@tyleretters/discography 2.0.27 → 2.0.30

This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
Files changed (8) hide show
  1. package/README.md +1 -1
  2. package/dist/discography.yml +46 -0
  3. package/dist/index.es.js +92 -0
  4. package/dist/index.es.js.map +1 -1
  5. package/dist/index.umd.js +1 -1
  6. package/dist/index.umd.js.map +1 -1
  7. package/package.json +1 -1
  8. package/src/discography.yml +46 -0
package/dist/index.umd.js CHANGED
@@ -1,4 +1,4 @@
1
- (function(e,t){typeof exports=="object"&&typeof module<"u"?t(exports):typeof define=="function"&&define.amd?define(["exports"],t):(e=typeof globalThis<"u"?globalThis:e||self,t(e.discography={}))})(this,function(e){const t=[{title:"CONTINUUM HACK OST",project:"STUXNET",released:"02025-10-08",type:"OST",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"CONTINUUM HACK OST",length:"00:15:19",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/continuum-hack-ost/01-continuum-hack-ost.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/continuum-hack-ost/01-continuum-hack-ost.wav",id:"a3b07dc3ee73a2419d5602a5231a1aae"},{number:2,title:"RED HANDED",length:"00:02:08",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/continuum-hack-ost/02-red-handed.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/continuum-hack-ost/02-red-handed.wav",id:"50b69a870aebba90da24433d0c40a1cf"}],streams:[{platform:"Apple Music",url:"https://music.apple.com/us/album/continuum-hack-original-motion-picture-soundtrack-ep/1846962431",id:"648b934eb1d900fbcd226670171140fc"},{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/continuum-hack-ost",id:"bb49a2ca64ceaf86d33f7f747ca471b6"},{platform:"Spotify",url:"https://open.spotify.com/album/3PaL2SJ3mbv2asMlbOZbUh",id:"a3ef3dc535e02c0befde497690de8dc6"}],notes:"<p>HUNTED BY PARAMILITARY FORCES, A ROGUE EXPLORER FOLLOWS A SIGNAL TO BRING FORTH THE NEXT LEAP IN CONSCIOUSNESS.</p><p></p><p>HTTPS://CONTINUUMHACK.COM</p>",credits:"<p>STUXNET IS TYLER ETTERS</p><p></p><p>WORDS BY WILSON B. STINER</p>",project_slug:"stuxnet",release_slug:"continuum-hack-ost",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/continuum-hack-ost/continuum-hack-ost.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/continuum-hack-ost/continuum-hack-ost-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/continuum-hack-ost/continuum-hack-ost-wav.zip",id:"ebaa4a0c472f0404f0a3fff55d04beed"},{title:"In Ecstasy",project:"DJ STUXNET",released:"02025-09-05",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"In Ecstasy",length:"01:00:33",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-ecstasy/01-in-ecstasy.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-ecstasy/01-in-ecstasy.wav",id:"755903037d53b75d1c0b80df7a97ea06"}],streams:[{platform:"SoundCloud",url:"https://soundcloud.com/tyleretters/in-ecstasy-mixtape",id:"65063d90fae71c4001d3f34ec2e7d5c3"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/4I7xSh0Xl7pWtXQxUxfrw",id:"51391bb8cdce33c338d9a3955d36f650"}],notes:"<p>For Taylor.</p>",credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"dj-stuxnet",release_slug:"in-ecstasy",cover_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-ecstasy/in-ecstasy.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-ecstasy/in-ecstasy-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-ecstasy/in-ecstasy-wav.zip",id:"fabe4a655695bd87ce84c5d7c6af4796"},{title:"In Entropy",project:"DJ STUXNET",released:"02025-07-31",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"In Entropy",length:"00:59:50",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-entropy/01-in-entropy.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-entropy/01-in-entropy.wav",id:"ca33b399f2e025fc2c17be640491bb95"}],streams:[{platform:"SoundCloud",url:"https://soundcloud.com/tyleretters/in-entropy-mixtape",id:"247c26d19d22d93d9801a501cf5f0b56"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/wFaPTc5Tqq89Egea2IJlg",id:"2d92488efb78bbce1514b1600c9a24ca"}],notes:"<p>None.</p>",credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"dj-stuxnet",release_slug:"in-entropy",cover_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-entropy/in-entropy.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-entropy/in-entropy-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-entropy/in-entropy-wav.zip",id:"895b0894247e6b67e7704819af4c7bd3"},{title:"In Breakdowns",project:"DJ STUXNET",released:"02025-07-17",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"In Breakdowns",length:"01:01:42",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-breakdowns/01-in-breakdowns.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-breakdowns/01-in-breakdowns.wav",id:"0feec26a76524662f112012491cb3006"}],streams:[{platform:"SoundCloud",url:"https://soundcloud.com/tyleretters/in-breakdowns-mixtape",id:"9fa4f631caadf9869d2ad3654c4dec0f"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/BfLaw4Ad6mqkpUmvx6I7g",id:"f2941f397e7d3ae091686466ec756556"}],notes:"<p>For Spencer.</p>",credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"dj-stuxnet",release_slug:"in-breakdowns",cover_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-breakdowns/in-breakdowns.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-breakdowns/in-breakdowns-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/in-breakdowns/in-breakdowns-wav.zip",id:"1e2cbee76bf86acce1624550234a4ad3"},{title:"Hearts in Valencia",project:"DJ STUXNET",released:"02025-07-07",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Hearts in Valencia",length:"00:59:14",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/hearts-in-valencia/01-hearts-in-valencia.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/hearts-in-valencia/01-hearts-in-valencia.wav",id:"1837171de586d27ec457b7b2cf231e6f"}],streams:[{platform:"SoundCloud",url:"https://soundcloud.com/tyleretters/hearts-in-valencia-mixtape",id:"cd185ea69ed58b1b5bb387423a3e9260"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/7KvW8MNtMgqGXy8HYiZOP",id:"b78a50782b85cc1fd6ec309b908874dc"}],notes:"<p>A mixtape about dating in 2025.</p>",credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"dj-stuxnet",release_slug:"hearts-in-valencia",cover_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/hearts-in-valencia/hearts-in-valencia.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/hearts-in-valencia/hearts-in-valencia-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/hearts-in-valencia/hearts-in-valencia-wav.zip",id:"e97245a049122362ba6111ac4b38e50f"},{title:"THE VULGAR FRACTIONS: WALKAWAY / HAILSTONE NUMBERS",project:"STUXNET",released:"02025-06-21",type:"EP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"WALKAWAY",length:"00:05:46",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-walkaway-hailstone-numbers/01-walkaway.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-walkaway-hailstone-numbers/01-walkaway.wav",id:"6e62b2b3aabea744e8305409c7d0e696"},{number:2,title:"HAILSTONE NUMBERS",length:"00:02:42",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-walkaway-hailstone-numbers/02-hailstone-numbers.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-walkaway-hailstone-numbers/02-hailstone-numbers.wav",id:"58e58ad8135cedf6bec824344e381eb8"}],streams:[{platform:"Apple Music",url:"https://music.apple.com/us/album/the-vulgar-fractions-walkaway-hailstone-numbers-single/1824448084",id:"6b0c4dbed94e31dffde4fb10701428c5"},{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/the-vulgar-fractions-walkaway-hailstone-numbers",id:"462fde4e3e72f60c6729dcffc65c7487"},{platform:"Spotify",url:"https://open.spotify.com/album/4dzMcOikxsG64esyJDO4Vv",id:"ef72d8383eb217b6d37f94931b5a337d"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=WaHncDswN-0&list=OLAK5uy_n_1UDmCJcViMF0_dKBNiGLZuW9YDCKYTo",id:"4aeac8a56e58bc1008194e8b576ad112"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/WGptLbWuWcPpKO7W9cPiA",id:"cf9f1dd82cfed6e6ed2b546413e8444b"}],notes:"<p>THE VULGAR FRACTIONS ARE ENDLESS</p>",credits:"<p>STUXNET IS TYLER ETTERS</p>",project_slug:"stuxnet",release_slug:"the-vulgar-fractions-walkaway-hailstone-numbers",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-walkaway-hailstone-numbers/the-vulgar-fractions-walkaway-hailstone-numbers.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-walkaway-hailstone-numbers/the-vulgar-fractions-walkaway-hailstone-numbers-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-walkaway-hailstone-numbers/the-vulgar-fractions-walkaway-hailstone-numbers-wav.zip",id:"3dbf7f105be1c39583bc351bff5ed98e"},{title:"THE VULGAR FRACTIONS: COLD WARS / HYPERSTITION",project:"STUXNET",released:"02025-06-21",type:"EP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"COLD WARS",length:"00:03:26",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-cold-wars-hyperstition/01-cold-wars.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-cold-wars-hyperstition/01-cold-wars.wav",id:"8347e119c42b78accf4122ace0acc82e"},{number:2,title:"HYPERSTITION",length:"00:03:08",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-cold-wars-hyperstition/02-hyperstition.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-cold-wars-hyperstition/02-hyperstition.wav",id:"65d54968de47e7c45c8a54f0c84a7b0b"}],streams:[{platform:"Apple Music",url:"https://music.apple.com/us/album/the-vulgar-fractions-cold-wars-hyperstition-single/1824640199",id:"9107c7f4f8a88030a35914b0689b17cd"},{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/the-vulgar-fractions-cold-wars-hyperstition",id:"c6cb24641a5a0fb1b9231cbf0abef570"},{platform:"Spotify",url:"https://open.spotify.com/album/5hlcD3uU8d0dbmqQULdlIg",id:"b665d12dca161b626d8708fd59b53e7e"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=in0TuVvVtM4&list=OLAK5uy_mxhSPh8sZUqmL_eGmT0BzP3qa5EK6SQRE",id:"e4a368ab4e745007bf4fe13d08882c80"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/Ed5VIup60WT5ujxZ1Yh9B",id:"0cf3537c1d9a8e5ec472b316da5983a2"}],notes:"<p>THE VULGAR FRACTIONS ARE ENDLESS</p>",credits:"<p>STUXNET IS TYLER ETTERS</p>",project_slug:"stuxnet",release_slug:"the-vulgar-fractions-cold-wars-hyperstition",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-cold-wars-hyperstition/the-vulgar-fractions-cold-wars-hyperstition.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-cold-wars-hyperstition/the-vulgar-fractions-cold-wars-hyperstition-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-cold-wars-hyperstition/the-vulgar-fractions-cold-wars-hyperstition-wav.zip",id:"5de1449b65eba77b6a403186b7a0369e"},{title:"THE VULGAR FRACTIONS: ERROR BOUNDARY / INLAND EMPIRES",project:"STUXNET",released:"02025-06-21",type:"EP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"ERROR BOUNDARY",length:"00:03:16",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-error-boundary-inland-empires/01-error-boundary.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-error-boundary-inland-empires/01-error-boundary.wav",id:"4811b8c36d34e392d836923a80bf7e50"},{number:2,title:"INLAND EMPIRES",length:"00:04:54",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-error-boundary-inland-empires/02-inland-empires.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-error-boundary-inland-empires/02-inland-empires.wav",id:"7b10b31f89bbc2796c79e486ccc17be0"}],streams:[{platform:"Apple Music",url:"https://music.apple.com/us/album/the-vulgar-fractions-error-boundary-inland-empires-single/1824448218",id:"2869ba9b20ecc112ea0d9e7d4d1e258c"},{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/the-vulgar-fractions-error-boundary-inland-empires",id:"75367db33543eb90fd6652fae8eb3e3a"},{platform:"Spotify",url:"https://open.spotify.com/album/2gDHClmCV3sS19CRZBMfxj",id:"1215981b8d427828c601da2e8208e3ef"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=9vKlKb5xeFE&list=OLAK5uy_nSV710-bo0LQ0sr1OXVJf_WGOD3Xx-M1Q",id:"f98ac31181c98f00243b83805c7dc05d"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/ppLRiRcOmLDpLFtbgbeXw",id:"603b4510a728a29d86e4f5067c34e1f6"}],notes:"<p>THE VULGAR FRACTIONS ARE ENDLESS</p>",credits:"<p>STUXNET IS TYLER ETTERS</p>",project_slug:"stuxnet",release_slug:"the-vulgar-fractions-error-boundary-inland-empires",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-error-boundary-inland-empires/the-vulgar-fractions-error-boundary-inland-empires.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-error-boundary-inland-empires/the-vulgar-fractions-error-boundary-inland-empires-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-error-boundary-inland-empires/the-vulgar-fractions-error-boundary-inland-empires-wav.zip",id:"98bc2421421d0ba5b5e5b9dc19ed592f"},{title:"THE VULGAR FRACTIONS: PINNED IN TIME LIKE BUTTERFLIES BENEATH GLASS / APOTHECARY",project:"STUXNET",released:"02025-06-21",type:"EP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"PINNED IN TIME LIKE BUTTERFLIES BENEATH GLASS",length:"00:04:15",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary/01-pinned-in-time-like-butterflies-beneath-glass.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary/01-pinned-in-time-like-butterflies-beneath-glass.wav",id:"7e3281bc220d7e579b47540b3420d54e"},{number:2,title:"APOTHECARY",length:"00:02:55",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary/02-apothecary.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary/02-apothecary.wav",id:"c7aa3fae9726a7b08dadc1c3bc12b0e9"}],streams:[{platform:"Apple Music",url:"https://music.apple.com/us/album/the-vulgar-fractions-pinned-in-time-like-butterflies/1824436344",id:"68818f2e1e75412d8033e97e6c3b4823"},{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary",id:"48e136ce22cca14293f172c3d75e7b7d"},{platform:"Spotify",url:"https://open.spotify.com/album/5hlcD3uU8d0dbmqQULdlIg",id:"abc8f92f0c61a421637aa10e0aaf3422"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=in0TuVvVtM4&list=OLAK5uy_mxhSPh8sZUqmL_eGmT0BzP3qa5EK6SQRE",id:"7254b1e9943becc686c56f17d0319472"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/OC8BNzlxYR75rr8lYxm4V",id:"f817443b517221ac61ed5a30801374ac"}],notes:"<p>THE VULGAR FRACTIONS ARE ENDLESS</p>",credits:"<p>STUXNET IS TYLER ETTERS</p>",project_slug:"stuxnet",release_slug:"the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary-wav.zip",id:"a2a3770d62a93eb6f4c0c12f7a1ab291"},{title:"Psalms",project:"DJ STUXNET",released:"02025-06-21",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Psalms",length:"00:59:05",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/psalms/01-psalms.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/psalms/01-psalms.wav",id:"e3c6cb36bdc091126e04bec45adfffde"}],streams:[{platform:"SoundCloud",url:"https://soundcloud.com/tyleretters/psalms-mixtape",id:"d43630e61fc2d96caed8fc62d99ce4dc"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/fRlbR5AXIJx2koZdvkXAr",id:"e006d2a7274d26292c433c0e97d71717"}],notes:"<p>Message of the blowing wind</p><p>Erasing memories</p><p>Stars are the witnesses of our existence</p><p>Change is what the world awaits</p><p>Could that be peace or war?</p><p>The answer no one knows</p><p>Trusting the break of dawn</p><p>The blue bird flies away</p><p></p><p>Summer solstice releases have long been a sacred tradition for me. And these are some of my most sacred psalms. I've been curating the candidates for roughly twenty years and on the finalizing the list for roughly five. It's all from JRPG & anime OSTs. May it inspire you as much as it does me.</p>",credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"dj-stuxnet",release_slug:"psalms",cover_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/psalms/psalms.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/psalms/psalms-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/psalms/psalms-wav.zip",id:"15cb263522d9660a57d73bf28c2ee0ac"},{title:"midwest sad, part 2",project:"DJ STUXNET",released:"02025-06-14",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"midwest sad, part 2",length:"00:59:25",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/midwest-sad-part-2/01-midwest-sad-part-2.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/midwest-sad-part-2/01-midwest-sad-part-2.wav",id:"7c9c502e4aff49266e56b6e2b7086cd3"}],streams:[{platform:"SoundCloud",url:"https://soundcloud.com/tyleretters/midwest-sad-part-2",id:"e3be3101eb05432f74e708e5fa736f43"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/I1BQS4lOiZu2EUiKqXRPQ",id:"4b5556fe09aab796f764609d54a8b50b"}],notes:"<p>Woah-oh-oh-oh, oh-oh-oh, oh-oh-oh.</p><p>Woah-oh-oh-oh, oh-oh-oh, oh-oh-oh.</p><p>Woah-oh-oh-oh, oh-oh-oh, oh-oh-oh.</p><p>Woah-oh-oh-oh, oh-oh-oh, oh-oh-oh.</p><p>Now, we're coming home.</p>",credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"dj-stuxnet",release_slug:"midwest-sad-part-2",cover_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/midwest-sad-part-2/midwest-sad-part-2.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/midwest-sad-part-2/midwest-sad-part-2-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/midwest-sad-part-2/midwest-sad-part-2-wav.zip",id:"e5475132c4f7e2e537edb2e2c94f48a3"},{title:"midwest sad, part 1",project:"DJ STUXNET",released:"02025-06-14",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"midwest sad, part 1",length:"00:59:18",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/midwest-sad-part-1/01-midwest-sad-part-1.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/midwest-sad-part-1/01-midwest-sad-part-1.wav",id:"5b5d2a4ba6d6ed1cadccb3ac93e55abc"}],streams:[{platform:"SoundCloud",url:"https://soundcloud.com/tyleretters/midwest-sad-part-1",id:"bd4362f394639f4512929542909193db"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/lYBChFUYCuureLWbUKfye",id:"86c2369981491c094d7e21915bd8a96a"}],notes:`<p>If "you had to be there" then I wouldn't have made this mixtape. It was a very specific time and place. But the music we played was just "music" to me. It would be years later until I learned that it was all actually emo, midwest-emo, screamo, hardcore, metalcore, progressive... It was folk music for us, right? So we start in the midwest. Appleseed Cast (Kansas) then over to Dr. Manhattan (Illinois), The Felix Culpa (also Illinois), and then a bit less underground when we climb the Seer's Tower with Mr. Stevens. It goes on from there. This is a time capsule. This is midwest sad, part 1. Man your own jackhammer.</p>`,credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"dj-stuxnet",release_slug:"midwest-sad-part-1",cover_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/midwest-sad-part-1/midwest-sad-part-1.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/midwest-sad-part-1/midwest-sad-part-1-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/midwest-sad-part-1/midwest-sad-part-1-wav.zip",id:"4727ddb5945626312dac4e30a3ae5b45"},{title:"Brooklyn Vengeance",project:"DJ STUXNET",released:"02025-05-31",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Brooklyn Vengeance",length:"00:60:01",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/brooklyn-vengeance/01-brooklyn-vengeance.mp3",id:"a1ec1ebd647945582f5df8d3656eccbc"}],streams:[{platform:"SoundCloud",url:"https://soundcloud.com/tyleretters/brooklyn-vengeance",id:"aa7619e2de27b9b1a249018acf36fe12"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/9j3H5W8o7usQQYWnLI3Yg",id:"2a29bf2d4203174478191916b2c94726"}],notes:"<p>Songs I discovered or listened to during my 2025 trip to New York City. Alas, Caroline's stuff got stolen so the original artwork is gone. This shot is from a roll of Kodak Ektachrome E100. I was on Grand Street in Williamsburg, Brooklyn.</p><p>For Megan, Alena, Kelsey, Arjan, Randall, Ben, Hugh, Austin, Charmaine, and Caroline.</p><p>I will return.</p><p>I promise.</p>",credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"dj-stuxnet",release_slug:"brooklyn-vengeance",cover_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/brooklyn-vengeance/brooklyn-vengeance.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/brooklyn-vengeance/brooklyn-vengeance-mp3.zip",id:"8b88ef338d1415c1dbbf14888f1521cf"},{title:"A report on our findings",project:"Northern Information",released:"02025-05-08",type:"LP",format:"Digital",role:"Band Member",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Scorched Earth x Kyle Church",length:"00:04:20",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/01-scorched-earth-x-kyle-church.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/01-scorched-earth-x-kyle-church.wav",id:"93f33bb5babea874621112ae7a92907c"},{number:2,title:"Half Hidden Algae Bloom x McNUG",length:"00:07:02",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/02-half-hidden-algae-bloom-x-mcnug.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/02-half-hidden-algae-bloom-x-mcnug.wav",id:"0f04d1b9b3246d10b82c0fa27d2811c6"},{number:3,title:"Pod Song (Obibe's Tale) x helen_g",length:"00:03:46",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/03-pod-song-obibes-tale-x-heleng.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/03-pod-song-obibes-tale-x-heleng.wav",id:"af445630079720c524b97dd6d198bab7"},{number:4,title:"x Dani Derks",length:"00:06:33",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/04-x-dani-derks.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/04-x-dani-derks.wav",id:"38ea962b13b72cfc8ac8e19941544983"},{number:5,title:"Time Tunnel x Jano.987",length:"00:03:03",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/05-time-tunnel-x-jano987.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/05-time-tunnel-x-jano987.wav",id:"eb5f26c549e5345a03abbf10073877d6"},{number:6,title:"Kompromat x DJ John Lovetron",length:"00:04:03",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/06-kompromat-x-dj-john-lovetron.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/06-kompromat-x-dj-john-lovetron.wav",id:"f62f82e197dfafa3c2bd78378d073871"},{number:7,title:"Rewilding x postsolarpunk",length:"00:05:06",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/07-rewilding-x-postsolarpunk.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/07-rewilding-x-postsolarpunk.wav",id:"119e9ffd8e6139d95b051c17a83c178b"},{number:8,title:"Deram x license",length:"00:06:39",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/08-deram-x-license.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/08-deram-x-license.wav",id:"154bf0613f62b3283d1397540e09c61d"},{number:9,title:"Hempishere Sync x Tony MF",length:"00:03:17",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/09-hempishere-sync-x-tony-mf.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/09-hempishere-sync-x-tony-mf.wav",id:"16bf757b3c0cfe98ea0324dbcbccf202"},{number:10,title:"MKULTRA x Alex Mathiesen",length:"00:04:15",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/10-mkultra-x-alex-mathiesen.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/10-mkultra-x-alex-mathiesen.wav",id:"cb5d655bd805b3e34c627deaa42d5a31"}],streams:[{platform:"Apple Music",url:"https://music.apple.com/us/album/a-report-on-our-findings/1813512539",id:"1d9d1ef8bd4d91e18f6f624167afc2b3"},{platform:"Bandcamp",url:"https://northerninformation.bandcamp.com/album/a-report-on-our-findings",id:"99e0c2ba79229ce2ccc09f9458dc3adf"},{platform:"Deezer",url:"https://www.deezer.com/album/754125191",id:"622c84edcd90a7c90540f919fd0fc4ce"},{platform:"Spotify",url:"https://open.spotify.com/album/25hvpFd22OSW2wiGwppvkU",id:"c3904677903f622ce735790904318592"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=eQOVQBNpkX4&list=OLAK5uy_mXySQHBDaa8FhjtbR6cKPTSqLDrL310Fo",id:"a4262714a6ca1bd8b9921caddb16eff8"}],notes:"<p>Recovery of human-anchored time reprogramming module begin. Heartbeat synchronization oscillator OK. Sodium chloride levels OK.</p><p>Digital twin, where to begin, scroll to the bottom, melt into air. Lunatic vector, keep it together, memory failure, world repair.</p><p>Sensor data exceeds instrument maximum 999 days. Subject markers found in multiple parallel streams post Baysinski Event. Parallel timeline harmonization commence.</p><p>Ancestor arpeggiation, carrier wave evasion, body without organs, open from other side. Sea is mother, bones are brothers, mouth to mouth knowledge, out with the tide.</p><p>Distributed consensus failure identified. Sharded memory storage unable to complete self-repair operation. ʟᴇᴠɪᴀᴛʜᴀɴ n-dimensional defragmentation protocol initiated.</p><p>Plate subduction, callback function, fog of war, cyclical time. Context collapse, territory/map, synchronized breathing, now that you're mine.</p><p>Compromised elements nullified / integrated. Archival and on-line access restored. Subject vessel resuming boot using modified kernel.</p><p>Time of our lives, opening wide, gaze of the other, sooner is best. Scattering ashes, everything passes, tell me a story, into the west.</p><p>Health checks OK. Logging resilience function improvements for generalized deployment.</p>",credits:"<p>Music: Tyler Etters, Kyle Church, McNUG, helen_g, Dani Derks, Jano.987, DJ John Lovetron, postsolarpunk, license, Tony MF, Alex Mathiesen.</p><p>Title: RGB</p><p>Art: DJ Meisner</p><p>Words: Cory Salveson</p>",project_slug:"northern-information",release_slug:"a-report-on-our-findings",cover_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/a-report-on-our-findings.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/a-report-on-our-findings-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/northern-information/a-report-on-our-findings/a-report-on-our-findings-wav.zip",id:"5408392f561c7758b446f0942e986a80"},{title:"DISSOLUTION",project:"DJ STUXNET",released:"02025-04-05",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"DISSOLUTION",length:"00:61:44",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/dissolution/01-dissolution.mp3",id:"8876363ffc798d2bcb0c782c6204d0ad"}],streams:[{platform:"SoundCloud",url:"https://soundcloud.com/tyleretters/dissolution",id:"f0ea00af7a6807bddf6b7a864f3caa28"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/mpGIRo9hVgxSDggTjeNm8",id:"498e4cb9ac068290723e39705dd25209"}],notes:"<p>For Sage.</p>",credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"dj-stuxnet",release_slug:"dissolution",cover_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/dissolution/dissolution.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/dissolution/dissolution-mp3.zip",id:"d97b5a7b1f6912df2d48e6b3cbf5ee3b"},{title:"ELEGIES FOR ASHLEY",project:"DJ STUXNET",released:"02025-03-23",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"ELEGIES FOR ASHLEY",length:"00:58:16",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/elegies-for-ashley/01-elegies-for-ashley.mp3",id:"a538224f2ba309ea07fe2e247bbcf341"}],streams:[{platform:"SoundCloud",url:"https://soundcloud.com/tyleretters/elegies-for-ashley",id:"cd960fac0cc27a30060ec32bc04764ef"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/551pFVchyvDHMZmdlCjMg",id:"4c0d0f639a84cfc7fb94501a02e20cba"}],notes:"<p>https://nor.the-rn.info/rm_ation/2025/03/23/elegies-for-ashley/</p>",credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"dj-stuxnet",release_slug:"elegies-for-ashley",cover_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/elegies-for-ashley/elegies-for-ashley.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/elegies-for-ashley/elegies-for-ashley-mp3.zip",id:"28a37f9d7721d8a41de460e993679e14"},{title:"baysinski event ii world war iii",project:"DJ STUXNET",released:"02025-02-12",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!0,notes:"<p>we are a special interest group. we have special interests. william basinski. and cathal. and are all geographically aligned with SF except me. and cathal. we are very normal.</p>",tracks:[{number:1,title:"baysinski event ii world war 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Music",url:"https://music.apple.com/us/album/foxfires-kybalion-ep/1796608668",id:"89f217406df6e7ed4445ab3eb7b92a21"},{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/foxfires-kybalion",id:"973a696647b37a0ea8cc7cc64e28800d"},{platform:"Deezer",url:"https://www.deezer.com/us/album/711748271",id:"ee0f5dd8e76021bd8be819b0e5da3482"},{platform:"Spotify",url:"https://open.spotify.com/album/7mh0Vr0dbBsndXQEHMPrmq",id:"1844387f44de40a418d28f86b71892a4"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=wr4PfhW2S3g",id:"009b087f995c7d34e0b105b3cbd60974"}],notes:"<p>“The inferno of the living is not something that will be; if there is one, it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the inferno and become such a part of it that you can no longer see it. 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Music",url:"https://music.apple.com/us/album/list-of-stars-in-cancer-stream-version/1755897818",id:"de8730b413589091866ffdd382bf8a97"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/list-of-stars-in-cancer",id:"523a6312d952a44b10444c432223a425"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611710552",id:"afc350233144f83d535f29f2156995ba"},{platform:"Spotify",url:"https://open.spotify.com/album/5gSOw9RxtadvemdqcV7YV2",id:"8035af969c201ba4b27d8763f104f66b"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=mx_rRm2eaYE&list=OLAK5uy_nl3yolGwKAHk2b9epn1NE96rtsWKbv6OM",id:"8bd05357832d6232749a9559d5c723de"}],notes:"<p>An infinite salve. The 188 charted stars are presented in order of magnitude descending. Listen on infinite shuffle because Cancer looks very different from elsewhere in the Milky Way.</p>",credits:"<p>For mom.</p><p>Audio sourced from my childhood Kouvalias, the Land of Shadow, and Respighi's Feste Romane performed by Eugene Ormandy, Philadelphia Orchestra, 1946.</p><p>Photograph from a trip with my mother to Tijuana, Mexico, 2022.</p><p>Engineered by Tyler Etters, 2004 — 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"list-of-stars-in-cancer",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/list-of-stars-in-cancer/list-of-stars-in-cancer.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/list-of-stars-in-cancer/list-of-stars-in-cancer-mp3.zip",id:"e6f44232319b0dd9626e08ed278042dd"},{title:"Distance",project:"They Became What They Beheld",released:"02024-06-16",type:"Single",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Distance",length:"00:19:28",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/distance/01-distance.mp3",id:"a65d8ff9653b95518c38beb1e7d94a18"}],streams:[{platform:"Amazon",url:"https://amazon.com/music/player/albums/B0D7QVWXFC",id:"72bb19d3a5b0435ea364e862ff6da34d"},{platform:"Apple Music",url:"https://music.apple.com/us/album/distance-ep/1753530892",id:"474fd54d4b37d169fb706000ed7e1bd1"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/distance",id:"bcdb1bc1f82ceda6c5b00472800f44bc"},{platform:"Deezer",url:"https://www.deezer.com/us/album/605603872",id:"8f1ce892586f1c7ee3c3a362017aaccd"},{platform:"Spotify",url:"https://open.spotify.com/album/6kZHS99KJvGJCZR5lhLCkz",id:"7fa74a2862ec1fcac96d1a145ccfcf47"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=3EX4qPIVT1o&list=OLAK5uy_nX4ypSQVt9eBRsVBQ0gnV9eYQrplE-E7A",id:"63c1354c98a3e17f8a0a22da43355424"}],notes:"<p>To honor the memory of someone you loved and lost is by becoming great and doing well and good in their honor/memory - live as you would know them to be proud of.</p><p>— MTM, 2024</p>",credits:"<p>Thanks to dad, Timm, Biff, Papa, Pat, Bud, Don, Harold, both Gregs, Ed, Pat, John, Jack, Joe, Eric, Russ, Mike, Michael, Phil, Gary, Paul, Brian, Larry, Glenn, Wayne and every other man who took me in as one of his own seed, generally looked out for me, or made certain to be cleaning his guns the night his daughter brought me home.</p><p>Photograph of Rawson Bridge Rd., Oakwood Hills, 2010.</p><p>Engineered by Tyler Etters, 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"distance",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/distance/distance.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/distance/distance-mp3.zip",id:"8b3b872e9e763cdd2b0f1160d4d92c3e"},{title:"Radio Free Albemuth",project:"They Became What They Beheld",released:"02024-05-26",type:"Album",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Radio Free Albemuth",length:"00:01:34",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/01-radio-free-albemuth.mp3",id:"93a8397abcd2ee5006f4bcc1bb89a8e5"},{number:1,title:"Exegesis",length:"00:12:15",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/01-exegesis.mp3",id:"7ce9b616144f9fa5e38289a2abf6bec8"},{number:1,title:"Ichthys",length:"00:02:31",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/01-ichthys.mp3",id:"b665ddb05c0d717a59d2424cc76d98d6"},{number:4,title:"Vast Active Living Intelligence System",length:"00:31:18",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/04-vast-active-living-intelligence-system.mp3",id:"961d0265109b2d11af8039f9400dd8c1"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D582L48R",id:"e0c5e48dca8c1be8586de6fe0f1cdba8"},{platform:"Apple Music",url:"https://music.apple.com/us/album/radio-free-albemuth/1748745705",id:"ac6ab5b3e57b6fc4078e0611dfc76a03"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/radio-free-albemuth",id:"c5dac65ae3053c89e65aae95eb897780"},{platform:"Deezer",url:"https://www.deezer.com/us/artist/263724261",id:"feceffc114b10bd08d6e3cc4ed0bbaab"},{platform:"Spotify",url:"https://open.spotify.com/album/2Omhz8B5g1VbSfqSpUkZOt",id:"fb767405ce042f40b7301b8379509e11"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=ZECpF-IEDUw&list=OLAK5uy_nGDIZERWQdqVM4FwqC_5L8jJmAuLzvgfk",id:"20e830edb4b105f6288c01fdddd59d4d"}],notes:`<p>On February 20, 1974, while recovering from the effects of sodium pentothal administered for the extraction of an impacted wisdom tooth, [Philip K.] Dick received a home delivery of Darvon from a young woman. When he opened the door, he was struck by the dark-haired girl's beauty, and was especially drawn to her golden necklace. He asked her about its curious fish-shaped design. As she was leaving, she replied: "This is a sign used by the early Christians." Dick called the symbol the "vesicle pisces". This name seems to have been based on his conflation of two related symbols, the Christian ichthys symbol (two intersecting arcs delineating a fish in profile), which the woman was wearing, and the vesica piscis.</p><p>Dick recounted that as the sun glinted off the gold pendant, the reflection caused the generation of a "pink beam" of light that mesmerized him. He came to believe the beam imparted wisdom and clairvoyance, and also believed it to be intelligent. On one occasion, he was startled by a separate recurrence of the pink beam, which imparted the information that his infant son was ill. The Dicks rushed the child to the hospital, where the illness was confirmed by professional diagnosis.</p><p>— Wikipedia, 2024</p><p>The seven movements of this symphonic suite need to be heard in their entirety; it is a mistake to isolate movements from the whole, for the work owes much to the strongly contrasted moods suggested by the character of each planet.</p><p>— The Decca Record Company, Ltd., 1962</p>`,credits:"<p>Thanks to ... a ... tape deck ... original ... everything stalled out ... changed ... that was closer to ... my dad ... I was a kid ... this strange ... audience ... Memorial ... landfill ... library ...</p><p>Audio sourced from Holst's The Planets performed by Herbert Von Karajan, Vienna Philharmonic, 1962.</p><p>Video sourced from The Eames Office's Powers of Ten, 1968 — 1977.</p><p>Track titles sourced from Philip K. Dick's VALIS and surrounding mythos, circa 1976 — 1985.</p><p>Photograph from the Skylark bar in Pilsen, 2017.</p><p>Engineered by Tyler Etters, 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"radio-free-albemuth",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/radio-free-albemuth.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/radio-free-albemuth-mp3.zip",id:"98d9fdd5044c25d2156b67cc5ad582d0"},{title:"Rocket Summer",project:"They Became What They Beheld",released:"02024-04-28",type:"Single",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Rocket Summer",length:"00:30:42",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/rocket-summer/01-rocket-summer.mp3",id:"6c7af5ffec304e9076e093ccc60c37a1"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D2YDHM73",id:"32d6c25bb98a74d175ed6d72052635f2"},{platform:"Apple Music",url:"https://music.apple.com/us/album/rocket-summer/1743863550",id:"ada4b669da578f4e827d4ff47da296c9"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/rocket-summer",id:"820e3fc9de089c841ceae784a1d5c842"},{platform:"Deezer",url:"https://www.deezer.com/us/album/580743841",id:"76e1cd89fa998b195987e62370d62952"},{platform:"Spotify",url:"https://open.spotify.com/album/0WTccZ6LBUKA1KYCmcxmHT",id:"b2dae17154ff7d93fc7862e54f5011e5"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=nSTuod8i3oA&list=OLAK5uy_kYF1JbWuZ2J1APNNm_0f0yNF2WLbbtVQ4",id:"3b1782e61187222f47cacb39475d0c5b"}],notes:"<p>One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets.</p><p>And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.</p><p>*Rocket summer.* The words passed among the people in the open, airing houses. *Rocket summer.* The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground.</p><p>*Rocket summer.* People leaned from their dripping porches and watched the reddening sky.</p><p>The rocket lay on the launching field, blowing out pink clouds of fire and oven heat. The rocket stood in the cold winter morning, making summer with every breath of its mighty exhausts. The rocket made climates, and summer lay for a brief moment upon the land ...</p><p>— Ray Bradbury, 1950</p>",credits:"<p>Thanks to ... a ... tape deck ... original airplane hanger ... everything stalled out for so long ... changed ... else did, that was closer to now ... my dad ... when I was a kid ... Sage ... close ... Emily for finding this strange book ... her audience ... Memorial Library for ... to Hippo ... from a landfill ... library ...</p><p>Audio sourced from Giovanni Gabrieli's Sanctus: VI. Hosanna in excelsis broadcast by KUSC 91.5 and recorded by iPhone, 2020.</p><p>Photograph & video loops of an actual space rocket launch over my apartment, 2024.</p><p>Engineered by Tyler Etters, 2020 — 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"rocket-summer",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/rocket-summer/rocket-summer.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/rocket-summer/rocket-summer-mp3.zip",id:"1302633a2ff9e89c6f96bde5092ce75a"},{title:"Respect for the Medium",project:"They Became What They Beheld",released:"02024-04-22",type:"Single",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Respect for the Medium",length:"00:22:49",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/respect-for-the-medium/01-respect-for-the-medium.mp3",id:"27c621894ea4988cfeff6e3dfa3406b9"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D2R7XXG2",id:"bab7d733c8b33b0fae1ecbe95311ee31"},{platform:"Apple Music",url:"https://music.apple.com/us/album/respect-for-the-medium-ep/1743492407",id:"e6ee17a57529a4cd42b858e5cd680aac"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/respect-for-the-medium",id:"a18cd58d714af6ab7c110b5706a2a565"},{platform:"Deezer",url:"https://www.deezer.com/us/album/579132271",id:"6f60a882a8d4816de99a4530a0cc625a"},{platform:"Spotify",url:"https://open.spotify.com/album/053SZ0lB7HETAPog1o0xeQ",id:"d067715cd01734b69e9d72c04ca76884"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=yUp-YjxL6AU&list=OLAK5uy_nckMbTHgRNV4JC2NQAdyJfyeKje0Y2Eds",id:"6616620bc487b2d5825853dbe9838799"}],notes:'<p>The fundamental audio loop is more Gabrieli.</p><p>The DV tape loop is from Fireflies & Fields, a deeply personal series shot straight out of camera. Summer, 2009. Just after sunset. "Night Mode" enabled camera on a tripod facing south-south-east. Fairfield Road a bit to my back and right. A solid two-minute hike across the prairie to touch the first oaks in the shot. Macro lens on. Optical zoom maxed. Digital zoom zero. The key: auto-focus enabled to force the beacons into a duel until dawn. The loop you see employs neither dissolve nor crossfade. It is the same hard cut over and over until the song ends. After originally releasing a zoomed and cropped version at 1920x1080, I have decided to delete and repost at 720x480. Once you see the Taraxacum mote ascending you will never unsee it.</p><p>The artwork is also from Fireflies & Fields, also straight out of camera.</p><p>These sorts of things are important to me.</p><p>Respect for the medium.</p>',credits:"<p>Thanks to ... who sold me a ... tape deck so I could not continue this ... original tape deck ... airplane hanger ... the pandemic and everything stalled out for so long ... of the incident ... then ... project changed ... else did, that was closer to ... different now. Thanks to my dad for showing... when I was a kid. Thanks to Sage for ... two close friends who talked ... Thanks to Emily for finding this strange book ... her audience of one. Thanks to the Adriance Memorial Library for ... to Hippo Books who succeeded in diverting it from a landfill ... library sustainability and ... global problem ...</p><p>About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.</p><p>Audio sourced from Giovanni Gabrieli's Sanctus: VI. Hosanna in excelsis broadcast by KUSC 91.5 and recorded by iPhone, 2020.</p><p>Photographs from my trip to Petalying Jaya, Malaysia, 2017.</p><p>Photographs & video loops from my personal series Fireflies & Fields, 2009.</p><p>Engineered by Tyler Etters, 2009 — 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"respect-for-the-medium",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/respect-for-the-medium/respect-for-the-medium.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/respect-for-the-medium/respect-for-the-medium-mp3.zip",id:"2202436a6149d3349db14ee394af4605"},{title:"EP3",project:"They Became What They Beheld",released:"02024-04-14",type:"EP",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"This changes things",length:"00:11:07",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep3/01-this-changes-things.mp3",id:"d54a0b6c9e28ad784eea3340367834a1"},{number:2,title:"Nothing is real anymore",length:"00:11:07",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep3/02-nothing-is-real-anymore.mp3",id:"578fa08628bc3fa4431215233e22cb40"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D8V3XPZT",id:"cf3c2211420d2346ff1213f1bef1ad97"},{platform:"Apple Music",url:"https://music.apple.com/us/album/ep3-ep/1755926045",id:"7d9872cfc48d46b1e4b8dad850040030"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/ep3",id:"557ba60c5fddefd87ec5371b7fa2ef26"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611752672",id:"2f34d564772a0842306595f9bcf1920a"},{platform:"Spotify",url:"https://open.spotify.com/album/04oITCytM0DX8HSvqDYQ8f",id:"5a487a2944ee5c06e4be247e8dffafc5"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=Yy0PeHycft0&list=OLAK5uy_lkimFANLq9tP4Ji4rcM9OQDKXgu8s68F4",id:"02b1fae5ff540d0c793073b9d6609930"}],notes:'<p>But this is already the point of view required—given a change of perspective—for examining the primitive socius, the territorial machine for declining alliances and filiations. This machine is segmentary because, through its double apparatus of tribe and lineage, it cuts up segments of varying lengths: genealogical filiative units of major, minor, and minimal lineages, with their hierarchy, their respective chiefs, their elders who guard the stocks and organize marriages; territorial tribal units of primary, secondary, and tertiary sections, also having their dominant roles and their alliances. "The point of separation between the tribal sections becomes the point of divergence in the clan structure of the lineages associated with each section. For, as we have seen, clans and their lineages are not distinct corporate groups, but are embodied in local communities, through which they function structurally." The two systems intersect, each segment being associated with the flows and the chains, with the stocked flows and the passing flows, with selections from the flows and detachments from the chains (certain production projects are executed in the framework of the tribal system, others in the framework of the lineage system). The variability and relativity of the segments are responsible for all sorts of penetrations between the inalienable elements of filiation and the mobile elements of alliance. This is explained by the fact that the length of each segment—or even its existence as such—is determined only by its opposition to other segments in a series of interrelated stages. The segmentary machine mixes rivalries, conflicts, and ruptures throughout the variations of filiation and the fluctuations of alliance. The whole system evolves between two poles: that of fusion through opposition to other groups, and that of scission through the constant formation of new lineages aspiring to independence, with capitalization of alliances and filiation. From one pole to the other, all the misfirings and failures in a system that is constantly reborn of its own disharmonies. What does Jeanne Favret mean when she shows, along with other ethnologists, that "the persistence of a segmentary organization requires paradoxically that its mechanisms be ineffectual enough so that fear remains the motor of the whole"? And what is this fear? It would appear that social formations experienced a morbid and mournful foreboding of things to come, although what comes to them always comes from without, rushing in through their opening. Perhaps it is even for this reason that it arrives from without; they suffocate its inner potentiality, at the cost of the dysfunctions that constitute an integral part of the functioning of their system.</p><p>— Deleuze & Guattari, 1972</p>',credits:"<p>Thanks to the person who sold me a faulty tape deck so I could not continue this project as intended because the original tape deck was in an airplane hanger because of the pandemic and everything stalled out for so long on both sides of the incident and then the project changed — like everything else did, that was closer to then and things are different now. Thanks to my dad for showing me Dancing Fantasy when I was a kid. Thanks to Sage for being infinitely patient and compassionate with me during the pandemic. Thanks to my two close friends who talked with me on the phone at length today, you know who you are. Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.</p><p>About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.</p><p>Audio sourced from Giovanni Gabrieli's Sanctus: VI. Hosanna in excelsis broadcast by KUSC 91.5 and recorded by iPhone, 2020.</p><p>Photographs from my trip to Petalying Jaya, Malaysia, 2017.</p><p>Engineered by Tyler Etters, 2020 — 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"ep3",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep3/ep3.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep3/ep3-mp3.zip",id:"c7ee4757925b9b0c620503f1728b8921"},{title:"IN DARKNESS RADIANT",project:"STUXNET",released:"02023-12-22",type:"EP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Tiresias",length:"00:01:49",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/01-tiresias.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/01-tiresias.wav",id:"d8e190eb5c8a7c59a6bfe3a6cccd0b64"},{number:2,title:"In Darkness Radiant",length:"00:01:54",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/02-in-darkness-radiant.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/02-in-darkness-radiant.wav",id:"07431a76e3916159a229b4d77597dde1"},{number:3,title:"Temporary Autonomous Zone",length:"00:04:16",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/03-temporary-autonomous-zone.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/03-temporary-autonomous-zone.wav",id:"a8751056a8a9ebcbeec39a88b53ff2c8"},{number:4,title:"Hell Money",length:"00:01:58",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/04-hell-money.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/04-hell-money.wav",id:"166de9752fc6f68fabff27f1e4ec9164"},{number:5,title:"Subsea Fiber Faults in the APAC Region",length:"00:05:43",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/05-subsea-fiber-faults-in-the-apac-region.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/05-subsea-fiber-faults-in-the-apac-region.wav",id:"ddabb410b3b4e9692913d1aba064638f"},{number:6,title:"Safe Passage (Non-Functional)",length:"00:02:51",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/06-safe-passage-non-functional.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/06-safe-passage-non-functional.wav",id:"cb92de4cad418d150ca1a21b7544879c"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/in-darkness-radiant",id:"b907e06e9aa17623a25203b188bfafa0"},{platform:"Apple Music",url:"https://music.apple.com/us/album/in-darkness-radiant-ep/1722729160",id:"86f7a1251ba0d56b0adb7667cafd3c3c"},{platform:"Deezer",url:"https://www.deezer.com/us/album/526747692",id:"ff18043f7ee801fa8d2f9fff3e694d5c"},{platform:"Spotify",url:"https://open.spotify.com/album/2nLz2jO4YCQO37NVm3rM3C?si=h84wEpl0Sv6hMm3PfpSGyA",id:"0ef8a7425409283b4481668fdabe9f2f"},{platform:"YouTube",url:"https://www.youtube.com/playlist?list=OLAK5uy_lAR4Al3G7YV6_kgEC39C9naC23z91fwPo",id:"ce5f8249f412ac28cfbfdad74cd2be69"}],notes:`<p>After a harrowing border crossing out of the Special Economic Zone, Coyote lies low. His world is hardened, Metal Gear, long drag of cigarette, pushing limits of body to transport mind. Licking his wounds, drinking warm Modelo, watching cargo ships queue up for port, he contemplates getting out of the game for good.</p><p>But when money runs out (like it always does) he's forced to accept an impossible gig: US/APAC. The cargo is a Tiresias figure, some aged clairvoyant who, having struck their staff at two copulating serpents, was then blinded, given the gift of prophecy (visions), and transformed into a woman for seven years.</p><p>Who seeks a strange country by illegal means that can only place them perpetually outside while also inside? Coyote knows: someone who has a message... or someone who is one. What is the message now? What does Tiresias only know while blind and femme?</p><p>Coyote's reference gear attempts to help his line of thought with encyclopedic minutiae: "Like with other oracles, how Tiresias obtained their information varied: sometimes, they would receive visions; other times they would listen for the songs of birds, or ask for a description of visions and pictures appearing within the smoke of burnt offerings or entrails, and so interpret them. Pliny the Elder credits Tiresias with the invention of augury. Tiresias has a daughter, Manto, who is also a prophetess and priestess."</p><p>Simple machine that cannot breathe or ache. Coyote dictates futile corrections to his gear. This Oracle of Zones is a mother, alright. The twin Zones - both Special Economic and Temporary Autonomous - symbolize invitations by their respective hosts to become changed; to be shown wrong. High on artificial fumes in virtual caves, Tiresias (pregnant with Manto?) are illegal yet invited; necessary; load-bearing. She sees and listens, assembles, then tells. And she's coming now, changing Self to change the flow of things, money, talk, data. She dies but goes on. A programming program, in darkness radiant.</p><p>A seagull lands on the railing.</p><p>Zip-tied to its tibia is a white USB drive.</p><p>It is branded with a familiar hexagon.</p>`,credits:`<p>Précis by Cory Salveson. Music by Tyler Etters.</p><p>Selected samples: Bauenrfeind, Beast Wars, Elden Ring, Cornell Lab of Ornithology, The Amity Affliction, Predator, True Detective, Cory's field recordings from China.</p><p>The musician would like to express his deepest thanks to @zbs for their deft consultation on the final mix and unwavering devotion to sub-bass.</p><p>Album art: screencap from "Can't Get You Out of My Head" by Adam Curtis.</p>`,project_slug:"stuxnet",release_slug:"in-darkness-radiant",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/in-darkness-radiant.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/in-darkness-radiant-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/in-darkness-radiant-wav.zip",id:"fb698f2114760946e4fd0fc2576199a9"},{title:"FADE SCATTER REPLICATE",project:"STUXNET",released:"02023-03-20",type:"EP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Sources and Methods",length:"00:03:44",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/01-sources-and-methods.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/01-sources-and-methods.wav",id:"376c3e78f3eff2fb422e21e6dd855274"},{number:2,title:"Coyote",length:"00:05:52",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/02-coyote.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/02-coyote.wav",id:"958eab7cc3c22f4f4215bc80974c153f"},{number:3,title:"Special Economic Zone",length:"00:03:44",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/03-special-economic-zone.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/03-special-economic-zone.wav",id:"b04e1d4a0065e8a519e97017876f4f0f"},{number:4,title:"Border Crossing",length:"00:03:28",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/04-border-crossing.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/04-border-crossing.wav",id:"a61940bf64f3315a6b294642e1acaa8d"},{number:5,title:"In Infinite Fogs",length:"00:05:52",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/05-in-infinite-fogs.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/05-in-infinite-fogs.wav",id:"3425ce3d019d9a2b4486a5b677580273"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/fade-scatter-replicate",id:"2e2546c1c48ef32e8e06062b56ceb370"},{platform:"Apple Music",url:"https://music.apple.com/us/album/fade-scatter-replicate-ep/1678223798",id:"3e293821090a3bd204cba16daf7131ae"},{platform:"Deezer",url:"https://www.deezer.com/us/album/419915087",id:"de7c59b94c12661b69aad9756e6f5a1b"},{platform:"Spotify",url:"https://open.spotify.com/album/2lYuoDyy8iFJ54pGXGBBXT",id:"11ed54351c3bcd161aeabe94be457121"},{platform:"YouTube",url:"https://www.youtube.com/playlist?list=OLAK5uy_kfSHFbyXXaeLYHo8gPk1NcTuRbaoBNUfY",id:"014fb7e1fb8aac25fd15aca4ac74a0ec"}],notes:`<p>Migrants are often between two worlds that do not really have a place for them: fleeing economic or political hardship and entering a place (ostensibly the U.S.) that fundamentally demands their labour yet officially outlaws them and treats them as sub-human. The coyote is doing a kind of extraordinary favor by rendering an extra-legal service, and putting themselves in harm's way to do so.</p><p>Why choose this particular job?</p><p>Perhaps because the coyote is "between," themselves. This casts them as a kind of archetypical shamanistic figure: a psychopomp, a guide of souls like Anubis, Charon, Hermes, Mercury, or Tarkovsky's Stalker. But, unlike this Jungian pantheon of tricksters, our coyote is not bound by divinity or magicks — they are a mercenary; they are bound by cash.</p><p>In Nomadology: The War Machine, Deleuze & Guattari "redefine the relation between the state and its war machine. Far from being a part of the state, warriors (the army) are nomads who always come from the outside and keep threatening the authority of the state. In the same vein, nomadic science keeps infiltrating royal science, undermining its axioms and principles. Nomadology is a speedy, pocket-sized treatise that refuses to be pinned down. Theorizing a dynamic relationship between sedentary power and schizophrenic lines of flight, this volume is meant to be read in transit, smuggled into urban nightclubs, offices, and subways."</p><p>It then follows the special economic zone is a stage for our coyote, our trickster, to turn logics and fortunes of capitalism inside out and upside down. The interior shared-self which persists through ultra time flow is, yes: dancing in place to move forward... and the special economic zone suspends the rules to incentivize a certain dancing, a particular folding back into itself to realize commerce, competition, fucking, running, transgressing, renewing.</p><p>If the trickster makes this world, it follows the mercenary makes the state.</p>`,credits:'<p>Précis by Cory Salveson. Music by Tyler Etters.</p><p>Selected samples: Dark Souls III, Mission: Impossible 4 — Ghost Protocol, X-Files, Metal Gear Solid, Underoath, Fortnite "Fracture" Event, Black Hawk Down.</p><p>Inspired by a trip with my mother to Tijuana, Mexico, 2022.</p><p>Album art: Midjourney prompt by John von Seggern.</p><p>For Timm.</p>',project_slug:"stuxnet",release_slug:"fade-scatter-replicate",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/fade-scatter-replicate.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/fade-scatter-replicate-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/fade-scatter-replicate-wav.zip",id:"f47f6e20ac3ac2097070539354fda463"},{title:"EP2",project:"They Became What They Beheld",released:"02022-03-12",type:"EP",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Things are different now",length:"00:10:12",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep2/01-things-are-different-now.mp3",id:"767ea89871f29bab164db0abc8672ac9"},{number:2,title:"That was closer to then",length:"00:13:32",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep2/02-that-was-closer-to-then.mp3",id:"783052eebb0b68c10fbed5264de8721d"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D8V27MGB",id:"24686b2b7ce4ca799f261f9615abc2a3"},{platform:"Apple Music",url:"https://music.apple.com/us/album/ep2-ep/1755926185",id:"f9140b8b30c1ae37b2b9360565e0bd2c"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/ep2",id:"c9a380c175069bb42c080e255d18ca1e"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611753282",id:"19171c86a2014f33e0dbb7af0ec47722"},{platform:"Spotify",url:"https://open.spotify.com/album/4cCMZUBtMPrCGNv1H37jaP",id:"6da22f69063836de75b0302cd27e2f2a"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=frMqtZ9c4u0&list=OLAK5uy_lpd0VhMA9BCkt-7sKKgQOxzR5yx28n7Lg",id:"5cab695ab4c93708cd49eeecfd8b2346"}],notes:"<p>Within the philosophies of time, three oppositional schools compete: Eternalism describes the phenomenon of time like a strip of film - the past and the future do exist, are real, but the present is merely a human concept. The growing block theory, maybe the most intuitive of the three, states that the present continually creates the past, but the future is unwritten. Presentism on the other hand argues that the only thing irrefutable is the present and that the past and the future are both unreal. By applying these three concepts to music, we may end up with a number of strategies to rethink what we consider as given.</p><p>I would like to propose that there has been has been a slow shift in how music was perceived. Improvised music, prior to notation, can be considered as presentistic, manifesting itself only in the present, it’s only traces of existence written in memory. With interpretation and notation, the perception shifts more to a growing block. The mind got a hold of the past, but the future still remained a very unstable realm - once the hand made a mistake with an instrument or the voice was interrupted to catch a breath. Obviously the advent of the recording introduced an absolute future and with it the concept of eternalism in music. Furthermore the introduction of the loop, applied in its most extreme way within techno, embeds the listener in a coherent body of past and future, even with a view of the timeline - first on the record, later on the waveform. A car, racing on the Autobahn, free to move in both directions. Of course, one could argue that the state of ecstasy in which techno is consumed compresses time into a perfect present, the psychological present, which is defined as 2-3 seconds with the equivalent of 1 bar by 120 bpm…</p><p>But staying for the moment with the first thought, we can ask the questions: is the loop the defining property of techno? What happens if we remove the certainty of the next kick, eroding the temporal and structural integrity of the genre? Presentism is a project based on one temporal randomised pulse, denying our ability to foresee the next kick and obscuring the possibility to form loops. Yet it upholds timbres and instrument references common to the genre. The aleatoric function acts like an agent of presentism in an eternalist domain. Like improvisation, it has the ability to remove a stable future and at the same time blur the memory by forming insignificant patterns. Intensification usually benefits from a balance between control and the prospect of collapse. The temporal shuffle of techno is the attempted surrender of control of the past and future to the present.</p><p>— JAT, 2020</p>",credits:`<p>Thanks to the person who sold me a faulty tape deck so I could not continue this project as intended because the original tape deck was in an airplane hanger because of the pandemic and everything stalled out for so long on both sides of the incident and then the project changed — like everything else did, that was closer to then and things are different now. Thanks to my dad for showing me Dancing Fantasy when I was a kid. Thanks to Sage for being infinitely patient and compassionate with me during the pandemic. Thanks to my two close friends who talked with me on the phone at length today, you know who you are. Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.</p><p>About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.</p><p>Audio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.</p><p>Audio sourced from Dancing Fantasy's Op. Midnight Blvd. "...double fantasy...a dream... ...within a dream..." IC / Innovative Records, 1990.</p><p>Photographs from my trip to Petalying Jaya, Malaysia, 2017.</p><p>Engineered by Tyler Etters, 2019 — 2022.</p>`,project_slug:"they-became-what-they-beheld",release_slug:"ep2",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep2/ep2.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep2/ep2-mp3.zip",id:"bc5996397e7215650926b7f7ccc90645"},{title:"Deep State Music",project:"Sidereal Lobby",released:"02021-09-04",type:"Triple LP",format:"Digital",role:"Band Member",label:"Map Corps",mp3:!1,wav:!1,tracks:[{number:1,title:"Deep State Music",length:"00:27:19",id:"22a8f72e86a38959ad6aa2a955eefae2"}],notes:"<p>Over the course of their first journey (which started months before they realized they would become a band), the humans created many auditory things together and separately. Some of this was good but had found itself in a “stuck” state. Some things extended a bit earlier than the boundary of acquaintance but felt appropriate for inclusion. At any rate, both humans were in an exorcising mood. They decided it was time to release these peach fuzz laden demons. The exorcism exercise would be comprised of a continuous sort of mix tape or DJ mix containing these demons occupying the auditory plane.</p><p>As is becoming their custom, the humans again took turns weaving the structures. This time the structures were on a somewhat larger scale. They pulled in beats, basslines, melodies, and scraps of texture. Both humans expected the final product to be quite rhythmic and beat-driven. To their credit, this does appear to accurately describe much of what the three of us arrived at. They did manage to sneak in some free-meter synth jams, which provided some loose [a]rhythmic accompaniment to the more musically adherent elements.</p><p>However, the real surprise came when the emotional impact of exorcising some demons in particular started to affect both humans. The beats in these instances decidedly needed to take a back seat to the so-called “feels”: drones, sad arpeggio breakdowns, lolling refracted feedback melodies. As the iris of psychic transmorgification closed, the minds’ eyes adjusted back to the new light level, the steam evaporated, the dust settled, and the humans incanted an old, familiar phrase to lighten these heaviest of demons:</p><p>... like tears in the rain ...</p><p>The final mix arrived at a total of 300 MB worth of uncompressed PCM audio. This size is above Bandcamp’s 291MB track limit, so 9MB was cut down from the final waveform data. The human who spliced has assured myself and the other human that we will never know (and, one would hope, never miss) those 9MB.</p><p>My aunt, the Goddess SEO (that’s just her name, I don’t know what it stands for and I’m afraid to ask her) demanded that I mention the following terms. I do not understand their context and feel uncertain of how to integrate them into the above, so I shall simply list them: mapcore, caveman.sh.</p><p>(SEO also mentioned something about “hashed tags”. She took pity on me when she saw how terribly frightened I was of these strange, unfamiliar words, so she stopped short of asking me to use them. I hope this does not create any confusion.)</p>",credits:"<p>Laws & Etters, mmxxi</p>",project_slug:"sidereal-lobby",release_slug:"deep-state-music",cover_url:"https://d107e1o0dn11sc.cloudfront.net/sidereal-lobby/deep-state-music/deep-state-music.jpg",id:"02cd98a73d97e2e915afc5da5d4eb7f3"},{title:"FCIV",project:"Sidereal Lobby",released:"02021-09-04",type:"Triple LP",format:"Digital",role:"Band Member",label:"Map Corps",mp3:!1,wav:!1,tracks:[{number:1,title:"Mental Dub (Lisbon)",length:"00:04:18",id:"3bf748959775ac0693551fafb0b0c5f4"},{number:2,title:"Mental Dub (Des Moines)",length:"00:04:10",id:"7beb9360e3ece1b46c64ccd5200a6d48"},{number:3,title:"Mental Dub (Null Lake)",length:"00:04:20",id:"787697adcb5356df5c68c444d3a8b49e"}],notes:"<p>Dub is a refraction of alien consciousness</p><p>Flash Crash was approaching. The folks running the event wanted dub in their interstitial program. I complied.</p><p>It began with Mental Dub, constructed entirely in Ableton Live with stock samples and soft synths. The other human loaded its stems into his Octatrack for further mutation, which became Des Moines. The first human further mutated Des Moines within Ableton to create Null Lake. The humans had little hesitation about mix or levels.</p><p>One (and only one) of the humans does have a bit of regret that Mental Dub Lisbon was 100% created by them and not the other. In other words, the other did not have any samples, or audio, or melody at all, but both humans concurred it was OK because it all took place in the Sidereal Lobby.</p><p>Most of the above thoughts were originally transcribed via text-to-speech processing in a Taco Bell parking lot. The allure of Baja Blast is known to be irresistible to sidereal lobbyists.</p>",credits:"<p>Laws & Etters, mmxxi</p>",project_slug:"sidereal-lobby",release_slug:"fciv",cover_url:"https://d107e1o0dn11sc.cloudfront.net/sidereal-lobby/fciv/fciv.jpg",id:"059fb2cd3faa8fa9af2b1364c1190abe"},{title:"Beaches",project:"Sidereal Lobby",released:"02021-09-04",type:"Triple LP",format:"Digital",role:"Band Member",label:"Map Corps",mp3:!1,wav:!1,tracks:[{number:1,title:"conch",length:"00:04:26",id:"889e59b8461af051da0effdb4224d3fa"},{number:2,title:"snail",length:"00:02:22",id:"a8a1ba68bda81dce3bd871f8e6d2eacf"},{number:3,title:"periwinkle",length:"00:03:41",id:"765f99fadd0ca0a4efb8c21445d722bb"},{number:4,title:"bottles",length:"00:03:30",id:"f83818db16c7392d55ac6d73b23940f7"}],notes:"<p>It began with failure.</p><p>Both humans had, at different times, come into ownership of the same model of a powered synthesizer enclosure. At different times, the power supply of either enclosure failed in identical fashion. The second time, the steward of the enclosure discovered that the power supply had, in fact, not completely failed. It could still deliver some power, albeit at an attenuated amperage. Perhaps as a test, perhaps enthused at the novelty of the small enclosure, perhaps simply to amuse himself, he assembled a nonsensical menagerie of modules.</p><p>The human then proceeded to record similarly nonsensical sounds. He doubted they were musical. They did contain rhythms, tones, things that repeat, but no more than household or industrial appliances. No logic or aesthetics he knew of applied. They were low-fidelity but not enough to be charming. These were adjacent to, but not quite the same as, what might be referred to as “noise music”. At times something resembling a melody or a chord would appear, but short-lived and unsupported. He didn't know what to do with this, but he was having fun, so he forged ahead.</p><p>After indulging a compulsion to record, the first human decided to share a few minutes of this with the second human. The second human was not sure what to make of this. Out of mutual respect, he attempted to phrase a diplomatic and critically constructive suggestion. He introduced this suggestion. The first human sat in anticipation, waiting for second’s transmission to complete. After a few more minutes, the first human became aware that not only was the second human’s transmission taking some time to complete (and perhaps had been interrupted), but that he had an urge to record more bullshit. And so he did.</p><p>By the time the first human had another recording to share, the second human had completed his transmission, and in fact had a record of his own to share. It was a collage, a juxtaposition: the original recording with new layers. The first human was shocked and delighted. This was beginning to sound like music. Now he saw the pattern - a friendly back-and-forth volley.</p><p>This volley continued until the juxtapositions began to form a landscape with features. There were ugly, unexplainable crags and crannies, but also breathtaking vistas and soothing curves. The humans looked and listened upon this landscape with the awe and terror of a space traveler stranded on a remote beach, unsure of what it meant or where to go next, but grateful to be surrounded by grotesque beauty and eager to explore.</p>",credits:"<p>Laws & Etters, mmxxi</p>",project_slug:"sidereal-lobby",release_slug:"beaches",cover_url:"https://d107e1o0dn11sc.cloudfront.net/sidereal-lobby/beaches/beaches.jpg",id:"a1229abf8488160c3e3dbb02724a122b"},{title:"HUMAN INTERFERENCE TASK FORCE",project:"STUXNET",released:"02021-07-26",type:"LP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"that it is a message at all",length:"00:04:36",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/01-that-it-is-a-message-at-all.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/01-that-it-is-a-message-at-all.wav",id:"e5b79e65e20eef11a6fdcfd49f045f10"},{number:2,title:"that dangerous material is stored in a given location",length:"00:32:21",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/02-that-dangerous-material-is-stored-in-a-given-location.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/02-that-dangerous-material-is-stored-in-a-given-location.wav",id:"dd3c27ef99659033aaab2252f565fda5"},{number:3,title:"information about the type of dangerous substances",length:"00:19:16",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/03-information-about-the-type-of-dangerous-substances.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/03-information-about-the-type-of-dangerous-substances.wav",id:"4bdbc9918ce2a3623da3380ad3b44386"}],notes:'<p>The Human Interference Task Force was a team of engineers, anthropologists, nuclear physicists, behavioral scientists and others convened on behalf of the U.S. Department of Energy and Bechtel Corp. to find a way to reduce the likelihood of future humans unintentionally intruding on radioactive waste isolation systems. Specifically, the task force was to research the use of long-time warning messages to prevent future access to the planned, but stalled, deep geological nuclear repository project of Yucca Mountain.</p><p>PROBLEM</p><p>When atomic or fusion bombs are detonated in a war, or nuclear power plants are used in times of peace, an unnaturally high amount of radioactive waste is produced. This material will threaten human life and health for thousands of years. Consequently, nuclear technology necessitates the creation of a secure means of terminal storage for such materials for an unusually long time period.</p><p>However, there is no method available to continuously provide the necessary knowledge about the location of nuclear waste over thousands of years. The culture of earlier centuries becomes incomprehensible when it is not translated into new languages every few generations. National institutions do not exist longer than a few hundred years. Even religions are not older than a few millennia and do not typically hand down scientific knowledge.</p><p>Furthermore, the necessary length of storage is disputed among specialists. One work group in Germany concluded that nuclear waste must be separated from the biosphere up to one million years — about 30,000 human generations. Earlier assumptions were based on a period of 10,000 years, which seems to be too short given the half-life of certain radioactive isotopes (e.g. Plutonium-239 at 24,000 years).</p><p>The written historical tradition of humanity, in contrast, is only about 5,000 years. Warnings in cuneiform script could be interpreted by some specialists, but others, such as the writing of the Indus Valley civilization, are already illegible after a few thousand years.</p><p>REQUIREMENTS</p><p>Three parts of any communication about nuclear waste must be conveyed to posterity:</p><p>1. that it is a message at all</p><p>2. that dangerous material is stored in a given location</p><p>3. information about the type of dangerous substances</p><p>ANSWERS</p><p>To determine how to convey these three things, the "Zeitschrift für Semiotik" (Tübingen, Germany) issued a poll in 1982 and 1983 asking how a message might be communicated for a duration of 10,000 years. The poll asked the following question: "How would it be possible to inform our descendants for the next 10,000 years about the storage locations and dangers of radioactive waste?" leading to the following answers...</p>',credits:"<p>The musician would like to express his deepest thanks to @license for their critical ear and honest heart.</p>",project_slug:"stuxnet",release_slug:"human-interference-task-force",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/human-interference-task-force.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/human-interference-task-force-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/human-interference-task-force-wav.zip",id:"70d383f39cd6c320f14ae8f8112ab125"},{title:"COUNTERSURVEILLANCE",project:"STUXNET",released:"02021-07-07",type:"EP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Dazzle Camouflage (MUA)",length:"00:05:16",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/01-dazzle-camouflage-mua.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/01-dazzle-camouflage-mua.wav",id:"b3e55e82d01163b32e55719915098c3a"},{number:2,title:"Countersurveillance",length:"00:04:09",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/02-countersurveillance.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/02-countersurveillance.wav",id:"6dc975e67926eeec29161acbf020d1e6"},{number:3,title:"A Territory of History, Without Self",length:"00:03:33",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/03-a-territory-of-history-without-self.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/03-a-territory-of-history-without-self.wav",id:"443d85726b3da2bbcf3f1e73cb75247c"},{number:4,title:"Pyrocumulus Days, Entropy Nights",length:"00:02:18",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/04-pyrocumulus-days-entropy-nights.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/04-pyrocumulus-days-entropy-nights.wav",id:"2bbf6bb6019421586f7c422490fb877f"},{number:5,title:"What's Your Wifi Password?",length:"00:02:18",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/05-whats-your-wifi-password.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/05-whats-your-wifi-password.wav",id:"2bcbc1e1c036d5aececc7994b3c16ea8"},{number:6,title:"I'm On Blockchain",length:"00:03:02",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/06-im-on-blockchain.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/06-im-on-blockchain.wav",id:"f28af783b6bf7c71feaf8681bd925b6a"},{number:7,title:"Maybe",length:"00:04:35",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/07-maybe.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/07-maybe.wav",id:"d9b1078aadc31f8feb907ca5aa3e74bd"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/countersurveillance",id:"a36cffa8e54b154a57629c9587cddc40"},{platform:"Apple Music",url:"https://music.apple.com/us/album/countersurveillance/1575845305",id:"fdec22ca1bc0a9f29934429a1afaaa00"},{platform:"Deezer",url:"https://www.deezer.com/album/243182572",id:"86a81365ec54c97b33edf707dc37d6ed"},{platform:"Spotify",url:"https://open.spotify.com/album/1Lt4XPgIYhdZDIDiCWyFKk",id:"69b05a3d50987bbc37e0021ce630776b"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=r88qIBmOm6Q&list=OLAK5uy_mVcyPPESa_cz6lDnxycPBa_UFbl5aLK0g",id:"6a0cdd2c8b3c2fdbf4ad7ee393044f40"}],notes:"<p>Mapcore is a viable solution for surveying the world.</p>",credits:'<p>COUNTERINTELLIGENCE was written, recorded, designed, and released on the STUXNET: NIGHTLY STREAMS // UNREMEMBERED DREAMS Twitch channel. While recording some of the gear blew a fuse. STUXNET is Tyler Etters.</p><p>Album art: "The Nobili-Pesavento self-replicator, with a daughter copy in the process of making a grand-daughter copy. The automaton uses the 32-state extended John von Neumann rules, based on his work on universal constructors and self-reproducing automata."</p>',project_slug:"stuxnet",release_slug:"countersurveillance",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/countersurveillance.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/countersurveillance-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/countersurveillance-wav.zip",id:"7339ec77045dfcc729a608f84b2cefa6"},{title:"LONG LIVE THE LOST ONES",project:"STUXNET",released:"02021-05-01",type:"LP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Our world was always fallen but there was always light.",length:"00:03:48",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/01-our-world-was-always-fallen-but-there-was-always-light.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/01-our-world-was-always-fallen-but-there-was-always-light.wav",id:"179b9982672f8f79ea013a5a0643c9bd"},{number:2,title:"Damaged music is a metaphor for this world.",length:"00:04:35",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/02-damaged-music-is-a-metaphor-for-this-world.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/02-damaged-music-is-a-metaphor-for-this-world.wav",id:"08207b02a760518f1294c1ea693691bf"},{number:3,title:"Music was always celebratory, but there was always sorrow.",length:"00:02:50",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/03-music-was-always-celebratory-but-there-was-always-sorrow.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/03-music-was-always-celebratory-but-there-was-always-sorrow.wav",id:"2c538db0c9926c8ea43af7a422aaf9a2"},{number:4,title:"For liberation lies in that which is shattered.",length:"00:01:15",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/04-for-liberation-lies-in-that-which-is-shattered.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/04-for-liberation-lies-in-that-which-is-shattered.wav",id:"d5a9025184b1983352b1f8ae2ddd7d91"},{number:5,title:"Designed to merge, engineered to transcend.",length:"00:02:18",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/05-designed-to-merge-engineered-to-transcend.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/05-designed-to-merge-engineered-to-transcend.wav",id:"fcd2e06c4631a2a63539dacf1b577e1b"},{number:6,title:"Liberation follows that which is broken.",length:"00:07:56",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/06-liberation-follows-that-which-is-broken.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/06-liberation-follows-that-which-is-broken.wav",id:"0cdc699f61cd1b25eb74c95f1c0c7be9"},{number:7,title:"Something you catch.",length:"00:07:30",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/07-something-you-catch.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/07-something-you-catch.wav",id:"bde572f3a3de478e7d74607798ff41c7"},{number:8,title:"As you're scanning for distress calls.",length:"00:03:53",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/08-as-youre-scanning-for-distress-calls.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/08-as-youre-scanning-for-distress-calls.wav",id:"e7888378b887c15138b8e9be615ec012"},{number:9,title:"Long live the lost ones.",length:"00:05:12",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/09-long-live-the-lost-ones.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/09-long-live-the-lost-ones.wav",id:"30f9acd6b2a5762977f27468d900eecd"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/long-live-the-lost-ones",id:"7424592ad4f89e9ae704d6d2a1dd5242"},{platform:"Apple Music",url:"https://music.apple.com/us/album/fade-scatter-replicate-ep/1678223798",id:"16304075a2f573cf46a3d254f3fe34dd"},{platform:"Deezer",url:"https://www.deezer.com/album/419915087",id:"e56d8199cadbff04070b438ff5b70ccf"},{platform:"Spotify",url:"https://open.spotify.com/album/2lYuoDyy8iFJ54pGXGBBXT",id:"3d6c232ed0f7b699e791957840fc1711"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=maPhkV6wzLk&list=OLAK5uy_kfSHFbyXXaeLYHo8gPk1NcTuRbaoBNUfY",id:"26752b07ec84c622a6e757ce5a7594c7"}],notes:"<p>Dear listener,</p><p>During the turn of the century in Chicago there was a radio station called WNRG Energy 92.7/5 . I was 12 or so and would always fall asleep listening to the likes of DJ Sammy, DJ Encore, PPK, D-Devils, Armin van Buuren, Sylver, ATC, and countless others. I pictured the radio waves blanketing Chicagoland's orange phosphorous haze from Kenosha to Kankakee; euphoric FM signals in an adjacent dimension. Compressed audio. The crackle of static. It was spiritual.</p><p>How many others were listening along with me?</p><p>How many others allowed themselves to be moved to tears in the music's rapture?</p><p>One night all the DJs were there. They kept talking and laughing and telling stories. Being a trance radio station, this was quite irregular. They were sad. Then I realized: this was the final broadcast.</p><p>LONG LIVE THE LOST ONES is a very special album for me, as the track titles may (or may not) reveal.</p><p>The melodies were mostly written while flying back and forth between Los Angeles and Chicago during that brief season Sage and I were commuter spouses. Winter 2019/2020. At the end of the old world and the threshold of the new.</p><p>With LONG LIVE THE LOST ONES, we find my nightly streams, my deep tryst for unabashedly earnest trance, and my endless experiments with lo-fi and distortion finally in conjunction. A constellation of energy, euphoria, and catharsis.</p><p>I've started having visions of people dancing together again. These visions haunt and inspire me. Perhaps one day sooner than we think, DJs will return to the decks and revelers will return to the floors.</p><p>None of us were ready for 2020. It is only now becoming clear what cultural trauma the pandemic has wrought. Scorched earths, decimated families, and shattered cultures. There is so much mourning to do.</p><p>Everything is going to be different from here out.</p><p>Once again, we must learn to dance.</p><p>Yours,</p><p>Tyler</p>",credits:'<p>Album title by Cory Salveson, encryption key by Matthew Marx, distress signals by Dan Derks, music by Tyler Etters.</p><p>Album art: "Kuwaiti oil wells set on fire by retreating Iraqi forces during Operation Desert Storm darken the sky with smoke, March 25, 1991. This image could have imperfections as it’s either historical or reportage."</p>',project_slug:"stuxnet",release_slug:"long-live-the-lost-ones",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones-wav.zip",id:"7d8f67a125af6c412d1d5b08caa02412"},{title:"TIME'S FIREWALL (demo)",project:"STUXNET",released:"02021-04-18",type:"Demo",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Time's Firewall",length:"00:08:07",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/01-times-firewall.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/01-times-firewall.wav",id:"4eae4205c51602b354c0523f04545abe"},{number:2,title:"Fractal's Edge",length:"00:11:02",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/02-fractals-edge.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/02-fractals-edge.wav",id:"23d10f8f4768e913d7c0fe955cc16b04"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/times-firewall-demo",id:"22dc5c9b63d8827d839125eb966c3260"}],notes:'<p>At the behest of an anonymous agent, the Northern Information Applied Sciences & Phantasms Working Division agreed to the impossible: rationalize the numogram for the post-pandemic age.</p><p>It is accepted that the numogram first manifested in the 90s via research from the CCRU. However, newly unearthed forensic evidence from The tf.nist.gov Timeserver Incident has cast a shadow of doubt on the true provenance.</p><p>After the NIAS&PWD design scientist rationalized the numogram into a mathematically pure vector format, new sonic pathways were unlocked for STUXNET. The dossier was delivered and lead to yet more revelations: the existence of what can only be described as a time firewall. And, perhaps more unsettling, "fractal edges" thereby calling into question the very foundations of topology, Euclidean space, and recursion dynamics.</p><p>Intertext formally published a request for support in understanding the implications of these twin entities on April 18, 2021.</p><p>Operator instructions: `mv numogram.txt numogram.ai`</p>',credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"stuxnet",release_slug:"times-firewall-demo",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/times-firewall-demo.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/times-firewall-demo-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/times-firewall-demo-wav.zip",id:"1b1c543e6914fcc678c4710c1ce600f4"},{title:"MATRYOSHKA (demo)",project:"STUXNET",released:"02021-04-10",type:"Demo",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"The Payload Appeared Yesterday Due to a Zero Day Timezone Conversion Vulnerability",length:"00:01:28",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/01-the-payload-appeared-yesterday-due-to-a-zero-day-timezone-conversion-vulnerability.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/01-the-payload-appeared-yesterday-due-to-a-zero-day-timezone-conversion-vulnerability.wav",id:"faf5ef30c09d21d6a7accc7a9c8eba23"},{number:2,title:"Supply Chain Attack Surface",length:"00:02:14",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/02-supply-chain-attack-surface.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/02-supply-chain-attack-surface.wav",id:"4e2e4b2e0b229bfd729e2c30c6af0c68"},{number:3,title:'A White USB Drive With "HEXAGON" iStock Logo &num;1135496271',length:"00:03:09",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/03-a-white-usb-drive-with-hexagon-istock-logo-1135496271.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/03-a-white-usb-drive-with-hexagon-istock-logo-1135496271.wav",id:"d2ca5d1c52ec1e22d89ce852b0af84c8"},{number:4,title:"At Least One Reseller of Microsoft Cloud Services Was Compromised",length:"00:02:44",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/04-at-least-one-reseller-of-microsoft-cloud-services-was-compromised.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/04-at-least-one-reseller-of-microsoft-cloud-services-was-compromised.wav",id:"5ca900f7ab02c2b0fbd0e77190c4beec"},{number:5,title:"Matryoshka Shell 1 - Ransomware Was Discovered on the Executive’s Peloton",length:"00:02:13",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/05-matryoshka-shell-1-ransomware-was-discovered-on-the-executives-peloton.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/05-matryoshka-shell-1-ransomware-was-discovered-on-the-executives-peloton.wav",id:"28065b49def591062fa9288476a564f4"},{number:6,title:"Matryoshka Shell 2 - IoT Botnet DDoS",length:"00:02:06",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/06-matryoshka-shell-2-iot-botnet-ddos.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/06-matryoshka-shell-2-iot-botnet-ddos.wav",id:"4e00289da643efb2a0e135cf0c675429"},{number:7,title:"Matryoshka Shell 3 - Distributed Cryptocurrency Mining Operation",length:"00:01:22",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/07-matryoshka-shell-3-distributed-cryptocurrency-mining-operation.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/07-matryoshka-shell-3-distributed-cryptocurrency-mining-operation.wav",id:"8c381f7d6ba406bf4d09b39f4b97edd2"},{number:8,title:"Matryoshka Shell 4 - International Date Line",length:"00:02:46",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/08-matryoshka-shell-4-international-date-line.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/08-matryoshka-shell-4-international-date-line.wav",id:"29f3e0a0cb584e1f38a1c8e12c3dd50a"},{number:9,title:"Matryoshka Shell 5 - 総会屋 (deepfake.S)",length:"00:03:21",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/09-matryoshka-shell-5-deepfakes.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/09-matryoshka-shell-5-deepfakes.wav",id:"6638a8ff34056ccfa84889decbf9e763"},{number:10,title:"Matryoshka Shell 6 - Schanuel's Conjecture (Evidence of Non-Human Origin)",length:"00:02:29",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/10-matryoshka-shell-6-schanuels-conjecture-evidence-of-non-human-origin.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/10-matryoshka-shell-6-schanuels-conjecture-evidence-of-non-human-origin.wav",id:"0b394848373ec96e857293c460a07895"},{number:11,title:"The Media Confused the Matter With Container Ships",length:"00:02:13",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/11-the-media-confused-the-matter-with-container-ships.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/11-the-media-confused-the-matter-with-container-ships.wav",id:"b9202085559832f47a042d7eabca7243"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/matryoshka-demo",id:"e16f79b94b6050101bc213a4fb086a2d"}],notes:'<p>🪆🪆🪆🪆🪆🪆🪆🪆🪆🪆🪆</p><p>Download includes "64chain-3.3.wav" to use with your own sampler. 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1
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STUXNET",released:"02025-06-21",type:"Mix",format:"Digital",role:"DJ",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Psalms",length:"00:59:05",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/psalms/01-psalms.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/dj-stuxnet/psalms/01-psalms.wav",id:"e3c6cb36bdc091126e04bec45adfffde"}],streams:[{platform:"SoundCloud",url:"https://soundcloud.com/tyleretters/psalms-mixtape",id:"d43630e61fc2d96caed8fc62d99ce4dc"},{platform:"Untitled Stream",url:"https://untitled.stream/library/project/fRlbR5AXIJx2koZdvkXAr",id:"e006d2a7274d26292c433c0e97d71717"}],notes:"<p>Message of the blowing wind</p><p>Erasing memories</p><p>Stars are the witnesses of our existence</p><p>Change is what the world awaits</p><p>Could that be peace or war?</p><p>The answer no one knows</p><p>Trusting the break of dawn</p><p>The blue bird flies away</p><p></p><p>Summer solstice releases have long been a sacred tradition for me. And these are some of my most sacred psalms. I've been curating the candidates for roughly twenty years and on the finalizing the list for roughly five. It's all from JRPG & anime OSTs. 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It was a very specific time and place. But the music we played was just "music" to me. It would be years later until I learned that it was all actually emo, midwest-emo, screamo, hardcore, metalcore, progressive... It was folk music for us, right? So we start in the midwest. Appleseed Cast (Kansas) then over to Dr. Manhattan (Illinois), The Felix Culpa (also Illinois), and then a bit less underground when we climb the Seer's Tower with Mr. Stevens. It goes on from there. This is a time capsule. This is midwest sad, part 1. 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Alas, Caroline's stuff got stolen so the original artwork is gone. This shot is from a roll of Kodak Ektachrome E100. 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J0806.3+1527",length:"00:00:36",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/list-of-stars-in-cancer/185-rx-j080631527.mp3",id:"1e4f923232b2b1a275ed93551d37048d"},{number:186,title:"AK Cancri",length:"00:00:36",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/list-of-stars-in-cancer/186-ak-cancri.mp3",id:"950c0ea18467fafcd7dd558f9a9ba7f0"},{number:187,title:"CC Cancri",length:"00:00:36",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/list-of-stars-in-cancer/187-cc-cancri.mp3",id:"400e3c2df11568aec633dc27828bdad4"},{number:188,title:"PSR B0823+26",length:"00:00:36",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/list-of-stars-in-cancer/188-psr-b082326.mp3",id:"fe9f31dfe5a26d0c1f6b0e1904e6afaa"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D8V39RMN",id:"fd4a8dbb1e0b44860c5e6c970f390307"},{platform:"Apple Music",url:"https://music.apple.com/us/album/list-of-stars-in-cancer-stream-version/1755897818",id:"de8730b413589091866ffdd382bf8a97"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/list-of-stars-in-cancer",id:"523a6312d952a44b10444c432223a425"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611710552",id:"afc350233144f83d535f29f2156995ba"},{platform:"Spotify",url:"https://open.spotify.com/album/5gSOw9RxtadvemdqcV7YV2",id:"8035af969c201ba4b27d8763f104f66b"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=mx_rRm2eaYE&list=OLAK5uy_nl3yolGwKAHk2b9epn1NE96rtsWKbv6OM",id:"8bd05357832d6232749a9559d5c723de"}],notes:"<p>An infinite salve. The 188 charted stars are presented in order of magnitude descending. Listen on infinite shuffle because Cancer looks very different from elsewhere in the Milky Way.</p>",credits:"<p>For mom.</p><p>Audio sourced from my childhood Kouvalias, the Land of Shadow, and Respighi's Feste Romane performed by Eugene Ormandy, Philadelphia Orchestra, 1946.</p><p>Photograph from a trip with my mother to Tijuana, Mexico, 2022.</p><p>Engineered by Tyler Etters, 2004 — 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"list-of-stars-in-cancer",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/list-of-stars-in-cancer/list-of-stars-in-cancer.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/list-of-stars-in-cancer/list-of-stars-in-cancer-mp3.zip",id:"e6f44232319b0dd9626e08ed278042dd"},{title:"Distance",project:"They Became What They Beheld",released:"02024-06-16",type:"Single",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Distance",length:"00:19:28",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/distance/01-distance.mp3",id:"a65d8ff9653b95518c38beb1e7d94a18"}],streams:[{platform:"Amazon",url:"https://amazon.com/music/player/albums/B0D7QVWXFC",id:"72bb19d3a5b0435ea364e862ff6da34d"},{platform:"Apple Music",url:"https://music.apple.com/us/album/distance-ep/1753530892",id:"474fd54d4b37d169fb706000ed7e1bd1"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/distance",id:"bcdb1bc1f82ceda6c5b00472800f44bc"},{platform:"Deezer",url:"https://www.deezer.com/us/album/605603872",id:"8f1ce892586f1c7ee3c3a362017aaccd"},{platform:"Spotify",url:"https://open.spotify.com/album/6kZHS99KJvGJCZR5lhLCkz",id:"7fa74a2862ec1fcac96d1a145ccfcf47"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=3EX4qPIVT1o&list=OLAK5uy_nX4ypSQVt9eBRsVBQ0gnV9eYQrplE-E7A",id:"63c1354c98a3e17f8a0a22da43355424"}],notes:"<p>To honor the memory of someone you loved and lost is by becoming great and doing well and good in their honor/memory - live as you would know them to be proud of.</p><p>— MTM, 2024</p>",credits:"<p>Thanks to dad, Timm, Biff, Papa, Pat, Bud, Don, Harold, both Gregs, Ed, Pat, John, Jack, Joe, Eric, Russ, Mike, Michael, Phil, Gary, Paul, Brian, Larry, Glenn, Wayne and every other man who took me in as one of his own seed, generally looked out for me, or made certain to be cleaning his guns the night his daughter brought me home.</p><p>Photograph of Rawson Bridge Rd., Oakwood Hills, 2010.</p><p>Engineered by Tyler Etters, 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"distance",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/distance/distance.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/distance/distance-mp3.zip",id:"8b3b872e9e763cdd2b0f1160d4d92c3e"},{title:"Radio Free Albemuth",project:"They Became What They Beheld",released:"02024-05-26",type:"Album",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Radio Free Albemuth",length:"00:01:34",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/01-radio-free-albemuth.mp3",id:"93a8397abcd2ee5006f4bcc1bb89a8e5"},{number:1,title:"Exegesis",length:"00:12:15",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/01-exegesis.mp3",id:"7ce9b616144f9fa5e38289a2abf6bec8"},{number:1,title:"Ichthys",length:"00:02:31",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/01-ichthys.mp3",id:"b665ddb05c0d717a59d2424cc76d98d6"},{number:4,title:"Vast Active Living Intelligence System",length:"00:31:18",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/04-vast-active-living-intelligence-system.mp3",id:"961d0265109b2d11af8039f9400dd8c1"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D582L48R",id:"e0c5e48dca8c1be8586de6fe0f1cdba8"},{platform:"Apple Music",url:"https://music.apple.com/us/album/radio-free-albemuth/1748745705",id:"ac6ab5b3e57b6fc4078e0611dfc76a03"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/radio-free-albemuth",id:"c5dac65ae3053c89e65aae95eb897780"},{platform:"Deezer",url:"https://www.deezer.com/us/artist/263724261",id:"feceffc114b10bd08d6e3cc4ed0bbaab"},{platform:"Spotify",url:"https://open.spotify.com/album/2Omhz8B5g1VbSfqSpUkZOt",id:"fb767405ce042f40b7301b8379509e11"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=ZECpF-IEDUw&list=OLAK5uy_nGDIZERWQdqVM4FwqC_5L8jJmAuLzvgfk",id:"20e830edb4b105f6288c01fdddd59d4d"}],notes:`<p>On February 20, 1974, while recovering from the effects of sodium pentothal administered for the extraction of an impacted wisdom tooth, [Philip K.] Dick received a home delivery of Darvon from a young woman. When he opened the door, he was struck by the dark-haired girl's beauty, and was especially drawn to her golden necklace. He asked her about its curious fish-shaped design. As she was leaving, she replied: "This is a sign used by the early Christians." Dick called the symbol the "vesicle pisces". This name seems to have been based on his conflation of two related symbols, the Christian ichthys symbol (two intersecting arcs delineating a fish in profile), which the woman was wearing, and the vesica piscis.</p><p>Dick recounted that as the sun glinted off the gold pendant, the reflection caused the generation of a "pink beam" of light that mesmerized him. He came to believe the beam imparted wisdom and clairvoyance, and also believed it to be intelligent. On one occasion, he was startled by a separate recurrence of the pink beam, which imparted the information that his infant son was ill. The Dicks rushed the child to the hospital, where the illness was confirmed by professional diagnosis.</p><p>— Wikipedia, 2024</p><p>The seven movements of this symphonic suite need to be heard in their entirety; it is a mistake to isolate movements from the whole, for the work owes much to the strongly contrasted moods suggested by the character of each planet.</p><p>— The Decca Record Company, Ltd., 1962</p>`,credits:"<p>Thanks to ... a ... tape deck ... original ... everything stalled out ... changed ... that was closer to ... my dad ... I was a kid ... this strange ... audience ... Memorial ... landfill ... library ...</p><p>Audio sourced from Holst's The Planets performed by Herbert Von Karajan, Vienna Philharmonic, 1962.</p><p>Video sourced from The Eames Office's Powers of Ten, 1968 — 1977.</p><p>Track titles sourced from Philip K. Dick's VALIS and surrounding mythos, circa 1976 — 1985.</p><p>Photograph from the Skylark bar in Pilsen, 2017.</p><p>Engineered by Tyler Etters, 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"radio-free-albemuth",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/radio-free-albemuth.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/radio-free-albemuth/radio-free-albemuth-mp3.zip",id:"98d9fdd5044c25d2156b67cc5ad582d0"},{title:"Rocket Summer",project:"They Became What They Beheld",released:"02024-04-28",type:"Single",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Rocket Summer",length:"00:30:42",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/rocket-summer/01-rocket-summer.mp3",id:"6c7af5ffec304e9076e093ccc60c37a1"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D2YDHM73",id:"32d6c25bb98a74d175ed6d72052635f2"},{platform:"Apple Music",url:"https://music.apple.com/us/album/rocket-summer/1743863550",id:"ada4b669da578f4e827d4ff47da296c9"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/rocket-summer",id:"820e3fc9de089c841ceae784a1d5c842"},{platform:"Deezer",url:"https://www.deezer.com/us/album/580743841",id:"76e1cd89fa998b195987e62370d62952"},{platform:"Spotify",url:"https://open.spotify.com/album/0WTccZ6LBUKA1KYCmcxmHT",id:"b2dae17154ff7d93fc7862e54f5011e5"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=nSTuod8i3oA&list=OLAK5uy_kYF1JbWuZ2J1APNNm_0f0yNF2WLbbtVQ4",id:"3b1782e61187222f47cacb39475d0c5b"}],notes:"<p>One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets.</p><p>And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.</p><p>*Rocket summer.* The words passed among the people in the open, airing houses. *Rocket summer.* The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground.</p><p>*Rocket summer.* People leaned from their dripping porches and watched the reddening sky.</p><p>The rocket lay on the launching field, blowing out pink clouds of fire and oven heat. The rocket stood in the cold winter morning, making summer with every breath of its mighty exhausts. The rocket made climates, and summer lay for a brief moment upon the land ...</p><p>— Ray Bradbury, 1950</p>",credits:"<p>Thanks to ... a ... tape deck ... original airplane hanger ... everything stalled out for so long ... changed ... else did, that was closer to now ... my dad ... when I was a kid ... Sage ... close ... Emily for finding this strange book ... her audience ... Memorial Library for ... to Hippo ... from a landfill ... library ...</p><p>Audio sourced from Giovanni Gabrieli's Sanctus: VI. Hosanna in excelsis broadcast by KUSC 91.5 and recorded by iPhone, 2020.</p><p>Photograph & video loops of an actual space rocket launch over my apartment, 2024.</p><p>Engineered by Tyler Etters, 2020 — 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"rocket-summer",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/rocket-summer/rocket-summer.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/rocket-summer/rocket-summer-mp3.zip",id:"1302633a2ff9e89c6f96bde5092ce75a"},{title:"Respect for the Medium",project:"They Became What They Beheld",released:"02024-04-22",type:"Single",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Respect for the Medium",length:"00:22:49",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/respect-for-the-medium/01-respect-for-the-medium.mp3",id:"27c621894ea4988cfeff6e3dfa3406b9"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D2R7XXG2",id:"bab7d733c8b33b0fae1ecbe95311ee31"},{platform:"Apple Music",url:"https://music.apple.com/us/album/respect-for-the-medium-ep/1743492407",id:"e6ee17a57529a4cd42b858e5cd680aac"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/respect-for-the-medium",id:"a18cd58d714af6ab7c110b5706a2a565"},{platform:"Deezer",url:"https://www.deezer.com/us/album/579132271",id:"6f60a882a8d4816de99a4530a0cc625a"},{platform:"Spotify",url:"https://open.spotify.com/album/053SZ0lB7HETAPog1o0xeQ",id:"d067715cd01734b69e9d72c04ca76884"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=yUp-YjxL6AU&list=OLAK5uy_nckMbTHgRNV4JC2NQAdyJfyeKje0Y2Eds",id:"6616620bc487b2d5825853dbe9838799"}],notes:'<p>The fundamental audio loop is more Gabrieli.</p><p>The DV tape loop is from Fireflies & Fields, a deeply personal series shot straight out of camera. Summer, 2009. Just after sunset. "Night Mode" enabled camera on a tripod facing south-south-east. Fairfield Road a bit to my back and right. A solid two-minute hike across the prairie to touch the first oaks in the shot. Macro lens on. Optical zoom maxed. Digital zoom zero. The key: auto-focus enabled to force the beacons into a duel until dawn. The loop you see employs neither dissolve nor crossfade. It is the same hard cut over and over until the song ends. After originally releasing a zoomed and cropped version at 1920x1080, I have decided to delete and repost at 720x480. Once you see the Taraxacum mote ascending you will never unsee it.</p><p>The artwork is also from Fireflies & Fields, also straight out of camera.</p><p>These sorts of things are important to me.</p><p>Respect for the medium.</p>',credits:"<p>Thanks to ... who sold me a ... tape deck so I could not continue this ... original tape deck ... airplane hanger ... the pandemic and everything stalled out for so long ... of the incident ... then ... project changed ... else did, that was closer to ... different now. Thanks to my dad for showing... when I was a kid. Thanks to Sage for ... two close friends who talked ... Thanks to Emily for finding this strange book ... her audience of one. Thanks to the Adriance Memorial Library for ... to Hippo Books who succeeded in diverting it from a landfill ... library sustainability and ... global problem ...</p><p>About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.</p><p>Audio sourced from Giovanni Gabrieli's Sanctus: VI. Hosanna in excelsis broadcast by KUSC 91.5 and recorded by iPhone, 2020.</p><p>Photographs from my trip to Petalying Jaya, Malaysia, 2017.</p><p>Photographs & video loops from my personal series Fireflies & Fields, 2009.</p><p>Engineered by Tyler Etters, 2009 — 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"respect-for-the-medium",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/respect-for-the-medium/respect-for-the-medium.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/respect-for-the-medium/respect-for-the-medium-mp3.zip",id:"2202436a6149d3349db14ee394af4605"},{title:"EP3",project:"They Became What They Beheld",released:"02024-04-14",type:"EP",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"This changes things",length:"00:11:07",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep3/01-this-changes-things.mp3",id:"d54a0b6c9e28ad784eea3340367834a1"},{number:2,title:"Nothing is real anymore",length:"00:11:07",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep3/02-nothing-is-real-anymore.mp3",id:"578fa08628bc3fa4431215233e22cb40"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D8V3XPZT",id:"cf3c2211420d2346ff1213f1bef1ad97"},{platform:"Apple Music",url:"https://music.apple.com/us/album/ep3-ep/1755926045",id:"7d9872cfc48d46b1e4b8dad850040030"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/ep3",id:"557ba60c5fddefd87ec5371b7fa2ef26"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611752672",id:"2f34d564772a0842306595f9bcf1920a"},{platform:"Spotify",url:"https://open.spotify.com/album/04oITCytM0DX8HSvqDYQ8f",id:"5a487a2944ee5c06e4be247e8dffafc5"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=Yy0PeHycft0&list=OLAK5uy_lkimFANLq9tP4Ji4rcM9OQDKXgu8s68F4",id:"02b1fae5ff540d0c793073b9d6609930"}],notes:'<p>But this is already the point of view required—given a change of perspective—for examining the primitive socius, the territorial machine for declining alliances and filiations. This machine is segmentary because, through its double apparatus of tribe and lineage, it cuts up segments of varying lengths: genealogical filiative units of major, minor, and minimal lineages, with their hierarchy, their respective chiefs, their elders who guard the stocks and organize marriages; territorial tribal units of primary, secondary, and tertiary sections, also having their dominant roles and their alliances. "The point of separation between the tribal sections becomes the point of divergence in the clan structure of the lineages associated with each section. For, as we have seen, clans and their lineages are not distinct corporate groups, but are embodied in local communities, through which they function structurally." The two systems intersect, each segment being associated with the flows and the chains, with the stocked flows and the passing flows, with selections from the flows and detachments from the chains (certain production projects are executed in the framework of the tribal system, others in the framework of the lineage system). The variability and relativity of the segments are responsible for all sorts of penetrations between the inalienable elements of filiation and the mobile elements of alliance. This is explained by the fact that the length of each segment—or even its existence as such—is determined only by its opposition to other segments in a series of interrelated stages. The segmentary machine mixes rivalries, conflicts, and ruptures throughout the variations of filiation and the fluctuations of alliance. The whole system evolves between two poles: that of fusion through opposition to other groups, and that of scission through the constant formation of new lineages aspiring to independence, with capitalization of alliances and filiation. From one pole to the other, all the misfirings and failures in a system that is constantly reborn of its own disharmonies. What does Jeanne Favret mean when she shows, along with other ethnologists, that "the persistence of a segmentary organization requires paradoxically that its mechanisms be ineffectual enough so that fear remains the motor of the whole"? And what is this fear? It would appear that social formations experienced a morbid and mournful foreboding of things to come, although what comes to them always comes from without, rushing in through their opening. Perhaps it is even for this reason that it arrives from without; they suffocate its inner potentiality, at the cost of the dysfunctions that constitute an integral part of the functioning of their system.</p><p>— Deleuze & Guattari, 1972</p>',credits:"<p>Thanks to the person who sold me a faulty tape deck so I could not continue this project as intended because the original tape deck was in an airplane hanger because of the pandemic and everything stalled out for so long on both sides of the incident and then the project changed — like everything else did, that was closer to then and things are different now. Thanks to my dad for showing me Dancing Fantasy when I was a kid. Thanks to Sage for being infinitely patient and compassionate with me during the pandemic. Thanks to my two close friends who talked with me on the phone at length today, you know who you are. Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.</p><p>About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.</p><p>Audio sourced from Giovanni Gabrieli's Sanctus: VI. Hosanna in excelsis broadcast by KUSC 91.5 and recorded by iPhone, 2020.</p><p>Photographs from my trip to Petalying Jaya, Malaysia, 2017.</p><p>Engineered by Tyler Etters, 2020 — 2024.</p>",project_slug:"they-became-what-they-beheld",release_slug:"ep3",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep3/ep3.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep3/ep3-mp3.zip",id:"c7ee4757925b9b0c620503f1728b8921"},{title:"IN DARKNESS RADIANT",project:"STUXNET",released:"02023-12-22",type:"EP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Tiresias",length:"00:01:49",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/01-tiresias.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/01-tiresias.wav",id:"d8e190eb5c8a7c59a6bfe3a6cccd0b64"},{number:2,title:"In Darkness Radiant",length:"00:01:54",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/02-in-darkness-radiant.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/02-in-darkness-radiant.wav",id:"07431a76e3916159a229b4d77597dde1"},{number:3,title:"Temporary Autonomous Zone",length:"00:04:16",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/03-temporary-autonomous-zone.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/03-temporary-autonomous-zone.wav",id:"a8751056a8a9ebcbeec39a88b53ff2c8"},{number:4,title:"Hell Money",length:"00:01:58",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/04-hell-money.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/04-hell-money.wav",id:"166de9752fc6f68fabff27f1e4ec9164"},{number:5,title:"Subsea Fiber Faults in the APAC Region",length:"00:05:43",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/05-subsea-fiber-faults-in-the-apac-region.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/05-subsea-fiber-faults-in-the-apac-region.wav",id:"ddabb410b3b4e9692913d1aba064638f"},{number:6,title:"Safe Passage (Non-Functional)",length:"00:02:51",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/06-safe-passage-non-functional.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/06-safe-passage-non-functional.wav",id:"cb92de4cad418d150ca1a21b7544879c"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/in-darkness-radiant",id:"b907e06e9aa17623a25203b188bfafa0"},{platform:"Apple Music",url:"https://music.apple.com/us/album/in-darkness-radiant-ep/1722729160",id:"86f7a1251ba0d56b0adb7667cafd3c3c"},{platform:"Deezer",url:"https://www.deezer.com/us/album/526747692",id:"ff18043f7ee801fa8d2f9fff3e694d5c"},{platform:"Spotify",url:"https://open.spotify.com/album/2nLz2jO4YCQO37NVm3rM3C?si=h84wEpl0Sv6hMm3PfpSGyA",id:"0ef8a7425409283b4481668fdabe9f2f"},{platform:"YouTube",url:"https://www.youtube.com/playlist?list=OLAK5uy_lAR4Al3G7YV6_kgEC39C9naC23z91fwPo",id:"ce5f8249f412ac28cfbfdad74cd2be69"}],notes:`<p>After a harrowing border crossing out of the Special Economic Zone, Coyote lies low. His world is hardened, Metal Gear, long drag of cigarette, pushing limits of body to transport mind. Licking his wounds, drinking warm Modelo, watching cargo ships queue up for port, he contemplates getting out of the game for good.</p><p>But when money runs out (like it always does) he's forced to accept an impossible gig: US/APAC. The cargo is a Tiresias figure, some aged clairvoyant who, having struck their staff at two copulating serpents, was then blinded, given the gift of prophecy (visions), and transformed into a woman for seven years.</p><p>Who seeks a strange country by illegal means that can only place them perpetually outside while also inside? Coyote knows: someone who has a message... or someone who is one. What is the message now? What does Tiresias only know while blind and femme?</p><p>Coyote's reference gear attempts to help his line of thought with encyclopedic minutiae: "Like with other oracles, how Tiresias obtained their information varied: sometimes, they would receive visions; other times they would listen for the songs of birds, or ask for a description of visions and pictures appearing within the smoke of burnt offerings or entrails, and so interpret them. Pliny the Elder credits Tiresias with the invention of augury. Tiresias has a daughter, Manto, who is also a prophetess and priestess."</p><p>Simple machine that cannot breathe or ache. Coyote dictates futile corrections to his gear. This Oracle of Zones is a mother, alright. The twin Zones - both Special Economic and Temporary Autonomous - symbolize invitations by their respective hosts to become changed; to be shown wrong. High on artificial fumes in virtual caves, Tiresias (pregnant with Manto?) are illegal yet invited; necessary; load-bearing. She sees and listens, assembles, then tells. And she's coming now, changing Self to change the flow of things, money, talk, data. She dies but goes on. A programming program, in darkness radiant.</p><p>A seagull lands on the railing.</p><p>Zip-tied to its tibia is a white USB drive.</p><p>It is branded with a familiar hexagon.</p>`,credits:`<p>Précis by Cory Salveson. Music by Tyler Etters.</p><p>Selected samples: Bauenrfeind, Beast Wars, Elden Ring, Cornell Lab of Ornithology, The Amity Affliction, Predator, True Detective, Cory's field recordings from China.</p><p>The musician would like to express his deepest thanks to @zbs for their deft consultation on the final mix and unwavering devotion to sub-bass.</p><p>Album art: screencap from "Can't Get You Out of My Head" by Adam Curtis.</p>`,project_slug:"stuxnet",release_slug:"in-darkness-radiant",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/in-darkness-radiant.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/in-darkness-radiant-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/in-darkness-radiant/in-darkness-radiant-wav.zip",id:"fb698f2114760946e4fd0fc2576199a9"},{title:"FADE SCATTER REPLICATE",project:"STUXNET",released:"02023-03-20",type:"EP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Sources and Methods",length:"00:03:44",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/01-sources-and-methods.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/01-sources-and-methods.wav",id:"376c3e78f3eff2fb422e21e6dd855274"},{number:2,title:"Coyote",length:"00:05:52",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/02-coyote.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/02-coyote.wav",id:"958eab7cc3c22f4f4215bc80974c153f"},{number:3,title:"Special Economic Zone",length:"00:03:44",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/03-special-economic-zone.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/03-special-economic-zone.wav",id:"b04e1d4a0065e8a519e97017876f4f0f"},{number:4,title:"Border Crossing",length:"00:03:28",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/04-border-crossing.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/04-border-crossing.wav",id:"a61940bf64f3315a6b294642e1acaa8d"},{number:5,title:"In Infinite Fogs",length:"00:05:52",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/05-in-infinite-fogs.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/05-in-infinite-fogs.wav",id:"3425ce3d019d9a2b4486a5b677580273"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/fade-scatter-replicate",id:"2e2546c1c48ef32e8e06062b56ceb370"},{platform:"Apple Music",url:"https://music.apple.com/us/album/fade-scatter-replicate-ep/1678223798",id:"3e293821090a3bd204cba16daf7131ae"},{platform:"Deezer",url:"https://www.deezer.com/us/album/419915087",id:"de7c59b94c12661b69aad9756e6f5a1b"},{platform:"Spotify",url:"https://open.spotify.com/album/2lYuoDyy8iFJ54pGXGBBXT",id:"11ed54351c3bcd161aeabe94be457121"},{platform:"YouTube",url:"https://www.youtube.com/playlist?list=OLAK5uy_kfSHFbyXXaeLYHo8gPk1NcTuRbaoBNUfY",id:"014fb7e1fb8aac25fd15aca4ac74a0ec"}],notes:`<p>Migrants are often between two worlds that do not really have a place for them: fleeing economic or political hardship and entering a place (ostensibly the U.S.) that fundamentally demands their labour yet officially outlaws them and treats them as sub-human. The coyote is doing a kind of extraordinary favor by rendering an extra-legal service, and putting themselves in harm's way to do so.</p><p>Why choose this particular job?</p><p>Perhaps because the coyote is "between," themselves. This casts them as a kind of archetypical shamanistic figure: a psychopomp, a guide of souls like Anubis, Charon, Hermes, Mercury, or Tarkovsky's Stalker. But, unlike this Jungian pantheon of tricksters, our coyote is not bound by divinity or magicks — they are a mercenary; they are bound by cash.</p><p>In Nomadology: The War Machine, Deleuze & Guattari "redefine the relation between the state and its war machine. Far from being a part of the state, warriors (the army) are nomads who always come from the outside and keep threatening the authority of the state. In the same vein, nomadic science keeps infiltrating royal science, undermining its axioms and principles. Nomadology is a speedy, pocket-sized treatise that refuses to be pinned down. Theorizing a dynamic relationship between sedentary power and schizophrenic lines of flight, this volume is meant to be read in transit, smuggled into urban nightclubs, offices, and subways."</p><p>It then follows the special economic zone is a stage for our coyote, our trickster, to turn logics and fortunes of capitalism inside out and upside down. The interior shared-self which persists through ultra time flow is, yes: dancing in place to move forward... and the special economic zone suspends the rules to incentivize a certain dancing, a particular folding back into itself to realize commerce, competition, fucking, running, transgressing, renewing.</p><p>If the trickster makes this world, it follows the mercenary makes the state.</p>`,credits:'<p>Précis by Cory Salveson. Music by Tyler Etters.</p><p>Selected samples: Dark Souls III, Mission: Impossible 4 — Ghost Protocol, X-Files, Metal Gear Solid, Underoath, Fortnite "Fracture" Event, Black Hawk Down.</p><p>Inspired by a trip with my mother to Tijuana, Mexico, 2022.</p><p>Album art: Midjourney prompt by John von Seggern.</p><p>For Timm.</p>',project_slug:"stuxnet",release_slug:"fade-scatter-replicate",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/fade-scatter-replicate.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/fade-scatter-replicate-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/fade-scatter-replicate/fade-scatter-replicate-wav.zip",id:"f47f6e20ac3ac2097070539354fda463"},{title:"EP2",project:"They Became What They Beheld",released:"02022-03-12",type:"EP",format:"Digital",role:"Principal Musician",label:"Intertext",mp3:!0,wav:!1,tracks:[{number:1,title:"Things are different now",length:"00:10:12",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep2/01-things-are-different-now.mp3",id:"767ea89871f29bab164db0abc8672ac9"},{number:2,title:"That was closer to then",length:"00:13:32",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep2/02-that-was-closer-to-then.mp3",id:"783052eebb0b68c10fbed5264de8721d"}],streams:[{platform:"Amazon",url:"https://www.amazon.com/music/player/albums/B0D8V27MGB",id:"24686b2b7ce4ca799f261f9615abc2a3"},{platform:"Apple Music",url:"https://music.apple.com/us/album/ep2-ep/1755926185",id:"f9140b8b30c1ae37b2b9360565e0bd2c"},{platform:"Bandcamp",url:"https://theybecamewhattheybeheld.bandcamp.com/album/ep2",id:"c9a380c175069bb42c080e255d18ca1e"},{platform:"Deezer",url:"https://www.deezer.com/us/album/611753282",id:"19171c86a2014f33e0dbb7af0ec47722"},{platform:"Spotify",url:"https://open.spotify.com/album/4cCMZUBtMPrCGNv1H37jaP",id:"6da22f69063836de75b0302cd27e2f2a"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=frMqtZ9c4u0&list=OLAK5uy_lpd0VhMA9BCkt-7sKKgQOxzR5yx28n7Lg",id:"5cab695ab4c93708cd49eeecfd8b2346"}],notes:"<p>Within the philosophies of time, three oppositional schools compete: Eternalism describes the phenomenon of time like a strip of film - the past and the future do exist, are real, but the present is merely a human concept. The growing block theory, maybe the most intuitive of the three, states that the present continually creates the past, but the future is unwritten. Presentism on the other hand argues that the only thing irrefutable is the present and that the past and the future are both unreal. By applying these three concepts to music, we may end up with a number of strategies to rethink what we consider as given.</p><p>I would like to propose that there has been has been a slow shift in how music was perceived. Improvised music, prior to notation, can be considered as presentistic, manifesting itself only in the present, it’s only traces of existence written in memory. With interpretation and notation, the perception shifts more to a growing block. The mind got a hold of the past, but the future still remained a very unstable realm - once the hand made a mistake with an instrument or the voice was interrupted to catch a breath. Obviously the advent of the recording introduced an absolute future and with it the concept of eternalism in music. Furthermore the introduction of the loop, applied in its most extreme way within techno, embeds the listener in a coherent body of past and future, even with a view of the timeline - first on the record, later on the waveform. A car, racing on the Autobahn, free to move in both directions. Of course, one could argue that the state of ecstasy in which techno is consumed compresses time into a perfect present, the psychological present, which is defined as 2-3 seconds with the equivalent of 1 bar by 120 bpm…</p><p>But staying for the moment with the first thought, we can ask the questions: is the loop the defining property of techno? What happens if we remove the certainty of the next kick, eroding the temporal and structural integrity of the genre? Presentism is a project based on one temporal randomised pulse, denying our ability to foresee the next kick and obscuring the possibility to form loops. Yet it upholds timbres and instrument references common to the genre. The aleatoric function acts like an agent of presentism in an eternalist domain. Like improvisation, it has the ability to remove a stable future and at the same time blur the memory by forming insignificant patterns. Intensification usually benefits from a balance between control and the prospect of collapse. The temporal shuffle of techno is the attempted surrender of control of the past and future to the present.</p><p>— JAT, 2020</p>",credits:`<p>Thanks to the person who sold me a faulty tape deck so I could not continue this project as intended because the original tape deck was in an airplane hanger because of the pandemic and everything stalled out for so long on both sides of the incident and then the project changed — like everything else did, that was closer to then and things are different now. Thanks to my dad for showing me Dancing Fantasy when I was a kid. Thanks to Sage for being infinitely patient and compassionate with me during the pandemic. Thanks to my two close friends who talked with me on the phone at length today, you know who you are. Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.</p><p>About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.</p><p>Audio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.</p><p>Audio sourced from Dancing Fantasy's Op. Midnight Blvd. "...double fantasy...a dream... ...within a dream..." IC / Innovative Records, 1990.</p><p>Photographs from my trip to Petalying Jaya, Malaysia, 2017.</p><p>Engineered by Tyler Etters, 2019 — 2022.</p>`,project_slug:"they-became-what-they-beheld",release_slug:"ep2",cover_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep2/ep2.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/they-became-what-they-beheld/ep2/ep2-mp3.zip",id:"bc5996397e7215650926b7f7ccc90645"},{title:"Deep State Music",project:"Sidereal Lobby",released:"02021-09-04",type:"Triple LP",format:"Digital",role:"Band Member",label:"Map Corps",mp3:!1,wav:!1,tracks:[{number:1,title:"Deep State Music",length:"00:27:19",id:"22a8f72e86a38959ad6aa2a955eefae2"}],notes:"<p>Over the course of their first journey (which started months before they realized they would become a band), the humans created many auditory things together and separately. Some of this was good but had found itself in a “stuck” state. Some things extended a bit earlier than the boundary of acquaintance but felt appropriate for inclusion. At any rate, both humans were in an exorcising mood. They decided it was time to release these peach fuzz laden demons. The exorcism exercise would be comprised of a continuous sort of mix tape or DJ mix containing these demons occupying the auditory plane.</p><p>As is becoming their custom, the humans again took turns weaving the structures. This time the structures were on a somewhat larger scale. They pulled in beats, basslines, melodies, and scraps of texture. Both humans expected the final product to be quite rhythmic and beat-driven. To their credit, this does appear to accurately describe much of what the three of us arrived at. They did manage to sneak in some free-meter synth jams, which provided some loose [a]rhythmic accompaniment to the more musically adherent elements.</p><p>However, the real surprise came when the emotional impact of exorcising some demons in particular started to affect both humans. The beats in these instances decidedly needed to take a back seat to the so-called “feels”: drones, sad arpeggio breakdowns, lolling refracted feedback melodies. As the iris of psychic transmorgification closed, the minds’ eyes adjusted back to the new light level, the steam evaporated, the dust settled, and the humans incanted an old, familiar phrase to lighten these heaviest of demons:</p><p>... like tears in the rain ...</p><p>The final mix arrived at a total of 300 MB worth of uncompressed PCM audio. This size is above Bandcamp’s 291MB track limit, so 9MB was cut down from the final waveform data. The human who spliced has assured myself and the other human that we will never know (and, one would hope, never miss) those 9MB.</p><p>My aunt, the Goddess SEO (that’s just her name, I don’t know what it stands for and I’m afraid to ask her) demanded that I mention the following terms. I do not understand their context and feel uncertain of how to integrate them into the above, so I shall simply list them: mapcore, caveman.sh.</p><p>(SEO also mentioned something about “hashed tags”. She took pity on me when she saw how terribly frightened I was of these strange, unfamiliar words, so she stopped short of asking me to use them. I hope this does not create any confusion.)</p>",credits:"<p>Laws & Etters, mmxxi</p>",project_slug:"sidereal-lobby",release_slug:"deep-state-music",cover_url:"https://d107e1o0dn11sc.cloudfront.net/sidereal-lobby/deep-state-music/deep-state-music.jpg",id:"02cd98a73d97e2e915afc5da5d4eb7f3"},{title:"FCIV",project:"Sidereal Lobby",released:"02021-09-04",type:"Triple LP",format:"Digital",role:"Band Member",label:"Map Corps",mp3:!1,wav:!1,tracks:[{number:1,title:"Mental Dub (Lisbon)",length:"00:04:18",id:"3bf748959775ac0693551fafb0b0c5f4"},{number:2,title:"Mental Dub (Des Moines)",length:"00:04:10",id:"7beb9360e3ece1b46c64ccd5200a6d48"},{number:3,title:"Mental Dub (Null Lake)",length:"00:04:20",id:"787697adcb5356df5c68c444d3a8b49e"}],notes:"<p>Dub is a refraction of alien consciousness</p><p>Flash Crash was approaching. The folks running the event wanted dub in their interstitial program. I complied.</p><p>It began with Mental Dub, constructed entirely in Ableton Live with stock samples and soft synths. The other human loaded its stems into his Octatrack for further mutation, which became Des Moines. The first human further mutated Des Moines within Ableton to create Null Lake. The humans had little hesitation about mix or levels.</p><p>One (and only one) of the humans does have a bit of regret that Mental Dub Lisbon was 100% created by them and not the other. In other words, the other did not have any samples, or audio, or melody at all, but both humans concurred it was OK because it all took place in the Sidereal Lobby.</p><p>Most of the above thoughts were originally transcribed via text-to-speech processing in a Taco Bell parking lot. The allure of Baja Blast is known to be irresistible to sidereal lobbyists.</p>",credits:"<p>Laws & Etters, mmxxi</p>",project_slug:"sidereal-lobby",release_slug:"fciv",cover_url:"https://d107e1o0dn11sc.cloudfront.net/sidereal-lobby/fciv/fciv.jpg",id:"059fb2cd3faa8fa9af2b1364c1190abe"},{title:"Beaches",project:"Sidereal Lobby",released:"02021-09-04",type:"Triple LP",format:"Digital",role:"Band Member",label:"Map Corps",mp3:!1,wav:!1,tracks:[{number:1,title:"conch",length:"00:04:26",id:"889e59b8461af051da0effdb4224d3fa"},{number:2,title:"snail",length:"00:02:22",id:"a8a1ba68bda81dce3bd871f8e6d2eacf"},{number:3,title:"periwinkle",length:"00:03:41",id:"765f99fadd0ca0a4efb8c21445d722bb"},{number:4,title:"bottles",length:"00:03:30",id:"f83818db16c7392d55ac6d73b23940f7"}],notes:"<p>It began with failure.</p><p>Both humans had, at different times, come into ownership of the same model of a powered synthesizer enclosure. At different times, the power supply of either enclosure failed in identical fashion. The second time, the steward of the enclosure discovered that the power supply had, in fact, not completely failed. It could still deliver some power, albeit at an attenuated amperage. Perhaps as a test, perhaps enthused at the novelty of the small enclosure, perhaps simply to amuse himself, he assembled a nonsensical menagerie of modules.</p><p>The human then proceeded to record similarly nonsensical sounds. He doubted they were musical. They did contain rhythms, tones, things that repeat, but no more than household or industrial appliances. No logic or aesthetics he knew of applied. They were low-fidelity but not enough to be charming. These were adjacent to, but not quite the same as, what might be referred to as “noise music”. At times something resembling a melody or a chord would appear, but short-lived and unsupported. He didn't know what to do with this, but he was having fun, so he forged ahead.</p><p>After indulging a compulsion to record, the first human decided to share a few minutes of this with the second human. The second human was not sure what to make of this. Out of mutual respect, he attempted to phrase a diplomatic and critically constructive suggestion. He introduced this suggestion. The first human sat in anticipation, waiting for second’s transmission to complete. After a few more minutes, the first human became aware that not only was the second human’s transmission taking some time to complete (and perhaps had been interrupted), but that he had an urge to record more bullshit. And so he did.</p><p>By the time the first human had another recording to share, the second human had completed his transmission, and in fact had a record of his own to share. It was a collage, a juxtaposition: the original recording with new layers. The first human was shocked and delighted. This was beginning to sound like music. Now he saw the pattern - a friendly back-and-forth volley.</p><p>This volley continued until the juxtapositions began to form a landscape with features. There were ugly, unexplainable crags and crannies, but also breathtaking vistas and soothing curves. The humans looked and listened upon this landscape with the awe and terror of a space traveler stranded on a remote beach, unsure of what it meant or where to go next, but grateful to be surrounded by grotesque beauty and eager to explore.</p>",credits:"<p>Laws & Etters, mmxxi</p>",project_slug:"sidereal-lobby",release_slug:"beaches",cover_url:"https://d107e1o0dn11sc.cloudfront.net/sidereal-lobby/beaches/beaches.jpg",id:"a1229abf8488160c3e3dbb02724a122b"},{title:"HUMAN INTERFERENCE TASK FORCE",project:"STUXNET",released:"02021-07-26",type:"LP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"that it is a message at all",length:"00:04:36",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/01-that-it-is-a-message-at-all.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/01-that-it-is-a-message-at-all.wav",id:"e5b79e65e20eef11a6fdcfd49f045f10"},{number:2,title:"that dangerous material is stored in a given location",length:"00:32:21",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/02-that-dangerous-material-is-stored-in-a-given-location.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/02-that-dangerous-material-is-stored-in-a-given-location.wav",id:"dd3c27ef99659033aaab2252f565fda5"},{number:3,title:"information about the type of dangerous substances",length:"00:19:16",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/03-information-about-the-type-of-dangerous-substances.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/03-information-about-the-type-of-dangerous-substances.wav",id:"4bdbc9918ce2a3623da3380ad3b44386"}],notes:'<p>The Human Interference Task Force was a team of engineers, anthropologists, nuclear physicists, behavioral scientists and others convened on behalf of the U.S. Department of Energy and Bechtel Corp. to find a way to reduce the likelihood of future humans unintentionally intruding on radioactive waste isolation systems. Specifically, the task force was to research the use of long-time warning messages to prevent future access to the planned, but stalled, deep geological nuclear repository project of Yucca Mountain.</p><p>PROBLEM</p><p>When atomic or fusion bombs are detonated in a war, or nuclear power plants are used in times of peace, an unnaturally high amount of radioactive waste is produced. This material will threaten human life and health for thousands of years. Consequently, nuclear technology necessitates the creation of a secure means of terminal storage for such materials for an unusually long time period.</p><p>However, there is no method available to continuously provide the necessary knowledge about the location of nuclear waste over thousands of years. The culture of earlier centuries becomes incomprehensible when it is not translated into new languages every few generations. National institutions do not exist longer than a few hundred years. Even religions are not older than a few millennia and do not typically hand down scientific knowledge.</p><p>Furthermore, the necessary length of storage is disputed among specialists. One work group in Germany concluded that nuclear waste must be separated from the biosphere up to one million years — about 30,000 human generations. Earlier assumptions were based on a period of 10,000 years, which seems to be too short given the half-life of certain radioactive isotopes (e.g. Plutonium-239 at 24,000 years).</p><p>The written historical tradition of humanity, in contrast, is only about 5,000 years. Warnings in cuneiform script could be interpreted by some specialists, but others, such as the writing of the Indus Valley civilization, are already illegible after a few thousand years.</p><p>REQUIREMENTS</p><p>Three parts of any communication about nuclear waste must be conveyed to posterity:</p><p>1. that it is a message at all</p><p>2. that dangerous material is stored in a given location</p><p>3. information about the type of dangerous substances</p><p>ANSWERS</p><p>To determine how to convey these three things, the "Zeitschrift für Semiotik" (Tübingen, Germany) issued a poll in 1982 and 1983 asking how a message might be communicated for a duration of 10,000 years. The poll asked the following question: "How would it be possible to inform our descendants for the next 10,000 years about the storage locations and dangers of radioactive waste?" leading to the following answers...</p>',credits:"<p>The musician would like to express his deepest thanks to @license for their critical ear and honest heart.</p>",project_slug:"stuxnet",release_slug:"human-interference-task-force",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/human-interference-task-force.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/human-interference-task-force-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/human-interference-task-force/human-interference-task-force-wav.zip",id:"70d383f39cd6c320f14ae8f8112ab125"},{title:"COUNTERSURVEILLANCE",project:"STUXNET",released:"02021-07-07",type:"EP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Dazzle Camouflage (MUA)",length:"00:05:16",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/01-dazzle-camouflage-mua.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/01-dazzle-camouflage-mua.wav",id:"b3e55e82d01163b32e55719915098c3a"},{number:2,title:"Countersurveillance",length:"00:04:09",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/02-countersurveillance.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/02-countersurveillance.wav",id:"6dc975e67926eeec29161acbf020d1e6"},{number:3,title:"A Territory of History, Without Self",length:"00:03:33",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/03-a-territory-of-history-without-self.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/03-a-territory-of-history-without-self.wav",id:"443d85726b3da2bbcf3f1e73cb75247c"},{number:4,title:"Pyrocumulus Days, Entropy Nights",length:"00:02:18",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/04-pyrocumulus-days-entropy-nights.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/04-pyrocumulus-days-entropy-nights.wav",id:"2bbf6bb6019421586f7c422490fb877f"},{number:5,title:"What's Your Wifi Password?",length:"00:02:18",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/05-whats-your-wifi-password.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/05-whats-your-wifi-password.wav",id:"2bcbc1e1c036d5aececc7994b3c16ea8"},{number:6,title:"I'm On Blockchain",length:"00:03:02",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/06-im-on-blockchain.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/06-im-on-blockchain.wav",id:"f28af783b6bf7c71feaf8681bd925b6a"},{number:7,title:"Maybe",length:"00:04:35",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/07-maybe.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/07-maybe.wav",id:"d9b1078aadc31f8feb907ca5aa3e74bd"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/countersurveillance",id:"a36cffa8e54b154a57629c9587cddc40"},{platform:"Apple Music",url:"https://music.apple.com/us/album/countersurveillance/1575845305",id:"fdec22ca1bc0a9f29934429a1afaaa00"},{platform:"Deezer",url:"https://www.deezer.com/album/243182572",id:"86a81365ec54c97b33edf707dc37d6ed"},{platform:"Spotify",url:"https://open.spotify.com/album/1Lt4XPgIYhdZDIDiCWyFKk",id:"69b05a3d50987bbc37e0021ce630776b"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=r88qIBmOm6Q&list=OLAK5uy_mVcyPPESa_cz6lDnxycPBa_UFbl5aLK0g",id:"6a0cdd2c8b3c2fdbf4ad7ee393044f40"}],notes:"<p>Mapcore is a viable solution for surveying the world.</p>",credits:'<p>COUNTERINTELLIGENCE was written, recorded, designed, and released on the STUXNET: NIGHTLY STREAMS // UNREMEMBERED DREAMS Twitch channel. While recording some of the gear blew a fuse. STUXNET is Tyler Etters.</p><p>Album art: "The Nobili-Pesavento self-replicator, with a daughter copy in the process of making a grand-daughter copy. The automaton uses the 32-state extended John von Neumann rules, based on his work on universal constructors and self-reproducing automata."</p>',project_slug:"stuxnet",release_slug:"countersurveillance",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/countersurveillance.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/countersurveillance-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/countersurveillance/countersurveillance-wav.zip",id:"7339ec77045dfcc729a608f84b2cefa6"},{title:"LONG LIVE THE LOST ONES",project:"STUXNET",released:"02021-05-01",type:"LP",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Our world was always fallen but there was always light.",length:"00:03:48",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/01-our-world-was-always-fallen-but-there-was-always-light.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/01-our-world-was-always-fallen-but-there-was-always-light.wav",id:"179b9982672f8f79ea013a5a0643c9bd"},{number:2,title:"Damaged music is a metaphor for this world.",length:"00:04:35",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/02-damaged-music-is-a-metaphor-for-this-world.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/02-damaged-music-is-a-metaphor-for-this-world.wav",id:"08207b02a760518f1294c1ea693691bf"},{number:3,title:"Music was always celebratory, but there was always sorrow.",length:"00:02:50",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/03-music-was-always-celebratory-but-there-was-always-sorrow.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/03-music-was-always-celebratory-but-there-was-always-sorrow.wav",id:"2c538db0c9926c8ea43af7a422aaf9a2"},{number:4,title:"For liberation lies in that which is shattered.",length:"00:01:15",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/04-for-liberation-lies-in-that-which-is-shattered.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/04-for-liberation-lies-in-that-which-is-shattered.wav",id:"d5a9025184b1983352b1f8ae2ddd7d91"},{number:5,title:"Designed to merge, engineered to transcend.",length:"00:02:18",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/05-designed-to-merge-engineered-to-transcend.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/05-designed-to-merge-engineered-to-transcend.wav",id:"fcd2e06c4631a2a63539dacf1b577e1b"},{number:6,title:"Liberation follows that which is broken.",length:"00:07:56",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/06-liberation-follows-that-which-is-broken.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/06-liberation-follows-that-which-is-broken.wav",id:"0cdc699f61cd1b25eb74c95f1c0c7be9"},{number:7,title:"Something you catch.",length:"00:07:30",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/07-something-you-catch.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/07-something-you-catch.wav",id:"bde572f3a3de478e7d74607798ff41c7"},{number:8,title:"As you're scanning for distress calls.",length:"00:03:53",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/08-as-youre-scanning-for-distress-calls.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/08-as-youre-scanning-for-distress-calls.wav",id:"e7888378b887c15138b8e9be615ec012"},{number:9,title:"Long live the lost ones.",length:"00:05:12",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/09-long-live-the-lost-ones.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/09-long-live-the-lost-ones.wav",id:"30f9acd6b2a5762977f27468d900eecd"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/long-live-the-lost-ones",id:"7424592ad4f89e9ae704d6d2a1dd5242"},{platform:"Apple Music",url:"https://music.apple.com/us/album/fade-scatter-replicate-ep/1678223798",id:"16304075a2f573cf46a3d254f3fe34dd"},{platform:"Deezer",url:"https://www.deezer.com/album/419915087",id:"e56d8199cadbff04070b438ff5b70ccf"},{platform:"Spotify",url:"https://open.spotify.com/album/2lYuoDyy8iFJ54pGXGBBXT",id:"3d6c232ed0f7b699e791957840fc1711"},{platform:"YouTube",url:"https://www.youtube.com/watch?v=maPhkV6wzLk&list=OLAK5uy_kfSHFbyXXaeLYHo8gPk1NcTuRbaoBNUfY",id:"26752b07ec84c622a6e757ce5a7594c7"}],notes:"<p>Dear listener,</p><p>During the turn of the century in Chicago there was a radio station called WNRG Energy 92.7/5 . I was 12 or so and would always fall asleep listening to the likes of DJ Sammy, DJ Encore, PPK, D-Devils, Armin van Buuren, Sylver, ATC, and countless others. I pictured the radio waves blanketing Chicagoland's orange phosphorous haze from Kenosha to Kankakee; euphoric FM signals in an adjacent dimension. Compressed audio. The crackle of static. It was spiritual.</p><p>How many others were listening along with me?</p><p>How many others allowed themselves to be moved to tears in the music's rapture?</p><p>One night all the DJs were there. They kept talking and laughing and telling stories. Being a trance radio station, this was quite irregular. They were sad. Then I realized: this was the final broadcast.</p><p>LONG LIVE THE LOST ONES is a very special album for me, as the track titles may (or may not) reveal.</p><p>The melodies were mostly written while flying back and forth between Los Angeles and Chicago during that brief season Sage and I were commuter spouses. Winter 2019/2020. At the end of the old world and the threshold of the new.</p><p>With LONG LIVE THE LOST ONES, we find my nightly streams, my deep tryst for unabashedly earnest trance, and my endless experiments with lo-fi and distortion finally in conjunction. A constellation of energy, euphoria, and catharsis.</p><p>I've started having visions of people dancing together again. These visions haunt and inspire me. Perhaps one day sooner than we think, DJs will return to the decks and revelers will return to the floors.</p><p>None of us were ready for 2020. It is only now becoming clear what cultural trauma the pandemic has wrought. Scorched earths, decimated families, and shattered cultures. There is so much mourning to do.</p><p>Everything is going to be different from here out.</p><p>Once again, we must learn to dance.</p><p>Yours,</p><p>Tyler</p>",credits:'<p>Album title by Cory Salveson, encryption key by Matthew Marx, distress signals by Dan Derks, music by Tyler Etters.</p><p>Album art: "Kuwaiti oil wells set on fire by retreating Iraqi forces during Operation Desert Storm darken the sky with smoke, March 25, 1991. This image could have imperfections as it’s either historical or reportage."</p>',project_slug:"stuxnet",release_slug:"long-live-the-lost-ones",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones-wav.zip",id:"7d8f67a125af6c412d1d5b08caa02412"},{title:"TIME'S FIREWALL (demo)",project:"STUXNET",released:"02021-04-18",type:"Demo",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Time's Firewall",length:"00:08:07",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/01-times-firewall.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/01-times-firewall.wav",id:"4eae4205c51602b354c0523f04545abe"},{number:2,title:"Fractal's Edge",length:"00:11:02",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/02-fractals-edge.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/02-fractals-edge.wav",id:"23d10f8f4768e913d7c0fe955cc16b04"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/times-firewall-demo",id:"22dc5c9b63d8827d839125eb966c3260"}],notes:'<p>At the behest of an anonymous agent, the Northern Information Applied Sciences & Phantasms Working Division agreed to the impossible: rationalize the numogram for the post-pandemic age.</p><p>It is accepted that the numogram first manifested in the 90s via research from the CCRU. However, newly unearthed forensic evidence from The tf.nist.gov Timeserver Incident has cast a shadow of doubt on the true provenance.</p><p>After the NIAS&PWD design scientist rationalized the numogram into a mathematically pure vector format, new sonic pathways were unlocked for STUXNET. The dossier was delivered and lead to yet more revelations: the existence of what can only be described as a time firewall. And, perhaps more unsettling, "fractal edges" thereby calling into question the very foundations of topology, Euclidean space, and recursion dynamics.</p><p>Intertext formally published a request for support in understanding the implications of these twin entities on April 18, 2021.</p><p>Operator instructions: `mv numogram.txt numogram.ai`</p>',credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"stuxnet",release_slug:"times-firewall-demo",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/times-firewall-demo.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/times-firewall-demo-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/times-firewall-demo/times-firewall-demo-wav.zip",id:"1b1c543e6914fcc678c4710c1ce600f4"},{title:"MATRYOSHKA (demo)",project:"STUXNET",released:"02021-04-10",type:"Demo",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"The Payload Appeared Yesterday Due to a Zero Day Timezone Conversion Vulnerability",length:"00:01:28",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/01-the-payload-appeared-yesterday-due-to-a-zero-day-timezone-conversion-vulnerability.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/01-the-payload-appeared-yesterday-due-to-a-zero-day-timezone-conversion-vulnerability.wav",id:"faf5ef30c09d21d6a7accc7a9c8eba23"},{number:2,title:"Supply Chain Attack Surface",length:"00:02:14",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/02-supply-chain-attack-surface.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/02-supply-chain-attack-surface.wav",id:"4e2e4b2e0b229bfd729e2c30c6af0c68"},{number:3,title:'A White USB Drive With "HEXAGON" iStock Logo &num;1135496271',length:"00:03:09",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/03-a-white-usb-drive-with-hexagon-istock-logo-1135496271.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/03-a-white-usb-drive-with-hexagon-istock-logo-1135496271.wav",id:"d2ca5d1c52ec1e22d89ce852b0af84c8"},{number:4,title:"At Least One Reseller of Microsoft Cloud Services Was Compromised",length:"00:02:44",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/04-at-least-one-reseller-of-microsoft-cloud-services-was-compromised.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/04-at-least-one-reseller-of-microsoft-cloud-services-was-compromised.wav",id:"5ca900f7ab02c2b0fbd0e77190c4beec"},{number:5,title:"Matryoshka Shell 1 - Ransomware Was Discovered on the Executive’s Peloton",length:"00:02:13",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/05-matryoshka-shell-1-ransomware-was-discovered-on-the-executives-peloton.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/05-matryoshka-shell-1-ransomware-was-discovered-on-the-executives-peloton.wav",id:"28065b49def591062fa9288476a564f4"},{number:6,title:"Matryoshka Shell 2 - IoT Botnet DDoS",length:"00:02:06",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/06-matryoshka-shell-2-iot-botnet-ddos.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/06-matryoshka-shell-2-iot-botnet-ddos.wav",id:"4e00289da643efb2a0e135cf0c675429"},{number:7,title:"Matryoshka Shell 3 - Distributed Cryptocurrency Mining Operation",length:"00:01:22",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/07-matryoshka-shell-3-distributed-cryptocurrency-mining-operation.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/07-matryoshka-shell-3-distributed-cryptocurrency-mining-operation.wav",id:"8c381f7d6ba406bf4d09b39f4b97edd2"},{number:8,title:"Matryoshka Shell 4 - International Date Line",length:"00:02:46",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/08-matryoshka-shell-4-international-date-line.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/08-matryoshka-shell-4-international-date-line.wav",id:"29f3e0a0cb584e1f38a1c8e12c3dd50a"},{number:9,title:"Matryoshka Shell 5 - 総会屋 (deepfake.S)",length:"00:03:21",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/09-matryoshka-shell-5-deepfakes.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/09-matryoshka-shell-5-deepfakes.wav",id:"6638a8ff34056ccfa84889decbf9e763"},{number:10,title:"Matryoshka Shell 6 - Schanuel's Conjecture (Evidence of Non-Human Origin)",length:"00:02:29",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/10-matryoshka-shell-6-schanuels-conjecture-evidence-of-non-human-origin.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/10-matryoshka-shell-6-schanuels-conjecture-evidence-of-non-human-origin.wav",id:"0b394848373ec96e857293c460a07895"},{number:11,title:"The Media Confused the Matter With Container Ships",length:"00:02:13",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/11-the-media-confused-the-matter-with-container-ships.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/11-the-media-confused-the-matter-with-container-ships.wav",id:"b9202085559832f47a042d7eabca7243"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/matryoshka-demo",id:"e16f79b94b6050101bc213a4fb086a2d"}],notes:'<p>🪆🪆🪆🪆🪆🪆🪆🪆🪆🪆🪆</p><p>Download includes "64chain-3.3.wav" to use with your own sampler. This sample is an assemblage of all the samples synthesized for this release.</p>',credits:"<p>STUXNET is Tyler Etters.</p>",project_slug:"stuxnet",release_slug:"matryoshka-demo",cover_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/matryoshka-demo.jpg",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/matryoshka-demo-mp3.zip",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/matryoshka-demo/matryoshka-demo-wav.zip",id:"008f7a37d4d2668958e8df4c2e2f1f77"},{title:"CIPHER SUITE (demo)",project:"STUXNET",released:"02021-03-28",type:"Demo",format:"Digital",role:"Operator",label:"Intertext",mp3:!0,wav:!0,tracks:[{number:1,title:"Trapdoor Function",length:"00:02:11",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/01-trapdoor-function.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/01-trapdoor-function.wav",id:"c3560e910e213cf54e99ffcc624460d1"},{number:2,title:"Asymmetric Encrypted Transport",length:"00:01:21",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/02-asymmetric-encrypted-transport.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/02-asymmetric-encrypted-transport.wav",id:"2349bb6f2e75db320e6c89fc2857c70c"},{number:3,title:"Forced Disclosure of Encryption Keys",length:"00:02:31",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/03-forced-disclosure-of-encryption-keys.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/03-forced-disclosure-of-encryption-keys.wav",id:"2c255249ce2e536690e2b79824aa693d"},{number:4,title:"Chinese Remainder Theorem",length:"00:02:11",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/04-chinese-remainder-theorem.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/04-chinese-remainder-theorem.wav",id:"567e1a5978db9ffd4f2e0be22bea39b7"},{number:5,title:"Hash Collision",length:"00:04:52",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/05-hash-collision.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/05-hash-collision.wav",id:"9079406ca53ef6f354fa6bcdc112e66c"},{number:6,title:"Something You Have",length:"00:10:05",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/06-something-you-have.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/06-something-you-have.wav",id:"25da8b21911fc20cb1b0dc2cb7f56d4b"},{number:7,title:"Something You Know",length:"00:03:25",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/07-something-you-know.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/07-something-you-know.wav",id:"461384034f3ea6d780e9f82f352f8dea"},{number:8,title:"Something You Are",length:"00:05:40",mp3_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/08-something-you-are.mp3",wav_url:"https://d107e1o0dn11sc.cloudfront.net/stuxnet/cipher-suite-demo/08-something-you-are.wav",id:"c791ffc28c2b9337919f730df6899e77"}],streams:[{platform:"Bandcamp",url:"https://stuxnet.bandcamp.com/album/cipher-suite-demo",id:"6e06f8add261582f41da272fc75d060a"}],monospaceNotes:!0,notes:`<pre>% ssh-keygen -t ed25519
2
2
  Generating public/private ed25519 key pair.
3
3
  Enter file in which to save the key (/Users/mbp/.ssh/id_ed25519):
4
4
  Enter passphrase (empty for no passphrase):