@torrent-tv/proxy 2.89.7 → 2.89.8

package/services/media/tracks/audio-bound.js

@@ -1,233 +1,233 @@
-/**
- * @file The most a soundtrack's codec allows it to carry, from what its
- * container declares about it.
- *
- * A copied soundtrack is sent to the viewer as the file has it, so the most it
- * can weigh on their link is a property of its CODEC as configured: a bound
- * the stream is held to by its own specification, not an average a file
- * happens to state. Only bounds confirmed against a published source are
- * given, for exactly the configurations those sources describe; any other
- * combination answers null, and the caller falls back to what the file states
- * or to re-encoding the track. Sources, and why each other codec has none:
- * `research/soundtrack-rate-bound-2026-10-01.md`.
- *
- * 1. AAC-LC (`audioObjectType` 2) with 1024-sample frames: at most 6144 bits
- *    per channel in one frame, whatever the bit reservoir holds (ISO/IEC
- *    14496-3 §4.5.3.1; Fraunhofer's FDK AAC encoder states the same: "For
- *    AAC-LC, the bitrate is only limited by the maximum AAC frame length. It
- *    is, regardless of the available bit reservoir, defined as 6144 bits per
- *    channel"). One frame lasts 1024 / samplingFrequency seconds, so the rate
- *    over any stretch of whole frames is at most
- *    6144 x channels x samplingFrequency / 1024 bit/s. The channel count and
- *    the sampling frequency are the ones the AudioSpecificConfig states — for
- *    a stream with implicit SBR that is the core's, which is what one frame
- *    lasts. The count includes an LFE channel the buffer rule does not, so the
- *    bound errs high.
- * 2. AC-3: the largest syncframe ATSC A/52:2018 Table 5.18 allows at each
- *    sampling frequency (`frmsizecod` 37), over the 1536 samples it carries.
- *    That is 640 kbit/s at 32 and 48 kHz and 640.369 kbit/s at 44.1 kHz, whose
- *    frames alternate in length; with the frequency unknown the largest of the
- *    three is the bound.
- *
- * PURE: plain values in, plain values out. No container, no torrent.
- */
-
-/** ISO/IEC 14496-3 Table 1.18: samplingFrequencyIndex to Hz. 0xF is explicit. */
-const AAC_SAMPLING_FREQUENCIES = Object.freeze([
-  96000, 88200, 64000, 48000, 44100, 32000, 24000, 22050, 16000, 12000, 11025, 8000, 7350
-]);
-
-/** ISO/IEC 14496-3 Table 1.19: channelConfiguration to channels; 0 is a PCE. */
-const AAC_CHANNELS = Object.freeze([null, 1, 2, 3, 4, 5, 6, 8]);
-
-/** The AAC-LC object type, and the one frame length the bound is stated for. */
-const AAC_LC = 2;
-const AAC_LC_FRAME_LENGTH = 1024;
-const AAC_MAX_BITS_PER_CHANNEL_FRAME = 6144;
-
-/**
- * ATSC A/52:2018 Table 5.18, `frmsizecod` 37 (640 kbps nominal): 16-bit words
- * in the largest syncframe at each sampling frequency. A syncframe carries
- * 1536 samples (§5.1).
- */
-const AC3_LARGEST_WORDS = Object.freeze(new Map([[48000, 1280], [44100, 1394], [32000, 1920]]));
-const AC3_SAMPLES_PER_FRAME = 1536;
-
-/**
- * @typedef {object} CodecParameters
- * @property {string} codec - The ffmpeg-side name: "aac", "ac3", ...
- * @property {number | null} objectType - AAC `audioObjectType`.
- * @property {number | null} frameLength - Samples per frame.
- * @property {number | null} channels
- * @property {number | null} sampleRate - Hz.
- */
-
-/**
- * A minimal MSB-first bit reader over a buffer.
- *
- * @param {Buffer} bytes
- */
-function bitReader(bytes) {
-  let position = 0;
-  return {
-    read(count) {
-      let value = 0;
-      for (let i = 0; i < count; i += 1) {
-        const byte = bytes[position >> 3];
-        if (byte === undefined) {
-          throw new RangeError("AudioSpecificConfig ended early");
-        }
-        value = (value * 2) + ((byte >> (7 - (position & 7))) & 1);
-        position += 1;
-      }
-      return value;
-    }
-  };
-}
-
-/**
- * The fields of an AudioSpecificConfig the bound is computed from (ISO/IEC
- * 14496-3 §1.6.2.1 and the GASpecificConfig that follows it for AAC-LC).
- *
- * @param {Buffer | null} bytes
- * @returns {{ objectType: number, sampleRate: number | null, channels: number | null, frameLength: number | null } | null}
- *   Null when the bytes are not a readable config.
- */
-export function parseAudioSpecificConfig(bytes) {
-  if (!Buffer.isBuffer(bytes) || bytes.length < 2) {
-    return null;
-  }
-  try {
-    const bits = bitReader(bytes);
-    let objectType = bits.read(5);
-    if (objectType === 31) {
-      objectType = 32 + bits.read(6);
-    }
-    const frequencyIndex = bits.read(4);
-    const sampleRate = frequencyIndex === 0xf
-      ? bits.read(24)
-      : (AAC_SAMPLING_FREQUENCIES[frequencyIndex] ?? null);
-    const channelConfiguration = bits.read(4);
-    const channels = AAC_CHANNELS[channelConfiguration] ?? null;
-    // GASpecificConfig begins with frameLengthFlag for the object types that
-    // carry one; for any other the frame length is not read here.
-    const frameLength = objectType === AAC_LC
-      ? (bits.read(1) === 1 ? 960 : AAC_LC_FRAME_LENGTH)
-      : null;
-    return { objectType, sampleRate: sampleRate > 0 ? sampleRate : null, channels, frameLength };
-  } catch {
-    return null;
-  }
-}
-
-/**
- * What a container declares about one soundtrack's codec configuration, as
- * plain values.
- *
- * For AAC the AudioSpecificConfig is the statement, and the container's own
- * channel count and frequency are not used in its place: for HE-AAC the
- * container may state the output frequency while a frame lasts the core's.
- *
- * @param {object} params
- * @param {string} params.codec - The ffmpeg-side name.
- * @param {string} [params.codecPrivateB64] - The AudioSpecificConfig for AAC.
- * @param {number | null} [params.channels] - As the container states it.
- * @param {number | null} [params.samplingFrequency] - As the container states it.
- * @returns {CodecParameters | null} Null when nothing names the codec.
- */
-export function codecParametersOf({ codec, codecPrivateB64 = "", channels = null, samplingFrequency = null }) {
-  const name = typeof codec === "string" ? codec.trim().toLowerCase() : "";
-  if (!name) {
-    return null;
-  }
-  if (name === "aac") {
-    const config = typeof codecPrivateB64 === "string" && codecPrivateB64.length > 0
-      ? parseAudioSpecificConfig(Buffer.from(codecPrivateB64, "base64"))
-      : null;
-    return {
-      codec: name,
-      objectType: config?.objectType ?? null,
-      frameLength: config?.frameLength ?? null,
-      channels: config?.channels ?? null,
-      sampleRate: config?.sampleRate ?? null
-    };
-  }
-  return {
-    codec: name,
-    objectType: null,
-    frameLength: null,
-    channels: Number.isFinite(channels) && channels > 0 ? channels : null,
-    sampleRate: Number.isFinite(samplingFrequency) && samplingFrequency > 0 ? samplingFrequency : null
-  };
-}
-
-/**
- * Whether a set of parameters holds everything the bound for its codec is
- * computed from. A set that is complete can replace another whole; one that is
- * not adds nothing to a set already known.
- *
- * @param {CodecParameters | null} params
- * @returns {boolean}
- */
-export function codecParametersComplete(params) {
-  if (!params?.codec) {
-    return false;
-  }
-  if (params.codec === "aac") {
-    return [params.objectType, params.frameLength, params.channels, params.sampleRate]
-      .every((value) => Number.isFinite(value) && value > 0);
-  }
-  // Every other codec's bound — where it has one — needs no more than its name.
-  return true;
-}
-
-/**
- * Whether two sets contradict each other: a field both state, stated
- * differently.
- *
- * @param {CodecParameters | null} left
- * @param {CodecParameters | null} right
- * @returns {boolean}
- */
-export function codecParametersConflict(left, right) {
-  if (!left || !right) {
-    return false;
-  }
-  return ["codec", "objectType", "frameLength", "channels", "sampleRate"].some(
-    (field) => left[field] !== null && left[field] !== undefined &&
-      right[field] !== null && right[field] !== undefined &&
-      left[field] !== right[field]
-  );
-}
-
-/**
- * The confirmed bound for these parameters, in kbit/s, or null.
- *
- * @param {CodecParameters | null} params
- * @returns {number | null}
- */
-export function peakKbpsOf(params) {
-  if (!params?.codec) {
-    return null;
-  }
-  if (params.codec === "aac") {
-    if (
-      params.objectType !== AAC_LC ||
-      params.frameLength !== AAC_LC_FRAME_LENGTH ||
-      !(params.channels > 0) ||
-      !(params.sampleRate > 0)
-    ) {
-      return null;
-    }
-    return (AAC_MAX_BITS_PER_CHANNEL_FRAME * params.channels * params.sampleRate) / AAC_LC_FRAME_LENGTH / 1000;
-  }
-  if (params.codec === "ac3") {
-    const rateOf = (sampleRate, words) => (words * 16 * sampleRate) / AC3_SAMPLES_PER_FRAME / 1000;
-    const words = AC3_LARGEST_WORDS.get(params.sampleRate);
-    if (words !== undefined) {
-      return rateOf(params.sampleRate, words);
-    }
-    return Math.max(...[...AC3_LARGEST_WORDS].map(([sampleRate, largest]) => rateOf(sampleRate, largest)));
-  }
-  return null;
-}
+/**
+ * @file The most a soundtrack's codec allows it to carry, from what its
+ * container declares about it.
+ *
+ * A copied soundtrack is sent to the viewer as the file has it, so the most it
+ * can weigh on their link is a property of its CODEC as configured: a bound
+ * the stream is held to by its own specification, not an average a file
+ * happens to state. Only bounds confirmed against a published source are
+ * given, for exactly the configurations those sources describe; any other
+ * combination answers null, and the caller falls back to what the file states
+ * or to re-encoding the track. Sources, and why each other codec has none:
+ * `research/soundtrack-rate-bound-2026-10-01.md`.
+ *
+ * 1. AAC-LC (`audioObjectType` 2) with 1024-sample frames: at most 6144 bits
+ *    per channel in one frame, whatever the bit reservoir holds (ISO/IEC
+ *    14496-3 §4.5.3.1; Fraunhofer's FDK AAC encoder states the same: "For
+ *    AAC-LC, the bitrate is only limited by the maximum AAC frame length. It
+ *    is, regardless of the available bit reservoir, defined as 6144 bits per
+ *    channel"). One frame lasts 1024 / samplingFrequency seconds, so the rate
+ *    over any stretch of whole frames is at most
+ *    6144 x channels x samplingFrequency / 1024 bit/s. The channel count and
+ *    the sampling frequency are the ones the AudioSpecificConfig states — for
+ *    a stream with implicit SBR that is the core's, which is what one frame
+ *    lasts. The count includes an LFE channel the buffer rule does not, so the
+ *    bound errs high.
+ * 2. AC-3: the largest syncframe ATSC A/52:2018 Table 5.18 allows at each
+ *    sampling frequency (`frmsizecod` 37), over the 1536 samples it carries.
+ *    That is 640 kbit/s at 32 and 48 kHz and 640.369 kbit/s at 44.1 kHz, whose
+ *    frames alternate in length; with the frequency unknown the largest of the
+ *    three is the bound.
+ *
+ * PURE: plain values in, plain values out. No container, no torrent.
+ */
+
+/** ISO/IEC 14496-3 Table 1.18: samplingFrequencyIndex to Hz. 0xF is explicit. */
+const AAC_SAMPLING_FREQUENCIES = Object.freeze([
+  96000, 88200, 64000, 48000, 44100, 32000, 24000, 22050, 16000, 12000, 11025, 8000, 7350
+]);
+
+/** ISO/IEC 14496-3 Table 1.19: channelConfiguration to channels; 0 is a PCE. */
+const AAC_CHANNELS = Object.freeze([null, 1, 2, 3, 4, 5, 6, 8]);
+
+/** The AAC-LC object type, and the one frame length the bound is stated for. */
+const AAC_LC = 2;
+const AAC_LC_FRAME_LENGTH = 1024;
+const AAC_MAX_BITS_PER_CHANNEL_FRAME = 6144;
+
+/**
+ * ATSC A/52:2018 Table 5.18, `frmsizecod` 37 (640 kbps nominal): 16-bit words
+ * in the largest syncframe at each sampling frequency. A syncframe carries
+ * 1536 samples (§5.1).
+ */
+const AC3_LARGEST_WORDS = Object.freeze(new Map([[48000, 1280], [44100, 1394], [32000, 1920]]));
+const AC3_SAMPLES_PER_FRAME = 1536;
+
+/**
+ * @typedef {object} CodecParameters
+ * @property {string} codec - The ffmpeg-side name: "aac", "ac3", ...
+ * @property {number | null} objectType - AAC `audioObjectType`.
+ * @property {number | null} frameLength - Samples per frame.
+ * @property {number | null} channels
+ * @property {number | null} sampleRate - Hz.
+ */
+
+/**
+ * A minimal MSB-first bit reader over a buffer.
+ *
+ * @param {Buffer} bytes
+ */
+function bitReader(bytes) {
+  let position = 0;
+  return {
+    read(count) {
+      let value = 0;
+      for (let i = 0; i < count; i += 1) {
+        const byte = bytes[position >> 3];
+        if (byte === undefined) {
+          throw new RangeError("AudioSpecificConfig ended early");
+        }
+        value = (value * 2) + ((byte >> (7 - (position & 7))) & 1);
+        position += 1;
+      }
+      return value;
+    }
+  };
+}
+
+/**
+ * The fields of an AudioSpecificConfig the bound is computed from (ISO/IEC
+ * 14496-3 §1.6.2.1 and the GASpecificConfig that follows it for AAC-LC).
+ *
+ * @param {Buffer | null} bytes
+ * @returns {{ objectType: number, sampleRate: number | null, channels: number | null, frameLength: number | null } | null}
+ *   Null when the bytes are not a readable config.
+ */
+export function parseAudioSpecificConfig(bytes) {
+  if (!Buffer.isBuffer(bytes) || bytes.length < 2) {
+    return null;
+  }
+  try {
+    const bits = bitReader(bytes);
+    let objectType = bits.read(5);
+    if (objectType === 31) {
+      objectType = 32 + bits.read(6);
+    }
+    const frequencyIndex = bits.read(4);
+    const sampleRate = frequencyIndex === 0xf
+      ? bits.read(24)
+      : (AAC_SAMPLING_FREQUENCIES[frequencyIndex] ?? null);
+    const channelConfiguration = bits.read(4);
+    const channels = AAC_CHANNELS[channelConfiguration] ?? null;
+    // GASpecificConfig begins with frameLengthFlag for the object types that
+    // carry one; for any other the frame length is not read here.
+    const frameLength = objectType === AAC_LC
+      ? (bits.read(1) === 1 ? 960 : AAC_LC_FRAME_LENGTH)
+      : null;
+    return { objectType, sampleRate: sampleRate > 0 ? sampleRate : null, channels, frameLength };
+  } catch {
+    return null;
+  }
+}
+
+/**
+ * What a container declares about one soundtrack's codec configuration, as
+ * plain values.
+ *
+ * For AAC the AudioSpecificConfig is the statement, and the container's own
+ * channel count and frequency are not used in its place: for HE-AAC the
+ * container may state the output frequency while a frame lasts the core's.
+ *
+ * @param {object} params
+ * @param {string} params.codec - The ffmpeg-side name.
+ * @param {string} [params.codecPrivateB64] - The AudioSpecificConfig for AAC.
+ * @param {number | null} [params.channels] - As the container states it.
+ * @param {number | null} [params.samplingFrequency] - As the container states it.
+ * @returns {CodecParameters | null} Null when nothing names the codec.
+ */
+export function codecParametersOf({ codec, codecPrivateB64 = "", channels = null, samplingFrequency = null }) {
+  const name = typeof codec === "string" ? codec.trim().toLowerCase() : "";
+  if (!name) {
+    return null;
+  }
+  if (name === "aac") {
+    const config = typeof codecPrivateB64 === "string" && codecPrivateB64.length > 0
+      ? parseAudioSpecificConfig(Buffer.from(codecPrivateB64, "base64"))
+      : null;
+    return {
+      codec: name,
+      objectType: config?.objectType ?? null,
+      frameLength: config?.frameLength ?? null,
+      channels: config?.channels ?? null,
+      sampleRate: config?.sampleRate ?? null
+    };
+  }
+  return {
+    codec: name,
+    objectType: null,
+    frameLength: null,
+    channels: Number.isFinite(channels) && channels > 0 ? channels : null,
+    sampleRate: Number.isFinite(samplingFrequency) && samplingFrequency > 0 ? samplingFrequency : null
+  };
+}
+
+/**
+ * Whether a set of parameters holds everything the bound for its codec is
+ * computed from. A set that is complete can replace another whole; one that is
+ * not adds nothing to a set already known.
+ *
+ * @param {CodecParameters | null} params
+ * @returns {boolean}
+ */
+export function codecParametersComplete(params) {
+  if (!params?.codec) {
+    return false;
+  }
+  if (params.codec === "aac") {
+    return [params.objectType, params.frameLength, params.channels, params.sampleRate]
+      .every((value) => Number.isFinite(value) && value > 0);
+  }
+  // Every other codec's bound — where it has one — needs no more than its name.
+  return true;
+}
+
+/**
+ * Whether two sets contradict each other: a field both state, stated
+ * differently.
+ *
+ * @param {CodecParameters | null} left
+ * @param {CodecParameters | null} right
+ * @returns {boolean}
+ */
+export function codecParametersConflict(left, right) {
+  if (!left || !right) {
+    return false;
+  }
+  return ["codec", "objectType", "frameLength", "channels", "sampleRate"].some(
+    (field) => left[field] !== null && left[field] !== undefined &&
+      right[field] !== null && right[field] !== undefined &&
+      left[field] !== right[field]
+  );
+}
+
+/**
+ * The confirmed bound for these parameters, in kbit/s, or null.
+ *
+ * @param {CodecParameters | null} params
+ * @returns {number | null}
+ */
+export function peakKbpsOf(params) {
+  if (!params?.codec) {
+    return null;
+  }
+  if (params.codec === "aac") {
+    if (
+      params.objectType !== AAC_LC ||
+      params.frameLength !== AAC_LC_FRAME_LENGTH ||
+      !(params.channels > 0) ||
+      !(params.sampleRate > 0)
+    ) {
+      return null;
+    }
+    return (AAC_MAX_BITS_PER_CHANNEL_FRAME * params.channels * params.sampleRate) / AAC_LC_FRAME_LENGTH / 1000;
+  }
+  if (params.codec === "ac3") {
+    const rateOf = (sampleRate, words) => (words * 16 * sampleRate) / AC3_SAMPLES_PER_FRAME / 1000;
+    const words = AC3_LARGEST_WORDS.get(params.sampleRate);
+    if (words !== undefined) {
+      return rateOf(params.sampleRate, words);
+    }
+    return Math.max(...[...AC3_LARGEST_WORDS].map(([sampleRate, largest]) => rateOf(sampleRate, largest)));
+  }
+  return null;
+}

package/services/media/tracks/index.js

@@ -1,15 +1,15 @@
-// Only what is imported through this file, which is the one type five other
-// modules name in their JSDoc. Every class beside it — `VideoTrack`,
-// `AudioTrack`, `SubtitleTrack`, `TextSubtitleTrack`, `ImageSubtitleTrack` —
-// and the tables `TEXT_CODECS_MATROSKA`, `TEXT_FORMATS_MP4` and `MarkupKind`
-// were re-exported here and taken by nobody: whoever needs one imports the
-// module that declares it.
-export { ContainerTrack } from "./ContainerTrack.js";
-
-// There is deliberately no class for a track that lives in a file of its own.
-// `<name>.mka` is a Matroska container holding an `AudioTrack`, and
-// `MatroskaContainer` reads it exactly as it reads the picture's — so "external"
-// is not a KIND of track, only the answer to where a track's bytes are. That
-// answer belongs to the application layer, which knows about torrents; this one
-// describes what a container declares and must not. `ExternalSubtitleFile`,
-// which asserted the opposite, was never used by anything and is gone.
+// Only what is imported through this file, which is the one type five other
+// modules name in their JSDoc. Every class beside it — `VideoTrack`,
+// `AudioTrack`, `SubtitleTrack`, `TextSubtitleTrack`, `ImageSubtitleTrack` —
+// and the tables `TEXT_CODECS_MATROSKA`, `TEXT_FORMATS_MP4` and `MarkupKind`
+// were re-exported here and taken by nobody: whoever needs one imports the
+// module that declares it.
+export { ContainerTrack } from "./ContainerTrack.js";
+
+// There is deliberately no class for a track that lives in a file of its own.
+// `<name>.mka` is a Matroska container holding an `AudioTrack`, and
+// `MatroskaContainer` reads it exactly as it reads the picture's — so "external"
+// is not a KIND of track, only the answer to where a track's bytes are. That
+// answer belongs to the application layer, which knows about torrents; this one
+// describes what a container declares and must not. `ExternalSubtitleFile`,
+// which asserted the opposite, was never used by anything and is gone.