (ARN) of the CMK. To use this setting, you must also set Server-side encryption to AWS KMS. If you set Server-side encryption to AWS KMS but don't specify a CMK here, AWS uses the AWS managed CMK associated with Amazon S3.
      */
     KmsKeyArn?: __stringPatternArnAwsUsGovCnKmsAZ26EastWestCentralNorthSouthEastWest1912D12KeyAFAF098AFAF094AFAF094AFAF094AFAF0912MrkAFAF0932;
   }
@@ -5265,7 +5272,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   export type SccDestinationFramerate = "FRAMERATE_23_97"|"FRAMERATE_24"|"FRAMERATE_25"|"FRAMERATE_29_97_DROPFRAME"|"FRAMERATE_29_97_NON_DROPFRAME"|string;
   export interface SccDestinationSettings {
     /**
-     * Set Framerate (SccDestinationFramerate) to make sure that the captions and the video are synchronized in the output. Specify a frame rate that matches the frame rate of the associated video. If the video frame rate is 29.97, choose 29.97 dropframe (FRAMERATE_29_97_DROPFRAME) only if the video has video_insertion=true and drop_frame_timecode=true; otherwise, choose 29.97 non-dropframe (FRAMERATE_29_97_NON_DROPFRAME).
+     * Set Framerate to make sure that the captions and the video are synchronized in the output. Specify a frame rate that matches the frame rate of the associated video. If the video frame rate is 29.97, choose 29.97 dropframe only if the video has video_insertion=true and drop_frame_timecode=true; otherwise, choose 29.97 non-dropframe.
      */
     Framerate?: SccDestinationFramerate;
   }
@@ -5313,7 +5320,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   }
   export interface SrtDestinationSettings {
     /**
-     * Set Style passthrough (StylePassthrough) to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use simplified output captions.
+     * Set Style passthrough to ENABLED to use the available style, color, and position information from your input captions. MediaConvert uses default settings for any missing style and position information in your input captions. Set Style passthrough to DISABLED, or leave blank, to ignore the style and position information from your input captions and use simplified output captions.
      */
     StylePassthrough?: SrtStylePassthrough;
   }
@@ -5328,7 +5335,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     KeyFormatVersions?: __stringPatternDD;
     /**
-     * Relates to DRM implementation. Use a 32-character hexidecimal string to specify Key Value (StaticKeyValue).
+     * Relates to DRM implementation. Use a 32-character hexidecimal string to specify Key Value.
      */
     StaticKeyValue?: __stringPatternAZaZ0932;
     /**
@@ -5355,47 +5362,47 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     PageNumber?: __stringMin3Max3Pattern1809aFAF09aEAE;
     /**
-     * Specify the page types for this Teletext page. If you don't specify a value here, the service sets the page type to the default value Subtitle (PAGE_TYPE_SUBTITLE). If you pass through the entire set of Teletext data, don't use this field. When you pass through a set of Teletext pages, your output has the same page types as your input.
+     * Specify the page types for this Teletext page. If you don't specify a value here, the service sets the page type to the default value Subtitle. If you pass through the entire set of Teletext data, don't use this field. When you pass through a set of Teletext pages, your output has the same page types as your input.
      */
     PageTypes?: __listOfTeletextPageType;
   }
   export type TeletextPageType = "PAGE_TYPE_INITIAL"|"PAGE_TYPE_SUBTITLE"|"PAGE_TYPE_ADDL_INFO"|"PAGE_TYPE_PROGRAM_SCHEDULE"|"PAGE_TYPE_HEARING_IMPAIRED_SUBTITLE"|string;
   export interface TeletextSourceSettings {
     /**
-     * Use Page Number (PageNumber) to specify the three-digit hexadecimal page number that will be used for Teletext captions. Do not use this setting if you are passing through teletext from the input source to output.
+     * Use Page Number to specify the three-digit hexadecimal page number that will be used for Teletext captions. Do not use this setting if you are passing through teletext from the input source to output.
      */
     PageNumber?: __stringMin3Max3Pattern1809aFAF09aEAE;
   }
   export interface TimecodeBurnin {
     /**
-     * Use Font Size (FontSize) to set the font size of any burned-in timecode. Valid values are 10, 16, 32, 48.
+     * Use Font size to set the font size of any burned-in timecode. Valid values are 10, 16, 32, 48.
      */
     FontSize?: __integerMin10Max48;
     /**
-     * Use Position (Position) under under Timecode burn-in (TimecodeBurnIn) to specify the location the burned-in timecode on output video.
+     * Use Position under Timecode burn-in to specify the location the burned-in timecode on output video.
      */
     Position?: TimecodeBurninPosition;
     /**
-     * Use Prefix (Prefix) to place ASCII characters before any burned-in timecode. For example, a prefix of "EZ-" will result in the timecode "EZ-00:00:00:00". Provide either the characters themselves or the ASCII code equivalents. The supported range of characters is 0x20 through 0x7e. This includes letters, numbers, and all special characters represented on a standard English keyboard.
+     * Use Prefix to place ASCII characters before any burned-in timecode. For example, a prefix of "EZ-" will result in the timecode "EZ-00:00:00:00". Provide either the characters themselves or the ASCII code equivalents. The supported range of characters is 0x20 through 0x7e. This includes letters, numbers, and all special characters represented on a standard English keyboard.
      */
     Prefix?: __stringPattern;
   }
   export type TimecodeBurninPosition = "TOP_CENTER"|"TOP_LEFT"|"TOP_RIGHT"|"MIDDLE_LEFT"|"MIDDLE_CENTER"|"MIDDLE_RIGHT"|"BOTTOM_LEFT"|"BOTTOM_CENTER"|"BOTTOM_RIGHT"|string;
   export interface TimecodeConfig {
     /**
-     * If you use an editing platform that relies on an anchor timecode, use Anchor Timecode (Anchor) to specify a timecode that will match the input video frame to the output video frame. Use 24-hour format with frame number, (HH:MM:SS:FF) or (HH:MM:SS;FF). This setting ignores frame rate conversion. System behavior for Anchor Timecode varies depending on your setting for Source (TimecodeSource). * If Source (TimecodeSource) is set to Specified Start (SPECIFIEDSTART), the first input frame is the specified value in Start Timecode (Start). Anchor Timecode (Anchor) and Start Timecode (Start) are used calculate output timecode. * If Source (TimecodeSource) is set to Start at 0 (ZEROBASED) the first frame is 00:00:00:00. * If Source (TimecodeSource) is set to Embedded (EMBEDDED), the first frame is the timecode value on the first input frame of the input.
+     * If you use an editing platform that relies on an anchor timecode, use Anchor Timecode to specify a timecode that will match the input video frame to the output video frame. Use 24-hour format with frame number, (HH:MM:SS:FF) or (HH:MM:SS;FF). This setting ignores frame rate conversion. System behavior for Anchor Timecode varies depending on your setting for Source. * If Source is set to Specified Start, the first input frame is the specified value in Start Timecode. Anchor Timecode and Start Timecode are used calculate output timecode. * If Source is set to Start at 0 the first frame is 00:00:00:00. * If Source is set to Embedded, the first frame is the timecode value on the first input frame of the input.
      */
     Anchor?: __stringPattern010920405090509092;
     /**
-     * Use Source (TimecodeSource) to set how timecodes are handled within this job. To make sure that your video, audio, captions, and markers are synchronized and that time-based features, such as image inserter, work correctly, choose the Timecode source option that matches your assets. All timecodes are in a 24-hour format with frame number (HH:MM:SS:FF). * Embedded (EMBEDDED) - Use the timecode that is in the input video. If no embedded timecode is in the source, the service will use Start at 0 (ZEROBASED) instead. * Start at 0 (ZEROBASED) - Set the timecode of the initial frame to 00:00:00:00. * Specified Start (SPECIFIEDSTART) - Set the timecode of the initial frame to a value other than zero. You use Start timecode (Start) to provide this value.
+     * Use Source to set how timecodes are handled within this job. To make sure that your video, audio, captions, and markers are synchronized and that time-based features, such as image inserter, work correctly, choose the Timecode source option that matches your assets. All timecodes are in a 24-hour format with frame number (HH:MM:SS:FF). * Embedded - Use the timecode that is in the input video. If no embedded timecode is in the source, the service will use Start at 0 instead. * Start at 0 - Set the timecode of the initial frame to 00:00:00:00. * Specified Start - Set the timecode of the initial frame to a value other than zero. You use Start timecode to provide this value.
      */
     Source?: TimecodeSource;
     /**
-     * Only use when you set Source (TimecodeSource) to Specified start (SPECIFIEDSTART). Use Start timecode (Start) to specify the timecode for the initial frame. Use 24-hour format with frame number, (HH:MM:SS:FF) or (HH:MM:SS;FF).
+     * Only use when you set Source to Specified start. Use Start timecode to specify the timecode for the initial frame. Use 24-hour format with frame number, (HH:MM:SS:FF) or (HH:MM:SS;FF).
      */
     Start?: __stringPattern010920405090509092;
     /**
-     * Only applies to outputs that support program-date-time stamp. Use Timestamp offset (TimestampOffset) to overwrite the timecode date without affecting the time and frame number. Provide the new date as a string in the format "yyyy-mm-dd". To use Time stamp offset, you must also enable Insert program-date-time (InsertProgramDateTime) in the output settings. For example, if the date part of your timecodes is 2002-1-25 and you want to change it to one year later, set Timestamp offset (TimestampOffset) to 2003-1-25.
+     * Only applies to outputs that support program-date-time stamp. Use Timestamp offset to overwrite the timecode date without affecting the time and frame number. Provide the new date as a string in the format "yyyy-mm-dd". To use Timestamp offset, you must also enable Insert program-date-time in the output settings. For example, if the date part of your timecodes is 2002-1-25 and you want to change it to one year later, set Timestamp offset to 2003-1-25.
      */
     TimestampOffset?: __stringPattern0940191020191209301;
   }
@@ -5546,7 +5553,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   export type Vc3ScanTypeConversionMode = "INTERLACED"|"INTERLACED_OPTIMIZE"|string;
   export interface Vc3Settings {
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: Vc3FramerateControl;
     /**
@@ -5566,19 +5573,19 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     InterlaceMode?: Vc3InterlaceMode;
     /**
-     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing (INTERLACED_OPTIMIZE) to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing (INTERLACED), for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine (telecine) to None (NONE) or Soft (SOFT). You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode (interlaceMode) to a value other than Progressive (PROGRESSIVE).
+     * Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate. In this situation, choose Optimized interlacing to create a better quality interlaced output. In this case, each progressive frame from the input corresponds to an interlaced field in the output. Keep the default value, Basic interlacing, for all other output frame rates. With basic interlacing, MediaConvert performs any frame rate conversion first and then interlaces the frames. When you choose Optimized interlacing and you set your output frame rate to a value that isn't suitable for optimized interlacing, MediaConvert automatically falls back to basic interlacing. Required settings: To use optimized interlacing, you must set Telecine to None or Soft. You can't use optimized interlacing for hard telecine outputs. You must also set Interlace mode to a value other than Progressive.
      */
     ScanTypeConversionMode?: Vc3ScanTypeConversionMode;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output by relabeling the video frames and resampling your audio. Note that enabling this setting will slightly reduce the duration of your video. Related settings: You must also set Framerate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output by relabeling the video frames and resampling your audio. Note that enabling this setting will slightly reduce the duration of your video. Related settings: You must also set Framerate to 25.
      */
     SlowPal?: Vc3SlowPal;
     /**
-     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture. When you keep the default value, None (NONE), MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
+     * When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is interlaced, you can optionally enable hard telecine to create a smoother picture. When you keep the default value, None, MediaConvert does a standard frame rate conversion to 29.97 without doing anything with the field polarity to create a smoother picture.
      */
     Telecine?: Vc3Telecine;
     /**
-     * Specify the VC3 class to choose the quality characteristics for this output. VC3 class, together with the settings Framerate (framerateNumerator and framerateDenominator) and Resolution (height and width), determine your output bitrate. For example, say that your video resolution is 1920x1080 and your framerate is 29.97. Then Class 145 (CLASS_145) gives you an output with a bitrate of approximately 145 Mbps and Class 220 (CLASS_220) gives you and output with a bitrate of approximately 220 Mbps. VC3 class also specifies the color bit depth of your output.
+     * Specify the VC3 class to choose the quality characteristics for this output. VC3 class, together with the settings Framerate (framerateNumerator and framerateDenominator) and Resolution (height and width), determine your output bitrate. For example, say that your video resolution is 1920x1080 and your framerate is 29.97. Then Class 145 gives you an output with a bitrate of approximately 145 Mbps and Class 220 gives you and output with a bitrate of approximately 220 Mbps. VC3 class also specifies the color bit depth of your output.
      */
     Vc3Class?: Vc3Class;
   }
@@ -5596,15 +5603,15 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     AvcIntraSettings?: AvcIntraSettings;
     /**
-     * Specifies the video codec. This must be equal to one of the enum values defined by the object VideoCodec. To passthrough the video stream of your input JPEG2000, VC-3, AVC-INTRA or Apple ProRes  video without any video encoding: Choose Passthrough. If you have multiple input videos, note that they must have identical encoding attributes. When you choose Passthrough, your output container must be MXF or QuickTime MOV.
+     * Specifies the video codec. This must be equal to one of the enum values defined by the object VideoCodec. To passthrough the video stream of your input JPEG2000, VC-3, AVC-INTRA or Apple ProRes video without any video encoding: Choose Passthrough. If you have multiple input videos, note that they must have identical encoding attributes. When you choose Passthrough, your output container must be MXF or QuickTime MOV.
      */
     Codec?: VideoCodec;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value FRAME_CAPTURE.
+     * Required when you set Codec to the value FRAME_CAPTURE.
      */
     FrameCaptureSettings?: FrameCaptureSettings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value H_264.
+     * Required when you set Codec to the value H_264.
      */
     H264Settings?: H264Settings;
     /**
@@ -5612,33 +5619,33 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     H265Settings?: H265Settings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value MPEG2.
+     * Required when you set Codec to the value MPEG2.
      */
     Mpeg2Settings?: Mpeg2Settings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value PRORES.
+     * Required when you set Codec to the value PRORES.
      */
     ProresSettings?: ProresSettings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VC3
+     * Required when you set Codec to the value VC3
      */
     Vc3Settings?: Vc3Settings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP8.
+     * Required when you set Codec to the value VP8.
      */
     Vp8Settings?: Vp8Settings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP9.
+     * Required when you set Codec to the value VP9.
      */
     Vp9Settings?: Vp9Settings;
     /**
-     * Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value XAVC.
+     * Required when you set Codec to the value XAVC.
      */
     XavcSettings?: XavcSettings;
   }
   export interface VideoDescription {
     /**
-     * This setting only applies to H.264, H.265, and MPEG2 outputs. Use Insert AFD signaling (AfdSignaling) to specify whether the service includes AFD values in the output video data and what those values are. * Choose None to remove all AFD values from this output. * Choose Fixed to ignore input AFD values and instead encode the value specified in the job. * Choose Auto to calculate output AFD values based on the input AFD scaler data.
+     * This setting only applies to H.264, H.265, and MPEG2 outputs. Use Insert AFD signaling to specify whether the service includes AFD values in the output video data and what those values are. * Choose None to remove all AFD values from this output. * Choose Fixed to ignore input AFD values and instead encode the value specified in the job. * Choose Auto to calculate output AFD values based on the input AFD scaler data.
      */
     AfdSignaling?: AfdSignaling;
     /**
@@ -5646,23 +5653,23 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     AntiAlias?: AntiAlias;
     /**
-     * Video codec settings, (CodecSettings) under (VideoDescription), contains the group of settings related to video encoding. The settings in this group vary depending on the value that you choose for Video codec (Codec). For each codec enum that you choose, define the corresponding settings object. The following lists the codec enum, settings object pairs. * AV1, Av1Settings * AVC_INTRA, AvcIntraSettings * FRAME_CAPTURE, FrameCaptureSettings * H_264, H264Settings * H_265, H265Settings * MPEG2, Mpeg2Settings * PRORES, ProresSettings * VC3, Vc3Settings * VP8, Vp8Settings * VP9, Vp9Settings * XAVC, XavcSettings
+     * Video codec settings contains the group of settings related to video encoding. The settings in this group vary depending on the value that you choose for Video codec. For each codec enum that you choose, define the corresponding settings object. The following lists the codec enum, settings object pairs. * AV1, Av1Settings * AVC_INTRA, AvcIntraSettings * FRAME_CAPTURE, FrameCaptureSettings * H_264, H264Settings * H_265, H265Settings * MPEG2, Mpeg2Settings * PRORES, ProresSettings * VC3, Vc3Settings * VP8, Vp8Settings * VP9, Vp9Settings * XAVC, XavcSettings
      */
     CodecSettings?: VideoCodecSettings;
     /**
-     * Choose Insert (INSERT) for this setting to include color metadata in this output. Choose Ignore (IGNORE) to exclude color metadata from this output. If you don't specify a value, the service sets this to Insert by default.
+     * Choose Insert for this setting to include color metadata in this output. Choose Ignore to exclude color metadata from this output. If you don't specify a value, the service sets this to Insert by default.
      */
     ColorMetadata?: ColorMetadata;
     /**
-     * Use Cropping selection (crop) to specify the video area that the service will include in the output video frame.
+     * Use Cropping selection to specify the video area that the service will include in the output video frame.
      */
     Crop?: Rectangle;
     /**
-     * Applies only to 29.97 fps outputs. When this feature is enabled, the service will use drop-frame timecode on outputs. If it is not possible to use drop-frame timecode, the system will fall back to non-drop-frame. This setting is enabled by default when Timecode insertion (TimecodeInsertion) is enabled.
+     * Applies only to 29.97 fps outputs. When this feature is enabled, the service will use drop-frame timecode on outputs. If it is not possible to use drop-frame timecode, the system will fall back to non-drop-frame. This setting is enabled by default when Timecode insertion is enabled.
      */
     DropFrameTimecode?: DropFrameTimecode;
     /**
-     * Applies only if you set AFD Signaling(AfdSignaling) to Fixed (FIXED). Use Fixed (FixedAfd) to specify a four-bit AFD value which the service will write on all frames of this video output.
+     * Applies only if you set AFD Signaling to Fixed. Use Fixed to specify a four-bit AFD value which the service will write on all frames of this video output.
      */
     FixedAfd?: __integerMin0Max15;
     /**
@@ -5670,27 +5677,27 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Height?: __integerMin32Max8192;
     /**
-     * Use Selection placement (position) to define the video area in your output frame. The area outside of the rectangle that you specify here is black.
+     * Use Selection placement to define the video area in your output frame. The area outside of the rectangle that you specify here is black.
      */
     Position?: Rectangle;
     /**
-     * Use Respond to AFD (RespondToAfd) to specify how the service changes the video itself in response to AFD values in the input. * Choose Respond to clip the input video frame according to the AFD value, input display aspect ratio, and output display aspect ratio. * Choose Passthrough to include the input AFD values. Do not choose this when AfdSignaling is set to (NONE). A preferred implementation of this workflow is to set RespondToAfd to (NONE) and set AfdSignaling to (AUTO). * Choose None to remove all input AFD values from this output.
+     * Use Respond to AFD to specify how the service changes the video itself in response to AFD values in the input. * Choose Respond to clip the input video frame according to the AFD value, input display aspect ratio, and output display aspect ratio. * Choose Passthrough to include the input AFD values. Do not choose this when AfdSignaling is set to NONE. A preferred implementation of this workflow is to set RespondToAfd to and set AfdSignaling to AUTO. * Choose None to remove all input AFD values from this output.
      */
     RespondToAfd?: RespondToAfd;
     /**
-     * Specify how the service handles outputs that have a different aspect ratio from the input aspect ratio. Choose Stretch to output (STRETCH_TO_OUTPUT) to have the service stretch your video image to fit. Keep the setting Default (DEFAULT) to have the service letterbox your video instead. This setting overrides any value that you specify for the setting Selection placement (position) in this output.
+     * Specify how the service handles outputs that have a different aspect ratio from the input aspect ratio. Choose Stretch to output to have the service stretch your video image to fit. Keep the setting Default to have the service letterbox your video instead. This setting overrides any value that you specify for the setting Selection placement in this output.
      */
     ScalingBehavior?: ScalingBehavior;
     /**
-     * Use Sharpness (Sharpness) setting to specify the strength of anti-aliasing. This setting changes the width of the anti-alias filter kernel used for scaling. Sharpness only applies if your output resolution is different from your input resolution. 0 is the softest setting, 100 the sharpest, and 50 recommended for most content.
+     * Use Sharpness setting to specify the strength of anti-aliasing. This setting changes the width of the anti-alias filter kernel used for scaling. Sharpness only applies if your output resolution is different from your input resolution. 0 is the softest setting, 100 the sharpest, and 50 recommended for most content.
      */
     Sharpness?: __integerMin0Max100;
     /**
-     * Applies only to H.264, H.265, MPEG2, and ProRes outputs. Only enable Timecode insertion when the input frame rate is identical to the output frame rate. To include timecodes in this output, set Timecode insertion (VideoTimecodeInsertion) to PIC_TIMING_SEI. To leave them out, set it to DISABLED. Default is DISABLED. When the service inserts timecodes in an output, by default, it uses any embedded timecodes from the input. If none are present, the service will set the timecode for the first output frame to zero. To change this default behavior, adjust the settings under Timecode configuration (TimecodeConfig). In the console, these settings are located under Job > Job settings > Timecode configuration. Note - Timecode source under input settings (InputTimecodeSource) does not affect the timecodes that are inserted in the output. Source under Job settings > Timecode configuration (TimecodeSource) does.
+     * Applies only to H.264, H.265, MPEG2, and ProRes outputs. Only enable Timecode insertion when the input frame rate is identical to the output frame rate. To include timecodes in this output, set Timecode insertion to PIC_TIMING_SEI. To leave them out, set it to DISABLED. Default is DISABLED. When the service inserts timecodes in an output, by default, it uses any embedded timecodes from the input. If none are present, the service will set the timecode for the first output frame to zero. To change this default behavior, adjust the settings under Timecode configuration. In the console, these settings are located under Job > Job settings > Timecode configuration. Note - Timecode source under input settings does not affect the timecodes that are inserted in the output. Source under Job settings > Timecode configuration does.
      */
     TimecodeInsertion?: VideoTimecodeInsertion;
     /**
-     * Find additional transcoding features under Preprocessors (VideoPreprocessors). Enable the features at each output individually. These features are disabled by default.
+     * Find additional transcoding features under Preprocessors. Enable the features at each output individually. These features are disabled by default.
      */
     VideoPreprocessors?: VideoPreprocessor;
     /**
@@ -5726,7 +5733,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Hdr10Plus?: Hdr10Plus;
     /**
-     * Enable the Image inserter (ImageInserter) feature to include a graphic overlay on your video. Enable or disable this feature for each output individually. This setting is disabled by default.
+     * Enable the Image inserter feature to include a graphic overlay on your video. Enable or disable this feature for each output individually. This setting is disabled by default.
      */
     ImageInserter?: ImageInserter;
     /**
@@ -5757,23 +5764,23 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     ColorSpace?: ColorSpace;
     /**
-     * There are two sources for color metadata, the input file and the job input settings Color space (ColorSpace) and HDR master display information settings(Hdr10Metadata). The Color space usage setting determines which takes precedence. Choose Force (FORCE) to use color metadata from the input job settings. If you don't specify values for those settings, the service defaults to using metadata from your input. FALLBACK - Choose Fallback (FALLBACK) to use color metadata from the source when it is present. If there's no color metadata in your input file, the service defaults to using values you specify in the input settings.
+     * There are two sources for color metadata, the input file and the job input settings Color space and HDR master display information settings. The Color space usage setting determines which takes precedence. Choose Force to use color metadata from the input job settings. If you don't specify values for those settings, the service defaults to using metadata from your input. FALLBACK - Choose Fallback to use color metadata from the source when it is present. If there's no color metadata in your input file, the service defaults to using values you specify in the input settings.
      */
     ColorSpaceUsage?: ColorSpaceUsage;
     /**
-     * Set Embedded timecode override (embeddedTimecodeOverride) to Use MDPM (USE_MDPM) when your AVCHD input contains timecode tag data in the Modified Digital Video Pack Metadata (MDPM). When you do, we recommend you also set Timecode source (inputTimecodeSource) to Embedded (EMBEDDED). Leave Embedded timecode override blank, or set to None (NONE), when your input does not contain MDPM timecode.
+     * Set Embedded timecode override to Use MDPM when your AVCHD input contains timecode tag data in the Modified Digital Video Pack Metadata. When you do, we recommend you also set Timecode source to Embedded. Leave Embedded timecode override blank, or set to None, when your input does not contain MDPM timecode.
      */
     EmbeddedTimecodeOverride?: EmbeddedTimecodeOverride;
     /**
-     * Use these settings to provide HDR 10 metadata that is missing or inaccurate in your input video. Appropriate values vary depending on the input video and must be provided by a color grader. The color grader generates these values during the HDR 10 mastering process. The valid range for each of these settings is 0 to 50,000. Each increment represents 0.00002 in CIE1931 color coordinate. Related settings - When you specify these values, you must also set Color space (ColorSpace) to HDR 10 (HDR10). To specify whether the the values you specify here take precedence over the values in the metadata of your input file, set Color space usage (ColorSpaceUsage). To specify whether color metadata is included in an output, set Color metadata (ColorMetadata). For more information about MediaConvert HDR jobs, see https://docs.aws.amazon.com/console/mediaconvert/hdr.
+     * Use these settings to provide HDR 10 metadata that is missing or inaccurate in your input video. Appropriate values vary depending on the input video and must be provided by a color grader. The color grader generates these values during the HDR 10 mastering process. The valid range for each of these settings is 0 to 50,000. Each increment represents 0.00002 in CIE1931 color coordinate. Related settings - When you specify these values, you must also set Color space to HDR 10. To specify whether the the values you specify here take precedence over the values in the metadata of your input file, set Color space usage. To specify whether color metadata is included in an output, set Color metadata. For more information about MediaConvert HDR jobs, see https://docs.aws.amazon.com/console/mediaconvert/hdr.
      */
     Hdr10Metadata?: Hdr10Metadata;
     /**
-     * Use this setting if your input has video and audio durations that don't align, and your output or player has strict alignment requirements. Examples: Input audio track has a delayed start. Input video track ends before audio ends. When you set Pad video (padVideo) to Black (BLACK), MediaConvert generates black video frames so that output video and audio durations match. Black video frames are added at the beginning or end, depending on your input. To keep the default behavior and not generate black video, set Pad video to Disabled (DISABLED) or leave blank.
+     * Use this setting if your input has video and audio durations that don't align, and your output or player has strict alignment requirements. Examples: Input audio track has a delayed start. Input video track ends before audio ends. When you set Pad video to Black, MediaConvert generates black video frames so that output video and audio durations match. Black video frames are added at the beginning or end, depending on your input. To keep the default behavior and not generate black video, set Pad video to Disabled or leave blank.
      */
     PadVideo?: PadVideo;
     /**
-     * Use PID (Pid) to select specific video data from an input file. Specify this value as an integer; the system automatically converts it to the hexidecimal value. For example, 257 selects PID 0x101. A PID, or packet identifier, is an identifier for a set of data in an MPEG-2 transport stream container.
+     * Use PID to select specific video data from an input file. Specify this value as an integer; the system automatically converts it to the hexidecimal value. For example, 257 selects PID 0x101. A PID, or packet identifier, is an identifier for a set of data in an MPEG-2 transport stream container.
      */
     Pid?: __integerMin1Max2147483647;
     /**
@@ -5781,11 +5788,11 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     ProgramNumber?: __integerMinNegative2147483648Max2147483647;
     /**
-     * Use Rotate (InputRotate) to specify how the service rotates your video. You can choose automatic rotation or specify a rotation. You can specify a clockwise rotation of 0, 90, 180, or 270 degrees. If your input video container is .mov or .mp4 and your input has rotation metadata, you can choose Automatic to have the service rotate your video according to the rotation specified in the metadata. The rotation must be within one degree of 90, 180, or 270 degrees. If the rotation metadata specifies any other rotation, the service will default to no rotation. By default, the service does no rotation, even if your input video has rotation metadata. The service doesn't pass through rotation metadata.
+     * Use Rotate to specify how the service rotates your video. You can choose automatic rotation or specify a rotation. You can specify a clockwise rotation of 0, 90, 180, or 270 degrees. If your input video container is .mov or .mp4 and your input has rotation metadata, you can choose Automatic to have the service rotate your video according to the rotation specified in the metadata. The rotation must be within one degree of 90, 180, or 270 degrees. If the rotation metadata specifies any other rotation, the service will default to no rotation. By default, the service does no rotation, even if your input video has rotation metadata. The service doesn't pass through rotation metadata.
      */
     Rotate?: InputRotate;
     /**
-     * If the sample range metadata in your input video is accurate, or if you don't know about sample range, keep the default value, Follow (FOLLOW), for this setting. When you do, the service automatically detects your input sample range. If your input video has metadata indicating the wrong sample range, specify the accurate sample range here. When you do, MediaConvert ignores any sample range information in the input metadata. Regardless of whether MediaConvert uses the input sample range or the sample range that you specify, MediaConvert uses the sample range for transcoding and also writes it to the output metadata.
+     * If the sample range metadata in your input video is accurate, or if you don't know about sample range, keep the default value, Follow, for this setting. When you do, the service automatically detects your input sample range. If your input video has metadata indicating the wrong sample range, specify the accurate sample range here. When you do, MediaConvert ignores any sample range information in the input metadata. Regardless of whether MediaConvert uses the input sample range or the sample range that you specify, MediaConvert uses the sample range for transcoding and also writes it to the output metadata.
      */
     SampleRange?: InputSampleRange;
   }
@@ -5815,7 +5822,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Bitrate?: __integerMin1000Max1152000000;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: Vp8FramerateControl;
     /**
@@ -5843,19 +5850,19 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     MaxBitrate?: __integerMin1000Max1152000000;
     /**
-     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source (INITIALIZE_FROM_SOURCE), uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. To specify a different PAR by editing the JSON job specification, choose SPECIFIED. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
+     * Optional. Specify how the service determines the pixel aspect ratio (PAR) for this output. The default behavior, Follow source, uses the PAR from your input video for your output. To specify a different PAR in the console, choose any value other than Follow source. When you choose SPECIFIED for this setting, you must also specify values for the parNumerator and parDenominator settings.
      */
     ParControl?: Vp8ParControl;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: __integerMin1Max2147483647;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: __integerMin1Max2147483647;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, multi-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, multi-pass encoding.
      */
     QualityTuningLevel?: Vp8QualityTuningLevel;
     /**
@@ -5874,7 +5881,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Bitrate?: __integerMin1000Max480000000;
     /**
-     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Framerate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list or choose Custom. The framerates shown in the dropdown list are decimal approximations of fractions. If you choose Custom, specify your frame rate as a fraction.
      */
     FramerateControl?: Vp9FramerateControl;
     /**
@@ -5906,15 +5913,15 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     ParControl?: Vp9ParControl;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parDenominator is 33.
      */
     ParDenominator?: __integerMin1Max2147483647;
     /**
-     * Required when you set Pixel aspect ratio (parControl) to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
+     * Required when you set Pixel aspect ratio to SPECIFIED. On the console, this corresponds to any value other than Follow source. When you specify an output pixel aspect ratio (PAR) that is different from your input video PAR, provide your output PAR as a ratio. For example, for D1/DV NTSC widescreen, you would specify the ratio 40:33. In this example, the value for parNumerator is 40.
      */
     ParNumerator?: __integerMin1Max2147483647;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, multi-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, multi-pass encoding.
      */
     QualityTuningLevel?: Vp9QualityTuningLevel;
     /**
@@ -5936,7 +5943,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   export type WavFormat = "RIFF"|"RF64"|string;
   export interface WavSettings {
     /**
-     * Specify Bit depth (BitDepth), in bits per sample, to choose the encoding quality for this audio track.
+     * Specify Bit depth, in bits per sample, to choose the encoding quality for this audio track.
      */
     BitDepth?: __integerMin16Max24;
     /**
@@ -5959,7 +5966,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Accessibility?: WebvttAccessibilitySubs;
     /**
-     * To use the available style, color, and position information from your input captions: Set Style passthrough (stylePassthrough) to Enabled (ENABLED). MediaConvert uses default settings when style and position information is missing from your input captions. To recreate the input captions exactly: Set Style passthrough to Strict (STRICT). MediaConvert automatically applies timing adjustments, including adjustments for frame rate conversion, ad avails, and input clipping. Your input captions format must be WebVTT. To ignore the style and position information from your input captions and use simplified output captions: Set Style passthrough to Disabled (DISABLED), or leave blank.
+     * To use the available style, color, and position information from your input captions: Set Style passthrough to Enabled. MediaConvert uses default settings when style and position information is missing from your input captions. To recreate the input captions exactly: Set Style passthrough to Strict. MediaConvert automatically applies timing adjustments, including adjustments for frame rate conversion, ad avails, and input clipping. Your input captions format must be WebVTT. To ignore the style and position information from your input captions and use simplified output captions: Set Style passthrough to Disabled, or leave blank.
      */
     StylePassthrough?: WebvttStylePassthrough;
   }
@@ -6005,11 +6012,11 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     CodecProfile?: Xavc4kProfileCodecProfile;
     /**
-     * The best way to set up adaptive quantization is to keep the default value, Auto (AUTO), for the setting Adaptive quantization (XavcAdaptiveQuantization). When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set Adaptive quantization (adaptiveQuantization) to a value other than Off (OFF) or Auto (AUTO). Use Adaptive quantization to adjust the degree of smoothing that Flicker adaptive quantization provides.
+     * The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive quantization. When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set Adaptive quantization to a value other than Off or Auto. Use Adaptive quantization to adjust the degree of smoothing that Flicker adaptive quantization provides.
      */
     FlickerAdaptiveQuantization?: XavcFlickerAdaptiveQuantization;
     /**
-     * Specify whether the encoder uses B-frames as reference frames for other pictures in the same GOP. Choose Allow (ENABLED) to allow the encoder to use B-frames as reference frames. Choose Don't allow (DISABLED) to prevent the encoder from using B-frames as reference frames.
+     * Specify whether the encoder uses B-frames as reference frames for other pictures in the same GOP. Choose Allow to allow the encoder to use B-frames as reference frames. Choose Don't allow to prevent the encoder from using B-frames as reference frames.
      */
     GopBReference?: XavcGopBReference;
     /**
@@ -6021,7 +6028,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     HrdBufferSize?: __integerMin0Max1152000000;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
      */
     QualityTuningLevel?: Xavc4kProfileQualityTuningLevel;
     /**
@@ -6050,11 +6057,11 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     BitrateClass?: XavcHdProfileBitrateClass;
     /**
-     * The best way to set up adaptive quantization is to keep the default value, Auto (AUTO), for the setting Adaptive quantization (XavcAdaptiveQuantization). When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set Adaptive quantization (adaptiveQuantization) to a value other than Off (OFF) or Auto (AUTO). Use Adaptive quantization to adjust the degree of smoothing that Flicker adaptive quantization provides.
+     * The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive quantization. When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. Enable this setting to have the encoder reduce I-frame pop. I-frame pop appears as a visual flicker that can arise when the encoder saves bits by copying some macroblocks many times from frame to frame, and then refreshes them at the I-frame. When you enable this setting, the encoder updates these macroblocks slightly more often to smooth out the flicker. This setting is disabled by default. Related setting: In addition to enabling this setting, you must also set Adaptive quantization to a value other than Off or Auto. Use Adaptive quantization to adjust the degree of smoothing that Flicker adaptive quantization provides.
      */
     FlickerAdaptiveQuantization?: XavcFlickerAdaptiveQuantization;
     /**
-     * Specify whether the encoder uses B-frames as reference frames for other pictures in the same GOP. Choose Allow (ENABLED) to allow the encoder to use B-frames as reference frames. Choose Don't allow (DISABLED) to prevent the encoder from using B-frames as reference frames.
+     * Specify whether the encoder uses B-frames as reference frames for other pictures in the same GOP. Choose Allow to allow the encoder to use B-frames as reference frames. Choose Don't allow to prevent the encoder from using B-frames as reference frames.
      */
     GopBReference?: XavcGopBReference;
     /**
@@ -6066,11 +6073,11 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     HrdBufferSize?: __integerMin0Max1152000000;
     /**
-     * Choose the scan line type for the output. Keep the default value, Progressive (PROGRESSIVE) to create a progressive output, regardless of the scan type of your input. Use Top field first (TOP_FIELD) or Bottom field first (BOTTOM_FIELD) to create an output that's interlaced with the same field polarity throughout. Use Follow, default top (FOLLOW_TOP_FIELD) or Follow, default bottom (FOLLOW_BOTTOM_FIELD) to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
+     * Choose the scan line type for the output. Keep the default value, Progressive to create a progressive output, regardless of the scan type of your input. Use Top field first or Bottom field first to create an output that's interlaced with the same field polarity throughout. Use Follow, default top or Follow, default bottom to produce outputs with the same field polarity as the source. For jobs that have multiple inputs, the output field polarity might change over the course of the output. Follow behavior depends on the input scan type. If the source is interlaced, the output will be interlaced with the same polarity as the source. If the source is progressive, the output will be interlaced with top field bottom field first, depending on which of the Follow options you choose.
      */
     InterlaceMode?: XavcInterlaceMode;
     /**
-     * Optional. Use Quality tuning level (qualityTuningLevel) to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
+     * Optional. Use Quality tuning level to choose how you want to trade off encoding speed for output video quality. The default behavior is faster, lower quality, single-pass encoding.
      */
     QualityTuningLevel?: XavcHdProfileQualityTuningLevel;
     /**
@@ -6078,7 +6085,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Slices?: __integerMin4Max12;
     /**
-     * Ignore this setting unless you set Frame rate (framerateNumerator divided by framerateDenominator) to 29.970. If your input framerate is 23.976, choose Hard (HARD). Otherwise, keep the default value None (NONE). For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/working-with-telecine-and-inverse-telecine.html.
+     * Ignore this setting unless you set Frame rate (framerateNumerator divided by framerateDenominator) to 29.970. If your input framerate is 23.976, choose Hard. Otherwise, keep the default value None. For more information, see https://docs.aws.amazon.com/mediaconvert/latest/ug/working-with-telecine-and-inverse-telecine.html.
      */
     Telecine?: XavcHdProfileTelecine;
   }
@@ -6087,7 +6094,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
   export type XavcProfile = "XAVC_HD_INTRA_CBG"|"XAVC_4K_INTRA_CBG"|"XAVC_4K_INTRA_VBR"|"XAVC_HD"|"XAVC_4K"|string;
   export interface XavcSettings {
     /**
-     * Keep the default value, Auto (AUTO), for this setting to have MediaConvert automatically apply the best types of quantization for your video content. When you want to apply your quantization settings manually, you must set Adaptive quantization (adaptiveQuantization) to a value other than Auto (AUTO). Use this setting to specify the strength of any adaptive quantization filters that you enable. If you don't want MediaConvert to do any adaptive quantization in this transcode, set Adaptive quantization to Off (OFF). Related settings: The value that you choose here applies to the following settings: Flicker adaptive quantization (flickerAdaptiveQuantization), Spatial adaptive quantization (spatialAdaptiveQuantization), and Temporal adaptive quantization (temporalAdaptiveQuantization).
+     * Keep the default value, Auto, for this setting to have MediaConvert automatically apply the best types of quantization for your video content. When you want to apply your quantization settings manually, you must set Adaptive quantization to a value other than Auto. Use this setting to specify the strength of any adaptive quantization filters that you enable. If you don't want MediaConvert to do any adaptive quantization in this transcode, set Adaptive quantization to Off. Related settings: The value that you choose here applies to the following settings: Flicker adaptive quantization (flickerAdaptiveQuantization), Spatial adaptive quantization, and Temporal adaptive quantization.
      */
     AdaptiveQuantization?: XavcAdaptiveQuantization;
     /**
@@ -6095,7 +6102,7 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     EntropyEncoding?: XavcEntropyEncoding;
     /**
-     * If you are using the console, use the Frame rate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list. The framerates shown in the dropdown list are decimal approximations of fractions. If you are creating your transcoding job specification as a JSON file without the console, use FramerateControl to specify which value the service uses for the frame rate for this output. Choose INITIALIZE_FROM_SOURCE if you want the service to use the frame rate from the input. Choose SPECIFIED if you want the service to use the frame rate that you specify in the settings FramerateNumerator and FramerateDenominator.
+     * If you are using the console, use the Frame rate setting to specify the frame rate for this output. If you want to keep the same frame rate as the input video, choose Follow source. If you want to do frame rate conversion, choose a frame rate from the dropdown list. The framerates shown in the dropdown list are decimal approximations of fractions.
      */
     FramerateControl?: XavcFramerateControl;
     /**
@@ -6115,39 +6122,39 @@ When you specify Version 1, you must also set ID3 metadata (timedMetadata) to Pa
      */
     Profile?: XavcProfile;
     /**
-     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output by relabeling the video frames and resampling your audio. Note that enabling this setting will slightly reduce the duration of your video. Related settings: You must also set Frame rate to 25. In your JSON job specification, set (framerateControl) to (SPECIFIED), (framerateNumerator) to 25 and (framerateDenominator) to 1.
+     * Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps). Enable slow PAL to create a 25 fps output by relabeling the video frames and resampling your audio. Note that enabling this setting will slightly reduce the duration of your video. Related settings: You must also set Frame rate to 25.
      */
     SlowPal?: XavcSlowPal;
     /**
-     * Ignore this setting unless your downstream workflow requires that you specify it explicitly. Otherwise, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness (sharpness) or by enabling a noise reducer filter (noiseReducerFilter). The Softness (softness) setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, for flat quantization. Choose the value 1 or 16 to use the default JVT softening quantization matricies from the H.264 specification. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
+     * Ignore this setting unless your downstream workflow requires that you specify it explicitly. Otherwise, we recommend that you adjust the softness of your output by using a lower value for the setting Sharpness or by enabling a noise reducer filter. The Softness setting specifies the quantization matrices that the encoder uses. Keep the default value, 0, for flat quantization. Choose the value 1 or 16 to use the default JVT softening quantization matricies from the H.264 specification. Choose a value from 17 to 128 to use planar interpolation. Increasing values from 17 to 128 result in increasing reduction of high-frequency data. The value 128 results in the softest video.
      */
     Softness?: __integerMin0Max128;
     /**
-     * The best way to set up adaptive quantization is to keep the default value, Auto (AUTO), for the setting Adaptive quantization (adaptiveQuantization). When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. For this setting, keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization (adaptiveQuantization) depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
+     * The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive quantization. When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. For this setting, keep the default value, Enabled, to adjust quantization within each frame based on spatial variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas that can sustain more distortion with no noticeable visual degradation and uses more bits on areas where any small distortion will be noticeable. For example, complex textured blocks are encoded with fewer bits and smooth textured blocks are encoded with more bits. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen with a lot of complex texture, you might choose to disable this feature. Related setting: When you enable spatial adaptive quantization, set the value for Adaptive quantization depending on your content. For homogeneous content, such as cartoons and video games, set it to Low. For content with a wider variety of textures, set it to High or Higher.
      */
     SpatialAdaptiveQuantization?: XavcSpatialAdaptiveQuantization;
     /**
-     * The best way to set up adaptive quantization is to keep the default value, Auto (AUTO), for the setting Adaptive quantization (adaptiveQuantization). When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. For this setting, keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal adaptive quantization, adjust the strength of the filter with the setting Adaptive quantization (adaptiveQuantization).
+     * The best way to set up adaptive quantization is to keep the default value, Auto, for the setting Adaptive quantization. When you do so, MediaConvert automatically applies the best types of quantization for your video content. Include this setting in your JSON job specification only when you choose to change the default value for Adaptive quantization. For this setting, keep the default value, Enabled, to adjust quantization within each frame based on temporal variation of content complexity. When you enable this feature, the encoder uses fewer bits on areas of the frame that aren't moving and uses more bits on complex objects with sharp edges that move a lot. For example, this feature improves the readability of text tickers on newscasts and scoreboards on sports matches. Enabling this feature will almost always improve your video quality. Note, though, that this feature doesn't take into account where the viewer's attention is likely to be. If viewers are likely to be focusing their attention on a part of the screen that doesn't have moving objects with sharp edges, such as sports athletes' faces, you might choose to disable this feature. Related setting: When you enable temporal adaptive quantization, adjust the strength of the filter with the setting Adaptive quantization.
      */
     TemporalAdaptiveQuantization?: XavcTemporalAdaptiveQuantization;
     /**
-     * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_4K_INTRA_CBG.
+     * Required when you set Profile to the value XAVC_4K_INTRA_CBG.
      */
     Xavc4kIntraCbgProfileSettings?: Xavc4kIntraCbgProfileSettings;
     /**
-     * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_4K_INTRA_VBR.
+     * Required when you set Profile to the value XAVC_4K_INTRA_VBR.
      */
     Xavc4kIntraVbrProfileSettings?: Xavc4kIntraVbrProfileSettings;
     /**
-     * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_4K.
+     * Required when you set Profile to the value XAVC_4K.
      */
     Xavc4kProfileSettings?: Xavc4kProfileSettings;
     /**
-     * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_HD_INTRA_CBG.
+     * Required when you set Profile to the value XAVC_HD_INTRA_CBG.
      */
     XavcHdIntraCbgProfileSettings?: XavcHdIntraCbgProfileSettings;
     /**
-     * Required when you set (Profile) under (VideoDescription)>(CodecSettings)>(XavcSettings) to the value XAVC_HD.
+     * Required when you set Profile to the value XAVC_HD.
      */
     XavcHdProfileSettings?: XavcHdProfileSettings;
   }