@xromdev/notation 0.0.0-stage → 0.1.0

package/dist/score.js.map

@@ -0,0 +1 @@
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* A track as a SCORE: each pitched channel on a grand staff, the noise channel\n * on a percussion staff, and the dynamics its volumes imply.\n *\n * Built on `./notation`, so a bar here is spelled exactly the way a single\n * scrolling staff spells it — same bar line, same phase, same\n * note values. What this file adds is the part a page of music needs and a\n * single strip does not: which of two staves a note goes on, and what the\n * volume column says in the words a player reads.\n */\n\nimport {\n  MEASURE_TICKS,\n  TICKS_PER_QUARTER,\n  barAt,\n  barCountOf,\n  barring,\n  chooseClef,\n  shiftNotes,\n  staffItems,\n  staffMeasures,\n  voicePhase,\n  type BarGrid,\n  type OddBar,\n  type StaffItem,\n  type TickNote,\n} from './notation.js';\n\n/**\n * Middle C: in a beam group kept on the bass, the heads from here up still go\n * onto the treble and the beam crosses to them — see `crossStaffVoice`.\n */\nexport const GRAND_STAFF_SPLIT = 60;\n\nexport function splitGrandStaff<T extends { midi: number }>(\n  notes: readonly T[],\n  split = GRAND_STAFF_SPLIT\n): { treble: T[]; bass: T[] } {\n  const treble: T[] = [];\n  const bass: T[] = [];\n  for (const note of notes) (note.midi >= split ? treble : bass).push(note);\n  return { treble, bass };\n}\n\n/** A beam group that never goes below E3 — three ledger lines under the treble — is written on the treble. */\nexport const TREBLE_FLOOR = 52;\n\n/** Durations beamed together, one group per beat — `beamsFor`'s set. */\nconst BEAMED = new Set(['8', '16', '32', '64']);\n\n/**\n * A grand-staff part as ONE voice, each item saying which of the two staves it\n * stands on.\n *\n * Decided per BEAM GROUP — the beamed notes of one beat, or a note on its own —\n * because a beam is what a reader follows:\n *\n *  - a group that never goes below E3 (`TREBLE_FLOOR`) is on the treble, E3\n *    included. Ragnarok's canyon, pulse 1, bar 29, the third beat: A3 G3 C4 A3\n *    E4 C4 G4 E4 — a reader wanted it all on the treble.\n *  - a group that does go below E3 stays on the bass, E3s and all — bar 29's\n *    second beat, E3 G3 C3 E3…, which \"would be ugly otherwise\". Only its heads\n *    from middle C up cross to the treble, and the beam crosses with them — the\n *    piano's cross-staff writing, drawn as one beam between the\n *    staves with no rest on either side. Bar 30's lone G5 among B2s is that case.\n *\n * Every rule tried per BAR before this failed on a bar of this music: a bar\n * that starts low and climbs three octaves has a bass half and a treble half,\n * and the only choices a whole bar has are to tear its beams with rests or put\n * half of it on four ledger lines.\n *\n * A piece tied on from the head before it stays where that head stood; a rest\n * stands where the head before it in the bar did (else the first head after\n * it), and a bar with no heads at all is the treble's, so the bass shows its\n * own bar rest rather than a second one.\n */\nexport function crossStaffVoice(bars: readonly (readonly ScoreItem[])[]): ScoreItem[][] {\n  let carried: 'treble' | 'bass' = 'treble';\n  /*\n   * A head whose beam runs on into the next bar (`crossBarRuns`) belongs to the group on the OTHER\n   * side of the bar line, not to the beat it sits in — so it is written after that group has\n   * chosen, and put on the same staff. Ragnarok's canyon, bar 25: the last E3 ends a beat of G4s\n   * and went to the treble with them, while the D3 E3 it is beamed to are on the bass, and the\n   * beam fell across the whole grand staff.\n   */\n  let hanging: ScoreItem[] | null = null;\n  const written = bars.map((items) => {\n    /*\n     * The beat a head stands on, counted from ITS OWN bar line — the bar's\n     * first item, since a bar is filled from its line. Counted with `%` off the\n     * piece's clock instead, as this once was, it is right only while every bar\n     * is the same length and the first starts on tick 0: Volkmire's Inferno\n     * Race, barred from tick 6 with an opening bar of 19/32, had the two halves\n     * of one arpeggio sorted into each other's beats, and the run came out torn\n     * between the staves.\n     */\n    const barStart = items[0]?.start ?? 0;\n    const groups = new Map<string, number[]>();\n    items.forEach((item, index) => {\n      if (item.midi === null) return;\n      const key = BEAMED.has(item.duration)\n        ? `beat${Math.floor((item.start - barStart) / TICKS_PER_QUARTER)}`\n        : `note${index}`;\n      groups.set(key, [...(groups.get(key) ?? []), index]);\n    });\n\n    const chosen: ('treble' | 'bass')[] = items.map(() => 'treble');\n    for (const members of groups.values()) {\n      const low = Math.min(...members.map((index) => items[index].midi as number));\n      for (const index of members) {\n        const midi = items[index].midi as number;\n        chosen[index] = low >= TREBLE_FLOOR || midi >= GRAND_STAFF_SPLIT ? 'treble' : 'bass';\n      }\n    }\n\n    let previous = carried;\n    const heads = items.map((item, index) => {\n      if (item.midi === null) return item;\n      const staff = item.tieStop ? previous : chosen[index];\n      previous = staff;\n      return { ...item, staff };\n    });\n    carried = previous;\n\n    const firstHead = heads.find((item) => item.midi !== null)?.staff ?? 'treble';\n    let before: 'treble' | 'bass' | undefined;\n    const bar = heads.map((item) => {\n      if (item.midi !== null) {\n        before = item.staff;\n        return item;\n      }\n      return { ...item, staff: before ?? firstHead };\n    });\n\n    const reached = bar.find((item) => item.across === 'join');\n    if (hanging && reached) {\n      for (const item of hanging) item.staff = reached.staff;\n      carried = reached.staff ?? carried;\n    }\n    hanging = bar.filter((item) => item.across === 'start');\n    return bar;\n  });\n  return written;\n}\n\n/** The highest a part may reach and still be written on the bass staff alone: E4, two ledger lines up. */\nexport const BASS_ONLY_MAX = 64;\n/** The lowest a part may reach and still be written on the treble staff alone: G3, two ledger lines down. */\nexport const TREBLE_ONLY_MIN = 55;\n\n/**\n * The staves a part needs: one when every note it plays sits within two ledger\n * lines of a single staff, both otherwise.\n *\n * A grand staff whose other half is a whole track of rests is furniture: the\n * triangle carries the bass in every one of the twenty tracks, and in\n * Ragnarok's canyon it reaches D#4 at most — a ledger line and a half above the\n * bass staff. Where both single staves would do, the part's middle decides.\n */\nexport function partStaves(notes: readonly { midi: number }[]): ('treble' | 'bass')[] {\n  if (notes.length === 0) return ['treble'];\n  let low = Infinity;\n  let high = -Infinity;\n  for (const note of notes) {\n    low = Math.min(low, note.midi);\n    high = Math.max(high, note.midi);\n  }\n  const bass = high <= BASS_ONLY_MAX;\n  const treble = low >= TREBLE_ONLY_MIN;\n  if (bass && treble) return [chooseClef(notes)];\n  if (bass) return ['bass'];\n  if (treble) return ['treble'];\n  return ['treble', 'bass'];\n}\n\nexport type Dynamic = 'pp' | 'p' | 'mp' | 'mf' | 'f' | 'ff';\nconst DYNAMICS: readonly Dynamic[] = ['pp', 'p', 'mp', 'mf', 'f', 'ff'];\n\n/**\n * The APU's 0..15 volume in six steps.\n *\n * A READING, not a fact: the nibble is linear in output level and a dynamic is\n * a word about loudness, so the steps are even in the nibble and nothing more\n * is claimed for them.\n */\nexport function dynamicOf(volume: number): Dynamic {\n  const level = Math.max(0, Math.min(15, Math.round(volume)));\n  return DYNAMICS[Math.min(DYNAMICS.length - 1, Math.floor((level * DYNAMICS.length) / 16))];\n}\n\n/** A change of level closer than this, in ticks, is folded into the mark before it. A quarter note. */\nexport const DYNAMIC_HOLD = 16;\n\n/** The words a mark can carry after its level: a figure's shape, or \"the same again\". */\nexport type DynamicWords = 'dim.' | 'cresc.' | 'sim.';\n\nexport interface DynamicMark {\n  tick: number;\n  dynamic: Dynamic;\n  /**\n   * How the figure goes from here: `dim.` and `cresc.` are a hairpin after the\n   * level, `sim.` is the word alone — the level is the figure's own — with a\n   * dashed line for as long as it holds.\n   */\n  words?: DynamicWords;\n  /** With `words`: the tick of the last note the hairpin or the `sim.` covers. */\n  until?: number; /**\n   * A hairpin from a level the reader is already at: the hairpin alone, no\n   * letter — ragnarok's 7 7 4 2, an mp going on from the mp before it.\n   */\n  bare?: boolean;\n}\n\n/** Onset to onset, notes closer than this can make one shaped figure. An eighth note. */\nexport const FIGURE_GAP = 8;\n\n/**\n * And no closer than this, a sixteenth. Faster is one note's envelope struck\n * again and again — Arctic Caverns' 8 4 2 1 in thirty-seconds on one pitch, an\n * echo — not a figure a player shapes.\n */\nexport const FIGURE_STEP = 4;\n\n/** A run of notes whose level only falls, or only rises: `[from, to]` are indices, inclusive. */\nexport interface ShapedFigure {\n  from: number;\n  to: number;\n  words: 'dim.' | 'cresc.';\n}\n\n/**\n * Runs of at least three notes, each `FIGURE_STEP` to `FIGURE_GAP` after the one before, whose\n * level moves one way every step and by two or more in all — the 4 3 2 1 under\n * every beat of a fading figure. The six steps of `dynamicOf` cannot show that:\n * 4 and 3 are both p, and the hold folds the pp of 2 and 1 back into it.\n *\n * `notes` must be in order of start.\n */\nexport function shapedFigures(\n  notes: readonly { start: number; volume: number }[],\n  gap = FIGURE_GAP\n): ShapedFigure[] {\n  const figures: ShapedFigure[] = [];\n  let from = 0;\n  while (from < notes.length - 2) {\n    const step = Math.sign(notes[from + 1].volume - notes[from].volume);\n    let to = from;\n    while (\n      step !== 0 &&\n      to + 1 < notes.length &&\n      notes[to + 1].start - notes[to].start <= gap &&\n      notes[to + 1].start - notes[to].start >= FIGURE_STEP &&\n      Math.sign(notes[to + 1].volume - notes[to].volume) === step\n    ) {\n      to++;\n    }\n    if (to - from >= 2 && Math.abs(notes[to].volume - notes[from].volume) >= 2) {\n      figures.push({ from, to, words: step < 0 ? 'dim.' : 'cresc.' });\n      from = to + 1;\n    } else {\n      from++;\n    }\n  }\n  return figures;\n}\n\n/**\n * Two figures `sim.` can stand for: the same levels in the same rhythm. Only\n * that — ragnarok's 7 4 2 1 followed by a 7 4 2 is a figure of its own, with a\n * hairpin of its own.\n */\nfunction sameFigure(\n  notes: readonly { start: number; volume: number }[],\n  a: ShapedFigure,\n  b: ShapedFigure\n): boolean {\n  if (a.to - a.from !== b.to - b.from) return false;\n  for (let i = 0; i <= a.to - a.from; i++) {\n    if (notes[a.from + i].volume !== notes[b.from + i].volume) return false;\n    if (\n      i > 0 &&\n      notes[a.from + i].start - notes[a.from + i - 1].start !==\n        notes[b.from + i].start - notes[b.from + i - 1].start\n    ) {\n      return false;\n    }\n  }\n  return true;\n}\n\n/**\n * Where a voice's level changes, as the marks a score prints.\n *\n * Only at a change, and never two within `DYNAMIC_HOLD`: the driver can move a\n * volume on every note, and a mark under every head is noise. Inside the hold\n * the LOUDER level stands — the accent is what a reader has to see — and a\n * change that comes straight back to the level before it is dropped.\n *\n * A shaped figure (`shapedFigures`) is written as its level and a hairpin under\n * the first, `sim.` under the next one just like it, its dashes running on over\n * the ones after that, until some other mark is printed. A figure that turns straight\n * into one going the other way — wookie hole's 6 4 2 1 2 4 6 8 on one held\n * note — is a level swaying, not a figure, and is read note by note as before.\n * After a hairpin the reader is where it ends, so going back to where it began\n * is written — ragnarok's mp over the 7 after 7 4 2 1 — unless a `sim.` that\n * goes on already says the figure comes round again.\n */\nexport function dynamicMarks(\n  notes: readonly { start: number; volume: number }[],\n  hold = DYNAMIC_HOLD\n): DynamicMark[] {\n  const sorted = [...notes].sort((a, b) => a.start - b.start);\n  const found = shapedFigures(sorted);\n  const swaying = (a: ShapedFigure | undefined, b: ShapedFigure | undefined) =>\n    !!a && !!b && b.from === a.to + 1 && a.words !== b.words;\n  const figureAt = new Map<number, ShapedFigure>();\n  found.forEach((figure, i) => {\n    if (!swaying(found[i - 1], figure) && !swaying(figure, found[i + 1])) {\n      figureAt.set(figure.from, figure);\n    }\n  });\n\n  const marks: DynamicMark[] = [];\n  // The level the reader is at.\n  let heard: Dynamic | null = null;\n  // The figure the last words were about, and whether its `sim.` has been printed.\n  let stated: ShapedFigure | null = null;\n  let similar = false;\n  // A plain mark breaks a run of `sim.`; taken back, it gives the run back.\n  const broken = new Map<DynamicMark, { stated: ShapedFigure | null; similar: boolean }>();\n  const pop = () => {\n    const mark = marks.pop()!;\n    const run = broken.get(mark);\n    if (run) ({ stated, similar } = run);\n  };\n  /**\n   * The next figure after note `i` is one more like `like`, and nothing between says otherwise —\n   * Intruder Excluder's 6 6 before each 6 4 2 1 is the same figure coming round, not news.\n   */\n  const starts = [...figureAt.keys()].sort((a, b) => a - b);\n  const simGoesOn = (i: number, like: ShapedFigure) => {\n    const next = starts.find((start) => start > i);\n    if (next === undefined || !sameFigure(sorted, like, figureAt.get(next)!)) return false;\n    const level = dynamicOf(sorted[i].volume);\n    for (let k = i + 1; k < next; k++) if (dynamicOf(sorted[k].volume) !== level) return false;\n    return true;\n  };\n  for (let i = 0; i < sorted.length; i++) {\n    const note = sorted[i];\n    const dynamic = dynamicOf(note.volume);\n    const figure = figureAt.get(i);\n    const last = marks[marks.length - 1];\n    if (figure) {\n      // `p`, and a beat later `mp` and a hairpin: the figure's mark says it, as the louder.\n      // At the same level the mark stays and the hairpin goes on from it, bare.\n      if (\n        last &&\n        !last.words &&\n        note.start - last.tick < hold &&\n        DYNAMICS.indexOf(last.dynamic) < DYNAMICS.indexOf(dynamic)\n      ) {\n        pop();\n        // Its level is now the figure's to state.\n        heard = marks[marks.length - 1]?.dynamic ?? null;\n      }\n      const until = sorted[figure.to].start;\n      if (stated && sameFigure(sorted, stated, figure)) {\n        if (similar) marks[marks.length - 1].until = until;\n        else marks.push({ tick: note.start, dynamic, words: 'sim.', until });\n        similar = true;\n      } else {\n        const mark: DynamicMark = { tick: note.start, dynamic, words: figure.words, until };\n        if (heard === dynamic) mark.bare = true;\n        marks.push(mark);\n        stated = figure;\n        similar = false;\n      }\n      // The hairpin has taken the reader down (or up) to where the figure ends.\n      heard = dynamicOf(sorted[figure.to].volume);\n      i = figure.to;\n      continue;\n    }\n    if (heard === dynamic) continue;\n    // Back at the level of a run of `sim.` that goes on: the `sim.` says so already.\n    if (stated && dynamic === dynamicOf(sorted[stated.from].volume) && simGoesOn(i, stated)) {\n      heard = dynamic;\n      continue;\n    }\n    heard = dynamic;\n    if (last && !last.words && note.start - last.tick < hold) {\n      if (DYNAMICS.indexOf(dynamic) > DYNAMICS.indexOf(last.dynamic)) last.dynamic = dynamic;\n      if (marks[marks.length - 2]?.dynamic === last.dynamic) pop();\n      heard = marks[marks.length - 1].dynamic;\n      continue;\n    }\n    const mark: DynamicMark = { tick: note.start, dynamic };\n    broken.set(mark, { stated, similar });\n    stated = null;\n    marks.push(mark);\n  }\n  return marks;\n}\n\n/**\n * Where each NES noise period (`$400E`, 0..15) sits on the percussion staff:\n * high noise at the top and low noise at the bottom.\n */\nconst NOISE_LINES = [\n  'g/5',\n  'g/5',\n  'g/5',\n  'f/5',\n  'f/5',\n  'e/5',\n  'e/5',\n  'd/5',\n  'd/5',\n  'c/5',\n  'b/4',\n  'a/4',\n  'g/4',\n  'f/4',\n  'e/4',\n  'e/4',\n];\n\n/**\n * The notehead: a cross for a closed or pedal hat, a circled cross for an open\n * one, a plain head for everything with a skin. The pieces are the ones\n * `@xromdev/drumroll` draws on its kit (`NOISE_DRUM_KINDS`).\n */\nconst NOISE_HEADS = ['x', 'x', 'x', 'x', 'cx', 'cx', '', '', '', '', '', '', '', '', '', ''];\n\n/** A noise period as a VexFlow key on the percussion staff. Only the low nibble is the period. */\nexport function noiseKey(period: number): string {\n  const index = period & 0x0f;\n  return NOISE_HEADS[index] ? `${NOISE_LINES[index]}/${NOISE_HEADS[index]}` : NOISE_LINES[index];\n}\n\n/** A pitched note, with the volume it starts at when the channel has one. */\nexport interface ScoreNote extends TickNote {\n  volume?: number;\n  /** The note's pitch curve — `[position 0..1, semitones]` — as a piano roll draws it. */\n  bend?: readonly (readonly [number, number])[];\n  /** Grace notes in front of it, as MIDI numbers in the order they are played. */\n  grace?: readonly number[];\n  /** A repeat of the note before, quieter — an echo, written in brackets (`echoNotes`). */\n  echo?: boolean;\n  /**\n   * Played short: its `ticks` are the value it is WRITTEN as, and it sounds for\n   * less — a staccato dot over the head instead of a rest after it.\n   */\n  staccato?: boolean;\n}\n\n/** What a pitch curve is written as. `ticks` is the whole note's length, over which it moves. */\nexport type PitchEffect =\n  | {\n      kind: 'slide';\n      /** Where it arrives, in semitones from the written pitch; to a tenth. */\n      semitones: number;\n      /** Where along the note the movement begins, 0..1. */\n      from: number;\n      ticks: number;\n      /**\n       * It lands on the next written note. When it does not — a sweep too wide to be a bend that\n       * ends on no note (ragnarok's canyon, triangle, bar 15: E3 down to B2, then a D3) — the\n       * staff draws where it lands as a small note in brackets. Set by `effectsOf`.\n       */\n      arrives?: boolean;\n    }\n  | {\n      /** The pitch moves on the note it started on — a guitarist's bend, or its release downwards. */\n      kind: 'bend';\n      semitones: number;\n      from: number;\n      ticks: number;\n    }\n  | {\n      kind: 'vibrato';\n      depth: number;\n      ticks: number;\n      /**\n       * The curve itself, `[position 0..1, semitones]`, kept for a vibrato wider than a semitone:\n       * a wave glyph says nothing of a swing like Turbo Tunnel Race's, bar 31, a D6 going up four\n       * semitones and down two and a half, so the staff draws the curve itself.\n       */\n      curve?: readonly (readonly [number, number])[];\n    };\n\n/** A vibrato swinging further than this, in semitones, is drawn as its curve rather than a wave. */\nexport const WIDE_VIBRATO = 1;\n\n/**\n * A movement smaller than this, in semitones, is not written at all.\n *\n * 261 of the cartridge's 304 curves are a drift of a fifth of a semitone at the\n * end of a note. The roll draws them as a hairline, which is right for a picture\n * of the sound; on a staff a mark on every one of them would be noise over a\n * third of the notes of some tracks.\n */\nexport const DRIFT_LIMIT = 0.5;\n/** Changes of direction that make a curve a vibrato rather than a slide. */\nconst VIBRATO_TURNS = 3;\n/** A swing back smaller than this, in semitones, is the curve's own jitter, not a change of direction. */\nconst TURN_MIN = 0.25;\n/** The shallowest vibrato written, in semitones either way: Surf City's is a tenth. */\nconst LIGHT_VIBRATO = 0.09;\n\n/**\n * How many times a curve really changes direction.\n *\n * Counted with hysteresis: a move only turns once the curve has come back\n * `TURN_MIN` from the furthest point it reached. Counting every sign change of\n * the slope read ragnarok's canyon's triangle, bar 15 — a flicker of 0.05\n * semitones and then a steady fall of five to a B — as a vibrato, and it was\n * drawn as a wave where a reader sees a glissando.\n */\nfunction turnsOf(values: readonly number[], turnMin = TURN_MIN): number {\n  let turns = 0;\n  let direction = 0;\n  let pivot = values[0] ?? 0;\n  for (const value of values) {\n    const move = value - pivot;\n    if (direction === 0) {\n      if (Math.abs(move) >= turnMin) {\n        direction = Math.sign(move);\n        pivot = value;\n      }\n    } else if (Math.sign(move) === direction) {\n      pivot = value;\n    } else if (Math.abs(move) >= turnMin) {\n      turns++;\n      direction = -direction;\n      pivot = value;\n    }\n  }\n  return turns;\n}\n\n/**\n * A note's pitch curve read as notation: a slide to where it arrives, a\n * vibrato, or nothing.\n *\n * Over the twenty tracks that is 33 slides (one to four semitones), 10 vibratos,\n * and the drifts left out — the same split the Battletoads music tooling\n * makes between a slide and a vibrato.\n */\n/** How far into a note a strike may reach and still be read as its attack, 0..1. */\n/**\n * Alien 3's kick takes three frames of a seventeen-frame bass note — 18% — and at 15% the\n * vibrato after it was still read with the kick in it.\n */\nexport const STRIKE_SHARE = 0.25;\n\n/**\n * The curve without the strike it opens with, if it opens with one: a pitch\n * away from the note at its first point that comes back to it within\n * `STRIKE_SHARE` of the note. That is how a sound driver hits a note — a\n * triangle bass kicked from an octave up, a frame of a deep thump — and it is\n * timbre, not a movement of the pitch: Alien 3's vibrato on a long G3 read six\n * semitones deep with the kick in front of it, and was drawn as a curve.\n */\nfunction withoutStrike(\n  curve: readonly (readonly [number, number])[]\n): readonly (readonly [number, number])[] {\n  if (Math.abs(curve[0][1]) < DRIFT_LIMIT) return curve;\n  const back = curve.findIndex(([, semitones]) => Math.abs(semitones) < 0.05);\n  if (back <= 0 || curve[back][0] > STRIKE_SHARE) return curve;\n  return curve.slice(back);\n}\n\nexport function pitchEffect(\n  whole: readonly (readonly [number, number])[],\n  ticks: number\n): PitchEffect | null {\n  const curve = whole.length >= 2 ? withoutStrike(whole) : whole;\n  if (curve.length < 2) return null;\n  const values = curve.map(([, semitones]) => semitones);\n  const peak = Math.max(...values.map(Math.abs));\n  if (peak < DRIFT_LIMIT) {\n    /*\n     * Under half a semitone a curve is not written — unless it SWINGS. Surf City wobbles a tenth of\n     * a semitone and Intermission a sixth, both audible; wookie hole's\n     * and ragnarok's marks, which a looser rule also calls vibrato, are one-way drifts at the end\n     * of a two-tick note and stay unwritten. Turns tell the two apart, counted against the curve's\n     * OWN depth: a fixed grain either misses a tenth-of-a-semitone swing or counts a drift's jitter.\n     */\n    return peak >= LIGHT_VIBRATO && turnsOf(values, peak / 2) >= VIBRATO_TURNS\n      ? { kind: 'vibrato', depth: peak, ticks }\n      : null;\n  }\n\n  if (turnsOf(values) >= VIBRATO_TURNS) {\n    const depth = Math.max(...values.map(Math.abs));\n    return depth > WIDE_VIBRATO\n      ? { kind: 'vibrato', depth, ticks, curve }\n      : { kind: 'vibrato', depth, ticks };\n  }\n\n  const end = values[values.length - 1];\n  if (Math.abs(end) < DRIFT_LIMIT) return null;\n  const moving = values.findIndex((semitones) => Math.abs(semitones) >= 0.1);\n  const from = curve[Math.max(0, moving - 1)][0];\n  return { kind: 'slide', semitones: Math.round(end * 10) / 10, from, ticks };\n}\n\n/** The most a note's pitch may move on its own and still be a bend: a tone and a half. */\nexport const BEND_MAX = 3;\n/** Ticks between a slide's end and the next note that still count as the slide arriving in it. */\nconst GLISS_GAP = 1;\n\n/**\n * Each note's effect, read against the note AFTER it in the part.\n *\n * A curve does not say whether the pitch is sliding somewhere or bending on the\n * spot; the music around it does. A slide that ends on the pitch the very next\n * note is written at arrives in that note — a glissando, as in the title music's\n * G4 up to A4. One that goes nowhere written is the note itself bending:\n * ragnarok's canyon, pulse 1, bar 5, a D#4 pulled up 1.3 semitones and then left\n * for an A3 — a guitarist's bend, which a reader said at once, where \"gliss.\" had\n * been printed. Past `BEND_MAX` nothing bends that far, and the sweeps of fifteen\n * to twenty-eight semitones that open a few tracks stay lines.\n *\n * Except when the note after it comes straight back to the pitch the curve left:\n * that is a bend and its release, however far it went. Clinger Winger, pulse 1,\n * an E2 pushed up six and a half semitones over four bars and then struck again\n * as E2 — a reader heard a bend where a line marked \"gliss.\" had been drawn.\n * Across the whole ROM this reads that one note differently and no other.\n */\nexport function effectsOf(notes: readonly ScoreNote[]): Map<number, PitchEffect> {\n  const ordered = [...notes].sort((a, b) => a.start - b.start);\n  const effects = new Map<number, PitchEffect>();\n  ordered.forEach((note, index) => {\n    const effect = note.bend ? pitchEffect(note.bend, note.ticks) : null;\n    if (!effect) return;\n    if (effect.kind === 'slide') {\n      const next = ordered[index + 1];\n      const follows = next !== undefined && next.start - (note.start + note.ticks) <= GLISS_GAP;\n      const arrives = follows && Math.abs(next.midi - (note.midi + effect.semitones)) <= 0.5;\n      const returns = follows && next.midi === note.midi;\n      if (!arrives && (returns || Math.abs(effect.semitones) <= BEND_MAX)) {\n        effects.set(note.start, { ...effect, kind: 'bend' });\n        return;\n      }\n      effects.set(note.start, { ...effect, arrives });\n      return;\n    }\n    effects.set(note.start, effect);\n  });\n  return effects;\n}\n\n/**\n * A bend's size, in semitones, to one decimal — the arrow says which way.\n *\n * Always the number. The guitar's words (½ for a semitone, \"full\" for a tone)\n * were printed for sizes near a step and the number for the rest, so one page\n * said \"½\" over a bend of 0.9 semitones and \"1.3\" over the next: two systems\n * side by side, and a \"½\" read as half a semitone.\n */\nexport function bendLabel(semitones: number): string {\n  return Math.abs(semitones).toFixed(1);\n}\n\n/** The pitch movement a tied piece carries on from the head of its note. */\nexport interface EffectCarry {\n  /** Where the note starts, and the pitch it is written at. */\n  start: number;\n  midi: number;\n  effect: PitchEffect;\n}\n\n/** A staff item, with the pitch effect of the note it is the head of. */\nexport type ScoreItem = StaffItem & {\n  effect?: PitchEffect;\n  /**\n   * On a piece tied on after the head: the movement it is part of, when that movement is drawn\n   * along the note — a glissando or a bend held a bar or more — so a line that runs onto the next\n   * system can be carried on there and land where the note ends.\n   */\n  carry?: EffectCarry;\n  /** On a grand staff's voice: the stave the item stands on — see `crossStaffVoice`. */\n  staff?: 'treble' | 'bass';\n  /** The grace notes of the note this is the head of — see `ScoreNote.grace`. */\n  grace?: readonly number[];\n  /** The note is leaned on — see `accentedStarts`. */\n  accent?: boolean;\n  /** The note is an echo — see `ScoreNote.echo`. Its head is written in brackets. */\n  echo?: boolean;\n  /** The note is played short — see `ScoreNote.staccato`. A dot over its head. */\n  staccato?: boolean;\n  /**\n   * The other heads on this one's stem, struck at the same moment: on a percussion staff, drums by\n   * period — a cartridge plays its noise channel and its DMC samples at once, a hat over a kick; on\n   * a pitched staff, notes by MIDI number — a violin's double and triple stops.\n   */\n  chord?: readonly number[];\n  /**\n   * The APU level the note STARTS at, 0..15, as the ROM holds it — for a renderer to print under\n   * the head when asked. The dynamics are a reading of these numbers in six steps, which is what a\n   * player needs; the number itself is what the cartridge says, and the two answer different\n   * questions. Only on a head, and only where the channel has a volume at all: the triangle has\n   * none, so its notes carry nothing.\n   */\n  volume?: number;\n  /** Its beam runs across the bar line — see `crossBarRuns`. */\n  across?: 'start' | 'join';\n  /** Beams are grouped by this number rather than by the beat — see `accentBeamGroups`. */\n  beamGroup?: number;\n};\n\n/**\n * How much louder than BOTH its neighbours a note has to start to be written as\n * accented, in nibble steps.\n *\n * Three is the step the tracks themselves use: the driver holds a level and\n * drops or lifts the next note by 3 — ragnarok's canyon, bar 25, alternates 4\n * and 7 through the bar, and 7 against 4 is what the ear hears as the accent.\n */\nexport const ACCENT_STEP = 3;\n\n/**\n * The notes a voice leans on: louder than the note before it by `ACCENT_STEP`,\n * no quieter than the note after it, and NOT on a beat.\n *\n * Off the beat is the whole point. The driver moves the volume constantly, and\n * a mark on every rise would put one under a third of the heads of some tracks\n * while saying nothing a reader cannot see from the dynamics. What a reader\n * cannot see is a voice that leans between the beats: ragnarok's canyon, bar 25,\n * plays sixteenths at 9 9 7 7 4 7 4 7 4 2 7 7 4 7 4 9 — every beat of the bar\n * but the first is a 4, and the 7s fall in the gaps. On paper that is an even\n * run of sixteenths; in the ears it is a syncopation, and accents are what make\n * the two agree.\n *\n * Read on the notes as the staff has them — after `voicePhase` has taken out a\n * channel's authored delay — or a voice written a tick late would count as\n * off the beat throughout.\n */\nexport function accentedStarts(\n  notes: readonly ScoreNote[],\n  beat = TICKS_PER_QUARTER,\n  step = ACCENT_STEP\n): Set<number> {\n  const sounded = [...notes]\n    .filter((note): note is ScoreNote & { volume: number } => note.volume !== undefined)\n    .sort((a, b) => a.start - b.start);\n  const starts = new Set<number>();\n  sounded.forEach((note, index) => {\n    const before = sounded[index - 1];\n    const after = sounded[index + 1];\n    if (!before || !after) return;\n    if (note.start % beat === 0) return;\n    if (note.volume - before.volume < step) return;\n    if (note.volume < after.volume) return;\n    starts.add(note.start);\n  });\n  return starts;\n}\n\n/**\n * Beam groups that follow the ACCENTS rather than the beat, for a passage that\n * is written in one pulse and played in another.\n *\n * Ragnarok's canyon from bar 25 is the case, and it is a case, not a rule:\n * beats 2, 3 and 4 of every bar sit at volume 4 while the notes between them\n * are at 7, so beaming by the quarter draws four even groups over a bar whose\n * weight lands in five uneven ones — 3 2 3 3 2, each beginning on a note the\n * ROM leans on. Tried as a general rule over the cartridge it made beams of 14,\n * 16 and 32 heads elsewhere (wookie hole, Arctic Caverns), which is why the\n * passage asks for it by tick.\n *\n * Numbers a group per head from `from` on: a new one at every accent, and one\n * after the bar's LOUDEST head when what follows is quieter — the figure's own\n * peak, which ends a group rather than joining the run under it. Bar 25 is the\n * one that needs the second rule: bars 26 to 28 open on the two heads a beam\n * has already carried over the bar line, while 25 opens on the same pair with\n * nothing to carry them, and without it they were swallowed by the five heads\n * up to the first accent.\n */\nexport function accentBeamGroups(\n  bars: ScoreItem[][],\n  /** The passage the rule covers, in the staff's ticks: `[from, to)`. */\n  { from, to }: { from: number; to: number },\n  /** Each head's volume by its start tick — the levels the groups are read from. */\n  levels: ReadonlyMap<number, number>\n): ScoreItem[][] {\n  let group = 0;\n  return bars.map((items) => {\n    const within = (item: ScoreItem) => item.start >= from && item.start < to;\n    const heads = items.filter((item) => item.midi !== null && within(item));\n    /*\n     * A voice with nothing to lean on keeps the beat. The rule has cuts only where a voice pushes,\n     * and the triangle holds one level right through this passage: numbered along with the others\n     * it had no cut at all, and its bar came out under a single beam from end to end.\n     */\n    if (!heads.some((item) => item.accent)) return items;\n    const peak = Math.max(...heads.map((item) => levels.get(item.start) ?? 0), 0);\n    let previous: number | null = null;\n    return items.map((item) => {\n      if (!within(item) || item.midi === null) return item;\n      const level = levels.get(item.start);\n      if (item.accent || (previous !== null && previous >= peak && (level ?? 0) < previous))\n        group++;\n      previous = level ?? previous;\n      return { ...item, beamGroup: group };\n    });\n  });\n}\n\n/** The most notes a beam is carried across a bar line onto — the figure, and no more. */\nexport const CROSS_BAR_RUN = 4;\n\n/**\n * Figures a bar line cuts in half: a run that starts on the bar's last note and\n * carries the same level into the next bar.\n *\n * Beams do not cross bar lines, and for good reason — the bar line is what a\n * reader counts from. The exception earns itself when the figure is plainly one\n * gesture and the bar line falls inside it: ragnarok's canyon, bars 25 to 28,\n * ends each bar on an accented E3 and opens the next with D3 E3 at the same\n * level 9, the run around it sitting at 7 and 4. Three heads, one gesture, and\n * written bar by bar it reads as a stray sixteenth and a pair.\n *\n * Narrow on purpose: the last note must be ACCENTED (see `accentedStarts`), the\n * run must be unbroken, every note must hold the same volume, and it stops after\n * `CROSS_BAR_RUN` heads. Over the whole cartridge that is three places, all of\n * them this figure. Loosened to \"the level holds\" alone it caught 148, some of\n * them 240 notes long — a beam over half a track.\n *\n * Returns the start tick of each note in a crossing run, mapped to its part in\n * it: the `start` is the note the beam leaves the bar on, the `join`s are the\n * heads it reaches on the other side.\n */\nexport function crossBarRuns(\n  notes: readonly ScoreNote[],\n  grid: BarGrid,\n  accents: ReadonlySet<number> = accentedStarts(notes)\n): Map<number, 'start' | 'join'> {\n  const sounded = [...notes]\n    .filter((note): note is ScoreNote & { volume: number } => note.volume !== undefined)\n    .sort((a, b) => a.start - b.start);\n  const runs = new Map<number, 'start' | 'join'>();\n  sounded.forEach((note, index) => {\n    if (note.ticks >= TICKS_PER_QUARTER || !accents.has(note.start)) return;\n    const next = sounded[index + 1];\n    if (!next || next.start !== note.start + note.ticks) return;\n    if (barAt(grid, next.start) === barAt(grid, note.start)) return;\n    if (next.volume !== note.volume) return;\n    const chain: ScoreNote[] = [note];\n    for (let at = index + 1; at < sounded.length && chain.length < CROSS_BAR_RUN; at++) {\n      const head = sounded[at];\n      const before = chain[chain.length - 1];\n      if (head.start !== before.start + before.ticks || head.volume !== note.volume) break;\n      chain.push(head);\n    }\n    if (chain.length < 2) return;\n    runs.set(note.start, 'start');\n    for (const head of chain.slice(1)) runs.set(head.start, 'join');\n  });\n  return runs;\n}\n\n/** Whether an effect is drawn along its note — and so has to carry on where the note does. */\nexport function drawnAlong(effect: PitchEffect, measureTicks = MEASURE_TICKS): boolean {\n  return (\n    effect.kind === 'slide' ||\n    (effect.kind === 'bend' && effect.ticks >= measureTicks) ||\n    (effect.kind === 'vibrato' && effect.curve !== undefined)\n  );\n}\n\n/**\n * Puts what each note carries on its HEAD — the first piece of it, never a\n * piece tied on after a bar line, which would mark one note twice: its effect,\n * grace notes, accent, echo, level, and its part in a beam across the bar line.\n * The pieces tied on after a head get a `carry` instead, when the effect is\n * drawn along the note.\n *\n * In place, and in one walk: the bars are the ones `buildScore` has just made,\n * and copying every head once for each thing it might carry was a fifth of the\n * time a score took to work out. The marks go on in the order above, so a\n * head's fields read the same whichever of them it has.\n */\nfunction attachHeads(\n  bars: StaffItem[][],\n  marks: {\n    effects?: ReadonlyMap<number, PitchEffect>;\n    graces?: ReadonlyMap<number, readonly number[]>;\n    accents?: ReadonlySet<number>;\n    echoes?: ReadonlySet<number>;\n    levels?: ReadonlyMap<number, number>;\n    across?: ReadonlyMap<number, 'start' | 'join'>;\n    staccatos?: ReadonlySet<number>;\n    chords?: ReadonlyMap<number, readonly number[]>;\n  }\n): ScoreItem[][] {\n  const effects = marks.effects?.size ? marks.effects : null;\n  const graces = marks.graces?.size ? marks.graces : null;\n  const accents = marks.accents?.size ? marks.accents : null;\n  const echoes = marks.echoes?.size ? marks.echoes : null;\n  const levels = marks.levels?.size ? marks.levels : null;\n  const across = marks.across?.size ? marks.across : null;\n  const staccatos = marks.staccatos?.size ? marks.staccatos : null;\n  const chords = marks.chords?.size ? marks.chords : null;\n  if (!effects && !graces && !accents && !echoes && !levels && !across && !staccatos && !chords) {\n    return bars;\n  }\n  let active: EffectCarry | null = null;\n  for (const items of bars) {\n    for (const plain of items) {\n      const item = plain as ScoreItem;\n      const head = item.midi !== null && !item.tieStop;\n      if (effects) {\n        if (head && effects.has(item.start)) {\n          const effect = effects.get(item.start)!;\n          active = drawnAlong(effect) ? { start: item.start, midi: item.midi!, effect } : null;\n          item.effect = effect;\n        } else if (active && item.tieStop && item.midi === active.midi) {\n          item.carry = active;\n        } else if (!item.tieStop) {\n          active = null;\n        }\n      }\n      if (!head) continue;\n      if (graces?.has(item.start)) item.grace = graces.get(item.start);\n      if (accents?.has(item.start)) item.accent = true;\n      if (echoes?.has(item.start)) item.echo = true;\n      if (levels?.has(item.start)) item.volume = levels.get(item.start);\n      if (across?.has(item.start)) item.across = across.get(item.start);\n      if (staccatos?.has(item.start)) item.staccato = true;\n      if (chords?.has(item.start)) item.chord = chords.get(item.start);\n    }\n  }\n  return bars;\n}\n\n/** Each note's own APU level by where it starts — what `attachHeads` puts on its head. */\nfunction levelsOf(notes: readonly { start: number; volume?: number }[]): Map<number, number> {\n  const levels = new Map<number, number>();\n  for (const note of notes) if (note.volume !== undefined) levels.set(note.start, note.volume);\n  return levels;\n}\n\n/** A noise hit: when, for how long, and which `$400E` period. */\nexport interface ScoreHit {\n  start: number;\n  ticks: number;\n  period: number;\n  /** The APU level the hit starts at, 0..15 — see `ScoreItem.volume`. */\n  volume?: number;\n}\n\nexport type ScoreStaveKind = 'treble' | 'bass' | 'percussion';\n\nexport interface ScoreStave {\n  partId: string;\n  kind: ScoreStaveKind;\n  /**\n   * One list of items per bar. Filled to the bar line — except on a grand\n   * staff, where it is only what stands on THIS stave, for the layout.\n   */\n  bars: ScoreItem[][];\n  /** On a grand staff's upper stave: the part's whole voice, filled to the bar line, drawn across both. */\n  voiceBars?: ScoreItem[][];\n  /** On a grand staff's lower stave: its notes belong to the voice of the stave above. */\n  follows?: boolean;\n}\n\nexport interface ScoreModel {\n  /** Ticks added to the piece's clock to get the score's — see `staffShift`. */\n  shift: number;\n  /** Where the bar lines fall: the metre, and the opening bar's own length. */\n  grid: BarGrid;\n  barCount: number;\n  staves: ScoreStave[];\n  /** Each part's marks, in the SCORE's ticks. */\n  dynamics: Record<string, DynamicMark[]>;\n  /**\n   * Each part's own delay taken out (`voicePhase`), in ticks: its notes sit\n   * this much EARLIER on the staff than on the piece's clock. Anything that\n   * compares a staff tick with the piece's — hiding what has not been read\n   * yet — has to take it out too.\n   */\n  phases: Record<string, number>;\n}\n\n/** Where a piece changes key: the tick the new key starts on, and its VexFlow name. */\nexport interface KeyChange {\n  /** In the PIECE's ticks, as the ROM holds them. */\n  tick: number;\n  key: string;\n}\n\n/**\n * The key each bar of a score is written in.\n *\n * A change takes effect from the bar its tick falls in — the tick is moved onto\n * the staff's clock by `shift` first — so it stays with the music when the bar\n * line or the metre is read differently. Volkmire's Inferno Race turns from D\n * minor to D major on tick 870, which is bar 29 of its 2/4 score.\n */\nexport function barKeys(\n  barCount: number,\n  shift: number,\n  grid: BarGrid,\n  opening: string,\n  changes: readonly KeyChange[] = []\n): string[] {\n  const names = Array.from({ length: barCount }, () => opening);\n  for (const change of changes) {\n    const from = Math.max(0, barAt(grid, change.tick + shift));\n    for (let bar = from; bar < names.length; bar++) names[bar] = change.key;\n  }\n  return names;\n}\n\n/** The part id the percussion staff carries. */\nexport const DRUMS_PART = 'drums';\n\n/** How a score is barred and read — everything `buildScore` takes beyond the notes. */\nexport interface ScoreOptions {\n  /** The tick the bar lines are counted from. Default 0. */\n  offset?: number;\n  /** Ticks in a bar: 64 is 4/4, 32 is 2/4. Default `MEASURE_TICKS`. */\n  measureTicks?: number;\n  /**\n   * Write the pickup as part of the opening bar rather than in a bar of its own.\n   *\n   * The music then starts on the score's first tick, and the opening bar is as\n   * much longer than the metre as the pickup is — one bar of 19/32 in front of\n   * Volkmire's Inferno Race's 2/4, instead of a bar of rests with the run in it.\n   */\n  mergePickup?: boolean;\n  /**\n   * The passage read by its accents: the only place accents are marked (`accentedStarts`), and\n   * where the beams follow them rather than the beat (`accentBeamGroups`). None given, no accents.\n   * In the PIECE's ticks, like everything a caller gives; `shift` moves it onto the staff's clock.\n   */\n  accentBeams?: { from: number; to: number };\n  /** Bars later in the piece with a length of their own — see `BarGrid`. */\n  oddBars?: readonly OddBar[];\n  /**\n   * Take a part's own delay of up to `MAX_PHASE` ticks out (`voicePhase`). Default true: a sound\n   * driver delays a channel a tick or two on purpose, and the staff writes it on the beat. Music\n   * that is already on its beat — a MIDI file — wants it off, or a voice is moved off the beat it\n   * keeps.\n   */\n  alignVoices?: boolean;\n}\n\n/**\n * The whole score, worked out once.\n *\n * `options.offset` is the tick the bar lines are counted from and\n * `options.measureTicks` the length of a bar; any other notation view of the\n * same piece should use the same two, so they all bar the music the same way.\n */\nexport function buildScore(\n  parts: readonly {\n    id: string;\n    notes: readonly ScoreNote[];\n    /** Which staves, when the caller decides rather than the notes (`partStaves`). */\n    staves?: readonly ('treble' | 'bass')[];\n  }[],\n  drums: readonly ScoreHit[],\n  totalTicks: number,\n  {\n    offset = 0,\n    measureTicks = MEASURE_TICKS,\n    mergePickup = false,\n    accentBeams,\n    oddBars = [],\n    alignVoices = true,\n  }: ScoreOptions = {}\n): ScoreModel {\n  const { grid, shift } = barring(offset, measureTicks, mergePickup, oddBars);\n  const end = totalTicks + shift;\n  const barCount = barCountOf(grid, end);\n  const barsOf = (notes: readonly TickNote[]) =>\n    staffMeasures(staffItems(notes, end, grid), end, grid).map((bar) => bar.items);\n  const phases: Record<string, number> = {};\n  const moved = <T extends TickNote>(notes: readonly T[], id?: string): T[] => {\n    const phase = alignVoices && notes.length > 0 ? voicePhase(notes, offset, measureTicks) : 0;\n    if (id !== undefined) phases[id] = phase;\n    return shiftNotes(notes, shift - phase);\n  };\n\n  const staves: ScoreStave[] = [];\n  const dynamics: Record<string, DynamicMark[]> = {};\n\n  for (const part of parts) {\n    /*\n     * Notes struck together are one head with a chord on its stem: the highest — the line a\n     * reader follows — is the head the rhythm, the staff and the marks are read from, and it\n     * holds as long as the longest of them. A part with one note at a time is untouched.\n     */\n    const together = new Map<number, ScoreNote[]>();\n    for (const note of part.notes)\n      together.set(note.start, [...(together.get(note.start) ?? []), note]);\n    const groups = [...together.values()];\n    const leads = groups.map((group) =>\n      group.length === 1\n        ? group[0]\n        : {\n            ...group.reduce((top, note) => (note.midi > top.midi ? note : top)),\n            ticks: Math.max(...group.map((note) => note.ticks)),\n          }\n    );\n    const notes = moved(leads, part.id);\n    const pitchChords = new Map<number, number[]>();\n    groups.forEach((group, index) => {\n      if (group.length < 2) return;\n      const others = [...new Set(group.map((note) => note.midi))]\n        .filter((midi) => midi !== leads[index].midi)\n        .sort((a, b) => a - b);\n      if (others.length) pitchChords.set(notes[index].start, others);\n    });\n    const range = pitchChords.size\n      ? [...notes, ...[...pitchChords.values()].flat().map((midi) => ({ midi }))]\n      : notes;\n    const kinds = part.staves ? [...part.staves] : partStaves(range);\n    // Read over the whole part: the note after a slide may be on the other staff.\n    const effects = effectsOf(notes);\n    /*\n     * Accents only inside the passage read by its accents (`accentBeams`) — a\n     * reading by ear, made for ragnarok's canyon, bars 25 to 28. Let loose over\n     * the cartridge the rule marked every loud note off the beat, and Arctic\n     * Caverns' echo — every second note far quieter than the one before, an\n     * imitation of an echo — came out as a column of accents it does not have.\n     */\n    const accents = accentBeams\n      ? new Set(\n          [...accentedStarts(notes)].filter(\n            (start) => start >= accentBeams.from + shift && start < accentBeams.to + shift\n          )\n        )\n      : new Set<number>();\n    const across = crossBarRuns(notes, grid, accents);\n    const heads = () => {\n      const written = attachHeads(barsOf(notes), {\n        effects,\n        graces: new Map(\n          notes.filter((note) => note.grace?.length).map((note) => [note.start, note.grace!])\n        ),\n        accents,\n        echoes: new Set(notes.filter((note) => note.echo).map((note) => note.start)),\n        levels: levelsOf(notes),\n        across,\n        staccatos: new Set(notes.filter((note) => note.staccato).map((note) => note.start)),\n        chords: pitchChords,\n      });\n      if (!accentBeams) return written;\n      return accentBeamGroups(\n        written,\n        { from: accentBeams.from + shift, to: accentBeams.to + shift },\n        levelsOf(notes)\n      );\n    };\n    if (kinds.length === 1) {\n      staves.push({ partId: part.id, kind: kinds[0], bars: heads() });\n    } else {\n      const voice = crossStaffVoice(heads());\n      const on = (staff: 'treble' | 'bass') =>\n        voice.map((items) => items.filter((item) => item.staff === staff));\n      staves.push({\n        partId: part.id,\n        kind: 'treble',\n        bars: on('treble'),\n        voiceBars: voice,\n      });\n      staves.push({\n        partId: part.id,\n        kind: 'bass',\n        bars: on('bass'),\n        follows: true,\n      });\n    }\n    const loud = notes.filter(\n      (note): note is ScoreNote & { volume: number } => note.volume !== undefined\n    );\n    dynamics[part.id] = dynamicMarks(loud);\n  }\n\n  if (drums.length > 0) {\n    /*\n     * Hits at the same moment are one chord: the longest is the head the staff's rhythm is\n     * written from, the others stand on its stem. A staff of one voice wrote them one after\n     * another, and every hat over a kick pushed the rest of the bar a value late.\n     */\n    const groups = new Map<number, ScoreHit[]>();\n    for (const hit of drums) groups.set(hit.start, [...(groups.get(hit.start) ?? []), hit]);\n    const leads = [...groups.values()].map((group) =>\n      group.reduce((longest, hit) => (hit.ticks > longest.ticks ? hit : longest))\n    );\n    const others = [...groups.values()].map((group, index) => [\n      ...new Set(\n        group\n          .filter((hit) => hit !== leads[index])\n          .map((hit) => hit.period & 0x0f)\n          .filter((period) => period !== (leads[index].period & 0x0f))\n      ),\n    ]);\n    const hits = moved(\n      leads.map((hit) => ({\n        start: hit.start,\n        ticks: hit.ticks,\n        midi: hit.period & 0x0f,\n        volume: hit.volume,\n      }))\n    );\n    const chords = new Map<number, number[]>();\n    hits.forEach((hit, index) => {\n      if (others[index]?.length) chords.set(hit.start, others[index]);\n    });\n    /*\n     * A drum is struck once. What is left of its slot after the first head —\n     * the rest of a long value, or the part carried over a bar line — is\n     * written as rest: tied on a percussion staff it reads as a roll, and as a\n     * second head it reads as a second hit.\n     */\n    const bars = attachHeads(\n      barsOf(hits).map((items) =>\n        items.map((item) =>\n          item.tieStop\n            ? { ...item, midi: null, tieStart: false, tieStop: false }\n            : { ...item, tieStart: false }\n        )\n      ),\n      { levels: levelsOf(hits), chords }\n    );\n    staves.push({ partId: DRUMS_PART, kind: 'percussion', bars });\n  }\n\n  return { shift, grid, barCount, staves, dynamics, phases };\n}\n"]}

package/package.json

@@ -1,6 +1,59 @@
 {
   "name": "@xromdev/notation",
-  "version": "0.0.0-stage",
-  "stub": true,
-  "description": "Temporary package placeholder for staged publishing"
-}
+  "version": "0.1.0",
+  "description": "Notes in ticks, read as a score: note values, ties, tuplets, bar lines, key spelling, clefs, grand staff and dynamics — no DOM, no renderer.",
+  "license": "MIT",
+  "author": "Oleksandr Maksymov",
+  "type": "module",
+  "main": "./dist/index.js",
+  "types": "./dist/index.d.ts",
+  "exports": {
+    ".": {
+      "types": "./dist/index.d.ts",
+      "import": "./dist/index.js",
+      "default": "./dist/index.js"
+    },
+    "./package.json": "./package.json"
+  },
+  "files": [
+    "dist",
+    "README.md",
+    "LICENSE"
+  ],
+  "sideEffects": false,
+  "scripts": {
+    "build": "tsc -p tsconfig.build.json",
+    "test": "vitest run",
+    "typecheck": "tsc -p tsconfig.json --noEmit",
+    "prepare": "npm run build",
+    "prepublishOnly": "npm run typecheck && npm test"
+  },
+  "keywords": [
+    "music-notation",
+    "sheet-music",
+    "score",
+    "musicxml",
+    "vexflow",
+    "midi",
+    "nes",
+    "chiptune"
+  ],
+  "repository": {
+    "type": "git",
+    "url": "git+https://github.com/DeepNESReverse/xrom-notation.git"
+  },
+  "homepage": "https://github.com/DeepNESReverse/xrom-notation#readme",
+  "bugs": {
+    "url": "https://github.com/DeepNESReverse/xrom-notation/issues"
+  },
+  "engines": {
+    "node": ">=18"
+  },
+  "devDependencies": {
+    "typescript": "^5.9.3",
+    "vitest": "^3.2.7"
+  },
+  "publishConfig": {
+    "access": "public"
+  }
+}