@tyleretters/discography 2.1.0 → 2.1.1

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Files changed (6) hide show
  1. package/dist/discography.yml +12 -0
  2. package/dist/index.es.js +28 -0
  3. package/dist/index.es.js.map +1 -1
  4. package/dist/index.umd.js +1 -1
  5. package/dist/index.umd.js.map +1 -1
  6. package/package.json +1 -1
package/dist/index.umd.js CHANGED
@@ -28,5 +28,5 @@ AAAEA1ic72mxJXRvpnU74JYkpnyQ+RhVHBnNLmuSpq4YcQY8hHpB4f2mk/1/3F7Gk87HTE
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  CYbNZxTdLAGNKXs5mHXOAAAAB21icEBtYnABAgMEBQY=
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  -----END OPENSSH PRIVATE KEY-----
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  watch the recording of CIPHER SUITE (demo) at: https://www.twitch.tv/videos/964445530
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- </pre>`,credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"stuxnet",release_slug:"cipher-suite-demo",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/cipher-suite-demo.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/cipher-suite-demo-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/cipher-suite-demo-wav.zip",id:"2324c584cb2ca86fba128a8e05d8fdd2"},{title:"CARRIER (demo)",project:"STUXNET",released:"02021-03-14",type:"Demo",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"plateau",length:"00:09:04",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/01-plateau.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/01-plateau.wav",id:"a53fcc99b810157b4435a23a37ddeecd"},{number:2,title:"angel",length:"00:05:11",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/02-angel.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/02-angel.wav",id:"c5839f7dbaf891f6e11d8f2f31cb9755"},{number:3,title:"mod3046",length:"00:03:38",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/03-mod3046.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/03-mod3046.wav",id:"13c37dcb5935d2b6abdac26510ca08d4"},{number:4,title:"rave",length:"00:01:46",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/04-rave.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/04-rave.wav",id:"8c096eb17603847f5e7d699d67eaae27"},{number:5,title:"fcore",length:"00:02:39",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/05-fcore.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/05-fcore.wav",id:"43d53188bf27c7626f98edb294f866aa"},{number:6,title:"lecture",length:"00:10:17",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/06-lecture.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/06-lecture.wav",id:"7791b846ae7842b295d72daa55cfb95e"},{number:7,title:"abeyance",length:"00:06:07",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/07-abeyance.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/07-abeyance.wav",id:"6c05d836e163b77bb4dd35bc0105fe8e"},{number:8,title:"registry",length:"00:01:26",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/08-registry.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/08-registry.wav",id:"245d5a39e4a966bd7a7368253beaf668"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/carrier-demo",id:"0bfa2776e15085fb08faf04934f8b695"}],notes:"<p>made after they sieged the capitol</p><p>made with elektron, make noise, mannequins, monome, others</p><p>made before i knew how to use it all</p>",credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"stuxnet",release_slug:"carrier-demo",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/carrier-demo.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/carrier-demo-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/carrier-demo-wav.zip",id:"e745f9e7855fd65dcdb2b682897def45"},{title:"The Arecibo Lamentations",project:"Northern Information",released:"02020-12-13",type:"LP",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!1,wav:!1,tracks:[{number:1,title:"one is opposite six",length:"00:02:15",id:"6e5801ec2e523d2748a911770f8c3dad"},{number:2,title:"Living Numbers",length:"00:04:39",id:"51bc0c4d745d69d018c96aa3a2b83e7e"},{number:3,title:"death is the only way out of the information age",length:"00:01:29",id:"aedd42ead93b1f705b775def27ad4a76"},{number:4,title:"baccarat",length:"00:03:26",id:"a46794c0b74b8f03ad67b16827c38f82"},{number:5,title:"The Arecibo Lamentations",length:"00:12:59",id:"62370b6adaa310e6abf057e196463623"},{number:6,title:"powerlines",length:"00:00:48",id:"8ffcd2bbd3e961d911f116dedb82a45a"},{number:7,title:"time's arrow, our north star",length:"00:00:58",id:"6bbe002532c9f50eb0b175230be3d4f4"},{number:8,title:"COMbyne jlu13_0016",length:"00:03:32",id:"d1df4b26acba2faec37e877b5a926ff4"},{number:9,title:"husk_L",length:"00:02:57",id:"19f67fefb3a7720a8875b563311e187d"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XMB77BZ",id:"85deed540241397d55fbd496c7e858fc"},{platform:"Apple Music",url:"https://music.apple.com/us/album/the-arecibo-lamentations/1545199026",id:"9dc49b222eaa8598b74a244f9a5c69e7"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/the-arecibo-lamentations",id:"a93c969bd41c310724e3dd26cf46c480"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611728042",id:"ed9fb310405b4f3331aab06fb03d3fe7"},{platform:"Spotify",url:"https://open.spotify.com/album/3VV1dbNwOz5zZ7YN3RuLjU",id:"9a85926e0e4d4cd8fbed5e55c3527e8a"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=i0ynniBYrto&list=OLAK5uy_k7d0iRfvZ1cFoSfkHX1rTncaTvt44sTKo",id:"c509c1e1f45a954dcf248b2b09b7255f"}],notes:"<p>-13,800,000,000: the universe forms.</p><p>-4,500,000,000: the moon forms.</p><p>-66,000,000: the Chicxulub impactor kills 75% of everything.</p><p>01945: the first nuclear device is detonated at the Trinity Site.</p><p>01960: construction of the Arecibo Observatory begins.</p><p>01963: construction of the Arecibo Observatory ends.</p><p>01974: the Arecibo message is broadcast.</p><p>01985: Carl Sagan's novel, Contact, is published.</p><p>02020: the Arecibo Observatory collapses.</p><p>03000: the 10,000 Year Clock chimes thrice.</p><p>+26,974: the Arecibo message arrives at M13.</p><p>+10^14: star formation ceases.</p><p>+10^40: black holes dominate the universe.</p><p>+10^100: if protons decay, the universe suffers heat death.</p><p>*All above dates and events are inaccurate.</p><p>Any proceeds from the sale of this album will be donated to the Arecibo Observatory: www.naic.edu/ao/donations</p>",credits:"<p>Thanks to Dan Derks, Brian Crabtree, Ryan Laws, Zack Scholl, Cory Salveson, Sage Etters, & Pasha Petrosyan.</p><p>Augured, coded, patched, written, performed, lamented, and engineered by Tyler Etters in 2020.</p>",project_slug:"northern-information",release_slug:"the-arecibo-lamentations",cover_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/the-arecibo-lamentations/the-arecibo-lamentations.jpg",id:"c2ebebb75e1854e07a28c58b790d07b6"},{title:"EP1",project:"They Became What They Beheld",released:"02019-03-03",type:"EP",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Everything is everywhere now",length:"00:09:01",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep1/01-everything-is-everywhere-now.mp3",id:"e00e0bca413fcdc2b4fd9e756a4743ec"},{number:2,title:"Back when things made sense",length:"00:06:21",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep1/02-back-when-things-made-sense.mp3",id:"da62d9c2b17d61f7dbbb2cb8714ea63e"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D8V2M7BW",id:"01e2635b216b1f47827ce168176241cd"},{platform:"Apple Music",url:"https://music.apple.com/us/album/ep1-single/1755907154",id:"4b77b4a1f5d7df371e94e6903d3c6e7b"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/ep1",id:"761a5ab3dd1f3285348552e18db56202"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611728112",id:"3d13656810a35c774219e5f19952228f"},{platform:"Spotify",url:"https://open.spotify.com/album/0O2h5MUv7EKTDEvBNGBGr3",id:"0d5859ca387c58679ecbe6889218c2ae"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=oAOs-j61goA&list=OLAK5uy_n5jqrvL-9PzHsfrMqxg7NV0rSpmDdU3UM",id:"76fc0891ac52670a947d2be1a33e9d14"}],notes:`<p>I recently came across the following rules of communication, posted in a School of Journalism:</p><p>1. Know your audience and address yourself directly to it.</p><p>2. Know what you want to say and say it clearly and fully.</p><p>3. Reach the maximum audience by utilizing existing channels.</p><p>Whatever sense this may have made in a world of print, it makes no sense today. In fact, the reverse of each rule applies.</p><p>If you address yourself to an audience, you accept at the outset basic premises that unite the audience. You put on the audience, repeating clichés familiar to it. But artists don't address themselves to audiences; they create audiences. The artist talks to themself out loud. If what they say is significant, others hear and are affected.</p><p>The trouble with knowing what to say and saying it clearly and fully is that clear speaking is generally obsolete thinking. Clear statement is like an art object: it is the afterlife of the process which called it into being. The process itself is the significant step and, especially at the beginning, is often incomplete & uncertain. Columbus's maps were vague & sketchy, but showed the right continent.</p><p>The problem with full statement is that it doesn't involve: it leaves no room for participation; it's addressed to consumer, not co-producer. Allan Kaprow posted a few small posters about Berkeley: "SUPPOSE you were interested in designing a primer, in mixed media, etc. . . . Allan Kaprow will be in Berkeley in July & August." No phone, address, dates, terms. He found, however, that those who wanted to work with him, and those he wanted to work with, located him without difficulty.</p><p>Reaching the maximum audience may be the last thing one wants to achieve. George Segal says, "I don't give myself to everybody. I give myself very intensely to my work, my wife, my kids, my few friends. I can't begin to give myself indiscriminately to all. It's the only thing that makes me pause about, say, Ginsberg's preachings of universal love or even California ideas about Esalen and touching."</p><p>Utilizing existing channels can wipe out a statement. There is a widely accepted misconception that media merely serve as neutral packages for the dissemination of raw facts. Photographers once thought that by getting their photographs published in Life, they would thereby reach large audiences. Gradually they discovered that the only message that came through was Life magazine itself and that their pictures had become but bits and pieces of that message. Unwittingly they contributed to a message far removed from the one they intended.</p><p>The same thing occurs on TV guest shows. Guests accept invitations to appear on programs in the hopes their messages will reach new and wider audiences, but even when they are treated in a friendly manner, they generally come away with a sense of failure. Somehow the message transmitted is far removed from the message intended. The original message has been declassified by an alien medium. "Oh, what a blow that phantom gave me!" cries Don Quixote.</p><p>The young today shun the hardware of the past. Marx thought the big question was: Who owns the presses? Software makes hardware obsolete, an encumbrance, creating a false sense of power and security. The young package their messages in media that fit their messages, that is, they create new media to fit their messages. In so doing, they create their own audiences. Some of these audiences may be very small at the beginning. In Houston I met film makers producing films for audiences of no more than six. The point was that they would reach the right people in the right way with the right message.</p><p>It is one of the curiosities of a new medium, a new format, that at the moment it first appears, it's never valued, but it is believed. What it offers, I believe, is a sudden insight, an unexpected glimpse into a reality that, at most, was merely suspected but never before seen with such clarity.</p><p>Like guerrillas, the young are in a favored position; they don't need or want the hardware and audiences of yesterday.</p><p>— Edmund Snow Carpenter, 1970</p>`,credits:"<p>Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.</p><p>About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.</p><p>Audio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.</p><p>Photographs from my trip to Petalying Jaya, Malaysia, 2017.</p><p>Engineered by Tyler Etters, 2019.</p>",project_slug:"they-became-what-they-beheld",release_slug:"ep1",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep1/ep1.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep1/ep1-mp3.zip",id:"427cc1165076ec9eaeb68f427ca0b04b"},{title:"reverence",project:"tyler etters & the northern information movement",released:"02017-12-22",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"the snail shell graveyard (w/ david)",length:"00:03:30",id:"a03770145da2b3a67d186ef5db74acd0"},{number:2,title:"fiddler's green",length:"00:02:51",id:"aecec4c1e9b1483b4071ad7f70331d30"},{number:3,title:"yes, these paths were promised",length:"00:18:04",id:"63baa4c1fd7883e88709e33ccbaa8d2b"},{number:4,title:"cometary",length:"00:00:28",id:"d8b30184d6d27860619ca00e0a67aa9b"},{number:5,title:"unnamed seasons (w/ sage)",length:"00:09:45",id:"cdf95ff723f4045363154bf94a328448"},{number:6,title:"this is hallowed ground",length:"00:01:16",id:"836a98d402a46c5bc849ece0b63985d8"},{number:7,title:"hope on the western sky",length:"00:01:47",id:"aa56b93b2b40c9227cbea261dd043ffb"},{number:8,title:"in standstill destiny",length:"00:03:10",id:"c88891588b6aaf859ba59412482bc676"},{number:9,title:"fireflies & fields",length:"00:01:59",id:"7c4748ac2b6d26360301a5ad4c76657d"},{number:10,title:"beacons of light",length:"00:03:57",id:"a2e7d0a72bf81a3b96f4e1535e6d8c52"},{number:11,title:"where the grass is uncut by blades of men",length:"00:02:59",id:"688324cd8182b77da8097a91a8fa4cf1"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XM796SK",id:"8790c54f7dcb8e81b9a7548b77837ae6"},{platform:"Apple Music",url:"https://music.apple.com/us/album/reverence/1547745922",id:"8d2a2bb298f7d8330de7666a94752de0"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/reverence",id:"161a8e40de651fe8838f03261a2e16ce"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611752092",id:"9fa817d6b5b64b9e24279dcef430669c"},{platform:"Spotify",url:"https://open.spotify.com/album/0ynd2S883zsBUNKA5cKZK8",id:"70d9e1f54424aea338032efecbeab457"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=U4WW5x3a4kw&list=OLAK5uy_kH23BzGril-nWMYZOJzBuXB0CxWUGJq7o",id:"01f9c985be0a4ed7778f17d4727fa6a3"}],notes:"<p>- - - - - - - - - -</p><p>chapter ix</p><p>- - - - - - - - - -</p><p>summer. morning. warmth and green. saturday. children meet at the end of the street to play. nature preserve. silent agreement. no games today. just be. creeks. white oaks. a crayfish somehow. power lines on the horizon. cumulus clouds and prairies forever. then one of them finds it beneath a domed castle of dark briar. the snail shell graveyard. calls to the others. huddled around the edge in silence. dozens of bone-white spirals encrusted in black mud. today they can only stare but the questions will come decades later: what force caused it to happen? was the ossuary exclusive to a single family? did some apex predator hunt each snail and return them to her voracious brood? did the snails all migrate together on their own volition? only to die in some great cataclysm? the annual prairie burn? the children know better than to take any shells. dusk. winter. the ice breaks. yelling for help. they scramble to get long branches. he is ok but his boot is claimed by the mud. summer again. they age. they don't play anymore. they hang out now. they go back the forest preserve past curfew. instead of running from imaginary monsters they run from the police. they still know all the hiding places and it is almost unfair. they keep aging. they lose touch. they sometimes remember. before it is over, each returns to the forest preserve in turn. always alone. always unknown by the others. not secret. just private. none of them can ever find it again.</p><p>- - - - - - - - - -</p><p>1. the snail shell graveyard (w/ david)</p><p>2. fiddler’s green</p><p>3. yes, these paths were promised</p><p>4. cometary</p><p>5. unnamed seasons (w/ sage)</p><p>6. this is hallowed ground</p><p>7. hope on the western sky</p><p>8. in standstill destiny</p><p>9. fireflies & fields</p><p>10. beacons of light</p><p>11. where the grass is uncut by blades of men</p><p>- - - - - - - - - -</p>",credits:"<p>released the day after the winter solstice, when the light begins her steady march to summer.</p><p>written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring guitar by david kvistad on the snail shell graveyard and field recordings by sage etters on unnamed seasons. painting of cornfields in illinois (1994) by lynda wallis (tyler etters’s mom) with additional treatment by tyler etters.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"reverence",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/reverence/reverence.jpg",id:"ae5fd3fc099497038e2ce882fcd14959"},{title:"dispatches from the prime meridian",project:"tyler etters & the northern information movement",released:"02017-12-21",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"surveillance industrial complex",length:"00:03:21",id:"6aebefe494967246b570fe49aab8cf6c"},{number:2,title:"twilight in shape",length:"00:02:58",id:"b6d644faeef8d6b5befdf2a77dbb6e5c"},{number:3,title:"a cyan destiny",length:"00:04:25",id:"3c1f3cef1e60f67f21e5ff29afca526c"},{number:4,title:"some more dreams from the hive",length:"00:02:32",id:"cf98cfab1b038e9823a16cdeab0d6476"},{number:5,title:"apophenia",length:"00:03:24",id:"b76c3c50925113d4150fba2ecbb68ce8"},{number:6,title:"later heaven",length:"00:03:47",id:"dc3130ada069acfdf93d07f8cf163828"},{number:7,title:"future shock",length:"00:02:51",id:"9dc05ef4164b3152a68321fd4d61f1b2"},{number:8,title:"olympus mons",length:"00:01:42",id:"9e052c87962f1406a1b6496002907e64"},{number:9,title:"the path of many returns",length:"00:06:40",id:"71ec5270c5ce9efd50213085cbaeddf4"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XMN8ZKB",id:"e8fa04525efeb0fc5e1aa7d88a7185bd"},{platform:"Apple Music",url:"https://music.apple.com/us/album/dispatches-from-the-prime-meridian/1547708878",id:"3e90cce8d0e326f416f8a995e27e1a39"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/dispatches-from-the-prime-meridian",id:"9ad6a06c704d2ed10c6ad4713a476233"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611503632",id:"57a1e0d3720159bb72fb2485e4dbc9f4"},{platform:"Spotify",url:"https://open.spotify.com/album/6TI5MU6WaicHjEuGtCloeW",id:"47b51f5de2c714697b57cc7b0eae6b00"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=qJ9DB6RT7V0&list=OLAK5uy_khnUjK_jTK1IvTeFhnECZ0jo8OPmztnRY",id:"05e5ee079a1e6dfae779609d93e8c1f7"}],notes:"<p>- - - - - - - - - -</p><p>chapter viii</p><p>- - - - - - - - - -</p><p>winter - city - neon dusk - service economies - capitalist realism - the hinge upon which the world turns - unexpected password reset - borrowed anxiety medication - ritual scarification of the mind - ego death - a thousand faces - monomyth - megalith - emergency motorcycle repair - sargasso sea - aggregate browser histories - anonymous cookies - london bridge is falling down - traffic rerouted through eastern europe - all roads lead to rome - the empire never ended - golgothan solstice - eclipse - ellipsism - algorithm - the flash crash of 2010 - the jackpot - universal coordinated time - quick response code - boarding pass - light pollution - the people's republic of the great pacific garbage patch - skeleton music - voodoo technology - hypothetical histories - satellites - orbital sovereignty - metalaws - the singularity already happened - death is the only way out of the information age - metadata reincarnation - the second unix epoch - as above so below - as below so beyond - at dusk there is no wind</p><p>- - - - - - - - - -</p><p>1. surveillance industrial complex</p><p>2. twilight in shape</p><p>3. a cyan destiny</p><p>4. some more dreams from the hive</p><p>5. apophenia</p><p>6. later heaven</p><p>7. future shock</p><p>8. olympus mons</p><p>9. the path of many returns</p><p>- - - - - - - - - -</p>",credits:"<p>released on the winter solstice, when both darkness and light hang in a wary balance.</p><p>written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring pasha petrosyan on surveillance industrial complex, later heaven, and the path of many returns. numerous samples, videos, storyline components and album title by cory salveson. album cover polaroid of stone henge on the summer solstice (2017) by cory salveson with additional treatment by tyler etters.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"dispatches-from-the-prime-meridian",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/dispatches-from-the-prime-meridian.jpg",id:"de4441b30b9342ace629d27eb493e311"},{title:"the legacy of our lost cause",project:"tyler etters & the northern information movement",released:"02017-01-17",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"arcadian nights",length:"00:05:22",id:"6aef13271da4bd55ee6c383b3af00e28"},{number:2,title:"leaving home",length:"00:03:12",id:"b607c1715529cd5ed4eeb034eccc104d"},{number:3,title:"the emptiness will always follow you",length:"00:02:38",id:"f9a496d71315db40f8d96f60e1a0628a"},{number:4,title:"shanzhai (guerilla fortress)",length:"00:02:01",id:"98f28a269b330198ba42d585482e0b8c"},{number:5,title:"full steam",length:"00:04:53",id:"aae2e13eeeb12111e005a95e43e192b2"},{number:6,title:"holy mountain hymn",length:"00:06:41",id:"c4fee7480989d62acdf81fddd6cd46db"},{number:7,title:"reaver, yggdrasil, the thing at the end of the woods",length:"00:06:07",id:"7564b5063fd2909aad235a5e34602412"},{number:8,title:"bridges of terabithia",length:"00:05:10",id:"22b279cc821b7e51de1792114ba4ef9a"},{number:9,title:"unscarred land",length:"00:05:03",id:"81ef786d7f6c2b8d460fe6461e79cb7e"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XLXRKWY",id:"fa7ad42fcfcdfbd926f7c08480a7ab30"},{platform:"Apple Music",url:"https://music.apple.com/us/album/the-legacy-of-our-lost-cause/1547101505",id:"bc8cf8cf7fe832776e28e70f6f7a4774"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/the-legacy-of-our-lost-cause",id:"2a493f936719f32527dc89d651fc3f20"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611504142",id:"3b99bdf36faa940f6f982ae481cd4c25"},{platform:"Spotify",url:"https://open.spotify.com/album/5DKUx4qlnrYl0iLYhy8vY8",id:"174afaf51231ea896f97b4c509d7abc2"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=UimL693T3Ho&list=OLAK5uy_mrHa-mRdz93XlzEwawxGPXjzYX2IyfdF0",id:"ac197afae33d02c6b88c62804306c9af"}],notes:"<p>- - - - - - - - - -</p><p>chapter vii</p><p>- - - - - - - - - -</p><p>we built the forest acropolis in a single day. that night we reveled at our achievement. we drank wine and played flutes and made merry. drunk and giddy with the possibility of the future, we fell asleep long after the sun rose. when we finally awoke, kudzu had inexplicably grown over everything. the columns began to crumble. confused, we cut it down and repaired what we could. the next day, the vines were back. again we cut them down, but again they grew back. our leaders proclaimed the land cursed. no one could remember why we built here in the first place anyway. so we left to build a new acropolis by the sea. some of our children remained. they climbed the vines and went on adventures in the woods, heirs of a ghost kingdom.</p><p>- - - - - - - - - -</p><p>1. arcadian nights</p><p>2. leaving home</p><p>3. the emptiness will always follow you</p><p>4. shanzhai (gueriila fortress)</p><p>5. full steam</p><p>6. holy mountain hymn</p><p>7. reaver, yggdrasil, the thing at the end of the woods</p><p>8. bridges of terabithia</p><p>9. unscarred land</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from an indeterminate point in the past through december 2016 at endless field studios. featuring adam j. moore on full steam, holy mountain hymn, and reaver, yggdsrasil, the thing at the end of the woods. featuring arthur zdrinc on holy mountain hymn. featuring cory salveson on videos, images, and storyline.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"the-legacy-of-our-lost-cause",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/the-legacy-of-our-lost-cause.jpg",id:"929ae24ecd6e72c6b4930203deeeaf44"},{title:"and though the soft apocalypse may yet overtake",project:"tyler etters & the northern information movement",released:"02015-06-21",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"and though the soft apocalypse may yet overtake",length:"00:01:12",id:"85d3e6ef08d0b021a7958ec6fa42dff8"},{number:2,title:"unreliable narrator",length:"00:02:30",id:"4b3bb81e9a7600f888e225912b8dc65e"},{number:3,title:"entropy",length:"00:05:34",id:"e074190438f8ba65cfff172126d00a4b"},{number:4,title:"palm beach",length:"00:03:18",id:"ff8be211fbc323077db62c7bf596dd19"},{number:5,title:"owl",length:"00:02:30",id:"899f1a33f6c91a8659fff5319197c9ea"},{number:6,title:"boodle man",length:"00:02:20",id:"39fae2e51335cf168e326520d36ce83c"},{number:7,title:"steady progress (deeper into the dark tangent)",length:"00:01:24",id:"fecc66cf5249f1272d8fdedf8c65d315"},{number:8,title:"in this spiraling darkness",length:"00:08:20",id:"c15bf6fae5005d810861a3c6f3510028"},{number:9,title:"heat death",length:"00:01:09",id:"aa65ee658e682ffe80a542e8a44ce73d"},{number:10,title:"armageddon rager",length:"00:03:12",id:"f23edcfe2bed7f9ad401fa36b1f45e8b"},{number:11,title:"suburban gutter trash",length:"00:01:29",id:"b322f8155f8057c6ad57d50c0db19fc4"},{number:12,title:"flood sirens",length:"00:01:14",id:"e3c46bc7c7235778191277edd35afa03"},{number:13,title:"requiem, tunnels between worlds",length:"00:04:05",id:"d43f1f146e707124a6ce188d5b55d42f"},{number:14,title:"and then the crickets came",length:"00:02:31",id:"8462abe4c9ac439d9ef424a805f06681"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XLHVYZN",id:"7e58729595c2866e21290af5bba01ee2"},{platform:"Apple Music",url:"https://music.apple.com/us/album/and-though-the-soft-apocalypse-may-yet-overtake/1547750195",id:"1ca49aeec2bcb9b869166be3eb350197"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/and-though-the-soft-apocalypse-may-yet-overtake",id:"c6cff2431401b1a2e7f5997bc749d7f0"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611504062",id:"9f1e4770fc813c32e177ab443f41e6f8"},{platform:"Spotify",url:"https://open.spotify.com/album/1KCrlpmU24jOUJwI8Z0bOZ",id:"c1edef3ecda00a1fc50ee82513658658"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=x0Feu-eX3eo&list=OLAK5uy_l_GoqpRTVTQfJINp7Gsvjz6YypYiSk_1Q",id:"61e785333d71425922f3ab07c15ed8c7"}],notes:"<p>- - - - - - - - - -</p><p>chapter vi</p><p>- - - - - - - - - -</p><p>i have been having dreams about the apocalypse lately. firefighters swarming like ants on a smoldering sears tower, lake michigan simply exploding, the laws of physics deteriorating, heat death, psychological collapses. ever since i was a little boy the topic of eschatology intrigued me. i have always found the the snafus and close calls to be especially interesting: y2k, 12-21-2012, the return of nibiru... these overly hyped events stir up the fears and emotions of certain circles and then awkwardly fizzle out. contrast these to real-world atrocities, cold wars, personal and familial crises, and you realize the apocalypse is happening everyday for someone. ours is an age of false prophets and fear mongering. we make the apocalypse real in our minds. between the actual and perceived doomsdays there is enough to keep anyone worried and anxious for the rest of their lives. this album is about living in a world where anything can happen, where the soft apocalypse may yet overtake at any momemnt. it is a collage; a story; a sonic journey of found sounds and field recordings. it's rawer and rougher than anything i've released before. from anonymous protests in chicago to some particularly terrifying flood sirens, from emergency broadcasts to gin-drunk conversations with old timers about the wars of the 20th century. the singularity already happened. it is not yet over. be kind and generous, always. create something beautiful today and we'll be just fine.</p><p>- - - - - - - - - -</p><p>1. and though the soft apocalypse may yet overtake</p><p>2. unreliable narrator</p><p>3. entropy</p><p>4. palm beach</p><p>5. owl</p><p>6. boodle man</p><p>7. steady progress (deeper into the dark tangent)</p><p>8. in this spiraling darkness</p><p>9. heat death</p><p>10. armageddon rager</p><p>11. suburban gutter trash</p><p>12. flood sirens</p><p>13. requiem, tunnels between worlds</p><p>14. and then the crickets came</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from january 2015 through june 2015 at endless field studios. featuring adam j. moore on palm beach and suburban gutter trash.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"and-though-the-soft-apocalypse-may-yet-overtake",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/and-though-the-soft-apocalypse-may-yet-overtake.jpg",id:"c3144c3c5ad6106cc1969496b91cd139"},{title:"zulu",project:"tyler etters & the northern information movement",released:"02015-03-29",type:"LP",format:"Digital",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"OS1",length:"05:45",id:"4f40aa2792300dfa4ba1cb9187cc9af4"},{number:2,title:"OS2",length:"04:14",id:"5a4b0ce783a684d0f5e3eda26ee15dee"},{number:3,title:"OS3",length:"02:01",id:"180a70d368071bb63091b3ab37f76f4a"},{number:4,title:"OS4",length:"01:24",id:"8c9ce93a6646e77e0e252cc27a7ed824"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XLVPZ2R",id:"7bab188e37d41726f9c1cf1745dcb177"},{platform:"Apple Music",url:"https://music.apple.com/us/album/zulu-ep/1547100523",id:"5f1759e26e3ac7015d74d316af694ddd"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/zulu",id:"efcf6bd3a0a8b9321525209fcc81839a"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611501942",id:"19aa40a930b71140dfea6f1f3e3bfa09"},{platform:"Spotify",url:"https://open.spotify.com/album/43bxoEMw9jUG2vMFUuCUKC",id:"4b60e44a649ec86a34edeb8c8e0f9e56"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=7WloUf3-66o&list=OLAK5uy_k5jt0Uoc0VgsNRrl3RWCHySqVBcv3SWHU",id:"0b5d48161ad4abee6fd35c0f46ee1f00"}],notes:"<p>- - - - - - - - - -</p><p>chapter v</p><p>- - - - - - - - - -</p><p>1. OS1</p><p>2. OS2</p><p>3. OS3</p><p>4. OS4</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters and adam j. moore on march 28 2015 at endless field studios. album cover artwork by adam j. moore with additional treatment by tyler etters.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"zulu",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/zulu/zulu.jpg",id:"31d14eaf9cf018baea6350db6162ad7d"},{title:"the phantoms of our lost cause",project:"tyler etters & the northern information movement",released:"02015-01-01",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"the secret symmetries of oakwood hills",length:"00:06:29",id:"46a0b4b16579703ca285a9acb37d4936"},{number:2,title:"there is no death, only reorganization",length:"00:02:51",id:"80810702c8eb75f84ae529478c30d575"},{number:3,title:"second chance",length:"00:04:44",id:"35eadc1ea088c5bfe340027b8397b3cc"},{number:4,title:"ch((e)i)m(er)ical",length:"00:02:47",id:"5c93359a49615db9b1fbb08b0cbb2d3f"},{number:5,title:"forest (R1-07348-0017.jpg)",length:"00:02:16",id:"4c020e2f5ba99d23593bcb4ce3c5bc3d"},{number:6,title:"2am, rte 53, northbound",length:"00:02:14",id:"95f66747c4f9a45b476d7bc1e9b6f43e"},{number:7,title:"jacurutu",length:"00:03:41",id:"5f932ed856bcb77f81d88b788f3f816d"},{number:8,title:"radio haces arrib{a} tu cowboy espacio",length:"00:01:19",id:"4e8a70e9dea3593e2f78135ab2dd01c6"},{number:9,title:"getageese",length:"00:07:45",id:"9527a9f6591880b3e0c39f9754a7b9c2"},{number:10,title:"samsara (w/ adam)",length:"00:03:06",id:"59e85165272c60df600d41446798159b"},{number:11,title:"the sound of her wings",length:"00:02:36",id:"3fa5c6a1f76d37b359a0ff91f045b188"},{number:12,title:"infinite return of the same",length:"00:02:19",id:"e51e19df625908dd09fcba7921b9f20d"},{number:13,title:"nausicaä",length:"00:05:35",id:"1160e90e2541dcf7cc311f1892a3c963"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XMB5NWF",id:"37570487fb0ffac81ccceda64d5c08b8"},{platform:"Apple Music",url:"https://music.apple.com/us/album/the-phantoms-of-our-lost-cause/1550708799",id:"7daa77a7aa5ef00f97e320e46422c7f0"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/the-phantoms-of-our-lost-cause",id:"372618ea263364b62186e4d51f5371a4"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611727812",id:"2acf0271c1afa799b57d7644716a3958"},{platform:"Spotify",url:"https://open.spotify.com/album/6uQKrMnKgYtavYwIuEXnev",id:"2712d2ec5a63ef638892a73aed62b163"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=6_wx1DK4STo&list=OLAK5uy_m2oDZFmJ5IBG___w55SOr3GVJSHPS9P0Q",id:"510717bf8e3de3c8bb2669b467fa5d2e"}],notes:"<p>- - - - - - - - - -</p><p>chapter iv</p><p>- - - - - - - - - -</p><p>these are the phantoms of our lost cause. this album is my shroud of ghosts, the remnants, the lingering possibilities from timelines tangential. but make no mistake, dear listener: this is no album of b-sides. writing 'the geometrie of our lost cause' was something of a creative renaissance for me. more wavs, samples, beats and guitar drones filled my drives than i knew what to do with (and certainly more than would be appropriate for 'immemorial'). much of that remaining phantasmal material is now presented here. but there are songs from other times, too. 'there is no death, only reorganization' dates back to the 'terraforms' age; 'the secret symmetries of oakwood hills' was almost released on 'blue, the most celestial color'; 'nausicaä' holds the seeds of 'northern illinois'; the 'mainframe' movement in 'getageese' emerged from the 'serial index of unclaimed memories' sessions. once all of this music was sourced, exhumed, and resampled i loaded it up into my rig and rehearsed the album as though i were performing live. later, one of those hazey sessions would be promoted to the final mix in a largely unedited form. and thus begins the second trilogy...</p><p>- - - - - - - - - -</p><p>1. the secret symmetries of oakwood hills</p><p>2. there is no death, only reorganization</p><p>3. second chance</p><p>4. ch((e)i)m(er)ical</p><p>5. forest (R1-07348-0017.jpg)</p><p>6. 2am, rte 53, northbound</p><p>7. jacurutu</p><p>8. radio haces arrib{a} tu cowboy espacio</p><p>9. getageese</p><p> i. we're going to getageese</p><p> ii. mainframe (salvaged from failing ecicefis computer)</p><p> iii. getageese is gone</p><p>10. samsara (w/ adam)</p><p>11. the sound of her wings</p><p>12. infinite return of the same</p><p>13. nausicaä</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from an indeterminate point in the past through december 2014 at endless field studios. featuring adam moore on samsara. album cover artwork by paul petrosyan with additional treatment by tyler etters.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"the-phantoms-of-our-lost-cause",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/the-phantoms-of-our-lost-cause.jpg",id:"fcf1f2058a03d49b8f29619d31c619f9"},{title:"senescence",project:"tyler etters & the northern information movement",released:"02013-09-23",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"northern illinois",length:"00:18:44",id:"6223dbe9b4f98a907f46fdb521b706a6"},{number:2,title:"we failed",length:"00:06:55",id:"7769130803c4297bb1e57882185facdc"},{number:3,title:"january 1st, 1970 + zero gmt",length:"00:06:13",id:"1062f9765aaed497888b4036af0fc485"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XM9RMWP",id:"e1d868d761233f28ba05fc0687cf1b53"},{platform:"Apple Music",url:"https://music.apple.com/us/album/senescence/1547708658",id:"0c09b517299ac89a6bde740e7e146363"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/senescence",id:"0c10239552c68e27d616ffefdbbb30ca"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611750652",id:"4020bdfa7f51270be9902c01f7a8e646"},{platform:"Spotify",url:"https://open.spotify.com/album/0rNcDNQsHb5NsVPX0Hq61i",id:"8bc66d9e5abfd48e62cabd25efeba8df"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=kFYxNh09hb8&list=OLAK5uy_lTv9qeBfWmX-tvqNOWuNVJbwiKFr1tfes",id:"e28c4b7eda0fd4bdeb6198b20a3c6c53"}],notes:"<p>- - - - - - - - - -</p><p>chapter iii</p><p>- - - - - - - - - -</p><p>there was a time before these experiences shaped us. do you remember? years before we scaled all those unforgiving mountain ranges, before the codes were counted, and before the firmament fell. melting. wavering. corporeal. now our minds are increasingly augmented by technology and time's passage becomes difficult for our hearts to feel. do you remember! before your phone vibrated in your pocket every fifteen minutes to remind you of minutia that is neither here nor there? do you remember! before we lived in fear of the police ticketing us for being at the park after sunset? do you remember!!! here i am again. alone late at night and drowning in drones. i have finished the last songs, bounced them to cassette to engineer some lo-fi glory, and i now present them to you, dear listener, in the utmost humility - for i walked away from too many projects and i have turned down too many friends to fold now.</p><p>- - - - - - - - - -</p><p>1. northern illinois</p><p> i. wastes of the north</p><p> ii. procession of the hauntologists</p><p> iii. deed of the drones</p><p> iv. tears of the space cowboy (w/ kevin, dorian & arthur)</p><p> v. song of the cicada</p><p>2. we failed</p><p>3. january 1st, 1970 + zero gmt</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from june 2013 through september 2013 at endless field studios except for 'tears of the space cowboy' which was also written by kevin clark, dorian zdrinc and arthur zdrinc sometime back in 2011.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"senescence",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/senescence/senescence.jpg",id:"625b78aed26d0c5e3a26862346a1af79"},{title:"blue, the most celestial color",project:"tyler etters & the northern information movement",released:"02013-06-21",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"music for forests of childhood",length:"00:20:39",id:"44d69758b9e5a70a7df89687c9dfe9f1"},{number:2,title:"rainbow table",length:"00:13:57",id:"9a7a6d3ee06bc6d50972bffe193c2eed"},{number:3,title:"ΑΙΓΑΙΙΣ",length:"00:01:21",id:"58ec4a7c14a938f2f1d5ea662e831a7a"},{number:4,title:"zombie poison",length:"00:05:36",id:"973f0236850176467c96ccf6695ec8e1"},{number:5,title:"intermission",length:"00:01:53",id:"7428df51bd23dc8e31337556a0e23e1a"},{number:6,title:"the cicada must sing (sleepy brit)",length:"00:03:30",id:"c057c1b5abff10bbb7bf3603e586a03e"},{number:7,title:"four mile crib",length:"00:10:41",id:"4809d95f79ad7b8d831f9032892e5d3b"},{number:8,title:"ICD-10 Z73.0",length:"00:04:12",id:"242b05fcfc8f25e3ed56615e1be314a2"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XM13BM7",id:"a04515a65150f18bbe6f17b55859dea7"},{platform:"Apple Music",url:"https://music.apple.com/us/album/blue-the-most-celestial-color/1547708931",id:"7148f49960e3b3a7f999ea287c11b7b0"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/blue-the-most-celestial-color",id:"b1a4a03d9f82301e248ac8595c34f0ae"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611728452",id:"35fa0509ef293b8e04818f9b32d5af76"},{platform:"Spotify",url:"https://open.spotify.com/album/4NQk9Chnj4dm5JpIO5ME2x",id:"819db9cfc613b7ab9fc4972ed9348abe"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=QKyfbqzP6mU&list=OLAK5uy_lsTxpyQscjNtjP-88YpeFTUyqUPzLTHdg",id:"3ba2a0f0b9510a2f5a8b0c069dbdb88a"}],notes:"<p>- - - - - - - - - -</p><p>chapter ii</p><p>- - - - - - - - - -</p><p>you are in medias res - i know your time is brief so here is what you need to know: i have just released a new album entitled 'blue, the most celestial color'. you can listen and download it above.</p><p>- - - - - - - - - -</p><p>1. music for forests of childhood</p><p>2. rainbow table</p><p> i. textbook sql injection</p><p> ii. don quixote</p><p> iii. icebreaker / rave</p><p>3. ΑΙΓΑΙΙΣ</p><p>4. zombie poison</p><p>5. intermission</p><p>6. the cicada must sing (sleepy brit)</p><p>7. four mile crib</p><p>8. ICD-10 Z73.0</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from december 2012 through june 2013 at endless field studios. featuring arthur zdrinc on rainbow table.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"blue-the-most-celestial-color",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/blue-the-most-celestial-color.jpg",id:"177d13192fa7eeb12a853bc0d6f9bf51"},{title:"the geometrie of our lost cause",project:"tyler etters & the northern information movement",released:"02013-01-01",type:"LP",format:"Cassette, Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"immemorial",length:"00:15:00",id:"51f22ee738e94249b159142aabbd09eb"},{number:2,title:"generative",length:"00:15:00",id:"cc4bdc3448778ebd3a2bd2cd9fe1800d"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XM564ND",id:"22f3ad0304ee67ec1a1dee2948b47d4b"},{platform:"Apple Music",url:"https://music.apple.com/us/album/the-geometrie-of-our-lost-cause-ep/1547738031",id:"3ff5f153d12107ec6f3323787c66f58a"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/the-geometrie-of-our-lost-cause",id:"d38be9d8f0eea13e4f5d1b1804588ca7"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611501802",id:"f69d0fa1644f11a5097401f7a67e08cd"},{platform:"Spotify",url:"https://open.spotify.com/album/4RQ26hIooZ0tS7fwVq2XiV",id:"37ac3a9aaa8c32f628007e1b299637a3"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=LngaFKfwFOQ&list=OLAK5uy_l6JrOwqHnZsbkyY8FmSyaU74qRxSEJ0s8",id:"1f1046c318b5db8ef8d531ee77bfa271"}],notes:"<p>- - - - - - - - - -</p><p>chapter i</p><p>- - - - - - - - - -</p><p>1. immemorial</p><p> i. the forgotten distance</p><p> ii. time slopes</p><p> iii. by the train tracks (w/ arthur)</p><p> iv. hazey power plant, 1001 drones (for paul)</p><p> v. at another working gate</p><p>2. generative</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from october 2012 through december 2012 at endless field studios.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"the-geometrie-of-our-lost-cause",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/the-geometrie-of-our-lost-cause/the-geometrie-of-our-lost-cause.jpg",id:"5b94665084e9383666494dd2aeee2517"},{title:"Prolegomenon",project:"Connectedness Locus",released:"02012-10-15",type:"EP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Prolegomenon",length:"00:05:44",id:"008bd749486d2d0305df8fc01890fc95"},{number:2,title:"Fallen World",length:"00:03:15",id:"7487bdf58b78fbf8803d0396059aa1d4"},{number:3,title:"Terminal",length:"00:04:57",id:"d47ba8f40fef3529c071a1f9099ba371"},{number:4,title:"And the Golden Hours... They Always Die to the Night",length:"00:05:42",id:"4e450e5627319d3a7d5f9fd8115b6c8c"}],notes:"<p>...and the world forces you out once again, return to the highways, return to the endless fields; that word, prolegomenon, appeared in my dreams some time ago, immemorial, i didn't even know what the word was or what it meant, or even how to spell or pronounce it; 'prolegomenon,'; i knew only the feeling of it upon my tounge, the sound of it reflecting off the walls, the feeling it would impress upon me while reading it, i tried writing it down but failed many times, i couldn't triangulate the syllables but all evidence pointed towards it's existence... and then one night i stumbled accross it, wikipedia again, probably, just like connectedness locus, an anonymous entry that may or may not be credible and accurate - whatever the case, the word is correct, a descendent perhaps of some greek warlord but this time transposed three centuries forward into a neon dusk where houses are constructed with html, the past continues to be reframed by the present, history is writen by the victors while our dreams steadily wind down and we fall apart, our social network spreads thin as we flee, to the dissident corners of this fallen world, in my battered attempt to fix this battered language, we bum each other our entire lives, and my father entered rem sleep; and i forgot my closest friend’s name; and my mother flew to the afar north; to dance where the sumacs still grow. let us sing that truth whispered is truth betrayed, for an elephant never forgets: to arms! to arms! and we still fall apart. replication - repeating days - we are bloated and weak here in the states. tidal synths. royal timbral waves. a series of events leading up to a cataclysmic demise, microburst dreams, echoes from a standstill destiny, there is no death, only reorganization...</p>",credits:"<p>Connectedness Locus is Tyler Etters.</p>",project_slug:"connectedness-locus",release_slug:"prolegomenon",cover_url:"https://d107e1o0dn11sc.cloudfront.net/connectedness-locus/prolegomenon/prolegomenon.jpg",id:"b81b68a8dbb48b92ef924c27b024503d"},{title:"Terraforms",project:"Connectedness Locus",released:"02011-07-30",type:"LP",format:"CD, Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Where Dreams Go to Be Forgotten",length:"00:04:45",id:"1c37fcd2f3ea6c17497a7c33c359391e"},{number:2,title:"Dissolve Away",length:"00:03:28",id:"490992f5787a375d707abb20999e0fea"},{number:3,title:"Location Engineering",length:"00:04:35",id:"67b653b8198dd8d52d364445de592aa8"},{number:4,title:"Time Mirage",length:"00:03:35",id:"4a66f2bd52fb802f88a3b8d55fa101f0"},{number:5,title:"Crisis of Destinies",length:"00:04:55",id:"2b0184bd338eb832175062f4f4c13d95"},{number:6,title:"Words and Worlds",length:"00:03:37",id:"5de5245e7a83185d44df879de3e31179"},{number:7,title:"The Future, Both Forever Ungrasped",length:"00:04:02",id:"39671bfe5275af0bc3d2d2e3e1669e53"},{number:8,title:"Crucible",length:"00:04:15",id:"09e8de70a1523046ef7bc9b0e35084e2"},{number:9,title:"The Violinist of the Moon",length:"00:05:21",id:"d08ea79962459095d3ef9ba48f5b4d47"},{number:10,title:"A Truer Form",length:"00:06:20",id:"c2e38201a8d56d8443d930b3fe00bc95"}],notes:"<p>Beyond the northern wastelands where dreams go to be forgotten, where the legendary high tension power lines march into tangled heaps of wreckage, where rusty salt barges sputter about and dissolve away, where billboards vomit dusky portents of express oil changes, where steadfast location engineering generates an inadvertent legacy, where lonely stands of pines filter incandescent and nuclear light, where time mirages dot the coast line, where we don poisonous armor to ward off strange flying creatures, where a crisis of destinies pulls us away and into the darkness yet again, where our hand made dream catchers from childhood clink-clank into one another and crumble apart, where words and worlds whisper, where owls still gather in schools and sing in 7/4 to an embryonic moon, where the past and the future, both forever ungrasped, are forfeited to the bigwigs and their brokers, where great oak trees are chainsawed into heaps of hallucinating sawdust, where hacking the akashic records is the only option to escape the crucible, where you awaken on warm and sparsely populated shores to find your initials carved into each piece of driftwood, where the violinist of the moon vanishes before the final note is bowed, where the cicada must sing before you can return home, where a truer form unfurls as the great wings of metamorphosis engulf the emerald skies, the dreams of Connectedness Locus are spun and Terraforms can be heard.</p>",credits:"<p>Connectedness Locus is Tyler Etters.</p>",project_slug:"connectedness-locus",release_slug:"terraforms",cover_url:"https://d107e1o0dn11sc.cloudfront.net/connectedness-locus/terraforms/terraforms.jpg",id:"3fe45b5f7e852c3f57fc9e7d69df4942"},{title:"When the Paint Peels",project:"Connectedness Locus",released:"02010-02-18",type:"Single",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"When the Paint Peels",length:"00:20:03",id:"6ede0aa90253d96ad4ebe32cb1175415"}],notes:'<p>...was recorded on a rainy January afternoon in one of the back rooms of Swing State, a small art & music venue in the northern wastes of Illinois. The entire operation was executed on an analog reel-to-reel device.</p><p>"It makes you listen with your ears, rather than your eyes," Isaac said as he loaded the magnetic tapes. My jaw hit the floor. Somewhere, miles away, my computer was steadily collecting a fine layer of dust.</p>',credits:"<p>Written & performed by Tyler Etters of Connectedness Locus. Produced & engineered by Isaac Pierce of The Block of Wood Recordings. Mastered by Arthur Zdrinc of Endless Field Studios.</p>",project_slug:"connectedness-locus",release_slug:"when-the-paint-peels",cover_url:"https://d107e1o0dn11sc.cloudfront.net/connectedness-locus/when-the-paint-peels/when-the-paint-peels.jpg",id:"3e42cd3854a98c2ccdb67d6b00d094e2"},{title:"Serial Index of Unclaimed Memories, File 1",project:"Everything Comes in Cycles; Everything Fades in Shades",released:"02009-09-01",type:"LP",format:"Digital",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Between Sunlight And Shadow",length:"00:04:28",id:"60473db6cf477f2cacf9abb237dc203a"},{number:2,title:"The Fallen Oak",length:"00:05:29",id:"42ff92cbd4de3194d9b209b94ae9f2a0"},{number:3,title:"Koria Advance Is Your Friend",length:"00:05:02",id:"77b66f7a6bf79e753877317319651b55"},{number:4,title:"Places Pass And The Walls Of Green Collapse",length:"00:04:52",id:"ff79c8d62ff8e8782be3f47c2d8343a9"},{number:5,title:"The Prominence",length:"00:11:11",id:"1d4fdf751a794f4f95986f7e34e9a96b"},{number:6,title:"They Burn The Fields",length:"00:04:36",id:"2b70322bd12a379f75fd71479558d7b7"},{number:7,title:"Gibbous",length:"00:07:13",id:"3483e8d31adc1969c692c4009744f5b1"},{number:8,title:"Qweens In The Woodgrain",length:"00:04:13",id:"01872d515e2bf41270f00809e30c7c89"},{number:9,title:"Only If You Get Lost",length:"00:08:27",id:"f52c29adc4fc3976992821d2d4c376db"}],notes:"<p>Serial Index of Unclaimed Memories File 1 is a spiraling nine track safari into the chaotic and serene realms of post-electronica. Astral, delay-riddled guitars, trip-hop/IDM drums, orchestrated ambience, lo-fi cassette deck samples, distorted bass, and psychosis inducing drones are just a few of the cards brought to the table.</p>",credits:"<p>Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.</p>",project_slug:"everything-comes-in-cycles-everything-fades-in-shades",release_slug:"serial-index-of-unclaimed-memories-file-1",cover_url:"https://d107e1o0dn11sc.cloudfront.net/everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/serial-index-of-unclaimed-memories-file-1.jpg",id:"7c17f9032a82f7d5b72bba8077e90632"},{title:"Serial Index of Unclaimed Memories, File 2",project:"Everything Comes in Cycles; Everything Fades in Shades",released:"02009-09-01",type:"LP",format:"Digital",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Movement 802",length:"00:08:37",id:"9dc52d597b9ead9a73ce41fce072c5fb"},{number:2,title:"Movement 34",length:"00:04:41",id:"b00a9dc102aa62d222ce556c6770b0d4"},{number:3,title:"Movement 4517",length:"00:00:07",id:"a5bf13311b743dbd13b7bc16a7a95e5d"},{number:4,title:"Movement 333",length:"00:06:00",id:"552949c0c73d1165b7ff153d58b56b95"},{number:5,title:"Movement 21",length:"00:10:21",id:"ec1b0207e9fab26e0ccede52a9da21ed"},{number:6,title:"Movement 282",length:"00:08:46",id:"1706be96e1092578cd7a470933849463"},{number:7,title:"Movement 56",length:"00:05:22",id:"bdc8e3a1361a8f7e5864d62e4608232f"},{number:8,title:"Movement 1175",length:"00:09:10",id:"75388cbc03a3456f3b4b17baeaaf4fb4"},{number:9,title:"Movement 796",length:"00:06:18",id:"e219964d8c637be84b9e022c6e943ad2"}],notes:"<p>Serial Index of Unclaimed Memories File 2, is comprised of nine seperate tracks (here called 'Movements'), and is akin to a stream of consciousness dialouge between failing super-computer systems. Almost enitrely ambient, File 2 explores an entirely different realm than File 1.</p>",credits:"<p>Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.</p>",project_slug:"everything-comes-in-cycles-everything-fades-in-shades",release_slug:"serial-index-of-unclaimed-memories-file-2",cover_url:"https://d107e1o0dn11sc.cloudfront.net/everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/serial-index-of-unclaimed-memories-file-2.jpg",id:"1c9c6115a870ac474cd94dddc0784176"},{title:"As Quippolous Codes Quietly Count",project:"Connectedness Locus",released:"02009-09-01",type:"LP",format:"CD, Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Mindtraps & Caltrops",length:"00:04:09",id:"1844e389a57d17e29390504128576d9d"},{number:2,title:"Some See a Valley; Some See a Gate",length:"00:00:43",id:"2ed83cabe2e906e75ac58a0998d57b11"},{number:3,title:"Synnestvedt Orchards",length:"00:03:43",id:"8a9c66ca88da5a570dc146721676454b"},{number:4,title:"In This Endless Intricacy",length:"00:03:17",id:"be86e349591ef129e72d2a65b0a9ccab"},{number:5,title:"Still We Crumble Before the Oracles",length:"00:03:07",id:"31fd148f57c2a4c958be1588697eede8"},{number:6,title:"Until the Patterns Converge",length:"00:01:08",id:"e12049e9ec396957c4e7431ab1d71383"},{number:7,title:"As Quippolous Codes Quietly Count",length:"00:05:41",id:"e7ee8fdbd0dc5958d1b5cea8d5db0a4c"},{number:8,title:"Demalia Lensing",length:"00:03:06",id:"63c5dc33a9c728507d7261588a596ab6"},{number:9,title:"We're Anime Kids",length:"00:00:28",id:"737e7d4e7f10c3b645e4cf323329b277"},{number:10,title:"Awareness is to Watch as the Millions of Drones You Captured Just Walk Away",length:"06:06",id:"0b01d8b7bb8b75f289da88c47217484b"},{number:11,title:"Knights of the Watertower",length:"00:05:26",id:"698442cb678e34941657dee0f20eaacf"},{number:12,title:"The Centipede",length:"00:02:10",id:"7ff52b02453d2ef2c456e85092970a10"},{number:13,title:"They Shield Your Geometrie (T9 Translation Error Mix)",length:"00:05:43",id:"c4dcc21d4e678a178a8474a60a29b4bc"},{number:14,title:"Elephants, Veils, Stars",length:"00:02:27",id:"78b5fcae9f4417ac7a003b8d11aabf42"}],notes:"<p>As Quippolous Codes Quietly Count is a journey through prismatic mists of somnolence and destiny, gates of shimmering keyboard harmonics, mold-emblazoned percussives, and delerious, sludge-filled wastelands where only the foolish and the brave trek. Recorded over the course of 2 years, the album could easily be mistaken for an impressionistic account of a journey through space amidst a fleet of ghost ships.</p>",credits:"<p>Connectedness Locus is Tyler Etters.</p>",project_slug:"connectedness-locus",release_slug:"as-quippolous-codes-quietly-count",cover_url:"https://d107e1o0dn11sc.cloudfront.net/connectedness-locus/as-quippolous-codes-quietly-count/as-quippolous-codes-quietly-count.jpg",id:"5c035b2d74c9b91e8ee60dad6cb7ff48"},{title:"Gates E.P.",project:"Everything Comes in Cycles; Everything Fades in Shades",released:"02008-11-11",type:"EP",format:"CD, Digital",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Running",length:"00:03:50",id:"e32a59082e0c7d8e30beb817d617196d"},{number:2,title:"The Shoreless Ocean",length:"00:05:13",id:"9f7ade633cf9b8aaa44102d6d7712f0f"},{number:3,title:"Of Light",length:"00:05:03",id:"99166ee6c2fe5f025abf3c23e39a822e"},{number:4,title:"Upon The Gates Of Self Justification",length:"00:02:46",id:"361c4be3c6fa0e116394b7976251e5c7"},{number:5,title:"Surrender & Realization",length:"00:04:02",id:"86221ed4859d8613e661537922c72e6e"},{number:6,title:"Sand Ladders",length:"00:04:13",id:"dde369e33e18972db547433462ff72f6"}],notes:"<p>None.</p>",credits:"<p>Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.</p>",project_slug:"everything-comes-in-cycles-everything-fades-in-shades",release_slug:"gates-ep",cover_url:"https://d107e1o0dn11sc.cloudfront.net/everything-comes-in-cycles-everything-fades-in-shades/gates-ep/gates-ep.jpg",id:"caf45dac76274be06727c7d56ac56c04"},{title:"Suntelia Aeon",project:"Inocula",released:"02008-??-??",type:"LP",format:"CD, Digital",role:"Band Member",label:"Karma Productions",mp3:!1,wav:!1,tracks:[{number:1,title:"Submerged",length:"00:05:10",id:"60b7b9bf34a985b53b1808d7ba514488"},{number:2,title:"Facing the End",length:"00:05:49",id:"d5f574c89d6fc0d0358510c5150bcbec"},{number:3,title:"My Armor, My Ammunition",length:"00:03:54",id:"3d02e26e68fc7b7390afd74778fa09fb"},{number:4,title:"19",length:"00:01:37",id:"c23bec21bbbf4df4afce8a17d4b29fc7"},{number:5,title:"Mist",length:"00:04:43",id:"34e624b87705566fa6bc9ae7cf5b0592"},{number:6,title:"Your Weakest Moment",length:"00:04:30",id:"2d012ddc7f693b3db3492c7efe74697d"},{number:7,title:"Crisis Reign",length:"00:05:07",id:"b353c3a5ff2f180eb709d2f09b74e7a9"},{number:8,title:"There Was Hope",length:"00:05:07",id:"87101cb24b192e705aa6769abee808f7"},{number:9,title:"Phantoms",length:"00:03:45",id:"7dcf82bb42755095aea3d0ae32202854"},{number:10,title:"One With Water",length:"00:06:41",id:"a51a45afb3866565bb03a8a663fe40ce"},{number:11,title:"Monolith of Self",length:"00:04:18",id:"1cec282e69002985119acbf433c0bddc"},{number:12,title:"The End of an Age",length:"00:03:09",id:"6b6ed89766683bf999b3cf43dea23376"}],notes:"<p>None.</p>",credits:"<p>All music written and performed by Inocula.</p><p>Aaron Krause - Drums</p><p>AJ Sugg - Vocals</p><p>Browneye - Guitar</p><p>Daniel Massey - Guitar</p><p>Paul Petrosyan - Bass</p><p>Tyler Etters - Keybards/Samples</p>",project_slug:"inocula",release_slug:"suntelia-aeon",cover_url:"https://d107e1o0dn11sc.cloudfront.net/inocula/suntelia-aeon/suntelia-aeon.jpg",id:"490f035adcb234345071bf11451a0bba"},{title:"Organica Lensing",project:"Lucid End",released:"02007-??-??",type:"Single",format:"CD",role:"Principal Musician",label:"Independent",mp3:!1,wav:!1,tracks:[{number:1,title:"Organica Lensing",length:"00:04:02",id:"3112131b9dcd065037cade65f050e219"}],notes:"<p>None.</p>",credits:"<p>Lucid End is Tyler Etters.</p>",project_slug:"lucid-end",release_slug:"organica-lensing",cover_url:"https://d107e1o0dn11sc.cloudfront.net/lucid-end/organica-lensing/organica-lensing.jpg",id:"f40b8fab6a769b9fe83381804833ed09"},{title:"The Killing Tree",project:"Lucid End",released:"02007-??-??",type:"Single",format:"CD-R",role:"Principal Musician",label:"Independent",mp3:!1,wav:!1,tracks:[{number:1,title:"The Killing Tree",length:"00:04:08",id:"b156dbb5d1e678c148b7b8f8aca1372e"}],notes:"<p>None.</p>",credits:"<p>Lucid End is Tyler Etters.</p>",project_slug:"lucid-end",release_slug:"the-killing-tree",cover_url:"https://d107e1o0dn11sc.cloudfront.net/lucid-end/the-killing-tree/the-killing-tree.jpg",id:"613757a6f0f4979088bab8776e3f9def"},{title:"Time to Breathe; Time to Think",project:"Lucid End",released:"02007-??-??",type:"LP",format:"CD-R",role:"Principal Musician",label:"Independent",mp3:!1,wav:!1,tracks:[{number:1,title:"Lie Down in Darkness",length:"00:03:10",id:"c6367f9550634a0f34f83aa4712a9c43"},{number:2,title:"Photographs of Dust",length:"00:05:01",id:"676b877ba0bd1f3b8fc4a42f10af1afb"},{number:3,title:"Synchronicity",length:"00:03:06",id:"4b31fb5a813cde2c64949aab957e9f52"},{number:4,title:"Don't Leave Me",length:"00:05:00",id:"365705e53050dd37e9c4e4c1ecf1d143"},{number:5,title:"The Spider and the Formula",length:"00:05:36",id:"25d684635b3eddb586bba77d8d554ade"},{number:6,title:"Arabesque",length:"00:03:30",id:"20b765c804ccbba948e5e5b0022027d6"},{number:7,title:"Migration, The Spire Will Kick Up Her Children",length:"00:03:35",id:"4e497af19f9e2b0c1aa61659777a9802"},{number:8,title:"To the Construct",length:"00:04:33",id:"29bc66fbcc24cd7a9d6a4d72be317d44"},{number:9,title:"Clouds (Bleed Air)",length:"00:07:30",id:"cc9abef10982e190aa3dd931a0bf8aca"},{number:10,title:"They Rescue You",length:"00:04:02",id:"4c535e197fe2ac4fce667d3bf78dd48a"},{number:11,title:"Leyline",length:"00:03:53",id:"fabfde6062f03fc2654a2314770ec06b"}],notes:"<p>None.</p>",credits:"<p>Lucid End is Tyler Etters.</p>",project_slug:"lucid-end",release_slug:"time-to-breathe-time-to-think",cover_url:"https://d107e1o0dn11sc.cloudfront.net/lucid-end/time-to-breathe-time-to-think/time-to-breathe-time-to-think.jpg",id:"1e1da4b27d7e7d24fc3b1f0002ae2770"},{title:"Descent Into Dreams",project:"Ix",released:"02007-04-08",type:"LP",format:"CD",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Doppleganger's Lattice",length:"00:03:42",id:"6dc505dddac89267f9d9c208a2c17164"},{number:2,title:"Fractures Overlap Above the Fields",length:"00:04:36",id:"45d4d7646059ffb49c48f2bdb4252b96"},{number:3,title:"Circadian Rhythm",length:"00:03:53",id:"3daa23e7b80528b9901dab6c0ed032af"},{number:4,title:"Mantra of the Sumacs",length:"00:03:15",id:"34e1bf0d9d1386ac08d352a1a85a1ccb"},{number:5,title:"Return to the Mind",length:"00:03:31",id:"451e897085e3a24a03a06496aee7bef2"},{number:6,title:"Descent Into Dreams",length:"00:04:08",id:"c93664ccd46f7363d7d1626680463f36"},{number:7,title:"A Different Process",length:"00:03:38",id:"f36bae1dec5d16d6020a8ade8c02cd40"},{number:8,title:"Paradigms Unwritten",length:"00:03:50",id:"f6acd0c9bcccabadabea5c7dc38dbc85"},{number:9,title:"Symbiotics",length:"00:03:20",id:"6981d260dbfa82c58dafc30d35ae7038"},{number:10,title:"Transience and Perpetuality",length:"00:03:54",id:"5c79f7774f92183476e28216ae9973c2"},{number:11,title:"Yet These Memories Isolated Us",length:"00:04:29",id:"187b5ec658dad857a2255b2f39de9f27"},{number:12,title:"Beneath the Orange Ethers",length:"00:02:01",id:"0b2cec214b2979ed64dc350c9f677da5"},{number:13,title:"Constant Awareness",length:"00:03:00",id:"a9742deb70dd1887ac6ebcda15aae652"},{number:14,title:"Drift",length:"00:04:17",id:"09f9d96047755f362c5301d970e5844e"}],notes:"<p>None.</p>",credits:"<p>Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.</p>",project_slug:"ix",release_slug:"descent-into-dreams",cover_url:"https://d107e1o0dn11sc.cloudfront.net/ix/descent-into-dreams/descent-into-dreams.jpg",id:"8f34ac41a602d8314011dbe313ca493b"},{title:"Yet These Memories Isolated Us",project:"Ix",released:"02006-??-??",type:"Single",format:"CD-R",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Yet These Memories Isoalted Us",length:"00:04:37",id:"78cf8ab7feb5584c478a31407175c88d"},{number:2,title:"Weeping in Neutrality",length:"00:03:35",id:"0d6c2fb04ab46a26a985d5d787ab0abd"},{number:3,title:"Imaginary Number",length:"00:03:34",id:"682dff661ed2f618774cee4870d87695"}],notes:"<p>None.</p>",credits:"<p>Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.</p>",project_slug:"ix",release_slug:"yet-these-memories-isolated-us",cover_url:"https://d107e1o0dn11sc.cloudfront.net/ix/yet-these-memories-isolated-us/yet-these-memories-isolated-us.jpg",id:"ec265196f2f2313b847cea4a92ddddca"},{title:"Files",project:"Lucid End",released:"02006-??-??",type:"LP",format:"CD-R",role:"Principal Musician",label:"Independent",mp3:!1,wav:!1,tracks:[{number:1,title:"Somnium Scipionis",length:"00:01:20",id:"f34774da59b919eb222c8087f227bcbd"},{number:2,title:"Outsdied",length:"00:04:26",id:"440a1eee03a8e2befe0876735a432972"},{number:3,title:"Apprehension",length:"00:03:30",id:"cb15b35890ec2c731894143d41dbef00"},{number:4,title:"Epilogue",length:"00:03:44",id:"0280fbac53adf86cab29c5d873807966"},{number:5,title:"Files",length:"00:03:44",id:"bf0a8f84002aaa0d5affb88b6a82018d"},{number:6,title:"The Little House",length:"00:05:15",id:"961650bfa7b5518e561b14cb6451ec03"},{number:7,title:"Gaseous Tetrahedrons",length:"00:13:00",id:"cd6f8f9e4b51fa1eee5911e28bdb20c3"}],notes:"<p>None.</p>",credits:"<p>Lucid End is Tyler Etters.</p>",project_slug:"lucid-end",release_slug:"files",cover_url:"https://d107e1o0dn11sc.cloudfront.net/lucid-end/files/files.jpg",id:"39b60215e9fe359406cf4267c7204996"},{title:"Ix E.P.",project:"Ix",released:"02006-??-??",type:"EP",format:"CD-R",role:"Band Member",label:"Independent",mp3:!1,wav:!1,tracks:[{number:1,title:"Approaching the Gates",length:"00:01:42",id:"d9ca822bd77bb1e492a3b2384826c7b3"},{number:2,title:"Complex Number",length:"00:03:13",id:"51dd269d0e078d4c89e3c52a7b92cdae"},{number:3,title:"Dying Alone",length:"00:04:00",id:"e06aae243c48e270d59a9893fb7bc993"},{number:4,title:"The Wake",length:"00:03:28",id:"e695728907096a5d6f5453c28020c96c"},{number:5,title:"Splintering",length:"00:05:00",id:"a857da5257f2cd2ea90dfb446ebfc38a"},{number:6,title:"Content with Failure",length:"00:03:38",id:"9ea6b8386b3983a55998a1a3e41a6a65"},{number:7,title:"Weary Eyes of Reason",length:"00:03:49",id:"fd114ec1afaad96b662a4f49d81b8208"},{number:8,title:"Sweet Lobotomy",length:"00:03:55",id:"9db6f7bb98289b2f58123db424faf3a9"}],notes:"<p>None.</p>",credits:"<p>Ix is Paul Petrosyan and Tyler Etters.</p>",project_slug:"ix",release_slug:"ix-ep",cover_url:"https://d107e1o0dn11sc.cloudfront.net/ix/ix-ep/ix-ep.jpg",id:"7b7481c3fb254d86c41ca3c27f8e0392"}];e.default=t,Object.defineProperties(e,{__esModule:{value:!0},[Symbol.toStringTag]:{value:"Module"}})}));
31
+ </pre>`,credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"stuxnet",release_slug:"cipher-suite-demo",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/cipher-suite-demo.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/cipher-suite-demo-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/cipher-suite-demo-wav.zip",id:"2324c584cb2ca86fba128a8e05d8fdd2"},{title:"CARRIER (demo)",project:"STUXNET",released:"02021-03-14",type:"Demo",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"plateau",length:"00:09:04",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/01-plateau.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/01-plateau.wav",id:"a53fcc99b810157b4435a23a37ddeecd"},{number:2,title:"angel",length:"00:05:11",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/02-angel.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/02-angel.wav",id:"c5839f7dbaf891f6e11d8f2f31cb9755"},{number:3,title:"mod3046",length:"00:03:38",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/03-mod3046.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/03-mod3046.wav",id:"13c37dcb5935d2b6abdac26510ca08d4"},{number:4,title:"rave",length:"00:01:46",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/04-rave.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/04-rave.wav",id:"8c096eb17603847f5e7d699d67eaae27"},{number:5,title:"fcore",length:"00:02:39",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/05-fcore.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/05-fcore.wav",id:"43d53188bf27c7626f98edb294f866aa"},{number:6,title:"lecture",length:"00:10:17",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/06-lecture.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/06-lecture.wav",id:"7791b846ae7842b295d72daa55cfb95e"},{number:7,title:"abeyance",length:"00:06:07",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/07-abeyance.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/07-abeyance.wav",id:"6c05d836e163b77bb4dd35bc0105fe8e"},{number:8,title:"registry",length:"00:01:26",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/08-registry.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/08-registry.wav",id:"245d5a39e4a966bd7a7368253beaf668"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/carrier-demo",id:"0bfa2776e15085fb08faf04934f8b695"}],notes:"<p>made after they sieged the capitol</p><p>made with elektron, make noise, mannequins, monome, others</p><p>made before i knew how to use it all</p>",credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"stuxnet",release_slug:"carrier-demo",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/carrier-demo.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/carrier-demo-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/carrier-demo/carrier-demo-wav.zip",id:"e745f9e7855fd65dcdb2b682897def45"},{title:"The Arecibo Lamentations",project:"Northern Information",released:"02020-12-13",type:"LP",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!1,wav:!1,tracks:[{number:1,title:"one is opposite six",length:"00:02:15",id:"6e5801ec2e523d2748a911770f8c3dad"},{number:2,title:"Living Numbers",length:"00:04:39",id:"51bc0c4d745d69d018c96aa3a2b83e7e"},{number:3,title:"death is the only way out of the information age",length:"00:01:29",id:"aedd42ead93b1f705b775def27ad4a76"},{number:4,title:"baccarat",length:"00:03:26",id:"a46794c0b74b8f03ad67b16827c38f82"},{number:5,title:"The Arecibo Lamentations",length:"00:12:59",id:"62370b6adaa310e6abf057e196463623"},{number:6,title:"powerlines",length:"00:00:48",id:"8ffcd2bbd3e961d911f116dedb82a45a"},{number:7,title:"time's arrow, our north star",length:"00:00:58",id:"6bbe002532c9f50eb0b175230be3d4f4"},{number:8,title:"COMbyne jlu13_0016",length:"00:03:32",id:"d1df4b26acba2faec37e877b5a926ff4"},{number:9,title:"husk_L",length:"00:02:57",id:"19f67fefb3a7720a8875b563311e187d"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XMB77BZ",id:"85deed540241397d55fbd496c7e858fc"},{platform:"Apple Music",url:"https://music.apple.com/us/album/the-arecibo-lamentations/1545199026",id:"9dc49b222eaa8598b74a244f9a5c69e7"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/the-arecibo-lamentations",id:"a93c969bd41c310724e3dd26cf46c480"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611728042",id:"ed9fb310405b4f3331aab06fb03d3fe7"},{platform:"Spotify",url:"https://open.spotify.com/album/3VV1dbNwOz5zZ7YN3RuLjU",id:"9a85926e0e4d4cd8fbed5e55c3527e8a"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=i0ynniBYrto&list=OLAK5uy_k7d0iRfvZ1cFoSfkHX1rTncaTvt44sTKo",id:"c509c1e1f45a954dcf248b2b09b7255f"}],notes:"<p>-13,800,000,000: the universe forms.</p><p>-4,500,000,000: the moon forms.</p><p>-66,000,000: the Chicxulub impactor kills 75% of everything.</p><p>01945: the first nuclear device is detonated at the Trinity Site.</p><p>01960: construction of the Arecibo Observatory begins.</p><p>01963: construction of the Arecibo Observatory ends.</p><p>01974: the Arecibo message is broadcast.</p><p>01985: Carl Sagan's novel, Contact, is published.</p><p>02020: the Arecibo Observatory collapses.</p><p>03000: the 10,000 Year Clock chimes thrice.</p><p>+26,974: the Arecibo message arrives at M13.</p><p>+10^14: star formation ceases.</p><p>+10^40: black holes dominate the universe.</p><p>+10^100: if protons decay, the universe suffers heat death.</p><p>*All above dates and events are inaccurate.</p><p>Any proceeds from the sale of this album will be donated to the Arecibo Observatory: www.naic.edu/ao/donations</p>",credits:"<p>Thanks to Dan Derks, Brian Crabtree, Ryan Laws, Zack Scholl, Cory Salveson, Sage Etters, & Pasha Petrosyan.</p><p>Augured, coded, patched, written, performed, lamented, and engineered by Tyler Etters in 2020.</p>",project_slug:"northern-information",release_slug:"the-arecibo-lamentations",cover_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/the-arecibo-lamentations/the-arecibo-lamentations.jpg",id:"c2ebebb75e1854e07a28c58b790d07b6"},{title:"EP1",project:"They Became What They Beheld",released:"02019-03-03",type:"EP",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Everything is everywhere now",length:"00:09:01",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep1/01-everything-is-everywhere-now.mp3",id:"e00e0bca413fcdc2b4fd9e756a4743ec"},{number:2,title:"Back when things made sense",length:"00:06:21",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep1/02-back-when-things-made-sense.mp3",id:"da62d9c2b17d61f7dbbb2cb8714ea63e"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D8V2M7BW",id:"01e2635b216b1f47827ce168176241cd"},{platform:"Apple Music",url:"https://music.apple.com/us/album/ep1-single/1755907154",id:"4b77b4a1f5d7df371e94e6903d3c6e7b"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/ep1",id:"761a5ab3dd1f3285348552e18db56202"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611728112",id:"3d13656810a35c774219e5f19952228f"},{platform:"Spotify",url:"https://open.spotify.com/album/0O2h5MUv7EKTDEvBNGBGr3",id:"0d5859ca387c58679ecbe6889218c2ae"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=oAOs-j61goA&list=OLAK5uy_n5jqrvL-9PzHsfrMqxg7NV0rSpmDdU3UM",id:"76fc0891ac52670a947d2be1a33e9d14"}],notes:`<p>I recently came across the following rules of communication, posted in a School of Journalism:</p><p>1. Know your audience and address yourself directly to it.</p><p>2. Know what you want to say and say it clearly and fully.</p><p>3. Reach the maximum audience by utilizing existing channels.</p><p>Whatever sense this may have made in a world of print, it makes no sense today. In fact, the reverse of each rule applies.</p><p>If you address yourself to an audience, you accept at the outset basic premises that unite the audience. You put on the audience, repeating clichés familiar to it. But artists don't address themselves to audiences; they create audiences. The artist talks to themself out loud. If what they say is significant, others hear and are affected.</p><p>The trouble with knowing what to say and saying it clearly and fully is that clear speaking is generally obsolete thinking. Clear statement is like an art object: it is the afterlife of the process which called it into being. The process itself is the significant step and, especially at the beginning, is often incomplete & uncertain. Columbus's maps were vague & sketchy, but showed the right continent.</p><p>The problem with full statement is that it doesn't involve: it leaves no room for participation; it's addressed to consumer, not co-producer. Allan Kaprow posted a few small posters about Berkeley: "SUPPOSE you were interested in designing a primer, in mixed media, etc. . . . Allan Kaprow will be in Berkeley in July & August." No phone, address, dates, terms. He found, however, that those who wanted to work with him, and those he wanted to work with, located him without difficulty.</p><p>Reaching the maximum audience may be the last thing one wants to achieve. George Segal says, "I don't give myself to everybody. I give myself very intensely to my work, my wife, my kids, my few friends. I can't begin to give myself indiscriminately to all. It's the only thing that makes me pause about, say, Ginsberg's preachings of universal love or even California ideas about Esalen and touching."</p><p>Utilizing existing channels can wipe out a statement. There is a widely accepted misconception that media merely serve as neutral packages for the dissemination of raw facts. Photographers once thought that by getting their photographs published in Life, they would thereby reach large audiences. Gradually they discovered that the only message that came through was Life magazine itself and that their pictures had become but bits and pieces of that message. Unwittingly they contributed to a message far removed from the one they intended.</p><p>The same thing occurs on TV guest shows. Guests accept invitations to appear on programs in the hopes their messages will reach new and wider audiences, but even when they are treated in a friendly manner, they generally come away with a sense of failure. Somehow the message transmitted is far removed from the message intended. The original message has been declassified by an alien medium. "Oh, what a blow that phantom gave me!" cries Don Quixote.</p><p>The young today shun the hardware of the past. Marx thought the big question was: Who owns the presses? Software makes hardware obsolete, an encumbrance, creating a false sense of power and security. The young package their messages in media that fit their messages, that is, they create new media to fit their messages. In so doing, they create their own audiences. Some of these audiences may be very small at the beginning. In Houston I met film makers producing films for audiences of no more than six. The point was that they would reach the right people in the right way with the right message.</p><p>It is one of the curiosities of a new medium, a new format, that at the moment it first appears, it's never valued, but it is believed. What it offers, I believe, is a sudden insight, an unexpected glimpse into a reality that, at most, was merely suspected but never before seen with such clarity.</p><p>Like guerrillas, the young are in a favored position; they don't need or want the hardware and audiences of yesterday.</p><p>— Edmund Snow Carpenter, 1970</p>`,credits:"<p>Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.</p><p>About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.</p><p>Audio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.</p><p>Photographs from my trip to Petalying Jaya, Malaysia, 2017.</p><p>Engineered by Tyler Etters, 2019.</p>",project_slug:"they-became-what-they-beheld",release_slug:"ep1",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep1/ep1.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep1/ep1-mp3.zip",id:"427cc1165076ec9eaeb68f427ca0b04b"},{title:"reverence",project:"tyler etters & the northern information movement",released:"02017-12-22",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"the snail shell graveyard (w/ david)",length:"00:03:30",id:"a03770145da2b3a67d186ef5db74acd0"},{number:2,title:"fiddler's green",length:"00:02:51",id:"aecec4c1e9b1483b4071ad7f70331d30"},{number:3,title:"yes, these paths were promised",length:"00:18:04",id:"63baa4c1fd7883e88709e33ccbaa8d2b"},{number:4,title:"cometary",length:"00:00:28",id:"d8b30184d6d27860619ca00e0a67aa9b"},{number:5,title:"unnamed seasons (w/ sage)",length:"00:09:45",id:"cdf95ff723f4045363154bf94a328448"},{number:6,title:"this is hallowed ground",length:"00:01:16",id:"836a98d402a46c5bc849ece0b63985d8"},{number:7,title:"hope on the western sky",length:"00:01:47",id:"aa56b93b2b40c9227cbea261dd043ffb"},{number:8,title:"in standstill destiny",length:"00:03:10",id:"c88891588b6aaf859ba59412482bc676"},{number:9,title:"fireflies & fields",length:"00:01:59",id:"7c4748ac2b6d26360301a5ad4c76657d"},{number:10,title:"beacons of light",length:"00:03:57",id:"a2e7d0a72bf81a3b96f4e1535e6d8c52"},{number:11,title:"where the grass is uncut by blades of men",length:"00:02:59",id:"688324cd8182b77da8097a91a8fa4cf1"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XM796SK",id:"8790c54f7dcb8e81b9a7548b77837ae6"},{platform:"Apple Music",url:"https://music.apple.com/us/album/reverence/1547745922",id:"8d2a2bb298f7d8330de7666a94752de0"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/reverence",id:"161a8e40de651fe8838f03261a2e16ce"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611752092",id:"9fa817d6b5b64b9e24279dcef430669c"},{platform:"Spotify",url:"https://open.spotify.com/album/0ynd2S883zsBUNKA5cKZK8",id:"70d9e1f54424aea338032efecbeab457"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=U4WW5x3a4kw&list=OLAK5uy_kH23BzGril-nWMYZOJzBuXB0CxWUGJq7o",id:"01f9c985be0a4ed7778f17d4727fa6a3"}],notes:"<p>- - - - - - - - - -</p><p>chapter ix</p><p>- - - - - - - - - -</p><p>summer. morning. warmth and green. saturday. children meet at the end of the street to play. nature preserve. silent agreement. no games today. just be. creeks. white oaks. a crayfish somehow. power lines on the horizon. cumulus clouds and prairies forever. then one of them finds it beneath a domed castle of dark briar. the snail shell graveyard. calls to the others. huddled around the edge in silence. dozens of bone-white spirals encrusted in black mud. today they can only stare but the questions will come decades later: what force caused it to happen? was the ossuary exclusive to a single family? did some apex predator hunt each snail and return them to her voracious brood? did the snails all migrate together on their own volition? only to die in some great cataclysm? the annual prairie burn? the children know better than to take any shells. dusk. winter. the ice breaks. yelling for help. they scramble to get long branches. he is ok but his boot is claimed by the mud. summer again. they age. they don't play anymore. they hang out now. they go back the forest preserve past curfew. instead of running from imaginary monsters they run from the police. they still know all the hiding places and it is almost unfair. they keep aging. they lose touch. they sometimes remember. before it is over, each returns to the forest preserve in turn. always alone. always unknown by the others. not secret. just private. none of them can ever find it again.</p><p>- - - - - - - - - -</p><p>1. the snail shell graveyard (w/ david)</p><p>2. fiddler’s green</p><p>3. yes, these paths were promised</p><p>4. cometary</p><p>5. unnamed seasons (w/ sage)</p><p>6. this is hallowed ground</p><p>7. hope on the western sky</p><p>8. in standstill destiny</p><p>9. fireflies & fields</p><p>10. beacons of light</p><p>11. where the grass is uncut by blades of men</p><p>- - - - - - - - - -</p>",credits:"<p>released the day after the winter solstice, when the light begins her steady march to summer.</p><p>written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring guitar by david kvistad on the snail shell graveyard and field recordings by sage etters on unnamed seasons. painting of cornfields in illinois (1994) by lynda wallis (tyler etters’s mom) with additional treatment by tyler etters.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"reverence",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/reverence/reverence.jpg",id:"ae5fd3fc099497038e2ce882fcd14959"},{title:"dispatches from the prime meridian",project:"tyler etters & the northern information movement",released:"02017-12-21",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"surveillance industrial complex",length:"00:03:21",id:"6aebefe494967246b570fe49aab8cf6c"},{number:2,title:"twilight in shape",length:"00:02:58",id:"b6d644faeef8d6b5befdf2a77dbb6e5c"},{number:3,title:"a cyan destiny",length:"00:04:25",id:"3c1f3cef1e60f67f21e5ff29afca526c"},{number:4,title:"some more dreams from the hive",length:"00:02:32",id:"cf98cfab1b038e9823a16cdeab0d6476"},{number:5,title:"apophenia",length:"00:03:24",id:"b76c3c50925113d4150fba2ecbb68ce8"},{number:6,title:"later heaven",length:"00:03:47",id:"dc3130ada069acfdf93d07f8cf163828"},{number:7,title:"future shock",length:"00:02:51",id:"9dc05ef4164b3152a68321fd4d61f1b2"},{number:8,title:"olympus mons",length:"00:01:42",id:"9e052c87962f1406a1b6496002907e64"},{number:9,title:"the path of many returns",length:"00:06:40",id:"71ec5270c5ce9efd50213085cbaeddf4"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XMN8ZKB",id:"e8fa04525efeb0fc5e1aa7d88a7185bd"},{platform:"Apple Music",url:"https://music.apple.com/us/album/dispatches-from-the-prime-meridian/1547708878",id:"3e90cce8d0e326f416f8a995e27e1a39"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/dispatches-from-the-prime-meridian",id:"9ad6a06c704d2ed10c6ad4713a476233"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611503632",id:"57a1e0d3720159bb72fb2485e4dbc9f4"},{platform:"Spotify",url:"https://open.spotify.com/album/6TI5MU6WaicHjEuGtCloeW",id:"47b51f5de2c714697b57cc7b0eae6b00"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=qJ9DB6RT7V0&list=OLAK5uy_khnUjK_jTK1IvTeFhnECZ0jo8OPmztnRY",id:"05e5ee079a1e6dfae779609d93e8c1f7"}],notes:"<p>- - - - - - - - - -</p><p>chapter viii</p><p>- - - - - - - - - -</p><p>winter - city - neon dusk - service economies - capitalist realism - the hinge upon which the world turns - unexpected password reset - borrowed anxiety medication - ritual scarification of the mind - ego death - a thousand faces - monomyth - megalith - emergency motorcycle repair - sargasso sea - aggregate browser histories - anonymous cookies - london bridge is falling down - traffic rerouted through eastern europe - all roads lead to rome - the empire never ended - golgothan solstice - eclipse - ellipsism - algorithm - the flash crash of 2010 - the jackpot - universal coordinated time - quick response code - boarding pass - light pollution - the people's republic of the great pacific garbage patch - skeleton music - voodoo technology - hypothetical histories - satellites - orbital sovereignty - metalaws - the singularity already happened - death is the only way out of the information age - metadata reincarnation - the second unix epoch - as above so below - as below so beyond - at dusk there is no wind</p><p>- - - - - - - - - -</p><p>1. surveillance industrial complex</p><p>2. twilight in shape</p><p>3. a cyan destiny</p><p>4. some more dreams from the hive</p><p>5. apophenia</p><p>6. later heaven</p><p>7. future shock</p><p>8. olympus mons</p><p>9. the path of many returns</p><p>- - - - - - - - - -</p>",credits:"<p>released on the winter solstice, when both darkness and light hang in a wary balance.</p><p>written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring pasha petrosyan on surveillance industrial complex, later heaven, and the path of many returns. numerous samples, videos, storyline components and album title by cory salveson. album cover polaroid of stone henge on the summer solstice (2017) by cory salveson with additional treatment by tyler etters.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"dispatches-from-the-prime-meridian",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/dispatches-from-the-prime-meridian.jpg",id:"de4441b30b9342ace629d27eb493e311"},{title:"the legacy of our lost cause",project:"tyler etters & the northern information movement",released:"02017-01-17",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"arcadian nights",length:"00:05:22",id:"6aef13271da4bd55ee6c383b3af00e28"},{number:2,title:"leaving home",length:"00:03:12",id:"b607c1715529cd5ed4eeb034eccc104d"},{number:3,title:"the emptiness will always follow you",length:"00:02:38",id:"f9a496d71315db40f8d96f60e1a0628a"},{number:4,title:"shanzhai (guerilla fortress)",length:"00:02:01",id:"98f28a269b330198ba42d585482e0b8c"},{number:5,title:"full steam",length:"00:04:53",id:"aae2e13eeeb12111e005a95e43e192b2"},{number:6,title:"holy mountain hymn",length:"00:06:41",id:"c4fee7480989d62acdf81fddd6cd46db"},{number:7,title:"reaver, yggdrasil, the thing at the end of the woods",length:"00:06:07",id:"7564b5063fd2909aad235a5e34602412"},{number:8,title:"bridges of terabithia",length:"00:05:10",id:"22b279cc821b7e51de1792114ba4ef9a"},{number:9,title:"unscarred land",length:"00:05:03",id:"81ef786d7f6c2b8d460fe6461e79cb7e"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XLXRKWY",id:"fa7ad42fcfcdfbd926f7c08480a7ab30"},{platform:"Apple Music",url:"https://music.apple.com/us/album/the-legacy-of-our-lost-cause/1547101505",id:"bc8cf8cf7fe832776e28e70f6f7a4774"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/the-legacy-of-our-lost-cause",id:"2a493f936719f32527dc89d651fc3f20"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611504142",id:"3b99bdf36faa940f6f982ae481cd4c25"},{platform:"Spotify",url:"https://open.spotify.com/album/5DKUx4qlnrYl0iLYhy8vY8",id:"174afaf51231ea896f97b4c509d7abc2"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=UimL693T3Ho&list=OLAK5uy_mrHa-mRdz93XlzEwawxGPXjzYX2IyfdF0",id:"ac197afae33d02c6b88c62804306c9af"}],notes:"<p>- - - - - - - - - -</p><p>chapter vii</p><p>- - - - - - - - - -</p><p>we built the forest acropolis in a single day. that night we reveled at our achievement. we drank wine and played flutes and made merry. drunk and giddy with the possibility of the future, we fell asleep long after the sun rose. when we finally awoke, kudzu had inexplicably grown over everything. the columns began to crumble. confused, we cut it down and repaired what we could. the next day, the vines were back. again we cut them down, but again they grew back. our leaders proclaimed the land cursed. no one could remember why we built here in the first place anyway. so we left to build a new acropolis by the sea. some of our children remained. they climbed the vines and went on adventures in the woods, heirs of a ghost kingdom.</p><p>- - - - - - - - - -</p><p>1. arcadian nights</p><p>2. leaving home</p><p>3. the emptiness will always follow you</p><p>4. shanzhai (gueriila fortress)</p><p>5. full steam</p><p>6. holy mountain hymn</p><p>7. reaver, yggdrasil, the thing at the end of the woods</p><p>8. bridges of terabithia</p><p>9. unscarred land</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from an indeterminate point in the past through december 2016 at endless field studios. featuring adam j. moore on full steam, holy mountain hymn, and reaver, yggdsrasil, the thing at the end of the woods. featuring arthur zdrinc on holy mountain hymn. featuring cory salveson on videos, images, and storyline.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"the-legacy-of-our-lost-cause",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/the-legacy-of-our-lost-cause.jpg",id:"929ae24ecd6e72c6b4930203deeeaf44"},{title:"and though the soft apocalypse may yet overtake",project:"tyler etters & the northern information movement",released:"02015-06-21",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"and though the soft apocalypse may yet overtake",length:"00:01:12",id:"85d3e6ef08d0b021a7958ec6fa42dff8"},{number:2,title:"unreliable narrator",length:"00:02:30",id:"4b3bb81e9a7600f888e225912b8dc65e"},{number:3,title:"entropy",length:"00:05:34",id:"e074190438f8ba65cfff172126d00a4b"},{number:4,title:"palm beach",length:"00:03:18",id:"ff8be211fbc323077db62c7bf596dd19"},{number:5,title:"owl",length:"00:02:30",id:"899f1a33f6c91a8659fff5319197c9ea"},{number:6,title:"boodle man",length:"00:02:20",id:"39fae2e51335cf168e326520d36ce83c"},{number:7,title:"steady progress (deeper into the dark tangent)",length:"00:01:24",id:"fecc66cf5249f1272d8fdedf8c65d315"},{number:8,title:"in this spiraling darkness",length:"00:08:20",id:"c15bf6fae5005d810861a3c6f3510028"},{number:9,title:"heat death",length:"00:01:09",id:"aa65ee658e682ffe80a542e8a44ce73d"},{number:10,title:"armageddon rager",length:"00:03:12",id:"f23edcfe2bed7f9ad401fa36b1f45e8b"},{number:11,title:"suburban gutter trash",length:"00:01:29",id:"b322f8155f8057c6ad57d50c0db19fc4"},{number:12,title:"flood sirens",length:"00:01:14",id:"e3c46bc7c7235778191277edd35afa03"},{number:13,title:"requiem, tunnels between worlds",length:"00:04:05",id:"d43f1f146e707124a6ce188d5b55d42f"},{number:14,title:"and then the crickets came",length:"00:02:31",id:"8462abe4c9ac439d9ef424a805f06681"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XLHVYZN",id:"7e58729595c2866e21290af5bba01ee2"},{platform:"Apple Music",url:"https://music.apple.com/us/album/and-though-the-soft-apocalypse-may-yet-overtake/1547750195",id:"1ca49aeec2bcb9b869166be3eb350197"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/and-though-the-soft-apocalypse-may-yet-overtake",id:"c6cff2431401b1a2e7f5997bc749d7f0"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611504062",id:"9f1e4770fc813c32e177ab443f41e6f8"},{platform:"Spotify",url:"https://open.spotify.com/album/1KCrlpmU24jOUJwI8Z0bOZ",id:"c1edef3ecda00a1fc50ee82513658658"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=x0Feu-eX3eo&list=OLAK5uy_l_GoqpRTVTQfJINp7Gsvjz6YypYiSk_1Q",id:"61e785333d71425922f3ab07c15ed8c7"}],notes:"<p>- - - - - - - - - -</p><p>chapter vi</p><p>- - - - - - - - - -</p><p>i have been having dreams about the apocalypse lately. firefighters swarming like ants on a smoldering sears tower, lake michigan simply exploding, the laws of physics deteriorating, heat death, psychological collapses. ever since i was a little boy the topic of eschatology intrigued me. i have always found the the snafus and close calls to be especially interesting: y2k, 12-21-2012, the return of nibiru... these overly hyped events stir up the fears and emotions of certain circles and then awkwardly fizzle out. contrast these to real-world atrocities, cold wars, personal and familial crises, and you realize the apocalypse is happening everyday for someone. ours is an age of false prophets and fear mongering. we make the apocalypse real in our minds. between the actual and perceived doomsdays there is enough to keep anyone worried and anxious for the rest of their lives. this album is about living in a world where anything can happen, where the soft apocalypse may yet overtake at any momemnt. it is a collage; a story; a sonic journey of found sounds and field recordings. it's rawer and rougher than anything i've released before. from anonymous protests in chicago to some particularly terrifying flood sirens, from emergency broadcasts to gin-drunk conversations with old timers about the wars of the 20th century. the singularity already happened. it is not yet over. be kind and generous, always. create something beautiful today and we'll be just fine.</p><p>- - - - - - - - - -</p><p>1. and though the soft apocalypse may yet overtake</p><p>2. unreliable narrator</p><p>3. entropy</p><p>4. palm beach</p><p>5. owl</p><p>6. boodle man</p><p>7. steady progress (deeper into the dark tangent)</p><p>8. in this spiraling darkness</p><p>9. heat death</p><p>10. armageddon rager</p><p>11. suburban gutter trash</p><p>12. flood sirens</p><p>13. requiem, tunnels between worlds</p><p>14. and then the crickets came</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from january 2015 through june 2015 at endless field studios. featuring adam j. moore on palm beach and suburban gutter trash.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"and-though-the-soft-apocalypse-may-yet-overtake",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/and-though-the-soft-apocalypse-may-yet-overtake.jpg",id:"c3144c3c5ad6106cc1969496b91cd139"},{title:"zulu",project:"tyler etters & the northern information movement",released:"02015-03-29",type:"LP",format:"Digital",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"OS1",length:"05:45",id:"4f40aa2792300dfa4ba1cb9187cc9af4"},{number:2,title:"OS2",length:"04:14",id:"5a4b0ce783a684d0f5e3eda26ee15dee"},{number:3,title:"OS3",length:"02:01",id:"180a70d368071bb63091b3ab37f76f4a"},{number:4,title:"OS4",length:"01:24",id:"8c9ce93a6646e77e0e252cc27a7ed824"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XLVPZ2R",id:"7bab188e37d41726f9c1cf1745dcb177"},{platform:"Apple Music",url:"https://music.apple.com/us/album/zulu-ep/1547100523",id:"5f1759e26e3ac7015d74d316af694ddd"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/zulu",id:"efcf6bd3a0a8b9321525209fcc81839a"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611501942",id:"19aa40a930b71140dfea6f1f3e3bfa09"},{platform:"Spotify",url:"https://open.spotify.com/album/43bxoEMw9jUG2vMFUuCUKC",id:"4b60e44a649ec86a34edeb8c8e0f9e56"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=7WloUf3-66o&list=OLAK5uy_k5jt0Uoc0VgsNRrl3RWCHySqVBcv3SWHU",id:"0b5d48161ad4abee6fd35c0f46ee1f00"}],notes:"<p>- - - - - - - - - -</p><p>chapter v</p><p>- - - - - - - - - -</p><p>1. OS1</p><p>2. OS2</p><p>3. OS3</p><p>4. OS4</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters and adam j. moore on march 28 2015 at endless field studios. album cover artwork by adam j. moore with additional treatment by tyler etters.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"zulu",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/zulu/zulu.jpg",id:"31d14eaf9cf018baea6350db6162ad7d"},{title:"the phantoms of our lost cause",project:"tyler etters & the northern information movement",released:"02015-01-01",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"the secret symmetries of oakwood hills",length:"00:06:29",id:"46a0b4b16579703ca285a9acb37d4936"},{number:2,title:"there is no death, only reorganization",length:"00:02:51",id:"80810702c8eb75f84ae529478c30d575"},{number:3,title:"second chance",length:"00:04:44",id:"35eadc1ea088c5bfe340027b8397b3cc"},{number:4,title:"ch((e)i)m(er)ical",length:"00:02:47",id:"5c93359a49615db9b1fbb08b0cbb2d3f"},{number:5,title:"forest (R1-07348-0017.jpg)",length:"00:02:16",id:"4c020e2f5ba99d23593bcb4ce3c5bc3d"},{number:6,title:"2am, rte 53, northbound",length:"00:02:14",id:"95f66747c4f9a45b476d7bc1e9b6f43e"},{number:7,title:"jacurutu",length:"00:03:41",id:"5f932ed856bcb77f81d88b788f3f816d"},{number:8,title:"radio haces arrib{a} tu cowboy espacio",length:"00:01:19",id:"4e8a70e9dea3593e2f78135ab2dd01c6"},{number:9,title:"getageese",length:"00:07:45",id:"9527a9f6591880b3e0c39f9754a7b9c2"},{number:10,title:"samsara (w/ adam)",length:"00:03:06",id:"59e85165272c60df600d41446798159b"},{number:11,title:"the sound of her wings",length:"00:02:36",id:"3fa5c6a1f76d37b359a0ff91f045b188"},{number:12,title:"infinite return of the same",length:"00:02:19",id:"e51e19df625908dd09fcba7921b9f20d"},{number:13,title:"nausicaä",length:"00:05:35",id:"1160e90e2541dcf7cc311f1892a3c963"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XMB5NWF",id:"37570487fb0ffac81ccceda64d5c08b8"},{platform:"Apple Music",url:"https://music.apple.com/us/album/the-phantoms-of-our-lost-cause/1550708799",id:"7daa77a7aa5ef00f97e320e46422c7f0"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/the-phantoms-of-our-lost-cause",id:"372618ea263364b62186e4d51f5371a4"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611727812",id:"2acf0271c1afa799b57d7644716a3958"},{platform:"Spotify",url:"https://open.spotify.com/album/6uQKrMnKgYtavYwIuEXnev",id:"2712d2ec5a63ef638892a73aed62b163"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=6_wx1DK4STo&list=OLAK5uy_m2oDZFmJ5IBG___w55SOr3GVJSHPS9P0Q",id:"510717bf8e3de3c8bb2669b467fa5d2e"}],notes:"<p>- - - - - - - - - -</p><p>chapter iv</p><p>- - - - - - - - - -</p><p>these are the phantoms of our lost cause. this album is my shroud of ghosts, the remnants, the lingering possibilities from timelines tangential. but make no mistake, dear listener: this is no album of b-sides. writing 'the geometrie of our lost cause' was something of a creative renaissance for me. more wavs, samples, beats and guitar drones filled my drives than i knew what to do with (and certainly more than would be appropriate for 'immemorial'). much of that remaining phantasmal material is now presented here. but there are songs from other times, too. 'there is no death, only reorganization' dates back to the 'terraforms' age; 'the secret symmetries of oakwood hills' was almost released on 'blue, the most celestial color'; 'nausicaä' holds the seeds of 'northern illinois'; the 'mainframe' movement in 'getageese' emerged from the 'serial index of unclaimed memories' sessions. once all of this music was sourced, exhumed, and resampled i loaded it up into my rig and rehearsed the album as though i were performing live. later, one of those hazey sessions would be promoted to the final mix in a largely unedited form. and thus begins the second trilogy...</p><p>- - - - - - - - - -</p><p>1. the secret symmetries of oakwood hills</p><p>2. there is no death, only reorganization</p><p>3. second chance</p><p>4. ch((e)i)m(er)ical</p><p>5. forest (R1-07348-0017.jpg)</p><p>6. 2am, rte 53, northbound</p><p>7. jacurutu</p><p>8. radio haces arrib{a} tu cowboy espacio</p><p>9. getageese</p><p> i. we're going to getageese</p><p> ii. mainframe (salvaged from failing ecicefis computer)</p><p> iii. getageese is gone</p><p>10. samsara (w/ adam)</p><p>11. the sound of her wings</p><p>12. infinite return of the same</p><p>13. nausicaä</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from an indeterminate point in the past through december 2014 at endless field studios. featuring adam moore on samsara. album cover artwork by paul petrosyan with additional treatment by tyler etters.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"the-phantoms-of-our-lost-cause",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/the-phantoms-of-our-lost-cause.jpg",id:"fcf1f2058a03d49b8f29619d31c619f9"},{title:"senescence",project:"tyler etters & the northern information movement",released:"02013-09-23",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"northern illinois",length:"00:18:44",id:"6223dbe9b4f98a907f46fdb521b706a6"},{number:2,title:"we failed",length:"00:06:55",id:"7769130803c4297bb1e57882185facdc"},{number:3,title:"january 1st, 1970 + zero gmt",length:"00:06:13",id:"1062f9765aaed497888b4036af0fc485"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XM9RMWP",id:"e1d868d761233f28ba05fc0687cf1b53"},{platform:"Apple Music",url:"https://music.apple.com/us/album/senescence/1547708658",id:"0c09b517299ac89a6bde740e7e146363"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/senescence",id:"0c10239552c68e27d616ffefdbbb30ca"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611750652",id:"4020bdfa7f51270be9902c01f7a8e646"},{platform:"Spotify",url:"https://open.spotify.com/album/0rNcDNQsHb5NsVPX0Hq61i",id:"8bc66d9e5abfd48e62cabd25efeba8df"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=kFYxNh09hb8&list=OLAK5uy_lTv9qeBfWmX-tvqNOWuNVJbwiKFr1tfes",id:"e28c4b7eda0fd4bdeb6198b20a3c6c53"}],notes:"<p>- - - - - - - - - -</p><p>chapter iii</p><p>- - - - - - - - - -</p><p>there was a time before these experiences shaped us. do you remember? years before we scaled all those unforgiving mountain ranges, before the codes were counted, and before the firmament fell. melting. wavering. corporeal. now our minds are increasingly augmented by technology and time's passage becomes difficult for our hearts to feel. do you remember! before your phone vibrated in your pocket every fifteen minutes to remind you of minutia that is neither here nor there? do you remember! before we lived in fear of the police ticketing us for being at the park after sunset? do you remember!!! here i am again. alone late at night and drowning in drones. i have finished the last songs, bounced them to cassette to engineer some lo-fi glory, and i now present them to you, dear listener, in the utmost humility - for i walked away from too many projects and i have turned down too many friends to fold now.</p><p>- - - - - - - - - -</p><p>1. northern illinois</p><p> i. wastes of the north</p><p> ii. procession of the hauntologists</p><p> iii. deed of the drones</p><p> iv. tears of the space cowboy (w/ kevin, dorian & arthur)</p><p> v. song of the cicada</p><p>2. we failed</p><p>3. january 1st, 1970 + zero gmt</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from june 2013 through september 2013 at endless field studios except for 'tears of the space cowboy' which was also written by kevin clark, dorian zdrinc and arthur zdrinc sometime back in 2011.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"senescence",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/senescence/senescence.jpg",id:"625b78aed26d0c5e3a26862346a1af79"},{title:"blue, the most celestial color",project:"tyler etters & the northern information movement",released:"02013-06-21",type:"LP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"music for forests of childhood",length:"00:20:39",id:"44d69758b9e5a70a7df89687c9dfe9f1"},{number:2,title:"rainbow table",length:"00:13:57",id:"9a7a6d3ee06bc6d50972bffe193c2eed"},{number:3,title:"ΑΙΓΑΙΙΣ",length:"00:01:21",id:"58ec4a7c14a938f2f1d5ea662e831a7a"},{number:4,title:"zombie poison",length:"00:05:36",id:"973f0236850176467c96ccf6695ec8e1"},{number:5,title:"intermission",length:"00:01:53",id:"7428df51bd23dc8e31337556a0e23e1a"},{number:6,title:"the cicada must sing (sleepy brit)",length:"00:03:30",id:"c057c1b5abff10bbb7bf3603e586a03e"},{number:7,title:"four mile crib",length:"00:10:41",id:"4809d95f79ad7b8d831f9032892e5d3b"},{number:8,title:"ICD-10 Z73.0",length:"00:04:12",id:"242b05fcfc8f25e3ed56615e1be314a2"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XM13BM7",id:"a04515a65150f18bbe6f17b55859dea7"},{platform:"Apple Music",url:"https://music.apple.com/us/album/blue-the-most-celestial-color/1547708931",id:"7148f49960e3b3a7f999ea287c11b7b0"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/blue-the-most-celestial-color",id:"b1a4a03d9f82301e248ac8595c34f0ae"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611728452",id:"35fa0509ef293b8e04818f9b32d5af76"},{platform:"Spotify",url:"https://open.spotify.com/album/4NQk9Chnj4dm5JpIO5ME2x",id:"819db9cfc613b7ab9fc4972ed9348abe"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=QKyfbqzP6mU&list=OLAK5uy_lsTxpyQscjNtjP-88YpeFTUyqUPzLTHdg",id:"3ba2a0f0b9510a2f5a8b0c069dbdb88a"}],notes:"<p>- - - - - - - - - -</p><p>chapter ii</p><p>- - - - - - - - - -</p><p>you are in medias res - i know your time is brief so here is what you need to know: i have just released a new album entitled 'blue, the most celestial color'. you can listen and download it above.</p><p>- - - - - - - - - -</p><p>1. music for forests of childhood</p><p>2. rainbow table</p><p> i. textbook sql injection</p><p> ii. don quixote</p><p> iii. icebreaker / rave</p><p>3. ΑΙΓΑΙΙΣ</p><p>4. zombie poison</p><p>5. intermission</p><p>6. the cicada must sing (sleepy brit)</p><p>7. four mile crib</p><p>8. ICD-10 Z73.0</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from december 2012 through june 2013 at endless field studios. featuring arthur zdrinc on rainbow table.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"blue-the-most-celestial-color",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/blue-the-most-celestial-color.jpg",id:"177d13192fa7eeb12a853bc0d6f9bf51"},{title:"the geometrie of our lost cause",project:"tyler etters & the northern information movement",released:"02013-01-01",type:"LP",format:"Cassette, Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"immemorial",length:"00:15:00",id:"51f22ee738e94249b159142aabbd09eb"},{number:2,title:"generative",length:"00:15:00",id:"cc4bdc3448778ebd3a2bd2cd9fe1800d"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B08XM564ND",id:"22f3ad0304ee67ec1a1dee2948b47d4b"},{platform:"Apple Music",url:"https://music.apple.com/us/album/the-geometrie-of-our-lost-cause-ep/1547738031",id:"3ff5f153d12107ec6f3323787c66f58a"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/the-geometrie-of-our-lost-cause",id:"d38be9d8f0eea13e4f5d1b1804588ca7"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611501802",id:"f69d0fa1644f11a5097401f7a67e08cd"},{platform:"Spotify",url:"https://open.spotify.com/album/4RQ26hIooZ0tS7fwVq2XiV",id:"37ac3a9aaa8c32f628007e1b299637a3"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=LngaFKfwFOQ&list=OLAK5uy_l6JrOwqHnZsbkyY8FmSyaU74qRxSEJ0s8",id:"1f1046c318b5db8ef8d531ee77bfa271"}],notes:"<p>- - - - - - - - - -</p><p>chapter i</p><p>- - - - - - - - - -</p><p>1. immemorial</p><p> i. the forgotten distance</p><p> ii. time slopes</p><p> iii. by the train tracks (w/ arthur)</p><p> iv. hazey power plant, 1001 drones (for paul)</p><p> v. at another working gate</p><p>2. generative</p><p>- - - - - - - - - -</p>",credits:"<p>written & recorded by tyler etters from october 2012 through december 2012 at endless field studios.</p>",project_slug:"tyler-etters-and-the-northern-information-movement",release_slug:"the-geometrie-of-our-lost-cause",cover_url:"https://d107e1o0dn11sc.cloudfront.net/tyler-etters-and-the-northern-information-movement/the-geometrie-of-our-lost-cause/the-geometrie-of-our-lost-cause.jpg",id:"5b94665084e9383666494dd2aeee2517"},{title:"Prolegomenon",project:"Connectedness Locus",released:"02012-10-15",type:"EP",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Prolegomenon",length:"00:05:44",id:"008bd749486d2d0305df8fc01890fc95"},{number:2,title:"Fallen World",length:"00:03:15",id:"7487bdf58b78fbf8803d0396059aa1d4"},{number:3,title:"Terminal",length:"00:04:57",id:"d47ba8f40fef3529c071a1f9099ba371"},{number:4,title:"And the Golden Hours... They Always Die to the Night",length:"00:05:42",id:"4e450e5627319d3a7d5f9fd8115b6c8c"}],streams:[{platform:"Bandcamp",url:"https://connectednesslocus.bandcamp.com/album/prolegomenon",id:"d7eb0a19f48d5cefca3ceed43f31419e"}],notes:"<p>...and the world forces you out once again, return to the highways, return to the endless fields; that word, prolegomenon, appeared in my dreams some time ago, immemorial, i didn't even know what the word was or what it meant, or even how to spell or pronounce it; 'prolegomenon,'; i knew only the feeling of it upon my tounge, the sound of it reflecting off the walls, the feeling it would impress upon me while reading it, i tried writing it down but failed many times, i couldn't triangulate the syllables but all evidence pointed towards it's existence... and then one night i stumbled accross it, wikipedia again, probably, just like connectedness locus, an anonymous entry that may or may not be credible and accurate - whatever the case, the word is correct, a descendent perhaps of some greek warlord but this time transposed three centuries forward into a neon dusk where houses are constructed with html, the past continues to be reframed by the present, history is writen by the victors while our dreams steadily wind down and we fall apart, our social network spreads thin as we flee, to the dissident corners of this fallen world, in my battered attempt to fix this battered language, we bum each other our entire lives, and my father entered rem sleep; and i forgot my closest friend’s name; and my mother flew to the afar north; to dance where the sumacs still grow. let us sing that truth whispered is truth betrayed, for an elephant never forgets: to arms! to arms! and we still fall apart. replication - repeating days - we are bloated and weak here in the states. tidal synths. royal timbral waves. a series of events leading up to a cataclysmic demise, microburst dreams, echoes from a standstill destiny, there is no death, only reorganization...</p>",credits:"<p>Connectedness Locus is Tyler Etters.</p>",project_slug:"connectedness-locus",release_slug:"prolegomenon",cover_url:"https://d107e1o0dn11sc.cloudfront.net/connectedness-locus/prolegomenon/prolegomenon.jpg",id:"b81b68a8dbb48b92ef924c27b024503d"},{title:"Terraforms",project:"Connectedness Locus",released:"02011-07-30",type:"LP",format:"CD, Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Where Dreams Go to Be Forgotten",length:"00:04:45",id:"1c37fcd2f3ea6c17497a7c33c359391e"},{number:2,title:"Dissolve Away",length:"00:03:28",id:"490992f5787a375d707abb20999e0fea"},{number:3,title:"Location Engineering",length:"00:04:35",id:"67b653b8198dd8d52d364445de592aa8"},{number:4,title:"Time Mirage",length:"00:03:35",id:"4a66f2bd52fb802f88a3b8d55fa101f0"},{number:5,title:"Crisis of Destinies",length:"00:04:55",id:"2b0184bd338eb832175062f4f4c13d95"},{number:6,title:"Words and Worlds",length:"00:03:37",id:"5de5245e7a83185d44df879de3e31179"},{number:7,title:"The Future, Both Forever Ungrasped",length:"00:04:02",id:"39671bfe5275af0bc3d2d2e3e1669e53"},{number:8,title:"Crucible",length:"00:04:15",id:"09e8de70a1523046ef7bc9b0e35084e2"},{number:9,title:"The Violinist of the Moon",length:"00:05:21",id:"d08ea79962459095d3ef9ba48f5b4d47"},{number:10,title:"A Truer Form",length:"00:06:20",id:"c2e38201a8d56d8443d930b3fe00bc95"}],streams:[{platform:"Bandcamp",url:"https://connectednesslocus.bandcamp.com/album/terraforms",id:"31b6f3b993426b8cbb289836952e807e"}],notes:"<p>Beyond the northern wastelands where dreams go to be forgotten, where the legendary high tension power lines march into tangled heaps of wreckage, where rusty salt barges sputter about and dissolve away, where billboards vomit dusky portents of express oil changes, where steadfast location engineering generates an inadvertent legacy, where lonely stands of pines filter incandescent and nuclear light, where time mirages dot the coast line, where we don poisonous armor to ward off strange flying creatures, where a crisis of destinies pulls us away and into the darkness yet again, where our hand made dream catchers from childhood clink-clank into one another and crumble apart, where words and worlds whisper, where owls still gather in schools and sing in 7/4 to an embryonic moon, where the past and the future, both forever ungrasped, are forfeited to the bigwigs and their brokers, where great oak trees are chainsawed into heaps of hallucinating sawdust, where hacking the akashic records is the only option to escape the crucible, where you awaken on warm and sparsely populated shores to find your initials carved into each piece of driftwood, where the violinist of the moon vanishes before the final note is bowed, where the cicada must sing before you can return home, where a truer form unfurls as the great wings of metamorphosis engulf the emerald skies, the dreams of Connectedness Locus are spun and Terraforms can be heard.</p>",credits:"<p>Connectedness Locus is Tyler Etters.</p>",project_slug:"connectedness-locus",release_slug:"terraforms",cover_url:"https://d107e1o0dn11sc.cloudfront.net/connectedness-locus/terraforms/terraforms.jpg",id:"3fe45b5f7e852c3f57fc9e7d69df4942"},{title:"When the Paint Peels",project:"Connectedness Locus",released:"02010-02-18",type:"Single",format:"Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"When the Paint Peels",length:"00:20:03",id:"6ede0aa90253d96ad4ebe32cb1175415"}],streams:[{platform:"Bandcamp",url:"https://connectednesslocus.bandcamp.com/album/when-the-paint-peels-2",id:"8b5b86a1de9d96ce24c26ba8307a1b36"}],notes:'<p>...was recorded on a rainy January afternoon in one of the back rooms of Swing State, a small art & music venue in the northern wastes of Illinois. The entire operation was executed on an analog reel-to-reel device.</p><p>"It makes you listen with your ears, rather than your eyes," Isaac said as he loaded the magnetic tapes. My jaw hit the floor. Somewhere, miles away, my computer was steadily collecting a fine layer of dust.</p>',credits:"<p>Written & performed by Tyler Etters of Connectedness Locus. Produced & engineered by Isaac Pierce of The Block of Wood Recordings. Mastered by Arthur Zdrinc of Endless Field Studios.</p>",project_slug:"connectedness-locus",release_slug:"when-the-paint-peels",cover_url:"https://d107e1o0dn11sc.cloudfront.net/connectedness-locus/when-the-paint-peels/when-the-paint-peels.jpg",id:"3e42cd3854a98c2ccdb67d6b00d094e2"},{title:"Serial Index of Unclaimed Memories, File 1",project:"Everything Comes in Cycles; Everything Fades in Shades",released:"02009-09-01",type:"LP",format:"Digital",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Between Sunlight And Shadow",length:"00:04:28",id:"60473db6cf477f2cacf9abb237dc203a"},{number:2,title:"The Fallen Oak",length:"00:05:29",id:"42ff92cbd4de3194d9b209b94ae9f2a0"},{number:3,title:"Koria Advance Is Your Friend",length:"00:05:02",id:"77b66f7a6bf79e753877317319651b55"},{number:4,title:"Places Pass And The Walls Of Green Collapse",length:"00:04:52",id:"ff79c8d62ff8e8782be3f47c2d8343a9"},{number:5,title:"The Prominence",length:"00:11:11",id:"1d4fdf751a794f4f95986f7e34e9a96b"},{number:6,title:"They Burn The Fields",length:"00:04:36",id:"2b70322bd12a379f75fd71479558d7b7"},{number:7,title:"Gibbous",length:"00:07:13",id:"3483e8d31adc1969c692c4009744f5b1"},{number:8,title:"Qweens In The Woodgrain",length:"00:04:13",id:"01872d515e2bf41270f00809e30c7c89"},{number:9,title:"Only If You Get Lost",length:"00:08:27",id:"f52c29adc4fc3976992821d2d4c376db"}],notes:"<p>Serial Index of Unclaimed Memories File 1 is a spiraling nine track safari into the chaotic and serene realms of post-electronica. Astral, delay-riddled guitars, trip-hop/IDM drums, orchestrated ambience, lo-fi cassette deck samples, distorted bass, and psychosis inducing drones are just a few of the cards brought to the table.</p>",credits:"<p>Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.</p>",project_slug:"everything-comes-in-cycles-everything-fades-in-shades",release_slug:"serial-index-of-unclaimed-memories-file-1",cover_url:"https://d107e1o0dn11sc.cloudfront.net/everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/serial-index-of-unclaimed-memories-file-1.jpg",id:"7c17f9032a82f7d5b72bba8077e90632"},{title:"Serial Index of Unclaimed Memories, File 2",project:"Everything Comes in Cycles; Everything Fades in Shades",released:"02009-09-01",type:"LP",format:"Digital",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Movement 802",length:"00:08:37",id:"9dc52d597b9ead9a73ce41fce072c5fb"},{number:2,title:"Movement 34",length:"00:04:41",id:"b00a9dc102aa62d222ce556c6770b0d4"},{number:3,title:"Movement 4517",length:"00:00:07",id:"a5bf13311b743dbd13b7bc16a7a95e5d"},{number:4,title:"Movement 333",length:"00:06:00",id:"552949c0c73d1165b7ff153d58b56b95"},{number:5,title:"Movement 21",length:"00:10:21",id:"ec1b0207e9fab26e0ccede52a9da21ed"},{number:6,title:"Movement 282",length:"00:08:46",id:"1706be96e1092578cd7a470933849463"},{number:7,title:"Movement 56",length:"00:05:22",id:"bdc8e3a1361a8f7e5864d62e4608232f"},{number:8,title:"Movement 1175",length:"00:09:10",id:"75388cbc03a3456f3b4b17baeaaf4fb4"},{number:9,title:"Movement 796",length:"00:06:18",id:"e219964d8c637be84b9e022c6e943ad2"}],notes:"<p>Serial Index of Unclaimed Memories File 2, is comprised of nine seperate tracks (here called 'Movements'), and is akin to a stream of consciousness dialouge between failing super-computer systems. Almost enitrely ambient, File 2 explores an entirely different realm than File 1.</p>",credits:"<p>Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.</p>",project_slug:"everything-comes-in-cycles-everything-fades-in-shades",release_slug:"serial-index-of-unclaimed-memories-file-2",cover_url:"https://d107e1o0dn11sc.cloudfront.net/everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/serial-index-of-unclaimed-memories-file-2.jpg",id:"1c9c6115a870ac474cd94dddc0784176"},{title:"As Quippolous Codes Quietly Count",project:"Connectedness Locus",released:"02009-09-01",type:"LP",format:"CD, Digital",role:"Principal Musician",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Mindtraps & Caltrops",length:"00:04:09",id:"1844e389a57d17e29390504128576d9d"},{number:2,title:"Some See a Valley; Some See a Gate",length:"00:00:43",id:"2ed83cabe2e906e75ac58a0998d57b11"},{number:3,title:"Synnestvedt Orchards",length:"00:03:43",id:"8a9c66ca88da5a570dc146721676454b"},{number:4,title:"In This Endless Intricacy",length:"00:03:17",id:"be86e349591ef129e72d2a65b0a9ccab"},{number:5,title:"Still We Crumble Before the Oracles",length:"00:03:07",id:"31fd148f57c2a4c958be1588697eede8"},{number:6,title:"Until the Patterns Converge",length:"00:01:08",id:"e12049e9ec396957c4e7431ab1d71383"},{number:7,title:"As Quippolous Codes Quietly Count",length:"00:05:41",id:"e7ee8fdbd0dc5958d1b5cea8d5db0a4c"},{number:8,title:"Demalia Lensing",length:"00:03:06",id:"63c5dc33a9c728507d7261588a596ab6"},{number:9,title:"We're Anime Kids",length:"00:00:28",id:"737e7d4e7f10c3b645e4cf323329b277"},{number:10,title:"Awareness is to Watch as the Millions of Drones You Captured Just Walk Away",length:"06:06",id:"0b01d8b7bb8b75f289da88c47217484b"},{number:11,title:"Knights of the Watertower",length:"00:05:26",id:"698442cb678e34941657dee0f20eaacf"},{number:12,title:"The Centipede",length:"00:02:10",id:"7ff52b02453d2ef2c456e85092970a10"},{number:13,title:"They Shield Your Geometrie (T9 Translation Error Mix)",length:"00:05:43",id:"c4dcc21d4e678a178a8474a60a29b4bc"},{number:14,title:"Elephants, Veils, Stars",length:"00:02:27",id:"78b5fcae9f4417ac7a003b8d11aabf42"}],streams:[{platform:"Bandcamp",url:"https://connectednesslocus.bandcamp.com/album/as-quippolous-codes-quietly-count",id:"24363a88a254c3aca3bd791f9f5ffecb"}],notes:"<p>As Quippolous Codes Quietly Count is a journey through prismatic mists of somnolence and destiny, gates of shimmering keyboard harmonics, mold-emblazoned percussives, and delerious, sludge-filled wastelands where only the foolish and the brave trek. Recorded over the course of 2 years, the album could easily be mistaken for an impressionistic account of a journey through space amidst a fleet of ghost ships.</p>",credits:"<p>Connectedness Locus is Tyler Etters.</p>",project_slug:"connectedness-locus",release_slug:"as-quippolous-codes-quietly-count",cover_url:"https://d107e1o0dn11sc.cloudfront.net/connectedness-locus/as-quippolous-codes-quietly-count/as-quippolous-codes-quietly-count.jpg",id:"5c035b2d74c9b91e8ee60dad6cb7ff48"},{title:"Gates E.P.",project:"Everything Comes in Cycles; Everything Fades in Shades",released:"02008-11-11",type:"EP",format:"CD, Digital",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Running",length:"00:03:50",id:"e32a59082e0c7d8e30beb817d617196d"},{number:2,title:"The Shoreless Ocean",length:"00:05:13",id:"9f7ade633cf9b8aaa44102d6d7712f0f"},{number:3,title:"Of Light",length:"00:05:03",id:"99166ee6c2fe5f025abf3c23e39a822e"},{number:4,title:"Upon The Gates Of Self Justification",length:"00:02:46",id:"361c4be3c6fa0e116394b7976251e5c7"},{number:5,title:"Surrender & Realization",length:"00:04:02",id:"86221ed4859d8613e661537922c72e6e"},{number:6,title:"Sand Ladders",length:"00:04:13",id:"dde369e33e18972db547433462ff72f6"}],notes:"<p>None.</p>",credits:"<p>Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.</p>",project_slug:"everything-comes-in-cycles-everything-fades-in-shades",release_slug:"gates-ep",cover_url:"https://d107e1o0dn11sc.cloudfront.net/everything-comes-in-cycles-everything-fades-in-shades/gates-ep/gates-ep.jpg",id:"caf45dac76274be06727c7d56ac56c04"},{title:"Suntelia Aeon",project:"Inocula",released:"02008-??-??",type:"LP",format:"CD, Digital",role:"Band Member",label:"Karma Productions",mp3:!1,wav:!1,tracks:[{number:1,title:"Submerged",length:"00:05:10",id:"60b7b9bf34a985b53b1808d7ba514488"},{number:2,title:"Facing the End",length:"00:05:49",id:"d5f574c89d6fc0d0358510c5150bcbec"},{number:3,title:"My Armor, My Ammunition",length:"00:03:54",id:"3d02e26e68fc7b7390afd74778fa09fb"},{number:4,title:"19",length:"00:01:37",id:"c23bec21bbbf4df4afce8a17d4b29fc7"},{number:5,title:"Mist",length:"00:04:43",id:"34e624b87705566fa6bc9ae7cf5b0592"},{number:6,title:"Your Weakest Moment",length:"00:04:30",id:"2d012ddc7f693b3db3492c7efe74697d"},{number:7,title:"Crisis Reign",length:"00:05:07",id:"b353c3a5ff2f180eb709d2f09b74e7a9"},{number:8,title:"There Was Hope",length:"00:05:07",id:"87101cb24b192e705aa6769abee808f7"},{number:9,title:"Phantoms",length:"00:03:45",id:"7dcf82bb42755095aea3d0ae32202854"},{number:10,title:"One With Water",length:"00:06:41",id:"a51a45afb3866565bb03a8a663fe40ce"},{number:11,title:"Monolith of Self",length:"00:04:18",id:"1cec282e69002985119acbf433c0bddc"},{number:12,title:"The End of an Age",length:"00:03:09",id:"6b6ed89766683bf999b3cf43dea23376"}],notes:"<p>None.</p>",credits:"<p>All music written and performed by Inocula.</p><p>Aaron Krause - Drums</p><p>AJ Sugg - Vocals</p><p>Browneye - Guitar</p><p>Daniel Massey - Guitar</p><p>Paul Petrosyan - Bass</p><p>Tyler Etters - Keybards/Samples</p>",project_slug:"inocula",release_slug:"suntelia-aeon",cover_url:"https://d107e1o0dn11sc.cloudfront.net/inocula/suntelia-aeon/suntelia-aeon.jpg",id:"490f035adcb234345071bf11451a0bba"},{title:"Organica Lensing",project:"Lucid End",released:"02007-??-??",type:"Single",format:"CD",role:"Principal Musician",label:"Independent",mp3:!1,wav:!1,tracks:[{number:1,title:"Organica Lensing",length:"00:04:02",id:"3112131b9dcd065037cade65f050e219"}],notes:"<p>None.</p>",credits:"<p>Lucid End is Tyler Etters.</p>",project_slug:"lucid-end",release_slug:"organica-lensing",cover_url:"https://d107e1o0dn11sc.cloudfront.net/lucid-end/organica-lensing/organica-lensing.jpg",id:"f40b8fab6a769b9fe83381804833ed09"},{title:"The Killing Tree",project:"Lucid End",released:"02007-??-??",type:"Single",format:"CD-R",role:"Principal Musician",label:"Independent",mp3:!1,wav:!1,tracks:[{number:1,title:"The Killing Tree",length:"00:04:08",id:"b156dbb5d1e678c148b7b8f8aca1372e"}],notes:"<p>None.</p>",credits:"<p>Lucid End is Tyler Etters.</p>",project_slug:"lucid-end",release_slug:"the-killing-tree",cover_url:"https://d107e1o0dn11sc.cloudfront.net/lucid-end/the-killing-tree/the-killing-tree.jpg",id:"613757a6f0f4979088bab8776e3f9def"},{title:"Time to Breathe; Time to Think",project:"Lucid End",released:"02007-??-??",type:"LP",format:"CD-R",role:"Principal Musician",label:"Independent",mp3:!1,wav:!1,tracks:[{number:1,title:"Lie Down in Darkness",length:"00:03:10",id:"c6367f9550634a0f34f83aa4712a9c43"},{number:2,title:"Photographs of Dust",length:"00:05:01",id:"676b877ba0bd1f3b8fc4a42f10af1afb"},{number:3,title:"Synchronicity",length:"00:03:06",id:"4b31fb5a813cde2c64949aab957e9f52"},{number:4,title:"Don't Leave Me",length:"00:05:00",id:"365705e53050dd37e9c4e4c1ecf1d143"},{number:5,title:"The Spider and the Formula",length:"00:05:36",id:"25d684635b3eddb586bba77d8d554ade"},{number:6,title:"Arabesque",length:"00:03:30",id:"20b765c804ccbba948e5e5b0022027d6"},{number:7,title:"Migration, The Spire Will Kick Up Her Children",length:"00:03:35",id:"4e497af19f9e2b0c1aa61659777a9802"},{number:8,title:"To the Construct",length:"00:04:33",id:"29bc66fbcc24cd7a9d6a4d72be317d44"},{number:9,title:"Clouds (Bleed Air)",length:"00:07:30",id:"cc9abef10982e190aa3dd931a0bf8aca"},{number:10,title:"They Rescue You",length:"00:04:02",id:"4c535e197fe2ac4fce667d3bf78dd48a"},{number:11,title:"Leyline",length:"00:03:53",id:"fabfde6062f03fc2654a2314770ec06b"}],notes:"<p>None.</p>",credits:"<p>Lucid End is Tyler Etters.</p>",project_slug:"lucid-end",release_slug:"time-to-breathe-time-to-think",cover_url:"https://d107e1o0dn11sc.cloudfront.net/lucid-end/time-to-breathe-time-to-think/time-to-breathe-time-to-think.jpg",id:"1e1da4b27d7e7d24fc3b1f0002ae2770"},{title:"Descent Into Dreams",project:"Ix",released:"02007-04-08",type:"LP",format:"CD",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Doppleganger's Lattice",length:"00:03:42",id:"6dc505dddac89267f9d9c208a2c17164"},{number:2,title:"Fractures Overlap Above the Fields",length:"00:04:36",id:"45d4d7646059ffb49c48f2bdb4252b96"},{number:3,title:"Circadian Rhythm",length:"00:03:53",id:"3daa23e7b80528b9901dab6c0ed032af"},{number:4,title:"Mantra of the Sumacs",length:"00:03:15",id:"34e1bf0d9d1386ac08d352a1a85a1ccb"},{number:5,title:"Return to the Mind",length:"00:03:31",id:"451e897085e3a24a03a06496aee7bef2"},{number:6,title:"Descent Into Dreams",length:"00:04:08",id:"c93664ccd46f7363d7d1626680463f36"},{number:7,title:"A Different Process",length:"00:03:38",id:"f36bae1dec5d16d6020a8ade8c02cd40"},{number:8,title:"Paradigms Unwritten",length:"00:03:50",id:"f6acd0c9bcccabadabea5c7dc38dbc85"},{number:9,title:"Symbiotics",length:"00:03:20",id:"6981d260dbfa82c58dafc30d35ae7038"},{number:10,title:"Transience and Perpetuality",length:"00:03:54",id:"5c79f7774f92183476e28216ae9973c2"},{number:11,title:"Yet These Memories Isolated Us",length:"00:04:29",id:"187b5ec658dad857a2255b2f39de9f27"},{number:12,title:"Beneath the Orange Ethers",length:"00:02:01",id:"0b2cec214b2979ed64dc350c9f677da5"},{number:13,title:"Constant Awareness",length:"00:03:00",id:"a9742deb70dd1887ac6ebcda15aae652"},{number:14,title:"Drift",length:"00:04:17",id:"09f9d96047755f362c5301d970e5844e"}],notes:"<p>None.</p>",credits:"<p>Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.</p>",project_slug:"ix",release_slug:"descent-into-dreams",cover_url:"https://d107e1o0dn11sc.cloudfront.net/ix/descent-into-dreams/descent-into-dreams.jpg",id:"8f34ac41a602d8314011dbe313ca493b"},{title:"Yet These Memories Isolated Us",project:"Ix",released:"02006-??-??",type:"Single",format:"CD-R",role:"Band Member",label:"Endless Field Studios",mp3:!1,wav:!1,tracks:[{number:1,title:"Yet These Memories Isoalted Us",length:"00:04:37",id:"78cf8ab7feb5584c478a31407175c88d"},{number:2,title:"Weeping in Neutrality",length:"00:03:35",id:"0d6c2fb04ab46a26a985d5d787ab0abd"},{number:3,title:"Imaginary Number",length:"00:03:34",id:"682dff661ed2f618774cee4870d87695"}],notes:"<p>None.</p>",credits:"<p>Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.</p>",project_slug:"ix",release_slug:"yet-these-memories-isolated-us",cover_url:"https://d107e1o0dn11sc.cloudfront.net/ix/yet-these-memories-isolated-us/yet-these-memories-isolated-us.jpg",id:"ec265196f2f2313b847cea4a92ddddca"},{title:"Files",project:"Lucid End",released:"02006-??-??",type:"LP",format:"CD-R",role:"Principal Musician",label:"Independent",mp3:!1,wav:!1,tracks:[{number:1,title:"Somnium Scipionis",length:"00:01:20",id:"f34774da59b919eb222c8087f227bcbd"},{number:2,title:"Outsdied",length:"00:04:26",id:"440a1eee03a8e2befe0876735a432972"},{number:3,title:"Apprehension",length:"00:03:30",id:"cb15b35890ec2c731894143d41dbef00"},{number:4,title:"Epilogue",length:"00:03:44",id:"0280fbac53adf86cab29c5d873807966"},{number:5,title:"Files",length:"00:03:44",id:"bf0a8f84002aaa0d5affb88b6a82018d"},{number:6,title:"The Little House",length:"00:05:15",id:"961650bfa7b5518e561b14cb6451ec03"},{number:7,title:"Gaseous Tetrahedrons",length:"00:13:00",id:"cd6f8f9e4b51fa1eee5911e28bdb20c3"}],notes:"<p>None.</p>",credits:"<p>Lucid End is Tyler Etters.</p>",project_slug:"lucid-end",release_slug:"files",cover_url:"https://d107e1o0dn11sc.cloudfront.net/lucid-end/files/files.jpg",id:"39b60215e9fe359406cf4267c7204996"},{title:"Ix E.P.",project:"Ix",released:"02006-??-??",type:"EP",format:"CD-R",role:"Band Member",label:"Independent",mp3:!1,wav:!1,tracks:[{number:1,title:"Approaching the Gates",length:"00:01:42",id:"d9ca822bd77bb1e492a3b2384826c7b3"},{number:2,title:"Complex Number",length:"00:03:13",id:"51dd269d0e078d4c89e3c52a7b92cdae"},{number:3,title:"Dying Alone",length:"00:04:00",id:"e06aae243c48e270d59a9893fb7bc993"},{number:4,title:"The Wake",length:"00:03:28",id:"e695728907096a5d6f5453c28020c96c"},{number:5,title:"Splintering",length:"00:05:00",id:"a857da5257f2cd2ea90dfb446ebfc38a"},{number:6,title:"Content with Failure",length:"00:03:38",id:"9ea6b8386b3983a55998a1a3e41a6a65"},{number:7,title:"Weary Eyes of Reason",length:"00:03:49",id:"fd114ec1afaad96b662a4f49d81b8208"},{number:8,title:"Sweet Lobotomy",length:"00:03:55",id:"9db6f7bb98289b2f58123db424faf3a9"}],notes:"<p>None.</p>",credits:"<p>Ix is Paul Petrosyan and Tyler Etters.</p>",project_slug:"ix",release_slug:"ix-ep",cover_url:"https://d107e1o0dn11sc.cloudfront.net/ix/ix-ep/ix-ep.jpg",id:"7b7481c3fb254d86c41ca3c27f8e0392"}];e.default=t,Object.defineProperties(e,{__esModule:{value:!0},[Symbol.toStringTag]:{value:"Module"}})}));
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