@tyleretters/discography 0.0.8 → 0.0.10
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- package/dist/discography.d.ts +3 -3
- package/dist/discography.js +45 -45
- package/dist/discography.js.map +1 -1
- package/dist/index.js +45 -45
- package/dist/index.js.map +1 -1
- package/dist/types.d.ts +3 -3
- package/package.json +1 -1
- package/src/convert.py +7 -4
- package/src/discography.ts +45 -45
- package/src/types.ts +3 -3
package/dist/index.js
CHANGED
|
@@ -16,42 +16,42 @@ var discography = [
|
|
|
16
16
|
"number": 1,
|
|
17
17
|
"title": "Tiresias",
|
|
18
18
|
"length": "00:01:49",
|
|
19
|
-
"
|
|
19
|
+
"mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/01-tiresias.mp3",
|
|
20
20
|
"id": "d8e190eb5c8a7c59a6bfe3a6cccd0b64"
|
|
21
21
|
},
|
|
22
22
|
{
|
|
23
23
|
"number": 2,
|
|
24
24
|
"title": "In Darkness Radiant",
|
|
25
25
|
"length": "00:01:54",
|
|
26
|
-
"
|
|
26
|
+
"mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/02-in-darkness-radiant.mp3",
|
|
27
27
|
"id": "07431a76e3916159a229b4d77597dde1"
|
|
28
28
|
},
|
|
29
29
|
{
|
|
30
30
|
"number": 3,
|
|
31
31
|
"title": "Temporary Autonomous Zone",
|
|
32
32
|
"length": "00:04:16",
|
|
33
|
-
"
|
|
33
|
+
"mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/03-temporary-autonomous-zone.mp3",
|
|
34
34
|
"id": "a8751056a8a9ebcbeec39a88b53ff2c8"
|
|
35
35
|
},
|
|
36
36
|
{
|
|
37
37
|
"number": 4,
|
|
38
38
|
"title": "Hell Money",
|
|
39
39
|
"length": "00:01:58",
|
|
40
|
-
"
|
|
40
|
+
"mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/04-hell-money.mp3",
|
|
41
41
|
"id": "166de9752fc6f68fabff27f1e4ec9164"
|
|
42
42
|
},
|
|
43
43
|
{
|
|
44
44
|
"number": 5,
|
|
45
45
|
"title": "Subsea Fiber Faults in the APAC Region",
|
|
46
46
|
"length": "00:05:43",
|
|
47
|
-
"
|
|
47
|
+
"mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/05-subsea-fiber-faults-in-the-apac-region.mp3",
|
|
48
48
|
"id": "ddabb410b3b4e9692913d1aba064638f"
|
|
49
49
|
},
|
|
50
50
|
{
|
|
51
51
|
"number": 6,
|
|
52
52
|
"title": "Safe Passage (Non-Functional)",
|
|
53
53
|
"length": "00:02:51",
|
|
54
|
-
"
|
|
54
|
+
"mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/06-safe-passage-non-functional.mp3",
|
|
55
55
|
"id": "cb92de4cad418d150ca1a21b7544879c"
|
|
56
56
|
}
|
|
57
57
|
],
|
|
@@ -59,7 +59,7 @@ var discography = [
|
|
|
59
59
|
"credits": "Pr\u00e9cis by Cory Salveson. Music by Tyler Etters.\nSelected samples: Bauenrfeind, Beast Wars, Elden Ring, Cornell Lab of Ornithology, The Amity Affliction, Predator, True Detective, Cory's field recordings from China.\nThe musician would like to express his deepest thanks to @zbs for their deft consultation on the final mix and unwavering devotion to sub-bass.\nAlbum art: screencap from \"Can't Get You Out of My Head\" by Adam Curtis.\n",
|
|
60
60
|
"project_slug": "stuxnet",
|
|
61
61
|
"release_slug": "in-darkness-radiant",
|
|
62
|
-
"
|
|
62
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/in-darkness-radiant.jpg",
|
|
63
63
|
"id": "fb698f2114760946e4fd0fc2576199a9"
|
|
64
64
|
},
|
|
65
65
|
{
|
|
@@ -108,7 +108,7 @@ var discography = [
|
|
|
108
108
|
"credits": "Pr\u00e9cis by Cory Salveson. Music by Tyler Etters.\nSelected samples: Dark Souls III, Mission: Impossible 4 \u2014 Ghost Protocol, X-Files, Metal Gear Solid, Underoath, Fortnite \"Fracture\" Event, Black Hawk Down.\nInspired by a trip with my mother to Tijuana, Mexico, 2022.\nAlbum art: Midjourney prompt by John von Seggern.\nFor Timm.\n",
|
|
109
109
|
"project_slug": "stuxnet",
|
|
110
110
|
"release_slug": "fade-scatter-replicate",
|
|
111
|
-
"
|
|
111
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/fade-scatter-replicate.jpg",
|
|
112
112
|
"id": "f47f6e20ac3ac2097070539354fda463"
|
|
113
113
|
},
|
|
114
114
|
{
|
|
@@ -139,7 +139,7 @@ var discography = [
|
|
|
139
139
|
"credits": "Thanks to the person who sold me a faulty tape deck so I could not continue this project as intended because the original tape deck was in an airplane hanger because of the pandemic and everything stalled out for so long on both sides of the incident and then the project changed \u2014 like everything else did, that was closer to then and things are different now. Thanks to my dad for showing me Dancing Fantasy when I was a kid. Thanks to Sage for being infinitely patient and compassionate with me during the pandemic. Thanks to my two close friends who talked with me on the phone at length today, you know who you are. Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.\nAbout text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.\nAudio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.\nAudio sourced from Dancing Fantasy's Op. Midnight Blvd. \"...double fantasy...a dream... ...within a dream...\" IC / Innovative Records, 1990.\nPhotographs from my trip to Petalying Jaya, Malaysia, 2017.\nEngineered by Tyler Etters, 2019 \u2014 2022.\n",
|
|
140
140
|
"project_slug": "they-became-what-they-beheld",
|
|
141
141
|
"release_slug": "ep2",
|
|
142
|
-
"
|
|
142
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/they-became-what-they-beheld/ep2/ep2.jpg",
|
|
143
143
|
"id": "bc5996397e7215650926b7f7ccc90645"
|
|
144
144
|
},
|
|
145
145
|
{
|
|
@@ -164,7 +164,7 @@ var discography = [
|
|
|
164
164
|
"credits": "Laws & Etters, mmxxi\n",
|
|
165
165
|
"project_slug": "sidereal-lobby",
|
|
166
166
|
"release_slug": "deep-state-music",
|
|
167
|
-
"
|
|
167
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/sidereal-lobby/deep-state-music/deep-state-music.jpg",
|
|
168
168
|
"id": "02cd98a73d97e2e915afc5da5d4eb7f3"
|
|
169
169
|
},
|
|
170
170
|
{
|
|
@@ -201,7 +201,7 @@ var discography = [
|
|
|
201
201
|
"credits": "Laws & Etters, mmxxi\n",
|
|
202
202
|
"project_slug": "sidereal-lobby",
|
|
203
203
|
"release_slug": "fciv",
|
|
204
|
-
"
|
|
204
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/sidereal-lobby/fciv/fciv.jpg",
|
|
205
205
|
"id": "059fb2cd3faa8fa9af2b1364c1190abe"
|
|
206
206
|
},
|
|
207
207
|
{
|
|
@@ -244,7 +244,7 @@ var discography = [
|
|
|
244
244
|
"credits": "Laws & Etters, mmxxi\n",
|
|
245
245
|
"project_slug": "sidereal-lobby",
|
|
246
246
|
"release_slug": "beaches",
|
|
247
|
-
"
|
|
247
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/sidereal-lobby/beaches/beaches.jpg",
|
|
248
248
|
"id": "a1229abf8488160c3e3dbb02724a122b"
|
|
249
249
|
},
|
|
250
250
|
{
|
|
@@ -281,7 +281,7 @@ var discography = [
|
|
|
281
281
|
"credits": "The musician would like to express his deepest thanks to @license for their critical ear and honest heart.\n",
|
|
282
282
|
"project_slug": "stuxnet",
|
|
283
283
|
"release_slug": "human-interference-task-force",
|
|
284
|
-
"
|
|
284
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/human-interference-task-force.jpg",
|
|
285
285
|
"id": "70d383f39cd6c320f14ae8f8112ab125"
|
|
286
286
|
},
|
|
287
287
|
{
|
|
@@ -342,7 +342,7 @@ var discography = [
|
|
|
342
342
|
"credits": "COUNTERINTELLIGENCE was written, recorded, designed, and released on the STUXNET: NIGHTLY STREAMS // UNREMEMBERED DREAMS Twitch channel. While recording some of the gear blew a fuse. STUXNET is Tyler Etters.\nAlbum art: \"The Nobili-Pesavento self-replicator, with a daughter copy in the process of making a grand-daughter copy. The automaton uses the 32-state extended John von Neumann rules, based on his work on universal constructors and self-reproducing automata.\"\n",
|
|
343
343
|
"project_slug": "stuxnet",
|
|
344
344
|
"release_slug": "countersurveillance",
|
|
345
|
-
"
|
|
345
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/countersurveillance.jpg",
|
|
346
346
|
"id": "7339ec77045dfcc729a608f84b2cefa6"
|
|
347
347
|
},
|
|
348
348
|
{
|
|
@@ -415,7 +415,7 @@ var discography = [
|
|
|
415
415
|
"credits": "Album title by Cory Salveson, encryption key by Matthew Marx, distress signals by Dan Derks, music by Tyler Etters.\nAlbum art: \"Kuwaiti oil wells set on fire by retreating Iraqi forces during Operation Desert Storm darken the sky with smoke, March 25, 1991. This image could have imperfections as it\u2019s either historical or reportage.\"\n",
|
|
416
416
|
"project_slug": "stuxnet",
|
|
417
417
|
"release_slug": "long-live-the-lost-ones",
|
|
418
|
-
"
|
|
418
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones.jpg",
|
|
419
419
|
"id": "7d8f67a125af6c412d1d5b08caa02412"
|
|
420
420
|
},
|
|
421
421
|
{
|
|
@@ -446,7 +446,7 @@ var discography = [
|
|
|
446
446
|
"credits": "STUXNET is Tyler Etters.\n",
|
|
447
447
|
"project_slug": "stuxnet",
|
|
448
448
|
"release_slug": "times-firewall-demo",
|
|
449
|
-
"
|
|
449
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/times-firewall-demo.jpg",
|
|
450
450
|
"id": "1b1c543e6914fcc678c4710c1ce600f4"
|
|
451
451
|
},
|
|
452
452
|
{
|
|
@@ -531,7 +531,7 @@ var discography = [
|
|
|
531
531
|
"credits": "STUXNET is Tyler Etters.\n",
|
|
532
532
|
"project_slug": "stuxnet",
|
|
533
533
|
"release_slug": "matryoshka-demo",
|
|
534
|
-
"
|
|
534
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/matryoshka-demo.jpg",
|
|
535
535
|
"id": "008f7a37d4d2668958e8df4c2e2f1f77"
|
|
536
536
|
},
|
|
537
537
|
{
|
|
@@ -598,7 +598,7 @@ var discography = [
|
|
|
598
598
|
"credits": "STUXNET is Tyler Etters.\n",
|
|
599
599
|
"project_slug": "stuxnet",
|
|
600
600
|
"release_slug": "cipher-suite-demo",
|
|
601
|
-
"
|
|
601
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/cipher-suite-demo.jpg",
|
|
602
602
|
"id": "2324c584cb2ca86fba128a8e05d8fdd2"
|
|
603
603
|
},
|
|
604
604
|
{
|
|
@@ -665,7 +665,7 @@ var discography = [
|
|
|
665
665
|
"credits": "STUXNET is Tyler Etters.\n",
|
|
666
666
|
"project_slug": "stuxnet",
|
|
667
667
|
"release_slug": "carrier-demo",
|
|
668
|
-
"
|
|
668
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/carrier-demo.jpg",
|
|
669
669
|
"id": "e745f9e7855fd65dcdb2b682897def45"
|
|
670
670
|
},
|
|
671
671
|
{
|
|
@@ -738,7 +738,7 @@ var discography = [
|
|
|
738
738
|
"credits": "Thanks to Dan Derks, Brian Crabtree, Ryan Laws, Zack Scholl, Cory Salveson, Sage Etters, & Pasha Petrosyan.\nAugured, coded, patched, written, performed, lamented, and engineered by Tyler Etters in 2020.\n",
|
|
739
739
|
"project_slug": "northern-information",
|
|
740
740
|
"release_slug": "the-arecibo-lamentations",
|
|
741
|
-
"
|
|
741
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/northern-information/the-arecibo-lamentations/the-arecibo-lamentations.jpg",
|
|
742
742
|
"id": "c2ebebb75e1854e07a28c58b790d07b6"
|
|
743
743
|
},
|
|
744
744
|
{
|
|
@@ -769,7 +769,7 @@ var discography = [
|
|
|
769
769
|
"credits": "Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.\nAbout text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.\nAudio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.\nPhotographs from my trip to Petalying Jaya, Malaysia, 2017.\nEngineered by Tyler Etters, 2019.\n",
|
|
770
770
|
"project_slug": "they-became-what-they-beheld",
|
|
771
771
|
"release_slug": "ep1",
|
|
772
|
-
"
|
|
772
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/they-became-what-they-beheld/ep1/ep1.jpg",
|
|
773
773
|
"id": "427cc1165076ec9eaeb68f427ca0b04b"
|
|
774
774
|
},
|
|
775
775
|
{
|
|
@@ -854,7 +854,7 @@ var discography = [
|
|
|
854
854
|
"credits": "released the day after the winter solstice, when the light begins her steady march to summer.\nwritten and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring guitar by david kvistad on the snail shell graveyard and field recordings by sage etters on unnamed seasons. painting of cornfields in illinois (1994) by lynda wallis (tyler etters\u2019s mom) with additional treatment by tyler etters.\n",
|
|
855
855
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
856
856
|
"release_slug": "reverence",
|
|
857
|
-
"
|
|
857
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/tyler-etters-and-the-northern-information-movement/reverence/reverence.jpg",
|
|
858
858
|
"id": "ae5fd3fc099497038e2ce882fcd14959"
|
|
859
859
|
},
|
|
860
860
|
{
|
|
@@ -927,7 +927,7 @@ var discography = [
|
|
|
927
927
|
"credits": "released on the winter solstice, when both darkness and light hang in a wary balance.\nwritten and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring pasha petrosyan on surveillance industrial complex, later heaven, and the path of many returns. numerous samples, videos, storyline components and album title by cory salveson. album cover polaroid of stone henge on the summer solstice (2017) by cory salveson with additional treatment by tyler etters.\n",
|
|
928
928
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
929
929
|
"release_slug": "dispatches-from-the-prime-meridian",
|
|
930
|
-
"
|
|
930
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/dispatches-from-the-prime-meridian.jpg",
|
|
931
931
|
"id": "de4441b30b9342ace629d27eb493e311"
|
|
932
932
|
},
|
|
933
933
|
{
|
|
@@ -1000,7 +1000,7 @@ var discography = [
|
|
|
1000
1000
|
"credits": "written & recorded by tyler etters from an indeterminate point in the past through december 2016 at endless field studios. featuring adam j. moore on full steam, holy mountain hymn, and reaver, yggdsrasil, the thing at the end of the woods. featuring arthur zdrinc on holy mountain hymn. featuring cory salveson on videos, images, and storyline.\n",
|
|
1001
1001
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1002
1002
|
"release_slug": "the-legacy-of-our-lost-cause",
|
|
1003
|
-
"
|
|
1003
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/the-legacy-of-our-lost-cause.jpg",
|
|
1004
1004
|
"id": "929ae24ecd6e72c6b4930203deeeaf44"
|
|
1005
1005
|
},
|
|
1006
1006
|
{
|
|
@@ -1103,7 +1103,7 @@ var discography = [
|
|
|
1103
1103
|
"credits": "written & recorded by tyler etters from january 2015 through june 2015 at endless field studios. featuring adam j. moore on palm beach and suburban gutter trash.\n",
|
|
1104
1104
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1105
1105
|
"release_slug": "and-though-the-soft-apocalypse-may-yet-overtake",
|
|
1106
|
-
"
|
|
1106
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/and-though-the-soft-apocalypse-may-yet-overtake.jpg",
|
|
1107
1107
|
"id": "c3144c3c5ad6106cc1969496b91cd139"
|
|
1108
1108
|
},
|
|
1109
1109
|
{
|
|
@@ -1146,7 +1146,7 @@ var discography = [
|
|
|
1146
1146
|
"credits": "written & recorded by tyler etters and adam j. moore on march 28 2015 at endless field studios. album cover artwork by adam j. moore with additional treatment by tyler etters.\n",
|
|
1147
1147
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1148
1148
|
"release_slug": "zulu",
|
|
1149
|
-
"
|
|
1149
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/tyler-etters-and-the-northern-information-movement/zulu/zulu.jpg",
|
|
1150
1150
|
"id": "31d14eaf9cf018baea6350db6162ad7d"
|
|
1151
1151
|
},
|
|
1152
1152
|
{
|
|
@@ -1243,7 +1243,7 @@ var discography = [
|
|
|
1243
1243
|
"credits": "written & recorded by tyler etters from an indeterminate point in the past through december 2014 at endless field studios. featuring adam moore on samsara. album cover artwork by paul petrosyan with additional treatment by tyler etters.\n",
|
|
1244
1244
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1245
1245
|
"release_slug": "the-phantoms-of-our-lost-cause",
|
|
1246
|
-
"
|
|
1246
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/the-phantoms-of-our-lost-cause.jpg",
|
|
1247
1247
|
"id": "fcf1f2058a03d49b8f29619d31c619f9"
|
|
1248
1248
|
},
|
|
1249
1249
|
{
|
|
@@ -1280,7 +1280,7 @@ var discography = [
|
|
|
1280
1280
|
"credits": "written & recorded by tyler etters from june 2013 through september 2013 at endless field studios except for 'tears of the space cowboy' which was also written by kevin clark, dorian zdrinc and arthur zdrinc sometime back in 2011.\n",
|
|
1281
1281
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1282
1282
|
"release_slug": "senescence",
|
|
1283
|
-
"
|
|
1283
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/tyler-etters-and-the-northern-information-movement/senescence/senescence.jpg",
|
|
1284
1284
|
"id": "625b78aed26d0c5e3a26862346a1af79"
|
|
1285
1285
|
},
|
|
1286
1286
|
{
|
|
@@ -1347,7 +1347,7 @@ var discography = [
|
|
|
1347
1347
|
"credits": "written & recorded by tyler etters from december 2012 through june 2013 at endless field studios. featuring arthur zdrinc on rainbow table.\n",
|
|
1348
1348
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1349
1349
|
"release_slug": "blue-the-most-celestial-color",
|
|
1350
|
-
"
|
|
1350
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/blue-the-most-celestial-color.jpg",
|
|
1351
1351
|
"id": "177d13192fa7eeb12a853bc0d6f9bf51"
|
|
1352
1352
|
},
|
|
1353
1353
|
{
|
|
@@ -1378,7 +1378,7 @@ var discography = [
|
|
|
1378
1378
|
"credits": "written & recorded by tyler etters from october 2012 through december 2012 at endless field studios.\n",
|
|
1379
1379
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1380
1380
|
"release_slug": "the-geometrie-of-our-lost-cause",
|
|
1381
|
-
"
|
|
1381
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/tyler-etters-and-the-northern-information-movement/the-geometrie-of-our-lost-cause/the-geometrie-of-our-lost-cause.jpg",
|
|
1382
1382
|
"id": "5b94665084e9383666494dd2aeee2517"
|
|
1383
1383
|
},
|
|
1384
1384
|
{
|
|
@@ -1421,7 +1421,7 @@ var discography = [
|
|
|
1421
1421
|
"credits": "Connectedness Locus is Tyler Etters.\n",
|
|
1422
1422
|
"project_slug": "connectedness-locus",
|
|
1423
1423
|
"release_slug": "prolegomenon",
|
|
1424
|
-
"
|
|
1424
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/connectedness-locus/prolegomenon/prolegomenon.jpg",
|
|
1425
1425
|
"id": "b81b68a8dbb48b92ef924c27b024503d"
|
|
1426
1426
|
},
|
|
1427
1427
|
{
|
|
@@ -1500,7 +1500,7 @@ var discography = [
|
|
|
1500
1500
|
"credits": "Connectedness Locus is Tyler Etters.\n",
|
|
1501
1501
|
"project_slug": "connectedness-locus",
|
|
1502
1502
|
"release_slug": "terraforms",
|
|
1503
|
-
"
|
|
1503
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/connectedness-locus/terraforms/terraforms.jpg",
|
|
1504
1504
|
"id": "3fe45b5f7e852c3f57fc9e7d69df4942"
|
|
1505
1505
|
},
|
|
1506
1506
|
{
|
|
@@ -1525,7 +1525,7 @@ var discography = [
|
|
|
1525
1525
|
"credits": "Written & performed by Tyler Etters of Connectedness Locus. Produced & engineered by Isaac Pierce of The Block of Wood Recordings. Mastered by Arthur Zdrinc of Endless Field Studios.\n",
|
|
1526
1526
|
"project_slug": "connectedness-locus",
|
|
1527
1527
|
"release_slug": "when-the-paint-peels",
|
|
1528
|
-
"
|
|
1528
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/connectedness-locus/when-the-paint-peels/when-the-paint-peels.jpg",
|
|
1529
1529
|
"id": "3e42cd3854a98c2ccdb67d6b00d094e2"
|
|
1530
1530
|
},
|
|
1531
1531
|
{
|
|
@@ -1598,7 +1598,7 @@ var discography = [
|
|
|
1598
1598
|
"credits": "Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.\n",
|
|
1599
1599
|
"project_slug": "everything-comes-in-cycles-everything-fades-in-shades",
|
|
1600
1600
|
"release_slug": "serial-index-of-unclaimed-memories-file-1",
|
|
1601
|
-
"
|
|
1601
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/serial-index-of-unclaimed-memories-file-1.jpg",
|
|
1602
1602
|
"id": "7c17f9032a82f7d5b72bba8077e90632"
|
|
1603
1603
|
},
|
|
1604
1604
|
{
|
|
@@ -1671,7 +1671,7 @@ var discography = [
|
|
|
1671
1671
|
"credits": "Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.\n",
|
|
1672
1672
|
"project_slug": "everything-comes-in-cycles-everything-fades-in-shades",
|
|
1673
1673
|
"release_slug": "serial-index-of-unclaimed-memories-file-2",
|
|
1674
|
-
"
|
|
1674
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/serial-index-of-unclaimed-memories-file-2.jpg",
|
|
1675
1675
|
"id": "1c9c6115a870ac474cd94dddc0784176"
|
|
1676
1676
|
},
|
|
1677
1677
|
{
|
|
@@ -1774,7 +1774,7 @@ var discography = [
|
|
|
1774
1774
|
"credits": "Connectedness Locus is Tyler Etters.\n",
|
|
1775
1775
|
"project_slug": "connectedness-locus",
|
|
1776
1776
|
"release_slug": "as-quippolous-codes-quietly-count",
|
|
1777
|
-
"
|
|
1777
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/connectedness-locus/as-quippolous-codes-quietly-count/as-quippolous-codes-quietly-count.jpg",
|
|
1778
1778
|
"id": "5c035b2d74c9b91e8ee60dad6cb7ff48"
|
|
1779
1779
|
},
|
|
1780
1780
|
{
|
|
@@ -1829,7 +1829,7 @@ var discography = [
|
|
|
1829
1829
|
"credits": "Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.\n",
|
|
1830
1830
|
"project_slug": "everything-comes-in-cycles-everything-fades-in-shades",
|
|
1831
1831
|
"release_slug": "gates-ep",
|
|
1832
|
-
"
|
|
1832
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/everything-comes-in-cycles-everything-fades-in-shades/gates-ep/gates-ep.jpg",
|
|
1833
1833
|
"id": "caf45dac76274be06727c7d56ac56c04"
|
|
1834
1834
|
},
|
|
1835
1835
|
{
|
|
@@ -1920,7 +1920,7 @@ var discography = [
|
|
|
1920
1920
|
"credits": "All music written and performed by Inocula.\nAaron Krause - Drums\nAJ Sugg - Vocals\nBrowneye - Guitar\nDaniel Massey - Guitar\nPaul Petrosyan - Bass\nTyler Etters - Keybards/Samples\n",
|
|
1921
1921
|
"project_slug": "inocula",
|
|
1922
1922
|
"release_slug": "suntelia-aeon",
|
|
1923
|
-
"
|
|
1923
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/inocula/suntelia-aeon/suntelia-aeon.jpg",
|
|
1924
1924
|
"id": "490f035adcb234345071bf11451a0bba"
|
|
1925
1925
|
},
|
|
1926
1926
|
{
|
|
@@ -1945,7 +1945,7 @@ var discography = [
|
|
|
1945
1945
|
"credits": "Lucid End is Tyler Etters.\n",
|
|
1946
1946
|
"project_slug": "lucid-end",
|
|
1947
1947
|
"release_slug": "organica-lensing",
|
|
1948
|
-
"
|
|
1948
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/lucid-end/organica-lensing/organica-lensing.jpg",
|
|
1949
1949
|
"id": "f40b8fab6a769b9fe83381804833ed09"
|
|
1950
1950
|
},
|
|
1951
1951
|
{
|
|
@@ -1970,7 +1970,7 @@ var discography = [
|
|
|
1970
1970
|
"credits": "Lucid End is Tyler Etters.\n",
|
|
1971
1971
|
"project_slug": "lucid-end",
|
|
1972
1972
|
"release_slug": "the-killing-tree",
|
|
1973
|
-
"
|
|
1973
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/lucid-end/the-killing-tree/the-killing-tree.jpg",
|
|
1974
1974
|
"id": "613757a6f0f4979088bab8776e3f9def"
|
|
1975
1975
|
},
|
|
1976
1976
|
{
|
|
@@ -2055,7 +2055,7 @@ var discography = [
|
|
|
2055
2055
|
"credits": "Lucid End is Tyler Etters.\n",
|
|
2056
2056
|
"project_slug": "lucid-end",
|
|
2057
2057
|
"release_slug": "time-to-breathe-time-to-think",
|
|
2058
|
-
"
|
|
2058
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/lucid-end/time-to-breathe-time-to-think/time-to-breathe-time-to-think.jpg",
|
|
2059
2059
|
"id": "1e1da4b27d7e7d24fc3b1f0002ae2770"
|
|
2060
2060
|
},
|
|
2061
2061
|
{
|
|
@@ -2158,7 +2158,7 @@ var discography = [
|
|
|
2158
2158
|
"credits": "Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.\n",
|
|
2159
2159
|
"project_slug": "ix",
|
|
2160
2160
|
"release_slug": "descent-into-dreams",
|
|
2161
|
-
"
|
|
2161
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/ix/descent-into-dreams/descent-into-dreams.jpg",
|
|
2162
2162
|
"id": "8f34ac41a602d8314011dbe313ca493b"
|
|
2163
2163
|
},
|
|
2164
2164
|
{
|
|
@@ -2195,7 +2195,7 @@ var discography = [
|
|
|
2195
2195
|
"credits": "Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.\n",
|
|
2196
2196
|
"project_slug": "ix",
|
|
2197
2197
|
"release_slug": "yet-these-memories-isolated-us",
|
|
2198
|
-
"
|
|
2198
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/ix/yet-these-memories-isolated-us/yet-these-memories-isolated-us.jpg",
|
|
2199
2199
|
"id": "ec265196f2f2313b847cea4a92ddddca"
|
|
2200
2200
|
},
|
|
2201
2201
|
{
|
|
@@ -2256,7 +2256,7 @@ var discography = [
|
|
|
2256
2256
|
"credits": "Lucid End is Tyler Etters.\n",
|
|
2257
2257
|
"project_slug": "lucid-end",
|
|
2258
2258
|
"release_slug": "files",
|
|
2259
|
-
"
|
|
2259
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/lucid-end/files/files.jpg",
|
|
2260
2260
|
"id": "39b60215e9fe359406cf4267c7204996"
|
|
2261
2261
|
},
|
|
2262
2262
|
{
|
|
@@ -2323,7 +2323,7 @@ var discography = [
|
|
|
2323
2323
|
"credits": "Ix is Paul Petrosyan and Tyler Etters.\n",
|
|
2324
2324
|
"project_slug": "ix",
|
|
2325
2325
|
"release_slug": "ix-ep",
|
|
2326
|
-
"
|
|
2326
|
+
"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/ix/ix-ep/ix-ep.jpg",
|
|
2327
2327
|
"id": "7b7481c3fb254d86c41ca3c27f8e0392"
|
|
2328
2328
|
}
|
|
2329
2329
|
];
|