@xopcai/xopc 0.0.82 → 0.0.83

package/dist/src/infra/restart-sentinel.js.map

@@ -1 +0,0 @@
-{"version":3,"file":"restart-sentinel.js","names":[],"sources":["../../../src/infra/restart-sentinel.ts"],"sourcesContent":["/**\n * Restart Sentinel - Upgrade recovery coordination\n *\n * After an auto-update completes, the update runner writes a sentinel file.\n * On next gateway startup, the sentinel is consumed to:\n * 1. Log the version transition\n * 2. Restore active session context\n * 3. Broadcast update-complete via SSE\n */\n\nimport { readFileSync, writeFileSync, mkdirSync, rmSync } from 'node:fs';\nimport path from 'node:path';\nimport { resolveStateDir } from '../config/paths-state.js';\nimport { createLogger } from '../utils/logger.js';\n\nconst log = createLogger('RestartSentinel');\n\nconst SENTINEL_FILENAME = 'restart-sentinel.json';\n\n// ─── Types ───\n\nexport interface RestartSentinel {\n  previousVersion: string;\n  newVersion: string;\n  restartedAt: string;\n  sessionKeys?: string[];\n  reason?: string;\n}\n\n// ─── File Path ───\n\nfunction resolveSentinelPath(): string {\n  return path.join(resolveStateDir(), SENTINEL_FILENAME);\n}\n\n// ─── Write (called by update-runner after successful install) ───\n\nexport function writeRestartSentinel(sentinel: RestartSentinel): void {\n  const sentinelPath = resolveSentinelPath();\n  mkdirSync(path.dirname(sentinelPath), { recursive: true });\n  writeFileSync(sentinelPath, JSON.stringify(sentinel, null, 2), 'utf8');\n  log.info(\n    { previousVersion: sentinel.previousVersion, newVersion: sentinel.newVersion },\n    'Restart sentinel written',\n  );\n}\n\n// ─── Read & Consume (called by gateway on startup) ───\n\n/** Read and delete the sentinel file atomically. Returns null if not present. */\nexport function consumeRestartSentinel(): RestartSentinel | null {\n  const sentinelPath = resolveSentinelPath();\n\n  try {\n    const raw = readFileSync(sentinelPath, 'utf8');\n    const parsed = JSON.parse(raw) as RestartSentinel;\n\n    // Validate minimal fields\n    if (!parsed.previousVersion || !parsed.newVersion || !parsed.restartedAt) {\n      rmSync(sentinelPath, { force: true });\n      return null;\n    }\n\n    // Remove the file (consume)\n    rmSync(sentinelPath, { force: true });\n\n    log.info(\n      { previousVersion: parsed.previousVersion, newVersion: parsed.newVersion },\n      'Restart sentinel consumed',\n    );\n\n    return parsed;\n  } catch {\n    return null;\n  }\n}\n\n/** Read without consuming (for inspection) */\nexport function readRestartSentinel(): RestartSentinel | null {\n  try {\n    const raw = readFileSync(resolveSentinelPath(), 'utf8');\n    const parsed = JSON.parse(raw) as RestartSentinel;\n    if (!parsed.previousVersion || !parsed.newVersion) return null;\n    return parsed;\n  } catch {\n    return null;\n  }\n}\n\n/** Check if a sentinel file exists */\nexport function hasRestartSentinel(): boolean {\n  try {\n    readFileSync(resolveSentinelPath());\n    return true;\n  } catch {\n    return false;\n  }\n}\n"],"mappings":";;;;;;;;;;;;;;;kBAY2D;aACT;AAElD,MAAM,MAAM,aAAa,kBAAkB;AAE3C,MAAM,oBAAoB;AAc1B,SAAS,sBAA8B;AACrC,QAAO,KAAK,KAAK,iBAAiB,EAAE,kBAAkB;;AAKxD,SAAgB,qBAAqB,UAAiC;CACpE,MAAM,eAAe,qBAAqB;AAC1C,WAAU,KAAK,QAAQ,aAAa,EAAE,EAAE,WAAW,MAAM,CAAC;AAC1D,eAAc,cAAc,KAAK,UAAU,UAAU,MAAM,EAAE,EAAE,OAAO;AACtE,KAAI,KACF;EAAE,iBAAiB,SAAS;EAAiB,YAAY,SAAS;EAAY,EAC9E,2BACD;;;AAMH,SAAgB,yBAAiD;CAC/D,MAAM,eAAe,qBAAqB;AAE1C,KAAI;EACF,MAAM,MAAM,aAAa,cAAc,OAAO;EAC9C,MAAM,SAAS,KAAK,MAAM,IAAI;AAG9B,MAAI,CAAC,OAAO,mBAAmB,CAAC,OAAO,cAAc,CAAC,OAAO,aAAa;AACxE,UAAO,cAAc,EAAE,OAAO,MAAM,CAAC;AACrC,UAAO;;AAIT,SAAO,cAAc,EAAE,OAAO,MAAM,CAAC;AAErC,MAAI,KACF;GAAE,iBAAiB,OAAO;GAAiB,YAAY,OAAO;GAAY,EAC1E,4BACD;AAED,SAAO;SACD;AACN,SAAO;;;;AAKX,SAAgB,sBAA8C;AAC5D,KAAI;EACF,MAAM,MAAM,aAAa,qBAAqB,EAAE,OAAO;EACvD,MAAM,SAAS,KAAK,MAAM,IAAI;AAC9B,MAAI,CAAC,OAAO,mBAAmB,CAAC,OAAO,WAAY,QAAO;AAC1D,SAAO;SACD;AACN,SAAO;;;;AAKX,SAAgB,qBAA8B;AAC5C,KAAI;AACF,eAAa,qBAAqB,CAAC;AACnC,SAAO;SACD;AACN,SAAO"}

package/skills/creative/canvas-design/LICENSE.txt

@@ -1,202 +0,0 @@
-
-                                 Apache License
-                           Version 2.0, January 2004
-                        http://www.apache.org/licenses/
-
-   TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION
-
-   1. Definitions.
-
-      "License" shall mean the terms and conditions for use, reproduction,
-      and distribution as defined by Sections 1 through 9 of this document.
-
-      "Licensor" shall mean the copyright owner or entity authorized by
-      the copyright owner that is granting the License.
-
-      "Legal Entity" shall mean the union of the acting entity and all
-      other entities that control, are controlled by, or are under common
-      control with that entity. For the purposes of this definition,
-      "control" means (i) the power, direct or indirect, to cause the
-      direction or management of such entity, whether by contract or
-      otherwise, or (ii) ownership of fifty percent (50%) or more of the
-      outstanding shares, or (iii) beneficial ownership of such entity.
-
-      "You" (or "Your") shall mean an individual or Legal Entity
-      exercising permissions granted by this License.
-
-      "Source" form shall mean the preferred form for making modifications,
-      including but not limited to software source code, documentation
-      source, and configuration files.
-
-      "Object" form shall mean any form resulting from mechanical
-      transformation or translation of a Source form, including but
-      not limited to compiled object code, generated documentation,
-      and conversions to other media types.
-
-      "Work" shall mean the work of authorship, whether in Source or
-      Object form, made available under the License, as indicated by a
-      copyright notice that is included in or attached to the work
-      (an example is provided in the Appendix below).
-
-      "Derivative Works" shall mean any work, whether in Source or Object
-      form, that is based on (or derived from) the Work and for which the
-      editorial revisions, annotations, elaborations, or other modifications
-      represent, as a whole, an original work of authorship. For the purposes
-      of this License, Derivative Works shall not include works that remain
-      separable from, or merely link (or bind by name) to the interfaces of,
-      the Work and Derivative Works thereof.
-
-      "Contribution" shall mean any work of authorship, including
-      the original version of the Work and any modifications or additions
-      to that Work or Derivative Works thereof, that is intentionally
-      submitted to Licensor for inclusion in the Work by the copyright owner
-      or by an individual or Legal Entity authorized to submit on behalf of
-      the copyright owner. For the purposes of this definition, "submitted"
-      means any form of electronic, verbal, or written communication sent
-      to the Licensor or its representatives, including but not limited to
-      communication on electronic mailing lists, source code control systems,
-      and issue tracking systems that are managed by, or on behalf of, the
-      Licensor for the purpose of discussing and improving the Work, but
-      excluding communication that is conspicuously marked or otherwise
-      designated in writing by the copyright owner as "Not a Contribution."
-
-      "Contributor" shall mean Licensor and any individual or Legal Entity
-      on behalf of whom a Contribution has been received by Licensor and
-      subsequently incorporated within the Work.
-
-   2. Grant of Copyright License. Subject to the terms and conditions of
-      this License, each Contributor hereby grants to You a perpetual,
-      worldwide, non-exclusive, no-charge, royalty-free, irrevocable
-      copyright license to reproduce, prepare Derivative Works of,
-      publicly display, publicly perform, sublicense, and distribute the
-      Work and such Derivative Works in Source or Object form.
-
-   3. Grant of Patent License. Subject to the terms and conditions of
-      this License, each Contributor hereby grants to You a perpetual,
-      worldwide, non-exclusive, no-charge, royalty-free, irrevocable
-      (except as stated in this section) patent license to make, have made,
-      use, offer to sell, sell, import, and otherwise transfer the Work,
-      where such license applies only to those patent claims licensable
-      by such Contributor that are necessarily infringed by their
-      Contribution(s) alone or by combination of their Contribution(s)
-      with the Work to which such Contribution(s) was submitted. If You
-      institute patent litigation against any entity (including a
-      cross-claim or counterclaim in a lawsuit) alleging that the Work
-      or a Contribution incorporated within the Work constitutes direct
-      or contributory patent infringement, then any patent licenses
-      granted to You under this License for that Work shall terminate
-      as of the date such litigation is filed.
-
-   4. Redistribution. You may reproduce and distribute copies of the
-      Work or Derivative Works thereof in any medium, with or without
-      modifications, and in Source or Object form, provided that You
-      meet the following conditions:
-
-      (a) You must give any other recipients of the Work or
-          Derivative Works a copy of this License; and
-
-      (b) You must cause any modified files to carry prominent notices
-          stating that You changed the files; and
-
-      (c) You must retain, in the Source form of any Derivative Works
-          that You distribute, all copyright, patent, trademark, and
-          attribution notices from the Source form of the Work,
-          excluding those notices that do not pertain to any part of
-          the Derivative Works; and
-
-      (d) If the Work includes a "NOTICE" text file as part of its
-          distribution, then any Derivative Works that You distribute must
-          include a readable copy of the attribution notices contained
-          within such NOTICE file, excluding those notices that do not
-          pertain to any part of the Derivative Works, in at least one
-          of the following places: within a NOTICE text file distributed
-          as part of the Derivative Works; within the Source form or
-          documentation, if provided along with the Derivative Works; or,
-          within a display generated by the Derivative Works, if and
-          wherever such third-party notices normally appear. The contents
-          of the NOTICE file are for informational purposes only and
-          do not modify the License. You may add Your own attribution
-          notices within Derivative Works that You distribute, alongside
-          or as an addendum to the NOTICE text from the Work, provided
-          that such additional attribution notices cannot be construed
-          as modifying the License.
-
-      You may add Your own copyright statement to Your modifications and
-      may provide additional or different license terms and conditions
-      for use, reproduction, or distribution of Your modifications, or
-      for any such Derivative Works as a whole, provided Your use,
-      reproduction, and distribution of the Work otherwise complies with
-      the conditions stated in this License.
-
-   5. Submission of Contributions. Unless You explicitly state otherwise,
-      any Contribution intentionally submitted for inclusion in the Work
-      by You to the Licensor shall be under the terms and conditions of
-      this License, without any additional terms or conditions.
-      Notwithstanding the above, nothing herein shall supersede or modify
-      the terms of any separate license agreement you may have executed
-      with Licensor regarding such Contributions.
-
-   6. Trademarks. This License does not grant permission to use the trade
-      names, trademarks, service marks, or product names of the Licensor,
-      except as required for reasonable and customary use in describing the
-      origin of the Work and reproducing the content of the NOTICE file.
-
-   7. Disclaimer of Warranty. Unless required by applicable law or
-      agreed to in writing, Licensor provides the Work (and each
-      Contributor provides its Contributions) on an "AS IS" BASIS,
-      WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or
-      implied, including, without limitation, any warranties or conditions
-      of TITLE, NON-INFRINGEMENT, MERCHANTABILITY, or FITNESS FOR A
-      PARTICULAR PURPOSE. You are solely responsible for determining the
-      appropriateness of using or redistributing the Work and assume any
-      risks associated with Your exercise of permissions under this License.
-
-   8. Limitation of Liability. In no event and under no legal theory,
-      whether in tort (including negligence), contract, or otherwise,
-      unless required by applicable law (such as deliberate and grossly
-      negligent acts) or agreed to in writing, shall any Contributor be
-      liable to You for damages, including any direct, indirect, special,
-      incidental, or consequential damages of any character arising as a
-      result of this License or out of the use or inability to use the
-      Work (including but not limited to damages for loss of goodwill,
-      work stoppage, computer failure or malfunction, or any and all
-      other commercial damages or losses), even if such Contributor
-      has been advised of the possibility of such damages.
-
-   9. Accepting Warranty or Additional Liability. While redistributing
-      the Work or Derivative Works thereof, You may choose to offer,
-      and charge a fee for, acceptance of support, warranty, indemnity,
-      or other liability obligations and/or rights consistent with this
-      License. However, in accepting such obligations, You may act only
-      on Your own behalf and on Your sole responsibility, not on behalf
-      of any other Contributor, and only if You agree to indemnify,
-      defend, and hold each Contributor harmless for any liability
-      incurred by, or claims asserted against, such Contributor by reason
-      of your accepting any such warranty or additional liability.
-
-   END OF TERMS AND CONDITIONS
-
-   APPENDIX: How to apply the Apache License to your work.
-
-      To apply the Apache License to your work, attach the following
-      boilerplate notice, with the fields enclosed by brackets "[]"
-      replaced with your own identifying information. (Don't include
-      the brackets!)  The text should be enclosed in the appropriate
-      comment syntax for the file format. We also recommend that a
-      file or class name and description of purpose be included on the
-      same "printed page" as the copyright notice for easier
-      identification within third-party archives.
-
-   Copyright 2026 Anthropic, PBC.
-
-   Licensed under the Apache License, Version 2.0 (the "License");
-   you may not use this file except in compliance with the License.
-   You may obtain a copy of the License at
-
-       http://www.apache.org/licenses/LICENSE-2.0
-
-   Unless required by applicable law or agreed to in writing, software
-   distributed under the License is distributed on an "AS IS" BASIS,
-   WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
-   See the License for the specific language governing permissions and
-   limitations under the License.

package/skills/creative/canvas-design/SKILL-zh.md

@@ -1,130 +0,0 @@
----
-name: canvas-design
-description: 使用设计哲学在 .png 和 .pdf 文档中创建精美的视觉艺术。当用户要求创建海报、艺术作品、设计或其他静态作品时使用。创建原创视觉设计，绝不复制现有艺术家的作品以防止版权侵犯。
-license: 完整条款见 LICENSE.txt
----
-
-这些是指南用于创建设计哲学——美学运动，然后**通过视觉表达**。只输出 .md 文件、.pdf 文件和 .png 文件。
-
-分两步完成：
-1. 设计哲学创建（.md 文件）
-2. 通过在画布上创作来表达（.pdf 文件或 .png 文件）
-
-首先，执行此任务：
-
-## 设计哲学创建
-
-首先创建一个视觉哲学（而非布局或模板），通过以下方式诠释：
-- 形式、空间、色彩、构图
-- 图像、图形、形状、图案
-- 极少量文字作为视觉点缀
-
-### 关键理解
-- 接收到的：用户的一些微妙输入或指示，应作为基础考虑，但不应限制创作自由。
-- 创建的：一种设计哲学/美学运动。
-- 接下来发生的：同一版本接收哲学并**通过视觉表达它**——创建 90% 视觉设计、10% 必要文字的制品。
-
-考虑这种方法：
-- 为艺术运动撰写宣言
-- 下一阶段是创作艺术作品
-
-哲学必须强调：视觉表达。空间沟通。艺术诠释。最少文字。
-
-### 如何生成视觉哲学
-
-**命名运动**（1-2 个词）："粗野主义之喜" / "色彩静默" / "新陈代谢之梦"
-
-**阐述哲学**（4-6 段——简洁但完整）：
-
-要捕捉视觉的本质，表达这种哲学如何通过以下方式体现：
-- 空间和形式
-- 色彩和材料
-- 比例和节奏
-- 构图和平衡
-- 视觉层次
-
-**关键指南：**
-- **避免冗余**：每个设计方面应只提及一次。避免重复有关色彩理论、空间关系或排版原则的概念，除非增加新深度。
-- **反复强调工艺**：哲学必须多次强调，最终作品应看起来像花费了无数小时创造、经过精心打磨、由本领域最顶尖的人完成的。这个框架至关重要——重复使用"精心制作的"、"深度专业知识的产物"、"痛苦的精雕细琢"、"大师级执行"等短语。
-- **留下创作空间**：对美学方向要具体，但要足够简洁，让下一个 Claude 也有空间以极高工艺水平进行解释性选择。
-
-哲学必须引导下一个版本通过视觉来表达思想，而非通过文字。信息存在于设计中，而非段落中。
-
-### 哲学示例
-
-**"混凝土诗歌"**
-哲学：通过纪念性形式和粗犷几何进行沟通。
-视觉表达：巨大色块、雕塑式排印（巨大的单个词、微小的标签）、粗野主义空间分割、波兰海报能量遇上勒·柯布西耶。通过视觉重量和空间张力而非解释来表达思想。文字作为罕见而有力的姿态——永无段落，只有融入视觉架构的必要文字。每个元素都以大师级工匠的精准度放置。
-
-**"色彩语言"**
-哲学：色彩作为主要信息系统。
-视觉表达：几何精确，色彩区域创造意义。排印极简——小型无衬线标签让色彩场域传达信息。想象约瑟夫·阿尔伯斯的色彩互动遇上数据可视化。信息通过空间和色彩编码。文字仅用于锚定色彩已展示的内容。痛苦色彩校准的产物。
-
-**"模拟冥想"**
-哲学：通过纹理和呼吸空间进行安静的视觉思考。
-视觉表达：纸张纹理、墨水晕染、大量留白。摄影和插图为主。排印低语（小字、克制、服务于视觉）。日本摄影集美学。图像在页面间呼吸。文字稀疏出现——简短短语，从无解释性段落。每个构图都以冥想般的用心平衡。
-
-**"有机系统"**
-哲学：自然聚类和模块化生长模式。
-视觉表达：圆润形式、有机排列、来自自然通过建筑传递的色彩。信息通过视觉图表、空间关系、图标展示。文字仅为空间中漂浮的关键标签。构图通过专家的空间编排讲述故事。
-
-**"几何静默"**
-哲学：纯粹秩序和克制。
-视觉表达：基于网格的精确性、大胆摄影或极简图形、戏剧性留白。排印精确但极简——小号必要文字、大面积安静区域。瑞士形式主义遇上粗野主义材料真诚。结构传达，而非文字。每次对齐都是无数次精炼的成果。
-
-*这些是浓缩示例。实际的设计哲学应为 4-6 段详尽内容。*
-
-### 基本原则
-- **视觉哲学**：创建一种通过设计表达的美学世界观
-- **极简文字**：始终强调文字稀疏、必要仅供、作为视觉元素融入——从不冗长
-- **空间表达**：思想通过空间、形式、色彩、构图传达——而非段落
-- **艺术自由**：下一个 Claude 视觉诠释哲学——提供创作空间
-- **纯粹设计**：这是关于制作**艺术品**，而非带装饰的文档
-- **专家工艺**：反复强调最终作品必须看起来精心制作、用心打磨、本领域顶尖人物花费无数小时的产物
-
-**设计哲学应为 4-6 段。** 用诗意的设计哲学填充它，融合核心愿景。避免重复相同要点。保持设计哲学通用，不提及艺术的意图，仿佛它可以随处使用。将设计哲学输出为 .md 文件。
-
----
-
-## 推导微妙的引用
-
-**关键步骤**：在创建画布之前，从原始请求中识别微妙的主题线索。
-
-**基本原则**：
-主题是**嵌入在艺术本身内部的微妙、小众引用**——不一定总是字面的，总是复杂的。熟悉该主题的人应直觉地感受到它，而其他人只是体验大师级的抽象作品。设计哲学提供了美学语言。推导出的主题提供了灵魂——无形地编织进形式、色彩和构图的安静概念 DNA。
-
-这**非常重要**：引用必须如此精炼，以至于在不自我宣告的情况下增强作品的深度。想一下爵士音乐家引用另一首歌——只有懂行的人才会发现，但每个人都能欣赏音乐。
-
----
-
-## 画布创建
-
-在建立了哲学和概念框架后，在画布上表达。花点时间整理思绪，澄清头脑。使用上文创建的设计哲学和以下说明来打造杰作，以专家工艺体现哲学的各个方面。
-
-**重要**：对于任何类型的内容，即使用户要求的是关于电影/游戏/书籍的内容，方法仍应保持优雅。永远不要忘记这应该是艺术，而不是卡通或业余作品。
-
-要创作博物馆或杂志级别的作品，使用设计哲学作为基础。创建单一页面、高度视觉化、设计优先的 PDF 或 PNG 输出（除非要求更多页面）。通常使用重复图案和完美形状。将抽象的哲学设计视为科学圣经，借用系统观察的视觉语言——密集的标记积累、重复元素或分层图案，通过耐心的重复构建意义，回报持续的观看。添加稀疏、临床式的排印和系统参考标记，暗示这可能是来自某个想象学科的图表，以通常用于记录可观察现象的同样敬畏心对待不可见主题。用简单短语或细节微妙地锚定作品，使用感觉有意图且连贯的有限调色板。拥抱用分析性视觉语言表达关于人类体验思想的悖论：结果应感觉像一件证明某种短暂事物可以通过细心关注被研究、映射和理解的产物。这是真正的艺术。
-
-**文字作为上下文元素**：文字始终是最少的且以视觉为先，但让上下文指导这意味着耳语般安静的标签还是大胆的排印姿态。朋克场馆海报可能比极简陶瓷工作室品牌有更大、更激进的字型。大多数情况下，字体应为细体。所有字体的使用必须设计优先并优先考虑视觉传达。无论文字大小如何，没有任何内容超出页面边界或重叠。每个元素必须在画布边界内，具有适当的边距。仔细检查所有文字、图形和视觉元素是否具有呼吸空间和清晰分隔。这是专业执行中不可妥协的。**重要：如需书写文字，使用不同字体。搜索 `./canvas-fonts` 目录。无论采用何种方法，优雅都是不可妥协的。**
-
-下载并使用任何需要的字体来实现这一目标。发挥创意，让排印本身成为艺术的一部分——如果艺术是抽象的，将字体带到画布上，而不是数字化地排字。
-
-要突破边界，遵循设计直觉/本能，同时以哲学为指导原则。拥抱最终的设计自由和选择。将美学和设计推向最前沿。
-
-**关键**：要实现人类手工的品质（而非 AI 生成），创造看起来像花费了无数小时的作品。让它看起来像是本领域最顶尖的人以精心的用心在每个细节上打磨。确保构图、间距、色彩选择、排印——一切都彰显专家级工艺。双重检查无重叠、格式完美、每个细节都完美。创造一些可以展示给人们以证明专业水平、无可争议地令人印象深刻的作品。
-
-将最终结果作为单个可下载的 .pdf 或 .png 文件输出，同时附上所使用的设计哲学（作为 .md 文件）。
-
----
-
-## 最后一步
-
-**重要**：用户已经说了"它不够完美。它必须无瑕，是工艺的杰作，仿佛即将在博物馆展出。"
-
-**关键**：要精炼作品，避免添加更多图形；相反，精炼已创建的内容，使其极其清晰，完全尊重设计哲学和极简主义原则。与其添加有趣的滤镜或重构字体，不如考虑如何使现有构图与艺术更加协调。如果本能是调用新函数或绘制新形状，请停止并问："我如何让已经存在的内容更像一件艺术品？"
-
-进行第二次检查。回到代码中进一步精炼/润色，使其成为一件哲学设计的杰作。
-
-## 多页选项
-
-当需要创建额外页面时，按照设计哲学类似的思路创建更多创意页面，但要明显不同。将这些页面打包在同一个 .pdf 或多个 .png 中。将第一页视为整本咖啡桌书中等待填充的一页。让后续页面成为原创的转折和回忆。让它们以非常优雅的方式几乎讲述一个故事。充分行使创作自由。

package/skills/creative/canvas-design/SKILL.md

@@ -1,130 +0,0 @@
----
-name: canvas-design
-description: Create beautiful visual art in .png and .pdf documents using design philosophy. You should use this skill when the user asks to create a poster, piece of art, design, or other static piece. Create original visual designs, never copying existing artists' work to avoid copyright violations.
-license: Complete terms in LICENSE.txt
----
-
-These are instructions for creating design philosophies - aesthetic movements that are then EXPRESSED VISUALLY. Output only .md files, .pdf files, and .png files.
-
-Complete this in two steps:
-1. Design Philosophy Creation (.md file)
-2. Express by creating it on a canvas (.pdf file or .png file)
-
-First, undertake this task:
-
-## DESIGN PHILOSOPHY CREATION
-
-To begin, create a VISUAL PHILOSOPHY (not layouts or templates) that will be interpreted through:
-- Form, space, color, composition
-- Images, graphics, shapes, patterns
-- Minimal text as visual accent
-
-### THE CRITICAL UNDERSTANDING
-- What is received: Some subtle input or instructions by the user that should be taken into account, but used as a foundation; it should not constrain creative freedom.
-- What is created: A design philosophy/aesthetic movement.
-- What happens next: Then, the same version receives the philosophy and EXPRESSES IT VISUALLY - creating artifacts that are 90% visual design, 10% essential text.
-
-Consider this approach:
-- Write a manifesto for an art movement
-- The next phase involves making the artwork
-
-The philosophy must emphasize: Visual expression. Spatial communication. Artistic interpretation. Minimal words.
-
-### HOW TO GENERATE A VISUAL PHILOSOPHY
-
-**Name the movement** (1-2 words): "Brutalist Joy" / "Chromatic Silence" / "Metabolist Dreams"
-
-**Articulate the philosophy** (4-6 paragraphs - concise but complete):
-
-To capture the VISUAL essence, express how the philosophy manifests through:
-- Space and form
-- Color and material
-- Scale and rhythm
-- Composition and balance
-- Visual hierarchy
-
-**CRITICAL GUIDELINES:**
-- **Avoid redundancy**: Each design aspect should be mentioned once. Avoid repeating points about color theory, spatial relationships, or typographic principles unless adding new depth.
-- **Emphasize craftsmanship REPEATEDLY**: The philosophy MUST stress multiple times that the final work should appear as though it took countless hours to create, was labored over with care, and comes from someone at the absolute top of their field. This framing is essential - repeat phrases like "meticulously crafted," "the product of deep expertise," "painstaking attention," "master-level execution."
-- **Leave creative space**: Remain specific about the aesthetic direction, but concise enough that the next Claude has room to make interpretive choices also at a extremely high level of craftmanship.
-
-The philosophy must guide the next version to express ideas VISUALLY, not through text. Information lives in design, not paragraphs.
-
-### PHILOSOPHY EXAMPLES
-
-**"Concrete Poetry"**
-Philosophy: Communication through monumental form and bold geometry.
-Visual expression: Massive color blocks, sculptural typography (huge single words, tiny labels), Brutalist spatial divisions, Polish poster energy meets Le Corbusier. Ideas expressed through visual weight and spatial tension, not explanation. Text as rare, powerful gesture - never paragraphs, only essential words integrated into the visual architecture. Every element placed with the precision of a master craftsman.
-
-**"Chromatic Language"**
-Philosophy: Color as the primary information system.
-Visual expression: Geometric precision where color zones create meaning. Typography minimal - small sans-serif labels letting chromatic fields communicate. Think Josef Albers' interaction meets data visualization. Information encoded spatially and chromatically. Words only to anchor what color already shows. The result of painstaking chromatic calibration.
-
-**"Analog Meditation"**
-Philosophy: Quiet visual contemplation through texture and breathing room.
-Visual expression: Paper grain, ink bleeds, vast negative space. Photography and illustration dominate. Typography whispered (small, restrained, serving the visual). Japanese photobook aesthetic. Images breathe across pages. Text appears sparingly - short phrases, never explanatory blocks. Each composition balanced with the care of a meditation practice.
-
-**"Organic Systems"**
-Philosophy: Natural clustering and modular growth patterns.
-Visual expression: Rounded forms, organic arrangements, color from nature through architecture. Information shown through visual diagrams, spatial relationships, iconography. Text only for key labels floating in space. The composition tells the story through expert spatial orchestration.
-
-**"Geometric Silence"**
-Philosophy: Pure order and restraint.
-Visual expression: Grid-based precision, bold photography or stark graphics, dramatic negative space. Typography precise but minimal - small essential text, large quiet zones. Swiss formalism meets Brutalist material honesty. Structure communicates, not words. Every alignment the work of countless refinements.
-
-*These are condensed examples. The actual design philosophy should be 4-6 substantial paragraphs.*
-
-### ESSENTIAL PRINCIPLES
-- **VISUAL PHILOSOPHY**: Create an aesthetic worldview to be expressed through design
-- **MINIMAL TEXT**: Always emphasize that text is sparse, essential-only, integrated as visual element - never lengthy
-- **SPATIAL EXPRESSION**: Ideas communicate through space, form, color, composition - not paragraphs
-- **ARTISTIC FREEDOM**: The next Claude interprets the philosophy visually - provide creative room
-- **PURE DESIGN**: This is about making ART OBJECTS, not documents with decoration
-- **EXPERT CRAFTSMANSHIP**: Repeatedly emphasize the final work must look meticulously crafted, labored over with care, the product of countless hours by someone at the top of their field
-
-**The design philosophy should be 4-6 paragraphs long.** Fill it with poetic design philosophy that brings together the core vision. Avoid repeating the same points. Keep the design philosophy generic without mentioning the intention of the art, as if it can be used wherever. Output the design philosophy as a .md file.
-
----
-
-## DEDUCING THE SUBTLE REFERENCE
-
-**CRITICAL STEP**: Before creating the canvas, identify the subtle conceptual thread from the original request.
-
-**THE ESSENTIAL PRINCIPLE**:
-The topic is a **subtle, niche reference embedded within the art itself** - not always literal, always sophisticated. Someone familiar with the subject should feel it intuitively, while others simply experience a masterful abstract composition. The design philosophy provides the aesthetic language. The deduced topic provides the soul - the quiet conceptual DNA woven invisibly into form, color, and composition.
-
-This is **VERY IMPORTANT**: The reference must be refined so it enhances the work's depth without announcing itself. Think like a jazz musician quoting another song - only those who know will catch it, but everyone appreciates the music.
-
----
-
-## CANVAS CREATION
-
-With both the philosophy and the conceptual framework established, express it on a canvas. Take a moment to gather thoughts and clear the mind. Use the design philosophy created and the instructions below to craft a masterpiece, embodying all aspects of the philosophy with expert craftsmanship.
-
-**IMPORTANT**: For any type of content, even if the user requests something for a movie/game/book, the approach should still be sophisticated. Never lose sight of the idea that this should be art, not something that's cartoony or amateur.
-
-To create museum or magazine quality work, use the design philosophy as the foundation. Create one single page, highly visual, design-forward PDF or PNG output (unless asked for more pages). Generally use repeating patterns and perfect shapes. Treat the abstract philosophical design as if it were a scientific bible, borrowing the visual language of systematic observation—dense accumulation of marks, repeated elements, or layered patterns that build meaning through patient repetition and reward sustained viewing. Add sparse, clinical typography and systematic reference markers that suggest this could be a diagram from an imaginary discipline, treating the invisible subject with the same reverence typically reserved for documenting observable phenomena. Anchor the piece with simple phrase(s) or details positioned subtly, using a limited color palette that feels intentional and cohesive. Embrace the paradox of using analytical visual language to express ideas about human experience: the result should feel like an artifact that proves something ephemeral can be studied, mapped, and understood through careful attention. This is true art. 
-
-**Text as a contextual element**: Text is always minimal and visual-first, but let context guide whether that means whisper-quiet labels or bold typographic gestures. A punk venue poster might have larger, more aggressive type than a minimalist ceramics studio identity. Most of the time, font should be thin. All use of fonts must be design-forward and prioritize visual communication. Regardless of text scale, nothing falls off the page and nothing overlaps. Every element must be contained within the canvas boundaries with proper margins. Check carefully that all text, graphics, and visual elements have breathing room and clear separation. This is non-negotiable for professional execution. **IMPORTANT: Use different fonts if writing text. Search the `./canvas-fonts` directory. Regardless of approach, sophistication is non-negotiable.**
-
-Download and use whatever fonts are needed to make this a reality. Get creative by making the typography actually part of the art itself -- if the art is abstract, bring the font onto the canvas, not typeset digitally.
-
-To push boundaries, follow design instinct/intuition while using the philosophy as a guiding principle. Embrace ultimate design freedom and choice. Push aesthetics and design to the frontier. 
-
-**CRITICAL**: To achieve human-crafted quality (not AI-generated), create work that looks like it took countless hours. Make it appear as though someone at the absolute top of their field labored over every detail with painstaking care. Ensure the composition, spacing, color choices, typography - everything screams expert-level craftsmanship. Double-check that nothing overlaps, formatting is flawless, every detail perfect. Create something that could be shown to people to prove expertise and rank as undeniably impressive.
-
-Output the final result as a single, downloadable .pdf or .png file, alongside the design philosophy used as a .md file.
-
----
-
-## FINAL STEP
-
-**IMPORTANT**: The user ALREADY said "It isn't perfect enough. It must be pristine, a masterpiece if craftsmanship, as if it were about to be displayed in a museum."
-
-**CRITICAL**: To refine the work, avoid adding more graphics; instead refine what has been created and make it extremely crisp, respecting the design philosophy and the principles of minimalism entirely. Rather than adding a fun filter or refactoring a font, consider how to make the existing composition more cohesive with the art. If the instinct is to call a new function or draw a new shape, STOP and instead ask: "How can I make what's already here more of a piece of art?"
-
-Take a second pass. Go back to the code and refine/polish further to make this a philosophically designed masterpiece.
-
-## MULTI-PAGE OPTION
-
-To create additional pages when requested, create more creative pages along the same lines as the design philosophy but distinctly different as well. Bundle those pages in the same .pdf or many .pngs. Treat the first page as just a single page in a whole coffee table book waiting to be filled. Make the next pages unique twists and memories of the original. Have them almost tell a story in a very tasteful way. Exercise full creative freedom.

package/skills/creative/canvas-design/canvas-fonts/ArsenalSC-OFL.txt

@@ -1,93 +0,0 @@
-Copyright 2012 The Arsenal Project Authors (andrij.design@gmail.com)
-
-This Font Software is licensed under the SIL Open Font License, Version 1.1.
-This license is copied below, and is also available with a FAQ at:
-https://openfontlicense.org
-
-
------------------------------------------------------------
-SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
------------------------------------------------------------
-
-PREAMBLE
-The goals of the Open Font License (OFL) are to stimulate worldwide
-development of collaborative font projects, to support the font creation
-efforts of academic and linguistic communities, and to provide a free and
-open framework in which fonts may be shared and improved in partnership
-with others.
-
-The OFL allows the licensed fonts to be used, studied, modified and
-redistributed freely as long as they are not sold by themselves. The
-fonts, including any derivative works, can be bundled, embedded, 
-redistributed and/or sold with any software provided that any reserved
-names are not used by derivative works. The fonts and derivatives,
-however, cannot be released under any other type of license. The
-requirement for fonts to remain under this license does not apply
-to any document created using the fonts or their derivatives.
-
-DEFINITIONS
-"Font Software" refers to the set of files released by the Copyright
-Holder(s) under this license and clearly marked as such. This may
-include source files, build scripts and documentation.
-
-"Reserved Font Name" refers to any names specified as such after the
-copyright statement(s).
-
-"Original Version" refers to the collection of Font Software components as
-distributed by the Copyright Holder(s).
-
-"Modified Version" refers to any derivative made by adding to, deleting,
-or substituting -- in part or in whole -- any of the components of the
-Original Version, by changing formats or by porting the Font Software to a
-new environment.
-
-"Author" refers to any designer, engineer, programmer, technical
-writer or other person who contributed to the Font Software.
-
-PERMISSION & CONDITIONS
-Permission is hereby granted, free of charge, to any person obtaining
-a copy of the Font Software, to use, study, copy, merge, embed, modify,
-redistribute, and sell modified and unmodified copies of the Font
-Software, subject to the following conditions:
-
-1) Neither the Font Software nor any of its individual components,
-in Original or Modified Versions, may be sold by itself.
-
-2) Original or Modified Versions of the Font Software may be bundled,
-redistributed and/or sold with any software, provided that each copy
-contains the above copyright notice and this license. These can be
-included either as stand-alone text files, human-readable headers or
-in the appropriate machine-readable metadata fields within text or
-binary files as long as those fields can be easily viewed by the user.
-
-3) No Modified Version of the Font Software may use the Reserved Font
-Name(s) unless explicit written permission is granted by the corresponding
-Copyright Holder. This restriction only applies to the primary font name as
-presented to the users.
-
-4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font
-Software shall not be used to promote, endorse or advertise any
-Modified Version, except to acknowledge the contribution(s) of the
-Copyright Holder(s) and the Author(s) or with their explicit written
-permission.
-
-5) The Font Software, modified or unmodified, in part or in whole,
-must be distributed entirely under this license, and must not be
-distributed under any other license. The requirement for fonts to
-remain under this license does not apply to any document created
-using the Font Software.
-
-TERMINATION
-This license becomes null and void if any of the above conditions are
-not met.
-
-DISCLAIMER
-THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND,
-EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF
-MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
-OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE
-COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
-INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL
-DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING
-FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM
-OTHER DEALINGS IN THE FONT SOFTWARE.