@tyleretters/discography 1.0.3 β†’ 1.1.3

This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
@@ -1,3 +1,51 @@
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+ - title: KOWLOON WALLED CITY GIGA MIX
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+ project: DJ STUXNET
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+ released: 02024-12-21
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+ type: Mix
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+ format: Digital
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+ role: DJ
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+ label: Intertext
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+ mp3: false
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+ wav: false
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+ tracks:
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+ - number: 1
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+ title: "π”‘π”žπ”²π”«π”±π”©π”’π”°π”° 𝔠π”₯𝔬𝔦𝔯"
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+ length: 00:58:19
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+ - number: 2
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+ title: "𝓀𝒢𝓉𝒢𝒷𝒢𝓉𝒾𝒸 π“Œπ’Ύπ“ƒπ’Ή"
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+ length: 00:59:59
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+ - number: 3
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+ title: "π™΅πš˜πš πš†πšŠπš•πš•πšœ"
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+ length: 00:59:52
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+ - number: 4
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+ title: "broken promise (for timm)"
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+ length: 00:59:06
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+ - number: 5
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+ title: "THE CONTINUANCE"
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+ length: 01:00:00
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+ - number: 6
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+ title: "γƒˆγƒ©γƒ³γ‚Ή"
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+ length: 00:59:29
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+ - number: 7
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+ title: "Elegies for Anja"
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+ length: 01:01:30
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+ - number: 8
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+ title: "Π―Ξ£BΠ―Σ¨Ξ›DCΞ›Ζ§Ζ¬ [1/2] 𝘍𝘭𝘒𝘴𝘩 𝘊𝘳𝘒𝘴𝘩 π˜—π˜ͺ𝘳𝘒𝘡𝘦 π˜™π˜’π˜₯π˜ͺ𝘰 π˜”π˜ͺ𝘹 + 𝘡𝘦𝘩𝘯"
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+ length: 00:58:39
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+ - number: 9
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+ title: "Π―Ξ£BΠ―Σ¨Ξ›DCΞ›Ζ§Ζ¬ [2/2] 𝘍𝘭𝘒𝘴𝘩 𝘊𝘳𝘒𝘴𝘩 π˜—π˜ͺ𝘳𝘒𝘡𝘦 π˜™π˜’π˜₯π˜ͺ𝘰 π˜”π˜ͺ𝘹 + 𝘡𝘦𝘩𝘯"
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+ length: 00:59:32
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+ - number: 10
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+ title: "Kowloon City: οΌ¬ο½…ο½™ο½Œο½‰ο½Žο½…"
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+ length: 00:58:49
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+ streams:
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+ - platform: Direct
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+ url: https://stuxnet.me
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+ - platform: Untitled Stream
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+ url: https://untitled.stream/library/project/5Dni4VMX9Qyt1ZvokMYqq
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+ notes: May we rave atop burning oil derricks... and sink into the sea.
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+ credits: STUXNET is Tyler Etters.
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+
1
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  - title: List of Stars in Cancer
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  project: They Became What They Beheld
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  released: 02024-07-10
@@ -8,585 +56,585 @@
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  mp3: true
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  wav: false
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- title: Beta Cancri
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- length: 00:00:36
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- title: Delta Cancri
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- length: 00:00:36
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- title: Iota Cancri A
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- title: Alpha Cancri
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- title: Gamma Cancri
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623
  streams:
576
- - platform: Amazon
577
- url: https://www.amazon.com/music/player/albums/B0D8V39RMN
578
- - platform: Apple Music
579
- url: https://music.apple.com/us/album/list-of-stars-in-cancer-stream-version/1755897818
580
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581
- url: https://theybecamewhattheybeheld.bandcamp.com/album/list-of-stars-in-cancer
582
- - platform: Deezer
583
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584
- - platform: iHeartRadio
585
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586
- - platform: Spotify
587
- url: https://open.spotify.com/album/5gSOw9RxtadvemdqcV7YV2
588
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589
- url: https://www.youtube.com/watch?v=mx_rRm2eaYE&list=OLAK5uy_nl3yolGwKAHk2b9epn1NE96rtsWKbv6OM
624
+ - platform: Amazon
625
+ url: https://www.amazon.com/music/player/albums/B0D8V39RMN
626
+ - platform: Apple Music
627
+ url: https://music.apple.com/us/album/list-of-stars-in-cancer-stream-version/1755897818
628
+ - platform: Bandcamp
629
+ url: https://theybecamewhattheybeheld.bandcamp.com/album/list-of-stars-in-cancer
630
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631
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632
+ - platform: iHeartRadio
633
+ url: https://www.iheart.com/artist/they-became-what-they-beheld-42962881/albums/list-of-stars-in-cancer-stream-277679332/
634
+ - platform: Spotify
635
+ url: https://open.spotify.com/album/5gSOw9RxtadvemdqcV7YV2
636
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637
+ url: https://www.youtube.com/watch?v=mx_rRm2eaYE&list=OLAK5uy_nl3yolGwKAHk2b9epn1NE96rtsWKbv6OM
590
638
  notes: |
591
639
  An infinite salve. The 188 charted stars are presented in order of magnitude descending. Listen on infinite shuffle because Cancer looks very different from elsewhere in the Milky Way.
592
640
  credits: |
@@ -605,24 +653,24 @@
605
653
  mp3: true
606
654
  wav: false
607
655
  tracks:
608
- - number: 1
609
- title: Distance
610
- length: 00:19:28
656
+ - number: 1
657
+ title: Distance
658
+ length: 00:19:28
611
659
  streams:
612
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613
- url: https://amazon.com/music/player/albums/B0D7QVWXFC
614
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615
- url: https://music.apple.com/us/album/distance-ep/1753530892
616
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617
- url: https://theybecamewhattheybeheld.bandcamp.com/album/distance
618
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619
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620
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621
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622
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623
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624
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625
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660
+ - platform: Amazon
661
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662
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663
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664
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665
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666
+ - platform: Deezer
667
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668
+ - platform: iHeartRadio
669
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670
+ - platform: Spotify
671
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672
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673
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626
674
  notes: |
627
675
  To honor the memory of someone you loved and lost is by becoming great and doing well and good in their honor/memory - live as you would know them to be proud of.
628
676
  β€” MTM, 2024
@@ -641,39 +689,39 @@
641
689
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642
690
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643
691
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644
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645
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646
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647
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648
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649
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650
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651
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652
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  streams:
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671
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  notes: |
672
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  On February 20, 1974, while recovering from the effects of sodium pentothal administered for the extraction of an impacted wisdom tooth, [Philip K.] Dick received a home delivery of Darvon from a young woman. When he opened the door, he was struck by the dark-haired girl's beauty, and was especially drawn to her golden necklace. He asked her about its curious fish-shaped design. As she was leaving, she replied: "This is a sign used by the early Christians." Dick called the symbol the "vesicle pisces". This name seems to have been based on his conflation of two related symbols, the Christian ichthys symbol (two intersecting arcs delineating a fish in profile), which the woman was wearing, and the vesica piscis.
673
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  Dick recounted that as the sun glinted off the gold pendant, the reflection caused the generation of a "pink beam" of light that mesmerized him. He came to believe the beam imparted wisdom and clairvoyance, and also believed it to be intelligent. On one occasion, he was startled by a separate recurrence of the pink beam, which imparted the information that his infant son was ill. The Dicks rushed the child to the hospital, where the illness was confirmed by professional diagnosis.
674
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  β€” Wikipedia, 2024
675
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  The seven movements of this symphonic suite need to be heard in their entirety; it is a mistake to isolate movements from the whole, for the work owes much to the strongly contrasted moods suggested by the character of each planet.
676
- β€” The Decca Record Company, Ltd., 1962
724
+ β€” The Decca Record Company, Ltd., 1962
677
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  credits: |
678
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  Thanks to ... a ... tape deck ... original ... everything stalled out ... changed ... that was closer to ... my dad ... I was a kid ... this strange ... audience ... Memorial ... landfill ... library ...
679
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  Audio sourced from Holst's The Planets performed by Herbert Von Karajan, Vienna Philharmonic, 1962.
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713
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  notes: |
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  One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets.
715
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  And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.
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+ length: 00:22:49
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  streams:
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752
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  notes: |
753
801
  The fundamental audio loop is more Gabrieli.
754
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  The DV tape loop is from Fireflies & Fields, a deeply personal series shot straight out of camera. Summer, 2009. Just after sunset. "Night Mode" enabled camera on a tripod facing south-south-east. Fairfield Road a bit to my back and right. A solid two-minute hike across the prairie to touch the first oaks in the shot. Macro lens on. Optical zoom maxed. Digital zoom zero. The key: auto-focus enabled to force the beacons into a duel until dawn. The loop you see employs neither dissolve nor crossfade. It is the same hard cut over and over until the song ends. After originally releasing a zoomed and cropped version at 1920x1080, I have decided to delete and repost at 720x480. Once you see the Taraxacum mote ascending you will never unsee it.
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781
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797
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  notes: |
798
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  But this is already the point of view requiredβ€”given a change of perspectiveβ€”for examining the primitive socius, the territorial machine for declining alliances and filiations. This machine is segmentary because, through its double apparatus of tribe and lineage, it cuts up segments of varying lengths: genealogical filiative units of major, minor, and minimal lineages, with their hierarchy, their respective chiefs, their elders who guard the stocks and organize marriages; territorial tribal units of primary, secondary, and tertiary sections, also having their dominant roles and their alliances. "The point of separation between the tribal sections becomes the point of divergence in the clan structure of the lineages associated with each section. For, as we have seen, clans and their lineages are not distinct corporate groups, but are embodied in local communities, through which they function structurally." The two systems intersect, each segment being associated with the flows and the chains, with the stocked flows and the passing flows, with selections from the flows and detachments from the chains (certain production projects are executed in the framework of the tribal system, others in the framework of the lineage system). The variability and relativity of the segments are responsible for all sorts of penetrations between the inalienable elements of filiation and the mobile elements of alliance. This is explained by the fact that the length of each segmentβ€”or even its existence as suchβ€”is determined only by its opposition to other segments in a series of interrelated stages. The segmentary machine mixes rivalries, conflicts, and ruptures throughout the variations of filiation and the fluctuations of alliance. The whole system evolves between two poles: that of fusion through opposition to other groups, and that of scission through the constant formation of new lineages aspiring to independence, with capitalization of alliances and filiation. From one pole to the other, all the misfirings and failures in a system that is constantly reborn of its own disharmonies. What does Jeanne Favret mean when she shows, along with other ethnologists, that "the persistence of a segmentary organization requires paradoxically that its mechanisms be ineffectual enough so that fear remains the motor of the whole"? And what is this fear? It would appear that social formations experienced a morbid and mournful foreboding of things to come, although what comes to them always comes from without, rushing in through their opening. Perhaps it is even for this reason that it arrives from without; they suffocate its inner potentiality, at the cost of the dysfunctions that constitute an integral part of the functioning of their system.
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  β€” Deleuze & Guattari, 1972
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  streams:
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848
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  notes: |
849
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  After a harrowing border crossing out of the Special Economic Zone, Coyote lies low. His world is hardened, Metal Gear, long drag of cigarette, pushing limits of body to transport mind. Licking his wounds, drinking warm Modelo, watching cargo ships queue up for port, he contemplates getting out of the game for good.
850
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  But when money runs out (like it always does) he's forced to accept an impossible gig: US/APAC. The cargo is a Tiresias figure, some aged clairvoyant who, having struck their staff at two copulating serpents, was then blinded, given the gift of prophecy (visions), and transformed into a woman for seven years.
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875
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878
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880
- title: Special Economic Zone
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- title: Border Crossing
884
- length: 00:03:28
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- - number: 5
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- title: In Infinite Fogs
887
- length: 00:05:52
921
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923
+ length: 00:03:44
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+ title: Coyote
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932
+ length: 00:03:28
933
+ - number: 5
934
+ title: In Infinite Fogs
935
+ length: 00:05:52
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  notes: |
889
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  Migrants are often between two worlds that do not really have a place for them: fleeing economic or political hardship and entering a place (ostensibly the U.S.) that fundamentally demands their labour yet officially outlaws them and treats them as sub-human. The coyote is doing a kind of extraordinary favor by rendering an extra-legal service, and putting themselves in harm's way to do so.
890
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  Why choose this particular job?
891
939
  Perhaps because the coyote is "between," themselves. This casts them as a kind of archetypical shamanistic figure: a psychopomp, a guide of souls like Anubis, Charon, Hermes, Mercury, or Tarkovsky's Stalker. But, unlike this Jungian pantheon of tricksters, our coyote is not bound by divinity or magicks β€” they are a mercenary; they are bound by cash.
892
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  In Nomadology: The War Machine, Deleuze & Guattari "redefine the relation between the state and its war machine. Far from being a part of the state, warriors (the army) are nomads who always come from the outside and keep threatening the authority of the state. In the same vein, nomadic science keeps infiltrating royal science, undermining its axioms and principles. Nomadology is a speedy, pocket-sized treatise that refuses to be pinned down. Theorizing a dynamic relationship between sedentary power and schizophrenic lines of flight, this volume is meant to be read in transit, smuggled into urban nightclubs, offices, and subways."
893
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  It then follows the special economic zone is a stage for our coyote, our trickster, to turn logics and fortunes of capitalism inside out and upside down. The interior shared-self which persists through ultra time flow is, yes: dancing in place to move forward... and the special economic zone suspends the rules to incentivize a certain dancing, a particular folding back into itself to realize commerce, competition, fucking, running, transgressing, renewing.
894
- If the trickster makes this world, it follows the mercenary makes the state.
942
+ If the trickster makes this world, it follows the mercenary makes the state.
895
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  credits: |
896
944
  PrΓ©cis by Cory Salveson. Music by Tyler Etters.
897
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  Selected samples: Dark Souls III, Mission: Impossible 4 β€” Ghost Protocol, X-Files, Metal Gear Solid, Underoath, Fortnite "Fracture" Event, Black Hawk Down.
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- length: 00:10:12
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- - number: 2
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- title: That was closer to then
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- length: 00:13:32
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+ - number: 1
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+ title: Things are different now
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+ length: 00:10:12
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+ title: That was closer to then
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+ length: 00:13:32
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933
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  notes: |
934
982
  Within the philosophies of time, three oppositional schools compete: Eternalism describes the phenomenon of time like a strip of film - the past and the future do exist, are real, but the present is merely a human concept. The growing block theory, maybe the most intuitive of the three, states that the present continually creates the past, but the future is unwritten. Presentism on the other hand argues that the only thing irrefutable is the present and that the past and the future are both unreal. By applying these three concepts to music, we may end up with a number of strategies to rethink what we consider as given.
935
983
  I would like to propose that there has been has been a slow shift in how music was perceived. Improvised music, prior to notation, can be considered as presentistic, manifesting itself only in the present, it’s only traces of existence written in memory. With interpretation and notation, the perception shifts more to a growing block. The mind got a hold of the past, but the future still remained a very unstable realm - once the hand made a mistake with an instrument or the voice was interrupted to catch a breath. Obviously the advent of the recording introduced an absolute future and with it the concept of eternalism in music. Furthermore the introduction of the loop, applied in its most extreme way within techno, embeds the listener in a coherent body of past and future, even with a view of the timeline - first on the record, later on the waveform. A car, racing on the Autobahn, free to move in both directions. Of course, one could argue that the state of ecstasy in which techno is consumed compresses time into a perfect present, the psychological present, which is defined as 2-3 seconds with the equivalent of 1 bar by 120 bpm…
@@ -953,9 +1001,9 @@
953
1001
  mp3: false
954
1002
  wav: false
955
1003
  tracks:
956
- - number: 1
957
- title: Deep State Music
958
- length: 00:27:19
1004
+ - number: 1
1005
+ title: Deep State Music
1006
+ length: 00:27:19
959
1007
  notes: |
960
1008
  Over the course of their first journey (which started months before they realized they would become a band), the humans created many auditory things together and separately. Some of this was good but had found itself in a β€œstuck” state. Some things extended a bit earlier than the boundary of acquaintance but felt appropriate for inclusion. At any rate, both humans were in an exorcising mood. They decided it was time to release these peach fuzz laden demons. The exorcism exercise would be comprised of a continuous sort of mix tape or DJ mix containing these demons occupying the auditory plane.
961
1009
  As is becoming their custom, the humans again took turns weaving the structures. This time the structures were on a somewhat larger scale. They pulled in beats, basslines, melodies, and scraps of texture. Both humans expected the final product to be quite rhythmic and beat-driven. To their credit, this does appear to accurately describe much of what the three of us arrived at. They did manage to sneak in some free-meter synth jams, which provided some loose [a]rhythmic accompaniment to the more musically adherent elements.
@@ -977,15 +1025,15 @@
977
1025
  mp3: false
978
1026
  wav: false
979
1027
  tracks:
980
- - number: 1
981
- title: Mental Dub (Lisbon)
982
- length: 00:04:18
983
- - number: 2
984
- title: Mental Dub (Des Moines)
985
- length: 00:04:10
986
- - number: 3
987
- title: Mental Dub (Null Lake)
988
- length: 00:04:20
1028
+ - number: 1
1029
+ title: Mental Dub (Lisbon)
1030
+ length: 00:04:18
1031
+ - number: 2
1032
+ title: Mental Dub (Des Moines)
1033
+ length: 00:04:10
1034
+ - number: 3
1035
+ title: Mental Dub (Null Lake)
1036
+ length: 00:04:20
989
1037
  notes: |
990
1038
  Dub is a refraction of alien consciousness
991
1039
  Flash Crash was approaching. The folks running the event wanted dub in their interstitial program. I complied.
@@ -1005,18 +1053,18 @@
1005
1053
  mp3: false
1006
1054
  wav: false
1007
1055
  tracks:
1008
- - number: 1
1009
- title: conch
1010
- length: 00:04:26
1011
- - number: 2
1012
- title: snail
1013
- length: 00:02:22
1014
- - number: 3
1015
- title: periwinkle
1016
- length: 00:03:41
1017
- - number: 4
1018
- title: bottles
1019
- length: 00:03:30
1056
+ - number: 1
1057
+ title: conch
1058
+ length: 00:04:26
1059
+ - number: 2
1060
+ title: snail
1061
+ length: 00:02:22
1062
+ - number: 3
1063
+ title: periwinkle
1064
+ length: 00:03:41
1065
+ - number: 4
1066
+ title: bottles
1067
+ length: 00:03:30
1020
1068
  notes: |
1021
1069
  It began with failure.
1022
1070
  Both humans had, at different times, come into ownership of the same model of a powered synthesizer enclosure. At different times, the power supply of either enclosure failed in identical fashion. The second time, the steward of the enclosure discovered that the power supply had, in fact, not completely failed. It could still deliver some power, albeit at an attenuated amperage. Perhaps as a test, perhaps enthused at the novelty of the small enclosure, perhaps simply to amuse himself, he assembled a nonsensical menagerie of modules.
@@ -1037,15 +1085,15 @@
1037
1085
  mp3: true
1038
1086
  wav: true
1039
1087
  tracks:
1040
- - number: 1
1041
- title: that it is a message at all
1042
- length: 00:04:36
1043
- - number: 2
1044
- title: that dangerous material is stored in a given location
1045
- length: 00:32:21
1046
- - number: 3
1047
- title: information about the type of dangerous substances
1048
- length: 00:19:16
1088
+ - number: 1
1089
+ title: that it is a message at all
1090
+ length: 00:04:36
1091
+ - number: 2
1092
+ title: that dangerous material is stored in a given location
1093
+ length: 00:32:21
1094
+ - number: 3
1095
+ title: information about the type of dangerous substances
1096
+ length: 00:19:16
1049
1097
  notes: |
1050
1098
  The Human Interference Task Force was a team of engineers, anthropologists, nuclear physicists, behavioral scientists and others convened on behalf of the U.S. Department of Energy and Bechtel Corp. to find a way to reduce the likelihood of future humans unintentionally intruding on radioactive waste isolation systems. Specifically, the task force was to research the use of long-time warning messages to prevent future access to the planned, but stalled, deep geological nuclear repository project of Yucca Mountain.
1051
1099
  PROBLEM
@@ -1059,11 +1107,10 @@
1059
1107
  2. that dangerous material is stored in a given location
1060
1108
  3. information about the type of dangerous substances
1061
1109
  ANSWERS
1062
- To determine how to convey these three things, the "Zeitschrift fΓΌr Semiotik" (TΓΌbingen, Germany) issued a poll in 1982 and 1983 asking how a message might be communicated for a duration of 10,000 years. The poll asked the following question: "How would it be possible to inform our descendants for the next 10,000 years about the storage locations and dangers of radioactive waste?" leading to the following answers...
1110
+ To determine how to convey these three things, the "Zeitschrift fΓΌr Semiotik" (TΓΌbingen, Germany) issued a poll in 1982 and 1983 asking how a message might be communicated for a duration of 10,000 years. The poll asked the following question: "How would it be possible to inform our descendants for the next 10,000 years about the storage locations and dangers of radioactive waste?" leading to the following answers...
1063
1111
  credits: |
1064
1112
  The musician would like to express his deepest thanks to @license for their critical ear and honest heart.
1065
1113
 
1066
-
1067
1114
  - title: COUNTERSURVEILLANCE
1068
1115
  project: STUXNET
1069
1116
  released: 02021-07-07
@@ -1074,27 +1121,27 @@
1074
1121
  mp3: true
1075
1122
  wav: true
1076
1123
  tracks:
1077
- - number: 1
1078
- title: Dazzle Camouflage (MUA)
1079
- length: 00:05:16
1080
- - number: 2
1081
- title: Countersurveillance
1082
- length: 00:04:09
1083
- - number: 3
1084
- title: A Territory of History, Without Self
1085
- length: 00:03:33
1086
- - number: 4
1087
- title: Pyrocumulus Days, Entropy Nights
1088
- length: 00:02:18
1089
- - number: 5
1090
- title: What's Your Wifi Password?
1091
- length: 00:02:18
1092
- - number: 6
1093
- title: I'm On Blockchain
1094
- length: 00:03:02
1095
- - number: 7
1096
- title: Maybe
1097
- length: 00:04:35
1124
+ - number: 1
1125
+ title: Dazzle Camouflage (MUA)
1126
+ length: 00:05:16
1127
+ - number: 2
1128
+ title: Countersurveillance
1129
+ length: 00:04:09
1130
+ - number: 3
1131
+ title: A Territory of History, Without Self
1132
+ length: 00:03:33
1133
+ - number: 4
1134
+ title: Pyrocumulus Days, Entropy Nights
1135
+ length: 00:02:18
1136
+ - number: 5
1137
+ title: What's Your Wifi Password?
1138
+ length: 00:02:18
1139
+ - number: 6
1140
+ title: I'm On Blockchain
1141
+ length: 00:03:02
1142
+ - number: 7
1143
+ title: Maybe
1144
+ length: 00:04:35
1098
1145
  notes: |
1099
1146
  Mapcore is a viable solution for surveying the world.
1100
1147
  credits: |
@@ -1111,33 +1158,33 @@
1111
1158
  mp3: true
1112
1159
  wav: true
1113
1160
  tracks:
1114
- - number: 1
1115
- title: Our world was always fallen but there was always light.
1116
- length: 00:03:48
1117
- - number: 2
1118
- title: Damaged music is a metaphor for this world.
1119
- length: 00:04:35
1120
- - number: 3
1121
- title: Music was always celebratory, but there was always sorrow.
1122
- length: 00:02:50
1123
- - number: 4
1124
- title: For liberation lies in that which is shattered.
1125
- length: 00:01:15
1126
- - number: 5
1127
- title: Designed to merge, engineered to transcend.
1128
- length: 00:02:18
1129
- - number: 6
1130
- title: Liberation follows that which is broken.
1131
- length: 00:07:56
1132
- - number: 7
1133
- title: Something you catch.
1134
- length: 00:07:30
1135
- - number: 8
1136
- title: As you're scanning for distress calls.
1137
- length: 00:03:53
1138
- - number: 9
1139
- title: Long live the lost ones.
1140
- length: 00:05:12
1161
+ - number: 1
1162
+ title: Our world was always fallen but there was always light.
1163
+ length: 00:03:48
1164
+ - number: 2
1165
+ title: Damaged music is a metaphor for this world.
1166
+ length: 00:04:35
1167
+ - number: 3
1168
+ title: Music was always celebratory, but there was always sorrow.
1169
+ length: 00:02:50
1170
+ - number: 4
1171
+ title: For liberation lies in that which is shattered.
1172
+ length: 00:01:15
1173
+ - number: 5
1174
+ title: Designed to merge, engineered to transcend.
1175
+ length: 00:02:18
1176
+ - number: 6
1177
+ title: Liberation follows that which is broken.
1178
+ length: 00:07:56
1179
+ - number: 7
1180
+ title: Something you catch.
1181
+ length: 00:07:30
1182
+ - number: 8
1183
+ title: As you're scanning for distress calls.
1184
+ length: 00:03:53
1185
+ - number: 9
1186
+ title: Long live the lost ones.
1187
+ length: 00:05:12
1141
1188
  notes: |
1142
1189
  Dear listener,
1143
1190
  During the turn of the century in Chicago there was a radio station called WNRG Energy 92.7/5 . I was 12 or so and would always fall asleep listening to the likes of DJ Sammy, DJ Encore, PPK, D-Devils, Armin van Buuren, Sylver, ATC, and countless others. I pictured the radio waves blanketing Chicagoland's orange phosphorous haze from Kenosha to Kankakee; euphoric FM signals in an adjacent dimension. Compressed audio. The crackle of static. It was spiritual.
@@ -1152,7 +1199,7 @@
1152
1199
  Everything is going to be different from here out.
1153
1200
  Once again, we must learn to dance.
1154
1201
  Yours,
1155
- Tyler
1202
+ Tyler
1156
1203
  credits: |
1157
1204
  Album title by Cory Salveson, encryption key by Matthew Marx, distress signals by Dan Derks, music by Tyler Etters.
1158
1205
  Album art: "Kuwaiti oil wells set on fire by retreating Iraqi forces during Operation Desert Storm darken the sky with smoke, March 25, 1991. This image could have imperfections as it’s either historical or reportage."
@@ -1167,12 +1214,12 @@
1167
1214
  mp3: true
1168
1215
  wav: true
1169
1216
  tracks:
1170
- - number: 1
1171
- title: Time's Firewall
1172
- length: 00:08:07
1173
- - number: 2
1174
- title: Fractal's Edge
1175
- length: 00:11:02
1217
+ - number: 1
1218
+ title: Time's Firewall
1219
+ length: 00:08:07
1220
+ - number: 2
1221
+ title: Fractal's Edge
1222
+ length: 00:11:02
1176
1223
  notes: |
1177
1224
  At the behest of an anonymous agent, the Northern Information Applied Sciences & Phantasms Working Division agreed to the impossible: rationalize the numogram for the post-pandemic age.
1178
1225
  It is accepted that the numogram first manifested in the 90s via research from the CCRU. However, newly unearthed forensic evidence from The tf.nist.gov Timeserver Incident has cast a shadow of doubt on the true provenance.
@@ -1192,39 +1239,39 @@
1192
1239
  mp3: true
1193
1240
  wav: true
1194
1241
  tracks:
1195
- - number: 1
1196
- title: The Payload Appeared Yesterday Due to a Zero Day Timezone Conversion Vulnerability
1197
- length: 00:01:28
1198
- - number: 2
1199
- title: Supply Chain Attack Surface
1200
- length: 00:02:14
1201
- - number: 3
1202
- title: A White USB Drive With "HEXAGON" iStock Logo \#1135496271
1203
- length: 00:03:09
1204
- - number: 4
1205
- title: At Least One Reseller of Microsoft Cloud Services Was Compromised
1206
- length: 00:02:44
1207
- - number: 5
1208
- title: Matryoshka Shell 1 - Ransomware Was Discovered on the Executive’s Peloton
1209
- length: 00:02:13
1210
- - number: 6
1211
- title: Matryoshka Shell 2 - IoT Botnet DDoS
1212
- length: 00:02:06
1213
- - number: 7
1214
- title: Matryoshka Shell 3 - Distributed Cryptocurrency Mining Operation
1215
- length: 00:01:22
1216
- - number: 8
1217
- title: Matryoshka Shell 4 - International Date Line
1218
- length: 00:02:46
1219
- - number: 9
1220
- title: Matryoshka Shell 5 - η·δΌšε±‹ (deepfake.S)
1221
- length: 00:03:21
1222
- - number: 10
1223
- title: Matryoshka Shell 6 - Schanuel's Conjecture (Evidence of Non-Human Origin)
1224
- length: 00:02:29
1225
- - number: 11
1226
- title: The Media Confused the Matter With Container Ships
1227
- length: 00:02:13
1242
+ - number: 1
1243
+ title: The Payload Appeared Yesterday Due to a Zero Day Timezone Conversion Vulnerability
1244
+ length: 00:01:28
1245
+ - number: 2
1246
+ title: Supply Chain Attack Surface
1247
+ length: 00:02:14
1248
+ - number: 3
1249
+ title: 'A White USB Drive With "HEXAGON" iStock Logo #1135496271'
1250
+ length: 00:03:09
1251
+ - number: 4
1252
+ title: At Least One Reseller of Microsoft Cloud Services Was Compromised
1253
+ length: 00:02:44
1254
+ - number: 5
1255
+ title: Matryoshka Shell 1 - Ransomware Was Discovered on the Executive’s Peloton
1256
+ length: 00:02:13
1257
+ - number: 6
1258
+ title: Matryoshka Shell 2 - IoT Botnet DDoS
1259
+ length: 00:02:06
1260
+ - number: 7
1261
+ title: Matryoshka Shell 3 - Distributed Cryptocurrency Mining Operation
1262
+ length: 00:01:22
1263
+ - number: 8
1264
+ title: Matryoshka Shell 4 - International Date Line
1265
+ length: 00:02:46
1266
+ - number: 9
1267
+ title: Matryoshka Shell 5 - η·δΌšε±‹ (deepfake.S)
1268
+ length: 00:03:21
1269
+ - number: 10
1270
+ title: Matryoshka Shell 6 - Schanuel's Conjecture (Evidence of Non-Human Origin)
1271
+ length: 00:02:29
1272
+ - number: 11
1273
+ title: The Media Confused the Matter With Container Ships
1274
+ length: 00:02:13
1228
1275
  notes: |
1229
1276
  πŸͺ†πŸͺ†πŸͺ†πŸͺ†πŸͺ†πŸͺ†πŸͺ†πŸͺ†πŸͺ†πŸͺ†πŸͺ†
1230
1277
  Download includes "64chain-3.3.wav" to use with your own sampler. This sample is an assemblage of all the samples synthesized for this release.
@@ -1241,30 +1288,30 @@
1241
1288
  mp3: true
1242
1289
  wav: true
1243
1290
  tracks:
1244
- - number: 1
1245
- title: Trapdoor Function
1246
- length: 00:02:11
1247
- - number: 2
1248
- title: Asymmetric Encrypted Transport
1249
- length: 00:01:21
1250
- - number: 3
1251
- title: Forced Disclosure of Encryption Keys
1252
- length: 00:02:31
1253
- - number: 4
1254
- title: Chinese Remainder Theorem
1255
- length: 00:02:11
1256
- - number: 5
1257
- title: Hash Collision
1258
- length: 00:04:52
1259
- - number: 6
1260
- title: Something You Have
1261
- length: 00:10:05
1262
- - number: 7
1263
- title: Something You Know
1264
- length: 00:03:25
1265
- - number: 8
1266
- title: Something You Are
1267
- length: 00:05:40
1291
+ - number: 1
1292
+ title: Trapdoor Function
1293
+ length: 00:02:11
1294
+ - number: 2
1295
+ title: Asymmetric Encrypted Transport
1296
+ length: 00:01:21
1297
+ - number: 3
1298
+ title: Forced Disclosure of Encryption Keys
1299
+ length: 00:02:31
1300
+ - number: 4
1301
+ title: Chinese Remainder Theorem
1302
+ length: 00:02:11
1303
+ - number: 5
1304
+ title: Hash Collision
1305
+ length: 00:04:52
1306
+ - number: 6
1307
+ title: Something You Have
1308
+ length: 00:10:05
1309
+ - number: 7
1310
+ title: Something You Know
1311
+ length: 00:03:25
1312
+ - number: 8
1313
+ title: Something You Are
1314
+ length: 00:05:40
1268
1315
  monospaceNotes: true
1269
1316
  notes: |
1270
1317
  % ssh-keygen -t ed25519
@@ -1310,30 +1357,30 @@
1310
1357
  mp3: true
1311
1358
  wav: true
1312
1359
  tracks:
1313
- - number: 1
1314
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1315
- length: 00:09:04
1316
- - number: 2
1317
- title: angel
1318
- length: 00:05:11
1319
- - number: 3
1320
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1321
- length: 00:03:38
1322
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1323
- title: rave
1324
- length: 00:01:46
1325
- - number: 5
1326
- title: fcore
1327
- length: 00:02:39
1328
- - number: 6
1329
- title: lecture
1330
- length: 00:10:17
1331
- - number: 7
1332
- title: abeyance
1333
- length: 00:06:07
1334
- - number: 8
1335
- title: registry
1336
- length: 00:01:26
1360
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1361
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1362
+ length: 00:09:04
1363
+ - number: 2
1364
+ title: angel
1365
+ length: 00:05:11
1366
+ - number: 3
1367
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1368
+ length: 00:03:38
1369
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1370
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1371
+ length: 00:01:46
1372
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1373
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1374
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1375
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1376
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1377
+ length: 00:10:17
1378
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1379
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1380
+ length: 00:06:07
1381
+ - number: 8
1382
+ title: registry
1383
+ length: 00:01:26
1337
1384
  notes: |
1338
1385
  made after they sieged the capitol
1339
1386
  made with elektron, make noise, mannequins, monome, others
@@ -1351,48 +1398,48 @@
1351
1398
  mp3: false
1352
1399
  wav: false
1353
1400
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1354
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1355
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1356
- length: 00:02:15
1357
- - number: 2
1358
- title: Living Numbers
1359
- length: 00:04:39 video
1360
- - number: 3
1361
- title: death is the only way out of the information age
1362
- length: 00:01:29
1363
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1364
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1365
- length: 00:03:26
1366
- - number: 5
1367
- title: The Arecibo Lamentations
1368
- length: 00:12:59
1369
- - number: 6
1370
- title: powerlines
1371
- length: 00:00:48
1372
- - number: 7
1373
- title: time's arrow, our north star
1374
- length: 00:00:58
1375
- - number: 8
1376
- title: COMbyne jlu13_0016
1377
- length: 00:03:32
1378
- - number: 9
1379
- title: husk_L
1380
- length: 00:02:57
1401
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1402
+ title: one is opposite six
1403
+ length: 00:02:15
1404
+ - number: 2
1405
+ title: Living Numbers
1406
+ length: 00:04:39 video
1407
+ - number: 3
1408
+ title: death is the only way out of the information age
1409
+ length: 00:01:29
1410
+ - number: 4
1411
+ title: baccarat
1412
+ length: 00:03:26
1413
+ - number: 5
1414
+ title: The Arecibo Lamentations
1415
+ length: 00:12:59
1416
+ - number: 6
1417
+ title: powerlines
1418
+ length: 00:00:48
1419
+ - number: 7
1420
+ title: time's arrow, our north star
1421
+ length: 00:00:58
1422
+ - number: 8
1423
+ title: COMbyne jlu13_0016
1424
+ length: 00:03:32
1425
+ - number: 9
1426
+ title: husk_L
1427
+ length: 00:02:57
1381
1428
  streams:
1382
- - platform: Amazon
1383
- url: https://www.amazon.com/music/player/albums/B08XMB77BZ
1384
- - platform: Apple Music
1385
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1388
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1390
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1391
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1393
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1394
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1433
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1434
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1435
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1436
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1437
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1438
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1439
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1440
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1441
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1442
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1396
1443
  notes: |
1397
1444
  -13,800,000,000: the universe forms.
1398
1445
  -4,500,000,000: the moon forms.
@@ -1414,7 +1461,6 @@
1414
1461
  Thanks to Dan Derks, Brian Crabtree, Ryan Laws, Zack Scholl, Cory Salveson, Sage Etters, & Pasha Petrosyan.
1415
1462
  Augured, coded, patched, written, performed, lamented, and engineered by Tyler Etters in 2020.
1416
1463
 
1417
-
1418
1464
  - title: EP1
1419
1465
  project: They Became What They Beheld
1420
1466
  released: 02019-03-03
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1433
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1474
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1476
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1479
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1434
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1447
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1449
1495
  notes: |
1450
1496
  I recently came across the following rules of communication, posted in a School of Journalism:
1451
1497
  1. Know your audience and address yourself directly to it.
@@ -1461,7 +1507,7 @@
1461
1507
  The young today shun the hardware of the past. Marx thought the big question was: Who owns the presses? Software makes hardware obsolete, an encumbrance, creating a false sense of power and security. The young package their messages in media that fit their messages, that is, they create new media to fit their messages. In so doing, they create their own audiences. Some of these audiences may be very small at the beginning. In Houston I met film makers producing films for audiences of no more than six. The point was that they would reach the right people in the right way with the right message.
1462
1508
  It is one of the curiosities of a new medium, a new format, that at the moment it first appears, it's never valued, but it is believed. What it offers, I believe, is a sudden insight, an unexpected glimpse into a reality that, at most, was merely suspected but never before seen with such clarity.
1463
1509
  Like guerrillas, the young are in a favored position; they don't need or want the hardware and audiences of yesterday.
1464
- β€” Edmund Snow Carpenter, 1970
1510
+ β€” Edmund Snow Carpenter, 1970
1465
1511
  credits: |
1466
1512
  Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.
1467
1513
  About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.
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1490
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1559
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1530
1576
  notes: |
1531
1577
  - - - - - - - - - -
1532
1578
  chapter ix
@@ -1544,7 +1590,7 @@
1544
1590
  9. fireflies & fields
1545
1591
  10. beacons of light
1546
1592
  11. where the grass is uncut by blades of men
1547
- - - - - - - - - - -
1593
+ - - - - - - - - - -
1548
1594
  credits: |
1549
1595
  released the day after the winter solstice, when the light begins her steady march to summer.
1550
1596
  written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring guitar by david kvistad on the snail shell graveyard and field recordings by sage etters on unnamed seasons. painting of cornfields in illinois (1994) by lynda wallis (tyler etters’s mom) with additional treatment by tyler etters.
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1604
1650
  notes: |
1605
1651
  - - - - - - - - - -
1606
1652
  chapter viii
@@ -1616,7 +1662,7 @@
1616
1662
  7. future shock
1617
1663
  8. olympus mons
1618
1664
  9. the path of many returns
1619
- - - - - - - - - - -
1665
+ - - - - - - - - - -
1620
1666
  credits: |
1621
1667
  released on the winter solstice, when both darkness and light hang in a wary balance.
1622
1668
  written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring pasha petrosyan on surveillance industrial complex, later heaven, and the path of many returns. numerous samples, videos, storyline components and album title by cory salveson. album cover polaroid of stone henge on the summer solstice (2017) by cory salveson with additional treatment by tyler etters.
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1642
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1648
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1650
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1651
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1697
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1661
1707
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1663
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1664
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1665
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1715
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1719
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1676
1722
  notes: |
1677
1723
  - - - - - - - - - -
1678
1724
  chapter vii
@@ -1688,7 +1734,7 @@
1688
1734
  7. reaver, yggdrasil, the thing at the end of the woods
1689
1735
  8. bridges of terabithia
1690
1736
  9. unscarred land
1691
- - - - - - - - - - -
1737
+ - - - - - - - - - -
1692
1738
  credits: |
1693
1739
  written & recorded by tyler etters from an indeterminate point in the past through december 2016 at endless field studios. featuring adam j. moore on full steam, holy mountain hymn, and reaver, yggdsrasil, the thing at the end of the woods. featuring arthur zdrinc on holy mountain hymn. featuring cory salveson on videos, images, and storyline.
1694
1740
 
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1725
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1728
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1730
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1731
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1732
- - number: 10
1733
- title: armageddon rager
1734
- length: 00:03:12
1735
- - number: 11
1736
- title: suburban gutter trash
1737
- length: 00:01:29
1738
- - number: 12
1739
- title: flood sirens
1740
- length: 00:01:14
1741
- - number: 13
1742
- title: requiem, tunnels between worlds
1743
- length: 00:04:05
1744
- - number: 14
1745
- title: and then the crickets came
1746
- length: 00:02:31
1751
+ - number: 1
1752
+ title: and though the soft apocalypse may yet overtake
1753
+ length: 00:01:12
1754
+ - number: 2
1755
+ title: unreliable narrator
1756
+ length: 00:02:30
1757
+ - number: 3
1758
+ title: entropy
1759
+ length: 00:05:34
1760
+ - number: 4
1761
+ title: palm beach
1762
+ length: 00:03:18
1763
+ - number: 5
1764
+ title: owl
1765
+ length: 00:02:30
1766
+ - number: 6
1767
+ title: boodle man
1768
+ length: 00:02:20
1769
+ - number: 7
1770
+ title: steady progress (deeper into the dark tangent)
1771
+ length: 00:01:24
1772
+ - number: 8
1773
+ title: in this spiraling darkness
1774
+ length: 00:08:20
1775
+ - number: 9
1776
+ title: heat death
1777
+ length: 00:01:09
1778
+ - number: 10
1779
+ title: armageddon rager
1780
+ length: 00:03:12
1781
+ - number: 11
1782
+ title: suburban gutter trash
1783
+ length: 00:01:29
1784
+ - number: 12
1785
+ title: flood sirens
1786
+ length: 00:01:14
1787
+ - number: 13
1788
+ title: requiem, tunnels between worlds
1789
+ length: 00:04:05
1790
+ - number: 14
1791
+ title: and then the crickets came
1792
+ length: 00:02:31
1747
1793
  streams:
1748
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1749
- url: https://www.amazon.com/music/player/albums/B08XLHVYZN
1750
- - platform: Apple Music
1751
- url: https://music.apple.com/us/album/and-though-the-soft-apocalypse-may-yet-overtake/1547750195
1752
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1753
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1754
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1755
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1756
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1757
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1758
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1759
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1760
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1761
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1794
+ - platform: Amazon
1795
+ url: https://www.amazon.com/music/player/albums/B08XLHVYZN
1796
+ - platform: Apple Music
1797
+ url: https://music.apple.com/us/album/and-though-the-soft-apocalypse-may-yet-overtake/1547750195
1798
+ - platform: Bandcamp
1799
+ url: https://northerninformation.bandcamp.com/album/and-though-the-soft-apocalypse-may-yet-overtake
1800
+ - platform: Deezer
1801
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1802
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1803
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1804
+ - platform: Spotify
1805
+ url: https://open.spotify.com/album/1KCrlpmU24jOUJwI8Z0bOZ
1806
+ - platform: YouTube
1807
+ url: https://www.youtube.com/watch?v=x0Feu-eX3eo&list=OLAK5uy_l_GoqpRTVTQfJINp7Gsvjz6YypYiSk_1Q
1762
1808
  notes: |
1763
1809
  - - - - - - - - - -
1764
1810
  chapter vi
@@ -1779,7 +1825,7 @@
1779
1825
  12. flood sirens
1780
1826
  13. requiem, tunnels between worlds
1781
1827
  14. and then the crickets came
1782
- - - - - - - - - - -
1828
+ - - - - - - - - - -
1783
1829
  credits: |
1784
1830
  written & recorded by tyler etters from january 2015 through june 2015 at endless field studios. featuring adam j. moore on palm beach and suburban gutter trash.
1785
1831
 
@@ -1793,33 +1839,33 @@
1793
1839
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1841
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1798
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1799
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1800
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1801
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1802
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1803
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1804
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1805
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1806
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1807
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1842
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1844
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1851
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1852
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1853
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1808
1854
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1810
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1811
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1812
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1813
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1814
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1815
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1816
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1817
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1819
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1820
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1821
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1822
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1855
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1857
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1858
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1859
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1860
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1861
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1862
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1863
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1864
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1865
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1866
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1867
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1868
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1823
1869
  notes: |
1824
1870
  - - - - - - - - - -
1825
1871
  chapter v
@@ -1842,60 +1888,60 @@
1842
1888
  mp3: false
1843
1889
  wav: false
1844
1890
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1845
- - number: 1
1846
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1847
- length: 00:06:29
1848
- - number: 2
1849
- title: there is no death, only reorganization
1850
- length: 00:02:51
1851
- - number: 3
1852
- title: second chance
1853
- length: 00:04:44
1854
- - number: 4
1855
- title: ch((e)i)m(er)ical
1856
- length: 00:02:47
1857
- - number: 5
1858
- title: forest (R1-07348-0017.jpg)
1859
- length: 00:02:16
1860
- - number: 6
1861
- title: 2am, rte 53, northbound
1862
- length: 00:02:14
1863
- - number: 7
1864
- title: jacurutu
1865
- length: 00:03:41
1866
- - number: 8
1867
- title: radio haces arrib{a} tu cowboy espacio
1868
- length: 00:01:19
1869
- - number: 9
1870
- title: getageese
1871
- length: 00:07:45
1872
- - number: 10
1873
- title: samsara (w/ adam)
1874
- length: 00:03:06
1875
- - number: 11
1876
- title: the sound of her wings
1877
- length: 00:02:36
1878
- - number: 12
1879
- title: infinite return of the same
1880
- length: 00:02:19
1881
- - number: 13
1882
- title: nausicaΓ€
1883
- length: 00:05:35
1891
+ - number: 1
1892
+ title: the secret symmetries of oakwood hills
1893
+ length: 00:06:29
1894
+ - number: 2
1895
+ title: there is no death, only reorganization
1896
+ length: 00:02:51
1897
+ - number: 3
1898
+ title: second chance
1899
+ length: 00:04:44
1900
+ - number: 4
1901
+ title: ch((e)i)m(er)ical
1902
+ length: 00:02:47
1903
+ - number: 5
1904
+ title: forest (R1-07348-0017.jpg)
1905
+ length: 00:02:16
1906
+ - number: 6
1907
+ title: 2am, rte 53, northbound
1908
+ length: 00:02:14
1909
+ - number: 7
1910
+ title: jacurutu
1911
+ length: 00:03:41
1912
+ - number: 8
1913
+ title: radio haces arrib{a} tu cowboy espacio
1914
+ length: 00:01:19
1915
+ - number: 9
1916
+ title: getageese
1917
+ length: 00:07:45
1918
+ - number: 10
1919
+ title: samsara (w/ adam)
1920
+ length: 00:03:06
1921
+ - number: 11
1922
+ title: the sound of her wings
1923
+ length: 00:02:36
1924
+ - number: 12
1925
+ title: infinite return of the same
1926
+ length: 00:02:19
1927
+ - number: 13
1928
+ title: nausicaΓ€
1929
+ length: 00:05:35
1884
1930
  streams:
1885
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1886
- url: https://www.amazon.com/music/player/albums/B08XMB5NWF
1887
- - platform: Apple Music
1888
- url: https://music.apple.com/us/album/the-phantoms-of-our-lost-cause/1550708799
1889
- - platform: Bandcamp
1890
- url: https://northerninformation.bandcamp.com/album/the-phantoms-of-our-lost-cause
1891
- - platform: Deezer
1892
- url: https://www.deezer.com/us/album/611727812
1893
- - platform: iHeartRadio
1894
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1895
- - platform: Spotify
1896
- url: https://open.spotify.com/album/6uQKrMnKgYtavYwIuEXnev
1897
- - platform: YouTube
1898
- url: https://www.youtube.com/watch?v=6_wx1DK4STo&list=OLAK5uy_m2oDZFmJ5IBG___w55SOr3GVJSHPS9P0Q
1931
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1932
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1933
+ - platform: Apple Music
1934
+ url: https://music.apple.com/us/album/the-phantoms-of-our-lost-cause/1550708799
1935
+ - platform: Bandcamp
1936
+ url: https://northerninformation.bandcamp.com/album/the-phantoms-of-our-lost-cause
1937
+ - platform: Deezer
1938
+ url: https://www.deezer.com/us/album/611727812
1939
+ - platform: iHeartRadio
1940
+ url: https://www.iheart.com/artist/northern-information-43479567/albums/the-phantoms-of-our-lost-cause-277686189/
1941
+ - platform: Spotify
1942
+ url: https://open.spotify.com/album/6uQKrMnKgYtavYwIuEXnev
1943
+ - platform: YouTube
1944
+ url: https://www.youtube.com/watch?v=6_wx1DK4STo&list=OLAK5uy_m2oDZFmJ5IBG___w55SOr3GVJSHPS9P0Q
1899
1945
  notes: |
1900
1946
  - - - - - - - - - -
1901
1947
  chapter iv
@@ -1918,7 +1964,7 @@
1918
1964
  11. the sound of her wings
1919
1965
  12. infinite return of the same
1920
1966
  13. nausicaΓ€
1921
- - - - - - - - - - -
1967
+ - - - - - - - - - -
1922
1968
  credits: |
1923
1969
  written & recorded by tyler etters from an indeterminate point in the past through december 2014 at endless field studios. featuring adam moore on samsara. album cover artwork by paul petrosyan with additional treatment by tyler etters.
1924
1970
 
@@ -1932,30 +1978,30 @@
1932
1978
  mp3: false
1933
1979
  wav: false
1934
1980
  tracks:
1935
- - number: 1
1936
- title: northern illinois
1937
- length: 00:18:44
1938
- - number: 2
1939
- title: we failed
1940
- length: 00:06:55
1941
- - number: 3
1942
- title: january 1st, 1970 + zero gmt
1943
- length: 00:06:13
1981
+ - number: 1
1982
+ title: northern illinois
1983
+ length: 00:18:44
1984
+ - number: 2
1985
+ title: we failed
1986
+ length: 00:06:55
1987
+ - number: 3
1988
+ title: january 1st, 1970 + zero gmt
1989
+ length: 00:06:13
1944
1990
  streams:
1945
- - platform: Amazon
1946
- url: https://www.amazon.com/music/player/albums/B08XM9RMWP
1947
- - platform: Apple Music
1948
- url: https://music.apple.com/us/album/senescence/1547708658
1949
- - platform: Bandcamp
1950
- url: https://northerninformation.bandcamp.com/album/senescence
1951
- - platform: Deezer
1952
- url: https://www.deezer.com/us/album/611750652
1953
- - platform: iHeartRadio
1954
- url: https://www.iheart.com/artist/northern-information-43479567/albums/senescence-277684070/
1955
- - platform: Spotify
1956
- url: https://open.spotify.com/album/0rNcDNQsHb5NsVPX0Hq61i
1957
- - platform: YouTube
1958
- url: https://www.youtube.com/watch?v=kFYxNh09hb8&list=OLAK5uy_lTv9qeBfWmX-tvqNOWuNVJbwiKFr1tfes
1991
+ - platform: Amazon
1992
+ url: https://www.amazon.com/music/player/albums/B08XM9RMWP
1993
+ - platform: Apple Music
1994
+ url: https://music.apple.com/us/album/senescence/1547708658
1995
+ - platform: Bandcamp
1996
+ url: https://northerninformation.bandcamp.com/album/senescence
1997
+ - platform: Deezer
1998
+ url: https://www.deezer.com/us/album/611750652
1999
+ - platform: iHeartRadio
2000
+ url: https://www.iheart.com/artist/northern-information-43479567/albums/senescence-277684070/
2001
+ - platform: Spotify
2002
+ url: https://open.spotify.com/album/0rNcDNQsHb5NsVPX0Hq61i
2003
+ - platform: YouTube
2004
+ url: https://www.youtube.com/watch?v=kFYxNh09hb8&list=OLAK5uy_lTv9qeBfWmX-tvqNOWuNVJbwiKFr1tfes
1959
2005
  notes: |
1960
2006
  - - - - - - - - - -
1961
2007
  chapter iii
@@ -1970,7 +2016,7 @@
1970
2016
  v. song of the cicada
1971
2017
  2. we failed
1972
2018
  3. january 1st, 1970 + zero gmt
1973
- - - - - - - - - - -
2019
+ - - - - - - - - - -
1974
2020
  credits: |
1975
2021
  written & recorded by tyler etters from june 2013 through september 2013 at endless field studios except for 'tears of the space cowboy' which was also written by kevin clark, dorian zdrinc and arthur zdrinc sometime back in 2011.
1976
2022
 
@@ -1984,45 +2030,45 @@
1984
2030
  mp3: false
1985
2031
  wav: false
1986
2032
  tracks:
1987
- - number: 1
1988
- title: music for forests of childhood
1989
- length: 00:20:39
1990
- - number: 2
1991
- title: rainbow table
1992
- length: 00:13:57
1993
- - number: 3
1994
- title: ΑΙΓΑΙΙΣ
1995
- length: 00:01:21
1996
- - number: 4
1997
- title: zombie poison
1998
- length: 00:05:36
1999
- - number: 5
2000
- title: intermission
2001
- length: 00:01:53
2002
- - number: 6
2003
- title: the cicada must sing (sleepy brit)
2004
- length: 00:03:30
2005
- - number: 7
2006
- title: four mile crib
2007
- length: 00:10:41
2008
- - number: 8
2009
- title: ICD-10 Z73.0
2010
- length: 00:04:12
2033
+ - number: 1
2034
+ title: music for forests of childhood
2035
+ length: 00:20:39
2036
+ - number: 2
2037
+ title: rainbow table
2038
+ length: 00:13:57
2039
+ - number: 3
2040
+ title: ΑΙΓΑΙΙΣ
2041
+ length: 00:01:21
2042
+ - number: 4
2043
+ title: zombie poison
2044
+ length: 00:05:36
2045
+ - number: 5
2046
+ title: intermission
2047
+ length: 00:01:53
2048
+ - number: 6
2049
+ title: the cicada must sing (sleepy brit)
2050
+ length: 00:03:30
2051
+ - number: 7
2052
+ title: four mile crib
2053
+ length: 00:10:41
2054
+ - number: 8
2055
+ title: ICD-10 Z73.0
2056
+ length: 00:04:12
2011
2057
  streams:
2012
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2013
- url: https://www.amazon.com/music/player/albums/B08XM13BM7
2014
- - platform: Apple Music
2015
- url: https://music.apple.com/us/album/blue-the-most-celestial-color/1547708931
2016
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2017
- url: https://northerninformation.bandcamp.com/album/blue-the-most-celestial-color
2018
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2019
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2020
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2021
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2022
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2023
- url: https://open.spotify.com/album/4NQk9Chnj4dm5JpIO5ME2x
2024
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2025
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2058
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2059
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2060
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2061
+ url: https://music.apple.com/us/album/blue-the-most-celestial-color/1547708931
2062
+ - platform: Bandcamp
2063
+ url: https://northerninformation.bandcamp.com/album/blue-the-most-celestial-color
2064
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2065
+ url: https://www.deezer.com/us/album/611728452
2066
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2067
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2068
+ - platform: Spotify
2069
+ url: https://open.spotify.com/album/4NQk9Chnj4dm5JpIO5ME2x
2070
+ - platform: YouTube
2071
+ url: https://www.youtube.com/watch?v=QKyfbqzP6mU&list=OLAK5uy_lsTxpyQscjNtjP-88YpeFTUyqUPzLTHdg
2026
2072
  notes: |
2027
2073
  - - - - - - - - - -
2028
2074
  chapter ii
@@ -2054,27 +2100,27 @@
2054
2100
  mp3: false
2055
2101
  wav: false
2056
2102
  tracks:
2057
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2058
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2059
- length: 00:15:00
2060
- - number: 2
2061
- title: generative
2062
- length: 00:15:00
2103
+ - number: 1
2104
+ title: immemorial
2105
+ length: 00:15:00
2106
+ - number: 2
2107
+ title: generative
2108
+ length: 00:15:00
2063
2109
  streams:
2064
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2065
- url: https://www.amazon.com/music/player/albums/B08XM564ND
2066
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2067
- url: https://music.apple.com/us/album/the-geometrie-of-our-lost-cause-ep/1547738031
2068
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2069
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2070
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2071
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2072
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2073
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2074
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2075
- url: https://open.spotify.com/album/4RQ26hIooZ0tS7fwVq2XiV
2076
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2077
- url: https://www.youtube.com/watch?v=LngaFKfwFOQ&list=OLAK5uy_l6JrOwqHnZsbkyY8FmSyaU74qRxSEJ0s8
2110
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2111
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2112
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2113
+ url: https://music.apple.com/us/album/the-geometrie-of-our-lost-cause-ep/1547738031
2114
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2115
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2116
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2117
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2118
+ - platform: iHeartRadio
2119
+ url: https://www.iheart.com/artist/northern-information-43479567/albums/the-geometrie-of-our-lost-cause-277678240/
2120
+ - platform: Spotify
2121
+ url: https://open.spotify.com/album/4RQ26hIooZ0tS7fwVq2XiV
2122
+ - platform: YouTube
2123
+ url: https://www.youtube.com/watch?v=LngaFKfwFOQ&list=OLAK5uy_l6JrOwqHnZsbkyY8FmSyaU74qRxSEJ0s8
2078
2124
  notes: |
2079
2125
  - - - - - - - - - -
2080
2126
  chapter i
@@ -2100,20 +2146,20 @@
2100
2146
  mp3: false
2101
2147
  wav: false
2102
2148
  tracks:
2103
- - number: 1
2104
- title: Prolegomenon
2105
- length: 00:05:44
2106
- - number: 2
2107
- title: Fallen World
2108
- length: 00:03:15
2109
- - number: 3
2110
- title: Terminal
2111
- length: 00:04:57
2112
- - number: 4
2113
- title: And the Golden Hours... They Always Die to the Night
2114
- length: 00:05:42
2149
+ - number: 1
2150
+ title: Prolegomenon
2151
+ length: 00:05:44
2152
+ - number: 2
2153
+ title: Fallen World
2154
+ length: 00:03:15
2155
+ - number: 3
2156
+ title: Terminal
2157
+ length: 00:04:57
2158
+ - number: 4
2159
+ title: And the Golden Hours... They Always Die to the Night
2160
+ length: 00:05:42
2115
2161
  notes: |
2116
- ...and the world forces you out once again, return to the highways, return to the endless fields; that word, prolegomenon, appeared in my dreams some time ago, immemorial, i didn't even know what the word was or what it meant, or even how to spell or pronounce it; 'prolegomenon,'; i knew only the feeling of it upon my tounge, the sound of it reflecting off the walls, the feeling it would impress upon me while reading it, i tried writing it down but failed many times, i couldn't triangulate the syllables but all evidence pointed towards it's existence... and then one night i stumbled accross it, wikipedia again, probably, just like connectedness locus, an anonymous entry that may or may not be credible and accurate - whatever the case, the word is correct, a descendent perhaps of some greek warlord but this time transposed three centuries forward into a neon dusk where houses are constructed with html, the past continues to be reframed by the present, history is writen by the victors while our dreams steadily wind down and we fall apart, our social network spreads thin as we flee, to the dissident corners of this fallen world, in my battered attempt to fix this battered language, we bum each other our entire lives, and my father entered rem sleep; and i forgot my closest friend’s name; and my mother flew to the afar north; to dance where the sumacs still grow. let us sing that truth whispered is truth betrayed, for an elephant never forgets: to arms! to arms! and we still fall apart. replication - repeating days - we are bloated and weak here in the states. tidal synths. royal timbral waves. a series of events leading up to a cataclysmic demise, microburst dreams, echoes from a standstill destiny, there is no death, only reorganization...
2162
+ ...and the world forces you out once again, return to the highways, return to the endless fields; that word, prolegomenon, appeared in my dreams some time ago, immemorial, i didn't even know what the word was or what it meant, or even how to spell or pronounce it; 'prolegomenon,'; i knew only the feeling of it upon my tounge, the sound of it reflecting off the walls, the feeling it would impress upon me while reading it, i tried writing it down but failed many times, i couldn't triangulate the syllables but all evidence pointed towards it's existence... and then one night i stumbled accross it, wikipedia again, probably, just like connectedness locus, an anonymous entry that may or may not be credible and accurate - whatever the case, the word is correct, a descendent perhaps of some greek warlord but this time transposed three centuries forward into a neon dusk where houses are constructed with html, the past continues to be reframed by the present, history is writen by the victors while our dreams steadily wind down and we fall apart, our social network spreads thin as we flee, to the dissident corners of this fallen world, in my battered attempt to fix this battered language, we bum each other our entire lives, and my father entered rem sleep; and i forgot my closest friend’s name; and my mother flew to the afar north; to dance where the sumacs still grow. let us sing that truth whispered is truth betrayed, for an elephant never forgets: to arms! to arms! and we still fall apart. replication - repeating days - we are bloated and weak here in the states. tidal synths. royal timbral waves. a series of events leading up to a cataclysmic demise, microburst dreams, echoes from a standstill destiny, there is no death, only reorganization...
2117
2163
  credits: |
2118
2164
  Connectedness Locus is Tyler Etters.
2119
2165
 
@@ -2127,36 +2173,36 @@
2127
2173
  mp3: false
2128
2174
  wav: false
2129
2175
  tracks:
2130
- - number: 1
2131
- title: Where Dreams Go to Be Forgotten
2132
- length: 00:04:45
2133
- - number: 2
2134
- title: Dissolve Away
2135
- length: 00:03:28
2136
- - number: 3
2137
- title: Location Engineering
2138
- length: 00:04:35
2139
- - number: 4
2140
- title: Time Mirage
2141
- length: 00:03:35
2142
- - number: 5
2143
- title: Crisis of Destinies
2144
- length: 00:04:55
2145
- - number: 6
2146
- title: Words and Worlds
2147
- length: 00:03:37
2148
- - number: 7
2149
- title: The Future, Both Forever Ungrasped
2150
- length: 00:04:02
2151
- - number: 8
2152
- title: Crucible
2153
- length: 00:04:15
2154
- - number: 9
2155
- title: The Violinist of the Moon
2156
- length: 00:05:21
2157
- - number: 10
2158
- title: A Truer Form
2159
- length: 00:06:20
2176
+ - number: 1
2177
+ title: Where Dreams Go to Be Forgotten
2178
+ length: 00:04:45
2179
+ - number: 2
2180
+ title: Dissolve Away
2181
+ length: 00:03:28
2182
+ - number: 3
2183
+ title: Location Engineering
2184
+ length: 00:04:35
2185
+ - number: 4
2186
+ title: Time Mirage
2187
+ length: 00:03:35
2188
+ - number: 5
2189
+ title: Crisis of Destinies
2190
+ length: 00:04:55
2191
+ - number: 6
2192
+ title: Words and Worlds
2193
+ length: 00:03:37
2194
+ - number: 7
2195
+ title: The Future, Both Forever Ungrasped
2196
+ length: 00:04:02
2197
+ - number: 8
2198
+ title: Crucible
2199
+ length: 00:04:15
2200
+ - number: 9
2201
+ title: The Violinist of the Moon
2202
+ length: 00:05:21
2203
+ - number: 10
2204
+ title: A Truer Form
2205
+ length: 00:06:20
2160
2206
  notes: |
2161
2207
  Beyond the northern wastelands where dreams go to be forgotten, where the legendary high tension power lines march into tangled heaps of wreckage, where rusty salt barges sputter about and dissolve away, where billboards vomit dusky portents of express oil changes, where steadfast location engineering generates an inadvertent legacy, where lonely stands of pines filter incandescent and nuclear light, where time mirages dot the coast line, where we don poisonous armor to ward off strange flying creatures, where a crisis of destinies pulls us away and into the darkness yet again, where our hand made dream catchers from childhood clink-clank into one another and crumble apart, where words and worlds whisper, where owls still gather in schools and sing in 7/4 to an embryonic moon, where the past and the future, both forever ungrasped, are forfeited to the bigwigs and their brokers, where great oak trees are chainsawed into heaps of hallucinating sawdust, where hacking the akashic records is the only option to escape the crucible, where you awaken on warm and sparsely populated shores to find your initials carved into each piece of driftwood, where the violinist of the moon vanishes before the final note is bowed, where the cicada must sing before you can return home, where a truer form unfurls as the great wings of metamorphosis engulf the emerald skies, the dreams of Connectedness Locus are spun and Terraforms can be heard.
2162
2208
  credits: |
@@ -2172,9 +2218,9 @@
2172
2218
  mp3: false
2173
2219
  wav: false
2174
2220
  tracks:
2175
- - number: 1
2176
- title: When the Paint Peels
2177
- length: 00:20:03
2221
+ - number: 1
2222
+ title: When the Paint Peels
2223
+ length: 00:20:03
2178
2224
  notes: |
2179
2225
  ...was recorded on a rainy January afternoon in one of the back rooms of Swing State, a small art & music venue in the northern wastes of Illinois. The entire operation was executed on an analog reel-to-reel device.
2180
2226
  "It makes you listen with your ears, rather than your eyes," Isaac said as he loaded the magnetic tapes. My jaw hit the floor. Somewhere, miles away, my computer was steadily collecting a fine layer of dust.
@@ -2191,33 +2237,33 @@
2191
2237
  mp3: false
2192
2238
  wav: false
2193
2239
  tracks:
2194
- - number: 1
2195
- title: Between Sunlight And Shadow
2196
- length: 00:04:28
2197
- - number: 2
2198
- title: The Fallen Oak
2199
- length: 00:05:29
2200
- - number: 3
2201
- title: Koria Advance Is Your Friend
2202
- length: 00:05:02
2203
- - number: 4
2204
- title: Places Pass And The Walls Of Green Collapse
2205
- length: 00:04:52
2206
- - number: 5
2207
- title: The Prominence
2208
- length: 00:11:11
2209
- - number: 6
2210
- title: They Burn The Fields
2211
- length: 00:04:36
2212
- - number: 7
2213
- title: Gibbous
2214
- length: 00:07:13
2215
- - number: 8
2216
- title: Qweens In The Woodgrain
2217
- length: 00:04:13
2218
- - number: 9
2219
- title: Only If You Get Lost
2220
- length: 00:08:27
2240
+ - number: 1
2241
+ title: Between Sunlight And Shadow
2242
+ length: 00:04:28
2243
+ - number: 2
2244
+ title: The Fallen Oak
2245
+ length: 00:05:29
2246
+ - number: 3
2247
+ title: Koria Advance Is Your Friend
2248
+ length: 00:05:02
2249
+ - number: 4
2250
+ title: Places Pass And The Walls Of Green Collapse
2251
+ length: 00:04:52
2252
+ - number: 5
2253
+ title: The Prominence
2254
+ length: 00:11:11
2255
+ - number: 6
2256
+ title: They Burn The Fields
2257
+ length: 00:04:36
2258
+ - number: 7
2259
+ title: Gibbous
2260
+ length: 00:07:13
2261
+ - number: 8
2262
+ title: Qweens In The Woodgrain
2263
+ length: 00:04:13
2264
+ - number: 9
2265
+ title: Only If You Get Lost
2266
+ length: 00:08:27
2221
2267
  notes: |
2222
2268
  Serial Index of Unclaimed Memories File 1 is a spiraling nine track safari into the chaotic and serene realms of post-electronica. Astral, delay-riddled guitars, trip-hop/IDM drums, orchestrated ambience, lo-fi cassette deck samples, distorted bass, and psychosis inducing drones are just a few of the cards brought to the table.
2223
2269
  credits: |
@@ -2233,33 +2279,33 @@
2233
2279
  mp3: false
2234
2280
  wav: false
2235
2281
  tracks:
2236
- - number: 1
2237
- title: Movement 802
2238
- length: 00:08:37
2239
- - number: 2
2240
- title: Movement 34
2241
- length: 00:04:41
2242
- - number: 3
2243
- title: Movement 4517
2244
- length: 00:00:07
2245
- - number: 4
2246
- title: Movement 333
2247
- length: 00:06:00
2248
- - number: 5
2249
- title: Movement 21
2250
- length: 00:10:21
2251
- - number: 6
2252
- title: Movement 282
2253
- length: 00:08:46
2254
- - number: 7
2255
- title: Movement 56
2256
- length: 00:05:22
2257
- - number: 8
2258
- title: Movement 1175
2259
- length: 00:09:10
2260
- - number: 9
2261
- title: Movement 796
2262
- length: 00:06:18
2282
+ - number: 1
2283
+ title: Movement 802
2284
+ length: 00:08:37
2285
+ - number: 2
2286
+ title: Movement 34
2287
+ length: 00:04:41
2288
+ - number: 3
2289
+ title: Movement 4517
2290
+ length: 00:00:07
2291
+ - number: 4
2292
+ title: Movement 333
2293
+ length: 00:06:00
2294
+ - number: 5
2295
+ title: Movement 21
2296
+ length: 00:10:21
2297
+ - number: 6
2298
+ title: Movement 282
2299
+ length: 00:08:46
2300
+ - number: 7
2301
+ title: Movement 56
2302
+ length: 00:05:22
2303
+ - number: 8
2304
+ title: Movement 1175
2305
+ length: 00:09:10
2306
+ - number: 9
2307
+ title: Movement 796
2308
+ length: 00:06:18
2263
2309
  notes: |
2264
2310
  Serial Index of Unclaimed Memories File 2, is comprised of nine seperate tracks (here called 'Movements'), and is akin to a stream of consciousness dialouge between failing super-computer systems. Almost enitrely ambient, File 2 explores an entirely different realm than File 1.
2265
2311
  credits: |
@@ -2275,48 +2321,48 @@
2275
2321
  mp3: false
2276
2322
  wav: false
2277
2323
  tracks:
2278
- - number: 1
2279
- title: Mindtraps & Caltrops
2280
- length: 00:04:09
2281
- - number: 2
2282
- title: Some See a Valley; Some See a Gate
2283
- length: 00:00:43
2284
- - number: 3
2285
- title: Synnestvedt Orchards
2286
- length: 00:03:43
2287
- - number: 4
2288
- title: In This Endless Intricacy
2289
- length: 00:03:17
2290
- - number: 5
2291
- title: Still We Crumble Before the Oracles
2292
- length: 00:03:07
2293
- - number: 6
2294
- title: Until the Patterns Converge
2295
- length: 00:01:08
2296
- - number: 7
2297
- title: As Quippolous Codes Quietly Count
2298
- length: 00:05:41
2299
- - number: 8
2300
- title: Demalia Lensing
2301
- length: 00:03:06
2302
- - number: 9
2303
- title: We're Anime Kids
2304
- length: 00:00:28
2305
- - number: 10
2306
- title: Awareness is to Watch as the Millions of Drones You Captured Just Walk Away
2307
- length: 06:06
2308
- - number: 11
2309
- title: Knights of the Watertower
2310
- length: 00:05:26
2311
- - number: 12
2312
- title: The Centipede
2313
- length: 00:02:10
2314
- - number: 13
2315
- title: They Shield Your Geometrie (T9 Translation Error Mix)
2316
- length: 00:05:43
2317
- - number: 14
2318
- title: Elephants, Veils, Stars
2319
- length: 00:02:27
2324
+ - number: 1
2325
+ title: Mindtraps & Caltrops
2326
+ length: 00:04:09
2327
+ - number: 2
2328
+ title: Some See a Valley; Some See a Gate
2329
+ length: 00:00:43
2330
+ - number: 3
2331
+ title: Synnestvedt Orchards
2332
+ length: 00:03:43
2333
+ - number: 4
2334
+ title: In This Endless Intricacy
2335
+ length: 00:03:17
2336
+ - number: 5
2337
+ title: Still We Crumble Before the Oracles
2338
+ length: 00:03:07
2339
+ - number: 6
2340
+ title: Until the Patterns Converge
2341
+ length: 00:01:08
2342
+ - number: 7
2343
+ title: As Quippolous Codes Quietly Count
2344
+ length: 00:05:41
2345
+ - number: 8
2346
+ title: Demalia Lensing
2347
+ length: 00:03:06
2348
+ - number: 9
2349
+ title: We're Anime Kids
2350
+ length: 00:00:28
2351
+ - number: 10
2352
+ title: Awareness is to Watch as the Millions of Drones You Captured Just Walk Away
2353
+ length: 06:06
2354
+ - number: 11
2355
+ title: Knights of the Watertower
2356
+ length: 00:05:26
2357
+ - number: 12
2358
+ title: The Centipede
2359
+ length: 00:02:10
2360
+ - number: 13
2361
+ title: They Shield Your Geometrie (T9 Translation Error Mix)
2362
+ length: 00:05:43
2363
+ - number: 14
2364
+ title: Elephants, Veils, Stars
2365
+ length: 00:02:27
2320
2366
  notes: |
2321
2367
  As Quippolous Codes Quietly Count is a journey through prismatic mists of somnolence and destiny, gates of shimmering keyboard harmonics, mold-emblazoned percussives, and delerious, sludge-filled wastelands where only the foolish and the brave trek. Recorded over the course of 2 years, the album could easily be mistaken for an impressionistic account of a journey through space amidst a fleet of ghost ships.
2322
2368
  credits: |
@@ -2332,24 +2378,24 @@
2332
2378
  mp3: false
2333
2379
  wav: false
2334
2380
  tracks:
2335
- - number: 1
2336
- title: Running
2337
- length: 00:03:50
2338
- - number: 2
2339
- title: The Shoreless Ocean
2340
- length: 00:05:13
2341
- - number: 3
2342
- title: Of Light
2343
- length: 00:05:03
2344
- - number: 4
2345
- title: Upon The Gates Of Self Justification
2346
- length: 00:02:46
2347
- - number: 5
2348
- title: Surrender & Realization
2349
- length: 00:04:02
2350
- - number: 6
2351
- title: Sand Ladders
2352
- length: 00:04:13
2381
+ - number: 1
2382
+ title: Running
2383
+ length: 00:03:50
2384
+ - number: 2
2385
+ title: The Shoreless Ocean
2386
+ length: 00:05:13
2387
+ - number: 3
2388
+ title: Of Light
2389
+ length: 00:05:03
2390
+ - number: 4
2391
+ title: Upon The Gates Of Self Justification
2392
+ length: 00:02:46
2393
+ - number: 5
2394
+ title: Surrender & Realization
2395
+ length: 00:04:02
2396
+ - number: 6
2397
+ title: Sand Ladders
2398
+ length: 00:04:13
2353
2399
  notes: |
2354
2400
  None.
2355
2401
  credits: |
@@ -2365,42 +2411,42 @@
2365
2411
  mp3: false
2366
2412
  wav: false
2367
2413
  tracks:
2368
- - number: 1
2369
- title: Submerged
2370
- length: 00:05:10
2371
- - number: 2
2372
- title: Facing the End
2373
- length: 00:05:49
2374
- - number: 3
2375
- title: My Armor, My Ammunition
2376
- length: 00:03:54
2377
- - number: 4
2378
- title: "19"
2379
- length: 00:01:37
2380
- - number: 5
2381
- title: Mist
2382
- length: 00:04:43
2383
- - number: 6
2384
- title: Your Weakest Moment
2385
- length: 00:04:30
2386
- - number: 7
2387
- title: Crisis Reign
2388
- length: 00:05:07
2389
- - number: 8
2390
- title: There Was Hope
2391
- length: 00:05:07
2392
- - number: 9
2393
- title: Phantoms
2394
- length: 00:03:45
2395
- - number: 10
2396
- title: One With Water
2397
- length: 00:06:41
2398
- - number: 11
2399
- title: Monolith of Self
2400
- length: 00:04:18
2401
- - number: 12
2402
- title: The End of an Age
2403
- length: 00:03:09
2414
+ - number: 1
2415
+ title: Submerged
2416
+ length: 00:05:10
2417
+ - number: 2
2418
+ title: Facing the End
2419
+ length: 00:05:49
2420
+ - number: 3
2421
+ title: My Armor, My Ammunition
2422
+ length: 00:03:54
2423
+ - number: 4
2424
+ title: "19"
2425
+ length: 00:01:37
2426
+ - number: 5
2427
+ title: Mist
2428
+ length: 00:04:43
2429
+ - number: 6
2430
+ title: Your Weakest Moment
2431
+ length: 00:04:30
2432
+ - number: 7
2433
+ title: Crisis Reign
2434
+ length: 00:05:07
2435
+ - number: 8
2436
+ title: There Was Hope
2437
+ length: 00:05:07
2438
+ - number: 9
2439
+ title: Phantoms
2440
+ length: 00:03:45
2441
+ - number: 10
2442
+ title: One With Water
2443
+ length: 00:06:41
2444
+ - number: 11
2445
+ title: Monolith of Self
2446
+ length: 00:04:18
2447
+ - number: 12
2448
+ title: The End of an Age
2449
+ length: 00:03:09
2404
2450
  notes: |
2405
2451
  None.
2406
2452
  credits: |
@@ -2422,9 +2468,9 @@
2422
2468
  mp3: false
2423
2469
  wav: false
2424
2470
  tracks:
2425
- - number: 1
2426
- title: Organica Lensing
2427
- length: 00:04:02
2471
+ - number: 1
2472
+ title: Organica Lensing
2473
+ length: 00:04:02
2428
2474
  notes: |
2429
2475
  None.
2430
2476
  credits: |
@@ -2440,9 +2486,9 @@
2440
2486
  mp3: false
2441
2487
  wav: false
2442
2488
  tracks:
2443
- - number: 1
2444
- title: The Killing Tree
2445
- length: 00:04:08
2489
+ - number: 1
2490
+ title: The Killing Tree
2491
+ length: 00:04:08
2446
2492
  notes: |
2447
2493
  None.
2448
2494
  credits: |
@@ -2458,39 +2504,39 @@
2458
2504
  mp3: false
2459
2505
  wav: false
2460
2506
  tracks:
2461
- - number: 1
2462
- title: Lie Down in Darkness
2463
- length: 00:03:10
2464
- - number: 2
2465
- title: Photographs of Dust
2466
- length: 00:05:01
2467
- - number: 3
2468
- title: Synchronicity
2469
- length: 00:03:06
2470
- - number: 4
2471
- title: Don't Leave Me
2472
- length: 00:05:00
2473
- - number: 5
2474
- title: The Spider and the Formula
2475
- length: 00:05:36
2476
- - number: 6
2477
- title: Arabesque
2478
- length: 00:03:30
2479
- - number: 7
2480
- title: Migration, The Spire Will Kick Up Her Children
2481
- length: 00:03:35
2482
- - number: 8
2483
- title: To the Construct
2484
- length: 00:04:33
2485
- - number: 9
2486
- title: Clouds (Bleed Air)
2487
- length: 00:07:30
2488
- - number: 10
2489
- title: They Rescue You
2490
- length: 00:04:02
2491
- - number: 11
2492
- title: Leyline
2493
- length: 00:03:53
2507
+ - number: 1
2508
+ title: Lie Down in Darkness
2509
+ length: 00:03:10
2510
+ - number: 2
2511
+ title: Photographs of Dust
2512
+ length: 00:05:01
2513
+ - number: 3
2514
+ title: Synchronicity
2515
+ length: 00:03:06
2516
+ - number: 4
2517
+ title: Don't Leave Me
2518
+ length: 00:05:00
2519
+ - number: 5
2520
+ title: The Spider and the Formula
2521
+ length: 00:05:36
2522
+ - number: 6
2523
+ title: Arabesque
2524
+ length: 00:03:30
2525
+ - number: 7
2526
+ title: Migration, The Spire Will Kick Up Her Children
2527
+ length: 00:03:35
2528
+ - number: 8
2529
+ title: To the Construct
2530
+ length: 00:04:33
2531
+ - number: 9
2532
+ title: Clouds (Bleed Air)
2533
+ length: 00:07:30
2534
+ - number: 10
2535
+ title: They Rescue You
2536
+ length: 00:04:02
2537
+ - number: 11
2538
+ title: Leyline
2539
+ length: 00:03:53
2494
2540
  notes: |
2495
2541
  None.
2496
2542
  credits: |
@@ -2506,48 +2552,48 @@
2506
2552
  mp3: false
2507
2553
  wav: false
2508
2554
  tracks:
2509
- - number: 1
2510
- title: Doppleganger's Lattice
2511
- length: 00:03:42
2512
- - number: 2
2513
- title: Fractures Overlap Above the Fields
2514
- length: 00:04:36
2515
- - number: 3
2516
- title: Circadian Rhythm
2517
- length: 00:03:53
2518
- - number: 4
2519
- title: Mantra of the Sumacs
2520
- length: 00:03:15
2521
- - number: 5
2522
- title: Return to the Mind
2523
- length: 00:03:31
2524
- - number: 6
2525
- title: Descent Into Dreams
2526
- length: 00:04:08
2527
- - number: 7
2528
- title: A Different Process
2529
- length: 00:03:38
2530
- - number: 8
2531
- title: Paradigms Unwritten
2532
- length: 00:03:50
2533
- - number: 9
2534
- title: Symbiotics
2535
- length: 00:03:20
2536
- - number: 10
2537
- title: Transience and Perpetuality
2538
- length: 00:03:54
2539
- - number: 11
2540
- title: Yet These Memories Isolated Us
2541
- length: 00:04:29
2542
- - number: 12
2543
- title: Beneath the Orange Ethers
2544
- length: 00:02:01
2545
- - number: 13
2546
- title: Constant Awareness
2547
- length: 00:03:00
2548
- - number: 14
2549
- title: Drift
2550
- length: 00:04:17
2555
+ - number: 1
2556
+ title: Doppleganger's Lattice
2557
+ length: 00:03:42
2558
+ - number: 2
2559
+ title: Fractures Overlap Above the Fields
2560
+ length: 00:04:36
2561
+ - number: 3
2562
+ title: Circadian Rhythm
2563
+ length: 00:03:53
2564
+ - number: 4
2565
+ title: Mantra of the Sumacs
2566
+ length: 00:03:15
2567
+ - number: 5
2568
+ title: Return to the Mind
2569
+ length: 00:03:31
2570
+ - number: 6
2571
+ title: Descent Into Dreams
2572
+ length: 00:04:08
2573
+ - number: 7
2574
+ title: A Different Process
2575
+ length: 00:03:38
2576
+ - number: 8
2577
+ title: Paradigms Unwritten
2578
+ length: 00:03:50
2579
+ - number: 9
2580
+ title: Symbiotics
2581
+ length: 00:03:20
2582
+ - number: 10
2583
+ title: Transience and Perpetuality
2584
+ length: 00:03:54
2585
+ - number: 11
2586
+ title: Yet These Memories Isolated Us
2587
+ length: 00:04:29
2588
+ - number: 12
2589
+ title: Beneath the Orange Ethers
2590
+ length: 00:02:01
2591
+ - number: 13
2592
+ title: Constant Awareness
2593
+ length: 00:03:00
2594
+ - number: 14
2595
+ title: Drift
2596
+ length: 00:04:17
2551
2597
  notes: |
2552
2598
  None.
2553
2599
  credits: |
@@ -2563,15 +2609,15 @@
2563
2609
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2564
2610
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2565
2611
  tracks:
2566
- - number: 1
2567
- title: Yet These Memories Isoalted Us
2568
- length: 00:04:37
2569
- - number: 2
2570
- title: Weeping in Neutrality
2571
- length: 00:03:35
2572
- - number: 3
2573
- title: Imaginary Number
2574
- length: 00:03:34
2612
+ - number: 1
2613
+ title: Yet These Memories Isoalted Us
2614
+ length: 00:04:37
2615
+ - number: 2
2616
+ title: Weeping in Neutrality
2617
+ length: 00:03:35
2618
+ - number: 3
2619
+ title: Imaginary Number
2620
+ length: 00:03:34
2575
2621
  notes: |
2576
2622
  None.
2577
2623
  credits: |
@@ -2587,27 +2633,27 @@
2587
2633
  mp3: false
2588
2634
  wav: false
2589
2635
  tracks:
2590
- - number: 1
2591
- title: Somnium Scipionis
2592
- length: 00:01:20
2593
- - number: 2
2594
- title: Outsdied
2595
- length: 00:04:26
2596
- - number: 3
2597
- title: Apprehension
2598
- length: 00:03:30
2599
- - number: 4
2600
- title: Epilogue
2601
- length: 00:03:44
2602
- - number: 5
2603
- title: Files
2604
- length: 00:03:44
2605
- - number: 6
2606
- title: The Little House
2607
- length: 00:05:15
2608
- - number: 7
2609
- title: Gaseous Tetrahedrons
2610
- length: 00:13:00
2636
+ - number: 1
2637
+ title: Somnium Scipionis
2638
+ length: 00:01:20
2639
+ - number: 2
2640
+ title: Outsdied
2641
+ length: 00:04:26
2642
+ - number: 3
2643
+ title: Apprehension
2644
+ length: 00:03:30
2645
+ - number: 4
2646
+ title: Epilogue
2647
+ length: 00:03:44
2648
+ - number: 5
2649
+ title: Files
2650
+ length: 00:03:44
2651
+ - number: 6
2652
+ title: The Little House
2653
+ length: 00:05:15
2654
+ - number: 7
2655
+ title: Gaseous Tetrahedrons
2656
+ length: 00:13:00
2611
2657
  notes: |
2612
2658
  None.
2613
2659
  credits: |
@@ -2623,30 +2669,30 @@
2623
2669
  mp3: false
2624
2670
  wav: false
2625
2671
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2626
- - number: 1
2627
- title: Approaching the Gates
2628
- length: 00:01:42
2629
- - number: 2
2630
- title: Complex Number
2631
- length: 00:03:13
2632
- - number: 3
2633
- title: Dying Alone
2634
- length: 00:04:00
2635
- - number: 4
2636
- title: The Wake
2637
- length: 00:03:28
2638
- - number: 5
2639
- title: Splintering
2640
- length: 00:05:00
2641
- - number: 6
2642
- title: Content with Failure
2643
- length: 00:03:38
2644
- - number: 7
2645
- title: Weary Eyes of Reason
2646
- length: 00:03:49
2647
- - number: 8
2648
- title: Sweet Lobotomy
2649
- length: 00:03:55
2672
+ - number: 1
2673
+ title: Approaching the Gates
2674
+ length: 00:01:42
2675
+ - number: 2
2676
+ title: Complex Number
2677
+ length: 00:03:13
2678
+ - number: 3
2679
+ title: Dying Alone
2680
+ length: 00:04:00
2681
+ - number: 4
2682
+ title: The Wake
2683
+ length: 00:03:28
2684
+ - number: 5
2685
+ title: Splintering
2686
+ length: 00:05:00
2687
+ - number: 6
2688
+ title: Content with Failure
2689
+ length: 00:03:38
2690
+ - number: 7
2691
+ title: Weary Eyes of Reason
2692
+ length: 00:03:49
2693
+ - number: 8
2694
+ title: Sweet Lobotomy
2695
+ length: 00:03:55
2650
2696
  notes: |
2651
2697
  None.
2652
2698
  credits: |