@vosjs/cli 0.54.1 → 0.55.0

package/README.md

@@ -195,7 +195,7 @@ vos build port/program/program.mjs  # real functions → config.json; refuses a
 vos compare port/program --against ./piece/renders/render.mp4   # per-frame SSIM and source | vos | difference sheets; exit 1 under 0.95
 ```
 
-`inventory` reads the page as a browser renders it (computed styles, not CSS text): a HyperFrames composition's root `data-*`, its `<audio data-start data-volume>`, the scenes its timeline reveals, and each word laid out where it settles in its scene (the piece's own `window.__timelines`, seeked). A page that paints on a canvas gets the words and faces its scripts name. `compare` needs ffmpeg on PATH; it judges every frame on its own, because one missing element is a frame's failure that an average would hide.
+`inventory` reads the page as a browser renders it (computed styles, not CSS text): a HyperFrames composition's root `data-*`, its `<audio data-start data-volume>`, the scenes its timeline reveals, and each word laid out where it settles in its scene (the piece's own `window.__timelines`, seeked). A Remotion project is bundled with its own `@remotion/bundler` (its dependencies installed) and its first composition mounted the way Remotion's renderer mounts it: the `<Sequence>`s are the scenes, named by the component each holds (a sequence lying over a longer one is a transition, not a scene), the words are read nine tenths into each scene, the palette is named after the colour constants the source declares, and `<Audio>` is the score. Every scene's ground (the frame-filling colour behind it) is measured, and the scaffold stands each scene on it. A word animated one span per letter is read as one `split` word, in its letters' face. A page that paints on a canvas gets the words and faces its scripts name. `compare` needs ffmpeg on PATH; it judges every frame on its own, because one missing element is a frame's failure that an average would hide.
 
 ## The take directory