@w3kits-com/plugin-opendesign 0.1.8 → 0.1.10

package/dist/__w3kits/assets/design-templates/hyperframes/references/transitions/css-mechanical.md

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+## Mechanical
+
+### Shutter
+
+Two full-screen halves close from top and bottom, meet in the middle. Swap while closed. Open again.
+
+```js
+tl.to("#shutter-top", { y: 0, duration: 0.25, ease: "power3.in" }, T);
+tl.to("#shutter-bot", { y: 0, duration: 0.25, ease: "power3.in" }, T);
+tl.set(old, { opacity: 0 }, T + 0.25);
+tl.set(new, { opacity: 1 }, T + 0.25);
+tl.to("#shutter-top", { y: -540, duration: 0.25, ease: "power3.out" }, T + 0.3);
+tl.to("#shutter-bot", { y: 540, duration: 0.25, ease: "power3.out" }, T + 0.3);
+```
+
+### Clock Wipe
+
+Radial polygon sweep stepping through quadrants. Use 9-point polygon with intermediate edge positions for smooth sweep.
+
+```js
+tl.set(new, { opacity: 1, zIndex: 10 }, T);
+var d = 0.1; // duration per quadrant
+tl.set(new, { clipPath: "polygon(50% 50%, 50% 0%, 50% 0%, 50% 0%, 50% 0%, 50% 0%, 50% 0%, 50% 0%, 50% 0%)" }, T);
+tl.to(new, { clipPath: "polygon(50% 50%, 50% 0%, 100% 0%, 100% 50%, 100% 50%, 100% 50%, 100% 50%, 100% 50%, 100% 50%)", duration: d, ease: "none" }, T);
+tl.to(new, { clipPath: "polygon(50% 50%, 50% 0%, 100% 0%, 100% 50%, 100% 100%, 50% 100%, 50% 100%, 50% 100%, 50% 100%)", duration: d, ease: "none" }, T + d);
+tl.to(new, { clipPath: "polygon(50% 50%, 50% 0%, 100% 0%, 100% 50%, 100% 100%, 50% 100%, 0% 100%, 0% 50%, 0% 50%)", duration: d, ease: "none" }, T + d*2);
+tl.to(new, { clipPath: "polygon(50% 50%, 50% 0%, 100% 0%, 100% 50%, 100% 100%, 50% 100%, 0% 100%, 0% 50%, 0% 0%)", duration: d, ease: "none" }, T + d*3);
+tl.set(new, { clipPath: "none", zIndex: "auto" }, T + d*4 + 0.02);
+tl.set(old, { opacity: 0, zIndex: "auto" }, T + d*4 + 0.02);
+```

package/dist/__w3kits/assets/design-templates/hyperframes/references/transitions/css-other.md

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+## Other
+
+### Gravity Drop
+
+Old scene falls down with slight rotation. New scene was behind it. Needs z-index.
+
+```js
+tl.set(new, { opacity: 1, zIndex: 1 }, T);
+tl.set(old, { zIndex: 10 }, T);
+tl.to(old, { y: 1200, rotation: 4, duration: 0.5, ease: "power3.in" }, T);
+tl.set(old, { opacity: 0, zIndex: "auto" }, T + 0.5);
+tl.set(new, { zIndex: "auto" }, T + 0.5);
+```
+
+### Morph Circle
+
+A circle scales up from center to fill frame (becoming the new scene's background color). New scene content fades in on top.
+
+```js
+tl.set("#morph-circle", { background: newBgColor, opacity: 1, scale: 0 }, T);
+tl.to("#morph-circle", { scale: 30, duration: 0.5, ease: "power3.in" }, T);
+tl.set(old, { opacity: 0 }, T + 0.4);
+tl.set(new, { opacity: 1 }, T + 0.4);
+tl.to("#morph-circle", { opacity: 0, duration: 0.15, ease: "power2.out" }, T + 0.5);
+```

package/dist/__w3kits/assets/design-templates/hyperframes/references/transitions/css-push.md

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+## Linear / Push
+
+### Push Slide
+
+Both scenes move together — new pushes old out.
+
+```js
+tl.to(old, { x: -1920, duration: 0.5, ease: "power3.inOut" }, T);
+tl.fromTo(new, { x: 1920, opacity: 1 }, { x: 0, duration: 0.5, ease: "power3.inOut" }, T);
+```
+
+### Vertical Push
+
+Same as push slide but vertical.
+
+```js
+tl.to(old, { y: -1080, duration: 0.5, ease: "power3.inOut" }, T);
+tl.fromTo(new, { y: 1080, opacity: 1 }, { y: 0, duration: 0.5, ease: "power3.inOut" }, T);
+```
+
+### Elastic Push
+
+Push with overshoot bounce on the incoming scene.
+
+```js
+tl.to(old, { x: -1920, duration: 0.5, ease: "power3.in" }, T);
+tl.fromTo(new, { x: 1920, opacity: 1 }, { x: 30, duration: 0.4, ease: "power4.out" }, T + 0.1);
+tl.to(new, { x: -15, duration: 0.15, ease: "sine.inOut" }, T + 0.5);
+tl.to(new, { x: 0, duration: 0.1, ease: "sine.out" }, T + 0.65);
+```
+
+### Squeeze
+
+Old compresses, new expands from opposite side.
+
+```js
+tl.to(old, { scaleX: 0, transformOrigin: "left center", duration: 0.4, ease: "power3.inOut" }, T);
+tl.fromTo(new, { scaleX: 0, transformOrigin: "right center", opacity: 1 },
+  { scaleX: 1, duration: 0.4, ease: "power3.inOut" }, T + 0.1);
+tl.set(old, { opacity: 0 }, T + 0.5);
+```

package/dist/__w3kits/assets/design-templates/hyperframes/references/transitions/css-radial.md

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+## Radial / Shape
+
+### Circle Iris
+
+Expanding circle from center reveals new scene.
+
+```js
+tl.set(new, { opacity: 1 }, T);
+tl.fromTo(new,
+  { clipPath: "circle(0% at 50% 50%)" },
+  { clipPath: "circle(75% at 50% 50%)", duration: 0.5, ease: "power2.out" }, T);
+tl.set(old, { opacity: 0 }, T + 0.5);
+```
+
+### Diamond Iris
+
+Expanding diamond shape from center.
+
+```js
+tl.set(new, { opacity: 1 }, T);
+tl.fromTo(new,
+  { clipPath: "polygon(50% 50%, 50% 50%, 50% 50%, 50% 50%)" },
+  { clipPath: "polygon(50% -20%, 120% 50%, 50% 120%, -20% 50%)", duration: 0.5, ease: "power2.out" }, T);
+tl.set(old, { opacity: 0 }, T + 0.5);
+```
+
+### Diagonal Split
+
+Old scene shrinks to a triangle in one corner.
+
+```js
+tl.set(new, { opacity: 1, zIndex: 1 }, T);
+tl.set(old, { zIndex: 10, clipPath: "polygon(0% 0%, 100% 0%, 100% 100%, 0% 100%)" }, T);
+tl.to(old, { clipPath: "polygon(60% 0%, 100% 0%, 100% 40%, 60% 0%)", duration: 0.5, ease: "power3.inOut" }, T);
+tl.set(old, { opacity: 0, zIndex: "auto", clipPath: "none" }, T + 0.5);
+tl.set(new, { zIndex: "auto" }, T + 0.5);
+```

package/dist/__w3kits/assets/design-templates/hyperframes/references/transitions/css-scale.md

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+## Scale / Zoom
+
+### Zoom Through
+
+Old zooms past camera + blurs, new zooms in from behind.
+
+```js
+tl.to(old, { scale: 2.5, opacity: 0, filter: "blur(8px)", duration: 0.4, ease: "power3.in" }, T);
+tl.fromTo(new,
+  { scale: 0.5, opacity: 0, filter: "blur(8px)" },
+  { scale: 1, opacity: 1, filter: "blur(0px)", duration: 0.4, ease: "power3.out" }, T + 0.15);
+```
+
+### Zoom Out
+
+Old shrinks away, new was behind it. Needs z-index management.
+
+```js
+tl.set(new, { opacity: 1, zIndex: 1 }, T);
+tl.set(old, { zIndex: 10, transformOrigin: "50% 50%" }, T);
+tl.to(old, { scale: 0.3, opacity: 0, duration: 0.4, ease: "power3.in" }, T);
+tl.set(old, { zIndex: "auto" }, T + 0.4);
+tl.set(new, { zIndex: "auto" }, T + 0.4);
+```

package/dist/__w3kits/assets/design-templates/hyperframes/references/transitions.md

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+# Scene Transitions
+
+A transition tells the viewer how two scenes relate. A crossfade says "this continues." A push slide says "next point." A blur crossfade says "drift with me." Choose transitions that match what the content is doing emotionally, not just technically.
+
+## Animation Rules for Multi-Scene Compositions
+
+These are non-negotiable for every multi-scene composition:
+
+1. **Every composition uses transitions.** No exceptions. Scenes without transitions feel like jump cuts.
+2. **Every scene uses entrance animations.** Elements animate IN via `gsap.from()` — opacity, position, scale, etc. No scene should pop fully-formed onto screen.
+3. **Exit animations are BANNED** except on the final scene. Do NOT use `gsap.to()` to animate elements out before a transition fires. The transition IS the exit. Outgoing scene content must be fully visible when the transition starts — the transition handles the visual handoff.
+4. **Final scene exception:** The last scene MAY fade elements out (e.g., fade to black at the end of the composition). This is the only scene where exit animations are allowed.
+
+## Energy → Primary Transition
+
+| Energy                                   | CSS Primary                  | Shader Primary                       | Accent                         | Duration  | Easing                 |
+| ---------------------------------------- | ---------------------------- | ------------------------------------ | ------------------------------ | --------- | ---------------------- |
+| **Calm** (wellness, brand story, luxury) | Blur crossfade, focus pull   | Cross-warp morph, thermal distortion | Light leak, circle iris        | 0.5-0.8s  | `sine.inOut`, `power1` |
+| **Medium** (corporate, SaaS, explainer)  | Push slide, staggered blocks | Whip pan, cinematic zoom             | Squeeze, vertical push         | 0.3-0.5s  | `power2`, `power3`     |
+| **High** (promos, sports, music, launch) | Zoom through, overexposure   | Ridged burn, glitch, chromatic split | Staggered blocks, gravity drop | 0.15-0.3s | `power4`, `expo`       |
+
+Pick ONE primary (60-70% of scene changes) + 1-2 accents. Never use a different transition for every scene.
+
+## Mood → Transition Type
+
+Think about what the transition _communicates_, not just what it looks like.
+
+| Mood                     | Transitions                                                                                                                          | Why it works                                                                                |
+| ------------------------ | ------------------------------------------------------------------------------------------------------------------------------------ | ------------------------------------------------------------------------------------------- |
+| **Warm / inviting**      | Light leak, blur crossfade, focus pull, film burn · **Shader:** thermal distortion, light leak, cross-warp morph                     | Soft edges, warm color washes. Nothing sharp or mechanical.                                 |
+| **Cold / clinical**      | Squeeze, zoom out, blinds, shutter, grid dissolve · **Shader:** gravitational lens                                                   | Content transforms mechanically — compressed, shrunk, sliced, gridded.                      |
+| **Editorial / magazine** | Push slide, vertical push, diagonal split, shutter · **Shader:** whip pan                                                            | Like turning a page or slicing a layout. Clean directional movement.                        |
+| **Tech / futuristic**    | Grid dissolve, staggered blocks, blinds, chromatic aberration · **Shader:** glitch, chromatic split                                  | Grid dissolve is the core "data" transition. Shader glitch adds posterization + scan lines. |
+| **Tense / edgy**         | Glitch, VHS, chromatic aberration, ripple · **Shader:** ridged burn, glitch, domain warp                                             | Instability, distortion, digital breakdown. Ridged burn adds sharp lightning-crack edges.   |
+| **Playful / fun**        | Elastic push, 3D flip, circle iris, morph circle, clock wipe · **Shader:** ripple waves, swirl vortex                                | Overshoot, bounce, rotation, expansion. Swirl vortex adds organic spiral distortion.        |
+| **Dramatic / cinematic** | Zoom through, zoom out, gravity drop, overexposure, color dip to black · **Shader:** cinematic zoom, gravitational lens, domain warp | Scale, weight, light extremes. Shader transitions add per-pixel depth.                      |
+| **Premium / luxury**     | Focus pull, blur crossfade, color dip to black · **Shader:** cross-warp morph, thermal distortion                                    | Restraint. Cross-warp morph flows both scenes into each other organically.                  |
+| **Retro / analog**       | Film burn, light leak, VHS, clock wipe · **Shader:** light leak                                                                      | Organic imperfection. Warm color bleeds, scan line displacement.                            |
+
+## Narrative Position
+
+| Position                   | Use                                                                        | Why                                                   |
+| -------------------------- | -------------------------------------------------------------------------- | ----------------------------------------------------- |
+| **Opening**                | Your most distinctive transition. Match the mood. 0.4-0.6s                 | Sets the visual language for the entire piece.        |
+| **Between related points** | Your primary transition. Consistent. 0.3s                                  | Don't distract — the content is continuing.           |
+| **Topic change**           | Something different from your primary. Staggered blocks, shutter, squeeze. | Signals "new section" — the viewer's brain resets.    |
+| **Climax / hero reveal**   | Your boldest accent. Fastest or most dramatic.                             | This is the payoff — spend your best transition here. |
+| **Wind-down**              | Return to gentle. Blur crossfade, crossfade. 0.5-0.7s                      | Let the viewer exhale after the climax.               |
+| **Outro**                  | Slowest, simplest. Crossfade, color dip to black. 0.6-1.0s                 | Closure. Don't introduce new energy at the end.       |
+
+## Blur Intensity by Energy
+
+| Energy     | Blur    | Duration | Hold at peak |
+| ---------- | ------- | -------- | ------------ |
+| **Calm**   | 20-30px | 0.8-1.2s | 0.3-0.5s     |
+| **Medium** | 8-15px  | 0.4-0.6s | 0.1-0.2s     |
+| **High**   | 3-6px   | 0.2-0.3s | 0s           |
+
+## Presets
+
+| Preset     | Duration | Easing            |
+| ---------- | -------- | ----------------- |
+| `snappy`   | 0.2s     | `power4.inOut`    |
+| `smooth`   | 0.4s     | `power2.inOut`    |
+| `gentle`   | 0.6s     | `sine.inOut`      |
+| `dramatic` | 0.5s     | `power3.in` → out |
+| `instant`  | 0.15s    | `expo.inOut`      |
+| `luxe`     | 0.7s     | `power1.inOut`    |
+
+## Implementation
+
+Read [transitions/catalog.md](transitions/catalog.md) for GSAP code and hard rules for every transition type.
+
+| Category    | CSS                                                            | Shader (WebGL)                                                            |
+| ----------- | -------------------------------------------------------------- | ------------------------------------------------------------------------- |
+| Push/slide  | Push slide, vertical push, elastic push, squeeze               | Whip pan                                                                  |
+| Scale/zoom  | Zoom through, zoom out, gravity drop, 3D flip                  | Cinematic zoom, gravitational lens                                        |
+| Reveal/mask | Circle iris, diamond iris, diagonal split, clock wipe, shutter | SDF iris                                                                  |
+| Dissolve    | Crossfade, blur crossfade, focus pull, color dip               | Cross-warp morph, domain warp                                             |
+| Cover       | Staggered blocks, horizontal blinds, vertical blinds           | —                                                                         |
+| Light       | Light leak, overexposure burn, film burn                       | Light leak (shader), thermal distortion                                   |
+| Distortion  | Glitch, chromatic aberration, ripple, VHS tape                 | Glitch (shader), chromatic split, ridged burn, ripple waves, swirl vortex |
+| Pattern     | Grid dissolve, morph circle                                    | —                                                                         |
+
+## Transitions That Don't Work in CSS
+
+Avoid: star iris, tilt-shift, lens flare, hinge/door. See catalog.md for why.
+
+## CSS vs Shader
+
+CSS transitions animate scene containers with opacity, transforms, clip-path, and filters. Shader transitions composite both scene textures per-pixel on a WebGL canvas — they can warp, dissolve, and morph in ways CSS cannot.
+
+**Both are first-class options.** Shaders are provided by the `@hyperframes/shader-transitions` package — import from the package instead of writing raw GLSL. CSS transitions are simpler to set up. Choose based on the effect you want, not based on which is easier.
+
+When a composition uses shader transitions, ALL transitions in that composition should be shader-based (the WebGL canvas replaces DOM-based scene switching). Don't mix CSS and shader transitions in the same composition.
+
+## Shader-Compatible CSS Rules
+
+Shader transitions capture DOM scenes to WebGL textures via html2canvas. The canvas 2D rendering pipeline doesn't match CSS exactly. Follow these rules to avoid visible artifacts at transition boundaries:
+
+1. **No `transparent` keyword in gradients.** Canvas interpolates `transparent` as `rgba(0,0,0,0)` (black at zero alpha), creating dark fringes. Always use the target color at zero alpha: `rgba(200,117,51,0)` not `transparent`.
+2. **No gradient backgrounds on elements thinner than 4px.** Canvas can't match CSS gradient rendering on 1-2px elements. Use solid `background-color` on thin accent lines.
+3. **No CSS variables (`var()`) on elements visible during capture.** html2canvas doesn't reliably resolve custom properties. Use literal color values in inline styles.
+4. **Mark uncapturable decorative elements with `data-no-capture`.** The capture function skips these. They're present on the live DOM but absent from the shader texture. Use for elements that can't follow the rules above.
+5. **No gradient opacity below 0.15.** Gradient elements below 10% opacity render differently in canvas vs CSS. Increase to 0.15+ or use a solid color at equivalent brightness.
+6. **Every `.scene` div must have explicit `background-color`, AND pass the same color as `bgColor` in the `init()` config.** The package captures scene elements via html2canvas. Both the CSS `background-color` on `.scene` and the `bgColor` config must match. Without either, the texture renders as black.
+
+These rules only apply to shader transition compositions. CSS-only compositions have no restrictions.
+
+## Visual Pattern Warning
+
+Avoid transitions that create visible repeating geometric patterns — grids of tiles, hexagonal cells, uniform dot arrays, evenly-spaced blob circles. These look cheap and artificial regardless of the math behind them. Organic noise (FBM, domain warping) is good because it's irregular. Geometric repetition is bad because the eye instantly sees the grid.

package/dist/__w3kits/assets/design-templates/hyperframes/references/tts.md

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+# Text-to-Speech
+
+Generate speech audio locally using Kokoro-82M (no API key, runs on CPU).
+
+## Voice Selection
+
+Match voice to content. Default is `af_heart`.
+
+| Content type  | Voice                 | Why                        |
+| ------------- | --------------------- | -------------------------- |
+| Product demo  | `af_heart`/`af_nova`  | Warm, professional         |
+| Tutorial      | `am_adam`/`bf_emma`   | Neutral, easy to follow    |
+| Marketing     | `af_sky`/`am_michael` | Energetic or authoritative |
+| Documentation | `bf_emma`/`bm_george` | Clear British English      |
+| Casual        | `af_heart`/`af_sky`   | Approachable, natural      |
+
+Run `npx hyperframes tts --list` for all 54 voices (8 languages).
+
+## Multilingual Phonemization
+
+Kokoro voice IDs encode language in the first letter: `a`=American English, `b`=British English, `e`=Spanish, `f`=French, `h`=Hindi, `i`=Italian, `j`=Japanese, `p`=Brazilian Portuguese, `z`=Mandarin. The CLI auto-detects the phonemizer locale from that prefix — you don't need to pass `--lang` when the voice matches the text.
+
+```bash
+npx hyperframes tts "La reunión empieza a las nueve" --voice ef_dora --output es.wav
+npx hyperframes tts "今日はいい天気ですね" --voice jf_alpha --output ja.wav
+```
+
+Use `--lang` only to override auto-detection (e.g. stylized accents):
+
+```bash
+npx hyperframes tts "Hello there" --voice af_heart --lang fr-fr --output accented.wav
+```
+
+Valid `--lang` codes: `en-us`, `en-gb`, `es`, `fr-fr`, `hi`, `it`, `pt-br`, `ja`, `zh`.
+
+Non-English phonemization requires `espeak-ng` installed system-wide (`brew install espeak-ng` on macOS, `apt-get install espeak-ng` on Debian/Ubuntu).
+
+## Speed Tuning
+
+- **0.7-0.8** — Tutorial, complex content
+- **1.0** — Natural pace (default)
+- **1.1-1.2** — Intros, upbeat content
+- **1.5+** — Rarely appropriate
+
+## Usage
+
+```bash
+npx hyperframes tts "Your script here" --voice af_nova --output narration.wav
+npx hyperframes tts script.txt --voice bf_emma --output narration.wav
+```
+
+In compositions:
+
+```html
+<audio
+  id="narration"
+  data-start="0"
+  data-duration="auto"
+  data-track-index="2"
+  src="narration.wav"
+  data-volume="1"
+></audio>
+```
+
+## TTS + Captions Workflow
+
+```bash
+npx hyperframes tts script.txt --voice af_heart --output narration.wav
+npx hyperframes transcribe narration.wav  # → transcript.json with word-level timestamps
+```
+
+## Requirements
+
+- Python 3.8+ with `kokoro-onnx` and `soundfile`
+- Model downloads on first use (~311 MB + ~27 MB voices, cached in `~/.cache/hyperframes/tts/`)

package/dist/__w3kits/assets/design-templates/hyperframes/references/typography.md

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+# Typography
+
+The compiler embeds supported fonts — just write `font-family` in CSS.
+
+## Banned
+
+Training-data defaults that every LLM reaches for. These produce monoculture across compositions.
+
+Inter, Roboto, Open Sans, Noto Sans, Arimo, Lato, Source Sans, PT Sans, Nunito, Poppins, Outfit, Sora, Playfair Display, Cormorant Garamond, Bodoni Moda, EB Garamond, Cinzel, Prata, Syne
+
+**Syne in particular** is the most overused "distinctive" display font. It is an instant AI design tell.
+
+## Guardrails
+
+You know these rules but you violate them. Stop.
+
+- **Don't pair two sans-serifs.** You do this constantly — one for headlines, one for body. Cross the boundary: serif + sans, or sans + mono.
+- **One expressive font per scene.** You pick two interesting fonts trying to make it "better." One performs, one recedes.
+- **Weight contrast must be extreme.** You default to 400 vs 700. Video needs 300 vs 900. The difference must be visible in motion at a glance.
+- **Video sizes, not web sizes.** Body: 20px minimum. Headlines: 60px+. Data labels: 16px. You will try to use 14px. Don't.
+
+## What You Don't Do Without Being Told
+
+- **Tension should mean something.** Don't pattern-match pairings. Ask WHY these two fonts disagree. The pairing should embody the content's contradiction — mechanical vs human, public vs private, institutional vs personal. If you can't articulate the tension, it's arbitrary.
+- **Register switching.** Assign different fonts to different communicative modes — one voice for statements, another for data, another for attribution. Not hierarchy on a page. Voices in a conversation.
+- **Tension can live inside a single font.** A font that looks familiar but is secretly strange creates tension with the viewer's expectations, not with another font.
+- **One variable changed = dramatic contrast.** Same letterforms, monospaced vs proportional. Same family at different optical sizes. Changing only rhythm while everything else stays constant.
+- **Double personality works.** Two expressive fonts can coexist if they share an attitude (both irreverent, both precise) even when their forms are completely different.
+- **Time is hierarchy.** The first element to appear is the most important. In video, sequence replaces position.
+- **Motion is typography.** How a word enters carries as much meaning as the font. A 0.1s slam vs a 2s fade — same font, completely different message.
+- **Fixed reading time.** 3 seconds on screen = must be readable in 2. Fewer words, larger type.
+- **Tracking tighter than web.** -0.03em to -0.05em on display sizes. Video encoding compresses letter detail.
+
+## Finding Fonts
+
+Don't default to what you know. If the content is luxury, a grotesque sans might create more tension than the expected Didone serif. Decide the register first, then search.
+
+Save this script to `/tmp/fontquery.py` and run with `curl -s 'https://fonts.google.com/metadata/fonts' > /tmp/gfonts.json && python3 /tmp/fontquery.py /tmp/gfonts.json`:
+
+```python
+import json, sys, random
+from collections import OrderedDict
+
+random.seed()  # true random each run
+
+with open(sys.argv[1]) as f:
+    data = json.load(f)
+fonts = data.get("familyMetadataList", [])
+
+ban = {"Inter","Roboto","Open Sans","Noto Sans","Lato","Poppins","Source Sans 3",
+       "PT Sans","Nunito","Outfit","Sora","Playfair Display","Cormorant Garamond",
+       "Bodoni Moda","EB Garamond","Cinzel","Prata","Arimo","Source Sans Pro","Syne"}
+skip_pfx = ("Roboto","Noto ","Google Sans","Bpmf","Playwrite","Anek","BIZ ",
+            "Nanum","Shippori","Sawarabi","Zen ","Kaisei","Kiwi ","Yuji ","Radio ")
+
+def ok(f):
+    if f["family"] in ban: return False
+    if any(f["family"].startswith(b) for b in skip_pfx): return False
+    if "latin" not in (f.get("subsets") or []): return False
+    return True
+
+seen = set()
+R = OrderedDict()
+
+# Trending Sans — recent (2022+), popular (<300)
+R["Trending Sans"] = []
+for f in fonts:
+    if not ok(f) or f["family"] in seen: continue
+    if f.get("category") in ("Sans Serif","Display") and f.get("dateAdded","") >= "2022-01-01" and f.get("popularity",9999) < 300:
+        R["Trending Sans"].append(f); seen.add(f["family"])
+
+# Trending Serif — recent (2018+), popular (<600)
+R["Trending Serif"] = []
+for f in fonts:
+    if not ok(f) or f["family"] in seen: continue
+    if f.get("category") == "Serif" and f.get("dateAdded","") >= "2018-01-01" and f.get("popularity",9999) < 600:
+        R["Trending Serif"].append(f); seen.add(f["family"])
+
+# Monospace — recent (2018+), popular (<600)
+R["Monospace"] = []
+for f in fonts:
+    if not ok(f) or f["family"] in seen: continue
+    if f.get("category") == "Monospace" and f.get("dateAdded","") >= "2018-01-01" and f.get("popularity",9999) < 600:
+        R["Monospace"].append(f); seen.add(f["family"])
+
+# Impact & Condensed — heavy display fonts with 800+ weight
+R["Impact & Condensed"] = []
+for f in fonts:
+    if not ok(f) or f["family"] in seen: continue
+    has_heavy = any(k in list(f.get("fonts",{}).keys()) for k in ("800","900"))
+    is_display = f.get("category") in ("Sans Serif","Display")
+    if has_heavy and is_display and f.get("popularity",9999) < 400:
+        R["Impact & Condensed"].append(f); seen.add(f["family"])
+
+# Script & Handwriting — popular (<300)
+R["Script & Handwriting"] = []
+for f in fonts:
+    if not ok(f) or f["family"] in seen: continue
+    if f.get("category") == "Handwriting" and f.get("popularity",9999) < 300:
+        R["Script & Handwriting"].append(f); seen.add(f["family"])
+
+
+# Randomize the top 5 in each category so the LLM doesn't always pick the same first result
+for cat in R:
+    R[cat].sort(key=lambda x: x.get("popularity",9999))
+    top5 = R[cat][:5]
+    rest = R[cat][5:]
+    random.shuffle(top5)
+    R[cat] = top5 + rest
+limits = {"Trending Sans":15,"Trending Serif":12,"Monospace":8,
+          "Impact & Condensed":12,"Script & Handwriting":10}
+for cat in R:
+    items = R[cat][:limits.get(cat,10)]
+    if not items: continue
+    print(f"--- {cat} ({len(items)}) ---")
+    for ff in items:
+        var = "VAR" if ff.get("axes") else "   "
+        print(f'  {ff.get("popularity"):4d} | {var} | {ff["family"]}')
+    print()
+```
+
+Five categories: trending sans, trending serif, monospace, impact/condensed, script/handwriting. All dynamically filtered from Google Fonts metadata — no hardcoded font names. Cross classification boundaries when pairing.
+
+## Selection Thinking
+
+Don't pick fonts by category reflex (editorial → serif, tech → mono, modern → geometric sans). That's pattern matching, not design.
+
+1. **Name the register.** What voice is the content speaking in? Institutional authority? Personal confession? Technical precision? Casual irreverence? The register narrows the field more than the category.
+2. **Think physically.** Imagine the font as a physical object the brand could ship — a museum exhibit caption, a hand-painted shop sign, a 1970s mainframe terminal manual, a fabric label inside a coat, a children's book printed on cheap newsprint, a tax form. Whichever physical object fits the register is pointing at the right _kind_ of typeface.
+3. **Reject your first instinct.** The first font that feels right is usually your training-data default for that register. If you picked it last time too, find something else.
+4. **Cross-check the assumption.** An editorial brief does NOT need a serif. A technical brief does NOT need a sans. A children's product does NOT need a rounded display font. The most distinctive choice often contradicts the category expectation.
+
+## Similar-Font Pairing
+
+Never pair two fonts that are similar but not identical — two geometric sans-serifs, two transitional serifs, two humanist sans. They create visual friction without clear hierarchy. The viewer senses something is "off" but can't articulate it. Either use one font at two weights, or pair fonts that contrast on multiple axes: serif + sans, condensed + wide, geometric + humanist.
+
+## Dark Backgrounds
+
+Light text on dark backgrounds creates two optical illusions you need to compensate for:
+
+- **Increased apparent weight.** Light-on-dark reads heavier than dark-on-light at the same `font-weight`. Use 350 instead of 400 for body text. Headlines are less affected because size compensates.
+- **Tighter apparent spacing.** Light halos around letterforms reduce perceived gaps. Increase `line-height` by 0.05-0.1 beyond your light-background value. For display sizes, add 0.01em `letter-spacing` to counteract.
+
+## OpenType Features for Data
+
+Most fonts ship with OpenType features that are off by default. Turn them on for data compositions:
+
+```css
+/* Tabular numbers — digits align vertically in columns */
+.stat-value,
+.timer,
+.data-column {
+  font-variant-numeric: tabular-nums;
+}
+
+/* Diagonal fractions — renders 1/2 as ½ */
+.recipe-amount,
+.ratio {
+  font-variant-numeric: diagonal-fractions;
+}
+
+/* Small caps for abbreviations — less visual shouting */
+.abbreviation,
+.unit {
+  font-variant-caps: all-small-caps;
+}
+
+/* Disable ligatures in code — fi, fl, ffi should stay separate */
+code,
+.code {
+  font-variant-ligatures: none;
+}
+```
+
+`tabular-nums` is essential any time numbers are stacked vertically — stat callouts, timers, scoreboards, data tables. Without it, digits have proportional widths and columns don't align.