@tyleretters/discography 0.0.25 → 0.0.27
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- package/dist/discography.js +2 -2
- package/dist/discography.js.map +1 -1
- package/dist/index.js +2 -2
- package/dist/index.js.map +1 -1
- package/package.json +2 -3
- package/src/discography.ts +2 -2
- package/src/discography.yml +2 -2
package/package.json
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@@ -1,14 +1,13 @@
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{
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"name": "@tyleretters/discography",
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"version": "0.0.
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"version": "0.0.27",
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"description": "A canonical discography of the music of Tyler Etters.",
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"main": "dist/index.js",
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"types": "dist/index.d.ts",
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"scripts": {
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"dev": "tsc -w",
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"convert": "./src/convert.py",
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"build": "./src/convert.py && tsc && rollup -c"
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"publish": "npm publish"
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"build": "./src/convert.py && tsc && rollup -c"
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},
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"repository": {
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"type": "git",
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package/src/discography.ts
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@@ -3,7 +3,7 @@ export const discography = [
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"title": "Respect for the Medium",
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"project": "They Became What They Beheld",
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"released": "02024-04-22",
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"type": "
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"type": "Single",
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"format": "Digital",
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"role": "Principal Musician",
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"label": "Intertext",
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@@ -18,7 +18,7 @@ export const discography = [
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}
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],
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"notes": "<p>The fundamental audio loop is more Gabrieli.</p><p>The DV tape loop is from Fireflies & Fields, a deeply personal series shot straight out of camera. Summer, 2009. Just after sunset. \"Night Mode\" enabled camera on a tripod facing south-south-east. Fairfield Road a bit to my back and right. A solid two-minute hike across the prairie to touch the first oaks in the shot. Macro lens on. Optical zoom maxed. Digital zoom zero. The key: auto-focus enabled to force the beacons into a duel until dawn. The loop is 21.17 seconds long and employs neither dissolve nor crossfade. It is same hard cut over and over until the song ends. Approximately 19% of the shot is lost because I wanted to crop it from 720x480 to 1920x1040 for the final export. Once you see the Taraxacum mote ascending you will never unsee it.</p><p>The artwork is also from Fireflies & Fields, also straight out of camera.</p><p>These sorts of things are important to me.</p><p>Respect for the medium.</p>",
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"credits": "<p>Thanks to ... who sold me a ... tape deck so I could not continue this ... original tape deck ... airplane hanger ... the pandemic and everything stalled out for so long ... of the incident ... then
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"credits": "<p>Thanks to ... who sold me a ... tape deck so I could not continue this ... original tape deck ... airplane hanger ... the pandemic and everything stalled out for so long ... of the incident ... then ... project changed ... else did, that was closer to ... different now. Thanks to my dad for showing... when I was a kid. Thanks to Sage for ... two close friends who talked ... Thanks to Emily for finding this strange book ... her audience of one. Thanks to the Adriance Memorial Library for ... to Hippo Books who succeeded in diverting it from a landfill ... library sustainability and ... global problem ...</p><p>About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.</p><p>Audio sourced from Giovanni Gabrieli's Sanctus: VI. Hosanna in excelsis broadcast by KUSC 91.5 and recorded by iPhone, 2020.</p><p>Photographs from my trip to Petalying Jaya, Malaysia, 2017.</p><p>Photographs & video loops from my personal series Fireflies & Fields, 2009.</p><p>Engineered by Tyler Etters, 2009 \u2014 2024.</p>",
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"project_slug": "they-became-what-they-beheld",
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"release_slug": "respect-for-the-medium",
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"cover_url": "https://intertext.s3.us-west-1.amazonaws.com/they-became-what-they-beheld/respect-for-the-medium/respect-for-the-medium.jpg",
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package/src/discography.yml
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- title: Respect for the Medium
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project: They Became What They Beheld
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released: 02024-04-22
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type:
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type: Single
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format: Digital
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role: Principal Musician
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label: Intertext
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These sorts of things are important to me.
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Respect for the medium.
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credits: |
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Thanks to ... who sold me a ... tape deck so I could not continue this ... original tape deck ... airplane hanger ... the pandemic and everything stalled out for so long ... of the incident ... then
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Thanks to ... who sold me a ... tape deck so I could not continue this ... original tape deck ... airplane hanger ... the pandemic and everything stalled out for so long ... of the incident ... then ... project changed ... else did, that was closer to ... different now. Thanks to my dad for showing... when I was a kid. Thanks to Sage for ... two close friends who talked ... Thanks to Emily for finding this strange book ... her audience of one. Thanks to the Adriance Memorial Library for ... to Hippo Books who succeeded in diverting it from a landfill ... library sustainability and ... global problem ...
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About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.
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Audio sourced from Giovanni Gabrieli's Sanctus: VI. Hosanna in excelsis broadcast by KUSC 91.5 and recorded by iPhone, 2020.
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Photographs from my trip to Petalying Jaya, Malaysia, 2017.
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