@tyleretters/discography 1.0.1 → 1.0.2
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- package/README.md +1 -2
- package/dist/discography.d.ts +31 -1
- package/dist/discography.js +1817 -14
- package/dist/discography.js.map +1 -1
- package/dist/discography.yml +851 -3
- package/dist/index.js +1817 -14
- package/dist/index.js.map +1 -1
- package/package.json +1 -1
- package/src/discography.yml +851 -3
package/src/discography.yml
CHANGED
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@@ -1,3 +1,600 @@
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- title: List of Stars in Cancer
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project: They Became What They Beheld
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released: 02024-07-10
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type: Album
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format: Digital
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role: Principal Musician
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label: Intertext
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mp3: false
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wav: false
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tracks:
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- number: 1
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title: Beta Cancri
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length: 00:00:36
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- number: 2
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title: Delta Cancri
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length: 00:00:36
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- number: 3
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title: Iota Cancri A
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length: 00:00:36
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- number: 4
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title: Alpha Cancri
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length: 00:00:36
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- number: 5
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title: Gamma Cancri
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length: 00:00:36
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- number: 6
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title: Zeta Cancri
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length: 00:00:36
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- number: 7
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title: HD 71115
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length: 00:00:36
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- number: 8
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title: 8 Cancri
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length: 00:00:36
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- number: 9
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title: Chi Cancri
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length: 00:00:36
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- number: 10
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title: Xi Cancri
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length: 00:00:36
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- number: 11
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title: Omicron1 Cancri
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length: 00:00:36
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- number: 12
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title: Rho2 Cancri
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length: 00:00:36
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- number: 13
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title: Sigma3 Cancri
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length: 00:00:36
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- number: 14
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title: Kappa Cancri
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length: 00:00:36
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- number: 15
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title: Mu2 Cancri
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length: 00:00:36
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- number: 16
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title: Theta Cancri
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length: 00:00:36
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- number: 17
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title: Eta Cancri
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length: 00:00:36
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- number: 18
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title: 82 Cancri
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length: 00:00:36
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- number: 19
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title: 57 Cancri
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length: 00:00:36
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- number: 20
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title: Tau Cancri
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length: 00:00:36
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- number: 21
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title: 60 Cancri
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length: 00:00:36
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- number: 22
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title: Sigma2 Cancri
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length: 00:00:36
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- number: 23
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title: Nu Cancri
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length: 00:00:36
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- number: 24
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title: 27 Cancri
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length: 00:00:36
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- number: 25
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title: Phi1 Cancri
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length: 00:00:36
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- number: 26
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title: 3 Cancri
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length: 00:00:36
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- number: 27
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title: 15 Cancri
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length: 00:00:36
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- number: 28
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title: 45 Cancri
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length: 00:00:36
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- number: 29
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title: 49 Cancri
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length: 00:00:36
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- number: 30
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title: Sigma1 Cancri
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length: 00:00:36
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- number: 31
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title: Omicron2 Cancri
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length: 00:00:36
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- number: 32
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title: Upsilon1 Cancri
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length: 00:00:36
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- number: 33
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title: Psi2 Cancri
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length: 00:00:36
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- number: 34
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title: 1 Cancri
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length: 00:00:36
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- number: 35
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title: HD 69994
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length: 00:00:36
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- number: 36
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title: HD 77445
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length: 00:00:36
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- number: 37
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title: Omega1 Cancri
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length: 00:00:36
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- number: 38
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title: 50 Cancri
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length: 00:00:36
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- number: 39
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title: 66 Cancri
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length: 00:00:36
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- number: 40
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title: HD 72945
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length: 00:00:36
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- number: 41
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title: Lambda Cancri
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length: 00:00:36
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- number: 42
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title: 36 Cancri
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length: 00:00:36
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- number: 43
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title: 20 Cancri
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length: 00:00:36
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- number: 44
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title: 29 Cancri
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length: 00:00:36
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- number: 45
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title: 75 Cancri
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length: 00:00:36
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- number: 46
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title: 1 LMi
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length: 00:00:36
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- number: 47
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title: 55 Cancri
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length: 00:00:36
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- number: 48
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title: Mu1 Cancri
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length: 00:00:36
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- number: 49
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title: 5 Cancri
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length: 00:00:36
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- number: 50
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title: HD 68461
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length: 00:00:36
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- number: 51
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title: HD 72617
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length: 00:00:36
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- number: 52
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title: 79 Cancri
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length: 00:00:36
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- number: 53
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title: RS Cancri
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length: 00:00:36
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- number: 54
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title: HD 65257
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length: 00:00:36
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- number: 55
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title: HD 65522
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length: 00:00:36
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- number: 56
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title: 28 Cancri
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length: 00:00:36
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- number: 57
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title: 67 Cancri
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length: 00:00:36
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- number: 58
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title: HD 68099
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length: 00:00:36
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- number: 59
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title: 21 Cancri
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length: 00:00:36
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- number: 60
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title: 25 Cancri
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length: 00:00:36
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- number: 61
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title: 46 Cancri
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length: 00:00:36
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- number: 62
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title: Phi2 Cancri A
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length: 00:00:36
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- number: 63
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title: HD 80546
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length: 00:00:36
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- number: 64
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title: HD 76508
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length: 00:00:36
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- number: 65
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title: Phi2 Cancri B
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length: 00:00:36
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- number: 66
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title: HD 76629
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length: 00:00:36
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- number: 67
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title: HD 66552
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length: 00:00:36
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- number: 68
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title: HD 66684
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length: 00:00:36
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- number: 69
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title: 4 LMi
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length: 00:00:36
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- number: 70
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title: HD 67959
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length: 00:00:36
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- number: 71
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title: 12 Cancri
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length: 00:00:36
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- number: 72
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title: 53 Cancri
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length: 00:00:36
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- number: 73
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title: 61 Cancri
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length: 00:00:36
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- number: 74
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title: HD 72505
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length: 00:00:36
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- number: 75
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title: HD 69478
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length: 00:00:36
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- number: 76
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title: Epsilon Cancri
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length: 00:00:36
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- number: 77
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title: HD 65735
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length: 00:00:36
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- number: 78
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title: FZ Cancri
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length: 00:00:36
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- number: 79
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title: 4 Cancri
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length: 00:00:36
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- number: 80
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title: HD 72943
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length: 00:00:36
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- number: 81
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title: HD 65757
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length: 00:00:36
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- number: 82
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title: Upsilon2 Cancri
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length: 00:00:36
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- number: 83
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title: 54 Cancri
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length: 00:00:36
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- number: 84
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title: HD 68776
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length: 00:00:36
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- number: 85
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title: 39 Cancri
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length: 00:00:36
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- number: 86
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title: HD 78175
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length: 00:00:36
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- number: 87
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title: X Cancri
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length: 00:00:36
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- number: 88
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title: HD 80064
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length: 00:00:36
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- number: 89
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title: HD 75469
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length: 00:00:36
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- number: 90
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title: HD 69629
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length: 00:00:36
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- number: 91
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title: HD 73710
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length: 00:00:36
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- number: 92
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title: Psi1 Cancri
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length: 00:00:36
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- number: 93
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title: HD 73599
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length: 00:00:36
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- number: 94
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title: HD 77660
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length: 00:00:36
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- number: 95
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title: HD 67542
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length: 00:00:36
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- number: 96
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title: HD 68703
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length: 00:00:36
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- number: 97
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title: HD 78234
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length: 00:00:36
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- number: 98
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title: 34 Cancri
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length: 00:00:36
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- number: 99
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title: HD 78661
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length: 00:00:36
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- number: 100
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title: HD 79248
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length: 00:00:36
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- number: 101
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title: HD 76908
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length: 00:00:36
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- number: 102
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title: 81 Cancri
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length: 00:00:36
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- number: 103
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title: HD 72115
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length: 00:00:36
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- number: 104
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title: 24 Cancri A
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length: 00:00:36
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- number: 105
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title: 37 Cancri
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length: 00:00:36
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- number: 106
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title: 35 Cancri
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length: 00:00:36
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- number: 107
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title: Iota Cancri B
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length: 00:00:36
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- number: 108
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title: 40 Cancri
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length: 00:00:36
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- number: 109
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title: 83 Cancri
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length: 00:00:36
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- number: 110
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title: 38 Cancri
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length: 00:00:36
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- number: 111
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title: 70 Cancri
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length: 00:00:36
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- number: 112
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title: 2 LMi
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length: 00:00:36
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- number: 113
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title: 3 LMi
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length: 00:00:36
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- number: 114
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|
351
|
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title: EP Cancri
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352
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length: 00:00:36
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353
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354
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title: 42 Cancri
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355
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length: 00:00:36
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356
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- number: 116
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title: 7 Cancri
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358
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length: 00:00:36
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359
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- number: 117
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360
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title: 80 Cancri
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|
361
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length: 00:00:36
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362
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- number: 118
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363
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title: 11 Cancri
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364
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length: 00:00:36
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365
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- number: 119
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title: 78 Cancri
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length: 00:00:36
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- number: 120
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title: VZ Cancri
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370
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length: 00:00:36
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371
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- number: 121
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title: ADS 7284
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373
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length: 00:00:36
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374
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375
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title: 52 Cancri
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376
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length: 00:00:36
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377
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- number: 123
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378
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title: 68 Cancri
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379
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length: 00:00:36
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380
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- number: 124
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381
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title: V Cancri
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382
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length: 00:00:36
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383
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- number: 125
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|
384
|
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title: T Cancri
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|
385
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length: 00:00:36
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386
|
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- number: 126
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|
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title: BU Cancri
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|
388
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length: 00:00:36
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389
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|
390
|
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title: BN Cancri
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391
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length: 00:00:36
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392
|
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- number: 128
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393
|
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title: HD 72490
|
|
394
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length: 00:00:36
|
|
395
|
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- number: 129
|
|
396
|
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title: 24 Cancri B
|
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397
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length: 00:00:36
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398
|
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- number: 130
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|
399
|
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title: BY Cancri
|
|
400
|
+
length: 00:00:36
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401
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- number: 131
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|
402
|
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title: HD 74028
|
|
403
|
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length: 00:00:36
|
|
404
|
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- number: 132
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|
405
|
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title: 44 Cancri
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|
406
|
+
length: 00:00:36
|
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407
|
+
- number: 133
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|
408
|
+
title: HD 79498
|
|
409
|
+
length: 00:00:36
|
|
410
|
+
- number: 134
|
|
411
|
+
title: 71 Cancri
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|
412
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+
length: 00:00:36
|
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413
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+
- number: 135
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|
414
|
+
title: CY Cancri
|
|
415
|
+
length: 00:00:36
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|
416
|
+
- number: 136
|
|
417
|
+
title: BQ Cancri
|
|
418
|
+
length: 00:00:36
|
|
419
|
+
- number: 137
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|
420
|
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title: HD 73534
|
|
421
|
+
length: 00:00:36
|
|
422
|
+
- number: 138
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|
423
|
+
title: BR Cancri
|
|
424
|
+
length: 00:00:36
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|
425
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+
- number: 139
|
|
426
|
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title: S Cancri
|
|
427
|
+
length: 00:00:36
|
|
428
|
+
- number: 140
|
|
429
|
+
title: BW Cancri
|
|
430
|
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length: 00:00:36
|
|
431
|
+
- number: 141
|
|
432
|
+
title: TW Cancri
|
|
433
|
+
length: 00:00:36
|
|
434
|
+
- number: 142
|
|
435
|
+
title: U Cancri
|
|
436
|
+
length: 00:00:36
|
|
437
|
+
- number: 143
|
|
438
|
+
title: BS Cancri
|
|
439
|
+
length: 00:00:36
|
|
440
|
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- number: 144
|
|
441
|
+
title: R Cancri
|
|
442
|
+
length: 00:00:36
|
|
443
|
+
- number: 145
|
|
444
|
+
title: BV Cancri
|
|
445
|
+
length: 00:00:36
|
|
446
|
+
- number: 146
|
|
447
|
+
title: RZ Cancri
|
|
448
|
+
length: 00:00:36
|
|
449
|
+
- number: 147
|
|
450
|
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title: HD 74721
|
|
451
|
+
length: 00:00:36
|
|
452
|
+
- number: 148
|
|
453
|
+
title: HD 77065
|
|
454
|
+
length: 00:00:36
|
|
455
|
+
- number: 149
|
|
456
|
+
title: UU Cancri
|
|
457
|
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length: 00:00:36
|
|
458
|
+
- number: 150
|
|
459
|
+
title: HIP 41378
|
|
460
|
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length: 00:00:36
|
|
461
|
+
- number: 151
|
|
462
|
+
title: RX Cancri
|
|
463
|
+
length: 00:00:36
|
|
464
|
+
- number: 152
|
|
465
|
+
title: HD 80653
|
|
466
|
+
length: 00:00:36
|
|
467
|
+
- number: 153
|
|
468
|
+
title: WY Cancri
|
|
469
|
+
length: 00:00:36
|
|
470
|
+
- number: 154
|
|
471
|
+
title: TX Cancri
|
|
472
|
+
length: 00:00:36
|
|
473
|
+
- number: 155
|
|
474
|
+
title: RU Cancri
|
|
475
|
+
length: 00:00:36
|
|
476
|
+
- number: 156
|
|
477
|
+
title: TU Cancri
|
|
478
|
+
length: 00:00:36
|
|
479
|
+
- number: 157
|
|
480
|
+
title: SY Cancri
|
|
481
|
+
length: 00:00:36
|
|
482
|
+
- number: 158
|
|
483
|
+
title: EX Cancri
|
|
484
|
+
length: 00:00:36
|
|
485
|
+
- number: 159
|
|
486
|
+
title: TT Cancri
|
|
487
|
+
length: 00:00:36
|
|
488
|
+
- number: 160
|
|
489
|
+
title: ES Cancri
|
|
490
|
+
length: 00:00:36
|
|
491
|
+
- number: 161
|
|
492
|
+
title: HAT-P-31
|
|
493
|
+
length: 00:00:36
|
|
494
|
+
- number: 162
|
|
495
|
+
title: CU Cancri
|
|
496
|
+
length: 00:00:36
|
|
497
|
+
- number: 163
|
|
498
|
+
title: WASP-65
|
|
499
|
+
length: 00:00:36
|
|
500
|
+
- number: 164
|
|
501
|
+
title: SS Cancri
|
|
502
|
+
length: 00:00:36
|
|
503
|
+
- number: 165
|
|
504
|
+
title: EW Cancri
|
|
505
|
+
length: 00:00:36
|
|
506
|
+
- number: 166
|
|
507
|
+
title: HV Cancri
|
|
508
|
+
length: 00:00:36
|
|
509
|
+
- number: 167
|
|
510
|
+
title: EV Cancri
|
|
511
|
+
length: 00:00:36
|
|
512
|
+
- number: 168
|
|
513
|
+
title: AD Cancri
|
|
514
|
+
length: 00:00:36
|
|
515
|
+
- number: 169
|
|
516
|
+
title: Gliese 299
|
|
517
|
+
length: 00:00:36
|
|
518
|
+
- number: 170
|
|
519
|
+
title: HAT-P-43
|
|
520
|
+
length: 00:00:36
|
|
521
|
+
- number: 171
|
|
522
|
+
title: AH Cancri
|
|
523
|
+
length: 00:00:36
|
|
524
|
+
- number: 172
|
|
525
|
+
title: HU Cancri
|
|
526
|
+
length: 00:00:36
|
|
527
|
+
- number: 173
|
|
528
|
+
title: AC Cancri
|
|
529
|
+
length: 00:00:36
|
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530
|
+
- number: 174
|
|
531
|
+
title: AC Cancri G 9-38
|
|
532
|
+
length: 00:00:36
|
|
533
|
+
- number: 175
|
|
534
|
+
title: YBP 1194
|
|
535
|
+
length: 00:00:36
|
|
536
|
+
- number: 176
|
|
537
|
+
title: DX Cancri
|
|
538
|
+
length: 00:00:36
|
|
539
|
+
- number: 177
|
|
540
|
+
title: AT Cancri
|
|
541
|
+
length: 00:00:36
|
|
542
|
+
- number: 178
|
|
543
|
+
title: LHS 2090
|
|
544
|
+
length: 00:00:36
|
|
545
|
+
- number: 179
|
|
546
|
+
title: YZ Cancri
|
|
547
|
+
length: 00:00:36
|
|
548
|
+
- number: 180
|
|
549
|
+
title: EG Cancri
|
|
550
|
+
length: 00:00:36
|
|
551
|
+
- number: 181
|
|
552
|
+
title: DW Cancri
|
|
553
|
+
length: 00:00:36
|
|
554
|
+
- number: 182
|
|
555
|
+
title: AZ Cancri
|
|
556
|
+
length: 00:00:36
|
|
557
|
+
- number: 183
|
|
558
|
+
title: GY Cancri
|
|
559
|
+
length: 00:00:36
|
|
560
|
+
- number: 184
|
|
561
|
+
title: AR Cancri
|
|
562
|
+
length: 00:00:36
|
|
563
|
+
- number: 185
|
|
564
|
+
title: RX J0806.3+1527
|
|
565
|
+
length: 00:00:36
|
|
566
|
+
- number: 186
|
|
567
|
+
title: AK Cancri
|
|
568
|
+
length: 00:00:36
|
|
569
|
+
- number: 187
|
|
570
|
+
title: CC Cancri
|
|
571
|
+
length: 00:00:36
|
|
572
|
+
- number: 188
|
|
573
|
+
title: PSR B0823+26
|
|
574
|
+
length: 00:00:36
|
|
575
|
+
streams:
|
|
576
|
+
- platform: Amazon
|
|
577
|
+
url: https://www.amazon.com/music/player/albums/B0D8V39RMN
|
|
578
|
+
- platform: Apple Music
|
|
579
|
+
url: https://music.apple.com/us/album/list-of-stars-in-cancer-stream-version/1755897818
|
|
580
|
+
- platform: Bandcamp
|
|
581
|
+
url: https://theybecamewhattheybeheld.bandcamp.com/album/list-of-stars-in-cancer
|
|
582
|
+
- platform: Deezer
|
|
583
|
+
url: https://www.deezer.com/us/album/611710552
|
|
584
|
+
- platform: iHeartRadio
|
|
585
|
+
url: https://www.iheart.com/artist/they-became-what-they-beheld-42962881/albums/list-of-stars-in-cancer-stream-277679332/
|
|
586
|
+
- platform: Spotify
|
|
587
|
+
url: https://open.spotify.com/album/5gSOw9RxtadvemdqcV7YV2
|
|
588
|
+
- platform: YouTube
|
|
589
|
+
url: https://www.youtube.com/watch?v=mx_rRm2eaYE&list=OLAK5uy_nl3yolGwKAHk2b9epn1NE96rtsWKbv6OM
|
|
590
|
+
notes: |
|
|
591
|
+
An infinite salve. The 188 charted stars are presented in order of magnitude descending. Listen on infinite shuffle because Cancer looks very different from elsewhere in the Milky Way.
|
|
592
|
+
credits: |
|
|
593
|
+
For mom.
|
|
594
|
+
Audio sourced from my childhood Kouvalias, the Land of Shadow, and Respighi's Feste Romane performed by Eugene Ormandy, Philadelphia Orchestra, 1946.
|
|
595
|
+
Photograph from a trip with my mother to Tijuana, Mexico, 2022.
|
|
596
|
+
Engineered by Tyler Etters, 2004 — 2024.
|
|
597
|
+
|
|
1
598
|
- title: Distance
|
|
2
599
|
project: They Became What They Beheld
|
|
3
600
|
released: 02024-06-16
|
|
@@ -11,6 +608,21 @@
|
|
|
11
608
|
- number: 1
|
|
12
609
|
title: Distance
|
|
13
610
|
length: 00:19:28
|
|
611
|
+
streams:
|
|
612
|
+
- platform: Amazon
|
|
613
|
+
url: https://amazon.com/music/player/albums/B0D7QVWXFC
|
|
614
|
+
- platform: Apple Music
|
|
615
|
+
url: https://music.apple.com/us/album/distance-ep/1753530892
|
|
616
|
+
- platform: Bandcamp
|
|
617
|
+
url: https://theybecamewhattheybeheld.bandcamp.com/album/distance
|
|
618
|
+
- platform: Deezer
|
|
619
|
+
url: https://www.deezer.com/us/album/605603872
|
|
620
|
+
- platform: iHeartRadio
|
|
621
|
+
url: https://www.iheart.com/artist/they-became-what-they-beheld-42962881/albums/distance-275648536/
|
|
622
|
+
- platform: Spotify
|
|
623
|
+
url: https://open.spotify.com/album/6kZHS99KJvGJCZR5lhLCkz
|
|
624
|
+
- platform: YouTube
|
|
625
|
+
url: https://www.youtube.com/watch?v=3EX4qPIVT1o&list=OLAK5uy_nX4ypSQVt9eBRsVBQ0gnV9eYQrplE-E7A
|
|
14
626
|
notes: |
|
|
15
627
|
To honor the memory of someone you loved and lost is by becoming great and doing well and good in their honor/memory - live as you would know them to be proud of.
|
|
16
628
|
— MTM, 2024
|
|
@@ -41,6 +653,21 @@
|
|
|
41
653
|
- number: 4
|
|
42
654
|
title: Vast Active Living Intelligence System
|
|
43
655
|
length: 00:31:18
|
|
656
|
+
streams:
|
|
657
|
+
- platform: Amazon
|
|
658
|
+
url: https://www.amazon.com/music/player/albums/B0D582L48R
|
|
659
|
+
- platform: Apple Music
|
|
660
|
+
url: https://music.apple.com/us/album/radio-free-albemuth/1748745705
|
|
661
|
+
- platform: Bandcamp
|
|
662
|
+
url: https://theybecamewhattheybeheld.bandcamp.com/album/radio-free-albemuth
|
|
663
|
+
- platform: Deezer
|
|
664
|
+
url: https://www.deezer.com/us/artist/263724261
|
|
665
|
+
- platform: iHeartRadio
|
|
666
|
+
url: https://www.iheart.com/artist/they-became-what-they-beheld-42962881/albums/radio-free-albemuth-271534643/
|
|
667
|
+
- platform: Spotify
|
|
668
|
+
url: https://open.spotify.com/album/2Omhz8B5g1VbSfqSpUkZOt
|
|
669
|
+
- platform: YouTube
|
|
670
|
+
url: https://www.youtube.com/watch?v=ZECpF-IEDUw&list=OLAK5uy_nGDIZERWQdqVM4FwqC_5L8jJmAuLzvgfk
|
|
44
671
|
notes: |
|
|
45
672
|
On February 20, 1974, while recovering from the effects of sodium pentothal administered for the extraction of an impacted wisdom tooth, [Philip K.] Dick received a home delivery of Darvon from a young woman. When he opened the door, he was struck by the dark-haired girl's beauty, and was especially drawn to her golden necklace. He asked her about its curious fish-shaped design. As she was leaving, she replied: "This is a sign used by the early Christians." Dick called the symbol the "vesicle pisces". This name seems to have been based on his conflation of two related symbols, the Christian ichthys symbol (two intersecting arcs delineating a fish in profile), which the woman was wearing, and the vesica piscis.
|
|
46
673
|
Dick recounted that as the sun glinted off the gold pendant, the reflection caused the generation of a "pink beam" of light that mesmerized him. He came to believe the beam imparted wisdom and clairvoyance, and also believed it to be intelligent. On one occasion, he was startled by a separate recurrence of the pink beam, which imparted the information that his infant son was ill. The Dicks rushed the child to the hospital, where the illness was confirmed by professional diagnosis.
|
|
@@ -68,6 +695,21 @@
|
|
|
68
695
|
- number: 1
|
|
69
696
|
title: Rocket Summer
|
|
70
697
|
length: 00:30:42
|
|
698
|
+
streams:
|
|
699
|
+
- platform: Amazon
|
|
700
|
+
url: https://www.amazon.com/music/player/albums/B0D2YDHM73
|
|
701
|
+
- platform: Apple Music
|
|
702
|
+
url: https://music.apple.com/us/album/rocket-summer/1743863550
|
|
703
|
+
- platform: Bandcamp
|
|
704
|
+
url: https://theybecamewhattheybeheld.bandcamp.com/album/rocket-summer
|
|
705
|
+
- platform: Deezer
|
|
706
|
+
url: https://www.deezer.com/us/album/580743841
|
|
707
|
+
- platform: iHeartRadio
|
|
708
|
+
url: https://www.iheart.com/artist/they-became-what-they-beheld-42962881/albums/rocket-summer-267427350/
|
|
709
|
+
- platform: Spotify
|
|
710
|
+
url: https://open.spotify.com/album/0WTccZ6LBUKA1KYCmcxmHT
|
|
711
|
+
- platform: YouTube
|
|
712
|
+
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One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets.
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And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.
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The fundamental audio loop is more Gabrieli.
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The DV tape loop is from Fireflies & Fields, a deeply personal series shot straight out of camera. Summer, 2009. Just after sunset. "Night Mode" enabled camera on a tripod facing south-south-east. Fairfield Road a bit to my back and right. A solid two-minute hike across the prairie to touch the first oaks in the shot. Macro lens on. Optical zoom maxed. Digital zoom zero. The key: auto-focus enabled to force the beacons into a duel until dawn. The loop you see employs neither dissolve nor crossfade. It is the same hard cut over and over until the song ends. After originally releasing a zoomed and cropped version at 1920x1080, I have decided to delete and repost at 720x480. Once you see the Taraxacum mote ascending you will never unsee it.
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url: https://www.youtube.com/watch?v=Yy0PeHycft0&list=OLAK5uy_lkimFANLq9tP4Ji4rcM9OQDKXgu8s68F4
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But this is already the point of view required—given a change of perspective—for examining the primitive socius, the territorial machine for declining alliances and filiations. This machine is segmentary because, through its double apparatus of tribe and lineage, it cuts up segments of varying lengths: genealogical filiative units of major, minor, and minimal lineages, with their hierarchy, their respective chiefs, their elders who guard the stocks and organize marriages; territorial tribal units of primary, secondary, and tertiary sections, also having their dominant roles and their alliances. "The point of separation between the tribal sections becomes the point of divergence in the clan structure of the lineages associated with each section. For, as we have seen, clans and their lineages are not distinct corporate groups, but are embodied in local communities, through which they function structurally."
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+
But this is already the point of view required—given a change of perspective—for examining the primitive socius, the territorial machine for declining alliances and filiations. This machine is segmentary because, through its double apparatus of tribe and lineage, it cuts up segments of varying lengths: genealogical filiative units of major, minor, and minimal lineages, with their hierarchy, their respective chiefs, their elders who guard the stocks and organize marriages; territorial tribal units of primary, secondary, and tertiary sections, also having their dominant roles and their alliances. "The point of separation between the tribal sections becomes the point of divergence in the clan structure of the lineages associated with each section. For, as we have seen, clans and their lineages are not distinct corporate groups, but are embodied in local communities, through which they function structurally." The two systems intersect, each segment being associated with the flows and the chains, with the stocked flows and the passing flows, with selections from the flows and detachments from the chains (certain production projects are executed in the framework of the tribal system, others in the framework of the lineage system). The variability and relativity of the segments are responsible for all sorts of penetrations between the inalienable elements of filiation and the mobile elements of alliance. This is explained by the fact that the length of each segment—or even its existence as such—is determined only by its opposition to other segments in a series of interrelated stages. The segmentary machine mixes rivalries, conflicts, and ruptures throughout the variations of filiation and the fluctuations of alliance. The whole system evolves between two poles: that of fusion through opposition to other groups, and that of scission through the constant formation of new lineages aspiring to independence, with capitalization of alliances and filiation. From one pole to the other, all the misfirings and failures in a system that is constantly reborn of its own disharmonies. What does Jeanne Favret mean when she shows, along with other ethnologists, that "the persistence of a segmentary organization requires paradoxically that its mechanisms be ineffectual enough so that fear remains the motor of the whole"? And what is this fear? It would appear that social formations experienced a morbid and mournful foreboding of things to come, although what comes to them always comes from without, rushing in through their opening. Perhaps it is even for this reason that it arrives from without; they suffocate its inner potentiality, at the cost of the dysfunctions that constitute an integral part of the functioning of their system.
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Thanks to the person who sold me a faulty tape deck so I could not continue this project as intended because the original tape deck was in an airplane hanger because of the pandemic and everything stalled out for so long on both sides of the incident and then the project changed — like everything else did, that was closer to then and things are different now. Thanks to my dad for showing me Dancing Fantasy when I was a kid. Thanks to Sage for being infinitely patient and compassionate with me during the pandemic. Thanks to my two close friends who talked with me on the phone at length today, you know who you are. Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.
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Within the philosophies of time, three oppositional schools compete: Eternalism describes the phenomenon of time like a strip of film - the past and the future do exist, are real, but the present is merely a human concept. The growing block theory, maybe the most intuitive of the three, states that the present continually creates the past, but the future is unwritten. Presentism on the other hand argues that the only thing irrefutable is the present and that the past and the future are both unreal. By applying these three concepts to music, we may end up with a number of strategies to rethink what we consider as given.
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I would like to propose that there has been has been a slow shift in how music was perceived. Improvised music, prior to notation, can be considered as presentistic, manifesting itself only in the present, it’s only traces of existence written in memory. With interpretation and notation, the perception shifts more to a growing block. The mind got a hold of the past, but the future still remained a very unstable realm - once the hand made a mistake with an instrument or the voice was interrupted to catch a breath. Obviously the advent of the recording introduced an absolute future and with it the concept of eternalism in music. Furthermore the introduction of the loop, applied in its most extreme way within techno, embeds the listener in a coherent body of past and future, even with a view of the timeline - first on the record, later on the waveform. A car, racing on the Autobahn, free to move in both directions. Of course, one could argue that the state of ecstasy in which techno is consumed compresses time into a perfect present, the psychological present, which is defined as 2-3 seconds with the equivalent of 1 bar by 120 bpm…
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url: https://www.youtube.com/watch?v=i0ynniBYrto&list=OLAK5uy_k7d0iRfvZ1cFoSfkHX1rTncaTvt44sTKo
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-13,800,000,000: the universe forms.
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-4,500,000,000: the moon forms.
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url: https://www.youtube.com/watch?v=oAOs-j61goA&list=OLAK5uy_n5jqrvL-9PzHsfrMqxg7NV0rSpmDdU3UM
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I recently came across the following rules of communication, posted in a School of Journalism:
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1. Know your audience and address yourself directly to it.
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- - - - - - - - - -
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chapter ix
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url: https://www.youtube.com/watch?v=qJ9DB6RT7V0&list=OLAK5uy_khnUjK_jTK1IvTeFhnECZ0jo8OPmztnRY
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- - - - - - - - - -
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|
chapter viii
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chapter vii
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url: https://northerninformation.bandcamp.com/album/and-though-the-soft-apocalypse-may-yet-overtake
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url: https://www.youtube.com/watch?v=x0Feu-eX3eo&list=OLAK5uy_l_GoqpRTVTQfJINp7Gsvjz6YypYiSk_1Q
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1764
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chapter vi
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- number: 4
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title: OS4
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length: 01:24
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1808
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streams:
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1809
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- platform: Amazon
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1810
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url: https://www.amazon.com/music/player/albums/B08XLVPZ2R
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1811
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- platform: Apple Music
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1812
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url: https://music.apple.com/us/album/zulu-ep/1547100523
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1813
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- platform: Bandcamp
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1814
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url: https://northerninformation.bandcamp.com/album/zulu
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- platform: Deezer
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1816
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url: https://www.deezer.com/us/album/611501942
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- platform: iHeartRadio
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1818
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url: https://www.iheart.com/artist/northern-information-43479567/albums/zulu-277678765/
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- platform: Spotify
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1820
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url: https://open.spotify.com/album/43bxoEMw9jUG2vMFUuCUKC
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1821
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- platform: YouTube
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1822
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url: https://www.youtube.com/watch?v=7WloUf3-66o&list=OLAK5uy_k5jt0Uoc0VgsNRrl3RWCHySqVBcv3SWHU
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notes: |
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- - - - - - - - - -
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1825
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chapter v
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1093
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- number: 13
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1094
1882
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title: nausicaä
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1095
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length: 00:05:35
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1884
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streams:
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- platform: Amazon
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1886
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url: https://www.amazon.com/music/player/albums/B08XMB5NWF
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1887
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- platform: Apple Music
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1888
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+
url: https://music.apple.com/us/album/the-phantoms-of-our-lost-cause/1550708799
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1889
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+
- platform: Bandcamp
|
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1890
|
+
url: https://northerninformation.bandcamp.com/album/the-phantoms-of-our-lost-cause
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1891
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+
- platform: Deezer
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1892
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+
url: https://www.deezer.com/us/album/611727812
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1893
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+
- platform: iHeartRadio
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1894
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+
url: https://www.iheart.com/artist/northern-information-43479567/albums/the-phantoms-of-our-lost-cause-277686189/
|
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1895
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+
- platform: Spotify
|
|
1896
|
+
url: https://open.spotify.com/album/6uQKrMnKgYtavYwIuEXnev
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|
1897
|
+
- platform: YouTube
|
|
1898
|
+
url: https://www.youtube.com/watch?v=6_wx1DK4STo&list=OLAK5uy_m2oDZFmJ5IBG___w55SOr3GVJSHPS9P0Q
|
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notes: |
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1900
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- - - - - - - - - -
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1098
1901
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chapter iv
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|
@@ -1138,6 +1941,21 @@
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|
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1138
1941
|
- number: 3
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|
1139
1942
|
title: january 1st, 1970 + zero gmt
|
|
1140
1943
|
length: 00:06:13
|
|
1944
|
+
streams:
|
|
1945
|
+
- platform: Amazon
|
|
1946
|
+
url: https://www.amazon.com/music/player/albums/B08XM9RMWP
|
|
1947
|
+
- platform: Apple Music
|
|
1948
|
+
url: https://music.apple.com/us/album/senescence/1547708658
|
|
1949
|
+
- platform: Bandcamp
|
|
1950
|
+
url: https://northerninformation.bandcamp.com/album/senescence
|
|
1951
|
+
- platform: Deezer
|
|
1952
|
+
url: https://www.deezer.com/us/album/611750652
|
|
1953
|
+
- platform: iHeartRadio
|
|
1954
|
+
url: https://www.iheart.com/artist/northern-information-43479567/albums/senescence-277684070/
|
|
1955
|
+
- platform: Spotify
|
|
1956
|
+
url: https://open.spotify.com/album/0rNcDNQsHb5NsVPX0Hq61i
|
|
1957
|
+
- platform: YouTube
|
|
1958
|
+
url: https://www.youtube.com/watch?v=kFYxNh09hb8&list=OLAK5uy_lTv9qeBfWmX-tvqNOWuNVJbwiKFr1tfes
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1141
1959
|
notes: |
|
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1142
1960
|
- - - - - - - - - -
|
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1143
1961
|
chapter iii
|
|
@@ -1190,6 +2008,21 @@
|
|
|
1190
2008
|
- number: 8
|
|
1191
2009
|
title: ICD-10 Z73.0
|
|
1192
2010
|
length: 00:04:12
|
|
2011
|
+
streams:
|
|
2012
|
+
- platform: Amazon
|
|
2013
|
+
url: https://www.amazon.com/music/player/albums/B08XM13BM7
|
|
2014
|
+
- platform: Apple Music
|
|
2015
|
+
url: https://music.apple.com/us/album/blue-the-most-celestial-color/1547708931
|
|
2016
|
+
- platform: Bandcamp
|
|
2017
|
+
url: https://northerninformation.bandcamp.com/album/blue-the-most-celestial-color
|
|
2018
|
+
- platform: Deezer
|
|
2019
|
+
url: https://www.deezer.com/us/album/611728452
|
|
2020
|
+
- platform: iHeartRadio
|
|
2021
|
+
url: https://www.iheart.com/artist/northern-information-43479567/albums/blue-the-most-celestial-color-277686089/
|
|
2022
|
+
- platform: Spotify
|
|
2023
|
+
url: https://open.spotify.com/album/4NQk9Chnj4dm5JpIO5ME2x
|
|
2024
|
+
- platform: YouTube
|
|
2025
|
+
url: https://www.youtube.com/watch?v=QKyfbqzP6mU&list=OLAK5uy_lsTxpyQscjNtjP-88YpeFTUyqUPzLTHdg
|
|
1193
2026
|
notes: |
|
|
1194
2027
|
- - - - - - - - - -
|
|
1195
2028
|
chapter ii
|
|
@@ -1227,6 +2060,21 @@
|
|
|
1227
2060
|
- number: 2
|
|
1228
2061
|
title: generative
|
|
1229
2062
|
length: 00:15:00
|
|
2063
|
+
streams:
|
|
2064
|
+
- platform: Amazon
|
|
2065
|
+
url: https://www.amazon.com/music/player/albums/B08XM564ND
|
|
2066
|
+
- platform: Apple Music
|
|
2067
|
+
url: https://music.apple.com/us/album/the-geometrie-of-our-lost-cause-ep/1547738031
|
|
2068
|
+
- platform: Bandcamp
|
|
2069
|
+
url: https://northerninformation.bandcamp.com/album/the-geometrie-of-our-lost-cause
|
|
2070
|
+
- platform: Deezer
|
|
2071
|
+
url: https://www.deezer.com/us/album/611501802
|
|
2072
|
+
- platform: iHeartRadio
|
|
2073
|
+
url: https://www.iheart.com/artist/northern-information-43479567/albums/the-geometrie-of-our-lost-cause-277678240/
|
|
2074
|
+
- platform: Spotify
|
|
2075
|
+
url: https://open.spotify.com/album/4RQ26hIooZ0tS7fwVq2XiV
|
|
2076
|
+
- platform: YouTube
|
|
2077
|
+
url: https://www.youtube.com/watch?v=LngaFKfwFOQ&list=OLAK5uy_l6JrOwqHnZsbkyY8FmSyaU74qRxSEJ0s8
|
|
1230
2078
|
notes: |
|
|
1231
2079
|
- - - - - - - - - -
|
|
1232
2080
|
chapter i
|