@tyleretters/discography 0.0.7 → 0.0.8
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- package/dist/discography.d.ts +28 -3
- package/dist/discography.js +123 -263
- package/dist/discography.js.map +1 -1
- package/dist/index.js +123 -263
- package/dist/index.js.map +1 -1
- package/dist/types.d.ts +5 -1
- package/package.json +1 -1
- package/src/convert.py +10 -2
- package/src/discography.ts +123 -263
- package/src/discography.yml +78 -0
- package/src/types.ts +5 -1
package/dist/index.js
CHANGED
|
@@ -9,47 +9,49 @@ var discography = [
|
|
|
9
9
|
"format": "Digital",
|
|
10
10
|
"role": "Operator",
|
|
11
11
|
"label": "Intertext",
|
|
12
|
+
"mp3": true,
|
|
13
|
+
"wav": false,
|
|
12
14
|
"tracks": [
|
|
13
15
|
{
|
|
14
16
|
"number": 1,
|
|
15
17
|
"title": "Tiresias",
|
|
16
18
|
"length": "00:01:49",
|
|
17
|
-
"
|
|
19
|
+
"mp3_slug": "stuxnet/in-darkness-radiant/tiresias.mp3",
|
|
18
20
|
"id": "d8e190eb5c8a7c59a6bfe3a6cccd0b64"
|
|
19
21
|
},
|
|
20
22
|
{
|
|
21
23
|
"number": 2,
|
|
22
24
|
"title": "In Darkness Radiant",
|
|
23
25
|
"length": "00:01:54",
|
|
24
|
-
"
|
|
26
|
+
"mp3_slug": "stuxnet/in-darkness-radiant/in-darkness-radiant.mp3",
|
|
25
27
|
"id": "07431a76e3916159a229b4d77597dde1"
|
|
26
28
|
},
|
|
27
29
|
{
|
|
28
30
|
"number": 3,
|
|
29
31
|
"title": "Temporary Autonomous Zone",
|
|
30
32
|
"length": "00:04:16",
|
|
31
|
-
"
|
|
33
|
+
"mp3_slug": "stuxnet/in-darkness-radiant/temporary-autonomous-zone.mp3",
|
|
32
34
|
"id": "a8751056a8a9ebcbeec39a88b53ff2c8"
|
|
33
35
|
},
|
|
34
36
|
{
|
|
35
37
|
"number": 4,
|
|
36
38
|
"title": "Hell Money",
|
|
37
39
|
"length": "00:01:58",
|
|
38
|
-
"
|
|
40
|
+
"mp3_slug": "stuxnet/in-darkness-radiant/hell-money.mp3",
|
|
39
41
|
"id": "166de9752fc6f68fabff27f1e4ec9164"
|
|
40
42
|
},
|
|
41
43
|
{
|
|
42
44
|
"number": 5,
|
|
43
45
|
"title": "Subsea Fiber Faults in the APAC Region",
|
|
44
46
|
"length": "00:05:43",
|
|
45
|
-
"
|
|
47
|
+
"mp3_slug": "stuxnet/in-darkness-radiant/subsea-fiber-faults-in-the-apac-region.mp3",
|
|
46
48
|
"id": "ddabb410b3b4e9692913d1aba064638f"
|
|
47
49
|
},
|
|
48
50
|
{
|
|
49
51
|
"number": 6,
|
|
50
52
|
"title": "Safe Passage (Non-Functional)",
|
|
51
53
|
"length": "00:02:51",
|
|
52
|
-
"
|
|
54
|
+
"mp3_slug": "stuxnet/in-darkness-radiant/safe-passage-non-functional.mp3",
|
|
53
55
|
"id": "cb92de4cad418d150ca1a21b7544879c"
|
|
54
56
|
}
|
|
55
57
|
],
|
|
@@ -57,6 +59,7 @@ var discography = [
|
|
|
57
59
|
"credits": "Pr\u00e9cis by Cory Salveson. Music by Tyler Etters.\nSelected samples: Bauenrfeind, Beast Wars, Elden Ring, Cornell Lab of Ornithology, The Amity Affliction, Predator, True Detective, Cory's field recordings from China.\nThe musician would like to express his deepest thanks to @zbs for their deft consultation on the final mix and unwavering devotion to sub-bass.\nAlbum art: screencap from \"Can't Get You Out of My Head\" by Adam Curtis.\n",
|
|
58
60
|
"project_slug": "stuxnet",
|
|
59
61
|
"release_slug": "in-darkness-radiant",
|
|
62
|
+
"cover_slug": "stuxnet/in-darkness-radiant/in-darkness-radiant.jpg",
|
|
60
63
|
"id": "fb698f2114760946e4fd0fc2576199a9"
|
|
61
64
|
},
|
|
62
65
|
{
|
|
@@ -67,40 +70,37 @@ var discography = [
|
|
|
67
70
|
"format": "Digital",
|
|
68
71
|
"role": "Operator",
|
|
69
72
|
"label": "Intertext",
|
|
73
|
+
"mp3": false,
|
|
74
|
+
"wav": false,
|
|
70
75
|
"tracks": [
|
|
71
76
|
{
|
|
72
77
|
"number": 1,
|
|
73
78
|
"title": "Sources and Methods",
|
|
74
79
|
"length": "00:03:44",
|
|
75
|
-
"track_slug": "stuxnet/fade-scatter-replicate/sources-and-methods",
|
|
76
80
|
"id": "376c3e78f3eff2fb422e21e6dd855274"
|
|
77
81
|
},
|
|
78
82
|
{
|
|
79
83
|
"number": 2,
|
|
80
84
|
"title": "Coyote",
|
|
81
85
|
"length": "00:05:52",
|
|
82
|
-
"track_slug": "stuxnet/fade-scatter-replicate/coyote",
|
|
83
86
|
"id": "958eab7cc3c22f4f4215bc80974c153f"
|
|
84
87
|
},
|
|
85
88
|
{
|
|
86
89
|
"number": 3,
|
|
87
90
|
"title": "Special Economic Zone",
|
|
88
91
|
"length": "00:03:44",
|
|
89
|
-
"track_slug": "stuxnet/fade-scatter-replicate/special-economic-zone",
|
|
90
92
|
"id": "b04e1d4a0065e8a519e97017876f4f0f"
|
|
91
93
|
},
|
|
92
94
|
{
|
|
93
95
|
"number": 4,
|
|
94
96
|
"title": "Border Crossing",
|
|
95
97
|
"length": "00:03:28",
|
|
96
|
-
"track_slug": "stuxnet/fade-scatter-replicate/border-crossing",
|
|
97
98
|
"id": "a61940bf64f3315a6b294642e1acaa8d"
|
|
98
99
|
},
|
|
99
100
|
{
|
|
100
101
|
"number": 5,
|
|
101
102
|
"title": "In Infinite Fogs",
|
|
102
103
|
"length": "00:05:52",
|
|
103
|
-
"track_slug": "stuxnet/fade-scatter-replicate/in-infinite-fogs",
|
|
104
104
|
"id": "3425ce3d019d9a2b4486a5b677580273"
|
|
105
105
|
}
|
|
106
106
|
],
|
|
@@ -108,6 +108,7 @@ var discography = [
|
|
|
108
108
|
"credits": "Pr\u00e9cis by Cory Salveson. Music by Tyler Etters.\nSelected samples: Dark Souls III, Mission: Impossible 4 \u2014 Ghost Protocol, X-Files, Metal Gear Solid, Underoath, Fortnite \"Fracture\" Event, Black Hawk Down.\nInspired by a trip with my mother to Tijuana, Mexico, 2022.\nAlbum art: Midjourney prompt by John von Seggern.\nFor Timm.\n",
|
|
109
109
|
"project_slug": "stuxnet",
|
|
110
110
|
"release_slug": "fade-scatter-replicate",
|
|
111
|
+
"cover_slug": "stuxnet/fade-scatter-replicate/fade-scatter-replicate.jpg",
|
|
111
112
|
"id": "f47f6e20ac3ac2097070539354fda463"
|
|
112
113
|
},
|
|
113
114
|
{
|
|
@@ -118,19 +119,19 @@ var discography = [
|
|
|
118
119
|
"format": "Digital",
|
|
119
120
|
"role": "Principal Musician",
|
|
120
121
|
"label": "Intertext",
|
|
122
|
+
"mp3": false,
|
|
123
|
+
"wav": false,
|
|
121
124
|
"tracks": [
|
|
122
125
|
{
|
|
123
126
|
"number": 1,
|
|
124
127
|
"title": "Things are different now",
|
|
125
128
|
"length": "00:10:12",
|
|
126
|
-
"track_slug": "they-became-what-they-beheld/ep2/things-are-different-now",
|
|
127
129
|
"id": "767ea89871f29bab164db0abc8672ac9"
|
|
128
130
|
},
|
|
129
131
|
{
|
|
130
132
|
"number": 2,
|
|
131
133
|
"title": "That was closer to then",
|
|
132
134
|
"length": "00:13:32",
|
|
133
|
-
"track_slug": "they-became-what-they-beheld/ep2/that-was-closer-to-then",
|
|
134
135
|
"id": "783052eebb0b68c10fbed5264de8721d"
|
|
135
136
|
}
|
|
136
137
|
],
|
|
@@ -138,6 +139,7 @@ var discography = [
|
|
|
138
139
|
"credits": "Thanks to the person who sold me a faulty tape deck so I could not continue this project as intended because the original tape deck was in an airplane hanger because of the pandemic and everything stalled out for so long on both sides of the incident and then the project changed \u2014 like everything else did, that was closer to then and things are different now. Thanks to my dad for showing me Dancing Fantasy when I was a kid. Thanks to Sage for being infinitely patient and compassionate with me during the pandemic. Thanks to my two close friends who talked with me on the phone at length today, you know who you are. Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.\nAbout text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.\nAudio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.\nAudio sourced from Dancing Fantasy's Op. Midnight Blvd. \"...double fantasy...a dream... ...within a dream...\" IC / Innovative Records, 1990.\nPhotographs from my trip to Petalying Jaya, Malaysia, 2017.\nEngineered by Tyler Etters, 2019 \u2014 2022.\n",
|
|
139
140
|
"project_slug": "they-became-what-they-beheld",
|
|
140
141
|
"release_slug": "ep2",
|
|
142
|
+
"cover_slug": "they-became-what-they-beheld/ep2/ep2.jpg",
|
|
141
143
|
"id": "bc5996397e7215650926b7f7ccc90645"
|
|
142
144
|
},
|
|
143
145
|
{
|
|
@@ -148,12 +150,13 @@ var discography = [
|
|
|
148
150
|
"format": "Digital",
|
|
149
151
|
"role": "Band Member",
|
|
150
152
|
"label": "Map Corps",
|
|
153
|
+
"mp3": false,
|
|
154
|
+
"wav": false,
|
|
151
155
|
"tracks": [
|
|
152
156
|
{
|
|
153
157
|
"number": 1,
|
|
154
158
|
"title": "Deep State Music",
|
|
155
159
|
"length": "00:27:19",
|
|
156
|
-
"track_slug": "sidereal-lobby/deep-state-music/deep-state-music",
|
|
157
160
|
"id": "22a8f72e86a38959ad6aa2a955eefae2"
|
|
158
161
|
}
|
|
159
162
|
],
|
|
@@ -161,6 +164,7 @@ var discography = [
|
|
|
161
164
|
"credits": "Laws & Etters, mmxxi\n",
|
|
162
165
|
"project_slug": "sidereal-lobby",
|
|
163
166
|
"release_slug": "deep-state-music",
|
|
167
|
+
"cover_slug": "sidereal-lobby/deep-state-music/deep-state-music.jpg",
|
|
164
168
|
"id": "02cd98a73d97e2e915afc5da5d4eb7f3"
|
|
165
169
|
},
|
|
166
170
|
{
|
|
@@ -171,26 +175,25 @@ var discography = [
|
|
|
171
175
|
"format": "Digital",
|
|
172
176
|
"role": "Band Member",
|
|
173
177
|
"label": "Map Corps",
|
|
178
|
+
"mp3": false,
|
|
179
|
+
"wav": false,
|
|
174
180
|
"tracks": [
|
|
175
181
|
{
|
|
176
182
|
"number": 1,
|
|
177
183
|
"title": "Mental Dub (Lisbon)",
|
|
178
184
|
"length": "00:04:18",
|
|
179
|
-
"track_slug": "sidereal-lobby/fciv/mental-dub-lisbon",
|
|
180
185
|
"id": "3bf748959775ac0693551fafb0b0c5f4"
|
|
181
186
|
},
|
|
182
187
|
{
|
|
183
188
|
"number": 2,
|
|
184
189
|
"title": "Mental Dub (Des Moines)",
|
|
185
190
|
"length": "00:04:10",
|
|
186
|
-
"track_slug": "sidereal-lobby/fciv/mental-dub-des-moines",
|
|
187
191
|
"id": "7beb9360e3ece1b46c64ccd5200a6d48"
|
|
188
192
|
},
|
|
189
193
|
{
|
|
190
194
|
"number": 3,
|
|
191
195
|
"title": "Mental Dub (Null Lake)",
|
|
192
196
|
"length": "00:04:20",
|
|
193
|
-
"track_slug": "sidereal-lobby/fciv/mental-dub-null-lake",
|
|
194
197
|
"id": "787697adcb5356df5c68c444d3a8b49e"
|
|
195
198
|
}
|
|
196
199
|
],
|
|
@@ -198,6 +201,7 @@ var discography = [
|
|
|
198
201
|
"credits": "Laws & Etters, mmxxi\n",
|
|
199
202
|
"project_slug": "sidereal-lobby",
|
|
200
203
|
"release_slug": "fciv",
|
|
204
|
+
"cover_slug": "sidereal-lobby/fciv/fciv.jpg",
|
|
201
205
|
"id": "059fb2cd3faa8fa9af2b1364c1190abe"
|
|
202
206
|
},
|
|
203
207
|
{
|
|
@@ -208,33 +212,31 @@ var discography = [
|
|
|
208
212
|
"format": "Digital",
|
|
209
213
|
"role": "Band Member",
|
|
210
214
|
"label": "Map Corps",
|
|
215
|
+
"mp3": false,
|
|
216
|
+
"wav": false,
|
|
211
217
|
"tracks": [
|
|
212
218
|
{
|
|
213
219
|
"number": 1,
|
|
214
220
|
"title": "conch",
|
|
215
221
|
"length": "00:04:26",
|
|
216
|
-
"track_slug": "sidereal-lobby/beaches/conch",
|
|
217
222
|
"id": "889e59b8461af051da0effdb4224d3fa"
|
|
218
223
|
},
|
|
219
224
|
{
|
|
220
225
|
"number": 2,
|
|
221
226
|
"title": "snail",
|
|
222
227
|
"length": "00:02:22",
|
|
223
|
-
"track_slug": "sidereal-lobby/beaches/snail",
|
|
224
228
|
"id": "a8a1ba68bda81dce3bd871f8e6d2eacf"
|
|
225
229
|
},
|
|
226
230
|
{
|
|
227
231
|
"number": 3,
|
|
228
232
|
"title": "periwinkle",
|
|
229
233
|
"length": "00:03:41",
|
|
230
|
-
"track_slug": "sidereal-lobby/beaches/periwinkle",
|
|
231
234
|
"id": "765f99fadd0ca0a4efb8c21445d722bb"
|
|
232
235
|
},
|
|
233
236
|
{
|
|
234
237
|
"number": 4,
|
|
235
238
|
"title": "bottles",
|
|
236
239
|
"length": "00:03:30",
|
|
237
|
-
"track_slug": "sidereal-lobby/beaches/bottles",
|
|
238
240
|
"id": "f83818db16c7392d55ac6d73b23940f7"
|
|
239
241
|
}
|
|
240
242
|
],
|
|
@@ -242,6 +244,7 @@ var discography = [
|
|
|
242
244
|
"credits": "Laws & Etters, mmxxi\n",
|
|
243
245
|
"project_slug": "sidereal-lobby",
|
|
244
246
|
"release_slug": "beaches",
|
|
247
|
+
"cover_slug": "sidereal-lobby/beaches/beaches.jpg",
|
|
245
248
|
"id": "a1229abf8488160c3e3dbb02724a122b"
|
|
246
249
|
},
|
|
247
250
|
{
|
|
@@ -252,26 +255,25 @@ var discography = [
|
|
|
252
255
|
"format": "Digital",
|
|
253
256
|
"role": "Operator",
|
|
254
257
|
"label": "Intertext",
|
|
258
|
+
"mp3": false,
|
|
259
|
+
"wav": false,
|
|
255
260
|
"tracks": [
|
|
256
261
|
{
|
|
257
262
|
"number": 1,
|
|
258
263
|
"title": "that it is a message at all",
|
|
259
264
|
"length": "00:04:36",
|
|
260
|
-
"track_slug": "stuxnet/human-interference-task-force/that-it-is-a-message-at-all",
|
|
261
265
|
"id": "e5b79e65e20eef11a6fdcfd49f045f10"
|
|
262
266
|
},
|
|
263
267
|
{
|
|
264
268
|
"number": 2,
|
|
265
269
|
"title": "that dangerous material is stored in a given location",
|
|
266
270
|
"length": "00:32:21",
|
|
267
|
-
"track_slug": "stuxnet/human-interference-task-force/that-dangerous-material-is-stored-in-a-given-location",
|
|
268
271
|
"id": "dd3c27ef99659033aaab2252f565fda5"
|
|
269
272
|
},
|
|
270
273
|
{
|
|
271
274
|
"number": 3,
|
|
272
275
|
"title": "information about the type of dangerous substances",
|
|
273
276
|
"length": "00:19:16",
|
|
274
|
-
"track_slug": "stuxnet/human-interference-task-force/information-about-the-type-of-dangerous-substances",
|
|
275
277
|
"id": "4bdbc9918ce2a3623da3380ad3b44386"
|
|
276
278
|
}
|
|
277
279
|
],
|
|
@@ -279,6 +281,7 @@ var discography = [
|
|
|
279
281
|
"credits": "The musician would like to express his deepest thanks to @license for their critical ear and honest heart.\n",
|
|
280
282
|
"project_slug": "stuxnet",
|
|
281
283
|
"release_slug": "human-interference-task-force",
|
|
284
|
+
"cover_slug": "stuxnet/human-interference-task-force/human-interference-task-force.jpg",
|
|
282
285
|
"id": "70d383f39cd6c320f14ae8f8112ab125"
|
|
283
286
|
},
|
|
284
287
|
{
|
|
@@ -289,54 +292,49 @@ var discography = [
|
|
|
289
292
|
"format": "Digital",
|
|
290
293
|
"role": "Operator",
|
|
291
294
|
"label": "Intertext",
|
|
295
|
+
"mp3": false,
|
|
296
|
+
"wav": false,
|
|
292
297
|
"tracks": [
|
|
293
298
|
{
|
|
294
299
|
"number": 1,
|
|
295
300
|
"title": "Dazzle Camouflage (MUA)",
|
|
296
301
|
"length": "00:05:16",
|
|
297
|
-
"track_slug": "stuxnet/countersurveillance/dazzle-camouflage-mua",
|
|
298
302
|
"id": "b3e55e82d01163b32e55719915098c3a"
|
|
299
303
|
},
|
|
300
304
|
{
|
|
301
305
|
"number": 2,
|
|
302
306
|
"title": "Countersurveillance",
|
|
303
307
|
"length": "00:04:09",
|
|
304
|
-
"track_slug": "stuxnet/countersurveillance/countersurveillance",
|
|
305
308
|
"id": "6dc975e67926eeec29161acbf020d1e6"
|
|
306
309
|
},
|
|
307
310
|
{
|
|
308
311
|
"number": 3,
|
|
309
312
|
"title": "A Territory of History, Without Self",
|
|
310
313
|
"length": "00:03:33",
|
|
311
|
-
"track_slug": "stuxnet/countersurveillance/a-territory-of-history-without-self",
|
|
312
314
|
"id": "443d85726b3da2bbcf3f1e73cb75247c"
|
|
313
315
|
},
|
|
314
316
|
{
|
|
315
317
|
"number": 4,
|
|
316
318
|
"title": "Pyrocumulus Days, Entropy Nights",
|
|
317
319
|
"length": "00:02:18",
|
|
318
|
-
"track_slug": "stuxnet/countersurveillance/pyrocumulus-days-entropy-nights",
|
|
319
320
|
"id": "2bbf6bb6019421586f7c422490fb877f"
|
|
320
321
|
},
|
|
321
322
|
{
|
|
322
323
|
"number": 5,
|
|
323
324
|
"title": "What's Your Wifi Password?",
|
|
324
325
|
"length": "00:02:18",
|
|
325
|
-
"track_slug": "stuxnet/countersurveillance/whats-your-wifi-password",
|
|
326
326
|
"id": "2bcbc1e1c036d5aececc7994b3c16ea8"
|
|
327
327
|
},
|
|
328
328
|
{
|
|
329
329
|
"number": 6,
|
|
330
330
|
"title": "I'm On Blockchain",
|
|
331
331
|
"length": "00:03:02",
|
|
332
|
-
"track_slug": "stuxnet/countersurveillance/im-on-blockchain",
|
|
333
332
|
"id": "f28af783b6bf7c71feaf8681bd925b6a"
|
|
334
333
|
},
|
|
335
334
|
{
|
|
336
335
|
"number": 7,
|
|
337
336
|
"title": "Maybe",
|
|
338
337
|
"length": "00:04:35",
|
|
339
|
-
"track_slug": "stuxnet/countersurveillance/maybe",
|
|
340
338
|
"id": "d9b1078aadc31f8feb907ca5aa3e74bd"
|
|
341
339
|
}
|
|
342
340
|
],
|
|
@@ -344,6 +342,7 @@ var discography = [
|
|
|
344
342
|
"credits": "COUNTERINTELLIGENCE was written, recorded, designed, and released on the STUXNET: NIGHTLY STREAMS // UNREMEMBERED DREAMS Twitch channel. While recording some of the gear blew a fuse. STUXNET is Tyler Etters.\nAlbum art: \"The Nobili-Pesavento self-replicator, with a daughter copy in the process of making a grand-daughter copy. The automaton uses the 32-state extended John von Neumann rules, based on his work on universal constructors and self-reproducing automata.\"\n",
|
|
345
343
|
"project_slug": "stuxnet",
|
|
346
344
|
"release_slug": "countersurveillance",
|
|
345
|
+
"cover_slug": "stuxnet/countersurveillance/countersurveillance.jpg",
|
|
347
346
|
"id": "7339ec77045dfcc729a608f84b2cefa6"
|
|
348
347
|
},
|
|
349
348
|
{
|
|
@@ -354,68 +353,61 @@ var discography = [
|
|
|
354
353
|
"format": "Digital",
|
|
355
354
|
"role": "Operator",
|
|
356
355
|
"label": "Intertext",
|
|
356
|
+
"mp3": false,
|
|
357
|
+
"wav": false,
|
|
357
358
|
"tracks": [
|
|
358
359
|
{
|
|
359
360
|
"number": 1,
|
|
360
361
|
"title": "Our world was always fallen but there was always light.",
|
|
361
362
|
"length": "00:03:48",
|
|
362
|
-
"track_slug": "stuxnet/long-live-the-lost-ones/our-world-was-always-fallen-but-there-was-always-light",
|
|
363
363
|
"id": "179b9982672f8f79ea013a5a0643c9bd"
|
|
364
364
|
},
|
|
365
365
|
{
|
|
366
366
|
"number": 2,
|
|
367
367
|
"title": "Damaged music is a metaphor for this world.",
|
|
368
368
|
"length": "00:04:35",
|
|
369
|
-
"track_slug": "stuxnet/long-live-the-lost-ones/damaged-music-is-a-metaphor-for-this-world",
|
|
370
369
|
"id": "08207b02a760518f1294c1ea693691bf"
|
|
371
370
|
},
|
|
372
371
|
{
|
|
373
372
|
"number": 3,
|
|
374
373
|
"title": "Music was always celebratory, but there was always sorrow.",
|
|
375
374
|
"length": "00:02:50",
|
|
376
|
-
"track_slug": "stuxnet/long-live-the-lost-ones/music-was-always-celebratory-but-there-was-always-sorrow",
|
|
377
375
|
"id": "2c538db0c9926c8ea43af7a422aaf9a2"
|
|
378
376
|
},
|
|
379
377
|
{
|
|
380
378
|
"number": 4,
|
|
381
379
|
"title": "For liberation lies in that which is shattered.",
|
|
382
380
|
"length": "00:01:15",
|
|
383
|
-
"track_slug": "stuxnet/long-live-the-lost-ones/for-liberation-lies-in-that-which-is-shattered",
|
|
384
381
|
"id": "d5a9025184b1983352b1f8ae2ddd7d91"
|
|
385
382
|
},
|
|
386
383
|
{
|
|
387
384
|
"number": 5,
|
|
388
385
|
"title": "Designed to merge, engineered to transcend.",
|
|
389
386
|
"length": "00:02:18",
|
|
390
|
-
"track_slug": "stuxnet/long-live-the-lost-ones/designed-to-merge-engineered-to-transcend",
|
|
391
387
|
"id": "fcd2e06c4631a2a63539dacf1b577e1b"
|
|
392
388
|
},
|
|
393
389
|
{
|
|
394
390
|
"number": 6,
|
|
395
391
|
"title": "Liberation follows that which is broken.",
|
|
396
392
|
"length": "00:07:56",
|
|
397
|
-
"track_slug": "stuxnet/long-live-the-lost-ones/liberation-follows-that-which-is-broken",
|
|
398
393
|
"id": "0cdc699f61cd1b25eb74c95f1c0c7be9"
|
|
399
394
|
},
|
|
400
395
|
{
|
|
401
396
|
"number": 7,
|
|
402
397
|
"title": "Something you catch.",
|
|
403
398
|
"length": "00:07:30",
|
|
404
|
-
"track_slug": "stuxnet/long-live-the-lost-ones/something-you-catch",
|
|
405
399
|
"id": "bde572f3a3de478e7d74607798ff41c7"
|
|
406
400
|
},
|
|
407
401
|
{
|
|
408
402
|
"number": 8,
|
|
409
403
|
"title": "As you're scanning for distress calls.",
|
|
410
404
|
"length": "00:03:53",
|
|
411
|
-
"track_slug": "stuxnet/long-live-the-lost-ones/as-youre-scanning-for-distress-calls",
|
|
412
405
|
"id": "e7888378b887c15138b8e9be615ec012"
|
|
413
406
|
},
|
|
414
407
|
{
|
|
415
408
|
"number": 9,
|
|
416
409
|
"title": "Long live the lost ones.",
|
|
417
410
|
"length": "00:05:12",
|
|
418
|
-
"track_slug": "stuxnet/long-live-the-lost-ones/long-live-the-lost-ones",
|
|
419
411
|
"id": "30f9acd6b2a5762977f27468d900eecd"
|
|
420
412
|
}
|
|
421
413
|
],
|
|
@@ -423,6 +415,7 @@ var discography = [
|
|
|
423
415
|
"credits": "Album title by Cory Salveson, encryption key by Matthew Marx, distress signals by Dan Derks, music by Tyler Etters.\nAlbum art: \"Kuwaiti oil wells set on fire by retreating Iraqi forces during Operation Desert Storm darken the sky with smoke, March 25, 1991. This image could have imperfections as it\u2019s either historical or reportage.\"\n",
|
|
424
416
|
"project_slug": "stuxnet",
|
|
425
417
|
"release_slug": "long-live-the-lost-ones",
|
|
418
|
+
"cover_slug": "stuxnet/long-live-the-lost-ones/long-live-the-lost-ones.jpg",
|
|
426
419
|
"id": "7d8f67a125af6c412d1d5b08caa02412"
|
|
427
420
|
},
|
|
428
421
|
{
|
|
@@ -433,19 +426,19 @@ var discography = [
|
|
|
433
426
|
"format": "Digital",
|
|
434
427
|
"role": "Operator",
|
|
435
428
|
"label": "Intertext",
|
|
429
|
+
"mp3": false,
|
|
430
|
+
"wav": false,
|
|
436
431
|
"tracks": [
|
|
437
432
|
{
|
|
438
433
|
"number": 1,
|
|
439
434
|
"title": "Time's Firewall",
|
|
440
435
|
"length": "00:08:07",
|
|
441
|
-
"track_slug": "stuxnet/times-firewall-demo/times-firewall",
|
|
442
436
|
"id": "4eae4205c51602b354c0523f04545abe"
|
|
443
437
|
},
|
|
444
438
|
{
|
|
445
439
|
"number": 2,
|
|
446
440
|
"title": "Fractal's Edge",
|
|
447
441
|
"length": "00:11:02",
|
|
448
|
-
"track_slug": "stuxnet/times-firewall-demo/fractals-edge",
|
|
449
442
|
"id": "23d10f8f4768e913d7c0fe955cc16b04"
|
|
450
443
|
}
|
|
451
444
|
],
|
|
@@ -453,6 +446,7 @@ var discography = [
|
|
|
453
446
|
"credits": "STUXNET is Tyler Etters.\n",
|
|
454
447
|
"project_slug": "stuxnet",
|
|
455
448
|
"release_slug": "times-firewall-demo",
|
|
449
|
+
"cover_slug": "stuxnet/times-firewall-demo/times-firewall-demo.jpg",
|
|
456
450
|
"id": "1b1c543e6914fcc678c4710c1ce600f4"
|
|
457
451
|
},
|
|
458
452
|
{
|
|
@@ -463,82 +457,73 @@ var discography = [
|
|
|
463
457
|
"format": "Digital",
|
|
464
458
|
"role": "Operator",
|
|
465
459
|
"label": "Intertext",
|
|
460
|
+
"mp3": false,
|
|
461
|
+
"wav": false,
|
|
466
462
|
"tracks": [
|
|
467
463
|
{
|
|
468
464
|
"number": 1,
|
|
469
465
|
"title": "The Payload Appeared Yesterday Due to a Zero Day Timezone Conversion Vulnerability",
|
|
470
466
|
"length": "00:01:28",
|
|
471
|
-
"track_slug": "stuxnet/matryoshka-demo/the-payload-appeared-yesterday-due-to-a-zero-day-timezone-conversion-vulnerability",
|
|
472
467
|
"id": "faf5ef30c09d21d6a7accc7a9c8eba23"
|
|
473
468
|
},
|
|
474
469
|
{
|
|
475
470
|
"number": 2,
|
|
476
471
|
"title": "Supply Chain Attack Surface",
|
|
477
472
|
"length": "00:02:14",
|
|
478
|
-
"track_slug": "stuxnet/matryoshka-demo/supply-chain-attack-surface",
|
|
479
473
|
"id": "4e2e4b2e0b229bfd729e2c30c6af0c68"
|
|
480
474
|
},
|
|
481
475
|
{
|
|
482
476
|
"number": 3,
|
|
483
477
|
"title": "A White USB Drive With \"HEXAGON\" iStock Logo \\#1135496271",
|
|
484
478
|
"length": "00:03:09",
|
|
485
|
-
"track_slug": "stuxnet/matryoshka-demo/a-white-usb-drive-with-hexagon-istock-logo-1135496271",
|
|
486
479
|
"id": "0c64e4dd5d5bb830ed5975cc200e7793"
|
|
487
480
|
},
|
|
488
481
|
{
|
|
489
482
|
"number": 4,
|
|
490
483
|
"title": "At Least One Reseller of Microsoft Cloud Services Was Compromised",
|
|
491
484
|
"length": "00:02:44",
|
|
492
|
-
"track_slug": "stuxnet/matryoshka-demo/at-least-one-reseller-of-microsoft-cloud-services-was-compromised",
|
|
493
485
|
"id": "5ca900f7ab02c2b0fbd0e77190c4beec"
|
|
494
486
|
},
|
|
495
487
|
{
|
|
496
488
|
"number": 5,
|
|
497
489
|
"title": "Matryoshka Shell 1 - Ransomware Was Discovered on the Executive\u2019s Peloton",
|
|
498
490
|
"length": "00:02:13",
|
|
499
|
-
"track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-1-ransomware-was-discovered-on-the-executives-peloton",
|
|
500
491
|
"id": "28065b49def591062fa9288476a564f4"
|
|
501
492
|
},
|
|
502
493
|
{
|
|
503
494
|
"number": 6,
|
|
504
495
|
"title": "Matryoshka Shell 2 - IoT Botnet DDoS",
|
|
505
496
|
"length": "00:02:06",
|
|
506
|
-
"track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-2-iot-botnet-ddos",
|
|
507
497
|
"id": "4e00289da643efb2a0e135cf0c675429"
|
|
508
498
|
},
|
|
509
499
|
{
|
|
510
500
|
"number": 7,
|
|
511
501
|
"title": "Matryoshka Shell 3 - Distributed Cryptocurrency Mining Operation",
|
|
512
502
|
"length": "00:01:22",
|
|
513
|
-
"track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-3-distributed-cryptocurrency-mining-operation",
|
|
514
503
|
"id": "8c381f7d6ba406bf4d09b39f4b97edd2"
|
|
515
504
|
},
|
|
516
505
|
{
|
|
517
506
|
"number": 8,
|
|
518
507
|
"title": "Matryoshka Shell 4 - International Date Line",
|
|
519
508
|
"length": "00:02:46",
|
|
520
|
-
"track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-4-international-date-line",
|
|
521
509
|
"id": "29f3e0a0cb584e1f38a1c8e12c3dd50a"
|
|
522
510
|
},
|
|
523
511
|
{
|
|
524
512
|
"number": 9,
|
|
525
513
|
"title": "Matryoshka Shell 5 - \u7dcf\u4f1a\u5c4b (deepfake.S)",
|
|
526
514
|
"length": "00:03:21",
|
|
527
|
-
"track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-5-deepfakes",
|
|
528
515
|
"id": "6638a8ff34056ccfa84889decbf9e763"
|
|
529
516
|
},
|
|
530
517
|
{
|
|
531
518
|
"number": 10,
|
|
532
519
|
"title": "Matryoshka Shell 6 - Schanuel's Conjecture (Evidence of Non-Human Origin)",
|
|
533
520
|
"length": "00:02:29",
|
|
534
|
-
"track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-6-schanuels-conjecture-evidence-of-non-human-origin",
|
|
535
521
|
"id": "0b394848373ec96e857293c460a07895"
|
|
536
522
|
},
|
|
537
523
|
{
|
|
538
524
|
"number": 11,
|
|
539
525
|
"title": "The Media Confused the Matter With Container Ships",
|
|
540
526
|
"length": "00:02:13",
|
|
541
|
-
"track_slug": "stuxnet/matryoshka-demo/the-media-confused-the-matter-with-container-ships",
|
|
542
527
|
"id": "b9202085559832f47a042d7eabca7243"
|
|
543
528
|
}
|
|
544
529
|
],
|
|
@@ -546,6 +531,7 @@ var discography = [
|
|
|
546
531
|
"credits": "STUXNET is Tyler Etters.\n",
|
|
547
532
|
"project_slug": "stuxnet",
|
|
548
533
|
"release_slug": "matryoshka-demo",
|
|
534
|
+
"cover_slug": "stuxnet/matryoshka-demo/matryoshka-demo.jpg",
|
|
549
535
|
"id": "008f7a37d4d2668958e8df4c2e2f1f77"
|
|
550
536
|
},
|
|
551
537
|
{
|
|
@@ -556,61 +542,55 @@ var discography = [
|
|
|
556
542
|
"format": "Digital",
|
|
557
543
|
"role": "Operator",
|
|
558
544
|
"label": "Intertext",
|
|
545
|
+
"mp3": false,
|
|
546
|
+
"wav": false,
|
|
559
547
|
"tracks": [
|
|
560
548
|
{
|
|
561
549
|
"number": 1,
|
|
562
550
|
"title": "Trapdoor Function",
|
|
563
551
|
"length": "00:02:11",
|
|
564
|
-
"track_slug": "stuxnet/cipher-suite-demo/trapdoor-function",
|
|
565
552
|
"id": "c3560e910e213cf54e99ffcc624460d1"
|
|
566
553
|
},
|
|
567
554
|
{
|
|
568
555
|
"number": 2,
|
|
569
556
|
"title": "Asymmetric Encrypted Transport",
|
|
570
557
|
"length": "00:01:21",
|
|
571
|
-
"track_slug": "stuxnet/cipher-suite-demo/asymmetric-encrypted-transport",
|
|
572
558
|
"id": "2349bb6f2e75db320e6c89fc2857c70c"
|
|
573
559
|
},
|
|
574
560
|
{
|
|
575
561
|
"number": 3,
|
|
576
562
|
"title": "Forced Disclosure of Encryption Keys",
|
|
577
563
|
"length": "00:02:31",
|
|
578
|
-
"track_slug": "stuxnet/cipher-suite-demo/forced-disclosure-of-encryption-keys",
|
|
579
564
|
"id": "2c255249ce2e536690e2b79824aa693d"
|
|
580
565
|
},
|
|
581
566
|
{
|
|
582
567
|
"number": 4,
|
|
583
568
|
"title": "Chinese Remainder Theorem",
|
|
584
569
|
"length": "00:02:11",
|
|
585
|
-
"track_slug": "stuxnet/cipher-suite-demo/chinese-remainder-theorem",
|
|
586
570
|
"id": "567e1a5978db9ffd4f2e0be22bea39b7"
|
|
587
571
|
},
|
|
588
572
|
{
|
|
589
573
|
"number": 5,
|
|
590
574
|
"title": "Hash Collision",
|
|
591
575
|
"length": "00:04:52",
|
|
592
|
-
"track_slug": "stuxnet/cipher-suite-demo/hash-collision",
|
|
593
576
|
"id": "9079406ca53ef6f354fa6bcdc112e66c"
|
|
594
577
|
},
|
|
595
578
|
{
|
|
596
579
|
"number": 6,
|
|
597
580
|
"title": "Something You Have",
|
|
598
581
|
"length": "00:10:05",
|
|
599
|
-
"track_slug": "stuxnet/cipher-suite-demo/something-you-have",
|
|
600
582
|
"id": "25da8b21911fc20cb1b0dc2cb7f56d4b"
|
|
601
583
|
},
|
|
602
584
|
{
|
|
603
585
|
"number": 7,
|
|
604
586
|
"title": "Something You Know",
|
|
605
587
|
"length": "00:03:25",
|
|
606
|
-
"track_slug": "stuxnet/cipher-suite-demo/something-you-know",
|
|
607
588
|
"id": "461384034f3ea6d780e9f82f352f8dea"
|
|
608
589
|
},
|
|
609
590
|
{
|
|
610
591
|
"number": 8,
|
|
611
592
|
"title": "Something You Are",
|
|
612
593
|
"length": "00:05:40",
|
|
613
|
-
"track_slug": "stuxnet/cipher-suite-demo/something-you-are",
|
|
614
594
|
"id": "c791ffc28c2b9337919f730df6899e77"
|
|
615
595
|
}
|
|
616
596
|
],
|
|
@@ -618,6 +598,7 @@ var discography = [
|
|
|
618
598
|
"credits": "STUXNET is Tyler Etters.\n",
|
|
619
599
|
"project_slug": "stuxnet",
|
|
620
600
|
"release_slug": "cipher-suite-demo",
|
|
601
|
+
"cover_slug": "stuxnet/cipher-suite-demo/cipher-suite-demo.jpg",
|
|
621
602
|
"id": "2324c584cb2ca86fba128a8e05d8fdd2"
|
|
622
603
|
},
|
|
623
604
|
{
|
|
@@ -628,61 +609,55 @@ var discography = [
|
|
|
628
609
|
"format": "Digital",
|
|
629
610
|
"role": "Operator",
|
|
630
611
|
"label": "Intertext",
|
|
612
|
+
"mp3": false,
|
|
613
|
+
"wav": false,
|
|
631
614
|
"tracks": [
|
|
632
615
|
{
|
|
633
616
|
"number": 1,
|
|
634
617
|
"title": "plateau",
|
|
635
618
|
"length": "00:09:04",
|
|
636
|
-
"track_slug": "stuxnet/carrier-demo/plateau",
|
|
637
619
|
"id": "a53fcc99b810157b4435a23a37ddeecd"
|
|
638
620
|
},
|
|
639
621
|
{
|
|
640
622
|
"number": 2,
|
|
641
623
|
"title": "angel",
|
|
642
624
|
"length": "00:05:11",
|
|
643
|
-
"track_slug": "stuxnet/carrier-demo/angel",
|
|
644
625
|
"id": "c5839f7dbaf891f6e11d8f2f31cb9755"
|
|
645
626
|
},
|
|
646
627
|
{
|
|
647
628
|
"number": 3,
|
|
648
629
|
"title": "mod3046",
|
|
649
630
|
"length": "00:03:38",
|
|
650
|
-
"track_slug": "stuxnet/carrier-demo/mod3046",
|
|
651
631
|
"id": "13c37dcb5935d2b6abdac26510ca08d4"
|
|
652
632
|
},
|
|
653
633
|
{
|
|
654
634
|
"number": 4,
|
|
655
635
|
"title": "rave",
|
|
656
636
|
"length": "00:01:46",
|
|
657
|
-
"track_slug": "stuxnet/carrier-demo/rave",
|
|
658
637
|
"id": "8c096eb17603847f5e7d699d67eaae27"
|
|
659
638
|
},
|
|
660
639
|
{
|
|
661
640
|
"number": 5,
|
|
662
641
|
"title": "fcore",
|
|
663
642
|
"length": "00:02:39",
|
|
664
|
-
"track_slug": "stuxnet/carrier-demo/fcore",
|
|
665
643
|
"id": "43d53188bf27c7626f98edb294f866aa"
|
|
666
644
|
},
|
|
667
645
|
{
|
|
668
646
|
"number": 6,
|
|
669
647
|
"title": "lecture",
|
|
670
648
|
"length": "00:10:17",
|
|
671
|
-
"track_slug": "stuxnet/carrier-demo/lecture",
|
|
672
649
|
"id": "7791b846ae7842b295d72daa55cfb95e"
|
|
673
650
|
},
|
|
674
651
|
{
|
|
675
652
|
"number": 7,
|
|
676
653
|
"title": "abeyance",
|
|
677
654
|
"length": "00:06:07",
|
|
678
|
-
"track_slug": "stuxnet/carrier-demo/abeyance",
|
|
679
655
|
"id": "6c05d836e163b77bb4dd35bc0105fe8e"
|
|
680
656
|
},
|
|
681
657
|
{
|
|
682
658
|
"number": 8,
|
|
683
659
|
"title": "registry",
|
|
684
660
|
"length": "00:01:26",
|
|
685
|
-
"track_slug": "stuxnet/carrier-demo/registry",
|
|
686
661
|
"id": "245d5a39e4a966bd7a7368253beaf668"
|
|
687
662
|
}
|
|
688
663
|
],
|
|
@@ -690,6 +665,7 @@ var discography = [
|
|
|
690
665
|
"credits": "STUXNET is Tyler Etters.\n",
|
|
691
666
|
"project_slug": "stuxnet",
|
|
692
667
|
"release_slug": "carrier-demo",
|
|
668
|
+
"cover_slug": "stuxnet/carrier-demo/carrier-demo.jpg",
|
|
693
669
|
"id": "e745f9e7855fd65dcdb2b682897def45"
|
|
694
670
|
},
|
|
695
671
|
{
|
|
@@ -700,68 +676,61 @@ var discography = [
|
|
|
700
676
|
"format": "Digital",
|
|
701
677
|
"role": "Principal Musician",
|
|
702
678
|
"label": "Intertext",
|
|
679
|
+
"mp3": false,
|
|
680
|
+
"wav": false,
|
|
703
681
|
"tracks": [
|
|
704
682
|
{
|
|
705
683
|
"number": 1,
|
|
706
684
|
"title": "one is opposite six",
|
|
707
685
|
"length": "00:02:15",
|
|
708
|
-
"track_slug": "northern-information/the-arecibo-lamentations/one-is-opposite-six",
|
|
709
686
|
"id": "6e5801ec2e523d2748a911770f8c3dad"
|
|
710
687
|
},
|
|
711
688
|
{
|
|
712
689
|
"number": 2,
|
|
713
690
|
"title": "Living Numbers",
|
|
714
691
|
"length": "00:04:39 video",
|
|
715
|
-
"track_slug": "northern-information/the-arecibo-lamentations/living-numbers",
|
|
716
692
|
"id": "4b621a7e2447e48dee037cf25b57131b"
|
|
717
693
|
},
|
|
718
694
|
{
|
|
719
695
|
"number": 3,
|
|
720
696
|
"title": "death is the only way out of the information age",
|
|
721
697
|
"length": "00:01:29",
|
|
722
|
-
"track_slug": "northern-information/the-arecibo-lamentations/death-is-the-only-way-out-of-the-information-age",
|
|
723
698
|
"id": "aedd42ead93b1f705b775def27ad4a76"
|
|
724
699
|
},
|
|
725
700
|
{
|
|
726
701
|
"number": 4,
|
|
727
702
|
"title": "baccarat",
|
|
728
703
|
"length": "00:03:26",
|
|
729
|
-
"track_slug": "northern-information/the-arecibo-lamentations/baccarat",
|
|
730
704
|
"id": "a46794c0b74b8f03ad67b16827c38f82"
|
|
731
705
|
},
|
|
732
706
|
{
|
|
733
707
|
"number": 5,
|
|
734
708
|
"title": "The Arecibo Lamentations",
|
|
735
709
|
"length": "00:12:59",
|
|
736
|
-
"track_slug": "northern-information/the-arecibo-lamentations/the-arecibo-lamentations",
|
|
737
710
|
"id": "62370b6adaa310e6abf057e196463623"
|
|
738
711
|
},
|
|
739
712
|
{
|
|
740
713
|
"number": 6,
|
|
741
714
|
"title": "powerlines",
|
|
742
715
|
"length": "00:00:48",
|
|
743
|
-
"track_slug": "northern-information/the-arecibo-lamentations/powerlines",
|
|
744
716
|
"id": "8ffcd2bbd3e961d911f116dedb82a45a"
|
|
745
717
|
},
|
|
746
718
|
{
|
|
747
719
|
"number": 7,
|
|
748
720
|
"title": "time's arrow, our north star",
|
|
749
721
|
"length": "00:00:58",
|
|
750
|
-
"track_slug": "northern-information/the-arecibo-lamentations/times-arrow-our-north-star",
|
|
751
722
|
"id": "6bbe002532c9f50eb0b175230be3d4f4"
|
|
752
723
|
},
|
|
753
724
|
{
|
|
754
725
|
"number": 8,
|
|
755
726
|
"title": "COMbyne jlu13_0016",
|
|
756
727
|
"length": "00:03:32",
|
|
757
|
-
"track_slug": "northern-information/the-arecibo-lamentations/combyne-jlu130016",
|
|
758
728
|
"id": "d1df4b26acba2faec37e877b5a926ff4"
|
|
759
729
|
},
|
|
760
730
|
{
|
|
761
731
|
"number": 9,
|
|
762
732
|
"title": "husk_L",
|
|
763
733
|
"length": "00:02:57",
|
|
764
|
-
"track_slug": "northern-information/the-arecibo-lamentations/huskl",
|
|
765
734
|
"id": "19f67fefb3a7720a8875b563311e187d"
|
|
766
735
|
}
|
|
767
736
|
],
|
|
@@ -769,6 +738,7 @@ var discography = [
|
|
|
769
738
|
"credits": "Thanks to Dan Derks, Brian Crabtree, Ryan Laws, Zack Scholl, Cory Salveson, Sage Etters, & Pasha Petrosyan.\nAugured, coded, patched, written, performed, lamented, and engineered by Tyler Etters in 2020.\n",
|
|
770
739
|
"project_slug": "northern-information",
|
|
771
740
|
"release_slug": "the-arecibo-lamentations",
|
|
741
|
+
"cover_slug": "northern-information/the-arecibo-lamentations/the-arecibo-lamentations.jpg",
|
|
772
742
|
"id": "c2ebebb75e1854e07a28c58b790d07b6"
|
|
773
743
|
},
|
|
774
744
|
{
|
|
@@ -779,19 +749,19 @@ var discography = [
|
|
|
779
749
|
"format": "Digital",
|
|
780
750
|
"role": "Principal Musician",
|
|
781
751
|
"label": "Intertext",
|
|
752
|
+
"mp3": false,
|
|
753
|
+
"wav": false,
|
|
782
754
|
"tracks": [
|
|
783
755
|
{
|
|
784
756
|
"number": 1,
|
|
785
757
|
"title": "Everything is everywhere now",
|
|
786
758
|
"length": "00:09:01",
|
|
787
|
-
"track_slug": "they-became-what-they-beheld/ep1/everything-is-everywhere-now",
|
|
788
759
|
"id": "e00e0bca413fcdc2b4fd9e756a4743ec"
|
|
789
760
|
},
|
|
790
761
|
{
|
|
791
762
|
"number": 2,
|
|
792
763
|
"title": "Back when things made sense",
|
|
793
764
|
"length": "00:06:21",
|
|
794
|
-
"track_slug": "they-became-what-they-beheld/ep1/back-when-things-made-sense",
|
|
795
765
|
"id": "da62d9c2b17d61f7dbbb2cb8714ea63e"
|
|
796
766
|
}
|
|
797
767
|
],
|
|
@@ -799,6 +769,7 @@ var discography = [
|
|
|
799
769
|
"credits": "Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.\nAbout text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.\nAudio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.\nPhotographs from my trip to Petalying Jaya, Malaysia, 2017.\nEngineered by Tyler Etters, 2019.\n",
|
|
800
770
|
"project_slug": "they-became-what-they-beheld",
|
|
801
771
|
"release_slug": "ep1",
|
|
772
|
+
"cover_slug": "they-became-what-they-beheld/ep1/ep1.jpg",
|
|
802
773
|
"id": "427cc1165076ec9eaeb68f427ca0b04b"
|
|
803
774
|
},
|
|
804
775
|
{
|
|
@@ -809,82 +780,73 @@ var discography = [
|
|
|
809
780
|
"format": "Digital",
|
|
810
781
|
"role": "Principal Musician",
|
|
811
782
|
"label": "Endless Field Studios",
|
|
783
|
+
"mp3": false,
|
|
784
|
+
"wav": false,
|
|
812
785
|
"tracks": [
|
|
813
786
|
{
|
|
814
787
|
"number": 1,
|
|
815
788
|
"title": "the snail shell graveyard (w/ david)",
|
|
816
789
|
"length": "00:03:30",
|
|
817
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/reverence/the-snail-shell-graveyard-w-david",
|
|
818
790
|
"id": "a03770145da2b3a67d186ef5db74acd0"
|
|
819
791
|
},
|
|
820
792
|
{
|
|
821
793
|
"number": 2,
|
|
822
794
|
"title": "fiddler's green",
|
|
823
795
|
"length": "00:02:51",
|
|
824
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/reverence/fiddlers-green",
|
|
825
796
|
"id": "aecec4c1e9b1483b4071ad7f70331d30"
|
|
826
797
|
},
|
|
827
798
|
{
|
|
828
799
|
"number": 3,
|
|
829
800
|
"title": "yes, these paths were promised",
|
|
830
801
|
"length": "00:18:04",
|
|
831
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/reverence/yes-these-paths-were-promised",
|
|
832
802
|
"id": "63baa4c1fd7883e88709e33ccbaa8d2b"
|
|
833
803
|
},
|
|
834
804
|
{
|
|
835
805
|
"number": 4,
|
|
836
806
|
"title": "cometary",
|
|
837
807
|
"length": "00:00:28",
|
|
838
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/reverence/cometary",
|
|
839
808
|
"id": "d8b30184d6d27860619ca00e0a67aa9b"
|
|
840
809
|
},
|
|
841
810
|
{
|
|
842
811
|
"number": 5,
|
|
843
812
|
"title": "unnamed seasons (w/ sage)",
|
|
844
813
|
"length": "00:09:45",
|
|
845
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/reverence/unnamed-seasons-w-sage",
|
|
846
814
|
"id": "cdf95ff723f4045363154bf94a328448"
|
|
847
815
|
},
|
|
848
816
|
{
|
|
849
817
|
"number": 6,
|
|
850
818
|
"title": "this is hallowed ground",
|
|
851
819
|
"length": "00:01:16",
|
|
852
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/reverence/this-is-hallowed-ground",
|
|
853
820
|
"id": "836a98d402a46c5bc849ece0b63985d8"
|
|
854
821
|
},
|
|
855
822
|
{
|
|
856
823
|
"number": 7,
|
|
857
824
|
"title": "hope on the western sky",
|
|
858
825
|
"length": "00:01:47",
|
|
859
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/reverence/hope-on-the-western-sky",
|
|
860
826
|
"id": "aa56b93b2b40c9227cbea261dd043ffb"
|
|
861
827
|
},
|
|
862
828
|
{
|
|
863
829
|
"number": 8,
|
|
864
830
|
"title": "in standstill destiny",
|
|
865
831
|
"length": "00:03:10",
|
|
866
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/reverence/in-standstill-destiny",
|
|
867
832
|
"id": "c88891588b6aaf859ba59412482bc676"
|
|
868
833
|
},
|
|
869
834
|
{
|
|
870
835
|
"number": 9,
|
|
871
836
|
"title": "fireflies & fields",
|
|
872
837
|
"length": "00:01:59",
|
|
873
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/reverence/fireflies-and-fields",
|
|
874
838
|
"id": "7c4748ac2b6d26360301a5ad4c76657d"
|
|
875
839
|
},
|
|
876
840
|
{
|
|
877
841
|
"number": 10,
|
|
878
842
|
"title": "beacons of light",
|
|
879
843
|
"length": "00:03:57",
|
|
880
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/reverence/beacons-of-light",
|
|
881
844
|
"id": "a2e7d0a72bf81a3b96f4e1535e6d8c52"
|
|
882
845
|
},
|
|
883
846
|
{
|
|
884
847
|
"number": 11,
|
|
885
848
|
"title": "where the grass is uncut by blades of men",
|
|
886
849
|
"length": "00:02:59",
|
|
887
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/reverence/where-the-grass-is-uncut-by-blades-of-men",
|
|
888
850
|
"id": "688324cd8182b77da8097a91a8fa4cf1"
|
|
889
851
|
}
|
|
890
852
|
],
|
|
@@ -892,6 +854,7 @@ var discography = [
|
|
|
892
854
|
"credits": "released the day after the winter solstice, when the light begins her steady march to summer.\nwritten and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring guitar by david kvistad on the snail shell graveyard and field recordings by sage etters on unnamed seasons. painting of cornfields in illinois (1994) by lynda wallis (tyler etters\u2019s mom) with additional treatment by tyler etters.\n",
|
|
893
855
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
894
856
|
"release_slug": "reverence",
|
|
857
|
+
"cover_slug": "tyler-etters-and-the-northern-information-movement/reverence/reverence.jpg",
|
|
895
858
|
"id": "ae5fd3fc099497038e2ce882fcd14959"
|
|
896
859
|
},
|
|
897
860
|
{
|
|
@@ -902,68 +865,61 @@ var discography = [
|
|
|
902
865
|
"format": "Digital",
|
|
903
866
|
"role": "Principal Musician",
|
|
904
867
|
"label": "Endless Field Studios",
|
|
868
|
+
"mp3": false,
|
|
869
|
+
"wav": false,
|
|
905
870
|
"tracks": [
|
|
906
871
|
{
|
|
907
872
|
"number": 1,
|
|
908
873
|
"title": "surveillance industrial complex",
|
|
909
874
|
"length": "00:03:21",
|
|
910
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/surveillance-industrial-complex",
|
|
911
875
|
"id": "6aebefe494967246b570fe49aab8cf6c"
|
|
912
876
|
},
|
|
913
877
|
{
|
|
914
878
|
"number": 2,
|
|
915
879
|
"title": "twilight in shape",
|
|
916
880
|
"length": "00:02:58",
|
|
917
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/twilight-in-shape",
|
|
918
881
|
"id": "b6d644faeef8d6b5befdf2a77dbb6e5c"
|
|
919
882
|
},
|
|
920
883
|
{
|
|
921
884
|
"number": 3,
|
|
922
885
|
"title": "a cyan destiny",
|
|
923
886
|
"length": "00:04:25",
|
|
924
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/a-cyan-destiny",
|
|
925
887
|
"id": "3c1f3cef1e60f67f21e5ff29afca526c"
|
|
926
888
|
},
|
|
927
889
|
{
|
|
928
890
|
"number": 4,
|
|
929
891
|
"title": "some more dreams from the hive",
|
|
930
892
|
"length": "00:02:32",
|
|
931
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/some-more-dreams-from-the-hive",
|
|
932
893
|
"id": "cf98cfab1b038e9823a16cdeab0d6476"
|
|
933
894
|
},
|
|
934
895
|
{
|
|
935
896
|
"number": 5,
|
|
936
897
|
"title": "apophenia",
|
|
937
898
|
"length": "00:03:24",
|
|
938
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/apophenia",
|
|
939
899
|
"id": "b76c3c50925113d4150fba2ecbb68ce8"
|
|
940
900
|
},
|
|
941
901
|
{
|
|
942
902
|
"number": 6,
|
|
943
903
|
"title": "later heaven",
|
|
944
904
|
"length": "00:03:47",
|
|
945
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/later-heaven",
|
|
946
905
|
"id": "dc3130ada069acfdf93d07f8cf163828"
|
|
947
906
|
},
|
|
948
907
|
{
|
|
949
908
|
"number": 7,
|
|
950
909
|
"title": "future shock",
|
|
951
910
|
"length": "00:02:51",
|
|
952
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/future-shock",
|
|
953
911
|
"id": "9dc05ef4164b3152a68321fd4d61f1b2"
|
|
954
912
|
},
|
|
955
913
|
{
|
|
956
914
|
"number": 8,
|
|
957
915
|
"title": "olympus mons",
|
|
958
916
|
"length": "00:01:42",
|
|
959
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/olympus-mons",
|
|
960
917
|
"id": "9e052c87962f1406a1b6496002907e64"
|
|
961
918
|
},
|
|
962
919
|
{
|
|
963
920
|
"number": 9,
|
|
964
921
|
"title": "the path of many returns",
|
|
965
922
|
"length": "00:06:40",
|
|
966
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/the-path-of-many-returns",
|
|
967
923
|
"id": "71ec5270c5ce9efd50213085cbaeddf4"
|
|
968
924
|
}
|
|
969
925
|
],
|
|
@@ -971,6 +927,7 @@ var discography = [
|
|
|
971
927
|
"credits": "released on the winter solstice, when both darkness and light hang in a wary balance.\nwritten and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring pasha petrosyan on surveillance industrial complex, later heaven, and the path of many returns. numerous samples, videos, storyline components and album title by cory salveson. album cover polaroid of stone henge on the summer solstice (2017) by cory salveson with additional treatment by tyler etters.\n",
|
|
972
928
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
973
929
|
"release_slug": "dispatches-from-the-prime-meridian",
|
|
930
|
+
"cover_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/dispatches-from-the-prime-meridian.jpg",
|
|
974
931
|
"id": "de4441b30b9342ace629d27eb493e311"
|
|
975
932
|
},
|
|
976
933
|
{
|
|
@@ -981,68 +938,61 @@ var discography = [
|
|
|
981
938
|
"format": "Digital",
|
|
982
939
|
"role": "Principal Musician",
|
|
983
940
|
"label": "Endless Field Studios",
|
|
941
|
+
"mp3": false,
|
|
942
|
+
"wav": false,
|
|
984
943
|
"tracks": [
|
|
985
944
|
{
|
|
986
945
|
"number": 1,
|
|
987
946
|
"title": "arcadian nights",
|
|
988
947
|
"length": "00:05:22",
|
|
989
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/arcadian-nights",
|
|
990
948
|
"id": "6aef13271da4bd55ee6c383b3af00e28"
|
|
991
949
|
},
|
|
992
950
|
{
|
|
993
951
|
"number": 2,
|
|
994
952
|
"title": "leaving home",
|
|
995
953
|
"length": "00:03:12",
|
|
996
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/leaving-home",
|
|
997
954
|
"id": "b607c1715529cd5ed4eeb034eccc104d"
|
|
998
955
|
},
|
|
999
956
|
{
|
|
1000
957
|
"number": 3,
|
|
1001
958
|
"title": "the emptiness will always follow you",
|
|
1002
959
|
"length": "00:02:38",
|
|
1003
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/the-emptiness-will-always-follow-you",
|
|
1004
960
|
"id": "f9a496d71315db40f8d96f60e1a0628a"
|
|
1005
961
|
},
|
|
1006
962
|
{
|
|
1007
963
|
"number": 4,
|
|
1008
964
|
"title": "shanzhai (guerilla fortress)",
|
|
1009
965
|
"length": "00:02:01",
|
|
1010
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/shanzhai-guerilla-fortress",
|
|
1011
966
|
"id": "98f28a269b330198ba42d585482e0b8c"
|
|
1012
967
|
},
|
|
1013
968
|
{
|
|
1014
969
|
"number": 5,
|
|
1015
970
|
"title": "full steam",
|
|
1016
971
|
"length": "00:04:53",
|
|
1017
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/full-steam",
|
|
1018
972
|
"id": "aae2e13eeeb12111e005a95e43e192b2"
|
|
1019
973
|
},
|
|
1020
974
|
{
|
|
1021
975
|
"number": 6,
|
|
1022
976
|
"title": "holy mountain hymn",
|
|
1023
977
|
"length": "00:06:41",
|
|
1024
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/holy-mountain-hymn",
|
|
1025
978
|
"id": "c4fee7480989d62acdf81fddd6cd46db"
|
|
1026
979
|
},
|
|
1027
980
|
{
|
|
1028
981
|
"number": 7,
|
|
1029
982
|
"title": "reaver, yggdrasil, the thing at the end of the woods",
|
|
1030
983
|
"length": "00:06:07",
|
|
1031
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/reaver-yggdrasil-the-thing-at-the-end-of-the-woods",
|
|
1032
984
|
"id": "7564b5063fd2909aad235a5e34602412"
|
|
1033
985
|
},
|
|
1034
986
|
{
|
|
1035
987
|
"number": 8,
|
|
1036
988
|
"title": "bridges of terabithia",
|
|
1037
989
|
"length": "00:05:10",
|
|
1038
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/bridges-of-terabithia",
|
|
1039
990
|
"id": "22b279cc821b7e51de1792114ba4ef9a"
|
|
1040
991
|
},
|
|
1041
992
|
{
|
|
1042
993
|
"number": 9,
|
|
1043
994
|
"title": "unscarred land",
|
|
1044
995
|
"length": "00:05:03",
|
|
1045
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/unscarred-land",
|
|
1046
996
|
"id": "81ef786d7f6c2b8d460fe6461e79cb7e"
|
|
1047
997
|
}
|
|
1048
998
|
],
|
|
@@ -1050,6 +1000,7 @@ var discography = [
|
|
|
1050
1000
|
"credits": "written & recorded by tyler etters from an indeterminate point in the past through december 2016 at endless field studios. featuring adam j. moore on full steam, holy mountain hymn, and reaver, yggdsrasil, the thing at the end of the woods. featuring arthur zdrinc on holy mountain hymn. featuring cory salveson on videos, images, and storyline.\n",
|
|
1051
1001
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1052
1002
|
"release_slug": "the-legacy-of-our-lost-cause",
|
|
1003
|
+
"cover_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/the-legacy-of-our-lost-cause.jpg",
|
|
1053
1004
|
"id": "929ae24ecd6e72c6b4930203deeeaf44"
|
|
1054
1005
|
},
|
|
1055
1006
|
{
|
|
@@ -1060,103 +1011,91 @@ var discography = [
|
|
|
1060
1011
|
"format": "Digital",
|
|
1061
1012
|
"role": "Principal Musician",
|
|
1062
1013
|
"label": "Endless Field Studios",
|
|
1014
|
+
"mp3": false,
|
|
1015
|
+
"wav": false,
|
|
1063
1016
|
"tracks": [
|
|
1064
1017
|
{
|
|
1065
1018
|
"number": 1,
|
|
1066
1019
|
"title": "and though the soft apocalypse may yet overtake",
|
|
1067
1020
|
"length": "00:01:12",
|
|
1068
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/and-though-the-soft-apocalypse-may-yet-overtake",
|
|
1069
1021
|
"id": "85d3e6ef08d0b021a7958ec6fa42dff8"
|
|
1070
1022
|
},
|
|
1071
1023
|
{
|
|
1072
1024
|
"number": 2,
|
|
1073
1025
|
"title": "unreliable narrator",
|
|
1074
1026
|
"length": "00:02:30",
|
|
1075
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/unreliable-narrator",
|
|
1076
1027
|
"id": "4b3bb81e9a7600f888e225912b8dc65e"
|
|
1077
1028
|
},
|
|
1078
1029
|
{
|
|
1079
1030
|
"number": 3,
|
|
1080
1031
|
"title": "entropy",
|
|
1081
1032
|
"length": "00:05:34",
|
|
1082
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/entropy",
|
|
1083
1033
|
"id": "e074190438f8ba65cfff172126d00a4b"
|
|
1084
1034
|
},
|
|
1085
1035
|
{
|
|
1086
1036
|
"number": 4,
|
|
1087
1037
|
"title": "palm beach",
|
|
1088
1038
|
"length": "00:03:18",
|
|
1089
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/palm-beach",
|
|
1090
1039
|
"id": "ff8be211fbc323077db62c7bf596dd19"
|
|
1091
1040
|
},
|
|
1092
1041
|
{
|
|
1093
1042
|
"number": 5,
|
|
1094
1043
|
"title": "owl",
|
|
1095
1044
|
"length": "00:02:30",
|
|
1096
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/owl",
|
|
1097
1045
|
"id": "899f1a33f6c91a8659fff5319197c9ea"
|
|
1098
1046
|
},
|
|
1099
1047
|
{
|
|
1100
1048
|
"number": 6,
|
|
1101
1049
|
"title": "boodle man",
|
|
1102
1050
|
"length": "00:02:20",
|
|
1103
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/boodle-man",
|
|
1104
1051
|
"id": "39fae2e51335cf168e326520d36ce83c"
|
|
1105
1052
|
},
|
|
1106
1053
|
{
|
|
1107
1054
|
"number": 7,
|
|
1108
1055
|
"title": "steady progress (deeper into the dark tangent)",
|
|
1109
1056
|
"length": "00:01:24",
|
|
1110
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/steady-progress-deeper-into-the-dark-tangent",
|
|
1111
1057
|
"id": "fecc66cf5249f1272d8fdedf8c65d315"
|
|
1112
1058
|
},
|
|
1113
1059
|
{
|
|
1114
1060
|
"number": 8,
|
|
1115
1061
|
"title": "in this spiraling darkness",
|
|
1116
1062
|
"length": "00:08:20",
|
|
1117
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/in-this-spiraling-darkness",
|
|
1118
1063
|
"id": "c15bf6fae5005d810861a3c6f3510028"
|
|
1119
1064
|
},
|
|
1120
1065
|
{
|
|
1121
1066
|
"number": 9,
|
|
1122
1067
|
"title": "heat death",
|
|
1123
1068
|
"length": "00:01:09",
|
|
1124
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/heat-death",
|
|
1125
1069
|
"id": "aa65ee658e682ffe80a542e8a44ce73d"
|
|
1126
1070
|
},
|
|
1127
1071
|
{
|
|
1128
1072
|
"number": 10,
|
|
1129
1073
|
"title": "armageddon rager",
|
|
1130
1074
|
"length": "00:03:12",
|
|
1131
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/armageddon-rager",
|
|
1132
1075
|
"id": "f23edcfe2bed7f9ad401fa36b1f45e8b"
|
|
1133
1076
|
},
|
|
1134
1077
|
{
|
|
1135
1078
|
"number": 11,
|
|
1136
1079
|
"title": "suburban gutter trash",
|
|
1137
1080
|
"length": "00:01:29",
|
|
1138
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/suburban-gutter-trash",
|
|
1139
1081
|
"id": "b322f8155f8057c6ad57d50c0db19fc4"
|
|
1140
1082
|
},
|
|
1141
1083
|
{
|
|
1142
1084
|
"number": 12,
|
|
1143
1085
|
"title": "flood sirens",
|
|
1144
1086
|
"length": "00:01:14",
|
|
1145
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/flood-sirens",
|
|
1146
1087
|
"id": "e3c46bc7c7235778191277edd35afa03"
|
|
1147
1088
|
},
|
|
1148
1089
|
{
|
|
1149
1090
|
"number": 13,
|
|
1150
1091
|
"title": "requiem, tunnels between worlds",
|
|
1151
1092
|
"length": "00:04:05",
|
|
1152
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/requiem-tunnels-between-worlds",
|
|
1153
1093
|
"id": "d43f1f146e707124a6ce188d5b55d42f"
|
|
1154
1094
|
},
|
|
1155
1095
|
{
|
|
1156
1096
|
"number": 14,
|
|
1157
1097
|
"title": "and then the crickets came",
|
|
1158
1098
|
"length": "00:02:31",
|
|
1159
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/and-then-the-crickets-came",
|
|
1160
1099
|
"id": "8462abe4c9ac439d9ef424a805f06681"
|
|
1161
1100
|
}
|
|
1162
1101
|
],
|
|
@@ -1164,6 +1103,7 @@ var discography = [
|
|
|
1164
1103
|
"credits": "written & recorded by tyler etters from january 2015 through june 2015 at endless field studios. featuring adam j. moore on palm beach and suburban gutter trash.\n",
|
|
1165
1104
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1166
1105
|
"release_slug": "and-though-the-soft-apocalypse-may-yet-overtake",
|
|
1106
|
+
"cover_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/and-though-the-soft-apocalypse-may-yet-overtake.jpg",
|
|
1167
1107
|
"id": "c3144c3c5ad6106cc1969496b91cd139"
|
|
1168
1108
|
},
|
|
1169
1109
|
{
|
|
@@ -1174,33 +1114,31 @@ var discography = [
|
|
|
1174
1114
|
"format": "Digital",
|
|
1175
1115
|
"role": "Band Member",
|
|
1176
1116
|
"label": "Endless Field Studios",
|
|
1117
|
+
"mp3": false,
|
|
1118
|
+
"wav": false,
|
|
1177
1119
|
"tracks": [
|
|
1178
1120
|
{
|
|
1179
1121
|
"number": 1,
|
|
1180
1122
|
"title": "OS1",
|
|
1181
1123
|
"length": "05:45",
|
|
1182
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/zulu/os1",
|
|
1183
1124
|
"id": "4f40aa2792300dfa4ba1cb9187cc9af4"
|
|
1184
1125
|
},
|
|
1185
1126
|
{
|
|
1186
1127
|
"number": 2,
|
|
1187
1128
|
"title": "OS2",
|
|
1188
1129
|
"length": "04:14",
|
|
1189
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/zulu/os2",
|
|
1190
1130
|
"id": "5a4b0ce783a684d0f5e3eda26ee15dee"
|
|
1191
1131
|
},
|
|
1192
1132
|
{
|
|
1193
1133
|
"number": 3,
|
|
1194
1134
|
"title": "OS3",
|
|
1195
1135
|
"length": "02:01",
|
|
1196
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/zulu/os3",
|
|
1197
1136
|
"id": "180a70d368071bb63091b3ab37f76f4a"
|
|
1198
1137
|
},
|
|
1199
1138
|
{
|
|
1200
1139
|
"number": 4,
|
|
1201
1140
|
"title": "OS4",
|
|
1202
1141
|
"length": "01:24",
|
|
1203
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/zulu/os4",
|
|
1204
1142
|
"id": "8c9ce93a6646e77e0e252cc27a7ed824"
|
|
1205
1143
|
}
|
|
1206
1144
|
],
|
|
@@ -1208,6 +1146,7 @@ var discography = [
|
|
|
1208
1146
|
"credits": "written & recorded by tyler etters and adam j. moore on march 28 2015 at endless field studios. album cover artwork by adam j. moore with additional treatment by tyler etters.\n",
|
|
1209
1147
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1210
1148
|
"release_slug": "zulu",
|
|
1149
|
+
"cover_slug": "tyler-etters-and-the-northern-information-movement/zulu/zulu.jpg",
|
|
1211
1150
|
"id": "31d14eaf9cf018baea6350db6162ad7d"
|
|
1212
1151
|
},
|
|
1213
1152
|
{
|
|
@@ -1218,96 +1157,85 @@ var discography = [
|
|
|
1218
1157
|
"format": "Digital",
|
|
1219
1158
|
"role": "Principal Musician",
|
|
1220
1159
|
"label": "Endless Field Studios",
|
|
1160
|
+
"mp3": false,
|
|
1161
|
+
"wav": false,
|
|
1221
1162
|
"tracks": [
|
|
1222
1163
|
{
|
|
1223
1164
|
"number": 1,
|
|
1224
1165
|
"title": "the secret symmetries of oakwood hills",
|
|
1225
1166
|
"length": "00:06:29",
|
|
1226
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/the-secret-symmetries-of-oakwood-hills",
|
|
1227
1167
|
"id": "46a0b4b16579703ca285a9acb37d4936"
|
|
1228
1168
|
},
|
|
1229
1169
|
{
|
|
1230
1170
|
"number": 2,
|
|
1231
1171
|
"title": "there is no death, only reorganization",
|
|
1232
1172
|
"length": "00:02:51",
|
|
1233
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/there-is-no-death-only-reorganization",
|
|
1234
1173
|
"id": "80810702c8eb75f84ae529478c30d575"
|
|
1235
1174
|
},
|
|
1236
1175
|
{
|
|
1237
1176
|
"number": 3,
|
|
1238
1177
|
"title": "second chance",
|
|
1239
1178
|
"length": "00:04:44",
|
|
1240
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/second-chance",
|
|
1241
1179
|
"id": "35eadc1ea088c5bfe340027b8397b3cc"
|
|
1242
1180
|
},
|
|
1243
1181
|
{
|
|
1244
1182
|
"number": 4,
|
|
1245
1183
|
"title": "ch((e)i)m(er)ical",
|
|
1246
1184
|
"length": "00:02:47",
|
|
1247
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/cheimerical",
|
|
1248
1185
|
"id": "5c93359a49615db9b1fbb08b0cbb2d3f"
|
|
1249
1186
|
},
|
|
1250
1187
|
{
|
|
1251
1188
|
"number": 5,
|
|
1252
1189
|
"title": "forest (R1-07348-0017.jpg)",
|
|
1253
1190
|
"length": "00:02:16",
|
|
1254
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/forest-r1-07348-0017jpg",
|
|
1255
1191
|
"id": "4c020e2f5ba99d23593bcb4ce3c5bc3d"
|
|
1256
1192
|
},
|
|
1257
1193
|
{
|
|
1258
1194
|
"number": 6,
|
|
1259
1195
|
"title": "2am, rte 53, northbound",
|
|
1260
1196
|
"length": "00:02:14",
|
|
1261
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/2am-rte-53-northbound",
|
|
1262
1197
|
"id": "95f66747c4f9a45b476d7bc1e9b6f43e"
|
|
1263
1198
|
},
|
|
1264
1199
|
{
|
|
1265
1200
|
"number": 7,
|
|
1266
1201
|
"title": "jacurutu",
|
|
1267
1202
|
"length": "00:03:41",
|
|
1268
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/jacurutu",
|
|
1269
1203
|
"id": "5f932ed856bcb77f81d88b788f3f816d"
|
|
1270
1204
|
},
|
|
1271
1205
|
{
|
|
1272
1206
|
"number": 8,
|
|
1273
1207
|
"title": "radio haces arrib{a} tu cowboy espacio",
|
|
1274
1208
|
"length": "00:01:19",
|
|
1275
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/radio-haces-arriba-tu-cowboy-espacio",
|
|
1276
1209
|
"id": "4e8a70e9dea3593e2f78135ab2dd01c6"
|
|
1277
1210
|
},
|
|
1278
1211
|
{
|
|
1279
1212
|
"number": 9,
|
|
1280
1213
|
"title": "getageese",
|
|
1281
1214
|
"length": "00:07:45",
|
|
1282
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/getageese",
|
|
1283
1215
|
"id": "9527a9f6591880b3e0c39f9754a7b9c2"
|
|
1284
1216
|
},
|
|
1285
1217
|
{
|
|
1286
1218
|
"number": 10,
|
|
1287
1219
|
"title": "samsara (w/ adam)",
|
|
1288
1220
|
"length": "00:03:06",
|
|
1289
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/samsara-w-adam",
|
|
1290
1221
|
"id": "59e85165272c60df600d41446798159b"
|
|
1291
1222
|
},
|
|
1292
1223
|
{
|
|
1293
1224
|
"number": 11,
|
|
1294
1225
|
"title": "the sound of her wings",
|
|
1295
1226
|
"length": "00:02:36",
|
|
1296
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/the-sound-of-her-wings",
|
|
1297
1227
|
"id": "3fa5c6a1f76d37b359a0ff91f045b188"
|
|
1298
1228
|
},
|
|
1299
1229
|
{
|
|
1300
1230
|
"number": 12,
|
|
1301
1231
|
"title": "infinite return of the same",
|
|
1302
1232
|
"length": "00:02:19",
|
|
1303
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/infinite-return-of-the-same",
|
|
1304
1233
|
"id": "e51e19df625908dd09fcba7921b9f20d"
|
|
1305
1234
|
},
|
|
1306
1235
|
{
|
|
1307
1236
|
"number": 13,
|
|
1308
1237
|
"title": "nausica\u00e4",
|
|
1309
1238
|
"length": "00:05:35",
|
|
1310
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/nausicaa",
|
|
1311
1239
|
"id": "1160e90e2541dcf7cc311f1892a3c963"
|
|
1312
1240
|
}
|
|
1313
1241
|
],
|
|
@@ -1315,6 +1243,7 @@ var discography = [
|
|
|
1315
1243
|
"credits": "written & recorded by tyler etters from an indeterminate point in the past through december 2014 at endless field studios. featuring adam moore on samsara. album cover artwork by paul petrosyan with additional treatment by tyler etters.\n",
|
|
1316
1244
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1317
1245
|
"release_slug": "the-phantoms-of-our-lost-cause",
|
|
1246
|
+
"cover_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/the-phantoms-of-our-lost-cause.jpg",
|
|
1318
1247
|
"id": "fcf1f2058a03d49b8f29619d31c619f9"
|
|
1319
1248
|
},
|
|
1320
1249
|
{
|
|
@@ -1325,26 +1254,25 @@ var discography = [
|
|
|
1325
1254
|
"format": "Digital",
|
|
1326
1255
|
"role": "Principal Musician",
|
|
1327
1256
|
"label": "Endless Field Studios",
|
|
1257
|
+
"mp3": false,
|
|
1258
|
+
"wav": false,
|
|
1328
1259
|
"tracks": [
|
|
1329
1260
|
{
|
|
1330
1261
|
"number": 1,
|
|
1331
1262
|
"title": "northern illinois",
|
|
1332
1263
|
"length": "00:18:44",
|
|
1333
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/senescence/northern-illinois",
|
|
1334
1264
|
"id": "6223dbe9b4f98a907f46fdb521b706a6"
|
|
1335
1265
|
},
|
|
1336
1266
|
{
|
|
1337
1267
|
"number": 2,
|
|
1338
1268
|
"title": "we failed",
|
|
1339
1269
|
"length": "00:06:55",
|
|
1340
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/senescence/we-failed",
|
|
1341
1270
|
"id": "7769130803c4297bb1e57882185facdc"
|
|
1342
1271
|
},
|
|
1343
1272
|
{
|
|
1344
1273
|
"number": 3,
|
|
1345
1274
|
"title": "january 1st, 1970 + zero gmt",
|
|
1346
1275
|
"length": "00:06:13",
|
|
1347
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/senescence/january-1st-1970-zero-gmt",
|
|
1348
1276
|
"id": "1062f9765aaed497888b4036af0fc485"
|
|
1349
1277
|
}
|
|
1350
1278
|
],
|
|
@@ -1352,6 +1280,7 @@ var discography = [
|
|
|
1352
1280
|
"credits": "written & recorded by tyler etters from june 2013 through september 2013 at endless field studios except for 'tears of the space cowboy' which was also written by kevin clark, dorian zdrinc and arthur zdrinc sometime back in 2011.\n",
|
|
1353
1281
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1354
1282
|
"release_slug": "senescence",
|
|
1283
|
+
"cover_slug": "tyler-etters-and-the-northern-information-movement/senescence/senescence.jpg",
|
|
1355
1284
|
"id": "625b78aed26d0c5e3a26862346a1af79"
|
|
1356
1285
|
},
|
|
1357
1286
|
{
|
|
@@ -1362,61 +1291,55 @@ var discography = [
|
|
|
1362
1291
|
"format": "Digital",
|
|
1363
1292
|
"role": "Principal Musician",
|
|
1364
1293
|
"label": "Endless Field Studios",
|
|
1294
|
+
"mp3": false,
|
|
1295
|
+
"wav": false,
|
|
1365
1296
|
"tracks": [
|
|
1366
1297
|
{
|
|
1367
1298
|
"number": 1,
|
|
1368
1299
|
"title": "music for forests of childhood",
|
|
1369
1300
|
"length": "00:20:39",
|
|
1370
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/music-for-forests-of-childhood",
|
|
1371
1301
|
"id": "44d69758b9e5a70a7df89687c9dfe9f1"
|
|
1372
1302
|
},
|
|
1373
1303
|
{
|
|
1374
1304
|
"number": 2,
|
|
1375
1305
|
"title": "rainbow table",
|
|
1376
1306
|
"length": "00:13:57",
|
|
1377
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/rainbow-table",
|
|
1378
1307
|
"id": "9a7a6d3ee06bc6d50972bffe193c2eed"
|
|
1379
1308
|
},
|
|
1380
1309
|
{
|
|
1381
1310
|
"number": 3,
|
|
1382
1311
|
"title": "\u0391\u0399\u0393\u0391\u0399\u0399\u03a3",
|
|
1383
1312
|
"length": "00:01:21",
|
|
1384
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/aigaiis",
|
|
1385
1313
|
"id": "58ec4a7c14a938f2f1d5ea662e831a7a"
|
|
1386
1314
|
},
|
|
1387
1315
|
{
|
|
1388
1316
|
"number": 4,
|
|
1389
1317
|
"title": "zombie poison",
|
|
1390
1318
|
"length": "00:05:36",
|
|
1391
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/zombie-poison",
|
|
1392
1319
|
"id": "973f0236850176467c96ccf6695ec8e1"
|
|
1393
1320
|
},
|
|
1394
1321
|
{
|
|
1395
1322
|
"number": 5,
|
|
1396
1323
|
"title": "intermission",
|
|
1397
1324
|
"length": "00:01:53",
|
|
1398
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/intermission",
|
|
1399
1325
|
"id": "7428df51bd23dc8e31337556a0e23e1a"
|
|
1400
1326
|
},
|
|
1401
1327
|
{
|
|
1402
1328
|
"number": 6,
|
|
1403
1329
|
"title": "the cicada must sing (sleepy brit)",
|
|
1404
1330
|
"length": "00:03:30",
|
|
1405
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/the-cicada-must-sing-sleepy-brit",
|
|
1406
1331
|
"id": "c057c1b5abff10bbb7bf3603e586a03e"
|
|
1407
1332
|
},
|
|
1408
1333
|
{
|
|
1409
1334
|
"number": 7,
|
|
1410
1335
|
"title": "four mile crib",
|
|
1411
1336
|
"length": "00:10:41",
|
|
1412
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/four-mile-crib",
|
|
1413
1337
|
"id": "4809d95f79ad7b8d831f9032892e5d3b"
|
|
1414
1338
|
},
|
|
1415
1339
|
{
|
|
1416
1340
|
"number": 8,
|
|
1417
1341
|
"title": "ICD-10 Z73.0",
|
|
1418
1342
|
"length": "00:04:12",
|
|
1419
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/icd-10-z730",
|
|
1420
1343
|
"id": "242b05fcfc8f25e3ed56615e1be314a2"
|
|
1421
1344
|
}
|
|
1422
1345
|
],
|
|
@@ -1424,6 +1347,7 @@ var discography = [
|
|
|
1424
1347
|
"credits": "written & recorded by tyler etters from december 2012 through june 2013 at endless field studios. featuring arthur zdrinc on rainbow table.\n",
|
|
1425
1348
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1426
1349
|
"release_slug": "blue-the-most-celestial-color",
|
|
1350
|
+
"cover_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/blue-the-most-celestial-color.jpg",
|
|
1427
1351
|
"id": "177d13192fa7eeb12a853bc0d6f9bf51"
|
|
1428
1352
|
},
|
|
1429
1353
|
{
|
|
@@ -1434,19 +1358,19 @@ var discography = [
|
|
|
1434
1358
|
"format": "Cassette, Digital",
|
|
1435
1359
|
"role": "Principal Musician",
|
|
1436
1360
|
"label": "Endless Field Studios",
|
|
1361
|
+
"mp3": false,
|
|
1362
|
+
"wav": false,
|
|
1437
1363
|
"tracks": [
|
|
1438
1364
|
{
|
|
1439
1365
|
"number": 1,
|
|
1440
1366
|
"title": "immemorial",
|
|
1441
1367
|
"length": "00:15:00",
|
|
1442
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-geometrie-of-our-lost-cause/immemorial",
|
|
1443
1368
|
"id": "51f22ee738e94249b159142aabbd09eb"
|
|
1444
1369
|
},
|
|
1445
1370
|
{
|
|
1446
1371
|
"number": 2,
|
|
1447
1372
|
"title": "generative",
|
|
1448
1373
|
"length": "00:15:00",
|
|
1449
|
-
"track_slug": "tyler-etters-and-the-northern-information-movement/the-geometrie-of-our-lost-cause/generative",
|
|
1450
1374
|
"id": "cc4bdc3448778ebd3a2bd2cd9fe1800d"
|
|
1451
1375
|
}
|
|
1452
1376
|
],
|
|
@@ -1454,6 +1378,7 @@ var discography = [
|
|
|
1454
1378
|
"credits": "written & recorded by tyler etters from october 2012 through december 2012 at endless field studios.\n",
|
|
1455
1379
|
"project_slug": "tyler-etters-and-the-northern-information-movement",
|
|
1456
1380
|
"release_slug": "the-geometrie-of-our-lost-cause",
|
|
1381
|
+
"cover_slug": "tyler-etters-and-the-northern-information-movement/the-geometrie-of-our-lost-cause/the-geometrie-of-our-lost-cause.jpg",
|
|
1457
1382
|
"id": "5b94665084e9383666494dd2aeee2517"
|
|
1458
1383
|
},
|
|
1459
1384
|
{
|
|
@@ -1464,33 +1389,31 @@ var discography = [
|
|
|
1464
1389
|
"format": "Digital",
|
|
1465
1390
|
"role": "Principal Musician",
|
|
1466
1391
|
"label": "Endless Field Studios",
|
|
1392
|
+
"mp3": false,
|
|
1393
|
+
"wav": false,
|
|
1467
1394
|
"tracks": [
|
|
1468
1395
|
{
|
|
1469
1396
|
"number": 1,
|
|
1470
1397
|
"title": "Prolegomenon",
|
|
1471
1398
|
"length": "00:05:44",
|
|
1472
|
-
"track_slug": "connectedness-locus/prolegomenon/prolegomenon",
|
|
1473
1399
|
"id": "008bd749486d2d0305df8fc01890fc95"
|
|
1474
1400
|
},
|
|
1475
1401
|
{
|
|
1476
1402
|
"number": 2,
|
|
1477
1403
|
"title": "Fallen World",
|
|
1478
1404
|
"length": "00:03:15",
|
|
1479
|
-
"track_slug": "connectedness-locus/prolegomenon/fallen-world",
|
|
1480
1405
|
"id": "7487bdf58b78fbf8803d0396059aa1d4"
|
|
1481
1406
|
},
|
|
1482
1407
|
{
|
|
1483
1408
|
"number": 3,
|
|
1484
1409
|
"title": "Terminal",
|
|
1485
1410
|
"length": "00:04:57",
|
|
1486
|
-
"track_slug": "connectedness-locus/prolegomenon/terminal",
|
|
1487
1411
|
"id": "d47ba8f40fef3529c071a1f9099ba371"
|
|
1488
1412
|
},
|
|
1489
1413
|
{
|
|
1490
1414
|
"number": 4,
|
|
1491
1415
|
"title": "And the Golden Hours... They Always Die to the Night",
|
|
1492
1416
|
"length": "00:05:42",
|
|
1493
|
-
"track_slug": "connectedness-locus/prolegomenon/and-the-golden-hours-they-always-die-to-the-night",
|
|
1494
1417
|
"id": "4e450e5627319d3a7d5f9fd8115b6c8c"
|
|
1495
1418
|
}
|
|
1496
1419
|
],
|
|
@@ -1498,6 +1421,7 @@ var discography = [
|
|
|
1498
1421
|
"credits": "Connectedness Locus is Tyler Etters.\n",
|
|
1499
1422
|
"project_slug": "connectedness-locus",
|
|
1500
1423
|
"release_slug": "prolegomenon",
|
|
1424
|
+
"cover_slug": "connectedness-locus/prolegomenon/prolegomenon.jpg",
|
|
1501
1425
|
"id": "b81b68a8dbb48b92ef924c27b024503d"
|
|
1502
1426
|
},
|
|
1503
1427
|
{
|
|
@@ -1508,75 +1432,67 @@ var discography = [
|
|
|
1508
1432
|
"format": "CD, Digital",
|
|
1509
1433
|
"role": "Principal Musician",
|
|
1510
1434
|
"label": "Endless Field Studios",
|
|
1435
|
+
"mp3": false,
|
|
1436
|
+
"wav": false,
|
|
1511
1437
|
"tracks": [
|
|
1512
1438
|
{
|
|
1513
1439
|
"number": 1,
|
|
1514
1440
|
"title": "Where Dreams Go to Be Forgotten",
|
|
1515
1441
|
"length": "00:04:45",
|
|
1516
|
-
"track_slug": "connectedness-locus/terraforms/where-dreams-go-to-be-forgotten",
|
|
1517
1442
|
"id": "1c37fcd2f3ea6c17497a7c33c359391e"
|
|
1518
1443
|
},
|
|
1519
1444
|
{
|
|
1520
1445
|
"number": 2,
|
|
1521
1446
|
"title": "Dissolve Away",
|
|
1522
1447
|
"length": "00:03:28",
|
|
1523
|
-
"track_slug": "connectedness-locus/terraforms/dissolve-away",
|
|
1524
1448
|
"id": "490992f5787a375d707abb20999e0fea"
|
|
1525
1449
|
},
|
|
1526
1450
|
{
|
|
1527
1451
|
"number": 3,
|
|
1528
1452
|
"title": "Location Engineering",
|
|
1529
1453
|
"length": "00:04:35",
|
|
1530
|
-
"track_slug": "connectedness-locus/terraforms/location-engineering",
|
|
1531
1454
|
"id": "67b653b8198dd8d52d364445de592aa8"
|
|
1532
1455
|
},
|
|
1533
1456
|
{
|
|
1534
1457
|
"number": 4,
|
|
1535
1458
|
"title": "Time Mirage",
|
|
1536
1459
|
"length": "00:03:35",
|
|
1537
|
-
"track_slug": "connectedness-locus/terraforms/time-mirage",
|
|
1538
1460
|
"id": "4a66f2bd52fb802f88a3b8d55fa101f0"
|
|
1539
1461
|
},
|
|
1540
1462
|
{
|
|
1541
1463
|
"number": 5,
|
|
1542
1464
|
"title": "Crisis of Destinies",
|
|
1543
1465
|
"length": "00:04:55",
|
|
1544
|
-
"track_slug": "connectedness-locus/terraforms/crisis-of-destinies",
|
|
1545
1466
|
"id": "2b0184bd338eb832175062f4f4c13d95"
|
|
1546
1467
|
},
|
|
1547
1468
|
{
|
|
1548
1469
|
"number": 6,
|
|
1549
1470
|
"title": "Words and Worlds",
|
|
1550
1471
|
"length": "00:03:37",
|
|
1551
|
-
"track_slug": "connectedness-locus/terraforms/words-and-worlds",
|
|
1552
1472
|
"id": "5de5245e7a83185d44df879de3e31179"
|
|
1553
1473
|
},
|
|
1554
1474
|
{
|
|
1555
1475
|
"number": 7,
|
|
1556
1476
|
"title": "The Future, Both Forever Ungrasped",
|
|
1557
1477
|
"length": "00:04:02",
|
|
1558
|
-
"track_slug": "connectedness-locus/terraforms/the-future-both-forever-ungrasped",
|
|
1559
1478
|
"id": "39671bfe5275af0bc3d2d2e3e1669e53"
|
|
1560
1479
|
},
|
|
1561
1480
|
{
|
|
1562
1481
|
"number": 8,
|
|
1563
1482
|
"title": "Crucible",
|
|
1564
1483
|
"length": "00:04:15",
|
|
1565
|
-
"track_slug": "connectedness-locus/terraforms/crucible",
|
|
1566
1484
|
"id": "09e8de70a1523046ef7bc9b0e35084e2"
|
|
1567
1485
|
},
|
|
1568
1486
|
{
|
|
1569
1487
|
"number": 9,
|
|
1570
1488
|
"title": "The Violinist of the Moon",
|
|
1571
1489
|
"length": "00:05:21",
|
|
1572
|
-
"track_slug": "connectedness-locus/terraforms/the-violinist-of-the-moon",
|
|
1573
1490
|
"id": "d08ea79962459095d3ef9ba48f5b4d47"
|
|
1574
1491
|
},
|
|
1575
1492
|
{
|
|
1576
1493
|
"number": 10,
|
|
1577
1494
|
"title": "A Truer Form",
|
|
1578
1495
|
"length": "00:06:20",
|
|
1579
|
-
"track_slug": "connectedness-locus/terraforms/a-truer-form",
|
|
1580
1496
|
"id": "c2e38201a8d56d8443d930b3fe00bc95"
|
|
1581
1497
|
}
|
|
1582
1498
|
],
|
|
@@ -1584,6 +1500,7 @@ var discography = [
|
|
|
1584
1500
|
"credits": "Connectedness Locus is Tyler Etters.\n",
|
|
1585
1501
|
"project_slug": "connectedness-locus",
|
|
1586
1502
|
"release_slug": "terraforms",
|
|
1503
|
+
"cover_slug": "connectedness-locus/terraforms/terraforms.jpg",
|
|
1587
1504
|
"id": "3fe45b5f7e852c3f57fc9e7d69df4942"
|
|
1588
1505
|
},
|
|
1589
1506
|
{
|
|
@@ -1594,12 +1511,13 @@ var discography = [
|
|
|
1594
1511
|
"format": "Digital",
|
|
1595
1512
|
"role": "Principal Musician",
|
|
1596
1513
|
"label": "Endless Field Studios",
|
|
1514
|
+
"mp3": false,
|
|
1515
|
+
"wav": false,
|
|
1597
1516
|
"tracks": [
|
|
1598
1517
|
{
|
|
1599
1518
|
"number": 1,
|
|
1600
1519
|
"title": "When the Paint Peels",
|
|
1601
1520
|
"length": "00:20:03",
|
|
1602
|
-
"track_slug": "connectedness-locus/when-the-paint-peels/when-the-paint-peels",
|
|
1603
1521
|
"id": "6ede0aa90253d96ad4ebe32cb1175415"
|
|
1604
1522
|
}
|
|
1605
1523
|
],
|
|
@@ -1607,6 +1525,7 @@ var discography = [
|
|
|
1607
1525
|
"credits": "Written & performed by Tyler Etters of Connectedness Locus. Produced & engineered by Isaac Pierce of The Block of Wood Recordings. Mastered by Arthur Zdrinc of Endless Field Studios.\n",
|
|
1608
1526
|
"project_slug": "connectedness-locus",
|
|
1609
1527
|
"release_slug": "when-the-paint-peels",
|
|
1528
|
+
"cover_slug": "connectedness-locus/when-the-paint-peels/when-the-paint-peels.jpg",
|
|
1610
1529
|
"id": "3e42cd3854a98c2ccdb67d6b00d094e2"
|
|
1611
1530
|
},
|
|
1612
1531
|
{
|
|
@@ -1617,68 +1536,61 @@ var discography = [
|
|
|
1617
1536
|
"format": "Digital",
|
|
1618
1537
|
"role": "Band Member",
|
|
1619
1538
|
"label": "Endless Field Studios",
|
|
1539
|
+
"mp3": false,
|
|
1540
|
+
"wav": false,
|
|
1620
1541
|
"tracks": [
|
|
1621
1542
|
{
|
|
1622
1543
|
"number": 1,
|
|
1623
1544
|
"title": "Between Sunlight And Shadow",
|
|
1624
1545
|
"length": "00:04:28",
|
|
1625
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/between-sunlight-and-shadow",
|
|
1626
1546
|
"id": "60473db6cf477f2cacf9abb237dc203a"
|
|
1627
1547
|
},
|
|
1628
1548
|
{
|
|
1629
1549
|
"number": 2,
|
|
1630
1550
|
"title": "The Fallen Oak",
|
|
1631
1551
|
"length": "00:05:29",
|
|
1632
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/the-fallen-oak",
|
|
1633
1552
|
"id": "42ff92cbd4de3194d9b209b94ae9f2a0"
|
|
1634
1553
|
},
|
|
1635
1554
|
{
|
|
1636
1555
|
"number": 3,
|
|
1637
1556
|
"title": "Koria Advance Is Your Friend",
|
|
1638
1557
|
"length": "00:05:02",
|
|
1639
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/koria-advance-is-your-friend",
|
|
1640
1558
|
"id": "77b66f7a6bf79e753877317319651b55"
|
|
1641
1559
|
},
|
|
1642
1560
|
{
|
|
1643
1561
|
"number": 4,
|
|
1644
1562
|
"title": "Places Pass And The Walls Of Green Collapse",
|
|
1645
1563
|
"length": "00:04:52",
|
|
1646
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/places-pass-and-the-walls-of-green-collapse",
|
|
1647
1564
|
"id": "ff79c8d62ff8e8782be3f47c2d8343a9"
|
|
1648
1565
|
},
|
|
1649
1566
|
{
|
|
1650
1567
|
"number": 5,
|
|
1651
1568
|
"title": "The Prominence",
|
|
1652
1569
|
"length": "00:11:11",
|
|
1653
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/the-prominence",
|
|
1654
1570
|
"id": "1d4fdf751a794f4f95986f7e34e9a96b"
|
|
1655
1571
|
},
|
|
1656
1572
|
{
|
|
1657
1573
|
"number": 6,
|
|
1658
1574
|
"title": "They Burn The Fields",
|
|
1659
1575
|
"length": "00:04:36",
|
|
1660
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/they-burn-the-fields",
|
|
1661
1576
|
"id": "2b70322bd12a379f75fd71479558d7b7"
|
|
1662
1577
|
},
|
|
1663
1578
|
{
|
|
1664
1579
|
"number": 7,
|
|
1665
1580
|
"title": "Gibbous",
|
|
1666
1581
|
"length": "00:07:13",
|
|
1667
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/gibbous",
|
|
1668
1582
|
"id": "3483e8d31adc1969c692c4009744f5b1"
|
|
1669
1583
|
},
|
|
1670
1584
|
{
|
|
1671
1585
|
"number": 8,
|
|
1672
1586
|
"title": "Qweens In The Woodgrain",
|
|
1673
1587
|
"length": "00:04:13",
|
|
1674
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/qweens-in-the-woodgrain",
|
|
1675
1588
|
"id": "01872d515e2bf41270f00809e30c7c89"
|
|
1676
1589
|
},
|
|
1677
1590
|
{
|
|
1678
1591
|
"number": 9,
|
|
1679
1592
|
"title": "Only If You Get Lost",
|
|
1680
1593
|
"length": "00:08:27",
|
|
1681
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/only-if-you-get-lost",
|
|
1682
1594
|
"id": "f52c29adc4fc3976992821d2d4c376db"
|
|
1683
1595
|
}
|
|
1684
1596
|
],
|
|
@@ -1686,6 +1598,7 @@ var discography = [
|
|
|
1686
1598
|
"credits": "Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.\n",
|
|
1687
1599
|
"project_slug": "everything-comes-in-cycles-everything-fades-in-shades",
|
|
1688
1600
|
"release_slug": "serial-index-of-unclaimed-memories-file-1",
|
|
1601
|
+
"cover_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/serial-index-of-unclaimed-memories-file-1.jpg",
|
|
1689
1602
|
"id": "7c17f9032a82f7d5b72bba8077e90632"
|
|
1690
1603
|
},
|
|
1691
1604
|
{
|
|
@@ -1696,68 +1609,61 @@ var discography = [
|
|
|
1696
1609
|
"format": "Digital",
|
|
1697
1610
|
"role": "Band Member",
|
|
1698
1611
|
"label": "Endless Field Studios",
|
|
1612
|
+
"mp3": false,
|
|
1613
|
+
"wav": false,
|
|
1699
1614
|
"tracks": [
|
|
1700
1615
|
{
|
|
1701
1616
|
"number": 1,
|
|
1702
1617
|
"title": "Movement 802",
|
|
1703
1618
|
"length": "00:08:37",
|
|
1704
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-802",
|
|
1705
1619
|
"id": "9dc52d597b9ead9a73ce41fce072c5fb"
|
|
1706
1620
|
},
|
|
1707
1621
|
{
|
|
1708
1622
|
"number": 2,
|
|
1709
1623
|
"title": "Movement 34",
|
|
1710
1624
|
"length": "00:04:41",
|
|
1711
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-34",
|
|
1712
1625
|
"id": "b00a9dc102aa62d222ce556c6770b0d4"
|
|
1713
1626
|
},
|
|
1714
1627
|
{
|
|
1715
1628
|
"number": 3,
|
|
1716
1629
|
"title": "Movement 4517",
|
|
1717
1630
|
"length": "00:00:07",
|
|
1718
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-4517",
|
|
1719
1631
|
"id": "a5bf13311b743dbd13b7bc16a7a95e5d"
|
|
1720
1632
|
},
|
|
1721
1633
|
{
|
|
1722
1634
|
"number": 4,
|
|
1723
1635
|
"title": "Movement 333",
|
|
1724
1636
|
"length": "00:06:00",
|
|
1725
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-333",
|
|
1726
1637
|
"id": "552949c0c73d1165b7ff153d58b56b95"
|
|
1727
1638
|
},
|
|
1728
1639
|
{
|
|
1729
1640
|
"number": 5,
|
|
1730
1641
|
"title": "Movement 21",
|
|
1731
1642
|
"length": "00:10:21",
|
|
1732
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-21",
|
|
1733
1643
|
"id": "ec1b0207e9fab26e0ccede52a9da21ed"
|
|
1734
1644
|
},
|
|
1735
1645
|
{
|
|
1736
1646
|
"number": 6,
|
|
1737
1647
|
"title": "Movement 282",
|
|
1738
1648
|
"length": "00:08:46",
|
|
1739
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-282",
|
|
1740
1649
|
"id": "1706be96e1092578cd7a470933849463"
|
|
1741
1650
|
},
|
|
1742
1651
|
{
|
|
1743
1652
|
"number": 7,
|
|
1744
1653
|
"title": "Movement 56",
|
|
1745
1654
|
"length": "00:05:22",
|
|
1746
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-56",
|
|
1747
1655
|
"id": "bdc8e3a1361a8f7e5864d62e4608232f"
|
|
1748
1656
|
},
|
|
1749
1657
|
{
|
|
1750
1658
|
"number": 8,
|
|
1751
1659
|
"title": "Movement 1175",
|
|
1752
1660
|
"length": "00:09:10",
|
|
1753
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-1175",
|
|
1754
1661
|
"id": "75388cbc03a3456f3b4b17baeaaf4fb4"
|
|
1755
1662
|
},
|
|
1756
1663
|
{
|
|
1757
1664
|
"number": 9,
|
|
1758
1665
|
"title": "Movement 796",
|
|
1759
1666
|
"length": "00:06:18",
|
|
1760
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-796",
|
|
1761
1667
|
"id": "e219964d8c637be84b9e022c6e943ad2"
|
|
1762
1668
|
}
|
|
1763
1669
|
],
|
|
@@ -1765,6 +1671,7 @@ var discography = [
|
|
|
1765
1671
|
"credits": "Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.\n",
|
|
1766
1672
|
"project_slug": "everything-comes-in-cycles-everything-fades-in-shades",
|
|
1767
1673
|
"release_slug": "serial-index-of-unclaimed-memories-file-2",
|
|
1674
|
+
"cover_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/serial-index-of-unclaimed-memories-file-2.jpg",
|
|
1768
1675
|
"id": "1c9c6115a870ac474cd94dddc0784176"
|
|
1769
1676
|
},
|
|
1770
1677
|
{
|
|
@@ -1775,103 +1682,91 @@ var discography = [
|
|
|
1775
1682
|
"format": "CD, Digital",
|
|
1776
1683
|
"role": "Principal Musician",
|
|
1777
1684
|
"label": "Endless Field Studios",
|
|
1685
|
+
"mp3": false,
|
|
1686
|
+
"wav": false,
|
|
1778
1687
|
"tracks": [
|
|
1779
1688
|
{
|
|
1780
1689
|
"number": 1,
|
|
1781
1690
|
"title": "Mindtraps & Caltrops",
|
|
1782
1691
|
"length": "00:04:09",
|
|
1783
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/mindtraps-and-caltrops",
|
|
1784
1692
|
"id": "1844e389a57d17e29390504128576d9d"
|
|
1785
1693
|
},
|
|
1786
1694
|
{
|
|
1787
1695
|
"number": 2,
|
|
1788
1696
|
"title": "Some See a Valley; Some See a Gate",
|
|
1789
1697
|
"length": "00:00:43",
|
|
1790
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/some-see-a-valley-some-see-a-gate",
|
|
1791
1698
|
"id": "2ed83cabe2e906e75ac58a0998d57b11"
|
|
1792
1699
|
},
|
|
1793
1700
|
{
|
|
1794
1701
|
"number": 3,
|
|
1795
1702
|
"title": "Synnestvedt Orchards",
|
|
1796
1703
|
"length": "00:03:43",
|
|
1797
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/synnestvedt-orchards",
|
|
1798
1704
|
"id": "8a9c66ca88da5a570dc146721676454b"
|
|
1799
1705
|
},
|
|
1800
1706
|
{
|
|
1801
1707
|
"number": 4,
|
|
1802
1708
|
"title": "In This Endless Intricacy",
|
|
1803
1709
|
"length": "00:03:17",
|
|
1804
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/in-this-endless-intricacy",
|
|
1805
1710
|
"id": "be86e349591ef129e72d2a65b0a9ccab"
|
|
1806
1711
|
},
|
|
1807
1712
|
{
|
|
1808
1713
|
"number": 5,
|
|
1809
1714
|
"title": "Still We Crumble Before the Oracles",
|
|
1810
1715
|
"length": "00:03:07",
|
|
1811
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/still-we-crumble-before-the-oracles",
|
|
1812
1716
|
"id": "31fd148f57c2a4c958be1588697eede8"
|
|
1813
1717
|
},
|
|
1814
1718
|
{
|
|
1815
1719
|
"number": 6,
|
|
1816
1720
|
"title": "Until the Patterns Converge",
|
|
1817
1721
|
"length": "00:01:08",
|
|
1818
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/until-the-patterns-converge",
|
|
1819
1722
|
"id": "e12049e9ec396957c4e7431ab1d71383"
|
|
1820
1723
|
},
|
|
1821
1724
|
{
|
|
1822
1725
|
"number": 7,
|
|
1823
1726
|
"title": "As Quippolous Codes Quietly Count",
|
|
1824
1727
|
"length": "00:05:41",
|
|
1825
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/as-quippolous-codes-quietly-count",
|
|
1826
1728
|
"id": "e7ee8fdbd0dc5958d1b5cea8d5db0a4c"
|
|
1827
1729
|
},
|
|
1828
1730
|
{
|
|
1829
1731
|
"number": 8,
|
|
1830
1732
|
"title": "Demalia Lensing",
|
|
1831
1733
|
"length": "00:03:06",
|
|
1832
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/demalia-lensing",
|
|
1833
1734
|
"id": "63c5dc33a9c728507d7261588a596ab6"
|
|
1834
1735
|
},
|
|
1835
1736
|
{
|
|
1836
1737
|
"number": 9,
|
|
1837
1738
|
"title": "We're Anime Kids",
|
|
1838
1739
|
"length": "00:00:28",
|
|
1839
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/were-anime-kids",
|
|
1840
1740
|
"id": "737e7d4e7f10c3b645e4cf323329b277"
|
|
1841
1741
|
},
|
|
1842
1742
|
{
|
|
1843
1743
|
"number": 10,
|
|
1844
1744
|
"title": "Awareness is to Watch as the Millions of Drones You Captured Just Walk Away",
|
|
1845
1745
|
"length": "06:06",
|
|
1846
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/awareness-is-to-watch-as-the-millions-of-drones-you-captured-just-walk-away",
|
|
1847
1746
|
"id": "0b01d8b7bb8b75f289da88c47217484b"
|
|
1848
1747
|
},
|
|
1849
1748
|
{
|
|
1850
1749
|
"number": 11,
|
|
1851
1750
|
"title": "Knights of the Watertower",
|
|
1852
1751
|
"length": "00:05:26",
|
|
1853
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/knights-of-the-watertower",
|
|
1854
1752
|
"id": "698442cb678e34941657dee0f20eaacf"
|
|
1855
1753
|
},
|
|
1856
1754
|
{
|
|
1857
1755
|
"number": 12,
|
|
1858
1756
|
"title": "The Centipede",
|
|
1859
1757
|
"length": "00:02:10",
|
|
1860
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/the-centipede",
|
|
1861
1758
|
"id": "7ff52b02453d2ef2c456e85092970a10"
|
|
1862
1759
|
},
|
|
1863
1760
|
{
|
|
1864
1761
|
"number": 13,
|
|
1865
1762
|
"title": "They Shield Your Geometrie (T9 Translation Error Mix)",
|
|
1866
1763
|
"length": "00:05:43",
|
|
1867
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/they-shield-your-geometrie-t9-translation-error-mix",
|
|
1868
1764
|
"id": "c4dcc21d4e678a178a8474a60a29b4bc"
|
|
1869
1765
|
},
|
|
1870
1766
|
{
|
|
1871
1767
|
"number": 14,
|
|
1872
1768
|
"title": "Elephants, Veils, Stars",
|
|
1873
1769
|
"length": "00:02:27",
|
|
1874
|
-
"track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/elephants-veils-stars",
|
|
1875
1770
|
"id": "78b5fcae9f4417ac7a003b8d11aabf42"
|
|
1876
1771
|
}
|
|
1877
1772
|
],
|
|
@@ -1879,6 +1774,7 @@ var discography = [
|
|
|
1879
1774
|
"credits": "Connectedness Locus is Tyler Etters.\n",
|
|
1880
1775
|
"project_slug": "connectedness-locus",
|
|
1881
1776
|
"release_slug": "as-quippolous-codes-quietly-count",
|
|
1777
|
+
"cover_slug": "connectedness-locus/as-quippolous-codes-quietly-count/as-quippolous-codes-quietly-count.jpg",
|
|
1882
1778
|
"id": "5c035b2d74c9b91e8ee60dad6cb7ff48"
|
|
1883
1779
|
},
|
|
1884
1780
|
{
|
|
@@ -1889,47 +1785,43 @@ var discography = [
|
|
|
1889
1785
|
"format": "CD, Digital",
|
|
1890
1786
|
"role": "Band Member",
|
|
1891
1787
|
"label": "Endless Field Studios",
|
|
1788
|
+
"mp3": false,
|
|
1789
|
+
"wav": false,
|
|
1892
1790
|
"tracks": [
|
|
1893
1791
|
{
|
|
1894
1792
|
"number": 1,
|
|
1895
1793
|
"title": "Running",
|
|
1896
1794
|
"length": "00:03:50",
|
|
1897
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/running",
|
|
1898
1795
|
"id": "e32a59082e0c7d8e30beb817d617196d"
|
|
1899
1796
|
},
|
|
1900
1797
|
{
|
|
1901
1798
|
"number": 2,
|
|
1902
1799
|
"title": "The Shoreless Ocean",
|
|
1903
1800
|
"length": "00:05:13",
|
|
1904
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/the-shoreless-ocean",
|
|
1905
1801
|
"id": "9f7ade633cf9b8aaa44102d6d7712f0f"
|
|
1906
1802
|
},
|
|
1907
1803
|
{
|
|
1908
1804
|
"number": 3,
|
|
1909
1805
|
"title": "Of Light",
|
|
1910
1806
|
"length": "00:05:03",
|
|
1911
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/of-light",
|
|
1912
1807
|
"id": "99166ee6c2fe5f025abf3c23e39a822e"
|
|
1913
1808
|
},
|
|
1914
1809
|
{
|
|
1915
1810
|
"number": 4,
|
|
1916
1811
|
"title": "Upon The Gates Of Self Justification",
|
|
1917
1812
|
"length": "00:02:46",
|
|
1918
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/upon-the-gates-of-self-justification",
|
|
1919
1813
|
"id": "361c4be3c6fa0e116394b7976251e5c7"
|
|
1920
1814
|
},
|
|
1921
1815
|
{
|
|
1922
1816
|
"number": 5,
|
|
1923
1817
|
"title": "Surrender & Realization",
|
|
1924
1818
|
"length": "00:04:02",
|
|
1925
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/surrender-and-realization",
|
|
1926
1819
|
"id": "86221ed4859d8613e661537922c72e6e"
|
|
1927
1820
|
},
|
|
1928
1821
|
{
|
|
1929
1822
|
"number": 6,
|
|
1930
1823
|
"title": "Sand Ladders",
|
|
1931
1824
|
"length": "00:04:13",
|
|
1932
|
-
"track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/sand-ladders",
|
|
1933
1825
|
"id": "dde369e33e18972db547433462ff72f6"
|
|
1934
1826
|
}
|
|
1935
1827
|
],
|
|
@@ -1937,6 +1829,7 @@ var discography = [
|
|
|
1937
1829
|
"credits": "Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.\n",
|
|
1938
1830
|
"project_slug": "everything-comes-in-cycles-everything-fades-in-shades",
|
|
1939
1831
|
"release_slug": "gates-ep",
|
|
1832
|
+
"cover_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/gates-ep.jpg",
|
|
1940
1833
|
"id": "caf45dac76274be06727c7d56ac56c04"
|
|
1941
1834
|
},
|
|
1942
1835
|
{
|
|
@@ -1947,89 +1840,79 @@ var discography = [
|
|
|
1947
1840
|
"format": "CD, Digital",
|
|
1948
1841
|
"role": "Band Member",
|
|
1949
1842
|
"label": "Karma Productions",
|
|
1843
|
+
"mp3": false,
|
|
1844
|
+
"wav": false,
|
|
1950
1845
|
"tracks": [
|
|
1951
1846
|
{
|
|
1952
1847
|
"number": 1,
|
|
1953
1848
|
"title": "Submerged",
|
|
1954
1849
|
"length": "00:05:10",
|
|
1955
|
-
"track_slug": "inocula/suntelia-aeon/submerged",
|
|
1956
1850
|
"id": "60b7b9bf34a985b53b1808d7ba514488"
|
|
1957
1851
|
},
|
|
1958
1852
|
{
|
|
1959
1853
|
"number": 2,
|
|
1960
1854
|
"title": "Facing the End",
|
|
1961
1855
|
"length": "00:05:49",
|
|
1962
|
-
"track_slug": "inocula/suntelia-aeon/facing-the-end",
|
|
1963
1856
|
"id": "d5f574c89d6fc0d0358510c5150bcbec"
|
|
1964
1857
|
},
|
|
1965
1858
|
{
|
|
1966
1859
|
"number": 3,
|
|
1967
1860
|
"title": "My Armor, My Ammunition",
|
|
1968
1861
|
"length": "00:03:54",
|
|
1969
|
-
"track_slug": "inocula/suntelia-aeon/my-armor-my-ammunition",
|
|
1970
1862
|
"id": "3d02e26e68fc7b7390afd74778fa09fb"
|
|
1971
1863
|
},
|
|
1972
1864
|
{
|
|
1973
1865
|
"number": 4,
|
|
1974
1866
|
"title": "19",
|
|
1975
1867
|
"length": "00:01:37",
|
|
1976
|
-
"track_slug": "inocula/suntelia-aeon/19",
|
|
1977
1868
|
"id": "c23bec21bbbf4df4afce8a17d4b29fc7"
|
|
1978
1869
|
},
|
|
1979
1870
|
{
|
|
1980
1871
|
"number": 5,
|
|
1981
1872
|
"title": "Mist",
|
|
1982
1873
|
"length": "00:04:43",
|
|
1983
|
-
"track_slug": "inocula/suntelia-aeon/mist",
|
|
1984
1874
|
"id": "34e624b87705566fa6bc9ae7cf5b0592"
|
|
1985
1875
|
},
|
|
1986
1876
|
{
|
|
1987
1877
|
"number": 6,
|
|
1988
1878
|
"title": "Your Weakest Moment",
|
|
1989
1879
|
"length": "00:04:30",
|
|
1990
|
-
"track_slug": "inocula/suntelia-aeon/your-weakest-moment",
|
|
1991
1880
|
"id": "2d012ddc7f693b3db3492c7efe74697d"
|
|
1992
1881
|
},
|
|
1993
1882
|
{
|
|
1994
1883
|
"number": 7,
|
|
1995
1884
|
"title": "Crisis Reign",
|
|
1996
1885
|
"length": "00:05:07",
|
|
1997
|
-
"track_slug": "inocula/suntelia-aeon/crisis-reign",
|
|
1998
1886
|
"id": "b353c3a5ff2f180eb709d2f09b74e7a9"
|
|
1999
1887
|
},
|
|
2000
1888
|
{
|
|
2001
1889
|
"number": 8,
|
|
2002
1890
|
"title": "There Was Hope",
|
|
2003
1891
|
"length": "00:05:07",
|
|
2004
|
-
"track_slug": "inocula/suntelia-aeon/there-was-hope",
|
|
2005
1892
|
"id": "87101cb24b192e705aa6769abee808f7"
|
|
2006
1893
|
},
|
|
2007
1894
|
{
|
|
2008
1895
|
"number": 9,
|
|
2009
1896
|
"title": "Phantoms",
|
|
2010
1897
|
"length": "00:03:45",
|
|
2011
|
-
"track_slug": "inocula/suntelia-aeon/phantoms",
|
|
2012
1898
|
"id": "7dcf82bb42755095aea3d0ae32202854"
|
|
2013
1899
|
},
|
|
2014
1900
|
{
|
|
2015
1901
|
"number": 10,
|
|
2016
1902
|
"title": "One With Water",
|
|
2017
1903
|
"length": "00:06:41",
|
|
2018
|
-
"track_slug": "inocula/suntelia-aeon/one-with-water",
|
|
2019
1904
|
"id": "a51a45afb3866565bb03a8a663fe40ce"
|
|
2020
1905
|
},
|
|
2021
1906
|
{
|
|
2022
1907
|
"number": 11,
|
|
2023
1908
|
"title": "Monolith of Self",
|
|
2024
1909
|
"length": "00:04:18",
|
|
2025
|
-
"track_slug": "inocula/suntelia-aeon/monolith-of-self",
|
|
2026
1910
|
"id": "1cec282e69002985119acbf433c0bddc"
|
|
2027
1911
|
},
|
|
2028
1912
|
{
|
|
2029
1913
|
"number": 12,
|
|
2030
1914
|
"title": "The End of an Age",
|
|
2031
1915
|
"length": "00:03:09",
|
|
2032
|
-
"track_slug": "inocula/suntelia-aeon/the-end-of-an-age",
|
|
2033
1916
|
"id": "6b6ed89766683bf999b3cf43dea23376"
|
|
2034
1917
|
}
|
|
2035
1918
|
],
|
|
@@ -2037,6 +1920,7 @@ var discography = [
|
|
|
2037
1920
|
"credits": "All music written and performed by Inocula.\nAaron Krause - Drums\nAJ Sugg - Vocals\nBrowneye - Guitar\nDaniel Massey - Guitar\nPaul Petrosyan - Bass\nTyler Etters - Keybards/Samples\n",
|
|
2038
1921
|
"project_slug": "inocula",
|
|
2039
1922
|
"release_slug": "suntelia-aeon",
|
|
1923
|
+
"cover_slug": "inocula/suntelia-aeon/suntelia-aeon.jpg",
|
|
2040
1924
|
"id": "490f035adcb234345071bf11451a0bba"
|
|
2041
1925
|
},
|
|
2042
1926
|
{
|
|
@@ -2047,12 +1931,13 @@ var discography = [
|
|
|
2047
1931
|
"format": "CD",
|
|
2048
1932
|
"role": "Principal Musician",
|
|
2049
1933
|
"label": "Independent",
|
|
1934
|
+
"mp3": false,
|
|
1935
|
+
"wav": false,
|
|
2050
1936
|
"tracks": [
|
|
2051
1937
|
{
|
|
2052
1938
|
"number": 1,
|
|
2053
1939
|
"title": "Organica Lensing",
|
|
2054
1940
|
"length": "00:04:02",
|
|
2055
|
-
"track_slug": "lucid-end/organica-lensing/organica-lensing",
|
|
2056
1941
|
"id": "3112131b9dcd065037cade65f050e219"
|
|
2057
1942
|
}
|
|
2058
1943
|
],
|
|
@@ -2060,6 +1945,7 @@ var discography = [
|
|
|
2060
1945
|
"credits": "Lucid End is Tyler Etters.\n",
|
|
2061
1946
|
"project_slug": "lucid-end",
|
|
2062
1947
|
"release_slug": "organica-lensing",
|
|
1948
|
+
"cover_slug": "lucid-end/organica-lensing/organica-lensing.jpg",
|
|
2063
1949
|
"id": "f40b8fab6a769b9fe83381804833ed09"
|
|
2064
1950
|
},
|
|
2065
1951
|
{
|
|
@@ -2070,12 +1956,13 @@ var discography = [
|
|
|
2070
1956
|
"format": "CD-R",
|
|
2071
1957
|
"role": "Principal Musician",
|
|
2072
1958
|
"label": "Independent",
|
|
1959
|
+
"mp3": false,
|
|
1960
|
+
"wav": false,
|
|
2073
1961
|
"tracks": [
|
|
2074
1962
|
{
|
|
2075
1963
|
"number": 1,
|
|
2076
1964
|
"title": "The Killing Tree",
|
|
2077
1965
|
"length": "00:04:08",
|
|
2078
|
-
"track_slug": "lucid-end/the-killing-tree/the-killing-tree",
|
|
2079
1966
|
"id": "b156dbb5d1e678c148b7b8f8aca1372e"
|
|
2080
1967
|
}
|
|
2081
1968
|
],
|
|
@@ -2083,6 +1970,7 @@ var discography = [
|
|
|
2083
1970
|
"credits": "Lucid End is Tyler Etters.\n",
|
|
2084
1971
|
"project_slug": "lucid-end",
|
|
2085
1972
|
"release_slug": "the-killing-tree",
|
|
1973
|
+
"cover_slug": "lucid-end/the-killing-tree/the-killing-tree.jpg",
|
|
2086
1974
|
"id": "613757a6f0f4979088bab8776e3f9def"
|
|
2087
1975
|
},
|
|
2088
1976
|
{
|
|
@@ -2093,82 +1981,73 @@ var discography = [
|
|
|
2093
1981
|
"format": "CD-R",
|
|
2094
1982
|
"role": "Principal Musician",
|
|
2095
1983
|
"label": "Independent",
|
|
1984
|
+
"mp3": false,
|
|
1985
|
+
"wav": false,
|
|
2096
1986
|
"tracks": [
|
|
2097
1987
|
{
|
|
2098
1988
|
"number": 1,
|
|
2099
1989
|
"title": "Lie Down in Darkness",
|
|
2100
1990
|
"length": "00:03:10",
|
|
2101
|
-
"track_slug": "lucid-end/time-to-breathe-time-to-think/lie-down-in-darkness",
|
|
2102
1991
|
"id": "c6367f9550634a0f34f83aa4712a9c43"
|
|
2103
1992
|
},
|
|
2104
1993
|
{
|
|
2105
1994
|
"number": 2,
|
|
2106
1995
|
"title": "Photographs of Dust",
|
|
2107
1996
|
"length": "00:05:01",
|
|
2108
|
-
"track_slug": "lucid-end/time-to-breathe-time-to-think/photographs-of-dust",
|
|
2109
1997
|
"id": "676b877ba0bd1f3b8fc4a42f10af1afb"
|
|
2110
1998
|
},
|
|
2111
1999
|
{
|
|
2112
2000
|
"number": 3,
|
|
2113
2001
|
"title": "Synchronicity",
|
|
2114
2002
|
"length": "00:03:06",
|
|
2115
|
-
"track_slug": "lucid-end/time-to-breathe-time-to-think/synchronicity",
|
|
2116
2003
|
"id": "4b31fb5a813cde2c64949aab957e9f52"
|
|
2117
2004
|
},
|
|
2118
2005
|
{
|
|
2119
2006
|
"number": 4,
|
|
2120
2007
|
"title": "Don't Leave Me",
|
|
2121
2008
|
"length": "00:05:00",
|
|
2122
|
-
"track_slug": "lucid-end/time-to-breathe-time-to-think/dont-leave-me",
|
|
2123
2009
|
"id": "365705e53050dd37e9c4e4c1ecf1d143"
|
|
2124
2010
|
},
|
|
2125
2011
|
{
|
|
2126
2012
|
"number": 5,
|
|
2127
2013
|
"title": "The Spider and the Formula",
|
|
2128
2014
|
"length": "00:05:36",
|
|
2129
|
-
"track_slug": "lucid-end/time-to-breathe-time-to-think/the-spider-and-the-formula",
|
|
2130
2015
|
"id": "25d684635b3eddb586bba77d8d554ade"
|
|
2131
2016
|
},
|
|
2132
2017
|
{
|
|
2133
2018
|
"number": 6,
|
|
2134
2019
|
"title": "Arabesque",
|
|
2135
2020
|
"length": "00:03:30",
|
|
2136
|
-
"track_slug": "lucid-end/time-to-breathe-time-to-think/arabesque",
|
|
2137
2021
|
"id": "20b765c804ccbba948e5e5b0022027d6"
|
|
2138
2022
|
},
|
|
2139
2023
|
{
|
|
2140
2024
|
"number": 7,
|
|
2141
2025
|
"title": "Migration, The Spire Will Kick Up Her Children",
|
|
2142
2026
|
"length": "00:03:35",
|
|
2143
|
-
"track_slug": "lucid-end/time-to-breathe-time-to-think/migration-the-spire-will-kick-up-her-children",
|
|
2144
2027
|
"id": "4e497af19f9e2b0c1aa61659777a9802"
|
|
2145
2028
|
},
|
|
2146
2029
|
{
|
|
2147
2030
|
"number": 8,
|
|
2148
2031
|
"title": "To the Construct",
|
|
2149
2032
|
"length": "00:04:33",
|
|
2150
|
-
"track_slug": "lucid-end/time-to-breathe-time-to-think/to-the-construct",
|
|
2151
2033
|
"id": "29bc66fbcc24cd7a9d6a4d72be317d44"
|
|
2152
2034
|
},
|
|
2153
2035
|
{
|
|
2154
2036
|
"number": 9,
|
|
2155
2037
|
"title": "Clouds (Bleed Air)",
|
|
2156
2038
|
"length": "00:07:30",
|
|
2157
|
-
"track_slug": "lucid-end/time-to-breathe-time-to-think/clouds-bleed-air",
|
|
2158
2039
|
"id": "cc9abef10982e190aa3dd931a0bf8aca"
|
|
2159
2040
|
},
|
|
2160
2041
|
{
|
|
2161
2042
|
"number": 10,
|
|
2162
2043
|
"title": "They Rescue You",
|
|
2163
2044
|
"length": "00:04:02",
|
|
2164
|
-
"track_slug": "lucid-end/time-to-breathe-time-to-think/they-rescue-you",
|
|
2165
2045
|
"id": "4c535e197fe2ac4fce667d3bf78dd48a"
|
|
2166
2046
|
},
|
|
2167
2047
|
{
|
|
2168
2048
|
"number": 11,
|
|
2169
2049
|
"title": "Leyline",
|
|
2170
2050
|
"length": "00:03:53",
|
|
2171
|
-
"track_slug": "lucid-end/time-to-breathe-time-to-think/leyline",
|
|
2172
2051
|
"id": "fabfde6062f03fc2654a2314770ec06b"
|
|
2173
2052
|
}
|
|
2174
2053
|
],
|
|
@@ -2176,6 +2055,7 @@ var discography = [
|
|
|
2176
2055
|
"credits": "Lucid End is Tyler Etters.\n",
|
|
2177
2056
|
"project_slug": "lucid-end",
|
|
2178
2057
|
"release_slug": "time-to-breathe-time-to-think",
|
|
2058
|
+
"cover_slug": "lucid-end/time-to-breathe-time-to-think/time-to-breathe-time-to-think.jpg",
|
|
2179
2059
|
"id": "1e1da4b27d7e7d24fc3b1f0002ae2770"
|
|
2180
2060
|
},
|
|
2181
2061
|
{
|
|
@@ -2186,103 +2066,91 @@ var discography = [
|
|
|
2186
2066
|
"format": "CD",
|
|
2187
2067
|
"role": "Band Member",
|
|
2188
2068
|
"label": "Endless Field Studios",
|
|
2069
|
+
"mp3": false,
|
|
2070
|
+
"wav": false,
|
|
2189
2071
|
"tracks": [
|
|
2190
2072
|
{
|
|
2191
2073
|
"number": 1,
|
|
2192
2074
|
"title": "Doppleganger's Lattice",
|
|
2193
2075
|
"length": "00:03:42",
|
|
2194
|
-
"track_slug": "ix/descent-into-dreams/dopplegangers-lattice",
|
|
2195
2076
|
"id": "6dc505dddac89267f9d9c208a2c17164"
|
|
2196
2077
|
},
|
|
2197
2078
|
{
|
|
2198
2079
|
"number": 2,
|
|
2199
2080
|
"title": "Fractures Overlap Above the Fields",
|
|
2200
2081
|
"length": "00:04:36",
|
|
2201
|
-
"track_slug": "ix/descent-into-dreams/fractures-overlap-above-the-fields",
|
|
2202
2082
|
"id": "45d4d7646059ffb49c48f2bdb4252b96"
|
|
2203
2083
|
},
|
|
2204
2084
|
{
|
|
2205
2085
|
"number": 3,
|
|
2206
2086
|
"title": "Circadian Rhythm",
|
|
2207
2087
|
"length": "00:03:53",
|
|
2208
|
-
"track_slug": "ix/descent-into-dreams/circadian-rhythm",
|
|
2209
2088
|
"id": "3daa23e7b80528b9901dab6c0ed032af"
|
|
2210
2089
|
},
|
|
2211
2090
|
{
|
|
2212
2091
|
"number": 4,
|
|
2213
2092
|
"title": "Mantra of the Sumacs",
|
|
2214
2093
|
"length": "00:03:15",
|
|
2215
|
-
"track_slug": "ix/descent-into-dreams/mantra-of-the-sumacs",
|
|
2216
2094
|
"id": "34e1bf0d9d1386ac08d352a1a85a1ccb"
|
|
2217
2095
|
},
|
|
2218
2096
|
{
|
|
2219
2097
|
"number": 5,
|
|
2220
2098
|
"title": "Return to the Mind",
|
|
2221
2099
|
"length": "00:03:31",
|
|
2222
|
-
"track_slug": "ix/descent-into-dreams/return-to-the-mind",
|
|
2223
2100
|
"id": "451e897085e3a24a03a06496aee7bef2"
|
|
2224
2101
|
},
|
|
2225
2102
|
{
|
|
2226
2103
|
"number": 6,
|
|
2227
2104
|
"title": "Descent Into Dreams",
|
|
2228
2105
|
"length": "00:04:08",
|
|
2229
|
-
"track_slug": "ix/descent-into-dreams/descent-into-dreams",
|
|
2230
2106
|
"id": "c93664ccd46f7363d7d1626680463f36"
|
|
2231
2107
|
},
|
|
2232
2108
|
{
|
|
2233
2109
|
"number": 7,
|
|
2234
2110
|
"title": "A Different Process",
|
|
2235
2111
|
"length": "00:03:38",
|
|
2236
|
-
"track_slug": "ix/descent-into-dreams/a-different-process",
|
|
2237
2112
|
"id": "f36bae1dec5d16d6020a8ade8c02cd40"
|
|
2238
2113
|
},
|
|
2239
2114
|
{
|
|
2240
2115
|
"number": 8,
|
|
2241
2116
|
"title": "Paradigms Unwritten",
|
|
2242
2117
|
"length": "00:03:50",
|
|
2243
|
-
"track_slug": "ix/descent-into-dreams/paradigms-unwritten",
|
|
2244
2118
|
"id": "f6acd0c9bcccabadabea5c7dc38dbc85"
|
|
2245
2119
|
},
|
|
2246
2120
|
{
|
|
2247
2121
|
"number": 9,
|
|
2248
2122
|
"title": "Symbiotics",
|
|
2249
2123
|
"length": "00:03:20",
|
|
2250
|
-
"track_slug": "ix/descent-into-dreams/symbiotics",
|
|
2251
2124
|
"id": "6981d260dbfa82c58dafc30d35ae7038"
|
|
2252
2125
|
},
|
|
2253
2126
|
{
|
|
2254
2127
|
"number": 10,
|
|
2255
2128
|
"title": "Transience and Perpetuality",
|
|
2256
2129
|
"length": "00:03:54",
|
|
2257
|
-
"track_slug": "ix/descent-into-dreams/transience-and-perpetuality",
|
|
2258
2130
|
"id": "5c79f7774f92183476e28216ae9973c2"
|
|
2259
2131
|
},
|
|
2260
2132
|
{
|
|
2261
2133
|
"number": 11,
|
|
2262
2134
|
"title": "Yet These Memories Isolated Us",
|
|
2263
2135
|
"length": "00:04:29",
|
|
2264
|
-
"track_slug": "ix/descent-into-dreams/yet-these-memories-isolated-us",
|
|
2265
2136
|
"id": "187b5ec658dad857a2255b2f39de9f27"
|
|
2266
2137
|
},
|
|
2267
2138
|
{
|
|
2268
2139
|
"number": 12,
|
|
2269
2140
|
"title": "Beneath the Orange Ethers",
|
|
2270
2141
|
"length": "00:02:01",
|
|
2271
|
-
"track_slug": "ix/descent-into-dreams/beneath-the-orange-ethers",
|
|
2272
2142
|
"id": "0b2cec214b2979ed64dc350c9f677da5"
|
|
2273
2143
|
},
|
|
2274
2144
|
{
|
|
2275
2145
|
"number": 13,
|
|
2276
2146
|
"title": "Constant Awareness",
|
|
2277
2147
|
"length": "00:03:00",
|
|
2278
|
-
"track_slug": "ix/descent-into-dreams/constant-awareness",
|
|
2279
2148
|
"id": "a9742deb70dd1887ac6ebcda15aae652"
|
|
2280
2149
|
},
|
|
2281
2150
|
{
|
|
2282
2151
|
"number": 14,
|
|
2283
2152
|
"title": "Drift",
|
|
2284
2153
|
"length": "00:04:17",
|
|
2285
|
-
"track_slug": "ix/descent-into-dreams/drift",
|
|
2286
2154
|
"id": "09f9d96047755f362c5301d970e5844e"
|
|
2287
2155
|
}
|
|
2288
2156
|
],
|
|
@@ -2290,6 +2158,7 @@ var discography = [
|
|
|
2290
2158
|
"credits": "Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.\n",
|
|
2291
2159
|
"project_slug": "ix",
|
|
2292
2160
|
"release_slug": "descent-into-dreams",
|
|
2161
|
+
"cover_slug": "ix/descent-into-dreams/descent-into-dreams.jpg",
|
|
2293
2162
|
"id": "8f34ac41a602d8314011dbe313ca493b"
|
|
2294
2163
|
},
|
|
2295
2164
|
{
|
|
@@ -2300,26 +2169,25 @@ var discography = [
|
|
|
2300
2169
|
"format": "CD-R",
|
|
2301
2170
|
"role": "Band Member",
|
|
2302
2171
|
"label": "Endless Field Studios",
|
|
2172
|
+
"mp3": false,
|
|
2173
|
+
"wav": false,
|
|
2303
2174
|
"tracks": [
|
|
2304
2175
|
{
|
|
2305
2176
|
"number": 1,
|
|
2306
2177
|
"title": "Yet These Memories Isoalted Us",
|
|
2307
2178
|
"length": "00:04:37",
|
|
2308
|
-
"track_slug": "ix/yet-these-memories-isolated-us/yet-these-memories-isoalted-us",
|
|
2309
2179
|
"id": "78cf8ab7feb5584c478a31407175c88d"
|
|
2310
2180
|
},
|
|
2311
2181
|
{
|
|
2312
2182
|
"number": 2,
|
|
2313
2183
|
"title": "Weeping in Neutrality",
|
|
2314
2184
|
"length": "00:03:35",
|
|
2315
|
-
"track_slug": "ix/yet-these-memories-isolated-us/weeping-in-neutrality",
|
|
2316
2185
|
"id": "0d6c2fb04ab46a26a985d5d787ab0abd"
|
|
2317
2186
|
},
|
|
2318
2187
|
{
|
|
2319
2188
|
"number": 3,
|
|
2320
2189
|
"title": "Imaginary Number",
|
|
2321
2190
|
"length": "00:03:34",
|
|
2322
|
-
"track_slug": "ix/yet-these-memories-isolated-us/imaginary-number",
|
|
2323
2191
|
"id": "682dff661ed2f618774cee4870d87695"
|
|
2324
2192
|
}
|
|
2325
2193
|
],
|
|
@@ -2327,6 +2195,7 @@ var discography = [
|
|
|
2327
2195
|
"credits": "Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.\n",
|
|
2328
2196
|
"project_slug": "ix",
|
|
2329
2197
|
"release_slug": "yet-these-memories-isolated-us",
|
|
2198
|
+
"cover_slug": "ix/yet-these-memories-isolated-us/yet-these-memories-isolated-us.jpg",
|
|
2330
2199
|
"id": "ec265196f2f2313b847cea4a92ddddca"
|
|
2331
2200
|
},
|
|
2332
2201
|
{
|
|
@@ -2337,54 +2206,49 @@ var discography = [
|
|
|
2337
2206
|
"format": "CD-R",
|
|
2338
2207
|
"role": "Principal Musician",
|
|
2339
2208
|
"label": "Independent",
|
|
2209
|
+
"mp3": false,
|
|
2210
|
+
"wav": false,
|
|
2340
2211
|
"tracks": [
|
|
2341
2212
|
{
|
|
2342
2213
|
"number": 1,
|
|
2343
2214
|
"title": "Somnium Scipionis",
|
|
2344
2215
|
"length": "00:01:20",
|
|
2345
|
-
"track_slug": "lucid-end/files/somnium-scipionis",
|
|
2346
2216
|
"id": "f34774da59b919eb222c8087f227bcbd"
|
|
2347
2217
|
},
|
|
2348
2218
|
{
|
|
2349
2219
|
"number": 2,
|
|
2350
2220
|
"title": "Outsdied",
|
|
2351
2221
|
"length": "00:04:26",
|
|
2352
|
-
"track_slug": "lucid-end/files/outsdied",
|
|
2353
2222
|
"id": "440a1eee03a8e2befe0876735a432972"
|
|
2354
2223
|
},
|
|
2355
2224
|
{
|
|
2356
2225
|
"number": 3,
|
|
2357
2226
|
"title": "Apprehension",
|
|
2358
2227
|
"length": "00:03:30",
|
|
2359
|
-
"track_slug": "lucid-end/files/apprehension",
|
|
2360
2228
|
"id": "cb15b35890ec2c731894143d41dbef00"
|
|
2361
2229
|
},
|
|
2362
2230
|
{
|
|
2363
2231
|
"number": 4,
|
|
2364
2232
|
"title": "Epilogue",
|
|
2365
2233
|
"length": "00:03:44",
|
|
2366
|
-
"track_slug": "lucid-end/files/epilogue",
|
|
2367
2234
|
"id": "0280fbac53adf86cab29c5d873807966"
|
|
2368
2235
|
},
|
|
2369
2236
|
{
|
|
2370
2237
|
"number": 5,
|
|
2371
2238
|
"title": "Files",
|
|
2372
2239
|
"length": "00:03:44",
|
|
2373
|
-
"track_slug": "lucid-end/files/files",
|
|
2374
2240
|
"id": "bf0a8f84002aaa0d5affb88b6a82018d"
|
|
2375
2241
|
},
|
|
2376
2242
|
{
|
|
2377
2243
|
"number": 6,
|
|
2378
2244
|
"title": "The Little House",
|
|
2379
2245
|
"length": "00:05:15",
|
|
2380
|
-
"track_slug": "lucid-end/files/the-little-house",
|
|
2381
2246
|
"id": "961650bfa7b5518e561b14cb6451ec03"
|
|
2382
2247
|
},
|
|
2383
2248
|
{
|
|
2384
2249
|
"number": 7,
|
|
2385
2250
|
"title": "Gaseous Tetrahedrons",
|
|
2386
2251
|
"length": "00:13:00",
|
|
2387
|
-
"track_slug": "lucid-end/files/gaseous-tetrahedrons",
|
|
2388
2252
|
"id": "cd6f8f9e4b51fa1eee5911e28bdb20c3"
|
|
2389
2253
|
}
|
|
2390
2254
|
],
|
|
@@ -2392,6 +2256,7 @@ var discography = [
|
|
|
2392
2256
|
"credits": "Lucid End is Tyler Etters.\n",
|
|
2393
2257
|
"project_slug": "lucid-end",
|
|
2394
2258
|
"release_slug": "files",
|
|
2259
|
+
"cover_slug": "lucid-end/files/files.jpg",
|
|
2395
2260
|
"id": "39b60215e9fe359406cf4267c7204996"
|
|
2396
2261
|
},
|
|
2397
2262
|
{
|
|
@@ -2402,61 +2267,55 @@ var discography = [
|
|
|
2402
2267
|
"format": "CD-R",
|
|
2403
2268
|
"role": "Band Member",
|
|
2404
2269
|
"label": "Independent",
|
|
2270
|
+
"mp3": false,
|
|
2271
|
+
"wav": false,
|
|
2405
2272
|
"tracks": [
|
|
2406
2273
|
{
|
|
2407
2274
|
"number": 1,
|
|
2408
2275
|
"title": "Approaching the Gates",
|
|
2409
2276
|
"length": "00:01:42",
|
|
2410
|
-
"track_slug": "ix/ix-ep/approaching-the-gates",
|
|
2411
2277
|
"id": "d9ca822bd77bb1e492a3b2384826c7b3"
|
|
2412
2278
|
},
|
|
2413
2279
|
{
|
|
2414
2280
|
"number": 2,
|
|
2415
2281
|
"title": "Complex Number",
|
|
2416
2282
|
"length": "00:03:13",
|
|
2417
|
-
"track_slug": "ix/ix-ep/complex-number",
|
|
2418
2283
|
"id": "51dd269d0e078d4c89e3c52a7b92cdae"
|
|
2419
2284
|
},
|
|
2420
2285
|
{
|
|
2421
2286
|
"number": 3,
|
|
2422
2287
|
"title": "Dying Alone",
|
|
2423
2288
|
"length": "00:04:00",
|
|
2424
|
-
"track_slug": "ix/ix-ep/dying-alone",
|
|
2425
2289
|
"id": "e06aae243c48e270d59a9893fb7bc993"
|
|
2426
2290
|
},
|
|
2427
2291
|
{
|
|
2428
2292
|
"number": 4,
|
|
2429
2293
|
"title": "The Wake",
|
|
2430
2294
|
"length": "00:03:28",
|
|
2431
|
-
"track_slug": "ix/ix-ep/the-wake",
|
|
2432
2295
|
"id": "e695728907096a5d6f5453c28020c96c"
|
|
2433
2296
|
},
|
|
2434
2297
|
{
|
|
2435
2298
|
"number": 5,
|
|
2436
2299
|
"title": "Splintering",
|
|
2437
2300
|
"length": "00:05:00",
|
|
2438
|
-
"track_slug": "ix/ix-ep/splintering",
|
|
2439
2301
|
"id": "a857da5257f2cd2ea90dfb446ebfc38a"
|
|
2440
2302
|
},
|
|
2441
2303
|
{
|
|
2442
2304
|
"number": 6,
|
|
2443
2305
|
"title": "Content with Failure",
|
|
2444
2306
|
"length": "00:03:38",
|
|
2445
|
-
"track_slug": "ix/ix-ep/content-with-failure",
|
|
2446
2307
|
"id": "9ea6b8386b3983a55998a1a3e41a6a65"
|
|
2447
2308
|
},
|
|
2448
2309
|
{
|
|
2449
2310
|
"number": 7,
|
|
2450
2311
|
"title": "Weary Eyes of Reason",
|
|
2451
2312
|
"length": "00:03:49",
|
|
2452
|
-
"track_slug": "ix/ix-ep/weary-eyes-of-reason",
|
|
2453
2313
|
"id": "fd114ec1afaad96b662a4f49d81b8208"
|
|
2454
2314
|
},
|
|
2455
2315
|
{
|
|
2456
2316
|
"number": 8,
|
|
2457
2317
|
"title": "Sweet Lobotomy",
|
|
2458
2318
|
"length": "00:03:55",
|
|
2459
|
-
"track_slug": "ix/ix-ep/sweet-lobotomy",
|
|
2460
2319
|
"id": "9db6f7bb98289b2f58123db424faf3a9"
|
|
2461
2320
|
}
|
|
2462
2321
|
],
|
|
@@ -2464,6 +2323,7 @@ var discography = [
|
|
|
2464
2323
|
"credits": "Ix is Paul Petrosyan and Tyler Etters.\n",
|
|
2465
2324
|
"project_slug": "ix",
|
|
2466
2325
|
"release_slug": "ix-ep",
|
|
2326
|
+
"cover_slug": "ix/ix-ep/ix-ep.jpg",
|
|
2467
2327
|
"id": "7b7481c3fb254d86c41ca3c27f8e0392"
|
|
2468
2328
|
}
|
|
2469
2329
|
];
|