@tyleretters/discography 0.0.6 → 0.0.7

This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
package/dist/index.js CHANGED
@@ -14,49 +14,49 @@ var discography = [
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  "number": 1,
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  "title": "Tiresias",
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  "length": "00:01:49",
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- "track_slug": "tiresias",
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+ "track_slug": "stuxnet/in-darkness-radiant/tiresias",
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  "id": "d8e190eb5c8a7c59a6bfe3a6cccd0b64"
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  },
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  {
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  "number": 2,
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  "title": "In Darkness Radiant",
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  "length": "00:01:54",
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- "track_slug": "in-darkness-radiant",
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+ "track_slug": "stuxnet/in-darkness-radiant/in-darkness-radiant",
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  "id": "07431a76e3916159a229b4d77597dde1"
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  },
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  {
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  "number": 3,
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  "title": "Temporary Autonomous Zone",
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  "length": "00:04:16",
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- "track_slug": "temporary-autonomous-zone",
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+ "track_slug": "stuxnet/in-darkness-radiant/temporary-autonomous-zone",
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  "id": "a8751056a8a9ebcbeec39a88b53ff2c8"
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  },
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  {
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  "number": 4,
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  "title": "Hell Money",
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  "length": "00:01:58",
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- "track_slug": "hell-money",
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+ "track_slug": "stuxnet/in-darkness-radiant/hell-money",
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  "id": "166de9752fc6f68fabff27f1e4ec9164"
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  },
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  {
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  "number": 5,
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  "title": "Subsea Fiber Faults in the APAC Region",
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  "length": "00:05:43",
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- "track_slug": "subsea-fiber-faults-in-the-apac-region",
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+ "track_slug": "stuxnet/in-darkness-radiant/subsea-fiber-faults-in-the-apac-region",
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  "id": "ddabb410b3b4e9692913d1aba064638f"
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  },
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  {
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  "number": 6,
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  "title": "Safe Passage (Non-Functional)",
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  "length": "00:02:51",
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- "track_slug": "safe-passage-non-functional",
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+ "track_slug": "stuxnet/in-darkness-radiant/safe-passage-non-functional",
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  "id": "cb92de4cad418d150ca1a21b7544879c"
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  }
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  ],
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  "notes": "After a harrowing border crossing out of the Special Economic Zone, Coyote lies low. His world is hardened, Metal Gear, long drag of cigarette, pushing limits of body to transport mind. Licking his wounds, drinking warm Modelo, watching cargo ships queue up for port, he contemplates getting out of the game for good.\nBut when money runs out (like it always does) he's forced to accept an impossible gig: US/APAC. The cargo is a Tiresias figure, some aged clairvoyant who, having struck their staff at two copulating serpents, was then blinded, given the gift of prophecy (visions), and transformed into a woman for seven years.\nWho seeks a strange country by illegal means that can only place them perpetually outside while also inside? Coyote knows: someone who has a message... or someone who is one. What is the message now? What does Tiresias only know while blind and femme?\nCoyote's reference gear attempts to help his line of thought with encyclopedic minutiae: \"Like with other oracles, how Tiresias obtained their information varied: sometimes, they would receive visions; other times they would listen for the songs of birds, or ask for a description of visions and pictures appearing within the smoke of burnt offerings or entrails, and so interpret them. Pliny the Elder credits Tiresias with the invention of augury. Tiresias has a daughter, Manto, who is also a prophetess and priestess.\"\nSimple machine that cannot breathe or ache. Coyote dictates futile corrections to his gear. This Oracle of Zones is a mother, alright. The twin Zones - both Special Economic and Temporary Autonomous - symbolize invitations by their respective hosts to become changed; to be shown wrong. High on artificial fumes in virtual caves, Tiresias (pregnant with Manto?) are illegal yet invited; necessary; load-bearing. She sees and listens, assembles, then tells. And she's coming now, changing Self to change the flow of things, money, talk, data. She dies but goes on. A programming program, in darkness radiant.\nA seagull lands on the railing.\nZip-tied to its tibia is a white USB drive.\nIt is branded with a familiar hexagon.\n",
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  "credits": "Pr\u00e9cis by Cory Salveson. Music by Tyler Etters.\nSelected samples: Bauenrfeind, Beast Wars, Elden Ring, Cornell Lab of Ornithology, The Amity Affliction, Predator, True Detective, Cory's field recordings from China.\nThe musician would like to express his deepest thanks to @zbs for their deft consultation on the final mix and unwavering devotion to sub-bass.\nAlbum art: screencap from \"Can't Get You Out of My Head\" by Adam Curtis.\n",
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- "release_slug": "in-darkness-radiant",
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  "project_slug": "stuxnet",
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+ "release_slug": "in-darkness-radiant",
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  "id": "fb698f2114760946e4fd0fc2576199a9"
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  },
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  {
@@ -72,42 +72,42 @@ var discography = [
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  "number": 1,
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  "title": "Sources and Methods",
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  "length": "00:03:44",
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- "track_slug": "sources-and-methods",
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+ "track_slug": "stuxnet/fade-scatter-replicate/sources-and-methods",
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  "id": "376c3e78f3eff2fb422e21e6dd855274"
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  },
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  {
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  "number": 2,
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  "title": "Coyote",
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  "length": "00:05:52",
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- "track_slug": "coyote",
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+ "track_slug": "stuxnet/fade-scatter-replicate/coyote",
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  "id": "958eab7cc3c22f4f4215bc80974c153f"
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  },
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  {
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  "number": 3,
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  "title": "Special Economic Zone",
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  "length": "00:03:44",
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- "track_slug": "special-economic-zone",
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+ "track_slug": "stuxnet/fade-scatter-replicate/special-economic-zone",
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  "id": "b04e1d4a0065e8a519e97017876f4f0f"
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  },
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  {
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  "number": 4,
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  "title": "Border Crossing",
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  "length": "00:03:28",
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- "track_slug": "border-crossing",
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+ "track_slug": "stuxnet/fade-scatter-replicate/border-crossing",
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  "id": "a61940bf64f3315a6b294642e1acaa8d"
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  },
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  {
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  "number": 5,
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  "title": "In Infinite Fogs",
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  "length": "00:05:52",
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- "track_slug": "in-infinite-fogs",
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+ "track_slug": "stuxnet/fade-scatter-replicate/in-infinite-fogs",
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  "id": "3425ce3d019d9a2b4486a5b677580273"
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  }
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  ],
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  "notes": "Migrants are often between two worlds that do not really have a place for them: fleeing economic or political hardship and entering a place (ostensibly the U.S.) that fundamentally demands their labour yet officially outlaws them and treats them as sub-human. The coyote is doing a kind of extraordinary favor by rendering an extra-legal service, and putting themselves in harm's way to do so.\nWhy choose this particular job?\nPerhaps because the coyote is \"between,\" themselves. This casts them as a kind of archetypical shamanistic figure: a psychopomp, a guide of souls like Anubis, Charon, Hermes, Mercury, or Tarkovsky's Stalker. But, unlike this Jungian pantheon of tricksters, our coyote is not bound by divinity or magicks \u2014 they are a mercenary; they are bound by cash.\nIn Nomadology: The War Machine, Deleuze & Guattari \"redefine the relation between the state and its war machine. Far from being a part of the state, warriors (the army) are nomads who always come from the outside and keep threatening the authority of the state. In the same vein, nomadic science keeps infiltrating royal science, undermining its axioms and principles. Nomadology is a speedy, pocket-sized treatise that refuses to be pinned down. Theorizing a dynamic relationship between sedentary power and schizophrenic lines of flight, this volume is meant to be read in transit, smuggled into urban nightclubs, offices, and subways.\"\nIt then follows the special economic zone is a stage for our coyote, our trickster, to turn logics and fortunes of capitalism inside out and upside down. The interior shared-self which persists through ultra time flow is, yes: dancing in place to move forward... and the special economic zone suspends the rules to incentivize a certain dancing, a particular folding back into itself to realize commerce, competition, fucking, running, transgressing, renewing.\nIf the trickster makes this world, it follows the mercenary makes the state. \n",
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  "credits": "Pr\u00e9cis by Cory Salveson. Music by Tyler Etters.\nSelected samples: Dark Souls III, Mission: Impossible 4 \u2014 Ghost Protocol, X-Files, Metal Gear Solid, Underoath, Fortnite \"Fracture\" Event, Black Hawk Down.\nInspired by a trip with my mother to Tijuana, Mexico, 2022.\nAlbum art: Midjourney prompt by John von Seggern.\nFor Timm.\n",
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- "release_slug": "fade-scatter-replicate",
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  "project_slug": "stuxnet",
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+ "release_slug": "fade-scatter-replicate",
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  "id": "f47f6e20ac3ac2097070539354fda463"
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  },
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  {
@@ -123,21 +123,21 @@ var discography = [
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  "number": 1,
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  "title": "Things are different now",
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  "length": "00:10:12",
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- "track_slug": "things-are-different-now",
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+ "track_slug": "they-became-what-they-beheld/ep2/things-are-different-now",
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  "id": "767ea89871f29bab164db0abc8672ac9"
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  },
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  {
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  "number": 2,
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  "title": "That was closer to then",
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  "length": "00:13:32",
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- "track_slug": "that-was-closer-to-then",
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+ "track_slug": "they-became-what-they-beheld/ep2/that-was-closer-to-then",
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  "id": "783052eebb0b68c10fbed5264de8721d"
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  }
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  ],
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  "notes": "Within the philosophies of time, three oppositional schools compete: Eternalism describes the phenomenon of time like a strip of film - the past and the future do exist, are real, but the present is merely a human concept. The growing block theory, maybe the most intuitive of the three, states that the present continually creates the past, but the future is unwritten. Presentism on the other hand argues that the only thing irrefutable is the present and that the past and the future are both unreal. By applying these three concepts to music, we may end up with a number of strategies to rethink what we consider as given.\nI would like to propose that there has been has been a slow shift in how music was perceived. Improvised music, prior to notation, can be considered as presentistic, manifesting itself only in the present, it\u2019s only traces of existence written in memory. With interpretation and notation, the perception shifts more to a growing block. The mind got a hold of the past, but the future still remained a very unstable realm - once the hand made a mistake with an instrument or the voice was interrupted to catch a breath. Obviously the advent of the recording introduced an absolute future and with it the concept of eternalism in music. Furthermore the introduction of the loop, applied in its most extreme way within techno, embeds the listener in a coherent body of past and future, even with a view of the timeline - first on the record, later on the waveform. A car, racing on the Autobahn, free to move in both directions. Of course, one could argue that the state of ecstasy in which techno is consumed compresses time into a perfect present, the psychological present, which is defined as 2-3 seconds with the equivalent of 1 bar by 120 bpm\u2026\nBut staying for the moment with the first thought, we can ask the questions: is the loop the defining property of techno? What happens if we remove the certainty of the next kick, eroding the temporal and structural integrity of the genre? Presentism is a project based on one temporal randomised pulse, denying our ability to foresee the next kick and obscuring the possibility to form loops. Yet it upholds timbres and instrument references common to the genre. The aleatoric function acts like an agent of presentism in an eternalist domain. Like improvisation, it has the ability to remove a stable future and at the same time blur the memory by forming insignificant patterns. Intensification usually benefits from a balance between control and the prospect of collapse. The temporal shuffle of techno is the attempted surrender of control of the past and future to the present.\n\u2014 JAT, 2020\n",
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  "credits": "Thanks to the person who sold me a faulty tape deck so I could not continue this project as intended because the original tape deck was in an airplane hanger because of the pandemic and everything stalled out for so long on both sides of the incident and then the project changed \u2014 like everything else did, that was closer to then and things are different now. Thanks to my dad for showing me Dancing Fantasy when I was a kid. Thanks to Sage for being infinitely patient and compassionate with me during the pandemic. Thanks to my two close friends who talked with me on the phone at length today, you know who you are. Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.\nAbout text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.\nAudio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.\nAudio sourced from Dancing Fantasy's Op. Midnight Blvd. \"...double fantasy...a dream... ...within a dream...\" IC / Innovative Records, 1990.\nPhotographs from my trip to Petalying Jaya, Malaysia, 2017.\nEngineered by Tyler Etters, 2019 \u2014 2022.\n",
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- "release_slug": "ep2",
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  "project_slug": "they-became-what-they-beheld",
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+ "release_slug": "ep2",
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  "id": "bc5996397e7215650926b7f7ccc90645"
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  },
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  {
@@ -153,14 +153,14 @@ var discography = [
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  "number": 1,
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  "title": "Deep State Music",
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  "length": "00:27:19",
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- "track_slug": "deep-state-music",
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+ "track_slug": "sidereal-lobby/deep-state-music/deep-state-music",
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  "id": "22a8f72e86a38959ad6aa2a955eefae2"
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  }
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  ],
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  "notes": "Over the course of their first journey (which started months before they realized they would become a band), the humans created many auditory things together and separately. Some of this was good but had found itself in a \u201cstuck\u201d state. Some things extended a bit earlier than the boundary of acquaintance but felt appropriate for inclusion. At any rate, both humans were in an exorcising mood. They decided it was time to release these peach fuzz laden demons. The exorcism exercise would be comprised of a continuous sort of mix tape or DJ mix containing these demons occupying the auditory plane.\nAs is becoming their custom, the humans again took turns weaving the structures. This time the structures were on a somewhat larger scale. They pulled in beats, basslines, melodies, and scraps of texture. Both humans expected the final product to be quite rhythmic and beat-driven. To their credit, this does appear to accurately describe much of what the three of us arrived at. They did manage to sneak in some free-meter synth jams, which provided some loose [a]rhythmic accompaniment to the more musically adherent elements.\nHowever, the real surprise came when the emotional impact of exorcising some demons in particular started to affect both humans. The beats in these instances decidedly needed to take a back seat to the so-called \u201cfeels\u201d: drones, sad arpeggio breakdowns, lolling refracted feedback melodies. As the iris of psychic transmorgification closed, the minds\u2019 eyes adjusted back to the new light level, the steam evaporated, the dust settled, and the humans incanted an old, familiar phrase to lighten these heaviest of demons:\n... like tears in the rain ...\nThe final mix arrived at a total of 300 MB worth of uncompressed PCM audio. This size is above Bandcamp\u2019s 291MB track limit, so 9MB was cut down from the final waveform data. The human who spliced has assured myself and the other human that we will never know (and, one would hope, never miss) those 9MB.\nMy aunt, the Goddess SEO (that\u2019s just her name, I don\u2019t know what it stands for and I\u2019m afraid to ask her) demanded that I mention the following terms. I do not understand their context and feel uncertain of how to integrate them into the above, so I shall simply list them: mapcore, caveman.sh.\n(SEO also mentioned something about \u201chashed tags\u201d. She took pity on me when she saw how terribly frightened I was of these strange, unfamiliar words, so she stopped short of asking me to use them. I hope this does not create any confusion.)\n",
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  "credits": "Laws & Etters, mmxxi\n",
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- "release_slug": "deep-state-music",
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  "project_slug": "sidereal-lobby",
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+ "release_slug": "deep-state-music",
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  "id": "02cd98a73d97e2e915afc5da5d4eb7f3"
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  },
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  {
@@ -176,28 +176,28 @@ var discography = [
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  "number": 1,
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  "title": "Mental Dub (Lisbon)",
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  "length": "00:04:18",
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- "track_slug": "mental-dub-lisbon",
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+ "track_slug": "sidereal-lobby/fciv/mental-dub-lisbon",
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  "id": "3bf748959775ac0693551fafb0b0c5f4"
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  },
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  {
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  "number": 2,
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  "title": "Mental Dub (Des Moines)",
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  "length": "00:04:10",
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- "track_slug": "mental-dub-des-moines",
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+ "track_slug": "sidereal-lobby/fciv/mental-dub-des-moines",
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  "id": "7beb9360e3ece1b46c64ccd5200a6d48"
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  },
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  {
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  "number": 3,
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  "title": "Mental Dub (Null Lake)",
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  "length": "00:04:20",
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- "track_slug": "mental-dub-null-lake",
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+ "track_slug": "sidereal-lobby/fciv/mental-dub-null-lake",
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  "id": "787697adcb5356df5c68c444d3a8b49e"
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  }
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  ],
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  "notes": "Dub is a refraction of alien consciousness\nFlash Crash was approaching. The folks running the event wanted dub in their interstitial program. I complied.\nIt began with Mental Dub, constructed entirely in Ableton Live with stock samples and soft synths. The other human loaded its stems into his Octatrack for further mutation, which became Des Moines. The first human further mutated Des Moines within Ableton to create Null Lake. The humans had little hesitation about mix or levels.\nOne (and only one) of the humans does have a bit of regret that Mental Dub Lisbon was 100% created by them and not the other. In other words, the other did not have any samples, or audio, or melody at all, but both humans concurred it was OK because it all took place in the Sidereal Lobby.\nMost of the above thoughts were originally transcribed via text-to-speech processing in a Taco Bell parking lot. The allure of Baja Blast is known to be irresistible to sidereal lobbyists.\n",
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  "credits": "Laws & Etters, mmxxi\n",
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- "release_slug": "fciv",
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  "project_slug": "sidereal-lobby",
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+ "release_slug": "fciv",
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  "id": "059fb2cd3faa8fa9af2b1364c1190abe"
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  },
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  {
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  "number": 1,
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  "title": "conch",
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  "length": "00:04:26",
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- "track_slug": "conch",
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+ "track_slug": "sidereal-lobby/beaches/conch",
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  "id": "889e59b8461af051da0effdb4224d3fa"
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  },
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  {
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  "number": 2,
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  "title": "snail",
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  "length": "00:02:22",
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- "track_slug": "snail",
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+ "track_slug": "sidereal-lobby/beaches/snail",
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  "id": "a8a1ba68bda81dce3bd871f8e6d2eacf"
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  },
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  {
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  "number": 3,
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  "title": "periwinkle",
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  "length": "00:03:41",
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- "track_slug": "periwinkle",
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+ "track_slug": "sidereal-lobby/beaches/periwinkle",
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  "id": "765f99fadd0ca0a4efb8c21445d722bb"
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  },
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  {
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  "number": 4,
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  "title": "bottles",
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  "length": "00:03:30",
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- "track_slug": "bottles",
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+ "track_slug": "sidereal-lobby/beaches/bottles",
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  "id": "f83818db16c7392d55ac6d73b23940f7"
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  }
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  ],
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  "notes": "It began with failure.\nBoth humans had, at different times, come into ownership of the same model of a powered synthesizer enclosure. At different times, the power supply of either enclosure failed in identical fashion. The second time, the steward of the enclosure discovered that the power supply had, in fact, not completely failed. It could still deliver some power, albeit at an attenuated amperage. Perhaps as a test, perhaps enthused at the novelty of the small enclosure, perhaps simply to amuse himself, he assembled a nonsensical menagerie of modules.\nThe human then proceeded to record similarly nonsensical sounds. He doubted they were musical. They did contain rhythms, tones, things that repeat, but no more than household or industrial appliances. No logic or aesthetics he knew of applied. They were low-fidelity but not enough to be charming. These were adjacent to, but not quite the same as, what might be referred to as \u201cnoise music\u201d. At times something resembling a melody or a chord would appear, but short-lived and unsupported. He didn\u2019t know what to do with this, but he was having fun, so he forged ahead.\nAfter indulging a compulsion to record, the first human decided to share a few minutes of this with the second human. The second human was not sure what to make of this. Out of mutual respect, he attempted to phrase a diplomatic and critically constructive suggestion. He introduced this suggestion. The first human sat in anticipation, waiting for second\u2019s transmission to complete. After a few more minutes, the first human became aware that not only was the second human\u2019s transmission taking some time to complete (and perhaps had been interrupted), but that he had an urge to record more bullshit. And so he did.\nBy the time the first human had another recording to share, the second human had completed his transmission, and in fact had a record of his own to share. It was a collage, a juxtaposition: the original recording with new layers. The first human was shocked and delighted. This was beginning to sound like music. Now he saw the pattern - a friendly back-and-forth volley.\nThis volley continued until the juxtapositions began to form a landscape with features. There were ugly, unexplainable crags and crannies, but also breathtaking vistas and soothing curves. The humans looked and listened upon this landscape with the awe and terror of a space traveler stranded on a remote beach, unsure of what it meant or where to go next, but grateful to be surrounded by grotesque beauty and eager to explore.\n",
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  "credits": "Laws & Etters, mmxxi\n",
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- "release_slug": "beaches",
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  "project_slug": "sidereal-lobby",
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+ "release_slug": "beaches",
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  "id": "a1229abf8488160c3e3dbb02724a122b"
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  },
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  {
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  "number": 1,
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  "title": "that it is a message at all",
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  "length": "00:04:36",
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- "track_slug": "that-it-is-a-message-at-all",
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+ "track_slug": "stuxnet/human-interference-task-force/that-it-is-a-message-at-all",
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  "id": "e5b79e65e20eef11a6fdcfd49f045f10"
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  },
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  {
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  "number": 2,
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  "title": "that dangerous material is stored in a given location",
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  "length": "00:32:21",
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- "track_slug": "that-dangerous-material-is-stored-in-a-given-location",
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+ "track_slug": "stuxnet/human-interference-task-force/that-dangerous-material-is-stored-in-a-given-location",
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  "id": "dd3c27ef99659033aaab2252f565fda5"
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  },
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  {
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  "number": 3,
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  "title": "information about the type of dangerous substances",
273
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  "length": "00:19:16",
274
- "track_slug": "information-about-the-type-of-dangerous-substances",
274
+ "track_slug": "stuxnet/human-interference-task-force/information-about-the-type-of-dangerous-substances",
275
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  "id": "4bdbc9918ce2a3623da3380ad3b44386"
276
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  }
277
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  ],
278
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  "notes": "The Human Interference Task Force was a team of engineers, anthropologists, nuclear physicists, behavioral scientists and others convened on behalf of the U.S. Department of Energy and Bechtel Corp. to find a way to reduce the likelihood of future humans unintentionally intruding on radioactive waste isolation systems. Specifically, the task force was to research the use of long-time warning messages to prevent future access to the planned, but stalled, deep geological nuclear repository project of Yucca Mountain.\nPROBLEM\nWhen atomic or fusion bombs are detonated in a war, or nuclear power plants are used in times of peace, an unnaturally high amount of radioactive waste is produced. This material will threaten human life and health for thousands of years. Consequently, nuclear technology necessitates the creation of a secure means of terminal storage for such materials for an unusually long time period.\nHowever, there is no method available to continuously provide the necessary knowledge about the location of nuclear waste over thousands of years. The culture of earlier centuries becomes incomprehensible when it is not translated into new languages every few generations. National institutions do not exist longer than a few hundred years. Even religions are not older than a few millennia and do not typically hand down scientific knowledge.\nFurthermore, the necessary length of storage is disputed among specialists. One work group in Germany concluded that nuclear waste must be separated from the biosphere up to one million years \u2014 about 30,000 human generations. Earlier assumptions were based on a period of 10,000 years, which seems to be too short given the half-life of certain radioactive isotopes (e.g. Plutonium-239 at 24,000 years).\nThe written historical tradition of humanity, in contrast, is only about 5,000 years. Warnings in cuneiform script could be interpreted by some specialists, but others, such as the writing of the Indus Valley civilization, are already illegible after a few thousand years.\nREQUIREMENTS\nThree parts of any communication about nuclear waste must be conveyed to posterity:\n1. that it is a message at all\n2. that dangerous material is stored in a given location\n3. information about the type of dangerous substances\nANSWERS\nTo determine how to convey these three things, the \"Zeitschrift f\u00fcr Semiotik\" (T\u00fcbingen, Germany) issued a poll in 1982 and 1983 asking how a message might be communicated for a duration of 10,000 years. The poll asked the following question: \"How would it be possible to inform our descendants for the next 10,000 years about the storage locations and dangers of radioactive waste?\" leading to the following answers... \n",
279
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  "credits": "The musician would like to express his deepest thanks to @license for their critical ear and honest heart.\n",
280
- "release_slug": "human-interference-task-force",
281
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  "project_slug": "stuxnet",
281
+ "release_slug": "human-interference-task-force",
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  "id": "70d383f39cd6c320f14ae8f8112ab125"
283
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  },
284
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  {
@@ -294,56 +294,56 @@ var discography = [
294
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  "number": 1,
295
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  "title": "Dazzle Camouflage (MUA)",
296
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  "length": "00:05:16",
297
- "track_slug": "dazzle-camouflage-mua",
297
+ "track_slug": "stuxnet/countersurveillance/dazzle-camouflage-mua",
298
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  "id": "b3e55e82d01163b32e55719915098c3a"
299
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  },
300
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  {
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  "number": 2,
302
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  "title": "Countersurveillance",
303
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  "length": "00:04:09",
304
- "track_slug": "countersurveillance",
304
+ "track_slug": "stuxnet/countersurveillance/countersurveillance",
305
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  "id": "6dc975e67926eeec29161acbf020d1e6"
306
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  },
307
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  {
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  "number": 3,
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  "title": "A Territory of History, Without Self",
310
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  "length": "00:03:33",
311
- "track_slug": "a-territory-of-history-without-self",
311
+ "track_slug": "stuxnet/countersurveillance/a-territory-of-history-without-self",
312
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  "id": "443d85726b3da2bbcf3f1e73cb75247c"
313
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  },
314
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  {
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  "number": 4,
316
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  "title": "Pyrocumulus Days, Entropy Nights",
317
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  "length": "00:02:18",
318
- "track_slug": "pyrocumulus-days-entropy-nights",
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+ "track_slug": "stuxnet/countersurveillance/pyrocumulus-days-entropy-nights",
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  "id": "2bbf6bb6019421586f7c422490fb877f"
320
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  },
321
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  {
322
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  "number": 5,
323
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  "title": "What's Your Wifi Password?",
324
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  "length": "00:02:18",
325
- "track_slug": "whats-your-wifi-password",
325
+ "track_slug": "stuxnet/countersurveillance/whats-your-wifi-password",
326
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  "id": "2bcbc1e1c036d5aececc7994b3c16ea8"
327
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  },
328
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  {
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  "number": 6,
330
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  "title": "I'm On Blockchain",
331
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  "length": "00:03:02",
332
- "track_slug": "im-on-blockchain",
332
+ "track_slug": "stuxnet/countersurveillance/im-on-blockchain",
333
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  "id": "f28af783b6bf7c71feaf8681bd925b6a"
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  },
335
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  {
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  "number": 7,
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  "title": "Maybe",
338
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  "length": "00:04:35",
339
- "track_slug": "maybe",
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+ "track_slug": "stuxnet/countersurveillance/maybe",
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  "id": "d9b1078aadc31f8feb907ca5aa3e74bd"
341
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  }
342
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  ],
343
343
  "notes": "Mapcore is a viable solution for surveying the world.\n",
344
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  "credits": "COUNTERINTELLIGENCE was written, recorded, designed, and released on the STUXNET: NIGHTLY STREAMS // UNREMEMBERED DREAMS Twitch channel. While recording some of the gear blew a fuse. STUXNET is Tyler Etters.\nAlbum art: \"The Nobili-Pesavento self-replicator, with a daughter copy in the process of making a grand-daughter copy. The automaton uses the 32-state extended John von Neumann rules, based on his work on universal constructors and self-reproducing automata.\"\n",
345
- "release_slug": "countersurveillance",
346
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  "project_slug": "stuxnet",
346
+ "release_slug": "countersurveillance",
347
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  "id": "7339ec77045dfcc729a608f84b2cefa6"
348
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  },
349
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  {
@@ -359,70 +359,70 @@ var discography = [
359
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  "number": 1,
360
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  "title": "Our world was always fallen but there was always light.",
361
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  "length": "00:03:48",
362
- "track_slug": "our-world-was-always-fallen-but-there-was-always-light",
362
+ "track_slug": "stuxnet/long-live-the-lost-ones/our-world-was-always-fallen-but-there-was-always-light",
363
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  "id": "179b9982672f8f79ea013a5a0643c9bd"
364
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  },
365
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  {
366
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  "number": 2,
367
367
  "title": "Damaged music is a metaphor for this world.",
368
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  "length": "00:04:35",
369
- "track_slug": "damaged-music-is-a-metaphor-for-this-world",
369
+ "track_slug": "stuxnet/long-live-the-lost-ones/damaged-music-is-a-metaphor-for-this-world",
370
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  "id": "08207b02a760518f1294c1ea693691bf"
371
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  },
372
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  {
373
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  "number": 3,
374
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  "title": "Music was always celebratory, but there was always sorrow.",
375
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  "length": "00:02:50",
376
- "track_slug": "music-was-always-celebratory-but-there-was-always-sorrow",
376
+ "track_slug": "stuxnet/long-live-the-lost-ones/music-was-always-celebratory-but-there-was-always-sorrow",
377
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  "id": "2c538db0c9926c8ea43af7a422aaf9a2"
378
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  },
379
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  {
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  "number": 4,
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  "title": "For liberation lies in that which is shattered.",
382
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  "length": "00:01:15",
383
- "track_slug": "for-liberation-lies-in-that-which-is-shattered",
383
+ "track_slug": "stuxnet/long-live-the-lost-ones/for-liberation-lies-in-that-which-is-shattered",
384
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  "id": "d5a9025184b1983352b1f8ae2ddd7d91"
385
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  },
386
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  {
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  "number": 5,
388
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  "title": "Designed to merge, engineered to transcend.",
389
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  "length": "00:02:18",
390
- "track_slug": "designed-to-merge-engineered-to-transcend",
390
+ "track_slug": "stuxnet/long-live-the-lost-ones/designed-to-merge-engineered-to-transcend",
391
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  "id": "fcd2e06c4631a2a63539dacf1b577e1b"
392
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  },
393
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  {
394
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  "number": 6,
395
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  "title": "Liberation follows that which is broken.",
396
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  "length": "00:07:56",
397
- "track_slug": "liberation-follows-that-which-is-broken",
397
+ "track_slug": "stuxnet/long-live-the-lost-ones/liberation-follows-that-which-is-broken",
398
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  "id": "0cdc699f61cd1b25eb74c95f1c0c7be9"
399
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  },
400
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  {
401
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  "number": 7,
402
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  "title": "Something you catch.",
403
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  "length": "00:07:30",
404
- "track_slug": "something-you-catch",
404
+ "track_slug": "stuxnet/long-live-the-lost-ones/something-you-catch",
405
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  "id": "bde572f3a3de478e7d74607798ff41c7"
406
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  },
407
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  {
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  "number": 8,
409
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  "title": "As you're scanning for distress calls.",
410
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  "length": "00:03:53",
411
- "track_slug": "as-youre-scanning-for-distress-calls",
411
+ "track_slug": "stuxnet/long-live-the-lost-ones/as-youre-scanning-for-distress-calls",
412
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  "id": "e7888378b887c15138b8e9be615ec012"
413
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  },
414
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  {
415
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  "number": 9,
416
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  "title": "Long live the lost ones.",
417
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  "length": "00:05:12",
418
- "track_slug": "long-live-the-lost-ones",
418
+ "track_slug": "stuxnet/long-live-the-lost-ones/long-live-the-lost-ones",
419
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  "id": "30f9acd6b2a5762977f27468d900eecd"
420
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  }
421
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  ],
422
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  "notes": "Dear listener,\nDuring the turn of the century in Chicago there was a radio station called WNRG Energy 92.7/5 . I was 12 or so and would always fall asleep listening to the likes of DJ Sammy, DJ Encore, PPK, D-Devils, Armin van Buuren, Sylver, ATC, and countless others. I pictured the radio waves blanketing Chicagoland's orange phosphorous haze from Kenosha to Kankakee; euphoric FM signals in an adjacent dimension. Compressed audio. The crackle of static. It was spiritual.\nHow many others were listening along with me?\nHow many others allowed themselves to be moved to tears in the music's rapture?\nOne night all the DJs were there. They kept talking and laughing and telling stories. Being a trance radio station, this was quite irregular. They were sad. Then I realized: this was the final broadcast.\nLONG LIVE THE LOST ONES is a very special album for me, as the track titles may (or may not) reveal.\nThe melodies were mostly written while flying back and forth between Los Angeles and Chicago during that brief season Sage and I were commuter spouses. Winter 2019/2020. At the end of the old world and the threshold of the new.\nWith LONG LIVE THE LOST ONES, we find my nightly streams, my deep tryst for unabashedly earnest trance, and my endless experiments with lo-fi and distortion finally in conjunction. A constellation of energy, euphoria, and catharsis.\nI've started having visions of people dancing together again. These visions haunt and inspire me. Perhaps one day sooner than we think, DJs will return to the decks and revelers will return to the floors.\nNone of us were ready for 2020. It is only now becoming clear what cultural trauma the pandemic has wrought. Scorched earths, decimated families, and shattered cultures. There is so much mourning to do.\nEverything is going to be different from here out.\nOnce again, we must learn to dance.\nYours,\nTyler \n",
423
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  "credits": "Album title by Cory Salveson, encryption key by Matthew Marx, distress signals by Dan Derks, music by Tyler Etters.\nAlbum art: \"Kuwaiti oil wells set on fire by retreating Iraqi forces during Operation Desert Storm darken the sky with smoke, March 25, 1991. This image could have imperfections as it\u2019s either historical or reportage.\"\n",
424
- "release_slug": "long-live-the-lost-ones",
425
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  "project_slug": "stuxnet",
425
+ "release_slug": "long-live-the-lost-ones",
426
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  "id": "7d8f67a125af6c412d1d5b08caa02412"
427
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  },
428
428
  {
@@ -438,21 +438,21 @@ var discography = [
438
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  "number": 1,
439
439
  "title": "Time's Firewall",
440
440
  "length": "00:08:07",
441
- "track_slug": "times-firewall",
441
+ "track_slug": "stuxnet/times-firewall-demo/times-firewall",
442
442
  "id": "4eae4205c51602b354c0523f04545abe"
443
443
  },
444
444
  {
445
445
  "number": 2,
446
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  "title": "Fractal's Edge",
447
447
  "length": "00:11:02",
448
- "track_slug": "fractals-edge",
448
+ "track_slug": "stuxnet/times-firewall-demo/fractals-edge",
449
449
  "id": "23d10f8f4768e913d7c0fe955cc16b04"
450
450
  }
451
451
  ],
452
452
  "notes": "At the behest of an anonymous agent, the Northern Information Applied Sciences & Phantasms Working Division agreed to the impossible: rationalize the numogram for the post-pandemic age.\nIt is accepted that the numogram first manifested in the 90s via research from the CCRU. However, newly unearthed forensic evidence from The tf.nist.gov Timeserver Incident has cast a shadow of doubt on the true provenance.\nAfter the NIAS&PWD design scientist rationalized the numogram into a mathematically pure vector format, new sonic pathways were unlocked for STUXNET. The dossier was delivered and lead to yet more revelations: the existence of what can only be described as a time firewall. And, perhaps more unsettling, \"fractal edges\" thereby calling into question the very foundations of topology, Euclidean space, and recursion dynamics.\nIntertext formally published a request for support in understanding the implications of these twin entities on April 18, 2021.\nOperator instructions: `mv numogram.txt numogram.ai`\n",
453
453
  "credits": "STUXNET is Tyler Etters.\n",
454
- "release_slug": "times-firewall-demo",
455
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  "project_slug": "stuxnet",
455
+ "release_slug": "times-firewall-demo",
456
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  "id": "1b1c543e6914fcc678c4710c1ce600f4"
457
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  },
458
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  {
@@ -468,84 +468,84 @@ var discography = [
468
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  "number": 1,
469
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  "title": "The Payload Appeared Yesterday Due to a Zero Day Timezone Conversion Vulnerability",
470
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  "length": "00:01:28",
471
- "track_slug": "the-payload-appeared-yesterday-due-to-a-zero-day-timezone-conversion-vulnerability",
471
+ "track_slug": "stuxnet/matryoshka-demo/the-payload-appeared-yesterday-due-to-a-zero-day-timezone-conversion-vulnerability",
472
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  "id": "faf5ef30c09d21d6a7accc7a9c8eba23"
473
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  },
474
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  {
475
475
  "number": 2,
476
476
  "title": "Supply Chain Attack Surface",
477
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  "length": "00:02:14",
478
- "track_slug": "supply-chain-attack-surface",
478
+ "track_slug": "stuxnet/matryoshka-demo/supply-chain-attack-surface",
479
479
  "id": "4e2e4b2e0b229bfd729e2c30c6af0c68"
480
480
  },
481
481
  {
482
482
  "number": 3,
483
483
  "title": "A White USB Drive With \"HEXAGON\" iStock Logo \\#1135496271",
484
484
  "length": "00:03:09",
485
- "track_slug": "a-white-usb-drive-with-hexagon-istock-logo-1135496271",
485
+ "track_slug": "stuxnet/matryoshka-demo/a-white-usb-drive-with-hexagon-istock-logo-1135496271",
486
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  "id": "0c64e4dd5d5bb830ed5975cc200e7793"
487
487
  },
488
488
  {
489
489
  "number": 4,
490
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  "title": "At Least One Reseller of Microsoft Cloud Services Was Compromised",
491
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  "length": "00:02:44",
492
- "track_slug": "at-least-one-reseller-of-microsoft-cloud-services-was-compromised",
492
+ "track_slug": "stuxnet/matryoshka-demo/at-least-one-reseller-of-microsoft-cloud-services-was-compromised",
493
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  "id": "5ca900f7ab02c2b0fbd0e77190c4beec"
494
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  },
495
495
  {
496
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  "number": 5,
497
497
  "title": "Matryoshka Shell 1 - Ransomware Was Discovered on the Executive\u2019s Peloton",
498
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  "length": "00:02:13",
499
- "track_slug": "matryoshka-shell-1---ransomware-was-discovered-on-the-executives-peloton",
499
+ "track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-1-ransomware-was-discovered-on-the-executives-peloton",
500
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  "id": "28065b49def591062fa9288476a564f4"
501
501
  },
502
502
  {
503
503
  "number": 6,
504
504
  "title": "Matryoshka Shell 2 - IoT Botnet DDoS",
505
505
  "length": "00:02:06",
506
- "track_slug": "matryoshka-shell-2---iot-botnet-ddos",
506
+ "track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-2-iot-botnet-ddos",
507
507
  "id": "4e00289da643efb2a0e135cf0c675429"
508
508
  },
509
509
  {
510
510
  "number": 7,
511
511
  "title": "Matryoshka Shell 3 - Distributed Cryptocurrency Mining Operation",
512
512
  "length": "00:01:22",
513
- "track_slug": "matryoshka-shell-3---distributed-cryptocurrency-mining-operation",
513
+ "track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-3-distributed-cryptocurrency-mining-operation",
514
514
  "id": "8c381f7d6ba406bf4d09b39f4b97edd2"
515
515
  },
516
516
  {
517
517
  "number": 8,
518
518
  "title": "Matryoshka Shell 4 - International Date Line",
519
519
  "length": "00:02:46",
520
- "track_slug": "matryoshka-shell-4---international-date-line",
520
+ "track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-4-international-date-line",
521
521
  "id": "29f3e0a0cb584e1f38a1c8e12c3dd50a"
522
522
  },
523
523
  {
524
524
  "number": 9,
525
525
  "title": "Matryoshka Shell 5 - \u7dcf\u4f1a\u5c4b (deepfake.S)",
526
526
  "length": "00:03:21",
527
- "track_slug": "matryoshka-shell-5---deepfakes",
527
+ "track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-5-deepfakes",
528
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  "id": "6638a8ff34056ccfa84889decbf9e763"
529
529
  },
530
530
  {
531
531
  "number": 10,
532
532
  "title": "Matryoshka Shell 6 - Schanuel's Conjecture (Evidence of Non-Human Origin)",
533
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  "length": "00:02:29",
534
- "track_slug": "matryoshka-shell-6---schanuels-conjecture-evidence-of-non-human-origin",
534
+ "track_slug": "stuxnet/matryoshka-demo/matryoshka-shell-6-schanuels-conjecture-evidence-of-non-human-origin",
535
535
  "id": "0b394848373ec96e857293c460a07895"
536
536
  },
537
537
  {
538
538
  "number": 11,
539
539
  "title": "The Media Confused the Matter With Container Ships",
540
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  "length": "00:02:13",
541
- "track_slug": "the-media-confused-the-matter-with-container-ships",
541
+ "track_slug": "stuxnet/matryoshka-demo/the-media-confused-the-matter-with-container-ships",
542
542
  "id": "b9202085559832f47a042d7eabca7243"
543
543
  }
544
544
  ],
545
545
  "notes": "\ud83e\ude86\ud83e\ude86\ud83e\ude86\ud83e\ude86\ud83e\ude86\ud83e\ude86\ud83e\ude86\ud83e\ude86\ud83e\ude86\ud83e\ude86\ud83e\ude86\nDownload includes \"64chain-3.3.wav\" to use with your own sampler. This sample is an assemblage of all the samples synthesized for this release.\n",
546
546
  "credits": "STUXNET is Tyler Etters.\n",
547
- "release_slug": "matryoshka-demo",
548
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  "project_slug": "stuxnet",
548
+ "release_slug": "matryoshka-demo",
549
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  "id": "008f7a37d4d2668958e8df4c2e2f1f77"
550
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  },
551
551
  {
@@ -561,63 +561,63 @@ var discography = [
561
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  "number": 1,
562
562
  "title": "Trapdoor Function",
563
563
  "length": "00:02:11",
564
- "track_slug": "trapdoor-function",
564
+ "track_slug": "stuxnet/cipher-suite-demo/trapdoor-function",
565
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  "id": "c3560e910e213cf54e99ffcc624460d1"
566
566
  },
567
567
  {
568
568
  "number": 2,
569
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  "title": "Asymmetric Encrypted Transport",
570
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  "length": "00:01:21",
571
- "track_slug": "asymmetric-encrypted-transport",
571
+ "track_slug": "stuxnet/cipher-suite-demo/asymmetric-encrypted-transport",
572
572
  "id": "2349bb6f2e75db320e6c89fc2857c70c"
573
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  },
574
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  {
575
575
  "number": 3,
576
576
  "title": "Forced Disclosure of Encryption Keys",
577
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  "length": "00:02:31",
578
- "track_slug": "forced-disclosure-of-encryption-keys",
578
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579
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580
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581
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582
582
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583
583
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584
584
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585
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588
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589
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590
590
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591
591
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592
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592
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593
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594
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596
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597
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598
598
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599
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600
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602
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604
604
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605
605
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606
- "track_slug": "something-you-know",
606
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608
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610
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611
611
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612
612
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613
- "track_slug": "something-you-are",
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615
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616
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617
617
  "notes": "% ssh-keygen -t ed25519\nGenerating public/private ed25519 key pair.\nEnter file in which to save the key (/Users/mbp/.ssh/id_ed25519):\nEnter passphrase (empty for no passphrase):\nEnter same passphrase again:\nYour identification has been saved in /Users/mbp/.ssh/id_ed25519.\nYour public key has been saved in /Users/mbp/.ssh/id_ed25519.pub.\nThe key fingerprint is:\nSHA256:0kv7znEhupmnDG+eyQAwWNgt8kwKzosGi4hpAmtf7HY mbp@mbp\nThe key's randomart image is:\n+--[ED25519 256]--+\n| o.. |\n|+o+ . |\n|=*o. |\n|+ooo . |\n|B+. o . S . . |\n|X= + o + . . |\n|= . o o + . . |\n| . o E.O.o |\n| . .o%++ |\n+----[SHA256]-----+\n% cat /Users/mbp/.ssh/id_ed25519\n-----BEGIN OPENSSH PRIVATE KEY-----\nb3BlbnNzaC1rZXktdjEAAAAABG5vbmUAAAAEbm9uZQAAAAAAAAABAAAAMwAAAAtzc2gtZW\nQyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zgAAAJB79qzIe/as\nyAAAAAtzc2gtZWQyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zg\nAAAEA1ic72mxJXRvpnU74JYkpnyQ+RhVHBnNLmuSpq4YcQY8hHpB4f2mk/1/3F7Gk87HTE\nCYbNZxTdLAGNKXs5mHXOAAAAB21icEBtYnABAgMEBQY=\n-----END OPENSSH PRIVATE KEY-----\nwatch the recording of CIPHER SUITE (demo) at: https://www.twitch.tv/videos/964445530\n",
618
618
  "credits": "STUXNET is Tyler Etters.\n",
619
- "release_slug": "cipher-suite-demo",
620
619
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621
  "id": "2324c584cb2ca86fba128a8e05d8fdd2"
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622
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@@ -633,63 +633,63 @@ var discography = [
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  "number": 1,
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634
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635
635
  "length": "00:09:04",
636
- "track_slug": "plateau",
636
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638
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639
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640
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641
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642
642
  "length": "00:05:11",
643
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645
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646
646
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647
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648
648
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649
649
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650
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652
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653
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654
654
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655
655
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656
656
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657
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657
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658
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659
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662
662
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663
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667
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668
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669
669
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670
670
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671
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671
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673
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674
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675
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676
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677
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678
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680
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681
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682
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683
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684
684
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685
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686
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687
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689
689
  "notes": "made after they sieged the capitol\nmade with elektron, make noise, mannequins, monome, others\nmade before i knew how to use it all\n",
690
690
  "credits": "STUXNET is Tyler Etters.\n",
691
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691
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694
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695
  {
@@ -705,70 +705,70 @@ var discography = [
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706
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707
707
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- "track_slug": "one-is-opposite-six",
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710
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711
711
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712
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713
713
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714
714
  "length": "00:04:39 video",
715
- "track_slug": "living-numbers",
715
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717
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718
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719
719
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720
720
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721
721
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722
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722
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725
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727
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728
728
  "length": "00:03:26",
729
- "track_slug": "baccarat",
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730
  "id": "a46794c0b74b8f03ad67b16827c38f82"
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731
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732
732
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733
733
  "number": 5,
734
734
  "title": "The Arecibo Lamentations",
735
735
  "length": "00:12:59",
736
- "track_slug": "the-arecibo-lamentations",
736
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737
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738
738
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739
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740
740
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741
741
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742
742
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743
- "track_slug": "powerlines",
743
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744
  "id": "8ffcd2bbd3e961d911f116dedb82a45a"
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745
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746
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747
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748
748
  "title": "time's arrow, our north star",
749
749
  "length": "00:00:58",
750
- "track_slug": "times-arrow-our-north-star",
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+ "track_slug": "northern-information/the-arecibo-lamentations/times-arrow-our-north-star",
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  "id": "6bbe002532c9f50eb0b175230be3d4f4"
752
752
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753
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754
754
  "number": 8,
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755
  "title": "COMbyne jlu13_0016",
756
756
  "length": "00:03:32",
757
- "track_slug": "combyne-jlu130016",
757
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759
759
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760
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761
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762
762
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763
763
  "length": "00:02:57",
764
- "track_slug": "huskl",
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765
765
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766
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767
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768
768
  "notes": "-13,800,000,000: the universe forms.\n-4,500,000,000: the moon forms.\n-66,000,000: the Chicxulub impactor kills 75% of everything.\n01945: the first nuclear device is detonated at the Trinity Site.\n01960: construction of the Arecibo Observatory begins.\n01963: construction of the Arecibo Observatory ends.\n01974: the Arecibo message is broadcast.\n01985: Carl Sagan's novel, Contact, is published.\n02020: the Arecibo Observatory collapses.\n03000: the 10,000 Year Clock chimes thrice.\n+26,974: the Arecibo message arrives at M13.\n+10^14: star formation ceases.\n+10^40: black holes dominate the universe.\n+10^100: if protons decay, the universe suffers heat death.\n*All above dates and events are inaccurate.\nAny proceeds from the sale of this album will be donated to the Arecibo Observatory: www.naic.edu/ao/donations\n",
769
769
  "credits": "Thanks to Dan Derks, Brian Crabtree, Ryan Laws, Zack Scholl, Cory Salveson, Sage Etters, & Pasha Petrosyan.\nAugured, coded, patched, written, performed, lamented, and engineered by Tyler Etters in 2020.\n",
770
- "release_slug": "the-arecibo-lamentations",
771
770
  "project_slug": "northern-information",
771
+ "release_slug": "the-arecibo-lamentations",
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772
  "id": "c2ebebb75e1854e07a28c58b790d07b6"
773
773
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774
774
  {
@@ -784,21 +784,21 @@ var discography = [
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785
  "title": "Everything is everywhere now",
786
786
  "length": "00:09:01",
787
- "track_slug": "everything-is-everywhere-now",
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+ "track_slug": "they-became-what-they-beheld/ep1/everything-is-everywhere-now",
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790
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791
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792
  "title": "Back when things made sense",
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793
  "length": "00:06:21",
794
- "track_slug": "back-when-things-made-sense",
794
+ "track_slug": "they-became-what-they-beheld/ep1/back-when-things-made-sense",
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795
  "id": "da62d9c2b17d61f7dbbb2cb8714ea63e"
796
796
  }
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797
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798
798
  "notes": "I recently came across the following rules of communication, posted in a School of Journalism:\n1. Know your audience and address yourself directly to it.\n2. Know what you want to say and say it clearly and fully.\n3. Reach the maximum audience by utilizing existing channels.\nWhatever sense this may have made in a world of print, it makes no sense today. In fact, the reverse of each rule applies.\nIf you address yourself to an audience, you accept at the outset basic premises that unite the audience. You put on the audience, repeating clich\u00e9s familiar to it. But artists don't address themselves to audiences; they create audiences. The artist talks to themself out loud. If what they say is significant, others hear and are affected.\nThe trouble with knowing what to say and saying it clearly and fully is that clear speaking is generally obsolete thinking. Clear statement is like an art object: it is the afterlife of the process which called it into being. The process itself is the significant step and, especially at the beginning, is often incomplete & uncertain. Columbus's maps were vague & sketchy, but showed the right continent.\nThe problem with full statement is that it doesn't involve: it leaves no room for participation; it's addressed to consumer, not co-producer. Allan Kaprow posted a few small posters about Berkeley: \"SUPPOSE you were interested in designing a primer, in mixed media, etc. . . . Allan Kaprow will be in Berkeley in July & August.\" No phone, address, dates, terms. He found, however, that those who wanted to work with him, and those he wanted to work with, located him without difficulty.\nReaching the maximum audience may be the last thing one wants to achieve. George Segal says, \"I don't give myself to everybody. I give myself very intensely to my work, my wife, my kids, my few friends. I can't begin to give myself indiscriminately to all. It's the only thing that makes me pause about, say, Ginsberg's preachings of universal love or even California ideas about Esalen and touching.\"\nUtilizing existing channels can wipe out a statement. There is a widely accepted misconception that media merely serve as neutral packages for the dissemination of raw facts. Photographers once thought that by getting their photographs published in Life, they would thereby reach large audiences. Gradually they discovered that the only message that came through was Life magazine itself and that their pictures had become but bits and pieces of that message. Unwittingly they contributed to a message far removed from the one they intended.\nThe same thing occurs on TV guest shows. Guests accept invitations to appear on programs in the hopes their messages will reach new and wider audiences, but even when they are treated in a friendly manner, they generally come away with a sense of failure. Somehow the message transmitted is far removed from the message intended. The original message has been declassified by an alien medium. \"Oh, what a blow that phantom gave me!\" cries Don Quixote.\nThe young today shun the hardware of the past. Marx thought the big question was: Who owns the presses? Software makes hardware obsolete, an encumbrance, creating a false sense of power and security. The young package their messages in media that fit their messages, that is, they create new media to fit their messages. In so doing, they create their own audiences. Some of these audiences may be very small at the beginning. In Houston I met film makers producing films for audiences of no more than six. The point was that they would reach the right people in the right way with the right message.\nIt is one of the curiosities of a new medium, a new format, that at the moment it first appears, it's never valued, but it is believed. What it offers, I believe, is a sudden insight, an unexpected glimpse into a reality that, at most, was merely suspected but never before seen with such clarity.\nLike guerrillas, the young are in a favored position; they don't need or want the hardware and audiences of yesterday.\n\u2014 Edmund Snow Carpenter, 1970 \n",
799
799
  "credits": "Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.\nAbout text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.\nAudio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.\nPhotographs from my trip to Petalying Jaya, Malaysia, 2017.\nEngineered by Tyler Etters, 2019.\n",
800
- "release_slug": "ep1",
801
800
  "project_slug": "they-became-what-they-beheld",
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802
802
  "id": "427cc1165076ec9eaeb68f427ca0b04b"
803
803
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804
804
  {
@@ -814,84 +814,84 @@ var discography = [
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814
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816
816
  "length": "00:03:30",
817
- "track_slug": "the-snail-shell-graveyard-w-david",
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818
818
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820
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821
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824
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830
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  "length": "00:18:04",
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- "track_slug": "unnamed-seasons-w-sage",
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- "track_slug": "in-standstill-destiny",
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881
881
  "id": "a2e7d0a72bf81a3b96f4e1535e6d8c52"
882
882
  },
883
883
  {
884
884
  "number": 11,
885
885
  "title": "where the grass is uncut by blades of men",
886
886
  "length": "00:02:59",
887
- "track_slug": "where-the-grass-is-uncut-by-blades-of-men",
887
+ "track_slug": "tyler-etters-and-the-northern-information-movement/reverence/where-the-grass-is-uncut-by-blades-of-men",
888
888
  "id": "688324cd8182b77da8097a91a8fa4cf1"
889
889
  }
890
890
  ],
891
891
  "notes": "- - - - - - - - - -\nchapter ix\n- - - - - - - - - -\nsummer. morning. warmth and green. saturday. children meet at the end of the street to play. nature preserve. silent agreement. no games today. just be. creeks. white oaks. a crayfish somehow. power lines on the horizon. cumulus clouds and prairies forever. then one of them finds it beneath a domed castle of dark briar. the snail shell graveyard. calls to the others. huddled around the edge in silence. dozens of bone-white spirals encrusted in black mud. today they can only stare but the questions will come decades later: what force caused it to happen? was the ossuary exclusive to a single family? did some apex predator hunt each snail and return them to her voracious brood? did the snails all migrate together on their own volition? only to die in some great cataclysm? the annual prairie burn? the children know better than to take any shells. dusk. winter. the ice breaks. yelling for help. they scramble to get long branches. he is ok but his boot is claimed by the mud. summer again. they age. they don't play anymore. they hang out now. they go back the forest preserve past curfew. instead of running from imaginary monsters they run from the police. they still know all the hiding places and it is almost unfair. they keep aging. they lose touch. they sometimes remember. before it is over, each returns to the forest preserve in turn. always alone. always unknown by the others. not secret. just private. none of them can ever find it again.\n- - - - - - - - - -\n1. the snail shell graveyard (w/ david)\n2. fiddler\u2019s green\n3. yes, these paths were promised\n4. cometary\n5. unnamed seasons (w/ sage)\n6. this is hallowed ground\n7. hope on the western sky\n8. in standstill destiny\n9. fireflies & fields\n10. beacons of light\n11. where the grass is uncut by blades of men\n- - - - - - - - - - \n",
892
892
  "credits": "released the day after the winter solstice, when the light begins her steady march to summer.\nwritten and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring guitar by david kvistad on the snail shell graveyard and field recordings by sage etters on unnamed seasons. painting of cornfields in illinois (1994) by lynda wallis (tyler etters\u2019s mom) with additional treatment by tyler etters.\n",
893
- "release_slug": "reverence",
894
893
  "project_slug": "tyler-etters-and-the-northern-information-movement",
894
+ "release_slug": "reverence",
895
895
  "id": "ae5fd3fc099497038e2ce882fcd14959"
896
896
  },
897
897
  {
@@ -907,70 +907,70 @@ var discography = [
907
907
  "number": 1,
908
908
  "title": "surveillance industrial complex",
909
909
  "length": "00:03:21",
910
- "track_slug": "surveillance-industrial-complex",
910
+ "track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/surveillance-industrial-complex",
911
911
  "id": "6aebefe494967246b570fe49aab8cf6c"
912
912
  },
913
913
  {
914
914
  "number": 2,
915
915
  "title": "twilight in shape",
916
916
  "length": "00:02:58",
917
- "track_slug": "twilight-in-shape",
917
+ "track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/twilight-in-shape",
918
918
  "id": "b6d644faeef8d6b5befdf2a77dbb6e5c"
919
919
  },
920
920
  {
921
921
  "number": 3,
922
922
  "title": "a cyan destiny",
923
923
  "length": "00:04:25",
924
- "track_slug": "a-cyan-destiny",
924
+ "track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/a-cyan-destiny",
925
925
  "id": "3c1f3cef1e60f67f21e5ff29afca526c"
926
926
  },
927
927
  {
928
928
  "number": 4,
929
929
  "title": "some more dreams from the hive",
930
930
  "length": "00:02:32",
931
- "track_slug": "some-more-dreams-from-the-hive",
931
+ "track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/some-more-dreams-from-the-hive",
932
932
  "id": "cf98cfab1b038e9823a16cdeab0d6476"
933
933
  },
934
934
  {
935
935
  "number": 5,
936
936
  "title": "apophenia",
937
937
  "length": "00:03:24",
938
- "track_slug": "apophenia",
938
+ "track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/apophenia",
939
939
  "id": "b76c3c50925113d4150fba2ecbb68ce8"
940
940
  },
941
941
  {
942
942
  "number": 6,
943
943
  "title": "later heaven",
944
944
  "length": "00:03:47",
945
- "track_slug": "later-heaven",
945
+ "track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/later-heaven",
946
946
  "id": "dc3130ada069acfdf93d07f8cf163828"
947
947
  },
948
948
  {
949
949
  "number": 7,
950
950
  "title": "future shock",
951
951
  "length": "00:02:51",
952
- "track_slug": "future-shock",
952
+ "track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/future-shock",
953
953
  "id": "9dc05ef4164b3152a68321fd4d61f1b2"
954
954
  },
955
955
  {
956
956
  "number": 8,
957
957
  "title": "olympus mons",
958
958
  "length": "00:01:42",
959
- "track_slug": "olympus-mons",
959
+ "track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/olympus-mons",
960
960
  "id": "9e052c87962f1406a1b6496002907e64"
961
961
  },
962
962
  {
963
963
  "number": 9,
964
964
  "title": "the path of many returns",
965
965
  "length": "00:06:40",
966
- "track_slug": "the-path-of-many-returns",
966
+ "track_slug": "tyler-etters-and-the-northern-information-movement/dispatches-from-the-prime-meridian/the-path-of-many-returns",
967
967
  "id": "71ec5270c5ce9efd50213085cbaeddf4"
968
968
  }
969
969
  ],
970
970
  "notes": "- - - - - - - - - -\nchapter viii\n- - - - - - - - - -\nwinter - city - neon dusk - service economies - capitalist realism - the hinge upon which the world turns - unexpected password reset - borrowed anxiety medication - ritual scarification of the mind - ego death - a thousand faces - monomyth - megalith - emergency motorcycle repair - sargasso sea - aggregate browser histories - anonymous cookies - london bridge is falling down - traffic rerouted through eastern europe - all roads lead to rome - the empire never ended - golgothan solstice - eclipse - ellipsism - algorithm - the flash crash of 2010 - the jackpot - universal coordinated time - quick response code - boarding pass - light pollution - the people's republic of the great pacific garbage patch - skeleton music - voodoo technology - hypothetical histories - satellites - orbital sovereignty - metalaws - the singularity already happened - death is the only way out of the information age - metadata reincarnation - the second unix epoch - as above so below - as below so beyond - at dusk there is no wind\n- - - - - - - - - -\n1. surveillance industrial complex\n2. twilight in shape\n3. a cyan destiny\n4. some more dreams from the hive\n5. apophenia\n6. later heaven\n7. future shock\n8. olympus mons\n9. the path of many returns\n- - - - - - - - - - \n",
971
971
  "credits": "released on the winter solstice, when both darkness and light hang in a wary balance.\nwritten and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring pasha petrosyan on surveillance industrial complex, later heaven, and the path of many returns. numerous samples, videos, storyline components and album title by cory salveson. album cover polaroid of stone henge on the summer solstice (2017) by cory salveson with additional treatment by tyler etters.\n",
972
- "release_slug": "dispatches-from-the-prime-meridian",
973
972
  "project_slug": "tyler-etters-and-the-northern-information-movement",
973
+ "release_slug": "dispatches-from-the-prime-meridian",
974
974
  "id": "de4441b30b9342ace629d27eb493e311"
975
975
  },
976
976
  {
@@ -986,70 +986,70 @@ var discography = [
986
986
  "number": 1,
987
987
  "title": "arcadian nights",
988
988
  "length": "00:05:22",
989
- "track_slug": "arcadian-nights",
989
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/arcadian-nights",
990
990
  "id": "6aef13271da4bd55ee6c383b3af00e28"
991
991
  },
992
992
  {
993
993
  "number": 2,
994
994
  "title": "leaving home",
995
995
  "length": "00:03:12",
996
- "track_slug": "leaving-home",
996
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/leaving-home",
997
997
  "id": "b607c1715529cd5ed4eeb034eccc104d"
998
998
  },
999
999
  {
1000
1000
  "number": 3,
1001
1001
  "title": "the emptiness will always follow you",
1002
1002
  "length": "00:02:38",
1003
- "track_slug": "the-emptiness-will-always-follow-you",
1003
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/the-emptiness-will-always-follow-you",
1004
1004
  "id": "f9a496d71315db40f8d96f60e1a0628a"
1005
1005
  },
1006
1006
  {
1007
1007
  "number": 4,
1008
1008
  "title": "shanzhai (guerilla fortress)",
1009
1009
  "length": "00:02:01",
1010
- "track_slug": "shanzhai-guerilla-fortress",
1010
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/shanzhai-guerilla-fortress",
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1011
  "id": "98f28a269b330198ba42d585482e0b8c"
1012
1012
  },
1013
1013
  {
1014
1014
  "number": 5,
1015
1015
  "title": "full steam",
1016
1016
  "length": "00:04:53",
1017
- "track_slug": "full-steam",
1017
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/full-steam",
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  "id": "aae2e13eeeb12111e005a95e43e192b2"
1019
1019
  },
1020
1020
  {
1021
1021
  "number": 6,
1022
1022
  "title": "holy mountain hymn",
1023
1023
  "length": "00:06:41",
1024
- "track_slug": "holy-mountain-hymn",
1024
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/holy-mountain-hymn",
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  "id": "c4fee7480989d62acdf81fddd6cd46db"
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1026
  },
1027
1027
  {
1028
1028
  "number": 7,
1029
1029
  "title": "reaver, yggdrasil, the thing at the end of the woods",
1030
1030
  "length": "00:06:07",
1031
- "track_slug": "reaver-yggdrasil-the-thing-at-the-end-of-the-woods",
1031
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/reaver-yggdrasil-the-thing-at-the-end-of-the-woods",
1032
1032
  "id": "7564b5063fd2909aad235a5e34602412"
1033
1033
  },
1034
1034
  {
1035
1035
  "number": 8,
1036
1036
  "title": "bridges of terabithia",
1037
1037
  "length": "00:05:10",
1038
- "track_slug": "bridges-of-terabithia",
1038
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/bridges-of-terabithia",
1039
1039
  "id": "22b279cc821b7e51de1792114ba4ef9a"
1040
1040
  },
1041
1041
  {
1042
1042
  "number": 9,
1043
1043
  "title": "unscarred land",
1044
1044
  "length": "00:05:03",
1045
- "track_slug": "unscarred-land",
1045
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-legacy-of-our-lost-cause/unscarred-land",
1046
1046
  "id": "81ef786d7f6c2b8d460fe6461e79cb7e"
1047
1047
  }
1048
1048
  ],
1049
1049
  "notes": "- - - - - - - - - -\nchapter vii\n- - - - - - - - - -\nwe built the forest acropolis in a single day. that night we reveled at our achievement. we drank wine and played flutes and made merry. drunk and giddy with the possibility of the future, we fell asleep long after the sun rose. when we finally awoke, kudzu had inexplicably grown over everything. the columns began to crumble. confused, we cut it down and repaired what we could. the next day, the vines were back. again we cut them down, but again they grew back. our leaders proclaimed the land cursed. no one could remember why we built here in the first place anyway. so we left to build a new acropolis by the sea. some of our children remained. they climbed the vines and went on adventures in the woods, heirs of a ghost kingdom.\n- - - - - - - - - -\n1. arcadian nights\n2. leaving home\n3. the emptiness will always follow you\n4. shanzhai (gueriila fortress)\n5. full steam\n6. holy mountain hymn\n7. reaver, yggdrasil, the thing at the end of the woods\n8. bridges of terabithia\n9. unscarred land\n- - - - - - - - - - \n",
1050
1050
  "credits": "written & recorded by tyler etters from an indeterminate point in the past through december 2016 at endless field studios. featuring adam j. moore on full steam, holy mountain hymn, and reaver, yggdsrasil, the thing at the end of the woods. featuring arthur zdrinc on holy mountain hymn. featuring cory salveson on videos, images, and storyline.\n",
1051
- "release_slug": "the-legacy-of-our-lost-cause",
1052
1051
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1052
+ "release_slug": "the-legacy-of-our-lost-cause",
1053
1053
  "id": "929ae24ecd6e72c6b4930203deeeaf44"
1054
1054
  },
1055
1055
  {
@@ -1065,105 +1065,105 @@ var discography = [
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1065
  "number": 1,
1066
1066
  "title": "and though the soft apocalypse may yet overtake",
1067
1067
  "length": "00:01:12",
1068
- "track_slug": "and-though-the-soft-apocalypse-may-yet-overtake",
1068
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/and-though-the-soft-apocalypse-may-yet-overtake",
1069
1069
  "id": "85d3e6ef08d0b021a7958ec6fa42dff8"
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1070
  },
1071
1071
  {
1072
1072
  "number": 2,
1073
1073
  "title": "unreliable narrator",
1074
1074
  "length": "00:02:30",
1075
- "track_slug": "unreliable-narrator",
1075
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/unreliable-narrator",
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  "id": "4b3bb81e9a7600f888e225912b8dc65e"
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  },
1078
1078
  {
1079
1079
  "number": 3,
1080
1080
  "title": "entropy",
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1081
  "length": "00:05:34",
1082
- "track_slug": "entropy",
1082
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/entropy",
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  "id": "e074190438f8ba65cfff172126d00a4b"
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1084
  },
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1085
  {
1086
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  "number": 4,
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1087
  "title": "palm beach",
1088
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  "length": "00:03:18",
1089
- "track_slug": "palm-beach",
1089
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/palm-beach",
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  "id": "ff8be211fbc323077db62c7bf596dd19"
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1092
  {
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  "number": 5,
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  "title": "owl",
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  "length": "00:02:30",
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- "track_slug": "owl",
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+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/owl",
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  "id": "899f1a33f6c91a8659fff5319197c9ea"
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  },
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  {
1100
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  "number": 6,
1101
1101
  "title": "boodle man",
1102
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  "length": "00:02:20",
1103
- "track_slug": "boodle-man",
1103
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/boodle-man",
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  "id": "39fae2e51335cf168e326520d36ce83c"
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  },
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1106
  {
1107
1107
  "number": 7,
1108
1108
  "title": "steady progress (deeper into the dark tangent)",
1109
1109
  "length": "00:01:24",
1110
- "track_slug": "steady-progress-deeper-into-the-dark-tangent",
1110
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/steady-progress-deeper-into-the-dark-tangent",
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  "id": "fecc66cf5249f1272d8fdedf8c65d315"
1112
1112
  },
1113
1113
  {
1114
1114
  "number": 8,
1115
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  "title": "in this spiraling darkness",
1116
1116
  "length": "00:08:20",
1117
- "track_slug": "in-this-spiraling-darkness",
1117
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/in-this-spiraling-darkness",
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  "id": "c15bf6fae5005d810861a3c6f3510028"
1119
1119
  },
1120
1120
  {
1121
1121
  "number": 9,
1122
1122
  "title": "heat death",
1123
1123
  "length": "00:01:09",
1124
- "track_slug": "heat-death",
1124
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/heat-death",
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  "id": "aa65ee658e682ffe80a542e8a44ce73d"
1126
1126
  },
1127
1127
  {
1128
1128
  "number": 10,
1129
1129
  "title": "armageddon rager",
1130
1130
  "length": "00:03:12",
1131
- "track_slug": "armageddon-rager",
1131
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/armageddon-rager",
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  "id": "f23edcfe2bed7f9ad401fa36b1f45e8b"
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  },
1134
1134
  {
1135
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  "number": 11,
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  "title": "suburban gutter trash",
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  "length": "00:01:29",
1138
- "track_slug": "suburban-gutter-trash",
1138
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/suburban-gutter-trash",
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  "id": "b322f8155f8057c6ad57d50c0db19fc4"
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  },
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  {
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  "number": 12,
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  "title": "flood sirens",
1144
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  "length": "00:01:14",
1145
- "track_slug": "flood-sirens",
1145
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/flood-sirens",
1146
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  "id": "e3c46bc7c7235778191277edd35afa03"
1147
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  },
1148
1148
  {
1149
1149
  "number": 13,
1150
1150
  "title": "requiem, tunnels between worlds",
1151
1151
  "length": "00:04:05",
1152
- "track_slug": "requiem-tunnels-between-worlds",
1152
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/requiem-tunnels-between-worlds",
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  "id": "d43f1f146e707124a6ce188d5b55d42f"
1154
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  },
1155
1155
  {
1156
1156
  "number": 14,
1157
1157
  "title": "and then the crickets came",
1158
1158
  "length": "00:02:31",
1159
- "track_slug": "and-then-the-crickets-came",
1159
+ "track_slug": "tyler-etters-and-the-northern-information-movement/and-though-the-soft-apocalypse-may-yet-overtake/and-then-the-crickets-came",
1160
1160
  "id": "8462abe4c9ac439d9ef424a805f06681"
1161
1161
  }
1162
1162
  ],
1163
1163
  "notes": "- - - - - - - - - -\nchapter vi\n- - - - - - - - - -\ni have been having dreams about the apocalypse lately. firefighters swarming like ants on a smoldering sears tower, lake michigan simply exploding, the laws of physics deteriorating, heat death, psychological collapses. ever since i was a little boy the topic of eschatology intrigued me. i have always found the the snafus and close calls to be especially interesting: y2k, 12-21-2012, the return of nibiru... these overly hyped events stir up the fears and emotions of certain circles and then awkwardly fizzle out. contrast these to real-world atrocities, cold wars, personal and familial crises, and you realize the apocalypse is happening everyday for someone. ours is an age of false prophets and fear mongering. we make the apocalypse real in our minds. between the actual and perceived doomsdays there is enough to keep anyone worried and anxious for the rest of their lives. this album is about living in a world where anything can happen, where the soft apocalypse may yet overtake at any momemnt. it is a collage; a story; a sonic journey of found sounds and field recordings. it's rawer and rougher than anything i've released before. from anonymous protests in chicago to some particularly terrifying flood sirens, from emergency broadcasts to gin-drunk conversations with old timers about the wars of the 20th century. the singularity already happened. it is not yet over. be kind and generous, always. create something beautiful today and we'll be just fine.\n- - - - - - - - - -\n1. and though the soft apocalypse may yet overtake\n2. unreliable narrator\n3. entropy\n4. palm beach\n5. owl\n6. boodle man\n7. steady progress (deeper into the dark tangent)\n8. in this spiraling darkness\n9. heat death\n10. armageddon rager\n11. suburban gutter trash\n12. flood sirens\n13. requiem, tunnels between worlds\n14. and then the crickets came\n- - - - - - - - - - \n",
1164
1164
  "credits": "written & recorded by tyler etters from january 2015 through june 2015 at endless field studios. featuring adam j. moore on palm beach and suburban gutter trash.\n",
1165
- "release_slug": "and-though-the-soft-apocalypse-may-yet-overtake",
1166
1165
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1166
+ "release_slug": "and-though-the-soft-apocalypse-may-yet-overtake",
1167
1167
  "id": "c3144c3c5ad6106cc1969496b91cd139"
1168
1168
  },
1169
1169
  {
@@ -1179,35 +1179,35 @@ var discography = [
1179
1179
  "number": 1,
1180
1180
  "title": "OS1",
1181
1181
  "length": "05:45",
1182
- "track_slug": "os1",
1182
+ "track_slug": "tyler-etters-and-the-northern-information-movement/zulu/os1",
1183
1183
  "id": "4f40aa2792300dfa4ba1cb9187cc9af4"
1184
1184
  },
1185
1185
  {
1186
1186
  "number": 2,
1187
1187
  "title": "OS2",
1188
1188
  "length": "04:14",
1189
- "track_slug": "os2",
1189
+ "track_slug": "tyler-etters-and-the-northern-information-movement/zulu/os2",
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1190
  "id": "5a4b0ce783a684d0f5e3eda26ee15dee"
1191
1191
  },
1192
1192
  {
1193
1193
  "number": 3,
1194
1194
  "title": "OS3",
1195
1195
  "length": "02:01",
1196
- "track_slug": "os3",
1196
+ "track_slug": "tyler-etters-and-the-northern-information-movement/zulu/os3",
1197
1197
  "id": "180a70d368071bb63091b3ab37f76f4a"
1198
1198
  },
1199
1199
  {
1200
1200
  "number": 4,
1201
1201
  "title": "OS4",
1202
1202
  "length": "01:24",
1203
- "track_slug": "os4",
1203
+ "track_slug": "tyler-etters-and-the-northern-information-movement/zulu/os4",
1204
1204
  "id": "8c9ce93a6646e77e0e252cc27a7ed824"
1205
1205
  }
1206
1206
  ],
1207
1207
  "notes": "- - - - - - - - - -\nchapter v\n- - - - - - - - - -\n1. OS1\n2. OS2\n3. OS3\n4. OS4\n- - - - - - - - - -\n",
1208
1208
  "credits": "written & recorded by tyler etters and adam j. moore on march 28 2015 at endless field studios. album cover artwork by adam j. moore with additional treatment by tyler etters.\n",
1209
- "release_slug": "zulu",
1210
1209
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1210
+ "release_slug": "zulu",
1211
1211
  "id": "31d14eaf9cf018baea6350db6162ad7d"
1212
1212
  },
1213
1213
  {
@@ -1223,98 +1223,98 @@ var discography = [
1223
1223
  "number": 1,
1224
1224
  "title": "the secret symmetries of oakwood hills",
1225
1225
  "length": "00:06:29",
1226
- "track_slug": "the-secret-symmetries-of-oakwood-hills",
1226
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/the-secret-symmetries-of-oakwood-hills",
1227
1227
  "id": "46a0b4b16579703ca285a9acb37d4936"
1228
1228
  },
1229
1229
  {
1230
1230
  "number": 2,
1231
1231
  "title": "there is no death, only reorganization",
1232
1232
  "length": "00:02:51",
1233
- "track_slug": "there-is-no-death-only-reorganization",
1233
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/there-is-no-death-only-reorganization",
1234
1234
  "id": "80810702c8eb75f84ae529478c30d575"
1235
1235
  },
1236
1236
  {
1237
1237
  "number": 3,
1238
1238
  "title": "second chance",
1239
1239
  "length": "00:04:44",
1240
- "track_slug": "second-chance",
1240
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/second-chance",
1241
1241
  "id": "35eadc1ea088c5bfe340027b8397b3cc"
1242
1242
  },
1243
1243
  {
1244
1244
  "number": 4,
1245
1245
  "title": "ch((e)i)m(er)ical",
1246
1246
  "length": "00:02:47",
1247
- "track_slug": "cheimerical",
1247
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/cheimerical",
1248
1248
  "id": "5c93359a49615db9b1fbb08b0cbb2d3f"
1249
1249
  },
1250
1250
  {
1251
1251
  "number": 5,
1252
1252
  "title": "forest (R1-07348-0017.jpg)",
1253
1253
  "length": "00:02:16",
1254
- "track_slug": "forest-r1-07348-0017jpg",
1254
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/forest-r1-07348-0017jpg",
1255
1255
  "id": "4c020e2f5ba99d23593bcb4ce3c5bc3d"
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1256
  },
1257
1257
  {
1258
1258
  "number": 6,
1259
1259
  "title": "2am, rte 53, northbound",
1260
1260
  "length": "00:02:14",
1261
- "track_slug": "2am-rte-53-northbound",
1261
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/2am-rte-53-northbound",
1262
1262
  "id": "95f66747c4f9a45b476d7bc1e9b6f43e"
1263
1263
  },
1264
1264
  {
1265
1265
  "number": 7,
1266
1266
  "title": "jacurutu",
1267
1267
  "length": "00:03:41",
1268
- "track_slug": "jacurutu",
1268
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/jacurutu",
1269
1269
  "id": "5f932ed856bcb77f81d88b788f3f816d"
1270
1270
  },
1271
1271
  {
1272
1272
  "number": 8,
1273
1273
  "title": "radio haces arrib{a} tu cowboy espacio",
1274
1274
  "length": "00:01:19",
1275
- "track_slug": "radio-haces-arriba-tu-cowboy-espacio",
1275
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/radio-haces-arriba-tu-cowboy-espacio",
1276
1276
  "id": "4e8a70e9dea3593e2f78135ab2dd01c6"
1277
1277
  },
1278
1278
  {
1279
1279
  "number": 9,
1280
1280
  "title": "getageese",
1281
1281
  "length": "00:07:45",
1282
- "track_slug": "getageese",
1282
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/getageese",
1283
1283
  "id": "9527a9f6591880b3e0c39f9754a7b9c2"
1284
1284
  },
1285
1285
  {
1286
1286
  "number": 10,
1287
1287
  "title": "samsara (w/ adam)",
1288
1288
  "length": "00:03:06",
1289
- "track_slug": "samsara-w-adam",
1289
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/samsara-w-adam",
1290
1290
  "id": "59e85165272c60df600d41446798159b"
1291
1291
  },
1292
1292
  {
1293
1293
  "number": 11,
1294
1294
  "title": "the sound of her wings",
1295
1295
  "length": "00:02:36",
1296
- "track_slug": "the-sound-of-her-wings",
1296
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/the-sound-of-her-wings",
1297
1297
  "id": "3fa5c6a1f76d37b359a0ff91f045b188"
1298
1298
  },
1299
1299
  {
1300
1300
  "number": 12,
1301
1301
  "title": "infinite return of the same",
1302
1302
  "length": "00:02:19",
1303
- "track_slug": "infinite-return-of-the-same",
1303
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/infinite-return-of-the-same",
1304
1304
  "id": "e51e19df625908dd09fcba7921b9f20d"
1305
1305
  },
1306
1306
  {
1307
1307
  "number": 13,
1308
1308
  "title": "nausica\u00e4",
1309
1309
  "length": "00:05:35",
1310
- "track_slug": "nausicaa",
1310
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-phantoms-of-our-lost-cause/nausicaa",
1311
1311
  "id": "1160e90e2541dcf7cc311f1892a3c963"
1312
1312
  }
1313
1313
  ],
1314
1314
  "notes": "- - - - - - - - - -\nchapter iv\n- - - - - - - - - -\nthese are the phantoms of our lost cause. this album is my shroud of ghosts, the remnants, the lingering possibilities from timelines tangential. but make no mistake, dear listener: this is no album of b-sides. writing 'the geometrie of our lost cause' was something of a creative renaissance for me. more wavs, samples, beats and guitar drones filled my drives than i knew what to do with (and certainly more than would be appropriate for 'immemorial'). much of that remaining phantasmal material is now presented here. but there are songs from other times, too. 'there is no death, only reorganization' dates back to the 'terraforms' age; 'the secret symmetries of oakwood hills' was almost released on 'blue, the most celestial color'; 'nausica\u00e4' holds the seeds of 'northern illinois'; the 'mainframe' movement in 'getageese' emerged from the 'serial index of unclaimed memories' sessions. once all of this music was sourced, exhumed, and resampled i loaded it up into my rig and rehearsed the album as though i were performing live. later, one of those hazey sessions would be promoted to the final mix in a largely unedited form. and thus begins the second trilogy...\n- - - - - - - - - -\n1. the secret symmetries of oakwood hills\n2. there is no death, only reorganization\n3. second chance\n4. ch((e)i)m(er)ical\n5. forest (R1-07348-0017.jpg)\n6. 2am, rte 53, northbound\n7. jacurutu\n8. radio haces arrib{a} tu cowboy espacio\n9. getageese\ni. we're going to getageese\nii. mainframe (salvaged from failing ecicefis computer)\niii. getageese is gone\n10. samsara (w/ adam)\n11. the sound of her wings\n12. infinite return of the same\n13. nausica\u00e4\n- - - - - - - - - - \n",
1315
1315
  "credits": "written & recorded by tyler etters from an indeterminate point in the past through december 2014 at endless field studios. featuring adam moore on samsara. album cover artwork by paul petrosyan with additional treatment by tyler etters.\n",
1316
- "release_slug": "the-phantoms-of-our-lost-cause",
1317
1316
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1317
+ "release_slug": "the-phantoms-of-our-lost-cause",
1318
1318
  "id": "fcf1f2058a03d49b8f29619d31c619f9"
1319
1319
  },
1320
1320
  {
@@ -1330,28 +1330,28 @@ var discography = [
1330
1330
  "number": 1,
1331
1331
  "title": "northern illinois",
1332
1332
  "length": "00:18:44",
1333
- "track_slug": "northern-illinois",
1333
+ "track_slug": "tyler-etters-and-the-northern-information-movement/senescence/northern-illinois",
1334
1334
  "id": "6223dbe9b4f98a907f46fdb521b706a6"
1335
1335
  },
1336
1336
  {
1337
1337
  "number": 2,
1338
1338
  "title": "we failed",
1339
1339
  "length": "00:06:55",
1340
- "track_slug": "we-failed",
1340
+ "track_slug": "tyler-etters-and-the-northern-information-movement/senescence/we-failed",
1341
1341
  "id": "7769130803c4297bb1e57882185facdc"
1342
1342
  },
1343
1343
  {
1344
1344
  "number": 3,
1345
1345
  "title": "january 1st, 1970 + zero gmt",
1346
1346
  "length": "00:06:13",
1347
- "track_slug": "january-1st-1970-zero-gmt",
1347
+ "track_slug": "tyler-etters-and-the-northern-information-movement/senescence/january-1st-1970-zero-gmt",
1348
1348
  "id": "1062f9765aaed497888b4036af0fc485"
1349
1349
  }
1350
1350
  ],
1351
1351
  "notes": "- - - - - - - - - -\nchapter iii\n- - - - - - - - - -\nthere was a time before these experiences shaped us. do you remember? years before we scaled all those unforgiving mountain ranges, before the codes were counted, and before the firmament fell. melting. wavering. corporeal. now our minds are increasingly augmented by technology and time's passage becomes difficult for our hearts to feel. do you remember! before your phone vibrated in your pocket every fifteen minutes to remind you of minutia that is neither here nor there? do you remember! before we lived in fear of the police ticketing us for being at the park after sunset? do you remember!!! here i am again. alone late at night and drowning in drones. i have finished the last songs, bounced them to cassette to engineer some lo-fi glory, and i now present them to you, dear listener, in the utmost humility - for i walked away from too many projects and i have turned down too many friends to fold now.\n- - - - - - - - - -\n1. northern illinois\ni. wastes of the north\nii. procession of the hauntologists\niii. deed of the drones\niv. tears of the space cowboy (w/ kevin, dorian & arthur)\nv. song of the cicada\n2. we failed\n3. january 1st, 1970 + zero gmt\n- - - - - - - - - - \n",
1352
1352
  "credits": "written & recorded by tyler etters from june 2013 through september 2013 at endless field studios except for 'tears of the space cowboy' which was also written by kevin clark, dorian zdrinc and arthur zdrinc sometime back in 2011.\n",
1353
- "release_slug": "senescence",
1354
1353
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1354
+ "release_slug": "senescence",
1355
1355
  "id": "625b78aed26d0c5e3a26862346a1af79"
1356
1356
  },
1357
1357
  {
@@ -1367,63 +1367,63 @@ var discography = [
1367
1367
  "number": 1,
1368
1368
  "title": "music for forests of childhood",
1369
1369
  "length": "00:20:39",
1370
- "track_slug": "music-for-forests-of-childhood",
1370
+ "track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/music-for-forests-of-childhood",
1371
1371
  "id": "44d69758b9e5a70a7df89687c9dfe9f1"
1372
1372
  },
1373
1373
  {
1374
1374
  "number": 2,
1375
1375
  "title": "rainbow table",
1376
1376
  "length": "00:13:57",
1377
- "track_slug": "rainbow-table",
1377
+ "track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/rainbow-table",
1378
1378
  "id": "9a7a6d3ee06bc6d50972bffe193c2eed"
1379
1379
  },
1380
1380
  {
1381
1381
  "number": 3,
1382
1382
  "title": "\u0391\u0399\u0393\u0391\u0399\u0399\u03a3",
1383
1383
  "length": "00:01:21",
1384
- "track_slug": "aigaiis",
1384
+ "track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/aigaiis",
1385
1385
  "id": "58ec4a7c14a938f2f1d5ea662e831a7a"
1386
1386
  },
1387
1387
  {
1388
1388
  "number": 4,
1389
1389
  "title": "zombie poison",
1390
1390
  "length": "00:05:36",
1391
- "track_slug": "zombie-poison",
1391
+ "track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/zombie-poison",
1392
1392
  "id": "973f0236850176467c96ccf6695ec8e1"
1393
1393
  },
1394
1394
  {
1395
1395
  "number": 5,
1396
1396
  "title": "intermission",
1397
1397
  "length": "00:01:53",
1398
- "track_slug": "intermission",
1398
+ "track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/intermission",
1399
1399
  "id": "7428df51bd23dc8e31337556a0e23e1a"
1400
1400
  },
1401
1401
  {
1402
1402
  "number": 6,
1403
1403
  "title": "the cicada must sing (sleepy brit)",
1404
1404
  "length": "00:03:30",
1405
- "track_slug": "the-cicada-must-sing-sleepy-brit",
1405
+ "track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/the-cicada-must-sing-sleepy-brit",
1406
1406
  "id": "c057c1b5abff10bbb7bf3603e586a03e"
1407
1407
  },
1408
1408
  {
1409
1409
  "number": 7,
1410
1410
  "title": "four mile crib",
1411
1411
  "length": "00:10:41",
1412
- "track_slug": "four-mile-crib",
1412
+ "track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/four-mile-crib",
1413
1413
  "id": "4809d95f79ad7b8d831f9032892e5d3b"
1414
1414
  },
1415
1415
  {
1416
1416
  "number": 8,
1417
1417
  "title": "ICD-10 Z73.0",
1418
1418
  "length": "00:04:12",
1419
- "track_slug": "icd-10-z730",
1419
+ "track_slug": "tyler-etters-and-the-northern-information-movement/blue-the-most-celestial-color/icd-10-z730",
1420
1420
  "id": "242b05fcfc8f25e3ed56615e1be314a2"
1421
1421
  }
1422
1422
  ],
1423
1423
  "notes": "- - - - - - - - - -\nchapter ii\n- - - - - - - - - -\nyou are in medias res - i know your time is brief so here is what you need to know: i have just released a new album entitled 'blue, the most celestial color'. you can listen and download it above.\n- - - - - - - - - -\n1. music for forests of childhood\n2. rainbow table\ni. textbook sql injection\nii. don quixote\niii. icebreaker / rave\n3. \u0391\u0399\u0393\u0391\u0399\u0399\u03a3\n4. zombie poison\n5. intermission\n6. the cicada must sing (sleepy brit)\n7. four mile crib\n8. ICD-10 Z73.0\n- - - - - - - - - -\n",
1424
1424
  "credits": "written & recorded by tyler etters from december 2012 through june 2013 at endless field studios. featuring arthur zdrinc on rainbow table.\n",
1425
- "release_slug": "blue-the-most-celestial-color",
1426
1425
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1426
+ "release_slug": "blue-the-most-celestial-color",
1427
1427
  "id": "177d13192fa7eeb12a853bc0d6f9bf51"
1428
1428
  },
1429
1429
  {
@@ -1439,21 +1439,21 @@ var discography = [
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1439
  "number": 1,
1440
1440
  "title": "immemorial",
1441
1441
  "length": "00:15:00",
1442
- "track_slug": "immemorial",
1442
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-geometrie-of-our-lost-cause/immemorial",
1443
1443
  "id": "51f22ee738e94249b159142aabbd09eb"
1444
1444
  },
1445
1445
  {
1446
1446
  "number": 2,
1447
1447
  "title": "generative",
1448
1448
  "length": "00:15:00",
1449
- "track_slug": "generative",
1449
+ "track_slug": "tyler-etters-and-the-northern-information-movement/the-geometrie-of-our-lost-cause/generative",
1450
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  "id": "cc4bdc3448778ebd3a2bd2cd9fe1800d"
1451
1451
  }
1452
1452
  ],
1453
1453
  "notes": "- - - - - - - - - -\nchapter i\n- - - - - - - - - -\n1. immemorial\ni. the forgotten distance\nii. time slopes\niii. by the train tracks (w/ arthur)\niv. hazey power plant, 1001 drones (for paul)\nv. at another working gate\n2. generative\n- - - - - - - - - -\n",
1454
1454
  "credits": "written & recorded by tyler etters from october 2012 through december 2012 at endless field studios.\n",
1455
- "release_slug": "the-geometrie-of-our-lost-cause",
1456
1455
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1456
+ "release_slug": "the-geometrie-of-our-lost-cause",
1457
1457
  "id": "5b94665084e9383666494dd2aeee2517"
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1458
  },
1459
1459
  {
@@ -1469,35 +1469,35 @@ var discography = [
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  "number": 1,
1470
1470
  "title": "Prolegomenon",
1471
1471
  "length": "00:05:44",
1472
- "track_slug": "prolegomenon",
1472
+ "track_slug": "connectedness-locus/prolegomenon/prolegomenon",
1473
1473
  "id": "008bd749486d2d0305df8fc01890fc95"
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1474
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1475
  {
1476
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  "number": 2,
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1477
  "title": "Fallen World",
1478
1478
  "length": "00:03:15",
1479
- "track_slug": "fallen-world",
1479
+ "track_slug": "connectedness-locus/prolegomenon/fallen-world",
1480
1480
  "id": "7487bdf58b78fbf8803d0396059aa1d4"
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1481
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1482
1482
  {
1483
1483
  "number": 3,
1484
1484
  "title": "Terminal",
1485
1485
  "length": "00:04:57",
1486
- "track_slug": "terminal",
1486
+ "track_slug": "connectedness-locus/prolegomenon/terminal",
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  "id": "d47ba8f40fef3529c071a1f9099ba371"
1488
1488
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1489
1489
  {
1490
1490
  "number": 4,
1491
1491
  "title": "And the Golden Hours... They Always Die to the Night",
1492
1492
  "length": "00:05:42",
1493
- "track_slug": "and-the-golden-hours-they-always-die-to-the-night",
1493
+ "track_slug": "connectedness-locus/prolegomenon/and-the-golden-hours-they-always-die-to-the-night",
1494
1494
  "id": "4e450e5627319d3a7d5f9fd8115b6c8c"
1495
1495
  }
1496
1496
  ],
1497
1497
  "notes": "...and the world forces you out once again, return to the highways, return to the endless fields; that word, prolegomenon, appeared in my dreams some time ago, immemorial, i didn't even know what the word was or what it meant, or even how to spell or pronounce it; 'prolegomenon,'; i knew only the feeling of it upon my tounge, the sound of it reflecting off the walls, the feeling it would impress upon me while reading it, i tried writing it down but failed many times, i couldn't triangulate the syllables but all evidence pointed towards it's existence... and then one night i stumbled accross it, wikipedia again, probably, just like connectedness locus, an anonymous entry that may or may not be credible and accurate - whatever the case, the word is correct, a descendent perhaps of some greek warlord but this time transposed three centuries forward into a neon dusk where houses are constructed with html, the past continues to be reframed by the present, history is writen by the victors while our dreams steadily wind down and we fall apart, our social network spreads thin as we flee, to the dissident corners of this fallen world, in my battered attempt to fix this battered language, we bum each other our entire lives, and my father entered rem sleep; and i forgot my closest friend\u2019s name; and my mother flew to the afar north; to dance where the sumacs still grow. let us sing that truth whispered is truth betrayed, for an elephant never forgets: to arms! to arms! and we still fall apart. replication - repeating days - we are bloated and weak here in the states. tidal synths. royal timbral waves. a series of events leading up to a cataclysmic demise, microburst dreams, echoes from a standstill destiny, there is no death, only reorganization... \n",
1498
1498
  "credits": "Connectedness Locus is Tyler Etters.\n",
1499
- "release_slug": "prolegomenon",
1500
1499
  "project_slug": "connectedness-locus",
1500
+ "release_slug": "prolegomenon",
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1501
  "id": "b81b68a8dbb48b92ef924c27b024503d"
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1502
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1503
  {
@@ -1513,77 +1513,77 @@ var discography = [
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  "title": "Where Dreams Go to Be Forgotten",
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1515
  "length": "00:04:45",
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- "track_slug": "where-dreams-go-to-be-forgotten",
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+ "track_slug": "connectedness-locus/terraforms/where-dreams-go-to-be-forgotten",
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  "id": "1c37fcd2f3ea6c17497a7c33c359391e"
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  {
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  "number": 2,
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  "title": "Dissolve Away",
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  "length": "00:03:28",
1523
- "track_slug": "dissolve-away",
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+ "track_slug": "connectedness-locus/terraforms/dissolve-away",
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  "id": "490992f5787a375d707abb20999e0fea"
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  },
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1526
  {
1527
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  "number": 3,
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  "title": "Location Engineering",
1529
1529
  "length": "00:04:35",
1530
- "track_slug": "location-engineering",
1530
+ "track_slug": "connectedness-locus/terraforms/location-engineering",
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  "id": "67b653b8198dd8d52d364445de592aa8"
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  },
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1533
  {
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  "number": 4,
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1535
  "title": "Time Mirage",
1536
1536
  "length": "00:03:35",
1537
- "track_slug": "time-mirage",
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+ "track_slug": "connectedness-locus/terraforms/time-mirage",
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  "id": "4a66f2bd52fb802f88a3b8d55fa101f0"
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  },
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  "number": 5,
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  "title": "Crisis of Destinies",
1543
1543
  "length": "00:04:55",
1544
- "track_slug": "crisis-of-destinies",
1544
+ "track_slug": "connectedness-locus/terraforms/crisis-of-destinies",
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  "id": "2b0184bd338eb832175062f4f4c13d95"
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  {
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  "number": 6,
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1549
  "title": "Words and Worlds",
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1550
  "length": "00:03:37",
1551
- "track_slug": "words-and-worlds",
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+ "track_slug": "connectedness-locus/terraforms/words-and-worlds",
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  "id": "5de5245e7a83185d44df879de3e31179"
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1553
  },
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1554
  {
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1555
  "number": 7,
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1556
  "title": "The Future, Both Forever Ungrasped",
1557
1557
  "length": "00:04:02",
1558
- "track_slug": "the-future-both-forever-ungrasped",
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+ "track_slug": "connectedness-locus/terraforms/the-future-both-forever-ungrasped",
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  "id": "39671bfe5275af0bc3d2d2e3e1669e53"
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1560
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  "number": 8,
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  "title": "Crucible",
1564
1564
  "length": "00:04:15",
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- "track_slug": "crucible",
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+ "track_slug": "connectedness-locus/terraforms/crucible",
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  "id": "09e8de70a1523046ef7bc9b0e35084e2"
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  {
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  "number": 9,
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1570
  "title": "The Violinist of the Moon",
1571
1571
  "length": "00:05:21",
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- "track_slug": "the-violinist-of-the-moon",
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+ "track_slug": "connectedness-locus/terraforms/the-violinist-of-the-moon",
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  "id": "d08ea79962459095d3ef9ba48f5b4d47"
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1574
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  {
1576
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  "number": 10,
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1577
  "title": "A Truer Form",
1578
1578
  "length": "00:06:20",
1579
- "track_slug": "a-truer-form",
1579
+ "track_slug": "connectedness-locus/terraforms/a-truer-form",
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  "id": "c2e38201a8d56d8443d930b3fe00bc95"
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1581
  }
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  ],
1583
1583
  "notes": "Beyond the northern wastelands where dreams go to be forgotten, where the legendary high tension power lines march into tangled heaps of wreckage, where rusty salt barges sputter about and dissolve away, where billboards vomit dusky portents of express oil changes, where steadfast location engineering generates an inadvertent legacy, where lonely stands of pines filter incandescent and nuclear light, where time mirages dot the coast line, where we don poisonous armor to ward off strange flying creatures, where a crisis of destinies pulls us away and into the darkness yet again, where our hand made dream catchers from childhood clink-clank into one another and crumble apart, where words and worlds whisper, where owls still gather in schools and sing in 7/4 to an embryonic moon, where the past and the future, both forever ungrasped, are forfeited to the bigwigs and their brokers, where great oak trees are chainsawed into heaps of hallucinating sawdust, where hacking the akashic records is the only option to escape the crucible, where you awaken on warm and sparsely populated shores to find your initials carved into each piece of driftwood, where the violinist of the moon vanishes before the final note is bowed, where the cicada must sing before you can return home, where a truer form unfurls as the great wings of metamorphosis engulf the emerald skies, the dreams of Connectedness Locus are spun and Terraforms can be heard.\n",
1584
1584
  "credits": "Connectedness Locus is Tyler Etters.\n",
1585
- "release_slug": "terraforms",
1586
1585
  "project_slug": "connectedness-locus",
1586
+ "release_slug": "terraforms",
1587
1587
  "id": "3fe45b5f7e852c3f57fc9e7d69df4942"
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1588
  },
1589
1589
  {
@@ -1599,14 +1599,14 @@ var discography = [
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  "number": 1,
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1600
  "title": "When the Paint Peels",
1601
1601
  "length": "00:20:03",
1602
- "track_slug": "when-the-paint-peels",
1602
+ "track_slug": "connectedness-locus/when-the-paint-peels/when-the-paint-peels",
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1603
  "id": "6ede0aa90253d96ad4ebe32cb1175415"
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1604
  }
1605
1605
  ],
1606
1606
  "notes": "...was recorded on a rainy January afternoon in one of the back rooms of Swing State, a small art & music venue in the northern wastes of Illinois. The entire operation was executed on an analog reel-to-reel device.\n\"It makes you listen with your ears, rather than your eyes,\" Isaac said as he loaded the magnetic tapes. My jaw hit the floor. Somewhere, miles away, my computer was steadily collecting a fine layer of dust.\n",
1607
1607
  "credits": "Written & performed by Tyler Etters of Connectedness Locus. Produced & engineered by Isaac Pierce of The Block of Wood Recordings. Mastered by Arthur Zdrinc of Endless Field Studios.\n",
1608
- "release_slug": "when-the-paint-peels",
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  "project_slug": "connectedness-locus",
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+ "release_slug": "when-the-paint-peels",
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  "id": "3e42cd3854a98c2ccdb67d6b00d094e2"
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  },
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1612
  {
@@ -1622,70 +1622,70 @@ var discography = [
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  "number": 1,
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  "title": "Between Sunlight And Shadow",
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  "length": "00:04:28",
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- "track_slug": "between-sunlight-and-shadow",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/between-sunlight-and-shadow",
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  "id": "60473db6cf477f2cacf9abb237dc203a"
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  "number": 2,
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  "title": "The Fallen Oak",
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  "length": "00:05:29",
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- "track_slug": "the-fallen-oak",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/the-fallen-oak",
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  "id": "42ff92cbd4de3194d9b209b94ae9f2a0"
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  {
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1636
  "number": 3,
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  "title": "Koria Advance Is Your Friend",
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1638
  "length": "00:05:02",
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- "track_slug": "koria-advance-is-your-friend",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/koria-advance-is-your-friend",
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  "id": "77b66f7a6bf79e753877317319651b55"
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  },
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  {
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1643
  "number": 4,
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1644
  "title": "Places Pass And The Walls Of Green Collapse",
1645
1645
  "length": "00:04:52",
1646
- "track_slug": "places-pass-and-the-walls-of-green-collapse",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/places-pass-and-the-walls-of-green-collapse",
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  "id": "ff79c8d62ff8e8782be3f47c2d8343a9"
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  {
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  "number": 5,
1651
1651
  "title": "The Prominence",
1652
1652
  "length": "00:11:11",
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- "track_slug": "the-prominence",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/the-prominence",
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  "id": "1d4fdf751a794f4f95986f7e34e9a96b"
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1655
  },
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1656
  {
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1657
  "number": 6,
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1658
  "title": "They Burn The Fields",
1659
1659
  "length": "00:04:36",
1660
- "track_slug": "they-burn-the-fields",
1660
+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/they-burn-the-fields",
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  "id": "2b70322bd12a379f75fd71479558d7b7"
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1662
  },
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1663
  {
1664
1664
  "number": 7,
1665
1665
  "title": "Gibbous",
1666
1666
  "length": "00:07:13",
1667
- "track_slug": "gibbous",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/gibbous",
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  "id": "3483e8d31adc1969c692c4009744f5b1"
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1669
  },
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1670
  {
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1671
  "number": 8,
1672
1672
  "title": "Qweens In The Woodgrain",
1673
1673
  "length": "00:04:13",
1674
- "track_slug": "qweens-in-the-woodgrain",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/qweens-in-the-woodgrain",
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  "id": "01872d515e2bf41270f00809e30c7c89"
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1676
  },
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1677
  {
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1678
  "number": 9,
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1679
  "title": "Only If You Get Lost",
1680
1680
  "length": "00:08:27",
1681
- "track_slug": "only-if-you-get-lost",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-1/only-if-you-get-lost",
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1682
  "id": "f52c29adc4fc3976992821d2d4c376db"
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1683
  }
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1684
  ],
1685
1685
  "notes": "Serial Index of Unclaimed Memories File 1 is a spiraling nine track safari into the chaotic and serene realms of post-electronica. Astral, delay-riddled guitars, trip-hop/IDM drums, orchestrated ambience, lo-fi cassette deck samples, distorted bass, and psychosis inducing drones are just a few of the cards brought to the table.\n",
1686
1686
  "credits": "Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.\n",
1687
- "release_slug": "serial-index-of-unclaimed-memories-file-1",
1688
1687
  "project_slug": "everything-comes-in-cycles-everything-fades-in-shades",
1688
+ "release_slug": "serial-index-of-unclaimed-memories-file-1",
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1689
  "id": "7c17f9032a82f7d5b72bba8077e90632"
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1690
  },
1691
1691
  {
@@ -1701,70 +1701,70 @@ var discography = [
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  "number": 1,
1702
1702
  "title": "Movement 802",
1703
1703
  "length": "00:08:37",
1704
- "track_slug": "movement-802",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-802",
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  "id": "9dc52d597b9ead9a73ce41fce072c5fb"
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1707
  {
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1708
  "number": 2,
1709
1709
  "title": "Movement 34",
1710
1710
  "length": "00:04:41",
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- "track_slug": "movement-34",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-34",
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  "id": "b00a9dc102aa62d222ce556c6770b0d4"
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  },
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1714
  {
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1715
  "number": 3,
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1716
  "title": "Movement 4517",
1717
1717
  "length": "00:00:07",
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- "track_slug": "movement-4517",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-4517",
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  "id": "a5bf13311b743dbd13b7bc16a7a95e5d"
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  },
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1721
  {
1722
1722
  "number": 4,
1723
1723
  "title": "Movement 333",
1724
1724
  "length": "00:06:00",
1725
- "track_slug": "movement-333",
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+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-333",
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  "id": "552949c0c73d1165b7ff153d58b56b95"
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  },
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1728
  {
1729
1729
  "number": 5,
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1730
  "title": "Movement 21",
1731
1731
  "length": "00:10:21",
1732
- "track_slug": "movement-21",
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  "id": "ec1b0207e9fab26e0ccede52a9da21ed"
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  },
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1735
  {
1736
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  "number": 6,
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1737
  "title": "Movement 282",
1738
1738
  "length": "00:08:46",
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- "track_slug": "movement-282",
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  "id": "1706be96e1092578cd7a470933849463"
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1741
  },
1742
1742
  {
1743
1743
  "number": 7,
1744
1744
  "title": "Movement 56",
1745
1745
  "length": "00:05:22",
1746
- "track_slug": "movement-56",
1746
+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-56",
1747
1747
  "id": "bdc8e3a1361a8f7e5864d62e4608232f"
1748
1748
  },
1749
1749
  {
1750
1750
  "number": 8,
1751
1751
  "title": "Movement 1175",
1752
1752
  "length": "00:09:10",
1753
- "track_slug": "movement-1175",
1753
+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-1175",
1754
1754
  "id": "75388cbc03a3456f3b4b17baeaaf4fb4"
1755
1755
  },
1756
1756
  {
1757
1757
  "number": 9,
1758
1758
  "title": "Movement 796",
1759
1759
  "length": "00:06:18",
1760
- "track_slug": "movement-796",
1760
+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/serial-index-of-unclaimed-memories-file-2/movement-796",
1761
1761
  "id": "e219964d8c637be84b9e022c6e943ad2"
1762
1762
  }
1763
1763
  ],
1764
1764
  "notes": "Serial Index of Unclaimed Memories File 2, is comprised of nine seperate tracks (here called 'Movements'), and is akin to a stream of consciousness dialouge between failing super-computer systems. Almost enitrely ambient, File 2 explores an entirely different realm than File 1.\n",
1765
1765
  "credits": "Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.\n",
1766
- "release_slug": "serial-index-of-unclaimed-memories-file-2",
1767
1766
  "project_slug": "everything-comes-in-cycles-everything-fades-in-shades",
1767
+ "release_slug": "serial-index-of-unclaimed-memories-file-2",
1768
1768
  "id": "1c9c6115a870ac474cd94dddc0784176"
1769
1769
  },
1770
1770
  {
@@ -1780,105 +1780,105 @@ var discography = [
1780
1780
  "number": 1,
1781
1781
  "title": "Mindtraps & Caltrops",
1782
1782
  "length": "00:04:09",
1783
- "track_slug": "mindtraps-and-caltrops",
1783
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/mindtraps-and-caltrops",
1784
1784
  "id": "1844e389a57d17e29390504128576d9d"
1785
1785
  },
1786
1786
  {
1787
1787
  "number": 2,
1788
1788
  "title": "Some See a Valley; Some See a Gate",
1789
1789
  "length": "00:00:43",
1790
- "track_slug": "some-see-a-valley-some-see-a-gate",
1790
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/some-see-a-valley-some-see-a-gate",
1791
1791
  "id": "2ed83cabe2e906e75ac58a0998d57b11"
1792
1792
  },
1793
1793
  {
1794
1794
  "number": 3,
1795
1795
  "title": "Synnestvedt Orchards",
1796
1796
  "length": "00:03:43",
1797
- "track_slug": "synnestvedt-orchards",
1797
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/synnestvedt-orchards",
1798
1798
  "id": "8a9c66ca88da5a570dc146721676454b"
1799
1799
  },
1800
1800
  {
1801
1801
  "number": 4,
1802
1802
  "title": "In This Endless Intricacy",
1803
1803
  "length": "00:03:17",
1804
- "track_slug": "in-this-endless-intricacy",
1804
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/in-this-endless-intricacy",
1805
1805
  "id": "be86e349591ef129e72d2a65b0a9ccab"
1806
1806
  },
1807
1807
  {
1808
1808
  "number": 5,
1809
1809
  "title": "Still We Crumble Before the Oracles",
1810
1810
  "length": "00:03:07",
1811
- "track_slug": "still-we-crumble-before-the-oracles",
1811
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/still-we-crumble-before-the-oracles",
1812
1812
  "id": "31fd148f57c2a4c958be1588697eede8"
1813
1813
  },
1814
1814
  {
1815
1815
  "number": 6,
1816
1816
  "title": "Until the Patterns Converge",
1817
1817
  "length": "00:01:08",
1818
- "track_slug": "until-the-patterns-converge",
1818
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/until-the-patterns-converge",
1819
1819
  "id": "e12049e9ec396957c4e7431ab1d71383"
1820
1820
  },
1821
1821
  {
1822
1822
  "number": 7,
1823
1823
  "title": "As Quippolous Codes Quietly Count",
1824
1824
  "length": "00:05:41",
1825
- "track_slug": "as-quippolous-codes-quietly-count",
1825
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/as-quippolous-codes-quietly-count",
1826
1826
  "id": "e7ee8fdbd0dc5958d1b5cea8d5db0a4c"
1827
1827
  },
1828
1828
  {
1829
1829
  "number": 8,
1830
1830
  "title": "Demalia Lensing",
1831
1831
  "length": "00:03:06",
1832
- "track_slug": "demalia-lensing",
1832
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/demalia-lensing",
1833
1833
  "id": "63c5dc33a9c728507d7261588a596ab6"
1834
1834
  },
1835
1835
  {
1836
1836
  "number": 9,
1837
1837
  "title": "We're Anime Kids",
1838
1838
  "length": "00:00:28",
1839
- "track_slug": "were-anime-kids",
1839
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/were-anime-kids",
1840
1840
  "id": "737e7d4e7f10c3b645e4cf323329b277"
1841
1841
  },
1842
1842
  {
1843
1843
  "number": 10,
1844
1844
  "title": "Awareness is to Watch as the Millions of Drones You Captured Just Walk Away",
1845
1845
  "length": "06:06",
1846
- "track_slug": "awareness-is-to-watch-as-the-millions-of-drones-you-captured-just-walk-away",
1846
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/awareness-is-to-watch-as-the-millions-of-drones-you-captured-just-walk-away",
1847
1847
  "id": "0b01d8b7bb8b75f289da88c47217484b"
1848
1848
  },
1849
1849
  {
1850
1850
  "number": 11,
1851
1851
  "title": "Knights of the Watertower",
1852
1852
  "length": "00:05:26",
1853
- "track_slug": "knights-of-the-watertower",
1853
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/knights-of-the-watertower",
1854
1854
  "id": "698442cb678e34941657dee0f20eaacf"
1855
1855
  },
1856
1856
  {
1857
1857
  "number": 12,
1858
1858
  "title": "The Centipede",
1859
1859
  "length": "00:02:10",
1860
- "track_slug": "the-centipede",
1860
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/the-centipede",
1861
1861
  "id": "7ff52b02453d2ef2c456e85092970a10"
1862
1862
  },
1863
1863
  {
1864
1864
  "number": 13,
1865
1865
  "title": "They Shield Your Geometrie (T9 Translation Error Mix)",
1866
1866
  "length": "00:05:43",
1867
- "track_slug": "they-shield-your-geometrie-t9-translation-error-mix",
1867
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/they-shield-your-geometrie-t9-translation-error-mix",
1868
1868
  "id": "c4dcc21d4e678a178a8474a60a29b4bc"
1869
1869
  },
1870
1870
  {
1871
1871
  "number": 14,
1872
1872
  "title": "Elephants, Veils, Stars",
1873
1873
  "length": "00:02:27",
1874
- "track_slug": "elephants-veils-stars",
1874
+ "track_slug": "connectedness-locus/as-quippolous-codes-quietly-count/elephants-veils-stars",
1875
1875
  "id": "78b5fcae9f4417ac7a003b8d11aabf42"
1876
1876
  }
1877
1877
  ],
1878
1878
  "notes": "As Quippolous Codes Quietly Count is a journey through prismatic mists of somnolence and destiny, gates of shimmering keyboard harmonics, mold-emblazoned percussives, and delerious, sludge-filled wastelands where only the foolish and the brave trek. Recorded over the course of 2 years, the album could easily be mistaken for an impressionistic account of a journey through space amidst a fleet of ghost ships.\n",
1879
1879
  "credits": "Connectedness Locus is Tyler Etters.\n",
1880
- "release_slug": "as-quippolous-codes-quietly-count",
1881
1880
  "project_slug": "connectedness-locus",
1881
+ "release_slug": "as-quippolous-codes-quietly-count",
1882
1882
  "id": "5c035b2d74c9b91e8ee60dad6cb7ff48"
1883
1883
  },
1884
1884
  {
@@ -1894,49 +1894,49 @@ var discography = [
1894
1894
  "number": 1,
1895
1895
  "title": "Running",
1896
1896
  "length": "00:03:50",
1897
- "track_slug": "running",
1897
+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/running",
1898
1898
  "id": "e32a59082e0c7d8e30beb817d617196d"
1899
1899
  },
1900
1900
  {
1901
1901
  "number": 2,
1902
1902
  "title": "The Shoreless Ocean",
1903
1903
  "length": "00:05:13",
1904
- "track_slug": "the-shoreless-ocean",
1904
+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/the-shoreless-ocean",
1905
1905
  "id": "9f7ade633cf9b8aaa44102d6d7712f0f"
1906
1906
  },
1907
1907
  {
1908
1908
  "number": 3,
1909
1909
  "title": "Of Light",
1910
1910
  "length": "00:05:03",
1911
- "track_slug": "of-light",
1911
+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/of-light",
1912
1912
  "id": "99166ee6c2fe5f025abf3c23e39a822e"
1913
1913
  },
1914
1914
  {
1915
1915
  "number": 4,
1916
1916
  "title": "Upon The Gates Of Self Justification",
1917
1917
  "length": "00:02:46",
1918
- "track_slug": "upon-the-gates-of-self-justification",
1918
+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/upon-the-gates-of-self-justification",
1919
1919
  "id": "361c4be3c6fa0e116394b7976251e5c7"
1920
1920
  },
1921
1921
  {
1922
1922
  "number": 5,
1923
1923
  "title": "Surrender & Realization",
1924
1924
  "length": "00:04:02",
1925
- "track_slug": "surrender-and-realization",
1925
+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/surrender-and-realization",
1926
1926
  "id": "86221ed4859d8613e661537922c72e6e"
1927
1927
  },
1928
1928
  {
1929
1929
  "number": 6,
1930
1930
  "title": "Sand Ladders",
1931
1931
  "length": "00:04:13",
1932
- "track_slug": "sand-ladders",
1932
+ "track_slug": "everything-comes-in-cycles-everything-fades-in-shades/gates-ep/sand-ladders",
1933
1933
  "id": "dde369e33e18972db547433462ff72f6"
1934
1934
  }
1935
1935
  ],
1936
1936
  "notes": "None.\n",
1937
1937
  "credits": "Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.\n",
1938
- "release_slug": "gates-ep",
1939
1938
  "project_slug": "everything-comes-in-cycles-everything-fades-in-shades",
1939
+ "release_slug": "gates-ep",
1940
1940
  "id": "caf45dac76274be06727c7d56ac56c04"
1941
1941
  },
1942
1942
  {
@@ -1952,91 +1952,91 @@ var discography = [
1952
1952
  "number": 1,
1953
1953
  "title": "Submerged",
1954
1954
  "length": "00:05:10",
1955
- "track_slug": "submerged",
1955
+ "track_slug": "inocula/suntelia-aeon/submerged",
1956
1956
  "id": "60b7b9bf34a985b53b1808d7ba514488"
1957
1957
  },
1958
1958
  {
1959
1959
  "number": 2,
1960
1960
  "title": "Facing the End",
1961
1961
  "length": "00:05:49",
1962
- "track_slug": "facing-the-end",
1962
+ "track_slug": "inocula/suntelia-aeon/facing-the-end",
1963
1963
  "id": "d5f574c89d6fc0d0358510c5150bcbec"
1964
1964
  },
1965
1965
  {
1966
1966
  "number": 3,
1967
1967
  "title": "My Armor, My Ammunition",
1968
1968
  "length": "00:03:54",
1969
- "track_slug": "my-armor-my-ammunition",
1969
+ "track_slug": "inocula/suntelia-aeon/my-armor-my-ammunition",
1970
1970
  "id": "3d02e26e68fc7b7390afd74778fa09fb"
1971
1971
  },
1972
1972
  {
1973
1973
  "number": 4,
1974
1974
  "title": "19",
1975
1975
  "length": "00:01:37",
1976
- "track_slug": "19",
1976
+ "track_slug": "inocula/suntelia-aeon/19",
1977
1977
  "id": "c23bec21bbbf4df4afce8a17d4b29fc7"
1978
1978
  },
1979
1979
  {
1980
1980
  "number": 5,
1981
1981
  "title": "Mist",
1982
1982
  "length": "00:04:43",
1983
- "track_slug": "mist",
1983
+ "track_slug": "inocula/suntelia-aeon/mist",
1984
1984
  "id": "34e624b87705566fa6bc9ae7cf5b0592"
1985
1985
  },
1986
1986
  {
1987
1987
  "number": 6,
1988
1988
  "title": "Your Weakest Moment",
1989
1989
  "length": "00:04:30",
1990
- "track_slug": "your-weakest-moment",
1990
+ "track_slug": "inocula/suntelia-aeon/your-weakest-moment",
1991
1991
  "id": "2d012ddc7f693b3db3492c7efe74697d"
1992
1992
  },
1993
1993
  {
1994
1994
  "number": 7,
1995
1995
  "title": "Crisis Reign",
1996
1996
  "length": "00:05:07",
1997
- "track_slug": "crisis-reign",
1997
+ "track_slug": "inocula/suntelia-aeon/crisis-reign",
1998
1998
  "id": "b353c3a5ff2f180eb709d2f09b74e7a9"
1999
1999
  },
2000
2000
  {
2001
2001
  "number": 8,
2002
2002
  "title": "There Was Hope",
2003
2003
  "length": "00:05:07",
2004
- "track_slug": "there-was-hope",
2004
+ "track_slug": "inocula/suntelia-aeon/there-was-hope",
2005
2005
  "id": "87101cb24b192e705aa6769abee808f7"
2006
2006
  },
2007
2007
  {
2008
2008
  "number": 9,
2009
2009
  "title": "Phantoms",
2010
2010
  "length": "00:03:45",
2011
- "track_slug": "phantoms",
2011
+ "track_slug": "inocula/suntelia-aeon/phantoms",
2012
2012
  "id": "7dcf82bb42755095aea3d0ae32202854"
2013
2013
  },
2014
2014
  {
2015
2015
  "number": 10,
2016
2016
  "title": "One With Water",
2017
2017
  "length": "00:06:41",
2018
- "track_slug": "one-with-water",
2018
+ "track_slug": "inocula/suntelia-aeon/one-with-water",
2019
2019
  "id": "a51a45afb3866565bb03a8a663fe40ce"
2020
2020
  },
2021
2021
  {
2022
2022
  "number": 11,
2023
2023
  "title": "Monolith of Self",
2024
2024
  "length": "00:04:18",
2025
- "track_slug": "monolith-of-self",
2025
+ "track_slug": "inocula/suntelia-aeon/monolith-of-self",
2026
2026
  "id": "1cec282e69002985119acbf433c0bddc"
2027
2027
  },
2028
2028
  {
2029
2029
  "number": 12,
2030
2030
  "title": "The End of an Age",
2031
2031
  "length": "00:03:09",
2032
- "track_slug": "the-end-of-an-age",
2032
+ "track_slug": "inocula/suntelia-aeon/the-end-of-an-age",
2033
2033
  "id": "6b6ed89766683bf999b3cf43dea23376"
2034
2034
  }
2035
2035
  ],
2036
2036
  "notes": "None.\n",
2037
2037
  "credits": "All music written and performed by Inocula.\nAaron Krause - Drums\nAJ Sugg - Vocals\nBrowneye - Guitar\nDaniel Massey - Guitar\nPaul Petrosyan - Bass\nTyler Etters - Keybards/Samples\n",
2038
- "release_slug": "suntelia-aeon",
2039
2038
  "project_slug": "inocula",
2039
+ "release_slug": "suntelia-aeon",
2040
2040
  "id": "490f035adcb234345071bf11451a0bba"
2041
2041
  },
2042
2042
  {
@@ -2052,14 +2052,14 @@ var discography = [
2052
2052
  "number": 1,
2053
2053
  "title": "Organica Lensing",
2054
2054
  "length": "00:04:02",
2055
- "track_slug": "organica-lensing",
2055
+ "track_slug": "lucid-end/organica-lensing/organica-lensing",
2056
2056
  "id": "3112131b9dcd065037cade65f050e219"
2057
2057
  }
2058
2058
  ],
2059
2059
  "notes": "None.\n",
2060
2060
  "credits": "Lucid End is Tyler Etters.\n",
2061
- "release_slug": "organica-lensing",
2062
2061
  "project_slug": "lucid-end",
2062
+ "release_slug": "organica-lensing",
2063
2063
  "id": "f40b8fab6a769b9fe83381804833ed09"
2064
2064
  },
2065
2065
  {
@@ -2075,14 +2075,14 @@ var discography = [
2075
2075
  "number": 1,
2076
2076
  "title": "The Killing Tree",
2077
2077
  "length": "00:04:08",
2078
- "track_slug": "the-killing-tree",
2078
+ "track_slug": "lucid-end/the-killing-tree/the-killing-tree",
2079
2079
  "id": "b156dbb5d1e678c148b7b8f8aca1372e"
2080
2080
  }
2081
2081
  ],
2082
2082
  "notes": "None.\n",
2083
2083
  "credits": "Lucid End is Tyler Etters.\n",
2084
- "release_slug": "the-killing-tree",
2085
2084
  "project_slug": "lucid-end",
2085
+ "release_slug": "the-killing-tree",
2086
2086
  "id": "613757a6f0f4979088bab8776e3f9def"
2087
2087
  },
2088
2088
  {
@@ -2098,84 +2098,84 @@ var discography = [
2098
2098
  "number": 1,
2099
2099
  "title": "Lie Down in Darkness",
2100
2100
  "length": "00:03:10",
2101
- "track_slug": "lie-down-in-darkness",
2101
+ "track_slug": "lucid-end/time-to-breathe-time-to-think/lie-down-in-darkness",
2102
2102
  "id": "c6367f9550634a0f34f83aa4712a9c43"
2103
2103
  },
2104
2104
  {
2105
2105
  "number": 2,
2106
2106
  "title": "Photographs of Dust",
2107
2107
  "length": "00:05:01",
2108
- "track_slug": "photographs-of-dust",
2108
+ "track_slug": "lucid-end/time-to-breathe-time-to-think/photographs-of-dust",
2109
2109
  "id": "676b877ba0bd1f3b8fc4a42f10af1afb"
2110
2110
  },
2111
2111
  {
2112
2112
  "number": 3,
2113
2113
  "title": "Synchronicity",
2114
2114
  "length": "00:03:06",
2115
- "track_slug": "synchronicity",
2115
+ "track_slug": "lucid-end/time-to-breathe-time-to-think/synchronicity",
2116
2116
  "id": "4b31fb5a813cde2c64949aab957e9f52"
2117
2117
  },
2118
2118
  {
2119
2119
  "number": 4,
2120
2120
  "title": "Don't Leave Me",
2121
2121
  "length": "00:05:00",
2122
- "track_slug": "dont-leave-me",
2122
+ "track_slug": "lucid-end/time-to-breathe-time-to-think/dont-leave-me",
2123
2123
  "id": "365705e53050dd37e9c4e4c1ecf1d143"
2124
2124
  },
2125
2125
  {
2126
2126
  "number": 5,
2127
2127
  "title": "The Spider and the Formula",
2128
2128
  "length": "00:05:36",
2129
- "track_slug": "the-spider-and-the-formula",
2129
+ "track_slug": "lucid-end/time-to-breathe-time-to-think/the-spider-and-the-formula",
2130
2130
  "id": "25d684635b3eddb586bba77d8d554ade"
2131
2131
  },
2132
2132
  {
2133
2133
  "number": 6,
2134
2134
  "title": "Arabesque",
2135
2135
  "length": "00:03:30",
2136
- "track_slug": "arabesque",
2136
+ "track_slug": "lucid-end/time-to-breathe-time-to-think/arabesque",
2137
2137
  "id": "20b765c804ccbba948e5e5b0022027d6"
2138
2138
  },
2139
2139
  {
2140
2140
  "number": 7,
2141
2141
  "title": "Migration, The Spire Will Kick Up Her Children",
2142
2142
  "length": "00:03:35",
2143
- "track_slug": "migration-the-spire-will-kick-up-her-children",
2143
+ "track_slug": "lucid-end/time-to-breathe-time-to-think/migration-the-spire-will-kick-up-her-children",
2144
2144
  "id": "4e497af19f9e2b0c1aa61659777a9802"
2145
2145
  },
2146
2146
  {
2147
2147
  "number": 8,
2148
2148
  "title": "To the Construct",
2149
2149
  "length": "00:04:33",
2150
- "track_slug": "to-the-construct",
2150
+ "track_slug": "lucid-end/time-to-breathe-time-to-think/to-the-construct",
2151
2151
  "id": "29bc66fbcc24cd7a9d6a4d72be317d44"
2152
2152
  },
2153
2153
  {
2154
2154
  "number": 9,
2155
2155
  "title": "Clouds (Bleed Air)",
2156
2156
  "length": "00:07:30",
2157
- "track_slug": "clouds-bleed-air",
2157
+ "track_slug": "lucid-end/time-to-breathe-time-to-think/clouds-bleed-air",
2158
2158
  "id": "cc9abef10982e190aa3dd931a0bf8aca"
2159
2159
  },
2160
2160
  {
2161
2161
  "number": 10,
2162
2162
  "title": "They Rescue You",
2163
2163
  "length": "00:04:02",
2164
- "track_slug": "they-rescue-you",
2164
+ "track_slug": "lucid-end/time-to-breathe-time-to-think/they-rescue-you",
2165
2165
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2166
2166
  },
2167
2167
  {
2168
2168
  "number": 11,
2169
2169
  "title": "Leyline",
2170
2170
  "length": "00:03:53",
2171
- "track_slug": "leyline",
2171
+ "track_slug": "lucid-end/time-to-breathe-time-to-think/leyline",
2172
2172
  "id": "fabfde6062f03fc2654a2314770ec06b"
2173
2173
  }
2174
2174
  ],
2175
2175
  "notes": "None.\n",
2176
2176
  "credits": "Lucid End is Tyler Etters.\n",
2177
- "release_slug": "time-to-breathe-time-to-think",
2178
2177
  "project_slug": "lucid-end",
2178
+ "release_slug": "time-to-breathe-time-to-think",
2179
2179
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2180
2180
  },
2181
2181
  {
@@ -2191,105 +2191,105 @@ var discography = [
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2191
  "number": 1,
2192
2192
  "title": "Doppleganger's Lattice",
2193
2193
  "length": "00:03:42",
2194
- "track_slug": "dopplegangers-lattice",
2194
+ "track_slug": "ix/descent-into-dreams/dopplegangers-lattice",
2195
2195
  "id": "6dc505dddac89267f9d9c208a2c17164"
2196
2196
  },
2197
2197
  {
2198
2198
  "number": 2,
2199
2199
  "title": "Fractures Overlap Above the Fields",
2200
2200
  "length": "00:04:36",
2201
- "track_slug": "fractures-overlap-above-the-fields",
2201
+ "track_slug": "ix/descent-into-dreams/fractures-overlap-above-the-fields",
2202
2202
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2203
2203
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2204
2204
  {
2205
2205
  "number": 3,
2206
2206
  "title": "Circadian Rhythm",
2207
2207
  "length": "00:03:53",
2208
- "track_slug": "circadian-rhythm",
2208
+ "track_slug": "ix/descent-into-dreams/circadian-rhythm",
2209
2209
  "id": "3daa23e7b80528b9901dab6c0ed032af"
2210
2210
  },
2211
2211
  {
2212
2212
  "number": 4,
2213
2213
  "title": "Mantra of the Sumacs",
2214
2214
  "length": "00:03:15",
2215
- "track_slug": "mantra-of-the-sumacs",
2215
+ "track_slug": "ix/descent-into-dreams/mantra-of-the-sumacs",
2216
2216
  "id": "34e1bf0d9d1386ac08d352a1a85a1ccb"
2217
2217
  },
2218
2218
  {
2219
2219
  "number": 5,
2220
2220
  "title": "Return to the Mind",
2221
2221
  "length": "00:03:31",
2222
- "track_slug": "return-to-the-mind",
2222
+ "track_slug": "ix/descent-into-dreams/return-to-the-mind",
2223
2223
  "id": "451e897085e3a24a03a06496aee7bef2"
2224
2224
  },
2225
2225
  {
2226
2226
  "number": 6,
2227
2227
  "title": "Descent Into Dreams",
2228
2228
  "length": "00:04:08",
2229
- "track_slug": "descent-into-dreams",
2229
+ "track_slug": "ix/descent-into-dreams/descent-into-dreams",
2230
2230
  "id": "c93664ccd46f7363d7d1626680463f36"
2231
2231
  },
2232
2232
  {
2233
2233
  "number": 7,
2234
2234
  "title": "A Different Process",
2235
2235
  "length": "00:03:38",
2236
- "track_slug": "a-different-process",
2236
+ "track_slug": "ix/descent-into-dreams/a-different-process",
2237
2237
  "id": "f36bae1dec5d16d6020a8ade8c02cd40"
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2238
  },
2239
2239
  {
2240
2240
  "number": 8,
2241
2241
  "title": "Paradigms Unwritten",
2242
2242
  "length": "00:03:50",
2243
- "track_slug": "paradigms-unwritten",
2243
+ "track_slug": "ix/descent-into-dreams/paradigms-unwritten",
2244
2244
  "id": "f6acd0c9bcccabadabea5c7dc38dbc85"
2245
2245
  },
2246
2246
  {
2247
2247
  "number": 9,
2248
2248
  "title": "Symbiotics",
2249
2249
  "length": "00:03:20",
2250
- "track_slug": "symbiotics",
2250
+ "track_slug": "ix/descent-into-dreams/symbiotics",
2251
2251
  "id": "6981d260dbfa82c58dafc30d35ae7038"
2252
2252
  },
2253
2253
  {
2254
2254
  "number": 10,
2255
2255
  "title": "Transience and Perpetuality",
2256
2256
  "length": "00:03:54",
2257
- "track_slug": "transience-and-perpetuality",
2257
+ "track_slug": "ix/descent-into-dreams/transience-and-perpetuality",
2258
2258
  "id": "5c79f7774f92183476e28216ae9973c2"
2259
2259
  },
2260
2260
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2261
2261
  "number": 11,
2262
2262
  "title": "Yet These Memories Isolated Us",
2263
2263
  "length": "00:04:29",
2264
- "track_slug": "yet-these-memories-isolated-us",
2264
+ "track_slug": "ix/descent-into-dreams/yet-these-memories-isolated-us",
2265
2265
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2266
2266
  },
2267
2267
  {
2268
2268
  "number": 12,
2269
2269
  "title": "Beneath the Orange Ethers",
2270
2270
  "length": "00:02:01",
2271
- "track_slug": "beneath-the-orange-ethers",
2271
+ "track_slug": "ix/descent-into-dreams/beneath-the-orange-ethers",
2272
2272
  "id": "0b2cec214b2979ed64dc350c9f677da5"
2273
2273
  },
2274
2274
  {
2275
2275
  "number": 13,
2276
2276
  "title": "Constant Awareness",
2277
2277
  "length": "00:03:00",
2278
- "track_slug": "constant-awareness",
2278
+ "track_slug": "ix/descent-into-dreams/constant-awareness",
2279
2279
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2280
2280
  },
2281
2281
  {
2282
2282
  "number": 14,
2283
2283
  "title": "Drift",
2284
2284
  "length": "00:04:17",
2285
- "track_slug": "drift",
2285
+ "track_slug": "ix/descent-into-dreams/drift",
2286
2286
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2287
2287
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2288
2288
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2289
2289
  "notes": "None.\n",
2290
2290
  "credits": "Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.\n",
2291
- "release_slug": "descent-into-dreams",
2292
2291
  "project_slug": "ix",
2292
+ "release_slug": "descent-into-dreams",
2293
2293
  "id": "8f34ac41a602d8314011dbe313ca493b"
2294
2294
  },
2295
2295
  {
@@ -2305,28 +2305,28 @@ var discography = [
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2305
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2306
2306
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2307
2307
  "length": "00:04:37",
2308
- "track_slug": "yet-these-memories-isoalted-us",
2308
+ "track_slug": "ix/yet-these-memories-isolated-us/yet-these-memories-isoalted-us",
2309
2309
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2310
2310
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2311
2311
  {
2312
2312
  "number": 2,
2313
2313
  "title": "Weeping in Neutrality",
2314
2314
  "length": "00:03:35",
2315
- "track_slug": "weeping-in-neutrality",
2315
+ "track_slug": "ix/yet-these-memories-isolated-us/weeping-in-neutrality",
2316
2316
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2317
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2318
2318
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2319
2319
  "number": 3,
2320
2320
  "title": "Imaginary Number",
2321
2321
  "length": "00:03:34",
2322
- "track_slug": "imaginary-number",
2322
+ "track_slug": "ix/yet-these-memories-isolated-us/imaginary-number",
2323
2323
  "id": "682dff661ed2f618774cee4870d87695"
2324
2324
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2325
2325
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2326
2326
  "notes": "None.\n",
2327
2327
  "credits": "Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.\n",
2328
- "release_slug": "yet-these-memories-isolated-us",
2329
2328
  "project_slug": "ix",
2329
+ "release_slug": "yet-these-memories-isolated-us",
2330
2330
  "id": "ec265196f2f2313b847cea4a92ddddca"
2331
2331
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2332
2332
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@@ -2342,56 +2342,56 @@ var discography = [
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2342
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2343
2343
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2344
2344
  "length": "00:01:20",
2345
- "track_slug": "somnium-scipionis",
2345
+ "track_slug": "lucid-end/files/somnium-scipionis",
2346
2346
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2347
  },
2348
2348
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2349
2349
  "number": 2,
2350
2350
  "title": "Outsdied",
2351
2351
  "length": "00:04:26",
2352
- "track_slug": "outsdied",
2352
+ "track_slug": "lucid-end/files/outsdied",
2353
2353
  "id": "440a1eee03a8e2befe0876735a432972"
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2354
  },
2355
2355
  {
2356
2356
  "number": 3,
2357
2357
  "title": "Apprehension",
2358
2358
  "length": "00:03:30",
2359
- "track_slug": "apprehension",
2359
+ "track_slug": "lucid-end/files/apprehension",
2360
2360
  "id": "cb15b35890ec2c731894143d41dbef00"
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2361
  },
2362
2362
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2363
2363
  "number": 4,
2364
2364
  "title": "Epilogue",
2365
2365
  "length": "00:03:44",
2366
- "track_slug": "epilogue",
2366
+ "track_slug": "lucid-end/files/epilogue",
2367
2367
  "id": "0280fbac53adf86cab29c5d873807966"
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2368
  },
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2369
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2370
2370
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2371
2371
  "title": "Files",
2372
2372
  "length": "00:03:44",
2373
- "track_slug": "files",
2373
+ "track_slug": "lucid-end/files/files",
2374
2374
  "id": "bf0a8f84002aaa0d5affb88b6a82018d"
2375
2375
  },
2376
2376
  {
2377
2377
  "number": 6,
2378
2378
  "title": "The Little House",
2379
2379
  "length": "00:05:15",
2380
- "track_slug": "the-little-house",
2380
+ "track_slug": "lucid-end/files/the-little-house",
2381
2381
  "id": "961650bfa7b5518e561b14cb6451ec03"
2382
2382
  },
2383
2383
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2384
2384
  "number": 7,
2385
2385
  "title": "Gaseous Tetrahedrons",
2386
2386
  "length": "00:13:00",
2387
- "track_slug": "gaseous-tetrahedrons",
2387
+ "track_slug": "lucid-end/files/gaseous-tetrahedrons",
2388
2388
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2389
2389
  }
2390
2390
  ],
2391
2391
  "notes": "None.\n",
2392
2392
  "credits": "Lucid End is Tyler Etters.\n",
2393
- "release_slug": "files",
2394
2393
  "project_slug": "lucid-end",
2394
+ "release_slug": "files",
2395
2395
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2396
2396
  },
2397
2397
  {
@@ -2407,63 +2407,63 @@ var discography = [
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2407
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2408
2408
  "title": "Approaching the Gates",
2409
2409
  "length": "00:01:42",
2410
- "track_slug": "approaching-the-gates",
2410
+ "track_slug": "ix/ix-ep/approaching-the-gates",
2411
2411
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2412
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2413
2413
  {
2414
2414
  "number": 2,
2415
2415
  "title": "Complex Number",
2416
2416
  "length": "00:03:13",
2417
- "track_slug": "complex-number",
2417
+ "track_slug": "ix/ix-ep/complex-number",
2418
2418
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2419
2419
  },
2420
2420
  {
2421
2421
  "number": 3,
2422
2422
  "title": "Dying Alone",
2423
2423
  "length": "00:04:00",
2424
- "track_slug": "dying-alone",
2424
+ "track_slug": "ix/ix-ep/dying-alone",
2425
2425
  "id": "e06aae243c48e270d59a9893fb7bc993"
2426
2426
  },
2427
2427
  {
2428
2428
  "number": 4,
2429
2429
  "title": "The Wake",
2430
2430
  "length": "00:03:28",
2431
- "track_slug": "the-wake",
2431
+ "track_slug": "ix/ix-ep/the-wake",
2432
2432
  "id": "e695728907096a5d6f5453c28020c96c"
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2433
  },
2434
2434
  {
2435
2435
  "number": 5,
2436
2436
  "title": "Splintering",
2437
2437
  "length": "00:05:00",
2438
- "track_slug": "splintering",
2438
+ "track_slug": "ix/ix-ep/splintering",
2439
2439
  "id": "a857da5257f2cd2ea90dfb446ebfc38a"
2440
2440
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2441
2441
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2442
2442
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2443
2443
  "title": "Content with Failure",
2444
2444
  "length": "00:03:38",
2445
- "track_slug": "content-with-failure",
2445
+ "track_slug": "ix/ix-ep/content-with-failure",
2446
2446
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2447
2447
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2448
2448
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2449
2449
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2450
2450
  "title": "Weary Eyes of Reason",
2451
2451
  "length": "00:03:49",
2452
- "track_slug": "weary-eyes-of-reason",
2452
+ "track_slug": "ix/ix-ep/weary-eyes-of-reason",
2453
2453
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2454
2454
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2455
2455
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2456
2456
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2457
2457
  "title": "Sweet Lobotomy",
2458
2458
  "length": "00:03:55",
2459
- "track_slug": "sweet-lobotomy",
2459
+ "track_slug": "ix/ix-ep/sweet-lobotomy",
2460
2460
  "id": "9db6f7bb98289b2f58123db424faf3a9"
2461
2461
  }
2462
2462
  ],
2463
2463
  "notes": "None.\n",
2464
2464
  "credits": "Ix is Paul Petrosyan and Tyler Etters.\n",
2465
- "release_slug": "ix-ep",
2466
2465
  "project_slug": "ix",
2466
+ "release_slug": "ix-ep",
2467
2467
  "id": "7b7481c3fb254d86c41ca3c27f8e0392"
2468
2468
  }
2469
2469
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