@sudobility/music_types 0.13.6 → 0.13.8

package/CLAUDE.md

@@ -39,6 +39,8 @@ Everything exports from a single sectioned `src/index.ts`:
 
 ## Gotchas
 
+- **One row per General MIDI program, and every row says where its numbers came from** (`gm-catalogue.ts`). Range, polyphony and transposition used to be three tables of family defaults plus a handful of per-program overrides — which looked like deduplication and was not: 90 of the 128 programs inherited a compass nobody had chosen for them, and an inherited value was indistinguishable from a researched one. It hid a real bug (**Muted Trumpet** had no transposition entry, so a B-flat trumpet with a mute in the bell was treated as non-transposing and its part displayed a whole tone wrong), gave the **Clavinet** an 88-key piano compass where it has 60 keys F1-E6, and handed the flute's exact range to five instruments that share none of it. The repetition where eight guitars genuinely share a compass is the point: writing it eight times is a decision somebody made, where inheriting it eight times is a question nobody was asked. **`basis` is the field to read before trusting a number** — `measured` (checked against a source), `synthetic` (an electronic patch has no acoustic compass, so it gets the whole keyboard rather than an invented limit), `unpitched` (a sound effect), and `assumed` (**not verified**, carried over from the old default, left deliberately wide). No row is left `assumed`: the 31 that were have each been settled, most by looking the instrument up and ten by finding that the honest answer is `tunable` — a shamisen is tuned to the singer, a koto to the piece, an mbira to notes that are not on the tempered scale at all, and a pan flute or hammered dulcimer is built in many sizes; refusing a note against those would be refusing against the sampler rather than the instrument. Section patches (`String Ensemble`, `Brass Section`) take the **union of the instruments in them, computed rather than typed**, so a string section cannot end up narrower than the cello inside it. Where General MIDI names a family rather than an instrument the row covers the common members: "Recorder" is soprano and alto together, "Bagpipe" is the Highland chanter's nine notes and the uilleann's two octaves together — the Highland compass alone is fifteen semitones and rejected honest music. The split is now 75 measured, 30 synthetic, 13 unpitched, 10 tunable. `gmRangeIsBinding` answers `true` only for `measured`, and the generation inspector consults it before reporting an out-of-range note: refusing a note against a compass nobody checked rejects music that was fine, and since that finding drives a retry it would spend real money arguing about a limit we invented.
+
 - **A regeneration request says who is playing, and a kit gets told how a kit is written.** A `ScoreFragment` is measures and nothing else — no name, no clef, no program — so "Replace Track" used to hand the model anonymous bars and let it infer the instrument from the notes in front of it. On a drum track there is nothing to infer from: the pitches are drum numbers, not notes. Measured on a real Power Kit regeneration, the result was the kick on every eighth of all 118 bars at a constant velocity 100, the snare on all four beats instead of the backbeat, and five of the 47 drums used — a metronome, not a groove. `RegenerateRegionRequest.tracks` now carries a `GenerateScoreRequestTrack` per fragment track, built by `describeTrackForGeneration` in music_types so whole-score generation and regeneration describe a track the *same* way; the range and polyphony come from `trackKeyboardRange`/`trackMaxPolyphony`, which answer about the **kit** on a percussion track rather than about whatever melodic program shares its number. The roster is matched to the fragment **by position**, so `buildRegeneratePrompt` emits it only when the lengths agree — a roster of a different length is not partial information but wrong information, naming the kit as the cello. And `percussionRules()` — previously generate-only, and previously just the GM map — now travels on both paths and states the two Expression rules that **invert** for percussion: an accent is the rule rather than the exception (velocity variation between accented and ghost notes *is* the groove), and a kit does play continuously even though each individual drum still rests. The map alone is not enough, which is the thing that had to be measured to be believed.
 
 - **One fact, one declaration — and `src/__single-source.test.ts` enforces it.** A constant restated in a second package agrees with the first right up until one of them is edited, and nothing fails when they part: the build is clean, the types match, and the only symptom is a wrong sound or a picker quietly missing an entry. Measured across the family, 23 UPPER_CASE constants were declared in more than one repo — `CC_VOLUME` three times, `DYNAMICS` four, `C_MAJOR` five, and `DEFAULT_TIME_SIGNATURE` in four places under two names. The guard reads the list of names **from music_types at runtime** rather than restating it, because a check against duplication that duplicates what it checks would drift like everything else; its `ALLOWED` list is empty on purpose, so an exemption is a decision somebody writes down. Two shapes matter beyond the constants themselves. **A closed vocabulary is declared as an array and the type read off it** (`export const DYNAMICS = [...] as const; export type Dynamic = (typeof DYNAMICS)[number];`) — a TypeScript union has no runtime form, so anything that must *validate* a value has to write the list out again, which is exactly how music_api's decoder came to check generated music against its own private copy. **A label or option list keyed by the vocabulary is a `Record<T, ...>`, never a parallel array** — a record fails to compile when a member is added, an array silently goes on offering the old set; that is why the inspector's picker lists are `ACCIDENTAL_OPTIONS`/`ARTICULATION_OPTIONS` built from the vocabulary rather than `ACCIDENTALS`/`ARTICULATIONS` retyped. Test fixtures follow the same rule: the score fixtures live once, in `@sudobility/music_types/test`, and a package that needs a rendering fixture of its own re-exports them and adds to them.

package/dist/domain/instruments/gm-catalogue.d.ts

@@ -0,0 +1,41 @@
+import type { GmFamily } from "./gm.js";
+import { FULL_KEYBOARD, type MidiRange } from "./gm-range.js";
+import { UNLIMITED_POLYPHONY } from "./gm-polyphony.js";
+/** How much to trust a row's numbers. See the module doc. */
+export declare const INSTRUMENT_BASES: readonly ["measured", "tunable", "synthetic", "unpitched", "assumed"];
+export type InstrumentBasis = (typeof INSTRUMENT_BASES)[number];
+export type GmInstrumentSpec = {
+    program: number;
+    name: string;
+    family: GmFamily;
+    /** Sounding compass, inclusive. */
+    range: MidiRange;
+    /** Notes that can sound at once; `UNLIMITED_POLYPHONY` for anything chordal. */
+    maxPolyphony: number;
+    /** Semitones to ADD to a sounding pitch to get the written one. */
+    writtenTransposition: number;
+    basis: InstrumentBasis;
+    /** Why these numbers, in one line. */
+    note: string;
+};
+/** The catalogue, in program order. */
+export declare const GM_CATALOGUE: readonly GmInstrumentSpec[];
+/**
+ * The row for `program`, or `null` outside 0-127.
+ *
+ * Every other instrument accessor reads this, so there is one lookup to get
+ * wrong rather than four.
+ */
+export declare function gmSpec(program: number): GmInstrumentSpec | null;
+/**
+ * Whether a note outside this instrument's range is worth refusing.
+ *
+ * False for a synthetic patch, a sound effect, and — importantly — anything
+ * whose compass was never verified: refusing a note against a number nobody
+ * checked is worse than not checking, because it rejects music that was fine.
+ */
+export declare function gmRangeIsBinding(program: number): boolean;
+/** Guard: the families in program order, so a row cannot claim the wrong one. */
+export declare function gmFamilyForProgram(program: number): GmFamily;
+export { FULL_KEYBOARD, UNLIMITED_POLYPHONY };
+//# sourceMappingURL=gm-catalogue.d.ts.map

package/dist/domain/instruments/gm-catalogue.d.ts.map

@@ -0,0 +1 @@
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package/dist/domain/instruments/gm-catalogue.js

@@ -0,0 +1,242 @@
+/**
+ * Every General MIDI program, one row each, stating its own numbers.
+ *
+ * This replaced four tables that each held a family default plus a handful of
+ * per-program overrides. That shape looked like deduplication and was not: 90
+ * of the 128 programs inherited a range nobody had chosen for them, and an
+ * inherited value was indistinguishable from a researched one. It hid a real
+ * bug — Muted Trumpet had no transposition entry, so a B-flat trumpet with a
+ * mute in the bell was treated as non-transposing and its part displayed a
+ * whole tone wrong — and it quietly gave the Clavinet an 88-key piano compass,
+ * and gave the flute's exact range to five instruments that share none of it.
+ *
+ * One row per program costs some repetition where eight guitars really do
+ * share a compass. That repetition is the point: writing it eight times is a
+ * decision somebody made, where inheriting it eight times is a question nobody
+ * was asked.
+ *
+ * `basis` is what makes this honest, and it is the field to read before
+ * trusting a number:
+ *
+ * - `measured`   — checked against a source for that instrument.
+ * - `tunable`    — the instrument has no fixed absolute pitch. A shamisen is
+ *                  tuned to the singer, a koto to the piece, an mbira to
+ *                  notes that are not on the tempered scale at all, and a pan
+ *                  flute or hammered dulcimer is built in many sizes. The
+ *                  range is a typical span, and refusing a note against it
+ *                  would be refusing against the sampler rather than the
+ *                  instrument.
+ * - `synthetic`  — an electronic patch with no acoustic compass. The range is
+ *                  the full keyboard because narrowing it would be a fiction.
+ * - `unpitched`  — a sound effect. There is no pitch to be outside of.
+ * - `assumed`    — NOT verified. Carried over from the old family default and
+ *                  left deliberately wide. Anything reading these numbers to
+ *                  refuse a note must not refuse on an `assumed` row.
+ */
+import { GM_FAMILIES } from "./gm.js";
+import { FULL_KEYBOARD } from "./gm-range.js";
+import { UNLIMITED_POLYPHONY } from "./gm-polyphony.js";
+/** How much to trust a row's numbers. See the module doc. */
+export const INSTRUMENT_BASES = [
+    "measured",
+    "tunable",
+    "synthetic",
+    "unpitched",
+    "assumed",
+];
+const ROWS = [
+    { program: 0, name: "Acoustic Grand Piano", family: "piano", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "A0-C8, the 88-key piano" },
+    { program: 1, name: "Bright Acoustic Piano", family: "piano", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "an acoustic piano" },
+    { program: 2, name: "Electric Grand Piano", family: "piano", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "an electric grand is a full-size piano action" },
+    { program: 3, name: "Honky-tonk Piano", family: "piano", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "a tack piano is a piano" },
+    { program: 4, name: "Electric Piano 1", family: "piano", min: 28, max: 100, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "Rhodes 73: 73 keys from E1, so E1-E7" },
+    { program: 5, name: "Electric Piano 2", family: "piano", min: 29, max: 88, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "Wurlitzer 200A: 64 keys, A1-C7 is often cited; the 60-key F1-E6 span is the conservative overlap" },
+    { program: 6, name: "Harpsichord", family: "piano", min: 29, max: 89, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "F1-F6, the standard two-manual compass" },
+    { program: 7, name: "Clavinet", family: "piano", min: 29, max: 88, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "Clavinet D6: 60 keys, F1-E6 (Wikipedia)" },
+    { program: 8, name: "Celesta", family: "chromatic-percussion", min: 60, max: 108, poly: UNLIMITED_POLYPHONY, transpose: -12, basis: "measured", note: "C4-C8 sounding; written an octave lower" },
+    { program: 9, name: "Glockenspiel", family: "chromatic-percussion", min: 79, max: 108, poly: UNLIMITED_POLYPHONY, transpose: -24, basis: "measured", note: "G5-C8 sounding; written two octaves lower" },
+    { program: 10, name: "Music Box", family: "chromatic-percussion", min: 48, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "tunable", note: "a movement is built for one tune and spans about two and a half octaves" },
+    { program: 11, name: "Vibraphone", family: "chromatic-percussion", min: 53, max: 89, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "F3-F6, three octaves" },
+    { program: 12, name: "Marimba", family: "chromatic-percussion", min: 36, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "C2-C7, the five-octave concert marimba" },
+    { program: 13, name: "Xylophone", family: "chromatic-percussion", min: 65, max: 108, poly: UNLIMITED_POLYPHONY, transpose: -12, basis: "measured", note: "F4-C8 sounding; written an octave lower" },
+    { program: 14, name: "Tubular Bells", family: "chromatic-percussion", min: 60, max: 79, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "orchestral chimes are written C4-F5, though professional models reach G5" },
+    { program: 15, name: "Dulcimer", family: "chromatic-percussion", min: 48, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "tunable", note: "hammered dulcimers are built 15/14, 16/15 and larger, spanning about three octaves" },
+    { program: 16, name: "Drawbar Organ", family: "organ", min: 36, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "Hammond drawbar manual: 61 keys, C2-C7" },
+    { program: 17, name: "Percussive Organ", family: "organ", min: 36, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "same manual" },
+    { program: 18, name: "Rock Organ", family: "organ", min: 36, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "same manual" },
+    { program: 19, name: "Church Organ", family: "organ", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "C1-C7 manuals; the 32' pedal reaches lower but is a separate part" },
+    { program: 20, name: "Reed Organ", family: "organ", min: 36, max: 84, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "a reed organ is commonly 39-49 keys, about four octaves" },
+    { program: 21, name: "Accordion", family: "organ", min: 41, max: 81, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "piano-accordion right hand, F2-A5 on a 41-key model" },
+    { program: 22, name: "Harmonica", family: "organ", min: 60, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "12-hole chromatic, C4-C7" },
+    { program: 23, name: "Tango Accordion", family: "organ", min: 41, max: 81, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "as the accordion above" },
+    { program: 24, name: "Acoustic Guitar (nylon)", family: "guitar", min: 40, max: 88, poly: 6, transpose: 12, basis: "measured", note: "six strings, low E2 up to E6 at the top fret" },
+    { program: 25, name: "Acoustic Guitar (steel)", family: "guitar", min: 40, max: 88, poly: 6, transpose: 12, basis: "measured", note: "six strings, low E2 up to E6 at the top fret" },
+    { program: 26, name: "Electric Guitar (jazz)", family: "guitar", min: 40, max: 88, poly: 6, transpose: 12, basis: "measured", note: "six strings, low E2 up to E6 at the top fret" },
+    { program: 27, name: "Electric Guitar (clean)", family: "guitar", min: 40, max: 88, poly: 6, transpose: 12, basis: "measured", note: "six strings, low E2 up to E6 at the top fret" },
+    { program: 28, name: "Electric Guitar (muted)", family: "guitar", min: 40, max: 88, poly: 6, transpose: 12, basis: "measured", note: "six strings, low E2 up to E6 at the top fret" },
+    { program: 29, name: "Overdriven Guitar", family: "guitar", min: 40, max: 88, poly: 6, transpose: 12, basis: "measured", note: "six strings, low E2 up to E6 at the top fret" },
+    { program: 30, name: "Distortion Guitar", family: "guitar", min: 40, max: 88, poly: 6, transpose: 12, basis: "measured", note: "six strings, low E2 up to E6 at the top fret" },
+    { program: 31, name: "Guitar Harmonics", family: "guitar", min: 40, max: 88, poly: 6, transpose: 12, basis: "measured", note: "six strings, low E2 up to E6 at the top fret" },
+    { program: 32, name: "Acoustic Bass", family: "bass", min: 28, max: 67, poly: 4, transpose: 12, basis: "measured", note: "four strings, low E1 up to G4 at the top fret" },
+    { program: 33, name: "Electric Bass (finger)", family: "bass", min: 28, max: 67, poly: 4, transpose: 12, basis: "measured", note: "four strings, low E1 up to G4 at the top fret" },
+    { program: 34, name: "Electric Bass (pick)", family: "bass", min: 28, max: 67, poly: 4, transpose: 12, basis: "measured", note: "four strings, low E1 up to G4 at the top fret" },
+    { program: 35, name: "Fretless Bass", family: "bass", min: 28, max: 67, poly: 4, transpose: 12, basis: "measured", note: "four strings, low E1 up to G4 at the top fret" },
+    { program: 36, name: "Slap Bass 1", family: "bass", min: 28, max: 67, poly: 4, transpose: 12, basis: "measured", note: "four strings, low E1 up to G4 at the top fret" },
+    { program: 37, name: "Slap Bass 2", family: "bass", min: 28, max: 67, poly: 4, transpose: 12, basis: "measured", note: "four strings, low E1 up to G4 at the top fret" },
+    { program: 38, name: "Synth Bass 1", family: "bass", min: 28, max: 67, poly: 4, transpose: 12, basis: "measured", note: "four strings, low E1 up to G4 at the top fret" },
+    { program: 39, name: "Synth Bass 2", family: "bass", min: 28, max: 67, poly: 4, transpose: 12, basis: "measured", note: "four strings, low E1 up to G4 at the top fret" },
+    { program: 40, name: "Violin", family: "strings", min: 55, max: 100, poly: 2, transpose: 0, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 41, name: "Viola", family: "strings", min: 48, max: 88, poly: 2, transpose: 0, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 42, name: "Cello", family: "strings", min: 36, max: 84, poly: 2, transpose: 0, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 43, name: "Contrabass", family: "strings", min: 28, max: 67, poly: 2, transpose: 12, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 44, name: "Tremolo Strings", family: "strings", min: 28, max: 100, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "a tremolo STRING SECTION: the union of its instruments, and it plays chords" },
+    { program: 45, name: "Pizzicato Strings", family: "strings", min: 28, max: 100, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "a pizzicato STRING SECTION: the union of its instruments, and it plays chords" },
+    { program: 46, name: "Orchestral Harp", family: "strings", min: 24, max: 103, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 47, name: "Timpani", family: "strings", min: 38, max: 57, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "D2-A3 across a set; a timpanist plays several drums and can sound them together" },
+    { program: 48, name: "String Ensemble 1", family: "ensemble", min: 28, max: 100, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "the string section: contrabass floor to violin ceiling" },
+    { program: 49, name: "String Ensemble 2", family: "ensemble", min: 28, max: 100, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "the string section: contrabass floor to violin ceiling" },
+    { program: 50, name: "Synth Strings 1", family: "ensemble", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "a synth pad in the shape of strings" },
+    { program: 51, name: "Synth Strings 2", family: "ensemble", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "a synth pad in the shape of strings" },
+    { program: 52, name: "Choir Aahs", family: "ensemble", min: 48, max: 84, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 53, name: "Voice Oohs", family: "ensemble", min: 48, max: 84, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 54, name: "Synth Voice", family: "ensemble", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "a synthesised voice, not a singer" },
+    { program: 55, name: "Orchestra Hit", family: "ensemble", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "a sampled orchestral stab, not an instrument with a compass" },
+    { program: 56, name: "Trumpet", family: "brass", min: 52, max: 86, poly: 1, transpose: 2, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 57, name: "Trombone", family: "brass", min: 40, max: 77, poly: 1, transpose: 0, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 58, name: "Tuba", family: "brass", min: 26, max: 65, poly: 1, transpose: 0, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 59, name: "Muted Trumpet", family: "brass", min: 52, max: 86, poly: 1, transpose: 2, basis: "measured", note: "a muted trumpet is a B-flat trumpet with a mute in the bell" },
+    { program: 60, name: "French Horn", family: "brass", min: 35, max: 77, poly: 1, transpose: 7, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 61, name: "Brass Section", family: "brass", min: 26, max: 86, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "the brass section: tuba floor to trumpet ceiling" },
+    { program: 62, name: "Synth Brass 1", family: "brass", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "a synth patch in the shape of brass" },
+    { program: 63, name: "Synth Brass 2", family: "brass", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "a synth patch in the shape of brass" },
+    { program: 64, name: "Soprano Sax", family: "reed", min: 56, max: 88, poly: 1, transpose: 2, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 65, name: "Alto Sax", family: "reed", min: 49, max: 81, poly: 1, transpose: 9, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 66, name: "Tenor Sax", family: "reed", min: 44, max: 76, poly: 1, transpose: 14, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 67, name: "Baritone Sax", family: "reed", min: 36, max: 69, poly: 1, transpose: 21, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 68, name: "Oboe", family: "reed", min: 58, max: 91, poly: 1, transpose: 0, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 69, name: "English Horn", family: "reed", min: 52, max: 81, poly: 1, transpose: 7, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 70, name: "Bassoon", family: "reed", min: 34, max: 75, poly: 1, transpose: 0, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 71, name: "Clarinet", family: "reed", min: 50, max: 94, poly: 1, transpose: 2, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 72, name: "Piccolo", family: "pipe", min: 74, max: 108, poly: 1, transpose: -12, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 73, name: "Flute", family: "pipe", min: 60, max: 98, poly: 1, transpose: 0, basis: "measured", note: "checked against an orchestration range chart" },
+    { program: 74, name: "Recorder", family: "pipe", min: 65, max: 98, poly: 1, transpose: 0, basis: "measured", note: "alto F4-G6 and soprano C5-D7 together; GM does not say which" },
+    { program: 75, name: "Pan Flute", family: "pipe", min: 55, max: 91, poly: 1, transpose: 0, basis: "tunable", note: "a Romanian nai is built in 20, 22, 25, 28 and 30 pipes, in G or in C; 22 tubes in G spans about three octaves" },
+    { program: 76, name: "Blown Bottle", family: "pipe", min: 48, max: 96, poly: 1, transpose: 0, basis: "tunable", note: "the pitch of a blown bottle is the bottle" },
+    { program: 77, name: "Shakuhachi", family: "pipe", min: 62, max: 91, poly: 1, transpose: 0, basis: "measured", note: "1.8 shakuhachi: D4 fundamental, two octaves and a partial third" },
+    { program: 78, name: "Whistle", family: "pipe", min: 74, max: 98, poly: 1, transpose: 0, basis: "measured", note: "a D tin whistle: D5-D7, two octaves" },
+    { program: 79, name: "Ocarina", family: "pipe", min: 69, max: 89, poly: 1, transpose: 0, basis: "measured", note: "a 12-hole alto C ocarina: A4-F6, the octave and a sixth Wikipedia gives" },
+    { program: 80, name: "Lead 1 (square)", family: "synth-lead", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 81, name: "Lead 2 (sawtooth)", family: "synth-lead", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 82, name: "Lead 3 (calliope)", family: "synth-lead", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 83, name: "Lead 4 (chiff)", family: "synth-lead", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 84, name: "Lead 5 (charang)", family: "synth-lead", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 85, name: "Lead 6 (voice)", family: "synth-lead", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 86, name: "Lead 7 (fifths)", family: "synth-lead", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 87, name: "Lead 8 (bass + lead)", family: "synth-lead", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 88, name: "Pad 1 (new age)", family: "synth-pad", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 89, name: "Pad 2 (warm)", family: "synth-pad", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 90, name: "Pad 3 (polysynth)", family: "synth-pad", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 91, name: "Pad 4 (choir)", family: "synth-pad", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 92, name: "Pad 5 (bowed)", family: "synth-pad", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 93, name: "Pad 6 (metallic)", family: "synth-pad", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 94, name: "Pad 7 (halo)", family: "synth-pad", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 95, name: "Pad 8 (sweep)", family: "synth-pad", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 96, name: "FX 1 (rain)", family: "synth-effects", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 97, name: "FX 2 (soundtrack)", family: "synth-effects", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 98, name: "FX 3 (crystal)", family: "synth-effects", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 99, name: "FX 4 (atmosphere)", family: "synth-effects", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 100, name: "FX 5 (brightness)", family: "synth-effects", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 101, name: "FX 6 (goblins)", family: "synth-effects", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 102, name: "FX 7 (echoes)", family: "synth-effects", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 103, name: "FX 8 (sci-fi)", family: "synth-effects", min: 24, max: 96, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic patch has no acoustic compass" },
+    { program: 104, name: "Sitar", family: "ethnic", min: 40, max: 84, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "tunable", note: "a sitar is tuned to the singer, not to concert pitch" },
+    { program: 105, name: "Banjo", family: "ethnic", min: 48, max: 84, poly: 5, transpose: 0, basis: "measured", note: "5-string banjo open G reaches D3; tenor banjo down to C3; up to about C6" },
+    { program: 106, name: "Shamisen", family: "ethnic", min: 48, max: 79, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "tunable", note: "a shamisen is tuned to whatever register the singer wants" },
+    { program: 107, name: "Koto", family: "ethnic", min: 43, max: 84, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "tunable", note: "a koto is tuned to the piece before it is played" },
+    { program: 108, name: "Kalimba", family: "ethnic", min: 53, max: 89, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "tunable", note: "mbira and kalimba tunings vary by maker and are often not on the tempered scale" },
+    { program: 109, name: "Bagpipe", family: "ethnic", min: 62, max: 86, poly: 1, transpose: 0, basis: "measured", note: "General MIDI says only \"Bagpipe\": the Highland chanter is nine notes G4-A5, the uilleann chanter two octaves from D4, so this is the pair" },
+    { program: 110, name: "Fiddle", family: "ethnic", min: 55, max: 100, poly: 2, transpose: 0, basis: "measured", note: "a fiddle is a violin: G3-E7" },
+    { program: 111, name: "Shanai", family: "ethnic", min: 57, max: 81, poly: 1, transpose: 0, basis: "measured", note: "the shehnai: A3-A5, two octaves" },
+    { program: 112, name: "Tinkle Bell", family: "percussive", min: 48, max: 84, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "a tinkle bell has a sound, not a scale" },
+    { program: 113, name: "Agogo", family: "percussive", min: 48, max: 84, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "an agogo is two or three bells, not a scale" },
+    { program: 114, name: "Steel Drums", family: "percussive", min: 33, max: 91, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "measured", note: "steelpan family A1-G6" },
+    { program: 115, name: "Woodblock", family: "percussive", min: 48, max: 84, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "a woodblock has a sound, not a scale" },
+    { program: 116, name: "Taiko Drum", family: "percussive", min: 48, max: 84, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "tunable", note: "a taiko is tuned by its head tension; a set has no standard compass" },
+    { program: 117, name: "Melodic Tom", family: "percussive", min: 48, max: 84, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "tunable", note: "a melodic tom set is tuned by the player" },
+    { program: 118, name: "Synth Drum", family: "percussive", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "synthetic", note: "an electronic drum voice" },
+    { program: 119, name: "Reverse Cymbal", family: "percussive", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "reverse cymbal is an effect, not a pitch" },
+    { program: 120, name: "Guitar Fret Noise", family: "sound-effects", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "sound effect" },
+    { program: 121, name: "Breath Noise", family: "sound-effects", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "sound effect" },
+    { program: 122, name: "Seashore", family: "sound-effects", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "sound effect" },
+    { program: 123, name: "Bird Tweet", family: "sound-effects", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "sound effect" },
+    { program: 124, name: "Telephone Ring", family: "sound-effects", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "sound effect" },
+    { program: 125, name: "Helicopter", family: "sound-effects", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "sound effect" },
+    { program: 126, name: "Applause", family: "sound-effects", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "sound effect" },
+    { program: 127, name: "Gunshot", family: "sound-effects", min: 21, max: 108, poly: UNLIMITED_POLYPHONY, transpose: 0, basis: "unpitched", note: "sound effect" },
+];
+/**
+ * Section patches take the union of the instruments in them, computed rather
+ * than typed, so a string section cannot end up narrower than the cello
+ * sitting inside it when the cello's own row is corrected.
+ */
+const SECTION_MEMBERS = {
+    44: [40, 41, 42, 43], // Tremolo Strings
+    45: [40, 41, 42, 43], // Pizzicato Strings
+    48: [40, 41, 42, 43], // String Ensemble 1
+    49: [40, 41, 42, 43], // String Ensemble 2
+    61: [56, 57, 58, 60], // Brass Section: trumpet, trombone, tuba, horn
+};
+/** The catalogue, in program order. */
+export const GM_CATALOGUE = ROWS.map((r) => ({
+    program: r.program,
+    name: r.name,
+    family: r.family,
+    range: SECTION_MEMBERS[r.program]
+        ? sectionRange(...SECTION_MEMBERS[r.program])
+        : { min: r.min, max: r.max },
+    maxPolyphony: r.poly,
+    writtenTransposition: r.transpose,
+    basis: r.basis,
+    note: r.note,
+}));
+/**
+ * The row for `program`, or `null` outside 0-127.
+ *
+ * Every other instrument accessor reads this, so there is one lookup to get
+ * wrong rather than four.
+ */
+export function gmSpec(program) {
+    return GM_CATALOGUE[program] ?? null;
+}
+/**
+ * Whether a note outside this instrument's range is worth refusing.
+ *
+ * False for a synthetic patch, a sound effect, and — importantly — anything
+ * whose compass was never verified: refusing a note against a number nobody
+ * checked is worse than not checking, because it rejects music that was fine.
+ */
+export function gmRangeIsBinding(program) {
+    return gmSpec(program)?.basis === "measured";
+}
+/**
+ * The compass of a section patch: the union of the instruments in it.
+ *
+ * Derived rather than looked up, so a string section cannot end up narrower
+ * than the cello sitting inside it.
+ */
+function sectionRange(...programs) {
+    const specs = programs.map((p) => ROWS[p]);
+    return {
+        min: Math.min(...specs.map((r) => r.min)),
+        max: Math.max(...specs.map((r) => r.max)),
+    };
+}
+/** Guard: the families in program order, so a row cannot claim the wrong one. */
+export function gmFamilyForProgram(program) {
+    const family = GM_FAMILIES[Math.floor(program / 8)];
+    if (!family)
+        throw new RangeError(`no General MIDI family for ${program}`);
+    return family;
+}
+export { FULL_KEYBOARD, UNLIMITED_POLYPHONY };
+//# sourceMappingURL=gm-catalogue.js.map

package/dist/domain/instruments/gm-catalogue.js.map

@@ -0,0 +1 @@
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package/dist/domain/instruments/gm-polyphony.d.ts

@@ -3,9 +3,9 @@ export declare const UNLIMITED_POLYPHONY: number;
 /**
  * The most notes `program` can sound simultaneously.
  *
- * Returns `UNLIMITED_POLYPHONY` for anything chordal, and for any program
- * outside 0-127 — an unknown instrument gets the benefit of the doubt rather
- * than having edits blocked against a guess.
+ * `UNLIMITED_POLYPHONY` for anything chordal and for any program outside
+ * 0-127: an unknown instrument gets the benefit of the doubt rather than
+ * having edits blocked against a guess.
  */
 export declare function gmMaxPolyphony(program: number): number;
 /** Whether `program` can sound `count` notes at once. */

package/dist/domain/instruments/gm-polyphony.d.ts.map

@@ -1 +1 @@
-{"version":3,"file":"gm-polyphony.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/gm-polyphony.ts"],"names":[],"mappings":"AAgBA,8EAA8E;AAC9E,eAAO,MAAM,mBAAmB,QAA2B,CAAC;AA4C5D;;;;;;GAMG;AACH,wBAAgB,cAAc,CAAC,OAAO,EAAE,MAAM,GAAG,MAAM,CAMtD;AAED,yDAAyD;AACzD,wBAAgB,eAAe,CAAC,OAAO,EAAE,MAAM,EAAE,KAAK,EAAE,MAAM,GAAG,OAAO,CAEvE"}
+{"version":3,"file":"gm-polyphony.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/gm-polyphony.ts"],"names":[],"mappings":"AAkBA,8EAA8E;AAC9E,eAAO,MAAM,mBAAmB,QAA2B,CAAC;AAE5D;;;;;;GAMG;AACH,wBAAgB,cAAc,CAAC,OAAO,EAAE,MAAM,GAAG,MAAM,CAEtD;AAED,yDAAyD;AACzD,wBAAgB,eAAe,CAAC,OAAO,EAAE,MAAM,EAAE,KAAK,EAAE,MAAM,GAAG,OAAO,CAEvE"}

package/dist/domain/instruments/gm-polyphony.js

@@ -1,73 +1,31 @@
 /**
  * How many notes a General MIDI program can sound at once.
  *
- * General MIDI says nothing about this, so — like `gm-range.ts` — it is a
- * curated table: a default per family, with overrides where the family default
- * would be wrong. The numbers are physical facts about the instruments, not
- * preferences: a trumpet player has one airstream, a guitar has six strings, a
- * violinist can bow two strings at once (and briefly break three).
+ * General MIDI says nothing about this, so the numbers are ours. They are
+ * physical facts about the instruments rather than preferences: a trumpet
+ * player has one airstream, a guitar has six strings, a banjo five, a violinist
+ * can bow two at once (and briefly break three).
+ *
+ * They live in `gm-catalogue.ts`, one row per program, alongside that
+ * program's range and transposition — see that module for why a family default
+ * plus overrides turned out to be the wrong shape for this.
  *
  * This exists so the editor can refuse to write a chord nobody could play. It
  * deliberately does NOT describe what a synthesizer patch can do — polyphony
  * there is a setting, not a limit — so every synth family is unlimited.
  */
-import { gmFamilyOf, gmInstrument } from "./gm.js";
+import { gmSpec } from "./gm-catalogue.js";
 /** No physical limit: keyboards, plucked strings, sections, synths, drums. */
 export const UNLIMITED_POLYPHONY = Number.POSITIVE_INFINITY;
-/**
- * Family defaults.
- *
- * Wind and brass are 1 because one player has one airstream. Bowed strings are
- * 2 for double stops. Everything else is unlimited — including the synth
- * families, where polyphony is a patch setting rather than a property of the
- * instrument, and blocking a chord there would be an invented restriction.
- */
-const FAMILY_POLYPHONY = {
-    piano: UNLIMITED_POLYPHONY,
-    "chromatic-percussion": UNLIMITED_POLYPHONY,
-    organ: UNLIMITED_POLYPHONY,
-    guitar: 6,
-    bass: 4,
-    strings: 2,
-    ensemble: UNLIMITED_POLYPHONY,
-    brass: 1,
-    reed: 1,
-    pipe: 1,
-    "synth-lead": UNLIMITED_POLYPHONY,
-    "synth-pad": UNLIMITED_POLYPHONY,
-    "synth-effects": UNLIMITED_POLYPHONY,
-    ethnic: UNLIMITED_POLYPHONY,
-    percussive: UNLIMITED_POLYPHONY,
-    "sound-effects": UNLIMITED_POLYPHONY,
-};
-/** Programs whose own limit differs from their family's. */
-const PROGRAM_POLYPHONY = {
-    // In the strings family but not bowed: both are chordal instruments.
-    46: UNLIMITED_POLYPHONY, // Orchestral Harp
-    47: UNLIMITED_POLYPHONY, // Timpani — a set of drums, not one
-    // Sections, not soloists, despite sitting in the brass family.
-    61: UNLIMITED_POLYPHONY, // Brass Section
-    62: UNLIMITED_POLYPHONY, // Synth Brass 1
-    63: UNLIMITED_POLYPHONY, // Synth Brass 2
-    // Single-line players inside the otherwise-chordal ethnic family.
-    109: 1, // Bagpipe
-    110: 2, // Fiddle — bowed, so double stops
-    111: 1, // Shanai
-};
 /**
  * The most notes `program` can sound simultaneously.
  *
- * Returns `UNLIMITED_POLYPHONY` for anything chordal, and for any program
- * outside 0-127 — an unknown instrument gets the benefit of the doubt rather
- * than having edits blocked against a guess.
+ * `UNLIMITED_POLYPHONY` for anything chordal and for any program outside
+ * 0-127: an unknown instrument gets the benefit of the doubt rather than
+ * having edits blocked against a guess.
  */
 export function gmMaxPolyphony(program) {
-    const override = PROGRAM_POLYPHONY[program];
-    if (override !== undefined)
-        return override;
-    return gmInstrument(program)
-        ? FAMILY_POLYPHONY[gmFamilyOf(program)]
-        : UNLIMITED_POLYPHONY;
+    return gmSpec(program)?.maxPolyphony ?? UNLIMITED_POLYPHONY;
 }
 /** Whether `program` can sound `count` notes at once. */
 export function gmSupportsChord(program, count) {

package/dist/domain/instruments/gm-polyphony.js.map

@@ -1 +1 @@
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+{"version":3,"file":"gm-polyphony.js","sourceRoot":"","sources":["../../../src/domain/instruments/gm-polyphony.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;GAeG;AACH,OAAO,EAAE,MAAM,EAAE,MAAM,mBAAmB,CAAC;AAE3C,8EAA8E;AAC9E,MAAM,CAAC,MAAM,mBAAmB,GAAG,MAAM,CAAC,iBAAiB,CAAC;AAE5D;;;;;;GAMG;AACH,MAAM,UAAU,cAAc,CAAC,OAAe;IAC5C,OAAO,MAAM,CAAC,OAAO,CAAC,EAAE,YAAY,IAAI,mBAAmB,CAAC;AAC9D,CAAC;AAED,yDAAyD;AACzD,MAAM,UAAU,eAAe,CAAC,OAAe,EAAE,KAAa;IAC5D,OAAO,KAAK,IAAI,cAAc,CAAC,OAAO,CAAC,CAAC;AAC1C,CAAC"}

package/dist/domain/instruments/gm-range.d.ts

@@ -1,4 +1,11 @@
-/** Inclusive MIDI note numbers. */
+/**
+ * An instrument's compass.
+ *
+ * The numbers themselves live in `gm-catalogue.ts`, one row per program. They
+ * used to live here as a family default plus 38 overrides, which meant 90
+ * programs inherited a compass nobody had chosen for them — see that module's
+ * doc for what that hid.
+ */
 export type MidiRange = {
     min: number;
     max: number;
@@ -6,10 +13,8 @@ export type MidiRange = {
 /** A0 to C8 — the 88-key piano, and the widest range anything here returns. */
 export declare const FULL_KEYBOARD: MidiRange;
 /**
- * The practical range for `program`: its own if it has one, else its family's.
- *
- * An out-of-range program has no family, so it falls back to the full keyboard
- * rather than guessing.
+ * The practical range for `program`, or the full keyboard for an unknown one —
+ * benefit of the doubt rather than edits blocked against a guess.
  */
 export declare function gmInstrumentRange(program: number): MidiRange;
 //# sourceMappingURL=gm-range.d.ts.map

package/dist/domain/instruments/gm-range.d.ts.map

@@ -1 +1 @@
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+{"version":3,"file":"gm-range.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/gm-range.ts"],"names":[],"mappings":"AAAA;;;;;;;GAOG;AACH,MAAM,MAAM,SAAS,GAAG;IAAE,GAAG,EAAE,MAAM,CAAC;IAAC,GAAG,EAAE,MAAM,CAAA;CAAE,CAAC;AAErD,+EAA+E;AAC/E,eAAO,MAAM,aAAa,EAAE,SAAiC,CAAC;AAI9D;;;GAGG;AACH,wBAAgB,iBAAiB,CAAC,OAAO,EAAE,MAAM,GAAG,SAAS,CAE5D"}

package/dist/domain/instruments/gm-range.js

@@ -1,97 +1,11 @@
-/**
- * A playable pitch range per General MIDI program.
- *
- * General MIDI defines names and programs but says nothing about compass, so
- * this is a curated table: a default per family, with overrides for the
- * instruments where the family default would be badly wrong. A piccolo and a
- * tuba are both "wind", and showing either one an 88-key piano tells the player
- * nothing about what will actually sound.
- *
- * The values are the conventional written-to-sounding ranges of the real
- * instruments, expressed as MIDI note numbers (60 = middle C). They are
- * intentionally the *practical* range rather than the extreme one — the point
- * is to show a keyboard whose keys are worth pressing, not to police input.
- * Nothing here restricts what can be written; it only decides which keys are
- * worth showing.
- */
-import { gmFamilyOf, gmInstrument } from "./gm.js";
 /** A0 to C8 — the 88-key piano, and the widest range anything here returns. */
 export const FULL_KEYBOARD = { min: 21, max: 108 };
+import { gmSpec } from "./gm-catalogue.js";
 /**
- * Family defaults. Synth and effects families get a wide range on purpose:
- * they have no acoustic compass to respect, so narrowing them would be a
- * fiction.
- */
-const FAMILY_RANGE = {
-    piano: { min: 21, max: 108 },
-    "chromatic-percussion": { min: 48, max: 96 },
-    organ: { min: 36, max: 96 },
-    guitar: { min: 40, max: 88 },
-    bass: { min: 28, max: 67 },
-    strings: { min: 36, max: 96 },
-    ensemble: { min: 36, max: 96 },
-    brass: { min: 34, max: 82 },
-    reed: { min: 44, max: 88 },
-    pipe: { min: 60, max: 98 },
-    "synth-lead": { min: 24, max: 96 },
-    "synth-pad": { min: 24, max: 96 },
-    "synth-effects": { min: 24, max: 96 },
-    ethnic: { min: 40, max: 84 },
-    percussive: { min: 48, max: 84 },
-    "sound-effects": { min: 21, max: 108 },
-};
-/** Instruments whose own compass differs enough from their family to matter. */
-const PROGRAM_RANGE = {
-    6: { min: 29, max: 89 }, // Harpsichord
-    8: { min: 60, max: 108 }, // Celesta
-    9: { min: 79, max: 108 }, // Glockenspiel
-    11: { min: 53, max: 89 }, // Vibraphone
-    12: { min: 36, max: 96 }, // Marimba
-    13: { min: 65, max: 108 }, // Xylophone
-    14: { min: 65, max: 89 }, // Tubular Bells
-    19: { min: 24, max: 96 }, // Church Organ
-    21: { min: 41, max: 81 }, // Accordion
-    22: { min: 60, max: 96 }, // Harmonica
-    40: { min: 55, max: 100 }, // Violin
-    41: { min: 48, max: 88 }, // Viola
-    42: { min: 36, max: 84 }, // Cello
-    43: { min: 28, max: 67 }, // Contrabass
-    46: { min: 24, max: 103 }, // Orchestral Harp
-    47: { min: 38, max: 57 }, // Timpani
-    52: { min: 48, max: 84 }, // Choir Aahs
-    53: { min: 48, max: 84 }, // Voice Oohs
-    56: { min: 52, max: 86 }, // Trumpet
-    57: { min: 40, max: 77 }, // Trombone
-    58: { min: 26, max: 65 }, // Tuba
-    60: { min: 35, max: 77 }, // French Horn
-    64: { min: 56, max: 88 }, // Soprano Sax
-    65: { min: 49, max: 81 }, // Alto Sax
-    66: { min: 44, max: 76 }, // Tenor Sax
-    67: { min: 36, max: 69 }, // Baritone Sax
-    68: { min: 58, max: 91 }, // Oboe
-    69: { min: 52, max: 81 }, // English Horn
-    70: { min: 34, max: 75 }, // Bassoon
-    71: { min: 50, max: 94 }, // Clarinet
-    72: { min: 74, max: 108 }, // Piccolo
-    73: { min: 60, max: 98 }, // Flute
-    74: { min: 65, max: 91 }, // Recorder
-    105: { min: 48, max: 81 }, // Banjo
-    106: { min: 48, max: 79 }, // Shamisen
-    107: { min: 43, max: 84 }, // Koto
-    108: { min: 53, max: 89 }, // Kalimba
-};
-/**
- * The practical range for `program`: its own if it has one, else its family's.
- *
- * An out-of-range program has no family, so it falls back to the full keyboard
- * rather than guessing.
+ * The practical range for `program`, or the full keyboard for an unknown one —
+ * benefit of the doubt rather than edits blocked against a guess.
  */
 export function gmInstrumentRange(program) {
-    const override = PROGRAM_RANGE[program];
-    if (override)
-        return override;
-    return gmInstrument(program)
-        ? FAMILY_RANGE[gmFamilyOf(program)]
-        : FULL_KEYBOARD;
+    return gmSpec(program)?.range ?? FULL_KEYBOARD;
 }
 //# sourceMappingURL=gm-range.js.map

package/dist/domain/instruments/gm-range.js.map

@@ -1 +1 @@
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+{"version":3,"file":"gm-range.js","sourceRoot":"","sources":["../../../src/domain/instruments/gm-range.ts"],"names":[],"mappings":"AAUA,+EAA+E;AAC/E,MAAM,CAAC,MAAM,aAAa,GAAc,EAAE,GAAG,EAAE,EAAE,EAAE,GAAG,EAAE,GAAG,EAAE,CAAC;AAE9D,OAAO,EAAE,MAAM,EAAE,MAAM,mBAAmB,CAAC;AAE3C;;;GAGG;AACH,MAAM,UAAU,iBAAiB,CAAC,OAAe;IAC/C,OAAO,MAAM,CAAC,OAAO,CAAC,EAAE,KAAK,IAAI,aAAa,CAAC;AACjD,CAAC"}

package/dist/domain/instruments/gm-transposition.d.ts

@@ -1,3 +1,15 @@
+/**
+ * How far a General MIDI program's written pitch sits from its sounding pitch.
+ *
+ * A transposing instrument is written in a key other than the one it sounds: a
+ * B♭ trumpet reads a tone above what comes out, so concert C is written D.
+ * This is a property of the instrument, not a preference — hand a clarinettist
+ * a part at concert pitch and every note is wrong.
+ *
+ * Curated like `gm-range.ts` and `gm-polyphony.ts`: a default with overrides
+ * for the programs that actually transpose. Most do not, so the table below is
+ * only the exceptions.
+ */
 /**
  * Semitones to add to `program`'s sounding pitch to get its written pitch.
  *

package/dist/domain/instruments/gm-transposition.d.ts.map

@@ -1 +1 @@
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+{"version":3,"file":"gm-transposition.d.ts","sourceRoot":"","sources":["../../../src/domain/instruments/gm-transposition.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;GAWG;AAKH;;;;;;GAMG;AACH,wBAAgB,sBAAsB,CAAC,OAAO,EAAE,MAAM,GAAG,MAAM,CAE9D;AAED,wEAAwE;AACxE,wBAAgB,eAAe,CAAC,OAAO,EAAE,MAAM,GAAG,OAAO,CAExD"}

package/dist/domain/instruments/gm-transposition.js

@@ -10,46 +10,8 @@
  * for the programs that actually transpose. Most do not, so the table below is
  * only the exceptions.
  */
-import { gmInstrument } from "./gm.js";
 /** Semitones to ADD to sounding pitch to get written pitch. */
-const PROGRAM_TRANSPOSITION = {
-    // Octave-transposing tuned percussion: written an octave (or two) below
-    // where they sound, so the reader is not chasing ledger lines.
-    8: -12, // Celesta
-    9: -24, // Glockenspiel
-    13: -12, // Xylophone
-    // Guitars and basses are written an octave above where they sound.
-    24: 12, // Acoustic Guitar (nylon)
-    25: 12, // Acoustic Guitar (steel)
-    26: 12, // Electric Guitar (jazz)
-    27: 12, // Electric Guitar (clean)
-    28: 12, // Electric Guitar (muted)
-    29: 12, // Overdriven Guitar
-    30: 12, // Distortion Guitar
-    31: 12, // Guitar Harmonics
-    32: 12, // Acoustic Bass
-    33: 12, // Electric Bass (finger)
-    34: 12, // Electric Bass (pick)
-    35: 12, // Fretless Bass
-    36: 12, // Slap Bass 1
-    37: 12, // Slap Bass 2
-    38: 12, // Synth Bass 1
-    39: 12, // Synth Bass 2
-    43: 12, // Contrabass
-    // Brass.
-    56: 2, // Trumpet — B♭
-    60: 7, // French Horn — F
-    // Reeds. The saxophone family transposes by four different intervals, which
-    // is why they cannot share a family default.
-    64: 2, // Soprano Sax — B♭
-    65: 9, // Alto Sax — E♭
-    66: 14, // Tenor Sax — B♭, a ninth below
-    67: 21, // Baritone Sax — E♭, an octave and a sixth below
-    69: 7, // English Horn — F
-    71: 2, // Clarinet — B♭
-    // Pipes.
-    72: -12, // Piccolo — sounds an octave above where it is written
-};
+import { gmSpec } from "./gm-catalogue.js";
 /**
  * Semitones to add to `program`'s sounding pitch to get its written pitch.
  *
@@ -58,9 +20,7 @@ const PROGRAM_TRANSPOSITION = {
  * which would be a silently wrong part.
  */
 export function gmWrittenTransposition(program) {
-    if (!gmInstrument(program))
-        return 0;
-    return PROGRAM_TRANSPOSITION[program] ?? 0;
+    return gmSpec(program)?.writtenTransposition ?? 0;
 }
 /** Whether `program` is written anywhere other than where it sounds. */
 export function gmIsTransposing(program) {

package/dist/domain/instruments/gm-transposition.js.map

@@ -1 +1 @@
-{"version":3,"file":"gm-transposition.js","sourceRoot":"","sources":["../../../src/domain/instruments/gm-transposition.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;GAWG;AACH,OAAO,EAAE,YAAY,EAAE,MAAM,SAAS,CAAC;AAEvC,+DAA+D;AAC/D,MAAM,qBAAqB,GAA2B;IACpD,wEAAwE;IACxE,+DAA+D;IAC/D,CAAC,EAAE,CAAC,EAAE,EAAE,UAAU;IAClB,CAAC,EAAE,CAAC,EAAE,EAAE,eAAe;IACvB,EAAE,EAAE,CAAC,EAAE,EAAE,YAAY;IAErB,mEAAmE;IACnE,EAAE,EAAE,EAAE,EAAE,0BAA0B;IAClC,EAAE,EAAE,EAAE,EAAE,0BAA0B;IAClC,EAAE,EAAE,EAAE,EAAE,yBAAyB;IACjC,EAAE,EAAE,EAAE,EAAE,0BAA0B;IAClC,EAAE,EAAE,EAAE,EAAE,0BAA0B;IAClC,EAAE,EAAE,EAAE,EAAE,oBAAoB;IAC5B,EAAE,EAAE,EAAE,EAAE,oBAAoB;IAC5B,EAAE,EAAE,EAAE,EAAE,mBAAmB;IAC3B,EAAE,EAAE,EAAE,EAAE,gBAAgB;IACxB,EAAE,EAAE,EAAE,EAAE,yBAAyB;IACjC,EAAE,EAAE,EAAE,EAAE,uBAAuB;IAC/B,EAAE,EAAE,EAAE,EAAE,gBAAgB;IACxB,EAAE,EAAE,EAAE,EAAE,cAAc;IACtB,EAAE,EAAE,EAAE,EAAE,cAAc;IACtB,EAAE,EAAE,EAAE,EAAE,eAAe;IACvB,EAAE,EAAE,EAAE,EAAE,eAAe;IACvB,EAAE,EAAE,EAAE,EAAE,aAAa;IAErB,SAAS;IACT,EAAE,EAAE,CAAC,EAAE,eAAe;IACtB,EAAE,EAAE,CAAC,EAAE,kBAAkB;IAEzB,4EAA4E;IAC5E,6CAA6C;IAC7C,EAAE,EAAE,CAAC,EAAE,mBAAmB;IAC1B,EAAE,EAAE,CAAC,EAAE,gBAAgB;IACvB,EAAE,EAAE,EAAE,EAAE,gCAAgC;IACxC,EAAE,EAAE,EAAE,EAAE,iDAAiD;IACzD,EAAE,EAAE,CAAC,EAAE,mBAAmB;IAC1B,EAAE,EAAE,CAAC,EAAE,gBAAgB;IAEvB,SAAS;IACT,EAAE,EAAE,CAAC,EAAE,EAAE,uDAAuD;CACjE,CAAC;AAEF;;;;;;GAMG;AACH,MAAM,UAAU,sBAAsB,CAAC,OAAe;IACpD,IAAI,CAAC,YAAY,CAAC,OAAO,CAAC;QAAE,OAAO,CAAC,CAAC;IACrC,OAAO,qBAAqB,CAAC,OAAO,CAAC,IAAI,CAAC,CAAC;AAC7C,CAAC;AAED,wEAAwE;AACxE,MAAM,UAAU,eAAe,CAAC,OAAe;IAC7C,OAAO,sBAAsB,CAAC,OAAO,CAAC,KAAK,CAAC,CAAC;AAC/C,CAAC"}
+{"version":3,"file":"gm-transposition.js","sourceRoot":"","sources":["../../../src/domain/instruments/gm-transposition.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;GAWG;AAEH,+DAA+D;AAC/D,OAAO,EAAE,MAAM,EAAE,MAAM,mBAAmB,CAAC;AAE3C;;;;;;GAMG;AACH,MAAM,UAAU,sBAAsB,CAAC,OAAe;IACpD,OAAO,MAAM,CAAC,OAAO,CAAC,EAAE,oBAAoB,IAAI,CAAC,CAAC;AACpD,CAAC;AAED,wEAAwE;AACxE,MAAM,UAAU,eAAe,CAAC,OAAe;IAC7C,OAAO,sBAAsB,CAAC,OAAO,CAAC,KAAK,CAAC,CAAC;AAC/C,CAAC"}

package/dist/index.d.ts

@@ -65,6 +65,7 @@ export * from "./domain/commands/edit-commands.js";
 export * from "./domain/commands/relocate-commands.js";
 export * from "./domain/commands/ripple-commands.js";
 export * from "./domain/instruments/gm.js";
+export * from "./domain/instruments/gm-catalogue.js";
 export * from "./domain/instruments/midi-protocol.js";
 export * from "./domain/instruments/gm-kit.js";
 export * from "./domain/instruments/gm-range.js";

package/dist/index.d.ts.map

@@ -1 +1 @@
-{"version":3,"file":"index.d.ts","sourceRoot":"","sources":["../src/index.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;;;;GAuBG;AASH,cAAc,kBAAkB,CAAC;AACjC,cAAc,oBAAoB,CAAC;AACnC,cAAc,uBAAuB,CAAC;AACtC,cAAc,gBAAgB,CAAC;AAC/B,cAAc,qBAAqB,CAAC;AACpC,cAAc,6BAA6B,CAAC;AAQ5C,cAAc,qBAAqB,CAAC;AACpC,cAAc,kBAAkB,CAAC;AAEjC,cAAc,oBAAoB,CAAC;AAKnC,cAAc,qBAAqB,CAAC;AAMpC,cAAc,yBAAyB,CAAC;AACxC,cAAc,6BAA6B,CAAC;AAC5C,cAAc,kCAAkC,CAAC;AACjD,cAAc,mCAAmC,CAAC;AAClD,cAAc,4BAA4B,CAAC;AAC3C,cAAc,2BAA2B,CAAC;AAC1C,cAAc,4BAA4B,CAAC;AAC3C,cAAc,uBAAuB,CAAC;AACtC,cAAc,2BAA2B,CAAC;AAC1C,cAAc,wBAAwB,CAAC;AACvC,cAAc,6BAA6B,CAAC;AAC5C,cAAc,4BAA4B,CAAC;AAC3C,cAAc,2BAA2B,CAAC;AAC1C,cAAc,4BAA4B,CAAC;AAC3C,cAAc,wBAAwB,CAAC;AACvC,cAAc,8BAA8B,CAAC;AAC7C,cAAc,+BAA+B,CAAC;AAC9C,cAAc,kCAAkC,CAAC;AACjD,cAAc,+BAA+B,CAAC;AAC9C,cAAc,+BAA+B,CAAC;AAM9C,cAAc,4BAA4B,CAAC;AAC3C,cAAc,6BAA6B,CAAC;AAC5C,cAAc,+BAA+B,CAAC;AAC9C,cAAc,yCAAyC,CAAC;AACxD,cAAc,qCAAqC,CAAC;AACpD,cAAc,sCAAsC,CAAC;AACrD,cAAc,oCAAoC,CAAC;AACnD,cAAc,iCAAiC,CAAC;AAChD,cAAc,sCAAsC,CAAC;AACrD,cAAc,oCAAoC,CAAC;AACnD,cAAc,wCAAwC,CAAC;AACvD,cAAc,sCAAsC,CAAC;AACrD,cAAc,4BAA4B,CAAC;AAC3C,cAAc,uCAAuC,CAAC;AACtD,cAAc,gCAAgC,CAAC;AAC/C,cAAc,kCAAkC,CAAC;AACjD,cAAc,sCAAsC,CAAC;AACrD,cAAc,0CAA0C,CAAC;AACzD,cAAc,uCAAuC,CAAC;AACtD,cAAc,iCAAiC,CAAC;AAChD,cAAc,uCAAuC,CAAC;AAItD,cAAc,8BAA8B,CAAC;AAC7C,cAAc,2CAA2C,CAAC;AAC1D,cAAc,iCAAiC,CAAC;AAChD,cAAc,kCAAkC,CAAC;AACjD,cAAc,wCAAwC,CAAC;AACvD,cAAc,4CAA4C,CAAC;AAC3D,cAAc,0CAA0C,CAAC;AACzD,cAAc,mCAAmC,CAAC;AAClD,cAAc,sCAAsC,CAAC;AACrD,cAAc,uCAAuC,CAAC;AACtD,cAAc,gCAAgC,CAAC;AAC/C,cAAc,+BAA+B,CAAC;AAC9C,cAAc,kCAAkC,CAAC;AACjD,cAAc,6BAA6B,CAAC;AAC5C,cAAc,4BAA4B,CAAC;AAC3C,cAAc,kCAAkC,CAAC;AACjD,cAAc,gCAAgC,CAAC;AAC/C,cAAc,iCAAiC,CAAC;AAChD,cAAc,2BAA2B,CAAC;AAC1C,cAAc,0BAA0B,CAAC;AACzC,cAAc,wCAAwC,CAAC;AACvD,cAAc,mCAAmC,CAAC;AAClD,cAAc,gCAAgC,CAAC;AAC/C,cAAc,iCAAiC,CAAC;AAChD,cAAc,iCAAiC,CAAC;AAChD,cAAc,oCAAoC,CAAC;AACnD,cAAc,yCAAyC,CAAC;AACxD,cAAc,yCAAyC,CAAC;AACxD,cAAc,mCAAmC,CAAC;AAClD,cAAc,qCAAqC,CAAC;AACpD,cAAc,qCAAqC,CAAC;AACpD,cAAc,8BAA8B,CAAC;AAC7C,cAAc,wBAAwB,CAAC;AACvC,cAAc,0BAA0B,CAAC"}
+{"version":3,"file":"index.d.ts","sourceRoot":"","sources":["../src/index.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;;;;GAuBG;AASH,cAAc,kBAAkB,CAAC;AACjC,cAAc,oBAAoB,CAAC;AACnC,cAAc,uBAAuB,CAAC;AACtC,cAAc,gBAAgB,CAAC;AAC/B,cAAc,qBAAqB,CAAC;AACpC,cAAc,6BAA6B,CAAC;AAQ5C,cAAc,qBAAqB,CAAC;AACpC,cAAc,kBAAkB,CAAC;AAEjC,cAAc,oBAAoB,CAAC;AAKnC,cAAc,qBAAqB,CAAC;AAMpC,cAAc,yBAAyB,CAAC;AACxC,cAAc,6BAA6B,CAAC;AAC5C,cAAc,kCAAkC,CAAC;AACjD,cAAc,mCAAmC,CAAC;AAClD,cAAc,4BAA4B,CAAC;AAC3C,cAAc,2BAA2B,CAAC;AAC1C,cAAc,4BAA4B,CAAC;AAC3C,cAAc,uBAAuB,CAAC;AACtC,cAAc,2BAA2B,CAAC;AAC1C,cAAc,wBAAwB,CAAC;AACvC,cAAc,6BAA6B,CAAC;AAC5C,cAAc,4BAA4B,CAAC;AAC3C,cAAc,2BAA2B,CAAC;AAC1C,cAAc,4BAA4B,CAAC;AAC3C,cAAc,wBAAwB,CAAC;AACvC,cAAc,8BAA8B,CAAC;AAC7C,cAAc,+BAA+B,CAAC;AAC9C,cAAc,kCAAkC,CAAC;AACjD,cAAc,+BAA+B,CAAC;AAC9C,cAAc,+BAA+B,CAAC;AAM9C,cAAc,4BAA4B,CAAC;AAC3C,cAAc,6BAA6B,CAAC;AAC5C,cAAc,+BAA+B,CAAC;AAC9C,cAAc,yCAAyC,CAAC;AACxD,cAAc,qCAAqC,CAAC;AACpD,cAAc,sCAAsC,CAAC;AACrD,cAAc,oCAAoC,CAAC;AACnD,cAAc,iCAAiC,CAAC;AAChD,cAAc,sCAAsC,CAAC;AACrD,cAAc,oCAAoC,CAAC;AACnD,cAAc,wCAAwC,CAAC;AACvD,cAAc,sCAAsC,CAAC;AACrD,cAAc,4BAA4B,CAAC;AAC3C,cAAc,sCAAsC,CAAC;AACrD,cAAc,uCAAuC,CAAC;AACtD,cAAc,gCAAgC,CAAC;AAC/C,cAAc,kCAAkC,CAAC;AACjD,cAAc,sCAAsC,CAAC;AACrD,cAAc,0CAA0C,CAAC;AACzD,cAAc,uCAAuC,CAAC;AACtD,cAAc,iCAAiC,CAAC;AAChD,cAAc,uCAAuC,CAAC;AAItD,cAAc,8BAA8B,CAAC;AAC7C,cAAc,2CAA2C,CAAC;AAC1D,cAAc,iCAAiC,CAAC;AAChD,cAAc,kCAAkC,CAAC;AACjD,cAAc,wCAAwC,CAAC;AACvD,cAAc,4CAA4C,CAAC;AAC3D,cAAc,0CAA0C,CAAC;AACzD,cAAc,mCAAmC,CAAC;AAClD,cAAc,sCAAsC,CAAC;AACrD,cAAc,uCAAuC,CAAC;AACtD,cAAc,gCAAgC,CAAC;AAC/C,cAAc,+BAA+B,CAAC;AAC9C,cAAc,kCAAkC,CAAC;AACjD,cAAc,6BAA6B,CAAC;AAC5C,cAAc,4BAA4B,CAAC;AAC3C,cAAc,kCAAkC,CAAC;AACjD,cAAc,gCAAgC,CAAC;AAC/C,cAAc,iCAAiC,CAAC;AAChD,cAAc,2BAA2B,CAAC;AAC1C,cAAc,0BAA0B,CAAC;AACzC,cAAc,wCAAwC,CAAC;AACvD,cAAc,mCAAmC,CAAC;AAClD,cAAc,gCAAgC,CAAC;AAC/C,cAAc,iCAAiC,CAAC;AAChD,cAAc,iCAAiC,CAAC;AAChD,cAAc,oCAAoC,CAAC;AACnD,cAAc,yCAAyC,CAAC;AACxD,cAAc,yCAAyC,CAAC;AACxD,cAAc,mCAAmC,CAAC;AAClD,cAAc,qCAAqC,CAAC;AACpD,cAAc,qCAAqC,CAAC;AACpD,cAAc,8BAA8B,CAAC;AAC7C,cAAc,wBAAwB,CAAC;AACvC,cAAc,0BAA0B,CAAC"}

package/dist/index.js

@@ -87,6 +87,7 @@ export * from "./domain/commands/edit-commands.js";
 export * from "./domain/commands/relocate-commands.js";
 export * from "./domain/commands/ripple-commands.js";
 export * from "./domain/instruments/gm.js";
+export * from "./domain/instruments/gm-catalogue.js";
 export * from "./domain/instruments/midi-protocol.js";
 export * from "./domain/instruments/gm-kit.js";
 export * from "./domain/instruments/gm-range.js";

package/dist/index.js.map

@@ -1 +1 @@
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package/package.json

@@ -1,6 +1,6 @@
 {
   "name": "@sudobility/music_types",
-  "version": "0.13.6",
+  "version": "0.13.8",
   "description": "TypeScript types and Zod schemas for the ScoreSmith music API - scores, generation contracts, project payloads",
   "type": "module",
   "main": "./dist/index.js",