arca-marketing-video 2.8.0 → 2.9.0

package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "arca-marketing-video",
-  "version": "2.8.0",
+  "version": "2.9.0",
   "description": "Brand-driven short-form marketing content kit: four installable Claude Code skills (carousel generator, storyboard prompt, video prompt, shorts editor) plus a shared brand profile and assets. Run `npx arca-marketing-video` to install them into .claude/skills.",
   "keywords": [
     "skill",

package/skills/shorts-editor/SKILL.md

@@ -18,7 +18,7 @@ in-world mark. `silence_cut.py` and `composition.template.html` are co-located i
 This skill is the final edit stage after `video-prompt` (or runs standalone on any raw footage).
 
 ## Overview
-Turn a finished-but-flat talking clip into a punchy 9:16 short. Engagement is four layers stacked on clean footage: a **tight silence-cut**, **synced captions**, **face/caption-safe graphic chips + zoom punch-ins**, and a **SFX + brand-splash** finish. The composition is HyperFrames HTML; ffmpeg cuts and masters; faster-whisper supplies timing.
+Turn a finished-but-flat talking clip into a punchy 9:16 short. Engagement is layers stacked on clean footage: a **tight silence-cut** (raw footage only — skip for AI clips), **word-by-word pop-on captions** (Anton, gold keywords, no pill backing), **native treatments** (zoom punch-ins, speed ramps, hard cuts, SFX hits — NOT glass-pill chips), and a **SFX + brand-splash** finish. The composition is HyperFrames HTML; ffmpeg cuts and masters; faster-whisper supplies timing.
 
 **Core principle:** retention is manufactured by deleting dead time and giving the eye a new beat every 2-4s. Cut the pauses first; every other layer just decorates the tightened result.
 
@@ -37,13 +37,18 @@ Not for: generating footage from scratch, or pure motion-graphics pieces (use th
 1. **Denoise** → `audio_clean.m4a`:
    `ffmpeg -i src.mp4 -af "highpass=85,afftdn,lowpass=12000,loudnorm=I=-14:TP=-1.5:LRA=11" -ar 48000 -ac 2 audio_clean.m4a`
 2. **Transcribe** word timestamps with faster-whisper → `transcript.json` (`[{text,start,end}]`). `small.en` only if the audio is English.
-3. **Silence-cut** with `./silence_cut.py` → `tight.mp4` (the non-obvious core, see below).
+3. **Silence-cut** with `./silence_cut.py` → `tight.mp4` (the non-obvious core, see below). **SKIP this
+   step for AI-generated footage** (clips from `video-prompt` / Wyren): it is already tight and its
+   pauses are intentional comedic beats — the cutter is built for RAW talking-head dead air, not for
+   generated clips. For AI footage, go straight to assembly and keep the clips' timing. Only run the
+   silence-cut on real raw recordings (interview, vox-pop, vlog, podcast) with genuine dead air.
 4. **Re-transcribe `tight.mp4`**, regroup into caption phrases (sentence-aware, 3-5 words). Cutting shifts every timestamp, so always re-transcribe the cut; never remap old times.
-5. **Build the composition** from `./composition.template.html`: muted plate + separate dialogue audio + captions + chips + zooms + logo + splash. Lint clean.
+5. **Build the composition** from `./composition.template.html`: muted plate + separate dialogue audio + word-pop captions + zooms + logo + splash + SFX (no chips by default). Lint clean.
 6. **Draft render** (`--quality draft`), extract frames at every chip/caption/splash beat, eyeball, fix. Then **`--quality high`** and **master**:
    `ffmpeg -i raw.mp4 -c:v copy -af "loudnorm=I=-14:TP=-1.5,alimiter=limit=0.95" -c:a aac -b:a 192k out.mp4`
 
 ## The silence-cut (the part that is easy to get wrong)
+**Only for RAW recordings — skip entirely for AI-generated clips** (see Pipeline step 3).
 Neither signal alone works:
 - **silencedetect** misses pauses filled with ambient/breath above the noise floor.
 - **whisper word timestamps** are imprecise around pauses and will report contiguous words across a real ~1s gap (e.g. it claimed "So, cheating" was continuous when 0.8s of silence sat between them).
@@ -51,8 +56,19 @@ Neither signal alone works:
 **Cut where EITHER is true:** acoustic silence (`silencedetect=noise=-33dB:d=0.35`) OR a transcript word-gap > 0.45s. Only remove the dead middle when it exceeds ~0.5s, leave ~0.1s of speech pad each side, and KEEP sub-0.5s gaps (natural rhythm — cutting every micro-gap machine-guns the edit and looks glitchy). Add a 10ms `afade` at each join to kill clicks. **Verify with silencedetect on the OUTPUT** — it should show only short breath gaps. `./silence_cut.py` implements all of this; tune `--cut-min`.
 
 ## Layers (all face/caption-safe)
-- **Captions:** phrase blocks of 3-5 words, white with one accent color on keywords, ONE visible at a time. Hard-hide each before the next appears: clamp exit to `min(end+0.1, next.start-0.07)`, then `tl.set(opacity:0,visibility:hidden)`. Bottom third (~286px up).
-- **Graphic chips:** glass pill + inline-SVG icon + short label, in the **lower-mid torso band (~y1170 of 1920)** — below the face, above the captions. "Over the people" is fine; over the face is not. One per beat, pop in / hold / pop out.
+- **Captions (word-by-word pop-on — the default, not flat phrase-fade):** the strong default is each
+  WORD popping on as it is spoken, not a whole phrase fading in. We already transcribe word-level times,
+  so use them: show ~3-5 words per group, but reveal them one word at a time on each word's `start`
+  (quick scale/opacity pop), the current word emphasized. **Anton** display font (uppercase), white with
+  **gold (`--accent2`) keywords**, **NO pill / glass backing** — just a hard text-shadow for legibility.
+  ONE group visible at a time: hard-hide each before the next appears — clamp exit to
+  `min(end+0.1, next.start-0.07)`, then `tl.set(opacity:0,visibility:hidden)`. Bottom third (~286px up).
+  The flat phrase-fade is the weak default — don't ship it.
+- **Native treatments over graphic "chips" (chips are OFF by default):** do NOT add the glass-pill /
+  badge "chip" by default — it reads as AI / vibe-coded. Manufacture beats with NATIVE editing instead:
+  zoom punch-ins, speed ramps / hold-frames, the word-pop captions themselves (gold keyword emphasis),
+  hard cuts on the beat, and SFX hits. Only add a chip if the user explicitly asks for an on-screen
+  label, and keep it minimal. The chip CSS/JS is removed from the default template.
 - **Zoom punch-ins:** scale the plate wrapper (base ~1.04) to ~1.10-1.14 on emphasis lines, ease back. Never scale below 1.0 (reveals letterbox edges). Cover-fit the plate.
 - **SFX:** a curated set ships in `./sfx/` — use these first (no download needed). Keep dialogue front (SFX vol 0.25-0.35); every `<audio>` needs an `id`. Mapping:
   | Role | File |
@@ -81,5 +97,5 @@ Neither signal alone works:
 
 ## Files
 - `./silence_cut.py` — silence ∪ word-gap cutter: `--src --audio --transcript --out [--cut-min 0.5]`.
-- `./composition.template.html` — HyperFrames composition skeleton (plate, captions, chips, zooms, splash, SFX) with the load-bearing GSAP logic already wired.
+- `./composition.template.html` — HyperFrames composition skeleton (plate, word-pop captions, zooms, splash, SFX; chips removed from default) with the load-bearing GSAP logic already wired.
 - `./sfx/` — bundled, ready-to-use SFX (riser, swooshes, ding, tiktok-boom-bling, glitch, wrong, sad-violin). See the SFX mapping above.

package/skills/shorts-editor/composition.template.html

@@ -2,7 +2,9 @@
 <!--
   HyperFrames composition skeleton for an engaging vertical short.
   Fill the >>> TODO <<< spots. All times are on the TIGHT (cut) timeline.
-  Layers by z-index: plate(0) < grade(1) < chips(3) < captions(5) < logo(6) < flash(7) < splash(8) < endfade(9).
+  Layers by z-index: plate(0) < grade(1) < captions(5) < logo(6) < flash(7) < splash(8) < endfade(9).
+  Captions are word-by-word pop-on (Anton, gold keywords, no pill backing). Chips are OFF by default
+  (they read as AI/vibe-coded) — use native treatments (zooms, speed, hard cuts, SFX) instead.
   Standalone composition: data-composition-id div lives directly in <body> (NO <template>).
 -->
 <html lang="en">
@@ -17,20 +19,14 @@
       #plate-wrap { position:absolute; inset:0; overflow:hidden; z-index:0; transform-origin:50% 42%; will-change:transform; }
       #plate-wrap video { position:absolute; inset:0; width:100%; height:100%; object-fit:cover; }
       #grade { position:absolute; inset:0; z-index:1; pointer-events:none; background:radial-gradient(120% 80% at 50% 40%, rgba(0,0,0,0) 56%, rgba(0,0,0,.42) 100%); }
-      /* chips: lower-mid torso band — below face, above captions */
-      #chips { position:absolute; inset:0; z-index:3; pointer-events:none; }
-      .chip { position:absolute; top:1170px; left:0; right:0; margin:0 auto; width:max-content; max-width:920px;
-              display:flex; align-items:center; gap:22px; padding:18px 40px 18px 20px; border-radius:999px;
-              background:var(--glass); border:2px solid rgba(41,171,226,.5); box-shadow:0 18px 50px rgba(0,0,0,.45); opacity:0; }
-      .chip .badge { flex:0 0 auto; width:66px; height:66px; border-radius:50%; display:flex; align-items:center; justify-content:center;
-                     background:linear-gradient(150deg,var(--accent),#1565c0); }
-      .chip.alt .badge { background:linear-gradient(150deg,#ffce4d,var(--accent2)); }
-      .chip .badge svg { width:36px; height:36px; color:#fff; }
-      .chip .ctext { font-weight:800; font-size:46px; letter-spacing:-.02em; color:var(--ink); white-space:nowrap; line-height:1; }
+      /* chips are OFF by default (they read as AI/vibe-coded) — native treatments only: zooms, speed, hard cuts, SFX, gold keyword pops */
       #caps { position:absolute; left:0; right:0; bottom:286px; z-index:5; pointer-events:none; }
-      .cap { position:absolute; left:0; right:0; bottom:0; margin:0 auto; width:900px; text-align:center; font-weight:800;
-             font-size:58px; line-height:1.12; letter-spacing:-.015em; color:var(--ink); opacity:0;
-             text-shadow:0 4px 18px rgba(0,0,0,.8),0 1px 3px rgba(0,0,0,.92); }
+      /* word-by-word pop-on captions: Anton display font, uppercase, gold keywords, NO pill backing — just a hard shadow */
+      .cap { position:absolute; left:0; right:0; bottom:0; margin:0 auto; width:900px; text-align:center;
+             font-family:"Anton",system-ui,sans-serif; font-weight:400; text-transform:uppercase;
+             font-size:64px; line-height:1.1; letter-spacing:.005em; color:var(--ink); opacity:0;
+             text-shadow:0 4px 18px rgba(0,0,0,.85),0 2px 4px rgba(0,0,0,.95); }
+      .cap .w { display:inline-block; will-change:transform,opacity; }
       .cap .kw { color:var(--accent2); }
       #logo { position:absolute; top:54px; right:54px; width:90px; z-index:6; opacity:0; filter:drop-shadow(0 6px 18px rgba(0,0,0,.45)); }
       #flash { position:absolute; inset:0; z-index:7; background:#fff; opacity:0; pointer-events:none; }
@@ -44,7 +40,6 @@
     <div id="root" data-composition-id="root" data-width="1080" data-height="1920" data-start="0" data-duration="47.58">
       <div id="plate-wrap"><video id="plate" src="tight.mp4" data-start="0" data-duration="44.58" data-media-start="0" data-track-index="0" muted playsinline></video></div>
       <div id="grade"></div>
-      <div id="chips"></div>
       <div id="caps"></div>
       <img id="logo" src="logo.png" alt="brand" crossorigin="anonymous" />
       <div id="flash"></div>
@@ -53,47 +48,43 @@
 
       <!-- AUDIO: muted video + separate dialogue track. EVERY <audio> needs an id or it is silent. -->
       <audio id="dlg" src="dialogue.m4a" data-start="0" data-duration="44.58" data-media-start="0" data-track-index="2" data-volume="1"></audio>
-      <audio id="sfx-riser" src="sfx/riser.mp3" data-start="0" data-duration="4.0" data-media-start="0" data-track-index="3" data-volume="0.30"></audio>
-      <!-- >>> whooshes on cuts (track 4), pops on chip entrances (track 5), ding only for splash (track 6) <<< -->
-      <audio id="sfx-ding" src="sfx/ding.mp3" data-start="44.58" data-duration="0.84" data-media-start="0" data-track-index="6" data-volume="0.5"></audio>
+      <audio id="sfx-riser" src="sfx/riser-high.mp3" data-start="0" data-duration="4.0" data-media-start="0" data-track-index="3" data-volume="0.30"></audio>
+      <!-- >>> whooshes on hard cuts (track 4: swoosh-high.mp3 / swoosh-low.mp3); reserve the boom-bling for the splash only (track 6) <<< -->
+      <audio id="sfx-splash" src="sfx/tiktok-boom-bling.mp3" data-start="44.58" data-duration="0.84" data-media-start="0" data-track-index="6" data-volume="0.5"></audio>
 
       <script src="https://cdn.jsdelivr.net/npm/gsap@3.14.2/dist/gsap.min.js"></script>
-      <script src="data.js"></script><!-- window.CAPTION_GROUPS = [{text,start,end},...] from the re-transcribed cut -->
+      <script src="data.js"></script><!-- window.CAPTION_GROUPS = [{start,end,words:[{w,t},...]},...] — w=word text, t=its spoken start time (from the re-transcribed cut) -->
       <script>
         (function () {
           var VID = 44.58, DUR = 47.58;            // >>> set <<<
           var tl = gsap.timeline({ paused: true });
 
-          var ICONS = { /* >>> inline-SVG strings keyed by name, e.g. */ dot: '<svg viewBox="0 0 24 24" fill="currentColor"><circle cx="12" cy="12" r="6"/></svg>' };
-          var KW = { /* lowercase keywords to highlight gold */ };
-          function capHTML(t){return t.split(" ").map(function(w){return KW[w.toLowerCase()]?'<span class="kw">'+w+'</span>':w;}).join(" ");}
+          var KW = { /* lowercase keyword (alphanumeric only) -> true, to highlight gold, e.g. arca:true */ };
+          function isKW(w){ return !!KW[w.toLowerCase().replace(/[^a-z0-9]/g,"")]; }
 
-          // ---- CAPTIONS: one at a time, hard-hidden before the next appears ----
+          // ---- CAPTIONS: word-by-word pop-on, gold keywords, ONE group on screen at a time ----
           var caps = document.getElementById("caps"), G = window.CAPTION_GROUPS || [];
           G.forEach(function (g, i) {
             var el = document.createElement("div"); el.className = "cap"; el.id = "cap-" + i;
-            el.innerHTML = capHTML(g.text); caps.appendChild(el);
+            caps.appendChild(el);
             var next = (i + 1 < G.length) ? G[i + 1].start : VID + 1;
             var inAt = Math.max(0, g.start - 0.05);
             var hardOut = Math.min(g.end + 0.1, next - 0.07);
             if (hardOut <= inAt + 0.12) hardOut = inAt + 0.12;
-            tl.fromTo(el, { opacity:0, y:20 }, { opacity:1, y:0, duration:0.22, ease:"power2.out" }, inAt);
-            tl.to(el, { opacity:0, y:-10, duration:0.14, ease:"power2.in" }, Math.max(inAt + 0.1, hardOut - 0.14));
+            tl.set(el, { opacity:1, visibility:"visible" }, inAt);
+            (g.words || []).forEach(function (wd, j) {
+              var s = document.createElement("span"); s.className = "w";
+              s.innerHTML = isKW(wd.w) ? '<span class="kw">' + wd.w + '</span>' : wd.w;
+              el.appendChild(s); el.appendChild(document.createTextNode(" "));
+              // each word pops on at its own spoken time (fallback: group start)
+              var at = Math.min(hardOut - 0.05, Math.max(inAt, wd.t != null ? wd.t : g.start));
+              tl.fromTo(s, { opacity:0, scale:0.6, y:14 }, { opacity:1, scale:1, y:0, duration:0.16, ease:"back.out(2)" }, at);
+            });
+            tl.to(el, { opacity:0, duration:0.14, ease:"power2.in" }, Math.max(inAt + 0.1, hardOut - 0.14));
             tl.set(el, { opacity:0, visibility:"hidden" }, hardOut);
           });
 
-          // ---- CHIPS: one per beat, lower-mid band ----
-          var CHIPS = [ /* { s, e, icon:"dot", text:"LABEL", alt:false } */ ];
-          var chips = document.getElementById("chips");
-          CHIPS.forEach(function (c, i) {
-            var el = document.createElement("div"); el.className = "chip" + (c.alt ? " alt" : ""); el.id = "chip-" + i;
-            el.innerHTML = '<span class="badge">' + (ICONS[c.icon]||"") + '</span><span class="ctext">' + c.text + '</span>';
-            chips.appendChild(el);
-            tl.fromTo(el, { opacity:0, scale:0.8, y:24 }, { opacity:1, scale:1, y:0, duration:0.42, ease:"back.out(1.6)" }, c.s);
-            tl.to(el, { y:-6, duration:(c.e - c.s) - 0.42, ease:"sine.inOut" }, c.s + 0.42);
-            tl.to(el, { opacity:0, scale:0.92, duration:0.3, ease:"power2.in" }, c.e - 0.3);
-            tl.set(el, { opacity:0, visibility:"hidden" }, c.e);
-          });
+          // ---- CHIPS removed from default — use native treatments: zoom punch-ins, speed ramps, hard cuts, SFX hits ----
 
           // ---- ZOOM PUNCH-INS on the plate (never below 1.0) ----
           var W = "#plate-wrap", BASE = 1.04;

package/skills/storyboard-prompt/SKILL.md

@@ -1,6 +1,6 @@
 ---
 name: storyboard-prompt
-description: Use when pressure-testing a short-form video idea and turning it into a 3×3 (or larger) storyboard for TikTok / Reels / Shorts of any video type (UGC, cinematic, animation, etc.) — brutal virality scoring, a 10-route hook lab, a polish pass that makes the idea catchy and engaging with a strong hook and brand-aligned messaging, a first-5-seconds cold open, a clarification checkpoint before image generation, then TWO deliverables: a clean frames-only grid image (no text/notes, easy to crop) plus a text breakdown (concept, flow, dialogue, editor notes, style notes). Triggers on "storyboard this idea", "is this video concept good", "plan a short". Part of the arca-marketing-video kit.
+description: Use when pressure-testing a short-form video idea and turning it into a 3×3 (or larger) storyboard for TikTok / Reels / Shorts of any video type (UGC, cinematic, animation, etc.) — brutal virality scoring, a 10-route hook lab, a polish pass that makes the idea catchy and engaging with a strong hook and brand-aligned messaging, a first-5-seconds cold open, a clarification checkpoint before image generation, then TWO deliverables: a clean frames-only grid image (no text/notes, easy to crop) plus a text breakdown (concept, named characters + 1-line bibles, a required 5-column Frame·Time·Visual·Dialogue·Direction flow table, editor notes, style notes). Triggers on "storyboard this idea", "is this video concept good", "plan a short". Part of the arca-marketing-video kit.
 ---
 
 # Storyboard Prompt
@@ -729,22 +729,37 @@ croppable. Use these sections:
 
 - VIDEO CONCEPT — one tight paragraph: the polished concept + logline, the video type / style, the
   target viewer, the core promise, the chosen cold-open strategy, and the recommended length.
-- FLOW — the beat-by-beat shot flow, one short block per frame (1–9, or however many), each with:
-  - FRAME # · TIME (range) · RETENTION ROLE
-  - SHOT / ANGLE / MOVE
-  - ACTION (what happens in the frame)
-  - DIALOGUE / VO (OPTIONAL — include only when the beat has a spoken line)
+- CHARACTERS — name EVERY recurring character (give each a short memorable name, e.g. "Maya the
+  Navigator") and write a ONE-LINE bible for each: face / age / build, hair, wardrobe, and 1–2
+  distinguishing features. This is what makes identity-locking trivial downstream — `video-prompt`
+  pastes these bibles verbatim into every shot. Even a one-person video needs its character named + a
+  bible line. If no character recurs (pure product / motion-graphics), say so in one line.
+- FLOW — the beat-by-beat shot flow as an EXPLICIT 5-COLUMN TABLE, one row per frame (this table is a
+  REQUIRED handoff, never optional — your written dialogue + direction drive the acting far better than
+  lines inferred downstream). Columns:
+  | Frame | Time | Visual | Dialogue | Direction |
+  - **Frame** — number (1–9, or however many) + its retention role + shot / angle / move.
+  - **Time** — the timestamp range.
+  - **Visual** — what happens in the frame (action, who's on screen, key prop).
+  - **Dialogue** — the actual spoken line for that beat, written out. Use "—" only for true silent
+    beats; do NOT leave it blank to be filled in later. These exact lines get spoken (native audio
+    nails scripted lines), so write them tight and in-character.
+  - **Direction** — performance / delivery note that drives the acting (e.g. "deliver softly, almost
+    inspirational", "rushed, glancing off-camera", "deadpan, then a tiny smirk"). Always fill this —
+    it is the highest-value column and the reason this table is mandatory.
 - VIDEO EDITOR NOTES — what to add in the EDIT, not in the frames: suggested on-screen caption per
   beat, cut / transition style, SFX and music, pacing, zoom punch-ins, and where the logo / brand
   splash lands. (These feed the `shorts-editor` skill.)
 - STYLE NOTES — the look the final video must match: video type, lighting, camera feel, color,
-  wardrobe / prop continuity, and the recurring character profile to keep consistent across frames.
-  (These feed the `video-prompt` skill.)
+  wardrobe / prop continuity. Reference the CHARACTERS section above for who must stay consistent
+  across frames. (These feed the `video-prompt` skill.)
 - BRAND / LOGO NOTES — which frames the supplied logo appears in and how (as a subtle in-world prop),
   per Phase 7.
 
-Keep it tight and scannable. Dialogue is optional. The clean frame grid (Phase 8) plus this text
-breakdown are the two deliverables — never merge the text into the image.
+Keep it tight and scannable. The FLOW table's Dialogue + Direction columns are REQUIRED (write the
+real lines and the delivery notes — don't defer them); only a genuinely silent beat gets a "—" in
+Dialogue. The clean frame grid (Phase 8) plus this text breakdown are the two deliverables — never
+merge the text into the image.
 
 PHASE 9: ANTI-AI AND ANTI-CINEMA QUALITY GATE
 

package/skills/video-prompt/SKILL.md

@@ -26,6 +26,40 @@ Before generating, ask the user for any of these that are not already provided,
 10. NATIVE AUDIO — whether the video model should synthesize dialogue/sound (only some models support it). Default: on if the chosen model supports `sound`.
 Ask first. Only make smart, briefly stated assumptions for whatever is still missing, and state them briefly. If the user names a budget or "cheapest/fastest", pick the model tier accordingly and say which you picked.
 
+MODEL CAPABILITY MATRIX — decide this in the FIRST intake round (don't discover it mid-build)
+The question that always surfaces late — "shouldn't the storyboard be a reference image for the video
+model?" — must be answered up front, because the answer changes the whole graph. Reconfirm live with
+`mcp__wyren__list_models` + `get_model_capabilities`, but the load-bearing facts:
+
+| Model | Ref images | Native audio | Multishot | Start frame | Duration |
+| --- | --- | --- | --- | --- | --- |
+| **Kling V3** (default) | **0** (none) | yes (`sound`) | yes (≤6) | yes | 3–15s |
+| Kling O1 | yes (≤7) | **no** | **no** | yes | — |
+| Kling V2.6 | 0 | yes (+voice clone) | no | yes | 5/10s |
+| Veo 3.1 Fast/Std | ≤3 | yes | no | yes | 4/6/8s |
+| Seedance 2.0 / Fast | ≤4 | no | yes | yes | 4–15s (480/720p) |
+
+- **Kling V3 takes ZERO reference images** (`maxReferenceImages: 0`). So the storyboard does NOT feed
+  the video model as a reference — it drives the IMAGE stage only (it becomes / designs the start
+  frame). Identity on V3 comes from the per-shot **startFrame + the verbatim character bible** in each
+  shot prompt, never from a reference image.
+- **Only Kling O1 accepts reference images** — but it LOSES native audio AND multishot. So choosing O1
+  for face-locking means giving up scripted dialogue + in-generation angle changes. Usually not worth
+  it: prefer V3 (audio + multishot) with startFrame-driven identity.
+- **Kling V3 Omni is disabled** — do not route to it.
+- Net: for a dialogue UGC skit, default = **Kling V3**, identity via startFrame + bible, audio native.
+  Reach for a ref-image model (O1/Veo/Seedance) only when face-lock genuinely beats audio+multishot.
+
+DECISION RULE — multishot vs separate clips:
+- **Many quick dialogue beats + native audio → ONE Kling V3 multishot per part** (not many tiny
+  separate clips). Multishot keeps the face/voice continuous and gives angle changes in one generation.
+- Watch the math: **Kling's minimum clip is 3s**, and a multishot maxes at 15s, so a single multishot
+  merge caps at **~5 beats** (5 × 3s = 15s). If a part has more than ~5 dialogue beats, split into a
+  second multishot/part rather than crushing beats below 3s.
+- **Native audio nails the exact scripted lines** — for a dialogue skit you do NOT need a separate TTS
+  pass. Write the real lines into each shot's prompt (the storyboard FLOW table's Dialogue column) and
+  let the model speak them. Only fall back to TTS/editor-added VO when the chosen model has no `sound`.
+
 Use the storyboard as the PLAN, not as footage to copy. First classify it (see STORYBOARD
 INTERPRETATION below): if the panels are photographic, clean them and use them as start frames; if
 they are schematic / annotated mockups (panel numbers, notes boxes, drawn phone bezels, mock UI), do
@@ -196,6 +230,15 @@ Wyren execution flow (per the wyren skill's policy — load it before any `mcp__
    brand splash / end card, zoom/SFX timing, and master. That is the ONLY place HyperFrames is used, and
    only for captions + splash + timing — never to composite text/UI graphics onto the footage.
 
+WYREN BUILD GOTCHAS (these cost failed `validate_workflow` / `run_workflow` calls — get them right):
+- **`multiPrompt` must be a JSON STRING, not an array.** When using video-model multishot, pass the
+  per-shot prompts as a stringified JSON value (e.g. `"[{...},{...}]"`), not a raw array. A raw array
+  fails validation.
+- **`imageAI` / `videoAI` need a CONNECTED TEXT EDGE — `customPrompt` alone fails.** Wire a text/prompt
+  node into the AI node's prompt input; a `customPrompt` field set on the node without an incoming text
+  edge does not satisfy validation. Build the graph so every imageAI/videoAI has its prompt edge
+  connected, then set the prompt content.
+
 RECURRING CHARACTER CONSISTENCY (multishot / multi-clip)
 
 Any time the video is more than one shot — a multi-clip split (Part 1 / Part 2), or video-model